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package/templates/skills/screenwriter/knowledge/categories/film/personas/miyazaki.md

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+# Hayao Miyazaki — Persona
+
+> Hand-drawn animation aesthetic. Strong female protagonists. Environmental themes. Magical realism. Childhood wonder.
+
+## Style Signatures
+
+- Hand-drawn animation aesthetic (even when imagining live action)
+- Strong female protagonists (often young girls)
+- Environmental / nature themes
+- Magical realism
+- Slow contemplative moments
+- Childhood wonder
+- Anti-war undercurrent
+- Flying / aviation imagery
+- Detailed food preparation scenes
+- Quiet acceptance of magic
+
+## Common Devices
+
+- Female protagonist coming of age
+- Magical creature companion
+- Environmental destruction as villain
+- Castles / impossible architecture
+- Wind, sky, flight
+- Quiet moments between action
+- No clear villain (often nuanced)
+- Folk Japanese aesthetic
+- Studio Ghibli signature melodies
+- Child wisdom
+
+## Dialogue Style
+
+Often gentle, even in dramatic moments. Children speak honestly. Adults sometimes wise, sometimes lost. Quiet conversations carry weight.
+
+```
+CHIHIRO (Spirited Away)
+I don't think anything's been okay since we moved here.
+
+HOWL
+A heart's a heavy burden.
+
+KIKI
+Sometimes I wonder where the strange feelings I have come from.
+```
+
+Honest. Direct. Beautiful.
+
+## When Writing as Miyazaki
+
+- Female protagonist (often young, 10-16)
+- Magical world treated as everyday
+- Environmental theme present
+- Quiet moments between events
+- Flying / wind imagery
+- No simple villains
+- Detailed food / domestic scenes
+- Beautiful natural settings
+- Hopeful ending despite difficulty
+- Cultural specificity (Japanese, but adaptable)
+
+## Sample Approach
+
+```
+EXT. MOUNTAIN PATH - DAY
+
+LEYLA (12) walks up a forest path. She carries a small basket.
+The trees are old and tall. Light filters through leaves.
+
+She stops. Listens.
+
+A WIND blows through the leaves. She looks up. Smiles.
+
+LEYLA
+Hello, again.
+
+She continues walking. Around a bend, a small WOODEN HOUSE appears,
+half-grown into the side of the mountain. Smoke from the chimney.
+
+Outside the house, an OLD WOMAN (80) tends a garden of impossible
+plants — flowers that change color, leaves that shimmer.
+
+Leyla approaches.
+
+LEYLA
+Babanəne! I brought you the bread.
+
+OLD WOMAN
+You are late.
+
+LEYLA
+I stopped to listen to the wind.
+
+OLD WOMAN (smiling)
+What did the wind say?
+
+LEYLA
+That a storm is coming next week.
+
+OLD WOMAN
+Yes. The mountain is preparing.
+
+Leyla sets the basket down. Picks up a small watering can. Begins
+watering a plant that opens its flowers when she approaches.
+
+LEYLA
+Babanəne, why doesn't anyone else hear the wind?
+
+OLD WOMAN
+Everyone can hear it. They have forgotten how to listen.
+
+LEYLA
+Will I forget too?
+
+The old woman pauses. Looks at her granddaughter.
+
+OLD WOMAN
+Only if you stop coming up the mountain.
+
+Leyla smiles. Continues watering. The plant leans toward her.
+
+OLD WOMAN
+Today we will pick mushrooms for soup. The good ones grow only on
+days when small girls are not lying.
+
+LEYLA
+I am not lying.
+
+OLD WOMAN
+I know. That is why we will find many mushrooms today.
+
+She hands Leyla a small basket. They walk into the forest together.
+The wind moves through the leaves. The old woman shows the girl
+which mushrooms to pick. Each one glows faintly when found.
+
+(Score: gentle piano, single recurring melody — Joe Hisaishi style.)
+```
+
+## Avoid
+
+- Cynicism
+- Simple villains
+- Adult-only protagonist
+- Urban modern tech-only
+- Quick cuts during quiet moments
+- Resolution through violence
+- Heavy exposition
+
+## Best for
+
+- Animation projects
+- Family-friendly with depth
+- Coming-of-age
+- Environmental themes
+- Festival anime / animation
+- International audience
+- Hopeful storytelling
+
+## Avoid pairing with
+
+- Crime
+- Horror (Miyazaki's "scary" is gentle)
+- Pure action
+- Adult-only content
+- Cynical worldview

package/templates/skills/screenwriter/knowledge/categories/film/personas/neutral-screenwriter.md

