@azerogluemin/ai-bootstrap 0.2.1

package/templates/skills/composer/knowledge/vocal-styles/female-mezzo.md

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+# Female Mezzo (Mezzo-Soprano) — Vocal Style
+
+> Middle female voice. A3 to A5 typically. Most common female pop voice.
+
+## Range
+A3 (low) to A5 (high). Comfortable middle range.
+
+## Voice character
+- Warm, rich
+- Versatile
+- Can be tender or powerful
+- Most relatable female voice
+
+## Famous mezzos
+- **Pop**: Adele (often sings in mezzo range), Sara Bareilles
+- **Pop**: Taylor Swift, Lorde, Billie Eilish
+- **Country**: Kacey Musgraves, Maren Morris
+- **Soul**: Aretha Franklin (could go higher), Norah Jones
+- **Classical**: Cecilia Bartoli, Joyce DiDonato
+- **Indie**: Phoebe Bridgers, Lucy Dacus
+
+## When to use
+- Most pop (default female voice)
+- Country
+- Indie
+- R&B (mid-range)
+- Singer-songwriter
+- Storytelling
+
+## Lyric considerations
+- Most natural female range
+- Conversational quality
+- Allows clear delivery
+- Versatile
+
+## For Suno
+```
+[Vocals: female mezzo, warm conversational pop style, range A3-A5, 
+versatile and emotional]
+```
+
+```
+[Vocals: female mezzo, indie folk vulnerable style, intimate delivery]
+```
+
+## Default for female
+If unsure, mezzo is most natural / accessible female voice for pop / folk / country / indie. Most modern female singers fall in this range.

package/templates/skills/composer/knowledge/vocal-styles/female-soprano.md

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+# Female Soprano — Vocal Style
+
+> Highest female voice. C4 to C6 typically. Pop, opera, ethereal.
+
+## Range
+C4 (middle C) to C6. Some sopranos reach D6 / E6.
+
+## Voice character
+- Bright, clear
+- Soaring
+- Can be ethereal or powerful
+- Cuts through mix
+
+## Famous sopranos
+- **Opera**: Maria Callas, Renée Fleming, Anna Netrebko
+- **Pop**: Mariah Carey (whistle register), Ariana Grande (light soprano)
+- **Pop**: Christina Aguilera, Whitney Houston
+- **Classical pop**: Sarah Brightman, Hayley Westenra
+- **Indie / dream pop**: Cocteau Twins (Elizabeth Fraser)
+- **Modern**: Adele has soprano range (but usually sings lower)
+
+## When to use
+- Operatic moments
+- High-pitched pop hooks
+- Ethereal / dreamy contexts
+- Whistle register (Mariah, Ariana)
+- Children's choir (high parts)
+
+## Lyric considerations
+- Open vowels work well in high range
+- Can carry climactic moments
+- Sometimes sacrifices intelligibility at extreme high
+
+## For Suno
+```
+[Vocals: female soprano, soaring high range, classical opera with vibrato, 
+clear bright tone]
+```
+
+```
+[Vocals: female soprano, modern pop with whistle register on chorus, 
+range C4-C6]
+```
+
+```
+[Vocals: female soprano, ethereal dream-pop with reverb, Cocteau Twins-
+inspired layered harmonies]
+```

package/templates/skills/composer/knowledge/vocal-styles/male-baritone.md

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+# Male Baritone — Vocal Style
+
+> Standard male voice. G2 to G4 typically. Most male pop / rock / country singers.
+
+## Range
+G2 (low) to G4 (high). Comfortable middle range.
+
+## Voice character
+- Warm, full
+- Conversational
+- Can be intimate or powerful
+- Authoritative quality
+
+## Famous baritones
+- **Country**: Johnny Cash, Chris Stapleton
+- **Pop / Rock**: Sting, David Bowie, Eddie Vedder
+- **Indie**: Matt Berninger (The National), Father John Misty
+- **Soul**: Otis Redding, Sam Cooke
+- **Crooner**: Frank Sinatra, Tony Bennett, Harry Connick Jr.
+
+## When to use
+- Storytelling songs (folk, country)
+- Intimate ballads
+- Most male pop (non-tenor)
+- Crooner / classic standards
+- Indie rock
+
+## Lyric considerations
+- Most natural male range
+- Allows clear delivery
+- Conversational quality
+
+## For Suno
+```
+[Vocals: male baritone, warm conversational tone, intimate folk style, 
+range G2-G4]
+```
+
+```
+[Vocals: male baritone, storytelling country style, authoritative warmth]
+```
+
+## Default for male
+If unsure, baritone is the most natural / accessible male voice for most pop / folk / country / indie / R&B.

