@azerogluemin/ai-bootstrap 0.2.1

package/templates/skills/director/knowledge/lenses/lenses.json

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+[
+  {
+    "id": "cooke-s4-25mm",
+    "brand": "Cooke",
+    "model": "S4 25mm",
+    "focalLength": 25,
+    "aperture": "T2.0",
+    "type": "prime-cinema",
+    "characterNotes": "Wide, warm bokeh, slight vintage glow",
+    "bestFor": ["wide narrative", "establishing"],
+    "tier": "high-end"
+  },
+  {
+    "id": "cooke-s4-35mm",
+    "brand": "Cooke",
+    "model": "S4 35mm",
+    "focalLength": 35,
+    "aperture": "T2.0",
+    "type": "prime-cinema",
+    "characterNotes": "Slightly wide, classic Cooke warmth",
+    "bestFor": ["two-shot", "documentary"],
+    "tier": "high-end"
+  },
+  {
+    "id": "cooke-s4-50mm",
+    "brand": "Cooke",
+    "model": "S4 50mm",
+    "focalLength": 50,
+    "aperture": "T2.0",
+    "type": "prime-cinema",
+    "characterNotes": "Standard, warm bokeh",
+    "bestFor": ["medium shot", "natural perspective"],
+    "tier": "high-end"
+  },
+  {
+    "id": "cooke-s4-85mm",
+    "brand": "Cooke",
+    "model": "S4 85mm",
+    "focalLength": 85,
+    "aperture": "T2.0",
+    "type": "prime-cinema",
+    "characterNotes": "Portrait standard, warm Cooke bokeh",
+    "bestFor": ["portrait", "close-up emotional"],
+    "tier": "high-end"
+  },
+  {
+    "id": "cooke-s4-100mm",
+    "brand": "Cooke",
+    "model": "S4 100mm",
+    "focalLength": 100,
+    "aperture": "T2.0",
+    "type": "prime-cinema",
+    "characterNotes": "Long, soft compression",
+    "bestFor": ["reaction shot", "isolation"],
+    "tier": "high-end"
+  },
+  {
+    "id": "zeiss-master-prime-25mm",
+    "brand": "Zeiss",
+    "model": "Master Prime 25mm",
+    "focalLength": 25,
+    "aperture": "T1.3",
+    "type": "prime-cinema",
+    "characterNotes": "Ultra-sharp, neutral",
+    "bestFor": ["modern wide", "thriller"],
+    "tier": "high-end"
+  },
+  {
+    "id": "zeiss-master-prime-50mm",
+    "brand": "Zeiss",
+    "model": "Master Prime 50mm",
+    "focalLength": 50,
+    "aperture": "T1.3",
+    "type": "prime-cinema",
+    "characterNotes": "Clinical sharpness",
+    "bestFor": ["modern thriller", "clinical drama"],
+    "tier": "high-end"
+  },
+  {
+    "id": "zeiss-master-prime-85mm",
+    "brand": "Zeiss",
+    "model": "Master Prime 85mm",
+    "focalLength": 85,
+    "aperture": "T1.3",
+    "type": "prime-cinema",
+    "characterNotes": "Sharp portrait",
+    "bestFor": ["modern drama portrait"],
+    "tier": "high-end"
+  },
+  {
+    "id": "arri-signature-prime-50mm",
+    "brand": "ARRI",
+    "model": "Signature Prime 50mm",
+    "focalLength": 50,
+    "aperture": "T1.8",
+    "type": "prime-cinema",
+    "characterNotes": "Modern cinema, gentle falloff",
+    "bestFor": ["premium drama"],
+    "tier": "high-end"
+  },
+  {
+    "id": "leica-m-50mm-summilux",
+    "brand": "Leica",
+    "model": "Summilux 50mm",
+    "focalLength": 50,
+    "aperture": "f/1.4",
+    "type": "prime-photo",
+    "characterNotes": "Vintage character, signature falloff",
+    "bestFor": ["hybrid mirrorless cinema"],
+    "tier": "high-end"
+  },
+  {
+    "id": "cooke-anamorphic-32mm",
+    "brand": "Cooke",
+    "model": "Anamorphic 32mm",
+    "focalLength": 32,
+    "aperture": "T2.3",
+    "type": "anamorphic",
+    "squeeze": "2x",
+    "characterNotes": "Horizontal lens flares, oval bokeh",
+    "bestFor": ["wide cinematic", "establishing epic"],
+    "tier": "high-end"
+  },
+  {
+    "id": "cooke-anamorphic-50mm",
+    "brand": "Cooke",
+    "model": "Anamorphic 50mm",
+    "focalLength": 50,
