@azerogluemin/ai-bootstrap 0.2.1

package/templates/skills/composer/knowledge/moods/ethereal.md

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+# Ethereal — Mood
+
+> Otherworldly, transcendent, beyond physical. Floating, spacious, mystical.
+
+## Defining elements
+
+- Major or modal (often suspended)
+- Slow tempo (60-90 BPM)
+- Heavy reverb
+- Sustained notes
+- Choral / atmospheric textures
+
+## Sub-types
+
+### Choral ethereal
+- Choir-based
+- Examples: Eric Whitacre, Ola Gjeilo
+
+### Ambient ethereal
+- Texture without melody
+- Examples: Brian Eno "Music for Airports"
+
+### New age ethereal
+- Crystal bells, flute, water
+- Examples: Enya, Loreena McKennitt
+
+### Cinematic ethereal
+- Film score "magic" moments
+- Examples: Hildur Guðnadóttir, Ludovico Einaudi
+
+### Religious / spiritual
+- Sacred music
+- Gregorian chant
+- Sufi music (whirling)
+
+## Instrumentation suggestions
+
+- Choir (or choir-like vocals layered)
+- Soft strings (sustained)
+- Bells / glockenspiel
+- Piano (sustain pedal heavy)
+- Synth pads (atmospheric)
+- Celtic harp
+- Flute / ney
+- Singing bowls
+
+## Vocal style
+
+- Soaring, sustained
+- Female soprano often
+- Multi-tracked harmonies (8-16 layers)
+- "Aaah" / "Ohh" wordless vocals
+- Falsetto male
+- Whisper-singing
+
+## Lyrics direction
+
+- Spiritual themes
+- Light, sky, eternity
+- Transcendence
+- Often few words
+- Universal themes
+- Abstract beauty
+
+## For Suno
+
+```
+[Style: ethereal cinematic, 70 BPM, C major with suspended chords, 
+heavy reverb on all elements, soft strings sustained + piano with sustain 
+pedal + bells + ambient pads, female soprano vocals soaring with multi-
+tracked choir-like harmonies, transcendent atmosphere]
+```
+
+## Avoid
+
+- Aggressive percussion
+- Heavy distortion
+- Fast tempo
+- Sharp dynamics
+- Worldly / mundane lyrics
+- Dry production
+
+## Examples (reference)
+
+- "Sleep" — Eric Whitacre
+- "Adagio for Strings" — Samuel Barber
+- "Spiegel im Spiegel" — Arvo Pärt
+- "Arrival of the Birds" — The Cinematic Orchestra
+- "The Host of Seraphim" — Dead Can Dance
+- "Music for Airports" — Brian Eno
+- Mugham vocal extended sections (Azerbaijani ethereal)
+
+## Cultural variants
+
+- Western ethereal: choir + strings
+- Sufi ethereal: ney + zikr (chanting)
+- Indian ethereal: tabla + sitar (slow ragas)
+- Azerbaijani ethereal: extended mugham vocal lines
+- Christian liturgical: Gregorian chant tradition

