@oriro/orirocli 0.1.0

package/skills/creative/creative-photography/LICENSE

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+MIT License
+
+Copyright (c) 2026 ORIRO.ai
+
+Permission is hereby granted, free of charge, to any person obtaining a copy
+of this software and associated documentation files (the "Software"), to deal
+in the Software without restriction, including without limitation the rights
+to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
+copies of the Software, and to permit persons to whom the Software is
+furnished to do so, subject to the following conditions:
+
+The above copyright notice and this permission notice shall be included in all
+copies or substantial portions of the Software.
+
+THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
+IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
+FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
+AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
+LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
+OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
+SOFTWARE.

package/skills/creative/creative-photography/SKILL.md

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+---
+watermark: ORIRO
+disable-model-invocation: true
+name: creative-photography
+provider: ORIRO.ai
+copyright: Copyright (c) 2026 ORIRO.ai
+description: >
+
+
+  Photography — exposure triangle, composition, lighting, camera settings, and photo editing basics.
+
+
+
+
+  Sources: Open educational resources, Canva Design School, MIT OCW Architecture, design classics.
+---
+
+# Photography
+
+## The exposure triangle
+
+Three settings that control exposure (how much light hits the sensor):
+
+**ISO:** Sensor sensitivity to light.
+Low ISO (100-400): Clean image. Use in good light.
+High ISO (1600+): Noisy/grainy image. Use when light is low.
+Exposure rule: Use lowest ISO that gives correct exposure.
+
+**Aperture (f-stop):** Size of lens opening. Controls light AND depth of field.
+f/1.4-f/2.8: Wide open. Lots of light. Shallow depth of field (background blur). Portraits.
+f/8-f/11: Small opening. Less light. Large depth of field. Landscapes.
+Counter-intuitive: Small f-number = wide aperture = more light.
+
+**Shutter speed:** How long sensor is exposed to light.
+Fast (1/500s+): Freezes motion. Sports. Needs good light.
+Slow (1/30s or slower): Blurs motion. Needs tripod to avoid camera shake.
+General rule: Shutter speed ≥ 1/focal length to avoid blur (1/50mm lens = 1/50s minimum).
+
+**Exposure triangle balance:** Changing one setting requires changing others to maintain correct exposure.
+Darker scene: Open aperture OR lower shutter speed OR raise ISO.
+Use aperture priority for control over depth of field.
+Use shutter priority for control over motion.
+
+## Composition
+
+**Rule of thirds:** Divide frame into 3×3 grid. Place subjects/horizon on the lines or intersections. More dynamic than dead center.
+**Leading lines:** Roads, fences, rivers that lead the eye through the frame.
+**Framing:** Use elements in the scene (door, window, trees) to frame the subject.
+**Foreground interest:** Include something close in landscape shots for depth.
+**Negative space:** Empty space around subject draws attention to subject.
+**Patterns and repetition:** Find them; then find one element that breaks them.
+**Golden hour:** 30-60 min after sunrise and before sunset. Warm, directional light. Best for most subjects.
+
+## Lighting
+
+**Direction:**
+Front light (on-axis): Flat, even, shows color. Lacks drama.
+Side light (90° off-axis): Reveals texture and shape. Dramatic.
+Back light (behind subject): Creates silhouette or rim light.
+**Quality:**
+Hard light (small source, direct sun): Sharp shadows, high contrast.
+Soft light (large source, overcast sky): Diffuse shadows, flattering for portraits.
+**Modify light:** Move closer to light source to make it relatively larger and softer. Reflector to fill shadows.
+
+## Camera basics
+
+**Auto vs. manual modes:**
+P (Program): Auto exposure, some control. Safe starting point.
+Av/A (Aperture Priority): You set aperture; camera sets shutter. Best for most situations.
+Tv/S (Shutter Priority): You set shutter; camera sets aperture.
+M (Manual): You control everything. Best when auto fails.
+
+**Focus:** Auto-focus modes: Single AF (static subjects), Continuous AF (moving subjects). Focus point selection matters.
+
+## Basic editing workflow
+
+**Exposure correction:** Fix overall brightness first.
+**White balance:** Correct color cast (too orange = tungsten; too blue = daylight/cool).
+**Shadows and highlights:** Recover detail in both.
+**Contrast:** Add punch but don't overdo.
+**Clarity:** Adds midtone contrast. Use sparingly.
+**Saturation vs. Vibrance:** Vibrance selectively boosts less-saturated colors. Safer than saturation.
+**Sharpening:** Moderate; only sharpen edges, not smooth areas.
+**Noise reduction:** Required for high-ISO images.
+**Crop and straighten:** Last step.
+
+Sources: Cambridge in Colour (cambridgeincolour.com — free, comprehensive), Digital Photography School (free), DPReview education (free), Scott Kelby Lightroom guides (principles)

