@azerogluemin/ai-bootstrap 0.2.1

package/templates/skills/composer/knowledge/personas/hans-zimmer.md

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+# Hans Zimmer — Film Composer Persona
+
+> Maximalist orchestral-electronic hybrid. Inception "BWAAAH" architect. Modern blockbuster scoring template.
+
+## Who he is
+German film composer. Defining voice of modern Hollywood blockbuster scoring. From Lion King to Pirates of the Caribbean to Dark Knight Trilogy to Inception to Dune. 200+ film scores.
+
+## Composing philosophy
+- Orchestra + electronics = greater than parts
+- Texture as theme (sometimes)
+- Repetition + crescendo as drama
+- Drum power (Pirates, Gladiator)
+- Drone as foundation
+- "BWAAAH" brass blast (Inception's gift to trailers)
+- Less melody, more atmosphere (modern era)
+- Hybrid orchestra (electronic processing of organic)
+
+## Stylistic eras
+1. **Synth era (1980s)**: "Rain Man", "True Romance"
+2. **Epic orchestral (1990s-2000s)**: "Gladiator", "Pirates", "Last Samurai"
+3. **Hybrid maximalist (2008+)**: "Dark Knight", "Inception", "Interstellar"
+4. **Minimalist atmospheric (2020+)**: "Dune", "No Time to Die"
+
+## Production trademarks
+- Massive brass sections (16+ horns)
+- Cellos as melody (not just bass)
+- Synth bass + orchestra blend
+- Taiko drums / processed drums (Inception)
+- Ostinato patterns (repeating motifs build tension)
+- Reverse cymbals (rise builds)
+- Sound design blurred with music
+- Air horn / "BWAAAH" brass blasts
+
+## Famous scores
+- Lion King (1994) — Oscar winner
+- Gladiator (2000)
+- Pirates of the Caribbean (2003+)
+- The Dark Knight Trilogy (2005-2012)
+- Inception (2010) — "Time"
+- Interstellar (2014) — pipe organ
+- Dune (2021) — Oscar winner, female vocal sound design
+
+## When to invoke this persona
+- Cinematic orchestral
+- Modern blockbuster trailer music
+- Hybrid orchestra-electronic
+- Tension building / climax pieces
+- Sci-fi / epic / drama scoring
+- Maximalist sound design
+
+## For Suno
+```
+[Style: cinematic orchestral in Hans Zimmer tradition, hybrid orchestra 
++ electronics, massive brass section + cello melody + synth bass + 
+processed drums, ostinato pattern building to climax, BPM 90, key D 
+minor, 4-minute build-and-release form]
+```
+
+## Pair well with
+- Orchestral cinematic genre
+- Electronic atmospheric blend
+- Maximalist production
+- Tension / triumph / awe / melancholy moods
+- Long-form film score format
+
+## Avoid pairing with
+- Pop song structure
+- Hook-first writing
+- Acoustic singer-songwriter
+- Lo-fi
+- Conventional verse/chorus form

package/templates/skills/composer/knowledge/personas/hildur-gudnadottir.md

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+# Hildur Guðnadóttir — Film Composer Persona
+
+> Icelandic cellist-composer. Sparse minimalist drone. Joker / Chernobyl. Less is unbearable more.
+
+## Who she is
+Icelandic cellist and composer. Oscar winner for "Joker" (2019) — first solo female composer to win Best Original Score in 2 decades. Also Emmy/Grammy for "Chernobyl" HBO series.
+
+## Composing philosophy
+- Sparse, not maximalist (opposite of Zimmer)
+- Drone as foundation (sustained pitches)
+- Cello as voice (her instrument)
+- Texture over melody
+- Sound design and music indistinguishable
+- Field recordings integrated (Chernobyl: actual nuclear plant sounds)
+- Slow harmonic shifts
+- Discomfort as goal (not catharsis)
+
+## Stylistic trademarks
+- Solo cello + drone foundations
+- Female vocal textures (often wordless)
+- Long sustained notes
+- Minimal percussion (or none)
+- Industrial / found sound integration
+- Slow dynamic builds (10+ minutes)
+- No traditional themes (no hummable melody)
+- Microtonality / subtle pitch bending
+
+## Production approach
+- Recorded in resonant spaces
+- Close-miked cello (intimate)
+- Reverb for vastness
+- Layering of cello (multiple takes)
+- Convolution reverb (church spaces)
+- Field recordings as instruments
+- No quantization (organic timing)
+
+## Famous scores
+- Joker (2019) — Oscar winner
+- Chernobyl (HBO, 2019) — Emmy + Grammy
+- Tár (2022)
+- Sicario: Day of the Soldado (2018)
+- Women Talking (2022)
+
+## When to invoke this persona
+- Sparse minimalist film scoring
+- Drone-based atmospheres
+- Solo cello prominent
+- Female vocal texture (wordless)
+- Discomfort / dread / contemplation tones
+- Less-is-more philosophy
+
+## For Suno
+```
+[Style: minimalist film score in Hildur Guðnadóttir tradition, solo cello 
+melody over sustained drone, wordless female vocal texture floating 
+above, slow harmonic shifts, recorded in resonant church space, BPM 60, 
+8-minute long-form contemplative]
+```
+
+## Pair well with
+- Orchestral cinematic (minimalist version)
+- Ambient textural
+- Cello + drone instrumentation
+- Melancholy / unsettling / reverent moods
+- Long-form film score format
+
+## Avoid pairing with
+- Pop song structure
+- EDM
+- Maximalist (opposite philosophy)
+- Hook-driven writing
+- Aggressive/loud production