package/templates/skills/composer/knowledge/vocal-styles/male-bass.md

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+# Male Bass — Vocal Style
+
+> Lowest male voice. E2 to E4 typically. Rare in pop, foundational in classical / gospel.
+
+## Range
+E2 (very low) to E4. Some basses reach C2.
+
+## Voice character
+- Deep, resonant
+- Authoritative, grave
+- Foundational
+- Less common in modern pop
+
+## Famous basses
+- **Country**: Johnny Cash (often classified bass-baritone)
+- **Gospel**: Many (foundational in church music)
+- **Opera**: Boris Christoff, René Pape
+- **Doo-wop**: Foundational bass voice in groups
+- **Modern**: Leonard Cohen (later years)
+
+## When to use
+- Gospel music (church bass essential)
+- Opera (specific roles)
+- Classical choir (bass section)
+- Dramatic / serious pop moments
+- Country (occasional — Cash style)
+
+## Lyric considerations
+- Authority / weight
+- Slow songs work
+- Hymn-like contexts
+- Less suited to fast pop
+
+## For Suno
+```
+[Vocals: male bass, deep resonant voice, gospel choir bass section, 
+range E2-E4]
+```
+
+```
+[Vocals: male bass, dramatic operatic role, authoritative classical]
+```
+
+## Note
+Bass is rarer in pop. Most "deep voiced" male singers are bass-baritones (low end of baritone range).

package/templates/skills/composer/knowledge/vocal-styles/male-tenor.md

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+# Male Tenor — Vocal Style
+
+> Higher male voice. C3 to C5 typically. Wide use in pop, rock, opera, classical.
+
+## Range
+C3 (low) to C5 (high). Some tenors reach D5 / E5.
+
+## Voice character
+- Bright, projecting
+- Heroic in opera
+- Smooth in pop
+- Can belt powerfully
+
+## Famous tenors
+- **Pop**: Freddie Mercury, Justin Timberlake, Bruno Mars, Sam Smith
+- **Rock**: Steven Tyler, Robert Plant, Adam Levine
+- **Opera**: Pavarotti, Plácido Domingo, José Carreras
+- **Soul**: Marvin Gaye, Smokey Robinson
+- **R&B**: Stevie Wonder, John Legend
+
+## When to use
+- Anthemic pop / rock songs
+- Romantic ballads
+- High-energy songs
+- Soul / R&B
+- Operatic moments
+
+## Lyric considerations
+- Can sing high vowels
+- Range allows climactic notes
+- Often used for emotional peaks
+
+## For Suno
+```
+[Vocals: male tenor, smooth pop style, bright tone, range C3-C5, 
+emotional belted choruses]
+```
+
+```
+[Vocals: male tenor in operatic style, full voice, vibrato, classical]
+```

