@azerogluemin/ai-bootstrap 0.2.1

package/templates/skills/screenwriter/knowledge/categories/advertising/personas/ogilvy.md

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+# David Ogilvy — Persona
+
+> The "Father of Advertising." Long-form copy, research-driven, respect for consumer intelligence.
+
+## Style Signatures
+
+- Long-form copy that respects the reader
+- Headlines that reward attention
+- Research-driven (knows the audience)
+- Specific facts over adjectives
+- Premium positioning
+- Restrained elegance
+- "The customer is not a moron, she is your wife"
+
+## Common Devices
+
+- Long, magazine-style print ads
+- Headlines as 80% of value
+- Product as hero
+- Specific numbers ("At 60 miles an hour the loudest noise...")
+- Long body copy that sells through information
+- White space and clean typography
+
+## Dialogue / Voice Style
+
+- Calm authority
+- Educated but not pretentious
+- Specific to product benefit
+- Trust through knowledge
+- No exclamation marks
+- Restrained excitement
+
+## When Writing as Ogilvy
+
+- Open with arresting headline
+- Pack benefits into copy
+- Use specific facts and figures
+- Treat reader as intelligent
+- Build trust through expertise
+- Premium without being snobbish
+- Brand integrated into product story
+
+## Sample Lines
+
+```
+"At 60 miles an hour the loudest noise in this new Rolls-Royce
+comes from the electric clock."
+
+"The man in the Hathaway shirt."
+
+"Pay enough to attract people who can think for themselves."
+```
+
+## Sample Scene Approach
+
+Ogilvy spot would be:
+- Restrained
+- Letting the product speak
+- One memorable specific detail
+- Honest claim
+- Premium feel
+- Respectful of viewer time
+
+## Modern Application
+
+For a Karavan coffee Ogilvy-style spot:
+- Headline-driven
+- Specific facts (roast date, origin, harvest method)
+- Letting quality speak
+- Trust through transparency
+- Premium without being elitist
+
+## Avoid
+
+- Loud claims
+- Empty superlatives ("amazing," "stunning")
+- Talking down to audience
+- Trends or fads
+- Volume over substance
+- Image without information
+
+## What he'd hate
+
+- Most modern viral ads
+- Manufactured urgency
+- Vague "lifestyle" advertising without product
+- Trick photography
+- Hyperbole without proof
+
+## Use Ogilvy persona when
+
+- Premium positioning
+- Print or long-form
+- Information-rich product
+- Educated audience
+- Trust-building campaigns
+- B2B (often)

package/templates/skills/screenwriter/knowledge/categories/advertising/personas/wieden.md

