takomi 2.1.45 → 2.5.4

package/assets/.agent/skills/embedded-captions/references/layout-heuristics.md

@@ -1,238 +1,238 @@
-# Layout Heuristics
-
-How to pick `wall_position` / `crown_position` in plan.json.
-
-## Step 1: Sample 3 frames
-
-```bash
-ffmpeg -y -ss 0.5 -i source.mp4 -vframes 1 frame0.jpg
-ffmpeg -y -ss <mid> -i source.mp4 -vframes 1 frame1.jpg
-ffmpeg -y -ss <end-0.5> -i source.mp4 -vframes 1 frame2.jpg
-```
-
-Read all three. Note: subject's head bbox, shoulder top line, and wherever hands move during gestures. Worst-case foreground envelope = union across all 3.
-
-## Step 2: Find the clean zone
-
-The caption plane should live in pixels that are **always background** across the clip. Never where the body lands.
-
-Annotate approximate ranges:
-
-- Head bbox: `head_x_min`, `head_x_max`, `head_y_min`, `head_y_max`
-- Hand gesture envelope (if any): usually below `y = shoulder_top ≈ head_y_max + 40`
-- Props (mic, cup): typically static, note bbox
-
-**Clean zones**, in priority order:
-
-1. **Corner farthest from head** (usually opposite the gaze direction)
-2. **Upper strip above head_y_min minus 30px margin**
-3. **Lower-third** if upper is occupied (last resort — breaks "embedded" aesthetic)
-
-## Step 2.5: Which side of the subject?
-
-Once you know where the subject and baked graphics are, decide which side (left or right of the subject) hosts the caption column. Order of precedence:
-
-### 1. Hard constraints first — baked graphics
-
-Logos, watermarks, date stamps, "60 Overtime"-style lower-thirds are already in the source. They occupy permanent zones you must avoid. Map them out from frame samples:
-
-- Jobs 60 Minutes: "2003" at upper-left (x=280-460, y=30-90); "60 Overtime" at bottom-left (x=280-770, y=960-1080). Left side partially constrained; still usable above/below these.
-- TikTok re-uploads: username watermark that rotates corners every few seconds — hard to plan around, often a refusal reason.
-
-If one side has a hard constraint that eats > 60% of that side's clean zone, default to the other side.
-
-### 2. Subject body bias — pick the bigger clean zone
-
-Compute clean-zone widths on both sides:
-
-```
-left_clean_width  = body_x_min − safe_left_margin
-right_clean_width = safe_right_margin − body_x_max
-```
-
-Pick the side where clean zone is wider. If the difference is within 10% of frame width, the sides are ~equivalent → fall through to step 3.
-
-Worked examples:
-
-- **Champion** (Djokovic, 1920×1080): body x ≈ 550-1200. Left clean = 510, right clean = 720. Right is wider → but we put captions LEFT because of gaze (see step 3). The narrow difference made either workable.
-- **Jobs**: body x ≈ 700-1480 (right-of-center). Left clean = 420, right clean = 160. Left wins decisively. Captions went LEFT.
-- **Memory Wall**: surface location dictated the side (see note below about wall-embed).
-
-### 3. Gaze direction — the "looking room" rule (tiebreaker and aesthetic)
-
-Classic cinematic framing: leave more empty space on the side the subject is **looking toward**. This preserves their gaze path and feels uncluttered. **Captions go to the OPPOSITE side** (the side the subject is facing away from), so they don't steal looking room.
-
-Quick check: sample 3 frames. Estimate the eye-line vector. Does it point more left or right?
-
-- Looking screen-right → captions on LEFT
-- Looking screen-left → captions on RIGHT
-- Looking forward at camera → no preference from gaze, use step 2 only
-
-The champion / Djokovic shot has him addressing camera slightly from the left — captions on LEFT actually read like text he's looking toward, which can feel like he's acknowledging them. That's fine here but is a flavor choice; generally prefer gaze-opposite.
-
-### 4. Narrative emphasis (for optional crown)
-
-If you're using a **center-stage crown**, it sits across the subject — no left/right choice for it. But the other captions (the column) still follow steps 1-3.
-
-If you're using a **clean-zone crown** (shrunk, placed in one clean zone instead of crossing the body), put it in the **same side as the main column** for visual consistency. Don't split crown and column on opposite sides — it creates ping-pong.
-
-### Special case — wall-embed
-
-When the template is `wall-embed`, the side is **dictated by where the usable surface is**, not by body bias or gaze. Memory Wall's foam panel was on the right, so captions went right even though the subject was slightly left-of-center. Surface location wins because the whole effect depends on the text sitting ON that specific surface.