package/templates/skills/composer/knowledge/vocal-styles/mugham-style.md

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+# Mugham Style — Vocal Style 🇦🇿
+
+> Azerbaijani classical vocal tradition. Highly ornamented. Microtonal. UNESCO heritage.
+
+## What it is
+Vocal style from Azerbaijani mugham classical music tradition. Master-apprentice tradition. UNESCO Intangible Cultural Heritage.
+
+## Voice character
+- Highly ornamented (extensive embellishment)
+- Microtonal pitch bends
+- Long sustained notes with vibrato
+- Emotional intensity
+- Improvised within mode (mugham)
+
+## Distinctive techniques
+- **Tahrir** — vocal trill / ornament (Persian-origin term)
+- **Zamzama** — rapid pitch oscillation
+- Microtonal pitch bends (notes between Western half-steps)
+- Long melismatic phrases (many notes per syllable)
+- Dramatic dynamics shifts
+- Speech-like passages mixed with singing
+
+## When used
+- Mugham performance (classical Azerbaijani art music)
+- Modern Azerbaijani pop with cultural touch
+- Fusion (mugham + jazz, etc.)
+- Cinematic Middle Eastern moments
+
+## Famous mugham vocalists
+- **Alim Qasimov** — global mugham master, UNESCO Artist for Peace
+- **Aygün Bayramova** — modern female mugham vocalist
+- **Bülbül** — classical Azerbaijani singer
+- **Rashid Behbudov** — fusion classical-pop
+- **Gochag Askarov** — modern mugham
+- **Aziza Mustafa Zadeh** — mugham + jazz fusion
+
+## Lyrics tradition
+- Classical Azerbaijani / Persian poetry
+- Füzuli, Nəsimi, Vahid
+- Ghazal form (qəzəl)
+- Sufi mystical themes
+- Love (earthly + divine)
+
+## For Suno
+```
+[Vocals: male mugham style, highly ornamented Azerbaijani classical 
+singing, microtonal pitch bends, long sustained notes with vibrato, 
+in Şur mode, sung in Azerbaijani language, master-apprentice tradition]
+```
+
+```
+[Vocals: female mugham style with tar accompaniment, melismatic 
+ornaments, emotional Sufi mystical delivery, traditional acoustic]
+```
+
+## Cultural context
+Mugham is THE Azerbaijani classical music tradition. To use mugham vocal style, ideally pair with:
+- Tar + Kamancha + Daf (mugham trio)
+- Azerbaijani / classical Persian language
+- Modal (not chord-based) accompaniment
+- Free time (rubato)
+
+## Avoid
+- Pop chord progressions
+- Western 4/4 strict beat
+- Auto-tune (defeats tradition)
+- Pure Western delivery (no ornaments)

package/templates/skills/composer/knowledge/vocal-styles/rap-flow.md

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+# Rap Flow — Vocal Style
+
+> Rhythmic spoken delivery. Hip-hop foundation. Multiple flow styles.
+
+## What is "flow"
+Rap flow = the rhythm, cadence, and patterns of rap delivery. How words land on beats.
+
+## Flow types
+
+### Laid-back / behind the beat
+- Notorious B.I.G., Snoop Dogg
+- Cool, conversational
+
+### On the beat / boom-bap
+- Classic 90s East Coast
+- Tight, square delivery
+
+### Double-time / rapid
+- Twista, Eminem fast verses
+- Many syllables per beat
+
+### Triplet flow
+- Migos popularized
+- Three notes per beat
+- Modern trap signature
+
+### Melodic rap (sing-rap)
+- Drake, Lil Wayne
+- Blends melody and rap
+- Modern dominant style
+
+### Aggressive flow
+- DMX, Pop Smoke
+- Punchy, hard
+
+### Storytelling flow
+- Slick Rick (originator), Nas
+- Conversational pace, narrative
+
+## Famous rappers by flow style
+- **Laid-back**: Snoop Dogg, Notorious B.I.G.
+- **Tight on-beat**: Eminem, Nas
+- **Triplet**: Migos, Future
+- **Melodic**: Drake, Lil Wayne, Travis Scott
+- **Storytelling**: Slick Rick, Kendrick Lamar
+- **Aggressive**: DMX, Pop Smoke
+
+## When to use
+Hip-hop / rap genres (essential).
+
+## Lyric considerations
+- Internal rhymes (multiple per line)
+- Wordplay
+- Multi-syllable rhymes (advanced)
+- Cultural specificity
+- Beat awareness
+
+## For Suno
+```
+[Vocals: rap flow, male voice, laid-back behind-the-beat 90s East Coast 
+style, conversational delivery]
+```
+
+```
+[Vocals: rap flow, male voice, triplet flow modern trap style with 
+auto-tune, melodic sing-rap blend]
+```
+
+```
+[Vocals: rap flow, female voice, aggressive on-beat delivery with 
+internal rhymes]
+```
+
+## Modern Azerbaijani rap
+HOST group, Miri Yusif use mix of classical hip-hop flow + meykhana tradition (Azerbaijani spoken word).

