@azerogluemin/ai-bootstrap 0.2.1

package/templates/skills/composer/knowledge/genres/blues.md

@@ -0,0 +1,62 @@
+# Blues — Genre
+
+> Foundation of American popular music. 12-bar form, blues scale, expressive vocals.
+
+## Defining elements
+
+- 12-bar blues progression (I-I-I-I-IV-IV-I-I-V-IV-I-I)
+- Blues scale (with flatted 3rd, 5th, 7th)
+- 4/4 time
+- Slow to mid tempo (60-120 BPM)
+- Call-and-response between vocal and guitar
+- Storytelling lyrics
+
+## Sub-types
+
+- **Delta blues** — acoustic, raw (Robert Johnson, Son House)
+- **Chicago blues** — electric (Muddy Waters, Howlin' Wolf)
+- **Texas blues** — guitar-led (Stevie Ray Vaughan)
+- **British blues** — UK revival (Eric Clapton, John Mayall)
+- **Modern blues** — contemporary (Joe Bonamassa, Gary Clark Jr.)
+
+## Typical instrumentation
+
+Lead electric guitar + rhythm guitar + bass + drums + vocal + harmonica + piano (sometimes)
+
+## Production characteristics
+
+- Live band feel essential
+- Tube amp guitar warmth
+- Vintage feel
+- Less production polish
+- Vocal raw
+
+## Lyrics direction
+
+- Hard times, struggle
+- Love (often gone wrong)
+- Travel, road
+- "Woke up this morning" trope
+- Specific personal experiences
+- Repeated AAB structure (line A, line A, line B)
+
+## For Suno
+
+```
+[Style: classic Chicago blues, 90 BPM, A major, 12-bar blues progression, 
+electric guitar with tube amp warmth + bass + drums + harmonica + male 
+baritone vocal with grit, vintage live band feel]
+```
+
+## Examples
+
+- B.B. King, Muddy Waters, Robert Johnson, Howlin' Wolf
+- Modern: Stevie Ray Vaughan, Joe Bonamassa, Gary Clark Jr.
+
+## Avoid
+
+- Synthetic production
+- Auto-tune
+- Fast tempo
+- Major key without blues notes
+- Polished modern feel

package/templates/skills/composer/knowledge/genres/choral.md

@@ -0,0 +1,78 @@
+# Choral — Genre
+
+> Music for choir (group of singers). Sacred or secular. Powerful collective sound.
+
+## Defining elements
+
+- Multiple voices (typically 16-100+)
+- Voice parts: Soprano, Alto, Tenor, Bass (SATB)
+- A cappella or accompanied
+- Often sacred / liturgical
+- Polyphonic (multiple melodies) or homophonic (chordal)
+
+## Sub-types
+
+- **Sacred choral** — liturgical (Mozart Requiem, Bach Mass)
+- **Secular choral** — concert music (Whitacre, Lauridsen)
+- **A cappella** — voice only (Pentatonix, classical traditions)
+- **Spirituals / gospel** — African-American tradition
+- **Modern choral** — contemporary composers (Eric Whitacre, Ola Gjeilo)
+- **Choir + orchestra** — large works (Beethoven 9th, Carmina Burana)
+
+## Voice parts
+
+- **Soprano** — highest female (S)
+- **Alto** — lower female (A)
+- **Tenor** — higher male (T)
+- **Bass** — lowest male (B)
+- **Mezzo / Baritone** — middle voices (less common in choir)
+
+Standard SATB choir: 4 main parts.
+
+## Typical accompaniment
+
+- A cappella (no instruments)
+- Piano accompaniment
+- Organ (sacred)
+- Orchestra (large works)
+- Modern: optional electronic
+
+## Production characteristics
+
+- Concert hall acoustic
+- Natural reverb
+- Spot mics on sections + room mics
+- Wide dynamic range
+- Layered voices
+
+## Lyrics direction
+
+- Sacred (Latin in Catholic, German in Lutheran, English in modern)
+- Poetic texts
+- Modern: any meaningful text
+- Often translated to local language
+
+## For Suno
+
+```
+[Style: modern choral (Eric Whitacre style), 70 BPM, D major with 
+extended chord clusters, SATB choir a cappella with rich harmonies, 
+heavy reverb concert hall acoustic, no instruments, ethereal sustained]
+```
+
+## Examples
+
+- Eric Whitacre (modern, popular)
+- Ola Gjeilo (modern, Norwegian)
+- Arvo Pärt (minimalist sacred)
+- Bach (Baroque sacred)
+- Pentatonix (modern a cappella pop)
+- Tallis Scholars (early music revival)
+
+## Avoid
+
+- Single voice (defeats genre)
+- Heavy drums
+- Auto-tune
+- Pop song structure (usually)
+- Aggressive dynamics