-
-### Decision summary
-
-```
-Side = f(baked graphics, body bias, gaze, surface)
-
-priority:
-1. Hard constraints (baked logos)    — never place here
-2. Wall-embed surface location       — wins if using wall-embed
-3. Bigger clean zone                 — default for corner-column
-4. Gaze direction (looking room)     — tiebreaker when both sides similar
-```
-
-If the subject actively swings their gaze across the clip (turning head L→R), pick a side that works for both extremes, not just the most frequent. Or accept that looking room will briefly be violated — it's a 10-second video, nobody cares.
-
-## Step 3: Pick template + position
-
-### If scene has a flat back wall (acoustic foam, plaster, fabric backdrop)
-
-→ `wall-embed.html`
-
-```
-wall_position: {
-  top:       max(40, head_y_min - 40),
-  right:     20-60 (hug outer edge),
-  width:     video_width * 0.35 – 0.50,
-  height:    shoulder_top - top,
-  rotateY:   -10 to -16 deg if wall angles away on the left,
-             +10 to +16 deg if mirrored, 0 if wall is parallel,
-  rotateX:   0-3 deg subtle downtilt only
-}
-```
-
-`mix-blend-mode: overlay` in this template — works on mid-tone walls. If wall is near-black (luminance < 60), switch CSS to `screen`.
-
-### If scene has a cluttered but dark backdrop (bookshelf, plants, set dressing)
-
-→ `corner-column-crown.html`
-
-```
-wall_position: {
-  top:       40,
-  left:      40,               // anchor to clean corner opposite head
-  width:     video_width * 0.40,
-  height:    clamp(360, 520),  // don't reach below shoulder top
-  rotateY:   3-6 deg (subtle, not flashy)
-}
-crown_position: {
-  top:       video_height * 0.40   // center-ish; body will cut middle letters
-}
-```
-
-`mix-blend-mode: screen` is correct here (bookshelf is dark).
-
-### If subject fills >70% of frame
-
-Template doesn't matter — there's nowhere clean. **Refuse**, suggest classic lower-third.
-
-## Step 3.5: Crown placement (when using `corner-column-crown`)
-
-**Default preference: center-stage crown.** A big, centered crown word (think "WIMBLEDON CHAMPION", "BEATLES", "SHARP AGAIN") that crosses the subject is the most powerful embed move — body occludes the middle letters, clean zones on both sides hold the outer letters, and the word reads as a title drop. **Use this whenever conditions allow.**
-
-### Conditions where a centered crown works
-
-Sample 3 frames, eyeball the subject's horizontal envelope across the clip. Let `body_x_min / body_x_max` = tightest horizontal bounds that contain the head+shoulders+arms in any frame.
-
-A centered crown at font size F (where `crown_width ≈ F × 0.55 × char_count`) reads as dramatic IF:
-
-1. **Subject is roughly centered**: `|body_center_x − frame_width/2| < frame_width × 0.10`. The body sits in the middle third.
-2. **Clean zones on both sides are non-trivial**: `body_x_min > frame_width × 0.15` AND `body_x_max < frame_width × 0.85`. There's ≥15% of frame width clean on each side.
-3. **The crown word is wide enough to poke out both sides**: `crown_width > body_width + 400px`. If the word ends before reaching the body's right edge, most letters just get swallowed — ugly.
-
-If all three hold, centered crown is right. Go big — font sized so the word spans `0.8 × frame_width` or more. "BEATLES" at 140px (~500px wide) fails condition 3 on an 1920 frame with Jobs-sized body (780px wide). "WIMBLEDON CHAMPION" at 140px (~1700px) on the same frame passes easily.
-
-### When center fails — move crown to the clean zone
-
-If any of the three conditions fails, center-stage eats too much and the word becomes illegible ("THE BEATLES" → "THE" and a sliver of "S"). Two strategies:
-
-**Option A — shrink crown to fit cleanly in the larger clean zone.** Pick the side opposite the subject's bias. Compute `clean_zone_width` on that side. Pick crown font such that the word wraps to 1-2 lines inside it. Tail letters can touch the subject edge for a hint of embed, but the body of the word lives on backdrop.
-
-```
-// Jobs: subject center ≈ x=1100 (right of frame center 960). Left clean zone is larger.
-crown_plane: { left: 200, width: 560, text-align: center }
-font-size: 118px  →  "THE / BEATLES" wraps to 2 lines, fits in x=230-770
-                      leaving "S" tail at x~760 lightly touching Jobs's shoulder
-```
-
-**Option B — drop the crown entirely, promote the word to `emph` in the main column.** Simpler when the phrase doesn't deserve dramatic center-stage treatment. Works fine for 2-word emph like "the Beatles" or "incredible things" — they become large bold text in the left column with body occluding their tails.