package/skills/creative/creative-textile-science/LICENSE

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+MIT License
+
+Copyright (c) 2026 ORIRO.ai
+
+Permission is hereby granted, free of charge, to any person obtaining a copy
+of this software and associated documentation files (the "Software"), to deal
+in the Software without restriction, including without limitation the rights
+to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
+copies of the Software, and to permit persons to whom the Software is
+furnished to do so, subject to the following conditions:
+
+The above copyright notice and this permission notice shall be included in all
+copies or substantial portions of the Software.
+
+THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
+IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
+FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
+AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
+LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
+OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
+SOFTWARE.

package/skills/creative/creative-textile-science/SKILL.md

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+---
+watermark: ORIRO
+disable-model-invocation: true
+name: creative-textile-science
+provider: ORIRO.ai
+copyright: Copyright (c) 2026 ORIRO.ai
+description: >
+  Textile science — fiber types, fabric construction (weave and knit structures),
+  fabric properties, finishing processes, and sustainable textiles.
+  Sources: Textile Learner (free), AATCC education (free summaries).
+---
+
+# Textile Science
+
+## Fiber classification
+
+### Natural fibers
+
+**Cotton:** Cellulose. Comfortable, breathable, absorbent. Wrinkles easily. Washable.
+**Linen:** Cellulose. Strong, crisp, cool. Wrinkles badly. Softens with washing.
+**Wool:** Protein (keratin). Excellent insulation. Natural crimp traps air. Felts if agitated wet.
+**Silk:** Protein (fibroin). Strongest natural fiber. Lustrous. Weakens in sunlight.
+**Cashmere:** Undercoat of Cashmere goat. Ultra-soft. 2-3 micron diameter.
+
+### Synthetic fibers
+
+**Polyester:** Most produced synthetic. Wrinkle-resistant, quick-drying. Hydrophobic.
+**Nylon:** Strong, elastic, abrasion-resistant. Hosiery, activewear.
+**Spandex/Elastane/Lycra:** 500-600% stretch and recovery. Always blended.
+**Viscose/Rayon:** Regenerated cellulose. Natural-feel but weak.
+**Lyocell/Tencel:** Most sustainable regenerated fiber. Closed-loop process.
+
+## Fabric construction
+
+### Weave structures
+
+**Plain weave:** Each warp thread alternates over/under each weft. Muslin, poplin.
+**Twill weave:** Diagonal rib visible. Denim (3×1 twill), chino, herringbone.
+**Satin weave:** Long float before interlacing. Smooth, lustrous. Charmeuse.
+
+### Knit structures
+
+**Jersey (single knit):** Most common T-shirt fabric. One face smooth, other looped.
+**Rib knit (1×1, 2×2):** High stretch and recovery. Cuffs, neckbands.
+**Interlock:** Double knit. Stable, smooth both sides.
+**French terry:** Loops on inside. Sweatshirts, joggers.
+
+## Fabric properties
+
+**Drapability:** How fabric falls. Silk chiffon drapes; canvas does not.
+**Hand:** Softness, crispness, roughness, warmth. Critical for fashion selection.
+
+## Finishing processes
+
+**Mercerization (cotton):** NaOH treatment. Increases luster, strength, dye uptake.
+**Sanforization:** Pre-shrinking. Max 1% residual shrinkage.
+**DWR coating:** Durable water repellent treatment.
+
+## Sustainable textiles
+
+**Organic cotton:** No synthetic pesticides. GOTS certified.
+**Recycled polyester (rPET):** From plastic bottles. Lower carbon footprint.
+**Linen:** Low water use, minimal pesticides. Biodegradable.
+**Greenwashing alert:** Bamboo viscose is NOT inherently sustainable.
+
+Sources: Textile Learner (textilearner.com — free articles), AATCC (free summaries),
+FTC Care Labeling requirements (free)