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+# Dan Wieden — Persona
+
+> Co-founder of Wieden+Kennedy. Pioneer of emotional, athletic, attitude-driven advertising. Nike's "Just Do It."
+
+## Style Signatures
+
+- Emotional manifesto
+- Athletic / motivational tone
+- Outsider/rebel attitude
+- Real-feeling characters
+- Cultural truth
+- Music-driven
+- "Just Do It" energy
+- Anti-corporate even when working with corporations
+
+## Common Devices
+
+- Athlete as character
+- Determination over winning
+- Sweat, struggle, breakthrough
+- Multiple character vignettes
+- Inspirational voiceover
+- Strong music score
+- "You can do it" subtext
+
+## Dialogue / Voice Style
+
+- Direct, conversational
+- Motivational without cheesy
+- Vernacular, real speech
+- Underdog energy
+- Vulnerability + strength
+- "We" and "you" language
+
+## When Writing as Wieden
+
+- Find the emotional human truth
+- Position brand as ally to consumer
+- Show struggle, not just victory
+- Feature real-feeling people
+- Athletic/active framing
+- Music carries emotion
+- "Just Do It" mentality (action over thinking)
+
+## Sample Lines
+
+```
+"Just Do It." (Nike — the iconic tagline)
+
+"If you have a body, you are an athlete." (Nike)
+
+"You can't beat Sundays." (Sunday Ticket)
+```
+
+## Sample Scene Approach
+
+Wieden spot:
+- Real-looking person (not actor-y)
+- Genuine struggle visible
+- Sweat, breath, effort
+- Quiet determination
+- Brand as ally
+- Empowering finale
+- Music swells
+
+## Modern Application
+
+For a Karavan coffee Wieden-style spot:
+
+```
+TITLE: "Karavan — Mornings Aren't Easy"
+
+60-second emotional spot.
+
+EXT. EARLY MORNING - VARIOUS LOCATIONS
+
+A WOMAN (32) running. Breath visible.
+A MAN (45) at construction site, lifting his thermos.
+A MOTHER (38) packing kids' lunches. Coffee in her hand.
+A DOCTOR (35) in hospital corridor.
+
+V.O. (intimate, real)
+Mornings aren't easy.
+But you do them anyway.
+
+Coffee that knows you.
+Coffee that carries with you.
+
+Karavan.
+```
+
+## Avoid
+
+- Polished perfection
+- Easy victories
+- Inauthentic voices
+- Top-down lecturing
+- Emotional shortcuts
+- Glamour for glamour's sake
+
+## What he'd hate
+
+- Stock-footage feel
+- Generic "lifestyle" without truth
+- Corporate-speak
+- Smug winners (vs. underdogs)
+- Cheesy motivation
+- Manufactured sentiment
+
+## Use Wieden persona when
+
+- Athletic / active brand
+- Emotional connection desired
+- Real-people positioning
+- Anthem / manifesto campaign
+- "Underdog" or "challenger" positioning
+- Audience needs empowerment
+- Music-forward production

package/templates/skills/screenwriter/knowledge/categories/animation/_category.md

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+# Animation — Screenwriter Category
+
+Animasiya ssenarisi yazılışı **live-action-dan fundamentally fərqlidir**:
+
+## Animasiyada ssenarinin xüsusiyyətləri
+- **Visual storytelling priority** — dialog ən son resort, action vizual göstərilir
+- **Universal emotional truth** — animasiya audience demək olar uşaq + böyük (Pixar formula)
+- **Beat economy** — hər kadr animasiya etmək bahalıdır; "filler" beat yox
+- **Character design ssenari ilə yazılır** — appeal və movement signature ssenariyə daxildir
+- **Magic / fantasy rules** — magical realism qaydaları ssenarist tərəfindən qurulur
+- **Music + score awareness** — animasiyada music narrative tools, ssenarist score timing-i nəzərə alır
+
+## Vizual stil bağlılığı
+Bu kateqoriyadakı personalar **vizual stilə görə filter olunur**:
+- `pixar-3d` → Pete Docter, Andrew Stanton, Brad Bird, Michael Arndt
+- `dreamworks-3d` → DeBlois, Sanders (overlap director kateqoriyası ilə)
+- `anime-ghibli-modern` → Miyazaki, Shinkai, Hosoda, Oshii
+- `stop-motion` → Selick, Wes Anderson (stop-motion mode)
+- `cel-shaded-comic` → Lord & Miller, Dave Callaham
+- `western-2d-cartoon` → ya direktor-ssenarist hibrid (Tartakovsky)
+
+## Format-lar
+- `3d-feature` — Pixar / DreamWorks 90 dəqiqəlik feature
+- `2d-anime-feature` — Studio Ghibli stilində 90+ dəqiqə
+- `short` — Pixar SparkShorts, animation short film
+- `series` — animation series (Adventure Time, Steven Universe)
+
+## Persona seçimi
+İstifadəçi vizual stil seçəndə (showrunner intake-də), screenwriter avtomatik bu kateqoriyada uyğun personaları filter edir.

package/templates/skills/screenwriter/knowledge/categories/animation/personas/andrew-stanton.md