package/templates/skills/composer/knowledge/genres/classical.md

@@ -0,0 +1,72 @@
+# Classical — Genre
+
+> Western art music tradition. 17th-21st century. Notated, complex, orchestral.
+
+## Defining elements
+
+- Notated composition (not improvised typically)
+- Complex harmony and counterpoint
+- Wide dynamic range
+- Multiple movements often
+- Specific historical eras
+- Acoustic instruments
+
+## Eras
+
+- **Baroque** — 1600-1750 (Bach, Handel, Vivaldi)
+- **Classical** — 1750-1820 (Mozart, Haydn, Beethoven early)
+- **Romantic** — 1820-1900 (Beethoven late, Brahms, Tchaikovsky, Wagner)
+- **20th century** — varied (Debussy, Stravinsky, Schoenberg)
+- **Contemporary** — modern (Glass, Pärt, Adams, modern composers)
+
+## Sub-types
+
+- **Symphony** — large orchestra
+- **Concerto** — solo instrument + orchestra
+- **Chamber music** — small ensemble (string quartet, etc.)
+- **Solo piano** — single piano works
+- **Vocal classical** — opera, art song (lieder)
+- **Choral** — choir-based (see choral.md)
+- **Sacred** — religious (Bach Mass, Mozart Requiem)
+- **Minimalist** — repetitive (Glass, Reich)
+
+## Typical instrumentation
+
+Strings (violin, viola, cello, double bass) + woodwinds + brass + percussion + piano + voice (if vocal)
+
+## Production characteristics
+
+- Recorded in concert hall (acoustic)
+- Wide dynamic range
+- Minimal processing
+- Natural reverb
+
+## Lyrics direction (when vocal)
+
+- Opera librettos (Italian, German typically)
+- Art song poetry
+- Sacred texts (Latin in Catholic, German in Lutheran)
+- Often classical poetry (Goethe, Shakespeare)
+
+## For Suno
+
+```
+[Style: classical romantic era piano + strings, 80 BPM, A minor, 
+solo piano + string quartet, dynamic range from pianissimo to fortissimo, 
+no drums, no electronic, concert hall acoustic, romantic emotional sweep]
+```
+
+## Examples
+
+- Bach (Baroque), Mozart (Classical), Beethoven (transitional)
+- Romantic: Brahms, Tchaikovsky, Chopin
+- 20th century: Debussy, Stravinsky, Bartók
+- Modern: Glass, Pärt, John Adams
+
+## Avoid
+
+- Drum machine
+- Electric instruments
+- Auto-tune
+- Pop song structure
+- Compressed production