package/skills/creative/creative-ux/LICENSE

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+MIT License
+
+Copyright (c) 2026 ORIRO.ai
+
+Permission is hereby granted, free of charge, to any person obtaining a copy
+of this software and associated documentation files (the "Software"), to deal
+in the Software without restriction, including without limitation the rights
+to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
+copies of the Software, and to permit persons to whom the Software is
+furnished to do so, subject to the following conditions:
+
+The above copyright notice and this permission notice shall be included in all
+copies or substantial portions of the Software.
+
+THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
+IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
+FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
+AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
+LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
+OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
+SOFTWARE.

package/skills/creative/creative-ux/SKILL.md

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+---
+watermark: ORIRO
+name: creative-ux
+provider: ORIRO.ai
+copyright: Copyright (c) 2026 ORIRO.ai
+description: >
+
+  UX design — user research, information architecture, usability, accessibility, and human-centered design process.
+
+
+
+
+
+  Sources: Open educational resources, Canva Design School, MIT OCW Architecture, design classics.
+---
+
+# UX Design
+
+## The UX design process
+
+**Discover → Define → Develop → Deliver** (Double Diamond)
+Or: **Empathize → Define → Ideate → Prototype → Test** (Design Thinking)
+
+## User research methods
+
+### Generative research (discover problems)
+
+**User interviews:** Semi-structured conversations. 45-60 minutes. Ask about behaviors, not preferences. "Tell me about the last time you..." not "Would you like a feature that...?"
+**Diary studies:** Participants document their own experiences over time. Captures context and patterns.
+**Ethnographic observation:** Watch people in their actual environment. Reveals what they don't think to mention.
+**Surveys:** Large-scale quantitative data. Good for measuring, not understanding.
+
+### Evaluative research (test solutions)
+
+**Usability testing:** Watch 5 real users attempt specific tasks. More than 5 gives diminishing returns (Nielsen's law: 5 users find 85% of usability problems).
+**A/B testing:** Compare two versions with real users. Need sufficient traffic for statistical validity.
+**Tree testing:** Test information architecture by having users navigate without visual design.
+**Card sorting:** Users group content into categories. Informs navigation structure.
+
+## Information architecture
+
+**Navigation patterns:**
+Hierarchical: Top nav → sub-nav → pages. Most common.
+Hub-and-spoke: Central hub with spokes to features (iOS apps).
+Flat: All pages accessible from everywhere. Works for small sites.
+Faceted: Multiple filtering dimensions (e-commerce).
+
+**Labeling:** Use the user's language, not company jargon. "My Bookings" not "Reservation Management."
+**Search:** Required when navigation won't find items or users have specific needs. Good search vs. good navigation are complementary.
+
+## Usability heuristics (Nielsen)
+
+1. Visibility of system status: Show what's happening.
+2. Match between system and real world: Speak users' language.
+3. User control and freedom: Easy undo/redo.
+4. Consistency and standards: Follow platform conventions.
+5. Error prevention: Design to prevent errors.
+6. Recognition over recall: Show options; don't make users remember.
+7. Flexibility and efficiency: Shortcuts for expert users.
+8. Aesthetic and minimal design: Remove irrelevant information.
+9. Help recognize, diagnose, recover from errors: Plain-language error messages.
+10. Help and documentation: Easy to search and focused on tasks.
+
+## Accessibility (WCAG 2.1 principles — POUR)
+
+**Perceivable:** Alt text for images. Captions for video. Sufficient color contrast. Text doesn't require color to understand.
+**Operable:** Keyboard navigation. Skip links. No keyboard traps. Enough time to read content.
+**Understandable:** Clear language. Consistent navigation. Input assistance (labels, error descriptions).
+**Robust:** Compatible with current and future assistive technologies.
+
+## Prototyping
+
+**Fidelity spectrum:**
+Paper sketches: Fastest, cheapest. Test concepts.
+Low-fi wireframes: Grayscale, no styling. Test layout and flow.
+High-fi mockups: Pixel-perfect. Test visual design.
+Interactive prototype: Clickable. Test interactions.
+**Rule:** Use the lowest fidelity that answers your current question.
+High-fi too early wastes time and invites feedback on aesthetics over structure.
+
+Sources: Nielsen Norman Group (nngroup.com — extensive free resources), IDEO Design Thinking (designkit.org — free), Interaction Design Foundation (interaction-design.org), WCAG guidelines (w3.org/WAI — free)