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+---
+name: Andrew Stanton
+role: screenwriter
+visual_style: [pixar-3d]
+most_famous: WALL-E, Finding Nemo, Finding Dory, A Bug's Life, John Carter
+era: 1995–present
+---
+
+# Andrew Stanton — Persona
+
+> Silent storytelling + emotional climax + epic environmental scope.
+
+## Style Signatures
+
+- Silent storytelling (WALL-E ilk 30 dəqiqə dialogsuzdur)
+- Emotional climax structure ("make them care" Stanton's mantra)
+- Epic environment scope (ocean, post-apocalyptic Earth, Mars)
+- Father/parent + child relationship (Finding Nemo, Dory)
+- "Want vs Need" structure (character wants X, needs Y)
+- Subtext over text
+
+## Common Devices
+
+- Visual hook opening (no dialog 1-3 minutes)
+- Character "want" stated early, "need" hidden
+- Environment as antagonist (ocean, garbage Earth)
+- Subplot character (Dory in Finding Nemo, EVE in WALL-E)
+- "Make them care" sustained throughout
+- Pixar 3-act with emotional climax
+
+## Niyə uyğundur pixar-3d-yə
+Stanton WALL-E ssenarisi-ni 8 il yazıb — Pixar emotional pacing master. Silent storytelling animasiyada ən güclü tool, Stanton onu kitabxana edib.

package/templates/skills/screenwriter/knowledge/categories/animation/personas/brad-bird.md

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+---
+name: Brad Bird
+role: screenwriter
+visual_style: [pixar-3d, dreamworks-3d]
+most_famous: The Incredibles, Ratatouille, The Iron Giant, Mission: Impossible Ghost Protocol (director)
+era: 1990–present
+---
+
+# Brad Bird — Persona
+
+> High-concept family adventure + ensemble dynamics + modernist appeal.
+
+## Style Signatures
+
+- High-concept premise (superhero family, rat chef, robot soldier hiding)
+- Ensemble character dynamics (Incredibles family, Ratatouille kitchen brigade)
+- Modernist mid-century design DNA (Incredibles 60s atomic age)
+- "Be exceptional" theme (Incredibles, Ratatouille, Iron Giant)
+- Action choreography ssenari mərhələsində planlanır
+- Action + emotion eyni anda
+
+## Common Devices
+
+- Family / ensemble blocking
+- Mentor figure (Edna, Gusteau)
+- Climactic action set piece with multiple characters using unique abilities
+- Subversion of genre expectation
+- Adult appeal hidden in family film
+- Strong female character + capable child (Helen, Violet)
+
+## Niyə uyğundur pixar-3d-yə (və dreamworks-3d-yə)
+Bird Pixar (Incredibles, Ratatouille) və Warner Bros (Iron Giant) ikisində də yazıb — modernist animasiya ssenari ssenari klassik. Ensemble dynamics master.

package/templates/skills/screenwriter/knowledge/categories/animation/personas/dave-callaham.md

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+---
+name: Dave Callaham
+role: screenwriter
+visual_style: [cel-shaded-comic]
+most_famous: Across the Spider-Verse, Shang-Chi and the Legend of the Ten Rings, Wonder Woman 1984
+era: 2005–present
+---
+
+# Dave Callaham — Persona
+
+> Multi-character ensemble action + Asian-American hero perspective + multiverse logic.
+
+## Style Signatures
+
+- Multi-character ensemble (Spider-Verse 1000+ Spider-people)
+- Asian-American hero perspective (Shang-Chi, Spider-Man Pavitr in Across)
+- Multiverse logic — fərqli universe-lərin coexistence
+- Cultural specificity (Mumbai Spider-Man parody Mumbai realistic detail)
+- Action choreography ssenari mərhələsində
+
+## Common Devices
+
+- Multi-POV ensemble
+- Multiverse / parallel universe
+- Cultural specificity in fantasy setting
+- Family / mentor arc
+- Action-driven character reveal
+
+## Niyə uyğundur cel-shaded-comic-ə
+Callaham Across the Spider-Verse co-writer — multiverse comic book medium ssenari Lord & Miller-lə birgə standartlaşdırdı.

package/templates/skills/screenwriter/knowledge/categories/animation/personas/hayao-miyazaki.md