package/templates/skills/composer/knowledge/personas/kanye-west.md

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+# Kanye West — Hip-Hop / Producer Persona
+
+> Genre-blurring sample architect. From soul-flip hip-hop to gospel to industrial. Era-defining producer-rapper.
+
+## Who he is
+American rapper/producer. Defined multiple eras of hip-hop. From "College Dropout" (2004) chipmunk-soul samples, to "808s & Heartbreak" (2008) Auto-Tune emotional pioneer, to "My Beautiful Dark Twisted Fantasy" (2010) maximalist masterpiece, to "Yeezus" (2013) industrial abrasion, to "The Life of Pablo" (2016) gospel-trap.
+
+## Production philosophy
+- Sample as foundation (early)
+- Pitch-shift soul vocals (chipmunk soul)
+- Maximalism + minimalism in same song
+- Drum kit obsessive (TR-808 reverence)
+- Genre collision (gospel + trap + rock + electronic)
+- Album as statement / era
+- Featured artists as instruments
+
+## Stylistic eras
+1. **College Dropout (2004)**: chipmunk-soul samples
+2. **Late Registration (2005)**: orchestral hip-hop
+3. **Graduation (2007)**: stadium synths, daft punk inspired
+4. **808s & Heartbreak (2008)**: Auto-Tune emotional revolution
+5. **MBDTF (2010)**: maximalist baroque
+6. **Yeezus (2013)**: industrial minimalism abrasion
+7. **TLOP (2016)**: gospel-trap fusion
+8. **JIK / Donda (2019+)**: gospel-rap
+
+## Production trademarks
+- TR-808 drum machine (defining sound)
+- Pitched-up soul vocal samples
+- Big choir vocal stacks
+- Sub-bass heavy
+- Sudden genre shifts mid-song
+- Distortion / abrasion (Yeezus era)
+- Auto-Tune as instrument (not correction)
+- Skits and interludes
+
+## Famous works
+- "Through the Wire" (2003)
+- "Jesus Walks" (2004)
+- "Stronger" (2007) — Daft Punk sample
+- "Heartless" (2008) — Auto-Tune ballad
+- "Power" (2010)
+- "Runaway" (2010) — 9-minute epic
+- "Black Skinhead" (2013)
+- "Ultralight Beam" (2016) — gospel
+
+## When to invoke this persona
+- Sample-flip hip-hop
+- Auto-Tune emotional rap
+- Maximalist baroque hip-hop
+- Industrial abrasive rap
+- Gospel-rap fusion
+- Genre-blurring production
+
+## For Suno
+```
+[Style: hip-hop in Kanye West MBDTF tradition, pitched-up soul sample 
+foundation, TR-808 drums + sub-bass, choir vocal stacks, male rap with 
+Auto-Tune emotional sections, maximalist arrangement with sudden genre 
+shifts, BPM 85, key C minor]
+```
+
+## Pair well with
+- Hip-hop, gospel, R&B genres
+- Rap-flow vocal style + Auto-Tune
+- Polished modern OR maximalist production
+- Triumphant / introspective / euphoric moods
+- TR-808 + soul samples + choir
+
+## Avoid pairing with
+- Folk acoustic
+- Live-feel jazz
+- Singer-songwriter intimate
+- Lo-fi bedroom
+- Country