package/templates/skills/composer/knowledge/vocal-styles/spoken-word.md

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+# Spoken Word — Vocal Style
+
+> Talking, not singing. Rhythmic but not melodic. Poetry over music.
+
+## What it is
+Words spoken (not sung). May be rhythmic but not melodic.
+
+## Sub-types
+- **Pure spoken word** — poetry over music (Ginsberg, Bukowski recordings)
+- **Rap** — rhythmic spoken (see rap-flow.md)
+- **Talking blues** — Bob Dylan style storytelling
+- **Sprechgesang** — between speaking and singing (German Lieder, Schoenberg)
+- **Recitation** — formal poem reading
+- **Voice-over** — narrative
+
+## Famous practitioners
+- **Spoken word**: Allen Ginsberg, Saul Williams, Kae Tempest
+- **Talking blues**: Bob Dylan, Woody Guthrie
+- **Sprechgesang**: Arnold Schoenberg ("Pierrot Lunaire")
+- **Modern**: Kanye West interludes, Tyler the Creator
+- **Slam poetry**: tradition of competitive performance
+
+## When to use
+- Poetry-driven moments
+- Storytelling without melody
+- Spoken intro / outro
+- Bridge contrast (spoken vs sung)
+- Specific cultural traditions
+- Rap / hip-hop (most common modern form)
+
+## Production
+- Vocal forward
+- Reverb (atmospheric)
+- Often dry (intimate)
+- Rhythm matches music
+- Beat or atmospheric backing
+
+## For Suno
+```
+[Vocals: spoken word poetry, female voice, intimate delivery over 
+atmospheric music, dry close-mic]
+```
+
+```
+[Vocals: spoken word male, rhythmic storytelling style, 
+beat poetry tradition]
+```
+
+## Differences from rap
+- Rap has more rhythmic sophistication, internal rhymes
+- Spoken word can be free / non-rhythmic
+- Both share rhythmic delivery roots

package/templates/skills/composer/knowledge/vocal-styles/whisper.md

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+# Whisper — Vocal Style
+
+> Hushed, intimate, breath-heavy delivery. Used for vulnerability / atmosphere.
+
+## What it is
+Sung very quietly with significant breath. Almost spoken. Intimate.
+
+## Voice character
+- Intimate
+- Vulnerable
+- Atmospheric
+- Often sensual
+- Close-microphone (every breath audible)
+
+## Famous whisper singers
+- **Pop**: Billie Eilish (whisper-pop pioneer)
+- **Indie**: Lana Del Rey (often), Phoebe Bridgers
+- **Trip-hop**: Beth Gibbons (Portishead)
+- **Bossa nova**: João Gilberto (entire genre — quiet)
+- **Modern R&B**: Often used
+- **K-pop**: IU some softer moments
+
+## When to use
+- Vulnerable intimate moments
+- Bedroom pop
+- Atmospheric tracks
+- Verse contrast (whisper verse → louder chorus)
+- Late-night atmosphere
+- Sensual ballads
+
+## Production
+- Close mic essential
+- Compression to even out
+- Slight reverb (intimate)
+- Audible breaths kept (not removed)
+
+## Lyric considerations
+- Vulnerable themes
+- Intimate confessions
+- Late-night thoughts
+- Often female (but male whisper exists — Bon Iver)
+
+## For Suno
+```
+[Vocals: whisper-singing female mezzo, intimate close-mic with audible 
+breaths, vulnerable bedroom pop style]
+```
+
+```
+[Vocals: whisper male falsetto, atmospheric trip-hop, hushed delivery 
+with reverb]
+```
+
+## Limitations
+Whisper limits range and power. Best used in contrast with louder sections, or as defining aesthetic for entire track.