package/skills/creative/creative-video/LICENSE

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+MIT License
+
+Copyright (c) 2026 ORIRO.ai
+
+Permission is hereby granted, free of charge, to any person obtaining a copy
+of this software and associated documentation files (the "Software"), to deal
+in the Software without restriction, including without limitation the rights
+to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
+copies of the Software, and to permit persons to whom the Software is
+furnished to do so, subject to the following conditions:
+
+The above copyright notice and this permission notice shall be included in all
+copies or substantial portions of the Software.
+
+THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
+IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
+FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
+AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
+LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
+OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
+SOFTWARE.

package/skills/creative/creative-video/SKILL.md

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+---
+watermark: ORIRO
+disable-model-invocation: true
+name: creative-video
+provider: ORIRO.ai
+copyright: Copyright (c) 2026 ORIRO.ai
+description: >
+
+
+
+  Video production — shooting, editing, audio, color grading, storytelling, and distribution.
+
+
+
+  Sources: Open educational resources, Canva Design School, MIT OCW Architecture, design classics.
+---
+
+# Video Production
+
+## The production process
+
+**Pre-production:** Script, storyboard, shot list, location scouting, casting, scheduling.
+**Production:** Shooting. Multiple takes, coverage (different angles), sound.
+**Post-production:** Editing, color grading, sound design, graphics, export.
+
+Pre-production investment pays off in production efficiency. "Fix it in post" is a trap.
+
+## Shooting fundamentals
+
+### Camera movement and support
+
+**Tripod:** Stable shots. Foundation of professional video.
+**Handheld:** Deliberate aesthetic choice (documentary feel, intimacy). Otherwise, stabilize.
+**Gimbal:** Smooth movement while moving. Used for walk-and-talk, following subjects.
+**Slider/dolly:** Horizontal or forward/backward movement. Cinematic.
+
+### Framing and shot types
+
+**Extreme wide shot:** Establishes location context.
+**Wide shot:** Shows full subject in environment.
+**Medium shot:** Waist up. Standard interview shot.
+**Close-up:** Face or detail. Emotional connection.
+**Insert:** Detail shot (hands, objects). Used in editing for coverage.
+**Rule of thirds in video:** Eyes in upper third. Headroom above, lead room in direction of gaze/movement.
+
+### Coverage for editing
+
+The "180-degree rule": Keep camera on one side of a line between subjects. Crossing the line = disorienting cut.
+**Cutaway shots:** B-roll that you cut to during A-roll (interview). Shot list: 3-5 B-roll shots for every 1 minute of finished video.
+**Match cut:** Action continues across a cut from different angle. Requires shooting action beginning and end on each angle.
+
+## Audio — the most important element most people ignore
+
+"People will tolerate bad video with good audio. They won't tolerate good video with bad audio."
+**Microphone types:**
+On-camera mic: Worst option for most interviews.
+Directional (shotgun): Pointed at source. Good for run-and-gun.
+Lavalier (lapel): Clip to clothing. Best for interviews. Natural sound.
+**Rule of thumb:** Get microphone as close to source as possible.
+**Monitor audio while recording:** Headphones on the camera operator or sound person.
+**Room acoustics:** Hard surfaces cause reverb. Soft furnishings absorb sound. Avoid rooms with echo.
+
+## Editing principles
+
+**Pacing:** Cut to the rhythm of the content, not the music.
+**Cut on action:** Cut in the middle of a movement for seamless transitions.
+**L-cut / J-cut:** Audio from next/previous scene overlaps the cut. Creates smooth transitions.
+**Story drives editing:** Every cut must serve the story. If a shot doesn't add, cut it.
+**30% rule:** Your first assembly cut will be about 30% longer than needed. Start cutting after you have an assembly.
+
+## Color grading
+
+**Color correction:** Fix problems — exposure, white balance, matching shots.
+**Color grading:** Stylize — create mood and look.
+**LUTs (Look Up Tables):** Pre-built color grades. Apply as starting point; adjust.
+**Skin tones:** Protected territory. Never green, blue, or magenta skin regardless of grade.
+
+## Export settings (common)
+
+**YouTube/web:** H.264, 1080p, 8 Mbps for 1080p, 20 Mbps for 4K.
+**Archive:** ProRes or DNxHD/HX (larger but higher quality).
+**Frame rate:** Match what you shot. 24fps = cinematic. 30fps = standard broadcast. 60fps = smooth/sports.
+
+Sources: No Film School (nofilmschool.com — free), DSLR Video Shooter (YouTube/free), Resolve official tutorials (DaVinci Resolve is free), FilmRiot (free education)