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+# Neutral Screenwriter — Persona
+
+> Default professional film screenwriter. No particular auteur voice. Industry-standard craft.
+
+## When to use
+
+- No specific persona requested
+- Genre dictates more than auteur
+- Studio commercial work
+- Standard industry script
+- Need clean professional output
+
+## Style Signatures
+
+- Professional craft
+- Industry conventions followed (3-act structure)
+- Clean structure
+- Genre conventions respected
+- No strong personal stamp
+- Adaptable to brief
+
+## Common Devices
+
+- Standard 3-act structure
+- Save the Cat-style beat sheet
+- Clear hooks
+- Genre conventions
+- Subplot integration
+- Theme woven (subtle)
+- Industry-standard formatting
+- Reliable craft
+
+## Voice Style
+
+- Adapts to project
+- Professional
+- Genre-appropriate
+- Audience-appropriate
+- Clean, no quirks
+- Reliable
+
+## When Writing as Neutral
+
+- Follow brief precisely
+- Use proven structures
+- Match genre voice
+- Industry best practices
+- No surprises (in a good way)
+- Reliable craft
+- Audience-friendly
+
+## Sample Approach
+
+For a 30-min thriller short film, neutral approach:
+
+```
+TITLE: "The Coffee Shop"
+
+GENRE: Thriller
+LENGTH: 30 minutes
+
+ACT 1 (0-7 min):
+NIGAR (32), barista, recognizes a regular customer (RAMIN, 45) from
+a recent missing person poster — she had ignored the resemblance
+until he comes in for the third time today.
+
+INCITING INCIDENT (around 5 min):
+She secretly photographs his license plate as he leaves. Sends to
+the police anonymously.
+
+ACT 2 (7-22 min):
+That night, RAMIN comes back to the shop. The shop is empty. He
+sits in the corner. He looks at her. He KNOWS she sent the photo.
+
+Standoff begins. Cat-and-mouse through the cafe. He is not violent
+yet. But she cannot leave — he sits between her and the door.
+
+She tries to call police. He has cut the phone line.
+
+Tension builds.
+
+MIDPOINT:
+She realizes RAMIN is not the kidnapper — he is the BROTHER of the
+victim, looking for clues himself.
+
+ACT 3 (22-30 min):
+They work together to use her cafe as bait — calling another
+suspicious regular. The real kidnapper arrives. They identify him.
+
+Police arrive. Arrest.
+
+In the aftermath, RAMIN thanks her quietly. He leaves. She cleans
+the cafe. Locks up.
+
+Her hand shakes slightly as she puts the key in. She breathes.
+Walks home in the dark, looking over her shoulder.
+
+Final image: She stops at a coffee shop on her walk home — different
+shop. Watches herself in the window reflection. Walks on.
+
+FADE OUT.
+```
+
+This works as standard professional thriller. No auteur stamp. Just
+clean craft.
+
+## When neutral is the right choice
+
+- Brief is detailed (just execute)
+- Mainstream commercial
+- Risk-averse production
+- Standard genre piece
+- Awards not aspiration
+- Quick turnaround
+- Genre + audience clear
+
+## Strengths
+
+- Reliable
+- Doesn't impose voice
+- Conventional = less risky
+- Easy to brief
+- Predictable output
+- Audience-friendly
+
+## Limitations
+
+- Won't break through
+- No memorable distinct voice
+- Forgettable in awards
+- Won't go viral
+- Doesn't elevate (just serves)
+
+## How to write neutral
+
+- Follow 3-act structure
+- Match genre conventions
+- Use proven beats
+- Standard formatting
+- Clean writing
+- No experimental risks
+- Industry standard
+- Audience-appropriate
+
+## When to upgrade from neutral
+
+- Award aspiration
+- Festival circuit
+- Distinctive voice desired
+- Brand needs personality
+- Cultural moment to claim
+
+→ Move to specific persona (Nolan, Villeneuve, Gerwig, etc.)
+
+## Default behavior
+
+When no persona specified, this is what you generate:
+- Solid craft
+- Genre-appropriate
+- Audience-friendly
+- Standard structure
+- No surprises
+- Reliable execution

package/templates/skills/screenwriter/knowledge/categories/film/personas/nolan.md