package/templates/skills/composer/knowledge/moods/happy.md

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+# Happy — Mood
+
+> Joyful, uplifting, positive energy. Major key, major chords, bright tonality.
+
+## Defining elements
+
+- Major key (C major, D major, G major typical)
+- Faster tempo (100-130 BPM)
+- Major chords dominant (I, IV, V)
+- Bright instrumentation
+- Smiling vocals (literally — singer smiling shifts tone)
+
+## Sub-types
+
+### Pure joy
+- Children's music
+- Celebrations
+- Wedding music
+- Major key, fast tempo
+
+### Anthemic happy
+- Triumphant feel
+- Stadium-rock energy
+- Big choruses
+- Examples: "Walking on Sunshine", "Happy" (Pharrell)
+
+### Bouncy / playful
+- Light, fun
+- Often pop / kids
+- Major + IV-V-I progressions
+
+### Romantic happy
+- Falling in love
+- Major key with warmth
+- Flutter feel
+
+## Instrumentation suggestions
+
+- Acoustic guitar (strummed)
+- Piano (bouncy)
+- Drums (upbeat)
+- Bass (walking)
+- Brass for triumphant
+- Bells / glockenspiel
+- Whistling
+- Hand claps
+
+## Vocal style
+
+- Bright, clear
+- Often female mezzo or male tenor
+- Smiling tone (literally)
+- "La la la" ad libs welcome
+
+## Lyrics direction
+
+- Positive themes
+- Affirmation
+- Celebration
+- Love at peak
+- Gratitude
+- Sunshine, dancing imagery
+
+## For Suno
+
+```
+[Style: happy upbeat pop, 120 BPM, C major, bright instrumentation,
+acoustic guitar + piano + drums + bass, female vocals smiling tone]
+```
+
+## Avoid
+
+- Minor chords (turns sad fast)
+- Slow tempo (loses energy)
+- Heavy distortion
+- Dark lyrics
+- Whisper vocals
+- Sustained somber notes
+
+## Examples (reference)
+
+- "Happy" — Pharrell Williams
+- "Walking on Sunshine" — Katrina and the Waves
+- "Good Vibrations" — Beach Boys
+- "Lovely Day" — Bill Withers
+- "Three Little Birds" — Bob Marley
+
+## Cultural variants
+
+- Western happy: bright, upbeat
+- Latin happy: rhythmic, dance
+- Azerbaijani celebratory: yallı dance feel, fast tempo
+- Bollywood happy: orchestral, dance

package/templates/skills/composer/knowledge/moods/melancholic-hopeful.md

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+# Melancholic-Hopeful — Mood
+
+> Sad but with light. Pain transitioning to hope. Acceptance into possibility.
+
+## Defining elements
+
+- Minor key transitioning to major (or vice versa)
+- Slow-mid tempo (70-100 BPM)
+- Sparse beginning, building to fuller
+- Major chord lifts at key moments
+- Vocal moves from restrained to open
+
+## Sub-types
+
+### Healing journey
+- Starts dark, ends with light
+- Examples: "Fix You" — Coldplay, "Hold On" — Wilson Phillips
+
+### Bittersweet hopeful
+- Acknowledging loss while moving forward
+- Examples: "The Rainbow Connection" — Kermit, "Both Sides Now" — Joni Mitchell
+
+### Cinematic hopeful
+- Score that lifts after sad
+- Examples: Hans Zimmer "Time" (Inception)
+
+### Indie melancholic-hopeful
+- Modern interpretation
+- Examples: Bon Iver "Holocene", Sufjan Stevens
+
+### Spiritual hope
+- Hymnal feel
+- Faith-driven lift
+- Examples: "Hallelujah" — interpretations
+
+## Instrumentation suggestions
+
+- Piano (begins sparse, grows)
+- Strings (enter mid-song for lift)
+- Acoustic guitar (warm)
+- Soft drums (later in song)
+- Choir or harmonies (final chorus)
+- Cello (depth)
+
+## Vocal style
+
+- Restrained verse, opens at chorus
+- Vulnerability throughout
+- Builds in volume and confidence
+- Female alto or male tenor
+- Multi-tracked harmonies for hope moments
+
+## Lyrics direction
+
+- Acknowledging pain THEN hope
+- "It's hard, but..."
+- "I lost, but I'm still here"
+- "Tomorrow is different"
+- Specific dark moments + general light
+- Healing imagery
+
+## For Suno
+
+```
+[Style: melancholic-hopeful indie folk, 85 BPM, F minor moving to F major 
+in chorus, piano + acoustic guitar verse, strings + soft drums entering 
+pre-chorus, full band + harmonies at chorus, female alto vocals 
+restrained verse opening to powerful chorus, journey from sad to lifting]
+```
+
+## Avoid
+
+- Pure sadness without lift
+- Pure happiness without acknowledging pain
+- Forced positivity
+- Generic emotion
+- Resolution too quick
+
+## Examples (reference)
+
+- "Fix You" — Coldplay
+- "Hallelujah" — Jeff Buckley version
+- "Let It Be" — The Beatles
+- "Hold On" — Wilson Phillips
+- "Holocene" — Bon Iver
+- "Lost" — Coldplay
+- "Vətən" — Bəxtiyar Vahabzadə (Azerbaijani patriotic-melancholic)
+- "Apardı sellər Saranı" — Azerbaijani folk (sad with cultural pride)
+
+## Cultural variants
+
+- Western: piano + strings building
+- Azerbaijani: mugham moving from Şur (sad) to Rast (lifting)
+- Russian: bard with hope
+- Latin: bolero with redemption
+- Gospel: African-American spiritual tradition