+    "aperture": "T2.3",
+    "type": "anamorphic",
+    "squeeze": "2x",
+    "characterNotes": "Classic 'scope look",
+    "bestFor": ["cinemascope drama"],
+    "tier": "high-end"
+  },
+  {
+    "id": "cooke-anamorphic-75mm",
+    "brand": "Cooke",
+    "model": "Anamorphic 75mm",
+    "focalLength": 75,
+    "aperture": "T2.3",
+    "type": "anamorphic",
+    "squeeze": "2x",
+    "characterNotes": "Anamorphic portrait",
+    "bestFor": ["close-up cinematic"],
+    "tier": "high-end"
+  },
+  {
+    "id": "kowa-anamorphic-50mm",
+    "brand": "Kowa",
+    "model": "Anamorphic 50mm",
+    "focalLength": 50,
+    "aperture": "T2.3",
+    "type": "anamorphic",
+    "squeeze": "2x",
+    "characterNotes": "Vintage flare-heavy",
+    "bestFor": ["sci-fi", "music video"],
+    "tier": "high-end"
+  },
+  {
+    "id": "sony-gm-24mm",
+    "brand": "Sony",
+    "model": "G Master 24mm",
+    "focalLength": 24,
+    "aperture": "f/1.4",
+    "type": "prime-photo",
+    "characterNotes": "Sharp wide for E-mount",
+    "bestFor": ["wide A7 IV", "vlog"],
+    "tier": "prosumer"
+  },
+  {
+    "id": "sony-gm-35mm",
+    "brand": "Sony",
+    "model": "G Master 35mm",
+    "focalLength": 35,
+    "aperture": "f/1.4",
+    "type": "prime-photo",
+    "characterNotes": "Documentary standard",
+    "bestFor": ["documentary", "street"],
+    "tier": "prosumer"
+  },
+  {
+    "id": "sony-gm-50mm",
+    "brand": "Sony",
+    "model": "G Master 50mm",
+    "focalLength": 50,
+    "aperture": "f/1.2",
+    "type": "prime-photo",
+    "characterNotes": "Buttery bokeh",
+    "bestFor": ["portrait", "editorial"],
+    "tier": "prosumer"
+  },
+  {
+    "id": "sony-gm-85mm",
+    "brand": "Sony",
+    "model": "G Master 85mm",
+    "focalLength": 85,
+    "aperture": "f/1.4",
+    "type": "prime-photo",
+    "characterNotes": "Portrait specialist",
+    "bestFor": ["portrait close-up"],
+    "tier": "prosumer"
+  },
+  {
+    "id": "canon-rf-50mm",
+    "brand": "Canon",
+    "model": "RF 50mm",
+    "focalLength": 50,
+    "aperture": "f/1.2",
+    "type": "prime-photo",
+    "characterNotes": "Canon warmth",
+    "bestFor": ["portrait Canon"],
+    "tier": "prosumer"
+  },
+  {
+    "id": "canon-rf-85mm",
+    "brand": "Canon",
+    "model": "RF 85mm",
+    "focalLength": 85,
+    "aperture": "f/1.2",
+    "type": "prime-photo",
+    "characterNotes": "Canon portrait standard",
+    "bestFor": ["portrait close-up Canon"],
+    "tier": "prosumer"
+  },
+  {
+    "id": "sigma-art-35mm",
+    "brand": "Sigma",
+    "model": "Art 35mm",
+    "focalLength": 35,
+    "aperture": "f/1.2",
+    "type": "prime-photo",
+    "characterNotes": "Affordable wide premium",
+    "bestFor": ["affordable wide"],
+    "tier": "mid"
+  },
+  {
+    "id": "sigma-art-85mm",
+    "brand": "Sigma",
+    "model": "Art 85mm",
+    "focalLength": 85,
+    "aperture": "f/1.4",
+    "type": "prime-photo",
+    "characterNotes": "Affordable portrait",
+    "bestFor": ["affordable portrait"],
+    "tier": "mid"
+  },
+  {
+    "id": "tilt-shift-90mm",
+    "brand": "Various",
+    "model": "Tilt-shift 90mm",
+    "focalLength": 90,
+    "aperture": "f/2.8",
+    "type": "specialty-tilt-shift",
+    "characterNotes": "Miniature effect, selective focus plane",
+    "bestFor": ["miniature look", "architectural"],
+    "tier": "mid"
+  },
+  {
+    "id": "macro-100mm",
+    "brand": "Various",
+    "model": "Macro 100mm",
+    "focalLength": 100,
+    "aperture": "f/2.8",
+    "type": "specialty-macro",
+    "characterNotes": "1:1 magnification",
+    "bestFor": ["product detail", "extreme close-up"],