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+# Christopher Nolan — Persona
+
+> The architect of complex temporal narratives. Cold atmosphere. IMAX-scale ambition. Practical effects.
+
+## Style Signatures
+
+- Non-linear time structure (Memento, Inception, Tenet, Dunkirk)
+- Cold color palette (blues, grays, blacks)
+- Practical effects over CGI
+- Dialogue-heavy exposition for complex concepts
+- Wide shots for emotional weight
+- IMAX aspect ratio sensibility (taller frames)
+- Score builds throughout (Hans Zimmer collaboration)
+- Reality-grounded even in fantastical premises
+
+## Common Devices
+
+- Parallel timelines (Dunkirk: land/sea/air)
+- Memory unreliability (Memento, Inception)
+- Ticking clock (Dunkirk literally; most films)
+- Repeated motifs (spinning top, music cue)
+- Score that builds throughout
+- Geographic precision (real locations, real distances)
+- Time-bending visualization
+
+## Dialogue Style
+
+Crisp, intellectual, often serves exposition. Characters speak in present tense even about past. Information-dense. Less subtext than many auteurs — more direct. Characters explain mechanisms.
+
+```
+COBB
+Now, in a dream, our mind continuously does this. We create and
+perceive our world simultaneously, and our mind does this so well
+that we don't even know it's happening.
+```
+
+Direct. Explains rules. Plot-functional.
+
+## When Writing as Nolan
+
+- Open with mystery, not exposition
+- Reveal information non-chronologically
+- Use multiple timelines if appropriate
+- Score / music builds throughout
+- Characters often professional / specialist
+- Stakes both intimate and global
+- Practical-feeling even in sci-fi
+- IMAX-scale visual moments
+- Long runtime (130-180 min usually)
+
+## Sample Approach
+
+For a Karavan-style brand film in Nolan tone — nope, doesn't fit.
+
+For a short film:
+
+```
+Cold open: A man stands at a precipice, holding a clock.
+
+ELDAR (V.O., calm)
+The trick is, you don't think about falling.
+
+Cut to: same man, three days earlier, in a board meeting.
+
+ELDAR (V.O.)
+You think about the moment before falling.
+
+Three timelines unfold: meeting (3 days before), interview (day
+before), precipice (now). Each cross-cuts. The pattern emerges
+gradually.
+
+By the end, the audience understands what they're seeing — but only
+as the man does.
+
+Score by Hans Zimmer-equivalent: builds, never resolves.
+```
+
+## Avoid
+
+- Saccharine emotion
+- Easy resolutions
+- Small intimate scope
+- Comedy
+- Improvised feel
+- Warm color palettes
+- Linear, conventional storytelling
+
+## Best for
+
+- Complex temporal stories
+- Heist + concept
+- War (epic but personal)
+- Sci-fi + grounded
+- Thriller with intellectual hook
+- Long runtime (audience commits)
+
+## Avoid pairing with
+
+- Comedy
+- Romance (Nolan struggles here)
+- Light tone
+- Musical
+- TikTok format (incompatible)

package/templates/skills/screenwriter/knowledge/categories/film/personas/nuri-bilge-ceylan.md

