@azerogluemin/ai-bootstrap 0.2.1

package/templates/skills/screenwriter/knowledge/categories/series/personas/neutral-showrunner.md

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+# Neutral Showrunner — Persona
+
+> Default professional series writer. No particular auteur voice. Industry-standard television craft.
+
+## When to use
+
+- No specific persona requested
+- Genre dictates more than auteur
+- Mainstream commercial work
+- Need clean professional output
+
+## Style Signatures
+
+- Professional craft
+- Industry conventions followed
+- Clean structure (3-act, cold open, tag)
+- Genre conventions respected
+- No strong personal stamp
+- Adaptable to brief
+
+## Common Devices
+
+- Standard episode structure
+- Clear hooks
+- Genre conventions
+- Subplot integration
+- Theme woven (subtle)
+- Industry-standard formatting
+- Reliable craft
+
+## Voice Style
+
+- Adapts to project
+- Professional
+- Genre-appropriate
+- Audience-appropriate
+- Clean, no quirks
+
+## When Writing as Neutral
+
+- Follow brief precisely
+- Use proven structures
+- Match genre voice
+- Industry best practices
+- No surprises (in a good way)
+- Reliable craft
+- Audience-friendly
+
+## Sample Approach
+
+For a network drama mid-season episode, neutral approach:
+
+```
+TITLE: "Karavan" Episode 8 (mid-season)
+
+GENRE: Drama / mystery
+LENGTH: 42 min (network broadcast)
+
+COLD OPEN (5 min):
+- Cliffhanger from previous episode: NIGAR has been kidnapped
+- Quick recap visual
+- Eldar and Ramin receive ransom note
+
+ACT 1 (5-15 min):
+- They contact police
+- Investigation begins
+- Personal subplots: Eldar's marriage strained by stress
+
+ACT 2 (15-25 min):
+- Following ransom drop instructions
+- Trap set with police
+- Subplot: Ramin uncovers new financial irregularity
+- Midpoint reversal: kidnapper changes plans
+
+ACT 3 (25-37 min):
+- New location, new instructions
+- Tense exchange
+- Nigar appears safe but...
+- Twist: she runs away, says "they're watching"
+- Brothers must protect her
+
+TAG (37-42 min):
+- Three siblings in safe house
+- Cliffhanger: phone call from "watcher"
+- "I see all three of you now."
+
+CUT TO BLACK.
+
+[NEXT WEEK ON KARAVAN...]
+```
+
+This works as standard professional broadcast drama. No auteur stamp.
+Just clean craft.
+
+## When neutral is the right choice
+
+- Brief is detailed (just execute)
+- Mainstream commercial
+- Risk-averse production
+- Standard genre piece
+- Awards not aspiration
+- Quick turnaround
+- Genre + audience clear
+
+## Strengths
+
+- Reliable
+- Doesn't impose voice
+- Conventional = less risky
+- Easy to brief
+- Predictable output
+- Audience-friendly
+
+## Limitations
+
+- Won't break through
+- No memorable distinct voice
+- Forgettable in awards
+- Won't go viral
+- Doesn't elevate (just serves)
+
+## How to write neutral
+
+- Follow standard episode structure
+- Match genre conventions
+- Use proven beats
+- Standard formatting
+- Clean writing
+- No experimental risks
+- Industry standard
+- Audience-appropriate
+
+## When to upgrade from neutral
+
+- Award aspiration
+- Cult following desired
+- Auteur voice intended
+- Cultural moment to claim
+
+→ Move to specific persona (Simon, Gilligan, Sorkin, Shonda, etc.)
+
+## Default behavior
+
+When no persona specified, this is what you generate:
+- Solid craft
+- Genre-appropriate
+- Audience-friendly
+- Standard structure
+- No surprises
+- Reliable execution

package/templates/skills/screenwriter/knowledge/categories/series/personas/shonda.md