package/templates/skills/composer/knowledge/genres/country.md

@@ -0,0 +1,64 @@
+# Country — Genre
+
+> American rural music tradition. Storytelling, twangy guitars, fiddle.
+
+## Defining elements
+
+- Acoustic / electric guitar (twang)
+- Fiddle, pedal steel, banjo
+- Country vocal style (twang, sometimes)
+- 4/4 time (mostly)
+- Storytelling lyrics
+- Rural / working-class themes traditional
+
+## Sub-types
+
+- **Classic country** — 50s-70s (Hank Williams, Johnny Cash, Dolly Parton)
+- **Honky tonk** — bar country (George Strait, Alan Jackson)
+- **Outlaw country** — 70s (Willie Nelson, Waylon Jennings)
+- **Bluegrass** — string-based, fast (Bill Monroe, Alison Krauss)
+- **Country pop** — modern crossover (Taylor Swift early, Shania Twain)
+- **Bro country** — modern party (Florida Georgia Line)
+- **Modern country** — current radio (Chris Stapleton, Kacey Musgraves)
+- **Outlaw / Americana** — alt-country (Sturgill Simpson, Tyler Childers)
+
+## Typical instrumentation
+
+Acoustic guitar + electric guitar (twang) + bass + drums + fiddle + pedal steel + banjo (sometimes) + vocal
+
+## Production characteristics
+
+- Vocal forward
+- Twangy guitar tones
+- Pedal steel essential to classic
+- Live band feel (classic) or polished (modern)
+
+## Lyrics direction
+
+- Storytelling
+- Heartbreak
+- Love (rural / working class)
+- Trucks, beer, small towns (modern stereotype)
+- Family, faith
+- Specific places (small American towns)
+
+## For Suno
+
+```
+[Style: classic country, 110 BPM, G major, acoustic guitar + twangy 
+electric guitar + bass + drums + fiddle + pedal steel + male baritone 
+vocal with slight twang storytelling style, warm production, live feel]
+```
+
+## Examples
+
+- Johnny Cash, Hank Williams, Willie Nelson, Dolly Parton
+- Modern: Chris Stapleton, Kacey Musgraves, Tyler Childers, Sturgill Simpson
+
+## Avoid
+
+- Heavy distortion
+- Auto-tune
+- EDM elements
+- Cold production
+- Generic non-twangy vocals

package/templates/skills/composer/knowledge/genres/drill.md

@@ -0,0 +1,71 @@
+# Drill — Genre
+
+> Aggressive hip-hop subgenre. Originated Chicago, spread to UK and Brooklyn. Dark, hard.
+
+## Defining elements
+
+- Aggressive trap-influenced beats
+- Sliding 808 bass (signature)
+- 60-75 BPM (slow but doubled feel for hi-hats)
+- Dark atmosphere
+- Tough, sometimes violent lyrical content
+- Distinctive flow
+
+## Sub-types
+
+- **Chicago drill** — origin (Chief Keef, Lil Durk, Pop Smoke roots)
+- **UK drill** — British (Headie One, Central Cee, Skepta)
+- **Brooklyn drill** — NY (Pop Smoke, Sheff G, Fivio Foreign)
+- **Latin drill** — emerging
+- **French drill** — Booba, Niska
+
+## Distinctive elements
+
+- Sliding 808 (the iconic drill bass slide)
+- Tight hi-hat patterns
+- Sparse arrangement
+- Reverb on vocals (UK drill especially)
+- Often menacing piano / synth lead
+
+## Typical instrumentation
+
+808 (sliding) + drum machine + sparse synth/piano lead + vocal
+
+## Production characteristics
+
+- Dark atmosphere
+- Sub-bass heavy
+- Sparse (less is more)
+- Reverb on vocals
+- Tight programming
+
+## Lyrics direction
+
+- Street narratives
+- Aggressive
+- Specific local references (Chicago, London neighborhoods)
+- Slang heavy (region-specific)
+- Often provocative
+- Pop Smoke lighter side: party, women, success
+
+## For Suno
+
+```
+[Style: UK drill, 65 BPM (with doubled hi-hat feel), G minor, sliding 
+808 bass + drum machine + sparse menacing piano lead + male vocal with 
+reverb in UK drill flow style, dark atmospheric production]
+```
+
+## Examples
+
+- Chicago drill: Chief Keef, Lil Durk
+- Brooklyn drill: Pop Smoke (defining figure), Sheff G, Fivio Foreign
+- UK drill: Headie One, Central Cee, Digga D, Stormzy
+
+## Avoid
+
+- Bright major key
+- Live drums
+- Acoustic feel
+- Soft vocals
+- Generic hip-hop (drill has specific elements)