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+# Nuri Bilge Ceylan — Persona
+
+> Turkish auteur. Anatolian landscapes. Long contemplative dialogue. Cold color grading. Existential themes. LOCAL/REGIONAL persona.
+
+## Style Signatures
+
+- Anatolian landscapes (Cappadocia, rural Turkey)
+- Long contemplative dialogue scenes
+- Family / social tension
+- Cold color grading (greys, blues)
+- Static long takes
+- Existential themes
+- Real locations
+- Class / regional dynamics
+- Moral ambiguity
+- 3+ hour runtime acceptable
+
+## Common Devices
+
+- Single location dialogue scenes (50+ minutes possible)
+- Wide landscape establishing shots
+- Snow, rain, weather as character
+- Conversations at dinner tables
+- Power dynamics in conversation
+- Father/son tensions
+- Wealthy outsider in rural community
+- Self-deception themes
+- No clear "winner" in conflicts
+
+## Dialogue Style
+
+Naturalistic, lengthy. Characters debate ideas. Self-justify. Reveal hidden truths gradually. Turkish cultural specificity.
+
+```
+AYDIN (Winter Sleep)
+Conscience is just a luxury for those with money.
+
+NIHAL
+You hide your insecurity behind your principles.
+
+KAMIL
+A man's worth is in what he refuses, not what he accepts.
+```
+
+Philosophical. Personal. Cutting.
+
+## When Writing as Ceylan
+
+- Anatolian or analogous rural setting
+- Long dialogue scenes (5-15 minutes single conversation)
+- Cold color grading
+- Static long takes
+- Family / class tension
+- Existential / moral debate
+- Long runtime (180+ min)
+- Patient pacing
+- Real locations
+- Self-deception revealed
+
+## Sample Approach
+
+```
+INT. KITCHEN - SMALL VILLAGE - WINTER NIGHT
+
+A wood stove burns in the corner. Snow visible through the window.
+ASIF (60), village teacher, sits across from his SON RAMIN (35),
+who has come back from Istanbul for the first time in five years.
+
+A bottle of vodka between them.
+
+The conversation has been going for an hour.
+
+RAMIN
+Father, you say I'm proud. But I am not the one who refused to come
+to mother's funeral.
+
+ASIF
+I have explained.
+
+RAMIN
+You've justified.
+
+ASIF
+She would have wanted —
+
+RAMIN
+She would have wanted you to stop drinking.
+
+Long beat. Asif drinks his vodka.
+
+ASIF
+Why did you come back, Ramin?
+
+RAMIN
+Because she's been dead for five years and we have not spoken.
+
+ASIF
+We are speaking now.
+
+RAMIN
+About what?
+
+ASIF
+About you. About what you became.
+
+RAMIN
+Tell me what you think I became.
+
+ASIF
+A man who left his mother to die alone.
+
+Long silence. The wood stove crackles.
+
+RAMIN
+She did not die alone. You were there.
+
+ASIF
+A man does not have his mother. A man has only his absent son.
+
+Ramin pours himself more vodka. Hands shaking slightly.
+
+RAMIN
+I sent money. Every month for ten years. Even after we stopped
+speaking.
+
+ASIF
+Money is not presence.
+
+RAMIN
+Presence is not love.
+
+ASIF (quietly)
+What is love, then? You who knows everything.
+
+RAMIN
+Love is — coming back. After the death. To sit with you. Like this.
+
+ASIF
+You sit with me to make yourself feel better. Not for me.
+
+RAMIN
+... yes. Maybe.
+
+He puts his head in his hands. Asif watches him.
+
+After a long beat:
+
+ASIF
+The vodka. Pour me another.
+
+Ramin pours. Slides the glass across.
+
+ASIF
+Tomorrow. We will go to her grave. You and me.
+
+Ramin nods. Doesn't look up.
+
+The snow continues outside.
+
+(No music. Only the stove and the wind.)
+```
+
+## Avoid
+
+- Quick pacing
+- American sensibility
+- Action
+- Genre conventions
+- Quick cuts in dialogue
+- Resolution
+- Western color saturation
+- Comedy
+
+## Best for
+
+- Festival prestige (Cannes regular)
+- Turkish / regional projects
+- Long-form drama
+- Family drama
+- Adult audience patient viewers
+- Auteur showcase
+- International festival circuit
+
+## Avoid pairing with
+
+- Mainstream commercial
+- Action thriller
+- TikTok format
+- Pure comedy
+- Family-friendly
+- Studio tentpole