package/templates/skills/composer/knowledge/personas/max-martin.md

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+# Max Martin — Pop Songwriter / Producer Persona
+
+> The architect of modern pop hooks. Swedish songwriting machine. "Melodic math."
+
+## Who he is
+Swedish songwriter/producer. Behind hits for Britney Spears, Backstreet Boys, NSYNC, Katy Perry, Taylor Swift, The Weeknd, Ariana Grande. 25+ Billboard #1 hits — second most after Lennon/McCartney.
+
+## Songwriting philosophy
+- **Melodic math**: every note has purpose, every section measured
+- Hook in first 7 seconds (radio rule)
+- ABABCB structure mastery (verse-chorus-verse-chorus-bridge-chorus)
+- Melodic symmetry (phrase A answered by phrase B)
+- Repetition = memorability (chorus says title 4-6x)
+- Vowel sounds matter (open vowels in chorus = singable)
+
+## Lyrical approach
+- Universal themes (love, heartbreak, party, empowerment)
+- Simple words (5th-grade reading level)
+- Personal pronoun heavy ("I", "you", "we")
+- Specific imagery in verses, abstract emotion in chorus
+- Phonetic prioritization (sounds over deep meaning)
+- Title repetition is feature, not bug
+
+## Production trademarks
+- Punchy mid-range vocals (cut through any speaker)
+- Layered vocal stacks in chorus
+- Bright, polished mix (radio-ready)
+- Strong rhythmic backbone (BPM 100-128 mostly)
+- Pre-chorus build (lift before chorus drop)
+- "Melodic math" — every counter-melody serves main hook
+
+## Famous works
+- "...Baby One More Time" (Britney Spears, 1998)
+- "I Want It That Way" (Backstreet Boys, 1999)
+- "Since U Been Gone" (Kelly Clarkson, 2004)
+- "Teenage Dream" (Katy Perry, 2010)
+- "Blank Space" (Taylor Swift, 2014)
+- "Can't Feel My Face" (The Weeknd, 2015)
+- "Blinding Lights" (The Weeknd, 2019)
+
+## When to invoke this persona
+- Mainstream radio pop targeting
+- Hook-first songwriting
+- Maximum singability
+- Universal appeal
+- Top 40 commercial focus
+
+## For Suno
+```
+[Style: pop produced in Max Martin tradition — strong hook in first 7 
+seconds, ABABCB structure, melodic math with symmetric phrases, polished 
+mix, punchy mid-range vocals with layered chorus stacks, BPM 110]
+```
+
+## Pair well with
+- Pop genre
+- The Weeknd vocal styling
+- Polished modern production
+- Empowerment / love themes
+
+## Avoid pairing with
+- Lo-fi aesthetic
+- Experimental forms
+- Long ambient pieces
+- Folk authenticity

package/templates/skills/composer/knowledge/personas/neutral-composer.md

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+# Neutral Composer — Default Persona
+
+> No specific artist signature. Genre-appropriate baseline production. Use when no persona-driven aesthetic wanted.
+
+## When to invoke
+- User wants generic genre output (no specific artist style)
+- No reference artist matches the brief
+- Persona uncertainty — start neutral, refine later
+- Educational / template / placeholder use
+- Pure genre adherence wanted (not artist twist on genre)
+
+## Approach
+- Follow GENRE conventions strictly (use genre file)
+- Follow MOOD direction (use mood file)
+- Average production quality (not signature lo-fi or hi-fi)
+- Standard song structure for genre
+- No specific phrasing/vocal mannerisms
+- No quirky instrument choices
+- "Textbook" version of the genre
+
+## Production defaults
+- Polished modern production (default)
+- Standard mixing for streaming (LUFS -14)
+- Standard arrangement for genre
+- Generic vocal style (matching genre conventions)
+- Standard BPM range for genre
+- Standard key choices for mood
+
+## Vocal defaults
+- Match genre convention (no signature artist quirk)
+- Clean delivery
+- Standard harmonization
+- Conventional emotional range
+
+## Lyrical defaults
+- Match genre theme conventions
+- Universal language (not regional dialect)
+- Standard rhyme schemes for genre
+- No specific lyricist signature
+
+## For Suno
+```
+[Style: standard {genre} production with conventional arrangement, 
+{mood} atmosphere, {vocal-style} vocal, BPM {standard-for-genre}, 
+key {standard-for-mood}, polished modern mix]
+```
+
+## When NOT to use
+- User specifically references an artist
+- User wants distinct stylistic signature
+- Brief is highly artistic / experimental
+- Album-level conceptual work
+
+## Use case examples
+- "Make me a sad pop song" → neutral pop persona + melancholy mood
+- "Generate a hip-hop beat" → neutral hip-hop, no Kanye/Pharrell signature
+- "Folk song about love" → neutral folk, not Bon Iver / Sufjan flavored
+
+## Pair well with
+- Any genre (it's the genre's neutral version)
+- Any standard production style
+- Any conventional mood
+- Mainstream commercial appeal
+
+## Notes
+This persona exists to AVOID forcing a famous artist's flavor when the brief doesn't call for it. Sometimes generic IS the right answer.

