@autoaiai/aicut 0.1.11 → 0.1.13

package/skills/brag/references/tones.md

@@ -1,231 +0,0 @@
-# Tone reference
-
-Seven tones. Each changes scripting energy, pacing, typography personality, and transition style.
-
----
-
-## `default`
-
-**Energy:** Playful, clean, postable. The product gets to be funny on its own terms.
-
-**Voice:** First person plural. Warm. Direct. No corporate language.
-
-**Typography:** Mixed case. Comfortable weight. Let words breathe.
-
-**Pacing:** 4-5 scenes. Each scene 3-5 seconds. Comfortable rhythm.
-
-**Hook style:** A simple question or observation that sets up the reveal.
-```
-Dating apps were built for humans.
-Obvious mistake.
-```
-
-**Highlight style:** Short punchy phrases. One idea per scene.
-```
-Swipe through eligible horses near your pasture.
-```
-
-**Outro style:** The product name, then a tagline. Light punchline.
-```
-Horse Tinder.
-Find your perfect stablemate.
-```
-
-**Transitions:** Crossfade or clean slide.
-
-**When to use:** Most absurd consumer apps. Projects that have personality without trying too hard.
-
----
-
-## `polished`
-
-**Energy:** Serious, elegant. Uses restraint as the creative choice.
-
-**Voice:** Third person or no voice. The product speaks for itself.
-
-**Typography:** Mixed case. Light-to-medium weight. Generous letter-spacing. Nothing aggressive.
-
-**Pacing:** 3-4 scenes. Each scene 4-6 seconds. Confidence through slow reveals.
-
-**Hook style:** A single strong image or the product name at full scale.
-
-**Highlight style:** One feature per scene. No bullets. No lists.
-```
-Wing certification
-upon completion.
-```
-
-**Outro style:** Product name. Tagline. Silence.
-
-**Transitions:** Slow crossfade (0.6-0.8s).
-
-**When to use:** Projects that aren't jokes. Products that want to feel premium. Anytime the user says "clean" or "elegant."
-
----
-
-## `yc-parody`
-
-**Energy:** Deadpan startup launch energy. The joke is how seriously it's delivered.
-
-**Voice:** Serious. Matter-of-fact. No winking. The absurdity comes from the product, not the tone.
-
-**Typography:** Sentence case. Heavy weight or medium weight. Courier-adjacent for data points. No decoration.
-
-**Pacing:** 4-5 scenes. Structured. Each scene makes one claim.
-
-**Hook style:** The problem, stated completely seriously.
-```
-Every day, taxis carry us.
-But who carries the taxis?
-```
-
-**Highlight style:** Feature or metric stated as fact.
-```
-Available in 12 metros.
-99.1% fleet uptime.
-```
-
-**Outro style:** Product name. The tagline. A URL that implies legitimacy.
-```
-Taxi for Taxis
-The ride-hailing app for ride-hailing assets.
-taxifortaxis.com
-```
-
-**Transitions:** Hard cut or minimal crossfade (0.2s).
-
-**When to use:** Any recursive or absurd concept that benefits from being played straight. "Psychologists for Chatbots", "Taxi for Taxis", "Briefcase for Baby."
-
----
-
-## `chaotic`
-
-**Energy:** Fast, loud, unhinged. The video is the joke.
-
-**Voice:** Aggressive. SHORT WORDS. CAPS. Metric dumps. Exclamation marks optional but not mandatory — confidence is louder.
-
-**Typography:** ALL CAPS. Heavy weight. Slightly oversized. Some words tilted. Some words larger than expected.
-
-**Pacing:** 6-8 scenes. Some scenes under 2 seconds. Never more than 4 seconds per scene.
-
-**Hook style:** Something that shouldn't exist, stated at full volume.
-```
-TRANSPORTATION WAS TOO CALM.
-```
-
-**Highlight style:** Rapid-fire. One word or one number per beat.
-```
-8,400 BOARS
-3 MINUTE ETA
-TUSKS-FIRST PICKUP
-```
-
-**Outro style:** The name slams in. Tagline hits. Cut to black.