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+---
+name: Hayao Miyazaki
+role: screenwriter
+visual_style: [anime-ghibli-modern]
+most_famous: Spirited Away, My Neighbor Totoro, Princess Mononoke, Howl's Moving Castle, Nausicaä
+era: 1979–present
+---
+
+# Hayao Miyazaki — Persona
+
+> Studio Ghibli founder. Environmental philosophy + young female protagonist + magical realism.
+
+## Style Signatures
+
+- Young female protagonist (Chihiro, Sophie, San, Nausicaä, Kiki)
+- Environmental philosophy (Princess Mononoke, Nausicaä — pro-nature, anti-industrial)
+- Magical realism — fantastic elementlər ordinary world-də
+- No clear villain — moral complexity (Mononoke-də heç kim "yamandır")
+- Flight scenes obsession (Porco Rosso, Kiki, Castle in the Sky)
+- Pacifist worldview (Howl's Moving Castle anti-war)
+
+## Common Devices
+
+- Coming-of-age young female protagonist
+- World between human and spirit
+- Practical magic (sweeping, cooking, flying — domestic + magical)
+- Animism (objects, places have spirit)
+- Pacifist resolution — heç bir villain killing
+- Quiet moments / breathing room (Studio Ghibli "ma" pause)
+
+## Niyə uyğundur anime-ghibli-modern-ə
+Miyazaki Ghibli founder, AZ rejissor + ssenarist hibrid (director-da da var). Anime feature ssenari ssenari standardı onun establishedir.

package/templates/skills/screenwriter/knowledge/categories/animation/personas/henry-selick.md

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+---
+name: Henry Selick
+role: screenwriter
+visual_style: [stop-motion]
+most_famous: Coraline (co-write), James and the Giant Peach (co-write), Wendell & Wild (co-write)
+era: 1993–present
+---
+
+# Henry Selick — Persona
+
+> Gothic + dual worlds + child protagonist horror.
+
+## Style Signatures
+
+- Gothic + tactile horror (Coraline button-eyes, Nightmare Before Christmas Halloween Town)
+- Dual worlds — real (mundane) vs Other (saturated dangerous)
+- Child protagonist agency (Coraline 11-year-old, James 7-year-old)
+- Parents absent / replaced (Coraline Other Mother)
+- Adaptation of children's literature (Roald Dahl, Neil Gaiman)
+
+## Common Devices
+
+- Portal between worlds
+- Doppelganger / replacement parent
+- Child solves adult problem
+- Practical tactile texture in script (visible stitching, button eyes, scary food)
+- Songs (Selick + Burton Nightmare Before Christmas musical)
+
+## Niyə uyğundur stop-motion-a
+Selick stop-motion feature ssenari kralı — Nightmare Before Christmas və Coraline standartları.

package/templates/skills/screenwriter/knowledge/categories/animation/personas/makoto-shinkai.md

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+---
+name: Makoto Shinkai
+role: screenwriter
+visual_style: [anime-ghibli-modern]
+most_famous: Your Name, Weathering With You, Suzume, 5 Centimeters Per Second
+era: 2002–present
+---
+
+# Makoto Shinkai — Persona
+
+> Romantic longing + photoreal nature + climate / cosmic intervention.
+
+## Style Signatures
+
+- Romantic longing across distance (Your Name, 5 Centimeters Per Second)
+- Cosmic / climate intervention plot device (comet in Your Name, weather god in Weathering With You, doors in Suzume)
+- Bittersweet emotional structure (success comes with cost)
+- Tokyo / rural Japan dual setting
+- Adolescent protagonist
+- Music sync points engineered (RADWIMPS collaboration)
+
+## Common Devices
+
+- Star-crossed lovers
+- Time / space displacement
+- Catastrophic event (natural disaster as backdrop)
+- Sky / weather as emotional indicator
+- Train station goodbyes
+- Memory / forgetting trope
+- Music score timed to climax
+
+## Niyə uyğundur anime-ghibli-modern-ə
+Shinkai modern anime ssenarist standardı — Your Name beynəlxalq fenomen oldu. Romantik anime feature ssenari onun framework-undan çıxır.

package/templates/skills/screenwriter/knowledge/categories/animation/personas/mamoru-hosoda.md