package/templates/skills/composer/knowledge/moods/melancholic.md

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+# Melancholic — Mood
+
+> Sad but beautiful. Reflective sadness with depth. Minor key, slow-mid tempo.
+
+## Defining elements
+
+- Minor key (A minor, E minor, F minor common)
+- Slower tempo (60-90 BPM)
+- Minor chords with occasional major (warmth)
+- Sparse arrangement often
+- Restrained vocals
+
+## Sub-types
+
+### Pure melancholy
+- Grief, loss
+- Acoustic intimate
+- Slow tempo
+- Examples: Eddie Vedder solo, Bon Iver
+
+### Beautiful sadness
+- Sad but lifting
+- Strings, piano
+- Cinematic feel
+- Examples: "Mad World" (Gary Jules cover)
+
+### Quiet melancholy
+- Whisper-quiet
+- Minimal arrangement
+- Lyrics-forward
+- Examples: Sufjan Stevens
+
+### Cinematic melancholy
+- Film score feel
+- Strings + piano
+- Building emotion
+- Examples: Ludovico Einaudi, Ólafur Arnalds
+
+## Instrumentation suggestions
+
+- Piano (sparse)
+- Acoustic guitar (fingerpicked)
+- Cello (solo or section)
+- Violin (solo)
+- Soft strings
+- Light percussion (or none)
+- Reverb-heavy guitar
+
+## Vocal style
+
+- Restrained, soft
+- Often vulnerable
+- Whisper to mezzo voice
+- Slight breath audible
+- Female alto or male falsetto common
+
+## Lyrics direction
+
+- Loss, memory, longing
+- Time passing
+- Letting go
+- Quiet acceptance of pain
+- Beauty in sadness
+- Specific imagery (rain, autumn, empty rooms)
+
+## For Suno
+
+```
+[Style: melancholic indie folk, 75 BPM, F minor, acoustic guitar + 
+soft piano + light strings, female alto vocals restrained, intimate]
+```
+
+## Avoid
+
+- Triumphant chord progressions
+- Fast tempo
+- Heavy drums
+- Bright major keys
+- Aggressive vocals
+- Generic "sad" production
+
+## Examples (reference)
+
+- "Hallelujah" — Jeff Buckley version
+- "Mad World" — Gary Jules
+- "Skinny Love" — Bon Iver
+- "Hurt" — Johnny Cash version
+- "Holocene" — Bon Iver
+- "Re: Stacks" — Bon Iver
+- "Saman Yolu" — Sezen Aksu (Turkish)
+- "Bayatı-Şiraz" — Azerbaijani mugham (mode-based)
+
+## Cultural variants
+
+- Western melancholic: piano + strings
+- Azerbaijani melancholic: mugham (Bayatı-Şiraz mode), tar
+- Turkish: arabesk influence
+- Russian: Vysotsky-style
+- Latin: bolero tradition