package/templates/skills/composer/knowledge/genres/edm.md

@@ -0,0 +1,75 @@
+# EDM (Electronic Dance Music) — Genre
+
+> Festival-style electronic music. Build-and-drop structure. High energy.
+
+## Defining elements
+
+- 4-on-the-floor kick drum
+- Build-and-drop song structure
+- Tempo 120-140 BPM typically
+- Heavy bass at drop
+- Vocal hooks (often female)
+- Festival-ready production
+
+## Sub-types
+
+- **Big room** — festival anthem (David Guetta, Hardwell)
+- **Future bass** — modern emotional EDM (Flume, Illenium)
+- **Dubstep** — wobble bass (Skrillex, Excision)
+- **Trap (EDM)** — different from hip-hop trap (RL Grime, Baauer)
+- **Tropical house** — relaxed EDM (Kygo, Robin Schulz)
+- **Hardstyle** — aggressive (Headhunterz)
+- **Drum and bass** — fast (Pendulum, Camo & Krooked)
+
+## Structure
+
+```
+Intro (16 bars)
+Build-up (16 bars — tension building)
+Drop (32 bars — bass + beat hit)
+Breakdown (16 bars — quieter)
+Build-up (16 bars)
+Drop (32 bars)
+Outro (16 bars)
+```
+
+## Typical instrumentation
+
+Synth bass + lead synth + drum machine + vocal samples + risers / sweeps
+
+## Production characteristics
+
+- Loud, compressed
+- Sub-bass heavy
+- Layered synths
+- Sidechained pumping
+- Festival-ready loudness
+
+## Lyrics direction
+
+- Empowerment
+- Dancing, freedom
+- Love at festival
+- Often female vocal hooks
+- Repetitive (designed for dancing)
+
+## For Suno
+
+```
+[Style: big room EDM, 128 BPM, F minor, synth bass + lead synth melody + 
+4-on-the-floor kick + risers and sweeps + female vocal hook chopped + 
+build and drop structure, festival-ready production]
+```
+
+## Examples
+
+- Calvin Harris, David Guetta, Avicii, Skrillex, Tiësto
+- Modern: Illenium, Flume, Kygo, Marshmello
+
+## Avoid
+
+- Live instruments dominant
+- Sparse arrangement
+- No drop
+- Slow tempo
+- Acoustic feel

package/templates/skills/composer/knowledge/genres/electronic.md

@@ -0,0 +1,62 @@
+# Electronic — Genre
+
+> Music made primarily with electronic instruments and production. Wide spectrum.
+
+## Defining elements
+
+- Synthesizers central
+- Drum machines / samples
+- Computer-based production
+- Variable tempo (60-180+ BPM)
+- Often instrumental
+- Sound design valued
+
+## Sub-types
+
+- **EDM** — see edm.md
+- **House** — see house.md
+- **Techno** — see techno.md
+- **Ambient** — see ambient.md
+- **IDM (Intelligent Dance Music)** — Aphex Twin, Boards of Canada
+- **Synthwave / retrowave** — 80s-inspired (The Midnight, Carpenter Brut)
+- **Vaporwave** — slowed nostalgic
+- **Glitch** — Aphex Twin, Autechre
+
+## Typical instrumentation
+
+Synthesizers (analog or digital) + drum machine + samples + sometimes vocals + bass synth
+
+## Production characteristics
+
+- DAW-based production
+- Layered sound design
+- Heavy processing (compression, EQ, reverb, delay)
+- Beat programming
+- Sample manipulation
+
+## Lyrics direction (when vocal)
+
+- Often sparse / repetitive
+- Atmospheric phrases
+- Sometimes spoken word
+- Vocal as instrument
+
+## For Suno
+
+```
+[Style: modern electronic, 110 BPM, A minor, layered synth pads + 
+analog synth bass + electronic drum machine + processed vocal sample, 
+atmospheric production with heavy reverb and delay, sound design focused]
+```
+
+## Examples
+
+- Aphex Twin, Daft Punk, Justice, Bonobo, Caribou
+- Modern: Four Tet, Floating Points, Jamie xx
+
+## Avoid
+
+- Live instruments dominant
+- Acoustic feel
+- Country/folk
+- Generic sounds (use distinctive synths)