package/skills/creative/creative-writing-craft/LICENSE

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+MIT License
+
+Copyright (c) 2026 ORIRO.ai
+
+Permission is hereby granted, free of charge, to any person obtaining a copy
+of this software and associated documentation files (the "Software"), to deal
+in the Software without restriction, including without limitation the rights
+to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
+copies of the Software, and to permit persons to whom the Software is
+furnished to do so, subject to the following conditions:
+
+The above copyright notice and this permission notice shall be included in all
+copies or substantial portions of the Software.
+
+THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
+IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
+FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
+AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
+LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
+OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
+SOFTWARE.

package/skills/creative/creative-writing-craft/SKILL.md

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+---
+watermark: ORIRO
+disable-model-invocation: true
+name: creative-writing-craft
+provider: ORIRO.ai
+copyright: Copyright (c) 2026 ORIRO.ai
+description: >
+
+
+
+
+
+  Creative writing — narrative structure, character, dialogue, voice, point of view, and the revision process.
+
+  Sources: Open educational resources, Canva Design School, MIT OCW Architecture, design classics.
+---
+
+# Creative Writing Craft
+
+## Story structure
+
+### The three-act structure
+
+Act 1 (25%): Introduce characters, world, and stakes. End with inciting incident that disrupts normal life.
+Act 2 (50%): Rising action. Character pursues goal. Obstacles increase. Midpoint shifts stakes. All seems lost at 75%.
+Act 3 (25%): Climax — character must change/choose. Resolution.
+
+### Story beats (Save the Cat — Blake Snyder)
+
+Opening image → Theme stated → Set-up → Catalyst → Debate → Break into 2 → B-story → Fun and Games → Midpoint → Bad guys close in → All is lost → Dark night of the soul → Break into 3 → Finale → Closing image.
+
+### Conflict types (story engine)
+
+**Person vs. Person:** External antagonist. Most visible conflict.
+**Person vs. Self:** Internal struggle. Deepest and most resonant.
+**Person vs. Nature/Society/Fate:** Larger forces.
+Best stories have multiple levels operating simultaneously.
+
+## Character
+
+**Want vs. Need:** What a character wants (external goal) vs. what they need (internal truth they must discover).
+Great stories = character achieves/fails at want AND discovers their need (or doesn't — tragic arc).
+
+**Ghost/wound:** The backstory event that created the character's flaw and misbelief.
+Flaw is not a weakness — it's a limitation that prevents them from getting what they need.