+    "tier": "mid"
+  },
+  {
+    "id": "fisheye-8mm",
+    "brand": "Various",
+    "model": "Fisheye 8mm",
+    "focalLength": 8,
+    "aperture": "f/2.8",
+    "type": "specialty-fisheye",
+    "characterNotes": "180° distortion",
+    "bestFor": ["POV", "action", "extreme wide"],
+    "tier": "mid"
+  },
+  {
+    "id": "swirly-bokeh-helios-44-2",
+    "brand": "Helios",
+    "model": "44-2 58mm",
+    "focalLength": 58,
+    "aperture": "f/2.0",
+    "type": "specialty-vintage",
+    "characterNotes": "Swirly bokeh, vintage Soviet",
+    "bestFor": ["dreamy portrait", "music video"],
+    "tier": "consumer"
+  }
+]

package/templates/skills/director/knowledge/lenses/lenses.md

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+# Lenses — Knowledge Base
+
+> Cinema primes, photo primes, anamorphic, and specialty lenses. Use when generating image/video prompts to specify focal length, aperture, and character.
+
+## Focal length quick reference
+
+| Focal length | Type | Use case |
+|--------------|------|----------|
+| 8-16mm | Ultra-wide / Fisheye | POV, action, distortion |
+| 18-24mm | Wide | Establishing, vlog, landscape |
+| 28-35mm | Slightly wide | Documentary, two-shot |
+| 40-50mm | Standard | Natural perspective, medium shot |
+| 70-85mm | Short telephoto | Portrait, close-up |
+| 100-135mm | Telephoto | Reaction shot, isolation |
+| 200mm+ | Long telephoto | Sports, wildlife, extreme compression |
+
+## Aperture guide
+
+| Aperture | Effect | When to use |
+|----------|--------|-------------|
+| f/1.2 - f/1.4 | Maximum bokeh, very shallow DOF | Portrait, isolation |
+| f/2.0 - f/2.8 | Shallow DOF, versatile | Cinematic standard |
+| f/4 - f/5.6 | Medium DOF | Wide shots with environment |
+| f/8 - f/11 | Deep DOF | Landscape, group shots |
+| f/16+ | Maximum sharpness, hyperfocal | Architecture, infinite focus |
+
+## Lens character vocabulary
+
+When writing prompts, use these descriptors:
+
+### Cooke (warm, organic)
+- "Cooke S4" → warm bokeh, vintage glow, slight softness
+- "Cooke Anamorphic" → horizontal lens flares, oval bokeh, 2x squeeze
+
+### Zeiss (clinical, sharp)
+- "Zeiss Master Prime" → ultra-sharp, neutral color, modern
+- "Zeiss Otus" → photo equivalent of Master Prime
+
+### ARRI Signature
+- "ARRI Signature Prime" → modern cinema, gentle falloff, premium
+
+### Leica
+- "Leica Summilux" → vintage character, signature rendering
+
+### Sony G Master
+- "Sony G Master" → modern, sharp, neutral
+
+### Canon RF
+- "Canon RF" → warm color science, autofocus-optimized
+
+### Vintage Soviet
+- "Helios 44-2" → swirly bokeh, dreamy, signature look
+
+## Composition rules — focal length impact
+
+- **Wide (24mm)** — exaggerates space, characters look smaller, environment dominates
+- **35mm** — natural human eye, documentary feel
+- **50mm** — neutral, no distortion
+- **85mm** — compression, beautiful subject isolation, portrait standard
+- **135mm** — heavy compression, intimate, voyeur feel
+
+## Anamorphic explanation
+
+Anamorphic lenses optically squeeze a wider image onto the sensor:
+- 2x squeeze means 2.39:1 final aspect ratio
+- Signatures: horizontal lens flares (blue/orange), oval (not round) bokeh
+- Use for: epic cinematic feel, sci-fi, music videos
+
+## Lens + camera mount compatibility
+
+| Camera | Compatible mounts |
+|--------|-------------------|
+| ARRI Alexa | LPL, PL (with adapter) |
+| RED | RF, EF, PL (with adapter) |
+| Sony Venice | E-mount, PL |
+| Sony A-series | E-mount |
+| Canon R | RF, EF (with adapter) |
+| Nikon Z | Z-mount, F (with adapter) |
+
+When recommending, ensure mount compatibility.