package/templates/skills/composer/knowledge/moods/mysterious.md

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+# Mysterious — Mood
+
+> Suspenseful, intriguing, enigmatic. Minor key, sparse, atmospheric.
+
+## Defining elements
+
+- Minor key (often unusual ones — F#m, C#m, Bbm)
+- Slow-mid tempo (60-100 BPM)
+- Sparse arrangement (gaps, silence)
+- Atmospheric production
+- Restrained vocals
+
+## Sub-types
+
+### Cinematic mystery
+- Film thriller score
+- Strings + percussion
+- Building tension
+- Examples: Hans Zimmer "Inception"
+
+### Electronic mystery
+- Synth pads + sparse beat
+- Minimal melody
+- Drone-based
+- Examples: Boards of Canada, Trent Reznor
+
+### Folk mystery
+- Acoustic but unsettling
+- Modal harmonies
+- Strange tunings
+- Examples: certain PJ Harvey
+
+### Ambient mystery
+- No clear melody
+- Texture-based
+- Reverb-heavy
+- Examples: Brian Eno
+
+## Instrumentation suggestions
+
+- Synth pads
+- Sustained strings
+- Sparse percussion
+- Reverb-heavy piano
+- Distant vocals
+- Whisper sounds
+- Drones
+
+## Vocal style
+
+- Restrained, distant
+- Reverb-heavy
+- Whisper or low voice
+- Often male baritone or low female
+- Sometimes spoken word
+
+## Lyrics direction
+
+- Questions, riddles
+- Ambiguous meanings
+- Imagery (shadows, mirrors, masks)
+- "Who", "what", "why"
+- Suggestion over statement
+- Open to interpretation
+
+## For Suno
+
+```
+[Style: mysterious cinematic, 70 BPM, F# minor, sparse arrangement, 
+synth pads + distant strings + minimal percussion, male baritone 
+restrained vocals with reverb, atmospheric]
+```
+
+## Avoid
+
+- Major keys
+- Bright instrumentation
+- Loud vocals
+- Clear resolution
+- Sing-along choruses
+- Bouncy rhythms
+
+## Examples (reference)
+
+- "Wicked Game" — Chris Isaak
+- "Black Hole Sun" — Soundgarden
+- "Glory Box" — Portishead
+- "Time" — Hans Zimmer (Inception)
+- "Smaller and Smaller" — Faye Webster
+- Mugham: Çahargah mode (Azerbaijani dramatic mystery)
+
+## Cultural variants
+
+- Western mystery: synth pads + strings
+- Azerbaijani: Çahargah mugham, tar drones
+- Middle Eastern: oud + qanun
+- Asian: shakuhachi, koto

package/templates/skills/composer/knowledge/moods/nostalgic.md

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+# Nostalgic — Mood
+
+> Looking back with longing. Sweet sadness for past. Vintage feel often.
+
+## Defining elements
+
+- Mid tempo (75-100 BPM)
+- Often major key with subtle minor moments
+- Vintage production aesthetic
+- Acoustic instruments often
+- Memory-evoking sound design
+
+## Sub-types
+
+### Vintage nostalgic
+- 50s-70s production aesthetic
+- Tape saturation
+- Examples: Lana Del Rey, Frank Sinatra
+
+### Folk nostalgic
+- Acoustic + storytelling
+- Examples: Simon & Garfunkel, Joni Mitchell
+
+### Lo-fi nostalgic
+- Vinyl crackle + chillhop
+- Memory-evoking samples
+- Examples: lo-fi study music
+
+### Cinematic nostalgic
+- Period film score feel
+- Strings + piano vintage
+- Examples: Ennio Morricone, Wes Anderson soundtracks
+
+### Indie nostalgic
+- Modern but retro-aware
+- Examples: Father John Misty, Beach House
+
+## Instrumentation suggestions
+
+- Acoustic guitar
+- Piano (vintage feel)
+- Strings (warmth)
+- Vinyl crackle / tape hiss
+- Vintage drum sounds
+- Old organs / electric piano
+- Field recordings of past
+
+## Vocal style
+
+- Often warm, slightly lower
+- Vintage-feel processing (tape compression)
+- Might be male baritone or female mezzo
+- Sometimes processed to sound "old"
+
+## Lyrics direction
+
+- Memory, looking back
+- Specific past moments
+- "When we were", "I remember"
+- Lost innocence
+- Old places, old people
+- Bittersweet acceptance
+
+## For Suno
+
+```
+[Style: nostalgic indie folk, 85 BPM, G major with subtle minor moments, 
+acoustic guitar + warm piano + vintage strings + soft drums, female mezzo 
+vocals slightly tape-saturated, vintage feel, evocative]
+```
+
+## Avoid
+
+- Modern aggressive production
+- Auto-tune (defeats vintage feel)
+- Fast tempo
+- Generic emotion
+- Future-looking lyrics
+
+## Examples (reference)
+
+- "Vincent" — Don McLean
+- "American Pie" — Don McLean
+- "Yesterday" — The Beatles
+- "Old Friends" — Simon & Garfunkel
+- "Video Games" — Lana Del Rey
+- "Everywhere I Go" — Bonnie Raitt
+- "Bayatı" — Azerbaijani folk genre (very nostalgic)
+
+## Cultural variants
+
+- Western nostalgic: vinyl, vintage piano
+- Azerbaijani nostalgic: bayatı folk songs, mugham
+- Russian nostalgic: bard tradition (Vysotsky)
+- French nostalgic: chanson (Edith Piaf)
+- Latin nostalgic: bolero