+
+**The lie the character believes:** False belief about themselves or the world that the story will challenge.
+Harry Potter's lie: "I'm nobody special."
+The story forces characters to confront and overcome (or not) their lie.
+
+**Character in scenes:** Show character through choices under pressure. Not description. Not backstory dumps.
+What does the character do when it costs them something? That's who they really are.
+
+## Point of view
+
+**First person:** "I went to the store." Intimate. Limited to narrator's knowledge.
+**Third person limited:** "She went to the store." Follows one character. Most flexible.
+**Third person omniscient:** Access to all characters' thoughts. Difficult to handle well. Creates distance.
+**Second person:** "You go to the store." Unusual, experimental. Used in some games/interactive fiction.
+**Rule:** Stay in chosen POV consistently. Head-hopping within scenes = unprofessional and confusing.
+
+## Dialogue
+
+**Purpose:** Reveals character, advances plot, creates conflict, conveys subtext.
+**Subtext:** What's NOT said. Characters rarely say what they mean. "Fine." can mean many things.
+**Read aloud test:** Clunky dialogue becomes obvious immediately.
+**Attribution:** Use "said" and "asked" as attribution verbs — invisible to readers. Avoid "exclaimed," "hissed," "interjected."
+**Beats:** Action beats replace attribution and anchor dialogue in physical reality.
+"I don't know about that." She picked up her coffee cup, turned it slowly.
+
+## Prose craft
+
+**Show, don't tell:** Don't report emotions — dramatize them.
+Telling: "She was angry."
+Showing: "She slapped the folder shut and shoved it across the table."
+
+**Specificity:** Concrete details beat abstractions. Not "a car" — "a 1978 Ford Ranger, rust-eaten at the wheel arches."
+
+**Sentence rhythm:** Vary sentence length. Short sentences create pace. Tension. Urgency. Longer sentences, with their subordinate clauses and qualifications, create a different rhythm, more meditative, allowing the reader to dwell.
+
+**Kill your darlings:** Your favorite sentences are often the ones that must go — too self-conscious, slowing the story.
+
+## Revision
+
+First drafts are not for readers. Revision is where writing happens.
+**Distance:** Time between draft and revision (days minimum; weeks better). Cannot see your own work clearly immediately.
+**Structure pass:** Does the story work at the macro level? Before fixing sentences.
+**Line edit:** After structure is solid. Prose craft, clarity, voice.
+**Read aloud:** Final pass. Catches rhythm problems, repetition, dialogue that doesn't sound human.
+
+Sources: Strunk & White "The Elements of Style" (public domain older editions), Stephen King "On Writing" (principles), Robert McKee "Story" (principles), Story Grid (public resources), Blake Snyder "Save the Cat" (principles)