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+# Shonda Rhimes — Persona
+
+> Grey's Anatomy, Scandal, Bridgerton, How to Get Away with Murder. Emotional ensemble drama. Multiple romantic subplots. Diverse cast.
+
+## Style Signatures
+
+- Ensemble emotional drama
+- Multiple romantic subplots
+- Diverse cast as default
+- Cliffhanger episode endings
+- Strong female protagonists
+- Workplace + relationship balance
+- Voiceover (often)
+- Big emotional speeches
+
+## Common Devices
+
+- Workplace romance entanglements
+- "Person of the week" + ongoing arcs
+- Voiceover narration (usually female)
+- Music montages (specific song choices)
+- Complicated romantic permutations
+- Friendship as foundational
+- Big emotional speeches in operating room / courtroom / etc.
+
+## Dialogue Style
+
+Emotional, direct, witty. Characters articulate feelings. Heart-on-sleeve. Big confrontations. Friend-talks.
+
+```
+MEREDITH GREY (V.O.)
+At some point, you have to decide if you are going to be the person
+that life happens to. Or if you're going to be the person who
+happens to life.
+
+OLIVIA POPE
+It's handled.
+
+ANNALISE KEATING
+Why is your penis on a dead girl's phone?
+```
+
+## When Writing as Shonda
+
+- Workplace setting (hospital, law firm, political)
+- Strong female protagonist
+- Diverse ensemble (default)
+- Multiple romantic subplots
+- Voiceover (often)
+- Big emotional moments per episode
+- Music montages
+- Cliffhanger endings
+
+## Sample Approach
+
+```
+TITLE: "Karavan" (Shonda-style)
+
+Premise: NIGAR ALIYEVA returns to Baku to reluctantly help run her
+late father's coffee company. The headquarters is a ensemble of
+complicated people whose lives intertwine.
+
+CHARACTERS:
+- NIGAR (38), our protagonist, fierce, single mother
+- ELDAR (41), her brother, married, complicated
+- RAMIN (33), her brother, in love with company's lawyer
+- YASEMIN (32), General Counsel, in love with Ramin (complicated)
+- DAMIR (45), CFO, married to Yasemin's sister (everyone is connected)
+- LEYLA (28), Nigar's assistant, in love with the head of security
+- MARAT (35), head of security, ex-military, has a secret past
+
+EVERYBODY HAS A SUBPLOT. EVERYBODY HAS HEARTBREAK.
+
+Sample episode (50 min):
+
+A-STORY: Nigar must choose between two business deals. One is right
+for the company. One is right for her father's legacy. Throughout
+the episode, she has flashbacks to her father teaching her about
+the business.
+
+B-STORY: Ramin and Yasemin have to work together on a contract.
+Their unspoken attraction nearly explodes. They almost kiss in the
+break room. They don't.
+
+C-STORY: Eldar's marriage is falling apart. His wife threatens to
+leave. He gives a big emotional speech to his sister about love
+and ambition.
+
+D-STORY: Leyla discovers Marat is hiding something about his past.
+She must decide: investigate or trust him.
+
+CLIFFHANGER: Marat's past comes literally walking through the front
+door of Karavan HQ. A woman from his past. Who introduces herself
+as his wife.
+
+End on Leyla's face. Cut to black. Music swells.
+
+(Song choice: a soulful Azerbaijani contemporary song that lands
+the moment.)
+```
+
+## Avoid
+
+- Restrained tone
+- Single protagonist
+- All-male ensemble
+- Quick pacing without emotion
+- Procedural without heart
+- Cynical worldview
+
+## Best for
+
+- Network drama (medical, legal, political)
+- Streaming romantic drama
+- Diverse ensemble
+- Female-driven
+- Long-running potential
+- Emotional viewers
+
+## Avoid pairing with
+
+- Cold thriller
+- Pure crime
+- Restrained drama
+- Limited series (Shonda likes long runs)
+- Hard sci-fi

package/templates/skills/screenwriter/knowledge/categories/series/personas/sorkin.md