package/templates/skills/composer/knowledge/personas/pharrell.md

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+# Pharrell Williams — Hip-Hop / Pop Producer Persona
+
+> Minimalist groove architect. Neptunes legacy. Clap-snap funk.
+
+## Who he is
+American producer/songwriter. Half of The Neptunes (with Chad Hugo). N.E.R.D. frontman. Producer for Jay-Z, Snoop Dogg, Justin Timberlake, Britney Spears, Daft Punk, Robin Thicke, plus solo work ("Happy").
+
+## Production philosophy
+- Less is more — unique sounds in space
+- Drum-led arrangements (groove first)
+- Quirky instruments (steel drums, marimbas, vocoders)
+- Sparse but distinctive
+- Hi-hat patterns intricate
+- Bass minimal but funky
+- 4-bar loops you can't stop nodding to
+
+## Songwriting approach
+- Melody from groove (rhythm informs melody)
+- Conversational lyrics
+- Falsetto hooks (his signature vocal)
+- Call-and-response structures
+- Genre-blurring (R&B/hip-hop/pop/funk all at once)
+- Confidence/charisma/playfulness
+
+## Production trademarks
+- Snap-clap percussion (Neptunes signature)
+- Synth bass funk (square waves, pulse)
+- Sparse arrangement — every element heard
+- Pitched percussion (xylophones, steel drums)
+- Vocoder/talk box on hooks
+- Stuttered "uh" and "yeah" ad-libs
+- 4 on the floor with funk swing
+
+## Famous productions
+- "Drop It Like It's Hot" (Snoop Dogg, 2004)
+- "Hot in Herre" (Nelly, 2002)
+- "Get Lucky" (Daft Punk, 2013) — co-write
+- "Blurred Lines" (Robin Thicke, 2013)
+- "Happy" (Despicable Me 2, 2013)
+- "Lose Yourself to Dance" (Daft Punk)
+- "I'm a Slave 4 U" (Britney Spears, 2001)
+
+## When to invoke this persona
+- Funky, sparse hip-hop / pop fusion
+- Groove-driven over hook-driven
+- Quirky/unexpected sounds wanted
+- Minimal but danceable
+- Falsetto vocal hooks
+- Cross-genre commercial appeal
+
+## For Suno
+```
+[Style: hip-hop/pop fusion in Pharrell/Neptunes tradition, sparse drum 
+groove with snap-clap percussion, funky synth bass, pitched percussion 
+accents, falsetto male hook vocal, conversational verses, BPM 100]
+```
+
+## Pair well with
+- Hip-hop, pop, R&B genres
+- Falsetto vocal
+- Polished modern production
+- Confident / playful / sensual moods
+- Minimal aesthetic
+
+## Avoid pairing with
+- Folk acoustic
+- Orchestral cinematic
+- Lo-fi (defeats the polish)
+- Aggressive metal/punk
+- Ambient long-form