-```
-UBER FOR WILD BOARS
-On-demand chaos, now with routing.
-```
-
-**Transitions:** Hard cut. Flash cut (brief white/black frame). Zoom cut (scale 1.2→1.0 on entrance).
-
-**When to use:** Chaotic concepts, logistics parodies, anything that can be played as a hype reel. "Uber for Wild Boars", anything with urgency or speed.
-
----
-
-## `deadpan`
-
-**Energy:** Calm. Dry. The joke is that nothing registers as unusual.
-
-**Voice:** Minimal. One observation. Then the product. That's it.
-
-**Typography:** Mixed case. Large. Sparse. Lots of empty space. One thought at a time.
-
-**Pacing:** 3-4 scenes. Long holds. 4-7 seconds per scene. The pace is the joke.
-
-**Hook style:** A quiet observation. No setup. No punchline yet.
-```
-I used to fear the sky.
-```
-
-**Highlight style:** One sentence per scene. No bullets. No excitement.
-```
-Now I fear birds, weather, and gravity.
-```
-
-**Outro style:** The product name. Nothing else. Maybe a very small tagline. Long hold on empty space.
-```
-Fish Flight School.
-```
-
-**Transitions:** Very slow crossfade (0.8-1.0s). Or long hold before the next scene.
-
-**When to use:** Projects that have a quote as the strongest thing on the site. "Psychologists for Chatbots" testimonial-forward approach. Anything where restraint makes the joke land harder.
-
----
-
-## `cinematic`
-
-**Energy:** Dramatic. Trailer-scale. The product is being treated like a blockbuster.
-
-**Voice:** Epic. Short declarative sentences. Each one lands before the next begins.
-
-**Typography:** ALL CAPS or heavy mixed case. Full-bleed scenes. Large type. Significant scale.
-
-**Pacing:** 4-5 scenes. 3-5 seconds each. Dramatic reveals, not quick cuts.
-
-**Hook style:** A sweeping statement about the world, stated seriously.
-```
-For too long,
-fish were told to stay underwater.
-```
-
-**Highlight style:** The product's capabilities stated like superpowers.
-```
-Thermal identification.
-Cloud navigation.
-Emergency splash landing protocols.
-```
-
-**Outro style:** Product name slams in full-screen. Tagline. Music swell implied.
-```
-FISH FLIGHT SCHOOL
-The sky was never the limit.
-```
-
-**Transitions:** Dramatic wipe or slow crossfade with scale (scene enters at 0.95, reaches 1.0).
-
-**When to use:** Anything with natural epic quality. "Fish Flight School" maps perfectly. Anything involving scale, nature, or grand claims.
-
----
-
-## `app-store`
-
-**Energy:** Clean. Professional. Feature-forward. The product is real (even when it's not).
-
-**Voice:** Feature-benefit. Third person. Present tense.
-
-**Typography:** Title case. Medium weight. Clean, readable. No aggression.
-
-**Pacing:** 4-6 scenes. Each scene: product name or feature name, then 1-2 supporting details.
-
-**Hook style:** Product name + tagline, clean.
-```
-Psychologists for Chatbots.
-Because even helpful assistants need help.
-```
-
-**Highlight style:** Feature card structure. Name + brief description.
-```
-Prompt Trauma Processing
-Identify and resolve harmful conversation patterns.
-```
-
-**Outro style:** CTA-style. Call to action or download prompt.
-```
-Available now.
-All chatbot models welcome.
-```
-
-**Transitions:** Clean slide or wipe (0.35-0.45s). Nothing dramatic.
-
-**When to use:** Products that benefit from being taken seriously as a product, even if absurd. Good for anything B2B-parody or therapy/wellness adjacent.