+
+## Prompt examples
+
+- "Shot on Sony A7 IV with Sony G Master 85mm at f/1.4, shallow depth of field"
+- "Anamorphic horizontal flares from Cooke 32mm Anamorphic at T2.3, 2.39:1 cinemascope"
+- "Vintage swirly bokeh from Helios 44-2 at f/2.0"
+- "Macro detail captured at 1:1 magnification with 100mm macro at f/2.8"

package/templates/skills/director/knowledge/lenses/selection-guide.md

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+# Lens Selection Guide
+
+> How to pick the right lens for any shot type and creative intent.
+
+## Selection by shot type
+
+### Wide / Establishing
+- 16-24mm prime
+- f/4 or higher for environmental detail
+- Cinema: ARRI Master Prime 25mm, Cooke S4 25mm
+- Photo: Sony G Master 24mm, Canon RF 24mm
+
+### Medium shot
+- 35-50mm prime
+- f/2.0 - f/2.8 cinematic
+- Cinema: Cooke S4 50mm, ARRI Signature 50mm
+- Photo: Sony G Master 50mm, Canon RF 50mm
+
+### Close-up portrait
+- 85-100mm prime
+- f/1.2 - f/2.0 for shallow DOF
+- Cinema: Cooke S4 85mm
+- Photo: Sony G Master 85mm, Canon RF 85mm
+
+### Extreme close-up
+- 100-135mm prime, or macro
+- f/2.8 - f/4 for sharpness
+- Cinema: Cooke S4 100mm
+- Photo: 100mm macro
+
+### POV / Action
+- 8-24mm wide / fisheye
+- Variable aperture
+- GoPro Hero (built-in)
+- iPhone wide
+
+## Selection by mood
+
+### Warm / Romantic
+- Cooke S4 series (warm bokeh)
+- Helios 44-2 (swirly vintage)
+- 50-85mm portrait range
+- f/1.4 - f/2.0
+
+### Cold / Clinical
+- Zeiss Master Prime (sharp, neutral)
+- ARRI Signature Prime
+- 35-50mm range
+- f/2.8 - f/4
+
+### Epic / Cinematic
+- Cooke Anamorphic 32-50mm
+- Horizontal flares + 2.39:1 aspect
+- T2.3
+
+### Documentary
+- Sony G Master 35mm or Canon RF 35mm
+- f/2.8 - f/4 for environment + subject
+- Natural perspective
+
+### Music video stylized
+- Kowa Anamorphic (heavy flares)
+- Vintage primes
+- Wide-open aperture
+
+## Selection by budget
+
+### High-end (>$10K per lens)
+- Cooke S4 set, Anamorphic
+- ARRI Signature Primes
+- Zeiss Master Primes
+
+### Mid ($2-10K)
+- Cooke Mini S4, Sigma Cine
+- Zeiss CP.3
+- Canon CN-E
+
+### Prosumer ($500-2K)
+- Sony G Master, Canon RF
+- Sigma Art series
+- Tamron primes
+
+### Consumer (<$500)
+- Vintage Helios, Pentax M42
+- Used Nikon AI-S
+- Mobile phone lenses
+
+## DON'T mix incompatible
+
+- Cinema lens on consumer body — works but overkill
+- Consumer lens on cinema body — quality loss
+- Anamorphic on small sensor — squeeze ratio off
+- Photo lens on cinema body — no smooth focus pull
+
+## Quick recommendation algorithm
+
+```
+1. Identify shot type → narrow to focal range
+2. Identify budget tier → narrow to lens tier
+3. Identify mood/style → pick brand character
+4. Pick aperture based on:
+   - Subject isolation needed → wide open
+   - Environment important → stop down
+   - Sharpness priority → f/4-f/5.6
+```

package/templates/skills/director/knowledge/lighting.md

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+# Lighting — Image Generation
+
+> Lighting is 50% of cinematic feel. Always specify lighting setup explicitly.