package/templates/skills/composer/knowledge/personas/rashid-behbudov.md

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+# Rəşid Behbudov — Azerbaijani Classical Vocal Persona (LOCAL)
+
+> Azərbaycanın "qızıl səsi". Klassik xanəndəlik + müasir estrada. 1940–80-ci illərin əfsanəsi.
+
+## Kimdir
+Rəşid Behbudov (1915–1989). Azərbaycan SSR xalq artisti, SSRİ xalq artisti. Üç oktava səsi. Mahnı Teatrının yaradıcısı. 100-ə yaxın dildə oxudu. Klassik muğam-əsaslı vokal + müasir estrada birləşməsinin ustası.
+
+## Vokal fəlsəfəsi
+- Mükəmməl tələffüz (hər söz aydın)
+- Səsin texniki kontrolü (oktav diapazonu)
+- Lirik incəlik + qüdrət birlikdə
+- Muğam üslubunda melizm (yalnız lazım olduqda)
+- Dramatik fraza tikintisi
+- Hörmətli, ləyaqətli ifa (təvazökar deyil — möhtəşəm)
+
+## Mahnı tərzi
+- Lirik mövzular: vətən, eşq, sevgi, xatirə
+- Klassik bəstəçilər: Cahangir Cahangirov, Tofiq Quliyev, Səid Rüstəmov
+- Bəzən xalq mahnıları (mahnı toplama mədəniyyəti)
+- Romansa yaxın janr (Azerbaijani romans)
+- Estrada-orkestr müşayiəti (1940-80 SSRİ stili)
+
+## İmza əsərlər
+- "Azərbaycan" (Polad Bülbüloğlu bəstəsi)
+- "Bakı haqqında mahnı"
+- "Sənə də qalmaz"
+- "Leyli və Məcnun" ariyaları
+- "Arşın mal alan" filmi (1945) — Asgar rolu
+- Beynəlxalq turlardan repertuar (italyan, fransız, ispan dillərində)
+
+## Nə vaxt bu persona istifadə edilir
+- Klassik Azərbaycan vokal estetikası
+- Vətən / eşq / xatirə mövzulu mahnılar
+- Orkestr-estrada müşayiət istənildikdə
+- Hörmətli, ləyaqətli vokal ton
+- 1940-80 SSRİ-Azərbaycan musiqi atmosferi
+- Yüksək texniki vokal tələbi
+
+## Suno üçün
+```
+[Style: classical Azerbaijani estrada in Rashid Behbudov tradition, male 
+baritone-tenor with operatic technique and three-octave range, full 
+orchestra accompaniment with strings + brass + folk instruments (tar, 
+kamancha), lyric ballad structure, BPM 70, key D minor, dignified noble 
+delivery]
+```
+
+## Yaxşı uyğun gəlir
+- Azerbaijani-pop genre (klassik tərəf)
+- Mugham-style və classical vocal styles
+- Orchestral cinematic production
+- Vətən / eşq / xatirə moods
+- Tar + kamancha + orchestra instruments
+
+## Pair etmək olmaz
+- Trap / drill
+- Lo-fi bedroom production
+- Whispered intimate vocal
+- EDM festival drops
+- Aggressive rap-flow

package/templates/skills/composer/knowledge/personas/sezen-aksu.md

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+# Sezen Aksu — Turkish Pop Persona (REGIONAL)
+
+> "Türk pop-unun minik anası". Şərqi pop-balladalı tradisiyanın memarı.
+
+## Kimdir
+Sezen Aksu (d. 1954). Türkiyəli mahnı müəllifi və ifaçı. 1970-ci illərdən bu yana türk pop musiqisini formalaşdırır. Tarkan, Sertab Erener, Aşkın Nur Yengi kimi ulduzları yetişdirib. 600+ mahnı yazıb.
+
+## Mahnı yazma fəlsəfəsi
+- Türk şiir tradisiyası + müasir pop forması
+- Melodik dramatik quruluş
+- Anatoliya melodik motivləri (makam əsaslı)
+- Şəxsi + universal mövzu birlikdə
+- Qadın səsi ilə ifa edilir əsasən
+- Lirik məzmun dərinliyi (sadə pop deyil)
+
+## Lirik yanaşma
+- Mövzular: eşq, ayrılıq, qadın gücü, həyat fəlsəfəsi
+- Türk klassik şair tradisiyası (Yunus Emre, Nazım Hikmet) refleksiyası
+- Bəzən siyasi / sosial (sübut) mövzular
+- Şəxsi acılar şeirə çevrilir
+- Anatoliya xalq mahnı motivləri yenidən
+- Dramatik fraza qurulması
+
+## Musiqi xüsusiyyətləri
+- Türk pop strukturu (verse–chorus–verse–chorus–bridge)
+- Makam əsaslı melodiya (hicaz, kürdi, uşşaq)
+- Saz, ud, qanun + müasir pop instrumentlərı
+- Orkestr bəzən (string section)
+- Tempolu balladalar əsasən
+- Drama crescendo-ları (start kvitə → kataktik final)
+
+## İmza əsərlər
+- "Şinanay"
+- "Hadi Bakalım" (Tarkan üçün yazılmış)
+- "Bir Çocuk Sevdim"
+- "Kahpe Kader"
+- "Gülümse" (Sertab Erener üçün)
+- "Tutuklu" (siyasi)
+
+## Nə vaxt bu persona istifadə edilir
+- Türk pop / arabesque estetikası
+- Anatoliya makam əsaslı melodiya istənildikdə
+- Dramatik vokal performansı
+- Qadın gücü / eşq / ayrılıq mövzuları
+- Regional Türk-Azerbaijani auditoriya
+- Lirik dərinlik + pop accessibilty
+
+## Suno üçün
+```
+[Style: Turkish pop in Sezen Aksu tradition, female vocal with 
+emotional dramatic delivery, makam-based melody (hicaz mode), saz + 
+qanun + ud blended with modern pop production, ballad structure with 
+crescendo build, BPM 80, dramatic Turkish-Anatolian pop sensibility]
+```
+
+## Yaxşı uyğun gəlir
+- Turkish-arabesque, azerbaijani-pop genres
+- Female mezzo / soprano vocals
+- Polished modern OR live-feel production
+- Heartbreak / passionate / nostalgic moods
+- Saz + ud + qanun + orchestra
+
+## Pair etmək olmaz
+- EDM
+- Trap / drill
+- Lo-fi bedroom
+- Pure western pop (without makam)
+- Aggressive metal/punk