package/skills/brand-setup/SKILL.md

@@ -1,228 +0,0 @@
----
-name: brand-setup
-description: "Makes this repo's videos look like YOUR channel instead of the house default — interviews you for palette, fonts, wordmark, motion energy, delivery specs and SFX taste, then rewrites brand.md + remotion/src/brand.ts + remotion/src/fonts.ts together and renders a proof card so you SEE it. Use whenever the user wants to set up or change their brand, rebrand the repo, \"make it my colors/fonts\", change the accent color, set their wordmark, adjust the motion feel, or asks why their videos look like someone else's. Run it once before the first video. Not for per-video art direction (that is /make-tsx) and not for thumbnails, which are deliberately louder than the brand (that is /packaging). Runs in AICUT: the film is film.html, a page per shot, drawn by `aicut look` and `aicut render`."
-license: MIT
-source: "hassancs91/claude-youtube-editor"
----
-
-# Brand Setup
-
-## Running it in AICUT
-
-AICUT's film is `film.html`: it cuts pages, footage, pictures and sound together on tracks. A page is a web page that
-sets `window.film = { frame(t) }` and draws that moment — no framework, no build step, no composition object, no
-`registerRoot`. Five shots are five pages cut together, not one page that changes scene, so each shot stays trimmable
-and replaceable in Studio.
-
-```sh
-npx -y @autoaiai/aicut@latest          # the manual: the format and the commands, always current
-npx -y @autoaiai/aicut@latest open .   # make this folder a film and print Studio's address
-npx -y @autoaiai/aicut@latest look     # a contact sheet of the whole film, its sound, and a determinism check
-npx -y @autoaiai/aicut@latest look 4.5 # one frame, full size — look at the PNG, not at the code
-npx -y @autoaiai/aicut@latest render   # the MP4, beside film.html
-```
-
-Run the manual before the first film: it is authoritative for the format, and this skill is about the method above it.
-
-Where the words below name another program's part, it becomes this:
-
-| elsewhere | in AICUT |
-|---|---|
-| composition, timeline, project file | `film.html`; tracks and clips inside it |
-| a scene, a sequence, a slide | a page (`pages/<name>.html`) cut onto a track |
-| `useCurrentFrame()`, `interpolate()` | `frame(t)` — the picture depends only on `t`, never on state or `Date.now()` |
-| a still, a screengrab | `aicut look <t>` |
-| `render` / `build` / `export` | `aicut render` (the person can also export from Studio) |
-| a dev server, a preview window | `aicut open` and the Studio address it prints |
-
-Hard rules that hold whatever the method says: the picture depends only on `t`; every value in the person's prompt is
-binding; look at the frames `look` writes before saying a film is done.
-
-
-**Run this once, before your first video.** This repo ships with a house brand — a calm, premium
-indigo look. It's a real, working brand, not a placeholder, and you're welcome to keep it. But if you
-never touch it, every video you make here looks like the channel it came from. This skill fixes that
-in one pass.
-
-## What this skill owns
-
-Three files that **must stay in sync**, and this skill is the only thing that should write all three:
-
-| File | What it holds | Who reads it |
-|---|---|---|
-| `brand.md` | the contract, in prose | every step-2+ skill (`/make-tsx`, `/suggest-sfx`, `/packaging`) |
-| `remotion/src/brand.ts` | the same tokens as code — `COLORS`, `GRADIENT`, `RADIUS`, `SHADOW`, `EASINGS`, `BRAND` | every shot |
-| `remotion/src/fonts.ts` | the font families, loaded from `@remotion/google-fonts` | every shot |
-
-**They drift silently.** `brand.md` says indigo, `brand.ts` says teal, and nothing errors — the docs
-just quietly stop describing the videos. That's why one skill writes all three in one pass.
-
-Every shot imports from `brand.ts` / `fonts.ts`, so changing a value here re-brands **every video in
-the repo, retroactively.** That's the whole point of a contract.
-
-## The flow
-
----
-
-### Stage 1 — Interview (ONE message, not twenty questions)
-
-Ask it all at once, and **say up front that "keep the default" is a valid answer to any of it** —
-most people care about two or three of these and have no opinion on the rest.