package/templates/skills/composer/knowledge/moods/peaceful.md

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+# Peaceful — Mood
+
+> Calm, serene, restful. Slow, simple, breathing.
+
+## Defining elements
+
+- Slow tempo (50-80 BPM)
+- Major key (often) or modal
+- Sparse arrangement
+- Long sustained notes
+- Soft dynamics throughout
+
+## Sub-types
+
+### Ambient peaceful
+- Atmosphere over melody
+- Long pads
+- Examples: Brian Eno "Music for Airports", Aphex Twin Selected Ambient
+
+### Acoustic peaceful
+- Solo guitar / piano
+- Folk / classical
+- Examples: Nick Drake, Erik Satie
+
+### Cinematic peaceful
+- Strings + piano
+- Soft, lifting
+- Examples: Joe Hisaishi
+
+### Meditation / new age
+- Bells, flutes, water sounds
+- Often instrumental
+- Examples: Deuter, Steven Halpern
+
+### Lo-fi / chillhop
+- Slow beats + jazz samples
+- Easy listening
+- Examples: Nujabes
+
+## Instrumentation suggestions
+
+- Acoustic guitar (fingerpicked)
+- Piano (gentle)
+- Soft strings
+- Ambient synth pads
+- Ney / flute
+- Light percussion (or none)
+- Field recordings (rain, birds)
+
+## Vocal style
+
+- Quiet, soft
+- Long sustained notes
+- Restrained
+- Often female alto or male tenor
+- Sometimes wordless / hummed
+
+## Lyrics direction
+
+- Nature imagery
+- Slowness, breath, presence
+- Letting go
+- Acceptance
+- Simple beauty
+- Often few words / repeated
+
+## For Suno
+
+```
+[Style: peaceful ambient, 65 BPM, C major, soft piano + acoustic guitar 
+fingerpicked + light strings + nature ambient sounds, female alto vocals 
+soft and sustained, restful atmosphere]
+```
+
+## Avoid
+
+- Fast tempo
+- Loud dynamics
+- Heavy drums
+- Distortion
+- Anxious lyrics
+- Major dynamic shifts
+
+## Examples (reference)
+
+- "Weightless" — Marconi Union (designed for relaxation)
+- "Spiegel im Spiegel" — Arvo Pärt
+- "Comptine d'un autre été" — Yann Tiersen
+- "River Flows in You" — Yiruma
+- "Pink Moon" — Nick Drake
+- Ambient: Brian Eno
+
+## Cultural variants
+
+- Western peaceful: piano + ambient
+- Japanese peaceful: shakuhachi, koto
+- Indian peaceful: sitar, tabla (slow ragas)
+- Azerbaijani peaceful: ney, tar (slow mugham)
+- Celtic peaceful: harp + flute