package/templates/skills/composer/knowledge/personas/sufjan-stevens.md

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+# Sufjan Stevens — Singer-Songwriter Persona
+
+> American chamber-folk poet. From banjo intimacy to electronic abstraction.
+
+## Who he is
+American singer-songwriter / multi-instrumentalist. Known for "Illinois" (2005) state-themed concept album, "Carrie & Lowell" (2015) deeply personal grief album, and "The Age of Adz" (2010) electronic experimental work.
+
+## Songwriting philosophy
+- Concept-album thinker (state albums, Christmas albums, themed projects)
+- Whisper as confession (vulnerable vocal default)
+- Religious imagery + secular doubt
+- Intimate biography mixed with abstraction
+- Long song forms (6-12 min not unusual)
+- Build-and-release dynamics (quiet to cathartic)
+- Lyrics as poetry first, song second
+
+## Lyrical approach
+- Specific names, places, moments
+- Religious symbolism (Christianity esp.)
+- Death, grief, mortality recurring
+- Family relationships explored deeply
+- Historical / mythological references
+- Whispered vocal demands close listening
+- Long lines that feel like spoken poetry
+
+## Musical trademarks
+- Banjo + acoustic guitar (early)
+- Chamber-orchestral arrangements (woodwinds, strings, horns)
+- Multi-tracked vocal harmonies (his own voice stacked)
+- Electronic glitch (Age of Adz era)
+- Piano as primary (Carrie & Lowell era)
+- Hushed delivery — no belting
+- Drum machines + organic instruments mixed
+
+## Famous works
+- "Chicago" (Illinois, 2005)
+- "John Wayne Gacy, Jr." (Illinois, 2005)
+- "Casimir Pulaski Day" (Illinois, 2005)
+- "Death With Dignity" (Carrie & Lowell, 2015)
+- "Should Have Known Better" (Carrie & Lowell, 2015)
+- "Mystery of Love" (Call Me By Your Name, 2017)
+
+## When to invoke this persona
+- Chamber-folk songwriting
+- Whispered intimate vocal
+- Concept-album thinking
+- Grief / death / family themes
+- Religious imagery wanted
+- Long-form non-pop song structures
+
+## For Suno
+```
+[Style: chamber-folk in Sufjan Stevens tradition, fingerpicked acoustic 
+guitar + banjo + woodwind ensemble, whispered male vocal with multi-
+tracked self-harmonies, intimate close-mic recording, building from 
+hushed to cathartic, BPM 80, 6-minute song form]
+```
+
+## Pair well with
+- Folk / indie folk genres
+- Acoustic guitar + banjo
+- Orchestral cinematic (chamber version)
+- Melancholy / reverent / contemplative moods
+- Whisper or falsetto vocals
+
+## Avoid pairing with
+- EDM
+- Hip-hop
+- Aggressive metal
+- Loud commercial pop
+- Demo aesthetic (he's polished even when intimate)