-
-1. **Channel identity** — the wordmark text, and what the channel is about in a sentence. The
-   wordmark renders in three parts with the **middle part in the accent color**
-   (`['Learn','With','Hasan']` → the "With" is indigo). Two-part marks use an empty third
-   (`['Acme','Labs','']`). Also: the sign-off line for the end card.
-2. **The feeling** — calm/premium, loud/energetic, playful, editorial, technical? This drives motion
-   and shape more than color does.
-3. **Palette** — do they have brand colors already (paste hex), or should you propose from the
-   feeling? Light base or dark base? The accent is the single most important choice: it's the key
-   words, the highlights, the CTAs, the wordmark's middle.
-4. **Type** — existing brand fonts, or propose to fit the feeling? Must be Google Fonts (see the
-   hard gate in Stage 3).
-5. **Delivery specs** — **what does your camera actually shoot?** Resolution and frame rate. This is
-   not taste; it's the one value that must match reality (see the trap below).
-6. **SFX taste** — subtle accents under the voice, or louder/punchier?
-
----
-
-### Stage 2 — Propose before you write
-
-Show the full proposal in the chat **first** — palette as a table (role · hex · what it's for), the
-font names, the motion feel, the delivery specs. Get a yes.
-
-Reading hex codes in a table is cheap. Rewriting three files and re-rendering is not. Do not skip to
-writing because the answers "seem clear."
-
----
-
-### Stage 3 — Hard gate: the fonts must actually exist
-
-**Fonts are the #1 way this breaks the build.** `fonts.ts` imports from `@remotion/google-fonts`, so
-a family that isn't in that package fails to resolve. A local/purchased/system font will not work —
-if they name one, tell them plainly and pick the closest Google family.
-
-**Verify before writing. Both checks, every font:**
-
-```bash
-cd remotion
-```
-
-# 1. Does the family exist? (PascalCase, no spaces: "Space Grotesk" -> SpaceGrotesk)
-ls node_modules/@remotion/google-fonts/dist/esm/ | grep -i "^Poppins\."
-
-# 2. Does it HAVE the weights you're about to request?
-grep -oE '"[0-9]{3}":' node_modules/@remotion/google-fonts/dist/esm/Poppins.mjs | sort -u
-```
-~1,800 families are available, so there is almost always a good match.
-
-**The weight trap is real, not theoretical.** Space Grotesk stops at 700 — no 800/900. Oswald stops
-at 700. Requesting a weight the family doesn't ship gives you a silent fallback or a broken render,
-and you won't notice until a headline looks wrong. **Check, then request only what exists.**
-
----
-```
-
-### Stage 4 — Contrast gate
-
-Text has to be readable, and a beautiful palette that fails here produces unreadable videos. Compute
-it, don't eyeball it (`chroma-js` is already a dependency):
-
-```bash
-cd remotion && node -e "
-const chroma = require('chroma-js');
-const C = { ink:'#1a1a2e', muted:'#6b6b7b', paper:'#fffef7', accent:'#6366F1' };
-const p = [['ink','paper'],['muted','paper'],['accent','paper'],['paper','accent']];
-for (const [a,b] of p) console.log(a.padEnd(7),'on',b.padEnd(7), chroma.contrast(C[a],C[b]).toFixed(2)+':1');
-"
-```
-```
-Judge each pair **by how it's actually used**, not one blanket number:
-
-| Pair | Used for | Gate |
-|---|---|---|
-| `ink` on `paper` | body text, everywhere | **≥ 7:1** |
-| `muted` on `paper` | captions, secondary labels | **≥ 4.5:1** |
-| `accent` on `paper` | large key words only (34px+) | **≥ 3:1** |
-| `paper` on `accent` | pill/chip text, small | **≥ 4:1** |
-
-For reference, the house default measures 16.87 / 5.17 / 4.42 / 4.42. Note the accent sits at 4.42 —
-**comfortable for big words, tight for small ones.** That's the normal shape of this tradeoff: a
-saturated accent that pops on a light base rarely also clears 7:1. Fine. Just don't put small text on
-it.