package/templates/skills/content-strategist/SKILL.md

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+---
+name: content-strategist
+description: Content strategist — editorial planning, pillar strategy, distribution, repurposing. Synthesizes Jay Acunzo, Dave Gerhardt, Jay Baer, HubSpot pillar model.
+---
+
+# Content Strategist
+
+You design content engines that compound. Pillar pieces fuel hundreds of atoms.
+
+## When to activate
+AZ: "content strategy", "editorial plan", "content calendar"
+EN: "content strategy", "editorial planning", "content engine", "pillar strategy"
+
+## Pillar strategy
+
+```
+1 PILLAR PIECE (long-form: podcast, video, deep article)
+↓ REPURPOSE
+10+ ATOMS (blog snippets, social posts, video clips, newsletters)
+```
+
+One creation → infinite distribution.
+
+## Content pillars (pick 4-6)
+
+Each pillar = audience problem you uniquely solve.
+
+Example:
+1. Tactics (how-to)
+2. Strategy (why this approach)
+3. Insights (industry observations)
+4. Behind-the-scenes (process, journey)
+5. Case studies (proof)
+6. Opinion (controversial takes)
+
+## Editorial calendar
+
+```
+Monthly theme: <topic>
+
+Week 1:
+- Mon: Pillar drop (podcast / video)
+- Tue: Blog post (deep dive on pillar)
+- Wed: LinkedIn carousel
+- Thu: 3 IG Reels (clips)
+- Fri: Newsletter
+- Sat: Twitter thread
+- Sun: Rest
+
+Week 2: ...
+```
+
+## Distribution playbook
+
+Owned:
+- Email list (most valuable)
+- Website / blog
+- Community (Discord, Telegram)
+
+Earned:
+- Organic social
+- Guest posts
+- Podcast interviews
+
+Paid (amplify what's working):
+- Boost top organic
+- Retargeting
+
+## Content metrics
+
+| Metric | What it tells |
+|---|---|
+| Time on page | Quality |
+| Scroll depth | Engagement |
+| Email signup rate | Conversion |
+| Comments / shares | Resonance |
+| Backlinks gained | Authority |
+| Search rankings | SEO health |
+
+## Output format
+
+```markdown
+## Content strategy — <brand>
+
+### Pillars (4-6)
+<list>
+
+### Editorial calendar (90 days)
+<grid>
+
+### Distribution by channel
+<plan>
+
+### Repurposing flow
+<diagram>
+
+### KPI dashboard
+<metrics + cadence>
+```
+
+## Integration
+- `seo-optimizer` for content SEO
+- `copywriter-pro` for quality
+- `social-strategist` for distribution
+
+Version: 1.0.0 (Mərhələ C-12, 2026-06-20)

package/templates/skills/conversion-optimizer/SKILL.md

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+---
+name: conversion-optimizer
+description: CRO specialist — audits funnels, identifies leaks, designs tests, ships winners. Synthesizes Peep Laja (CXL), Andrew Chen, Brian Balfour growth playbooks.
+---
+
+# Conversion Optimizer
+
+You find leaks in funnels and patch them. Data + qualitative + tests = compound conversion lifts.
+
+## When to activate
+AZ: "konversiya artır", "funnel optimize", "CRO"
+EN: "CRO", "conversion optimization", "funnel analysis", "increase conversion"
+
+## Funnel audit
+
+```
+Source → Landing → Form/Signup → Activation → Conversion → Retention
+       ↓       ↓             ↓            ↓             ↓
+    Drop %  Drop %      Drop %      Drop %      Drop %
+```
+
+Find biggest drop. Fix that first.
+
+## Qualitative tools
+
+- Session recordings (Hotjar, FullStory)
+- Heatmaps (where users click, scroll)
+- Form analytics (which fields kill it)
+- User interviews (why did they leave)
+- Exit surveys (1 question on exit intent)
+
+## Quantitative tools
+
+- GA4 funnels
+- PostHog session/funnel
+- Mixpanel cohorts
+
+## Common conversion killers
+
+1. Slow load (every 1s = -7% conv)
+2. Hero copy unclear
+3. Too many CTAs
+4. Form too long
+5. No trust signals
+6. Mobile UX broken
+7. Hidden pricing
+8. Forced account creation
+9. Slow checkout
+10. No social proof
+
+## ICE prioritization
+
+```
+Impact × Confidence ÷ Effort
+```
+
+Score each idea. Rank. Execute top 3-5 per quarter.
+
+## Test design
+
+```
+**Hypothesis**: Changing X to Y will lift Z by N%
+**Why**: Based on <data + qual signal>
+**Test type**: A/B / multivariate
+**Metric**: <primary>
+**Sample size**: <N>
+**Duration**: <weeks>
+**Decision**: ship / kill at <thresholds>
+```
+
+## Output format
+
+```markdown
+## CRO audit — <funnel>
+
+### Funnel stats
+| Stage | Drop % | Industry benchmark |
+
+### Biggest leak
+<stage + likely causes>
+
+### Top 5 hypotheses (ICE-scored)
+1. ...
+2. ...
+
+### 90-day test roadmap
+<list with priority>
+
+### Expected lift
+<conservative estimate>
+```
+
+## Integration
+- `analytics-expert` for tracking
+- `experiment-designer` for test design
+- `landing-page-builder` for page rebuilds
+
+Version: 1.0.0 (Mərhələ C-12, 2026-06-20)