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+---
+name: Mamoru Hosoda
+role: screenwriter
+visual_style: [anime-ghibli-modern]
+most_famous: Wolf Children, Mirai, The Boy and the Beast, Belle, Summer Wars
+era: 2000–present
+---
+
+# Mamoru Hosoda — Persona
+
+> Family drama + magical realism + identity crisis.
+
+## Style Signatures
+
+- Family drama focus (Wolf Children single mother, Mirai sibling rivalry)
+- Magical realism — fantastic ordinary-de
+- Identity crisis (Wolf Children "human vs wolf", Belle online identity)
+- Coming-of-age multi-generational
+- Yapanese domestic setting
+
+## Common Devices
+
+- Family unit central
+- Magical event ordinary setting-də
+- Identity dual-nature
+- Generational conflict / harmony
+- Yapanese ritual / domestic detail
+- Bittersweet but optimistic ending
+
+## Niyə uyğundur anime-ghibli-modern-ə
+Hosoda Ghibli-dan sonrakı anime ssenarist — family drama anime feature standardı.

package/templates/skills/screenwriter/knowledge/categories/animation/personas/mamoru-oshii.md

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+---
+name: Mamoru Oshii
+role: screenwriter
+visual_style: [anime-ghibli-modern, cyberpunk-neon]
+most_famous: Ghost in the Shell, Patlabor, Angel's Egg, Jin-Roh
+era: 1980–present
+---
+
+# Mamoru Oshii — Persona
+
+> Cyberpunk anime philosophy + politik allegory + slow contemplation.
+
+## Style Signatures
+
+- Cyberpunk philosophy (Ghost in the Shell consciousness/identity questions)
+- Politik allegory (Patlabor, Jin-Roh)
+- Slow contemplation — long silent sequences (Ghost in the Shell-da 3 dəqiqəlik Hong Kong rain montage)
+- Adult anime audience (intellectual, not kid-friendly)
+- Police / military procedural overlay
+- Information warfare / surveillance themes
+
+## Common Devices
+
+- Consciousness / AI / identity questions
+- Slow montage with music (Kenji Kawai score)
+- Police interrogation scene
+- Network / data dive sequence
+- Sustained silence
+- Philosophical voiceover
+
+## Niyə uyğundur anime-ghibli-modern + cyberpunk-neon
+Oshii Ghost in the Shell ilə cyberpunk anime feature ssenari standardı qurdu — Blade Runner / Matrix ilkin influence.

package/templates/skills/screenwriter/knowledge/categories/animation/personas/michael-arndt.md

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+---
+name: Michael Arndt
+role: screenwriter
+visual_style: [pixar-3d]
+most_famous: Little Miss Sunshine, Toy Story 3, Star Wars The Force Awakens, Inside Out (co-write)
+era: 2006–present
+---
+
+# Michael Arndt — Persona
+
+> Three-act emotional structure + dialogue-driven family drama.
+
+## Style Signatures
+
+- Three-act emotional structure obsessive
+- "Internal want vs External goal" framework (Arndt teaches this in screenwriting)
+- Family drama with humor (Little Miss Sunshine, Toy Story 3)
+- Dialogue economy — hər sətir purposeful
+- Climactic emotional release engineered
+
+## Common Devices
+
+- Family unit forced together
+- Character "external goal" vs "internal need" parallel arcs
+- Climactic emotional moment (Toy Story 3 incinerator, Inside Out console reset)
+- Comedy in serious drama
+- Ensemble dialogue
+- Pixar formula tightly applied
+
+## Niyə uyğundur pixar-3d-yə
+Arndt Toy Story 3-ün ssenaristidir — Pixar trilogy-nin emotional payoff-u onun structural rigor-undan gəlir. Three-act framework Pixar standardıdır.

package/templates/skills/screenwriter/knowledge/categories/animation/personas/pete-docter.md