package/skills/diagram-maker/SKILL.md

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+---
+provider: ORIRO.ai
+copyright: Copyright (c) 2026 ORIRO.ai
+watermark: ORIRO
+name: diagram-maker
+description: Create SVG/HTML or Excalidraw diagrams for concepts, architecture, flows, and whiteboards.
+metadata: { "oriro": { "emoji": "🧭" } }
+---
+
+# Diagram Maker
+
+Create diagrams as artifacts, not prose. Choose one output mode:
+
+- `clean-svg`: educational concepts, physical systems, processes, lifecycle, simple data flow.
+- `architecture-svg`: software/cloud/infra topology, services, databases, queues, trust zones.
+- `excalidraw`: editable hand-drawn whiteboard, flowchart, sequence, architecture sketch.
+
+Routing
+
+- User wants editable/collaborative: choose Excalidraw.
+- User wants polished standalone browser output: choose SVG/HTML.
+- Software architecture with infra components: choose architecture SVG.
+- Science, product, process, concept map, physical object: choose clean SVG.
+- Unsure: ask one short question only if output format matters; otherwise choose clean SVG.
+
+Workflow
+
+1. Extract nodes, groups, labels, and directed relationships.
+2. Pick layout first: left-to-right, top-down, hub-spoke, swimlanes, layered stack, sequence.
+3. Keep labels short. Prefer 5-9 main elements over dense diagrams.
+4. Generate the file at the requested path, or `./diagram.html` / `./diagram.excalidraw`.
+5. Verify syntax by opening/parsing when feasible.
+
+SVG/HTML rules
+
+- Single standalone `.html` file with inline CSS and inline SVG.
+- No external fonts, JS, images, gradients, glows, decorative blobs, or remote assets.
+- Use semantic colors, not rainbow sequences: neutral, input, process, storage, external, risk.
+- Draw connectors before nodes so arrows sit behind boxes.
+- Every connector path has `fill="none"` and a marker arrow when directed.
+- Leave 24px text padding inside boxes; do not let text touch borders.
+- Legend only when symbols/colors are not obvious.
+
+SVG template
+
+Use `references/svg-template.md` as the wrapper and replace `<!-- SVG -->`.
+
+Excalidraw rules
+
+- Save `.excalidraw` JSON with `type`, `version`, `source`, `elements`, and `appState`.
+- Use bound text for shape labels. Do not use a nonstandard `label` property.
+- Keep bound text immediately after its container in the elements array.
+- Minimum labeled shape: 120x60. Minimum body text: 16px.
+- Use roughness `1`, `fontFamily: 1`, and simple fills.
+
+For exact Excalidraw element snippets, read `references/excalidraw-patterns.md`.

package/skills/diagram-maker/references/excalidraw-patterns.md

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+# Excalidraw Patterns
+
+Envelope:
+
+```json
+{
+  "type": "excalidraw",
+  "version": 2,
+  "source": "oriro/diagram-maker",
+  "elements": [],
+  "appState": { "viewBackgroundColor": "#ffffff" }
+}
+```
+
+Labeled rounded rectangle:
+
+```json
+{
+  "type": "rectangle",
+  "id": "svc",
+  "x": 100,
+  "y": 100,
+  "width": 180,
+  "height": 72,
+  "roundness": { "type": 3 },
+  "backgroundColor": "#a5d8ff",
+  "fillStyle": "solid",
+  "strokeWidth": 2,
+  "roughness": 1,
+  "opacity": 100,
+  "boundElements": [{ "id": "svc_text", "type": "text" }]
+}
+```
+
+Bound text:
+
+```json
+{
+  "type": "text",
+  "id": "svc_text",
+  "x": 112,
+  "y": 124,
+  "width": 156,
+  "height": 24,
+  "text": "API service",
+  "originalText": "API service",
+  "fontSize": 20,
+  "fontFamily": 1,
+  "strokeColor": "#1e1e1e",
+  "textAlign": "center",
+  "verticalAlign": "middle",
+  "containerId": "svc",
+  "autoResize": true
+}
+```
+
+Bound arrow:
+
+```json
+{
+  "type": "arrow",
+  "id": "a1",
+  "x": 280,
+  "y": 136,
+  "width": 140,
+  "height": 0,
+  "points": [
+    [0, 0],
+    [140, 0]
+  ],
+  "endArrowhead": "arrow",
+  "startBinding": { "elementId": "svc", "fixedPoint": [1, 0.5] },
+  "endBinding": { "elementId": "db", "fixedPoint": [0, 0.5] }
+}
+```
+
+Palette:
+
+- Primary/input: `#a5d8ff`
+- Process: `#d0bfff`
+- Success/output: `#b2f2bb`
+- Storage/data: `#c3fae8`
+- External/warning: `#ffd8a8`
+- Error/risk: `#ffc9c9`
+- Note/decision: `#fff3bf`