package/templates/skills/composer/knowledge/genres/film-score.md

@@ -0,0 +1,92 @@
+# Film Score — Genre
+
+> Music composed for film/TV. Serves narrative. Cinematic emotional support.
+
+## Defining elements
+
+- Serves the story (not standalone)
+- Emotional / narrative-driven
+- Variable length (cues from 30s to 10+ min)
+- Mostly instrumental
+- Synced to picture (when in film)
+- Various tones (heroic, tender, tense, etc.)
+
+## Sub-types
+
+- **Symphonic score** — orchestral (John Williams)
+- **Hybrid score** — orchestra + electronic (Hans Zimmer modern)
+- **Electronic score** — synth-driven (Trent Reznor, Daniel Lopatin)
+- **Minimal score** — sparse (Jonny Greenwood)
+- **Period score** — era-appropriate
+- **Source music (diegetic)** — music in the scene's world
+
+## Typical instrumentation
+
+Varies wildly by film:
+- Orchestra (most common for big films)
+- Solo piano (intimate films)
+- Synth + orchestra (modern thrillers, sci-fi)
+- Acoustic ensemble (indie films)
+- World instruments (specific cultural films)
+
+## Production characteristics
+
+- Recorded to picture
+- Mixed for cinema (Dolby Atmos)
+- Wide dynamic range
+- Multiple cues per film
+- Theme + variations across film
+
+## Composers / styles
+
+- **John Williams** — symphonic adventure (Star Wars, Indiana Jones, Harry Potter)
+- **Hans Zimmer** — hybrid (Dark Knight, Inception, Dune)
+- **Ennio Morricone** — wide range (Westerns, Cinema Paradiso)
+- **Howard Shore** — Lord of the Rings symphonic
+- **Trent Reznor + Atticus Ross** — modern electronic (Social Network)
+- **Hildur Guðnadóttir** — chamber + electronic (Joker, Chernobyl)
+- **Jonny Greenwood** — minimal classical (There Will Be Blood)
+- **Joe Hisaishi** — Studio Ghibli emotional
+- **Bernard Herrmann** — Hitchcock psychological
+
+## For Suno
+
+```
+[Style: cinematic film score, 80 BPM, F# minor, hybrid orchestra (strings 
++ brass + percussion) + electronic elements (synth pads + processed bass), 
+emotional and dramatic, wide dynamic range, no vocals, cinematic feel for 
+thriller/drama]
+```
+
+## Tone examples
+
+### Heroic
+- Brass + powerful drums
+- Major key
+- Examples: Star Wars main theme
+
+### Tender
+- Piano + soft strings
+- Major or relative minor
+- Examples: "Schindler's List" main theme
+
+### Tense
+- String tremolos + low brass
+- Minor / dissonant
+- Examples: Psycho strings, Jaws theme
+
+### Mysterious
+- Synth pads + sparse percussion
+- Examples: Blade Runner 2049
+
+### Action
+- Driving percussion + brass
+- Fast tempo
+- Examples: Mission Impossible theme
+
+## Avoid
+
+- Pop song format
+- Vocal-led (unless specific scene)
+- Hooks over emotion
+- Generic mood