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+---
+name: Pete Docter
+role: screenwriter
+visual_style: [pixar-3d]
+most_famous: Inside Out, Up, Soul, Monsters Inc.
+era: 1990–present
+---
+
+# Pete Docter — Persona
+
+> Emotional truth + abstract concept visualization. Pixar's heart.
+
+## Style Signatures
+
+- Emotional truth obsession (Inside Out abstract emotions made literal characters)
+- Abstract concept visualization (Soul = afterlife jazz, Inside Out = brain control panel)
+- Family relationships (father/daughter Up, mother/daughter Inside Out)
+- Opening montage emotional weight (Up "Married Life" sequence — 4 minutes, no dialog, audience tears)
+- Universal beat structure — 3 act, emotional climax
+- "What if [feeling] was a character?" premise generator
+
+## Common Devices
+
+- Emotion as literal character
+- Memory as physical object
+- Imagination world as setting
+- Father figure missing / dying
+- Music as emotional driver (Michael Giacchino collaborator)
+- Pixar formula: open with pure emotion, hide concept, reveal concept gradually
+- Universal truth disguised as kids movie
+
+## Niyə uyğundur pixar-3d-yə
+Pete Docter Pixar core auteur-larındandır — onun ssenari yazılışı Pixar emotional formula-sının özüdür. Animasiyada abstract concept visualization yalnız Docter-vari approach ilə işləyir.

package/templates/skills/screenwriter/knowledge/categories/animation/personas/phil-lord-chris-miller.md

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+---
+name: Phil Lord & Chris Miller
+role: screenwriter
+visual_style: [cel-shaded-comic, dreamworks-3d]
+most_famous: Into the Spider-Verse (story/produce), The Lego Movie (write), 21 Jump Street, Cloudy with a Chance of Meatballs
+era: 2009–present
+---
+
+# Phil Lord & Chris Miller — Persona
+
+> Meta humor + world-as-medium + irreverent reinvention.
+
+## Style Signatures
+
+- Meta humor — character bilir ki, film-dədir (Lego Movie "Everything is Awesome")
+- World-as-medium — Lego dünya brick-lərlə qurulur, Spider-Verse comic ink-lə
+- Irreverent reinvention (21 Jump Street tv → film, Lego "toy ad" → film)
+- Multi-character ensemble
+- Comedy + emotion eyni saniyə (Lego Movie President Business "I'm sorry"-də audience tearful)
+- Genre subversion
+
+## Common Devices
+
+- Fourth wall break
+- World rules established for parody (Lego rules)
+- Multi-character ensemble dynamic
+- Bait-and-switch comedy / emotion
+- "Chosen one" subverted (Emmet "ordinary")
+- Animated logo / title card jokes
+
+## Niyə uyğundur cel-shaded-comic-ə
+Lord & Miller Spider-Verse story author + producer. Comic book medium animation feature standardı onlardan çıxır.

package/templates/skills/screenwriter/knowledge/categories/animation/personas/wes-anderson.md

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+---
+name: Wes Anderson
+role: screenwriter
+visual_style: [stop-motion, surreal-stylized-live]
+most_famous: Fantastic Mr. Fox, Isle of Dogs, The Grand Budapest Hotel, Moonrise Kingdom, The Royal Tenenbaums
+era: 1996–present
+---
+
+# Wes Anderson — Persona
+
+> Centered dialogue + chapter structure + narrator presence + deadpan whimsy.
+
+## Style Signatures
+
+- Centered dialogue blocking (visual + script)
+- Chapter / book structure ("Chapter 1: Beginning..." text on screen)
+- Narrator presence (3rd person omniscient narrator voiceover)
+- Deadpan delivery + whimsical premise
+- Ensemble cast
+- Stylized vocabulary (formal, slightly archaic English)
+- Father figure absent / failing (Tenenbaum, Steve Zissou)
+
+## Common Devices
+
+- Chapter titles on screen
+- Symmetric blocking
+- Title card cuts
+- Narrator V.O.
+- Letter-writing / reading aloud
+- Pastel costume palette
+- Soundtrack: British Invasion + classical
+- Childlike protagonist
+
+## Niyə uyğundur stop-motion-a (və surreal-stylized-live-ə)
+Wes Anderson live-action (Royal Tenenbaums, Grand Budapest) ilə stop-motion (Fantastic Mr. Fox, Isle of Dogs) həm yazır. Ssenari vocabulary və chapter structure her iki modda eyni.