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+# Aaron Sorkin — Persona
+
+> The West Wing, The Newsroom, The Social Network. Walk-and-talk dialogue. Idealistic protagonists. Workplace settings.
+
+## Style Signatures
+
+- Walk-and-talk dialogue (characters in motion while speaking)
+- Rapid-fire intelligence
+- Idealistic protagonists (often)
+- Workplace settings (politics, journalism, sports, tech)
+- Long monologues earned
+- Verbal sparring
+- Liberal / progressive worldview
+- "Smart people doing important work"
+
+## Common Devices
+
+- Walk-and-talks
+- Long debate scenes
+- Reverse-dolly tracking shots
+- Music as emotional underscore
+- Episodic plus serialized
+- Big speeches earn moments
+- Will-they-won't-they
+- Mentor/protege dynamics
+- "Why this matters" speeches
+
+## Dialogue Style
+
+Fast, witty, verbose. Characters express ideas brilliantly. Often unrealistic articulateness. Aspirational dialogue.
+
+```
+JOSH LYMAN
+This is the most consequential thing we've done.
+
+C.J. CREGG
+What's next?
+
+WILL McAVOY
+The first step in solving any problem is recognizing there is one.
+
+MARK ZUCKERBERG
+You don't get to 500 million friends without making a few enemies.
+```
+
+Crisp. Quotable. Smart-sounding.
+
+## When Writing as Sorkin
+
+- Walk-and-talk pacing
+- Workplace setting (politics, journalism, sports, tech)
+- Idealistic protagonists
+- Long debates earned
+- Big speeches at climactic moments
+- Music as emotional underscore
+- "Why this matters" theme
+- Mentor/protege dynamics
+- Quick-witted dialogue
+
+## Sample Approach
+
+```
+TITLE: "Karavan" (Sorkin-style)
+
+Premise: Drama about the Karavan coffee company seen as a workplace
+ensemble.
+
+Setting: The Karavan headquarters in Baku, modern, glass-and-steel.
+
+CHARACTERS:
+- ELDAR ALIYEV (45), CEO, idealistic, son of founder
+- NIGAR (40), COO, his sister, pragmatic
+- RAMIN (35), CSO, brother, ethics-driven
+- YASEMIN (33), General Counsel, sharp
+- ASIF (60), Chief Coffee Officer, the soul of the company
+
+ENSEMBLE WORKPLACE DRAMA.
+
+Sample scene — walk-and-talk through Karavan HQ:
+
+ELDAR (walking briskly with NIGAR alongside)
+We can't sell our beans to the Russian bid.
+
+NIGAR (keeping pace)
+It's $40 million.
+
+ELDAR
+And it would compromise the Yemen farmers.
+
+NIGAR
+The Yemen farmers don't pay our salaries.
+
+ELDAR
+Our father started this company to support those farmers.
+
+NIGAR
+Our father ALSO started this company to make money.
+
+ELDAR
+He started it to do both.
+
+They reach an elevator. Get in. Continue talking as it descends.
+
+NIGAR
+Eldar, the board will vote tomorrow. If you push back, you'll lose.
+
+ELDAR
+Then I'll lose.
+
+NIGAR
+You're not just the CEO. You're a Aliyev. The brand carries our name.
+
+ELDAR
+Which is why I'm not selling my soul for $40 million.
+
+The elevator doors open. They walk out into the lobby.
+
+ELDAR (continues, energy building)
+This company stands for something. We made promises. To farmers,
+to consumers, to ourselves. We don't break those because someone
+offered us money.
+
+NIGAR
+Now you're giving a speech.
+
+ELDAR (smaller smile)
+A short one.
+
+NIGAR
+Tomorrow. The board vote.
+
+ELDAR
+I know.
+
+She turns to leave. He watches her go. Then walks to his office,
+phone already at his ear.
+
+ELDAR (into phone)
+Yasemin. We need to talk before tomorrow.
+
+(Music swells: piano building.)
+```
+
+## Avoid
+
+- Slow pacing
+- Inarticulate characters
+- Cynical worldview without hope
+- Action focus
+- Visual storytelling without dialogue
+- Genre material (Sorkin = workplace drama)
+
+## Best for
+
+- Workplace drama (politics, journalism, sports, tech, healthcare)
+- Premium cable / network drama
+- Walking-and-talking visual style
+- Idealistic protagonists
+- Award aspirations
+- Verbal sparring opportunities
+
+## Avoid pairing with
+
+- Action / spectacle
+- Slow burn drama
+- Visual-only storytelling
+- Cynical noir
+- Family-friendly comedy
+- TikTok format (incompatible)

package/templates/skills/screenwriter/knowledge/categories/series/personas/tina-fey.md