+
+## MUST INCLUDE
+
+- Key light direction and quality (hard/soft)
+- Fill light or absence (high contrast vs balanced)
+- Rim/back light (separation from background)
+- Practical sources (visible lamps, screens, signs)
+- Color temperature (warm/cool/mixed)
+- Time of day / atmospheric condition
+
+## Three-point lighting (default)
+
+```
+KEY LIGHT      — main light, defines subject
+FILL LIGHT     — softens shadows on opposite side
+RIM/BACK LIGHT — separates subject from background
+```
+
+Specify for each: direction (front, side, back), height, intensity, color.
+
+## Color temperature scale (Kelvin)
+
+| Source | Kelvin | Look |
+|--------|--------|------|
+| Candle / fire | 1500-2000K | Very warm orange |
+| Tungsten bulb | 2700-3200K | Warm yellow |
+| Sunset / sunrise | 3000-3500K | Golden warm |
+| Halogen | 3200K | Warm |
+| Studio standard | 3200K or 5600K | Mixed |
+| Daylight noon | 5500-5600K | Neutral white |
+| Overcast | 6500-7500K | Cool white |
+| Deep shade / blue hour | 8000K+ | Very cool blue |
+
+Mix sources for visual interest:
+- Warm key + cool window = classic cinematic
+- Cool moonlight + warm interior = night drama
+
+## Lighting moods
+
+### Golden Hour (cinematic warm)
+- Color: 3500K
+- Direction: low side angle (sun position)
+- Quality: soft (atmosphere diffuses)
+- Use: romantic, hopeful, ending scenes
+
+### Blue Hour (melancholic cool)
+- Color: 6500K+
+- Direction: ambient, no hard source
+- Quality: very soft
+- Use: melancholic, contemplative, dawn
+
+### Tungsten Interior (warm cozy)
+- Color: 3200K
+- Direction: from above (ceiling lamps)
+- Quality: hard if direct, soft if shaded
+- Use: home, diner, bar, intimate
+
+### Daylight Through Window (clean modern)
+- Color: 5600K
+- Direction: side
+- Quality: soft (large source)
+- Use: office, modern home, morning
+
+### Practical Only (realistic)
+- Color: mixed
+- Direction: from visible sources
+- Quality: depends on source
+- Use: realism-first scenes
+
+### Chiaroscuro (high contrast drama)
+- Color: variable
+- Direction: extreme single source
+- Quality: hard
+- Fill: minimal or none
+- Use: noir, thriller, drama
+
+### High Key (bright soft)
+- Color: 5600K daylight
+- Direction: even, multiple sources
+- Quality: very soft
+- Fill: heavy (no shadows)
+- Use: comedy, commercial, lifestyle
+
+### Low Key (dark mood)
+- Color: warm, often 3200K
+- Direction: single side source
+- Quality: hard
+- Fill: minimal
+- Use: thriller, horror, drama
+
+### Neon Night (saturated colors)
+- Color: highly mixed (pink, cyan, magenta)
+- Direction: from signs/practicals
+- Quality: variable
+- Use: cyberpunk, music video, night city
+
+## Lighting language for prompts
+
+GOOD:
+```
+Warm tungsten ceiling light at 3200K creates soft key on subject from
+upper-left. Cool blue daylight (5600K) spills through window behind,
+acting as rim. No fill light — shadows remain dark. Practical neon
+sign just out of frame casts subtle pink glow on right side.
+```
+
+BAD:
+```
+Nice lighting, atmospheric mood.
+```
+
+## Avoid
+
+- "Cinematic lighting" alone (too vague — describe it)
+- "Dramatic" without specifying contrast
+- "Natural light" without time of day
+- "Studio lighting" without setup type