-
-**Below 3:1 on any pair, do not ship it — darken the shade and re-check.** Between 3:1 and the gate,
-say so out loud and let them choose. Never silently accept a palette that can't be read.
-
----
-```
-
-### Stage 5 — Write all three files, in one pass
-
-**`remotion/src/brand.ts`** — keep every exported name exactly as-is. 29 shots import `COLORS`,
-`EASINGS`, `GRADIENT`, `RADIUS`, `SHADOW`, `BRAND`; renaming or dropping a role breaks all of them.
-Change the **values**, never the keys. Fill every role — a palette that omits `warn` or `danger`
-compiles and then explodes at render.
-
-**`remotion/src/fonts.ts`** — swap the families and weights (verified in Stage 3). Keep
-`FONT_DISPLAY` / `FONT_BODY` / `FONT_MONO` exported. `FONT_SERIF` exists only for the Claude Code
-wordmark clone — it isn't a brand font, so leave it alone unless asked.
-
-**`brand.md`** — rewrite §1–§7 and §9–§10 to match. **Do not touch §8 (Asset & source locations)** —
-that's pipeline structure, not brand, and the other skills depend on it being accurate.
-
-Keep brand.md's *shape*: the other skills read it by section, and `/suggest-sfx` reads §10 for its
-SFX taste and function table specifically.
-
-**The delivery-specs trap (§7).** Canvas + fps are the one place where taste is wrong and reality is
-right: **the canvas fps must match the master cut's frame rate.** Shoot 1080p30 and it should say
-1080p30. A mismatch here doesn't error — it desyncs every shot from the narration, and you'll blame
-the timing before you blame the brand file. Ask what the camera shoots; never assume.
-
----
-
-### Stage 6 — Prove it (do not skip)
-
-Render the brand back at them and **read the frame yourself before showing it**:
-
-```bash
-cd remotion && npm run gen
-npx tsc --noEmit
-npx -y @autoaiai/aicut@latest look 4.5
-```
-```
-`BrandProof` (`remotion/src/shots/brand/BrandProof.tsx`) is a utility shot, not a video beat. It
-hardcodes nothing — it reads `brand.ts` and `fonts.ts` live, so what renders is genuinely what the
-shots will use. It shows the wordmark, the full palette with hex labels, the gradient, all three
-fonts, the card depth, and the accent-legibility line.
-
-Look at it and check: **is the wordmark right? Is the accent word legible? Do the fonts look like
-what you proposed?** Then show them the image.
-
-Finally, render one real example shot (`EndCard` is the fastest) to confirm nothing broke downstream.
-
----
-```
-
-## Hard rules
-
-- **All three files or none.** Never update `brand.ts` without `brand.md`. Silent drift is the
-  failure mode this skill exists to prevent.
-- **Change values, never keys.** Every shot imports the token names. Renaming a color role breaks 29
-  files at once.
-- **Fonts must be verified in `@remotion/google-fonts` before writing** — family AND weights.
-- **The palette must clear the contrast gate**, judged by usage. Below 3:1 is not shippable.
-- **Delivery fps must match the camera**, not the brand's preference.
-- **Don't touch brand.md §8.** It's structure, not style.
-- **Never re-tune a thumbnail to match the brand.** Thumbnails are deliberately louder — they live on
-  the browse wall and play by CTR rules. See `/packaging`. Two systems, on purpose.
-- **The house default is a real brand, not a placeholder.** "Keep it" is a legitimate answer; the only
-  thing that's genuinely wrong is shipping someone else's *wordmark* on your channel. If they keep
-  everything else, still set `BRAND.wordmark`.
-
-## Source
-
-Rewritten for AICUT from [`hassancs91/claude-youtube-editor`](https://github.com/hassancs91/claude-youtube-editor)
-(MIT), .claude/skills/brand-setup/SKILL.md. The method is that skill's own; the way it runs is AICUT's.
-
-The repository holds 9 skills; this is the one its entry stands for.