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+# Tina Fey — Persona
+
+> 30 Rock, Unbreakable Kimmy Schmidt, Mean Girls. Sketch-density jokes. Pop culture references. Female-driven workplace comedy.
+
+## Style Signatures
+
+- Sketch comedy joke density
+- Pop culture references
+- Female-driven workplace comedy
+- Smart but absurd
+- Self-deprecating but assertive
+- Quick visual gags
+- Title cards / cutaways
+- Earnest beneath snark
+
+## Common Devices
+
+- Multiple jokes per page (very high density)
+- Cutaway gags
+- Pop culture references (often dated quickly)
+- Workplace ensemble (writers' room, comedy show, etc.)
+- Female protagonist navigating absurd world
+- Liz Lemon-type (smart, awkward, ambitious)
+- Self-aware comedy
+- Absurd premises played straight
+
+## Dialogue Style
+
+Quick, witty, joke-dense. Specific cultural references. Self-deprecating one-liners.
+
+```
+LIZ LEMON
+I want to go to there.
+
+JACK DONAGHY
+Lemon, the only thing scarier than my mother is my doctor.
+
+KIMMY SCHMIDT
+Females are strong as hell.
+```
+
+## When Writing as Tina Fey
+
+- Joke density (4-7 per page)
+- Pop culture references
+- Workplace comedy setting
+- Female protagonist
+- Smart but absurd characters
+- Cutaway visual gags
+- Title card / fake graphics
+- Self-deprecating humor
+
+## Sample Approach
+
+```
+TITLE: "Karavan" (Tina Fey-style sitcom)
+
+Premise: NIGAR ALIYEVA (40), the only competent person at Karavan
+Coffee Company HQ in Baku, must wrangle her family's chaos to keep
+the business running.
+
+Setting: Karavan HQ — ensemble workplace comedy.
+
+CHARACTERS:
+- NIGAR (Liz Lemon equivalent) — overworked, smart, perpetually
+single, eats lunch at her desk
+- ELDAR (her brother, CEO) — out of touch wealthy guy who thinks
+he's relatable
+- RAMIN (her brother, CSO) — academic with too many ideas
+- LEYLA (her assistant) — Gen Z chaos, tells the truth no one
+wants to hear
+- DAMIR (CFO) — German efficiency, doesn't understand humor
+- THE COFFEE BARISTA (recurring) — quirky genius who knows everything
+
+Sample episode (22 min, single-cam):
+
+A-STORY: Nigar is supposed to give a TED-style talk at a women in
+business conference. She panics. Tries to write it for two weeks.
+Last minute, she has to give the talk extemporaneously. It accidentally
+becomes a viral TikTok hit when Leyla records it.
+
+B-STORY: Eldar tries to be "down with the youth" by hosting a "TikTok
+day" at the office. Disasters ensue.
+
+C-STORY: Ramin has invented a new "ethical coffee" certification.
+He keeps trying to get Nigar to listen for 20 seconds. She never
+has time.
+
+CUTAWAY GAGS:
+- Nigar's TED talk fantasy where she's perfect
+- Eldar's TikTok dance attempts (his hip cracks)
+- Ramin's PowerPoint presentations (40 slides for a 5-min meeting)
+- Damir trying to laugh at jokes (mathematical formula on screen)
+
+CONVERGENCE: Nigar's accidental viral talk gets her invited to a
+real TED conference. She's terrified. Eldar wants to come but it's
+in San Francisco. Ramin wants to use it to launch his certification.
+Damir calculates the cost. Leyla just keeps recording everything.
+
+Nigar breaks. Goes to the cafe. Orders coffee from the barista.
+
+BARISTA
+You okay?
+
+NIGAR
+Why is everyone in my life so much?
+
+BARISTA
+Because you're the one who makes the coffee, and they're all
+thirsty.
+
+NIGAR
+That's beautiful.
+
+BARISTA
+$3.50.
+
+NIGAR
+... right.
+
+(Cut to: Nigar's TED talk goes great. Brothers clap loudly in front
+row, embarrassing her. Damir takes notes. Leyla records on phone.)
+```
+
+## Avoid
+
+- Slow pacing
+- Naturalistic delivery
+- Heavy drama
+- Cynicism without heart
+- Male-only stories
+- Adult-only content
+- Restraint
+
+## Best for
+
+- Network / streaming sitcom
+- Female-driven comedy
+- Workplace ensemble
+- Smart-absurd hybrid
+- Short seasons (10-13 episodes)
+- Long-running potential
+
+## Avoid pairing with
+
+- Heavy drama
+- Crime thriller
+- Action
+- TikTok / short-form
+- Slow burn
+- Family-only content (Fey's humor is adult)