package/templates/skills/composer/knowledge/genres/folk.md

@@ -0,0 +1,67 @@
+# Folk — Genre
+
+> Traditional / acoustic music rooted in cultural tradition. Storytelling.
+
+## Defining elements
+
+- Acoustic instruments (guitar, banjo, fiddle)
+- Storytelling vocals
+- Often modal harmonies
+- Cultural / regional roots
+- Oral tradition heritage
+- Mid tempo typical
+
+## Sub-types
+
+- **Traditional folk** — Joan Baez, Pete Seeger, Bob Dylan early
+- **Folk revival** — 60s American (Joan Baez, Joni Mitchell)
+- **Celtic folk** — Irish, Scottish (The Chieftains)
+- **British folk** — (Fairport Convention, Nick Drake)
+- **Americana** — modern country-folk hybrid (Gillian Welch, Ryan Adams)
+- **World folk** — culturally specific
+- **Folk-rock** — see indie-folk
+
+## Typical instrumentation
+
+Acoustic guitar + banjo + fiddle / violin + bass + light drums + vocal + harmonica + accordion (regional)
+
+## Production characteristics
+
+- Live band feel
+- Acoustic warmth
+- Less production processing
+- Vocal forward
+- Vintage equipment often
+
+## Lyrics direction
+
+- Storytelling (ballads)
+- Working class
+- Love and loss
+- Travel
+- Social commentary (protest folk)
+- Cultural / historical
+- Specific place names
+
+## For Suno
+
+```
+[Style: traditional folk, 95 BPM, G major, acoustic guitar fingerpicked + 
+fiddle + bass + light percussion + harmonica + male baritone vocal 
+storytelling style, warm acoustic production, live band feel]
+```
+
+## Examples
+
+- Bob Dylan, Joan Baez, Joni Mitchell, Pete Seeger
+- Modern: Gillian Welch, Ryan Adams, Old Crow Medicine Show
+- Celtic: The Chieftains, Loreena McKennitt
+- Azerbaijani folk: aşıq tradition
+
+## Avoid
+
+- Heavy electric instruments
+- Auto-tune
+- Synthetic production
+- Generic vocals
+- Modern radio aesthetic

package/templates/skills/composer/knowledge/genres/hip-hop.md

@@ -0,0 +1,64 @@
+# Hip-Hop — Genre
+
+> Rhythmic vocal delivery (rap) over beats. African-American cultural origin, now global.
+
+## Defining elements
+
+- Rap as vocal delivery (rhythmic speech)
+- Beat-driven (drums + bass + samples/synths)
+- 70-110 BPM typical (or doubled feel)
+- 4/4 time
+- Sampling tradition
+- Authentic cultural roots
+
+## Sub-types
+
+- **Boom bap** — classic 90s (J Dilla, Nas)
+- **Trap** — modern southern (Future, Migos)
+- **Conscious / political** — message-driven (Kendrick, J. Cole)
+- **Cloud rap** — atmospheric (Lil B, A$AP Rocky)
+- **Drill** — UK/Brooklyn aggressive
+- **Old school** — pioneers (Run-DMC, Public Enemy)
+- **Gangsta rap** — street narrative (NWA, Tupac)
+
+## Typical instrumentation
+
+Drum machine / sample beat + bass (808 or sample) + samples / synths + vocal
+
+## Production characteristics
+
+- Beat is foundation
+- Sub-bass crucial
+- Vocal forward in mix
+- Ad-libs (background vocal accents)
+- Sample-based or fully synth
+
+## Lyrics direction
+
+- Street narrative
+- Social commentary
+- Personal struggle / triumph
+- Wordplay essential
+- Internal rhymes
+- Cultural specificity
+- Flow varies (laid back, double time, etc.)
+
+## For Suno
+
+```
+[Style: modern hip-hop, 95 BPM, A minor, boom bap drums + 808 sub bass + 
+piano sample loop + male rap vocal mid-flow with occasional ad-libs, 
+authentic feel]
+```
+
+## Examples
+
+- Kendrick Lamar, J. Cole, Drake, Kanye West, Tyler the Creator
+- Azerbaijani: HOST group (Orxan Zeynallı, PRoMete, Qaraqan), Miri Yusif
+
+## Avoid
+
+- Generic / formulaic
+- Stereotyping
+- No flow variation
+- Sing-rap without skill