-
-### Rules of thumb for choosing
-
-| Subject occupies center X%+ of frame | Clean zones L/R          | Crown approach                                  |
-| ------------------------------------ | ------------------------ | ----------------------------------------------- |
-| < 50%, roughly centered              | both ≥ 15% of width      | Centered crown, go BIG (frame_w × 0.8+)         |
-| 50-70%, slightly offset              | one side ≥ 25%           | Crown shifted to larger clean zone              |
-| > 70%, fills most of frame           | neither side wide enough | Drop crown, use `emph` in column                |
-| Close-crop face, fills > 80%         | essentially none         | No crown. All captions in a header/footer strip |
-
-## Step 4: Respect these invariants
-
-1. **Never cover the eyes.** Eye bbox is sacred. Add 20px margin around it when checking caption bbox intersection.
-2. **Caption bbox must not exit frame.** Reserve 4% broadcast-safe margin on all edges.
-3. **Large emphasis words should have horizontal slack.** At `cap-emph` (92px), an 8-char word ≈ 580px. Plane needs ≥ 620px width OR rely on wrapping at 2 lines.
-4. **Crown lives at `top ≈ shoulder_top − crown_font_size/2`** so it sits across the upper body, not the face.
-5. **If aspect ratio is portrait (9:16), rotate layout**: wall-plane becomes a **top band** (full width, height ≈ 20%), crown goes below it if used at all.
-
-## Step 5: Validate before render
-
-Before calling `render-and-composite.sh`, sanity check:
-
-- Did you place the plane in the opposite quadrant from the face? ✓
-- Does the plane exit the frame anywhere? If yes, shrink.
-- Is the font too big for the plane width? Calculate: longest word in words[] × 0.55 × font_size < plane_width - padding\*2.
-- For `corner-column-crown`, did you set `crown_position.top` so the crown actually crosses the body (not above the head, not below the torso)?
-- **Pillarbox / letterbox hard check.** If the source has black bars (see pre-flight probe in SKILL.md), compute `leftmost_text_x` using the correct formula for the text alignment:
-
-  | Alignment                   | Formula                                            |
-  | --------------------------- | -------------------------------------------------- |
-  | Left-aligned                | `plane_left + padding_left`                        |
-  | Right-aligned (main column) | `plane_right − padding_right − longest_word_width` |
-  | Center-aligned (crown)      | `plane_center − longest_word_width / 2`            |
-
-  Where `longest_word_width ≈ font_size × char_count × 0.55` (adjust 0.55 down to ~0.50 for italic, up to ~0.62 for uppercase bold). **All** of these must be ≥ `pillarbox_left_edge + 10–20px` (safety margin). Mirror for the right bar.
-
-  **Gotcha from past iteration**: setting `plane_left = 180` with a right-aligned column on a Jobs 60 Minutes clip (pillarbox at 280) looked "inside the plane" but the right-aligned text at font 108px produced `leftmost = plane_right − padding − 468 = 180 + 700 − 36 − 468 = 376` … wait, that IS past pillarbox. The actual bug was different: for a 3-line wrap ("four very / talented / guys") the widest line is "talented" at ~468px, not the whole phrase. Compute against the longest **single line** after wrap, not total phrase width.
-
-  **Re-check after font-size changes** — bumping font 84→104 shifts right-aligned text leftward by ~30px. If the budget was already tight, the bump blows through the pillarbox.
-
-  **Empirical target**: leftmost text at pillarbox + 10-20px looks "anchored" to the bar (visually grounded). Pushing it much deeper (50px+) makes captions feel floaty in the middle of the frame.
-
-## Worked examples
-
-### memory-wall (1280×720, acoustic foam wall)
-
-```json
-{
-  "template": "wall-embed",
-  "wall_position": {
-    "top": 40,
-    "right": 30,
-    "width": 720,
-    "height": 520,
-    "rotateY": -13,
-    "rotateX": 1
-  }
-}
-```
-
-### champion (1920×1080, bookshelf backdrop)
-
-```json
-{
-  "template": "corner-column-crown",
-  "wall_position": { "top": 40, "left": 40, "width": 720, "height": 420, "rotateY": 4 },
-  "crown_position": { "top": 440 }
-}
-```
+# Layout Heuristics
+
+How to pick `wall_position` / `crown_position` in plan.json.
+
+## Step 1: Sample 3 frames
+
+```bash
+ffmpeg -y -ss 0.5 -i source.mp4 -vframes 1 frame0.jpg
+ffmpeg -y -ss <mid> -i source.mp4 -vframes 1 frame1.jpg
+ffmpeg -y -ss <end-0.5> -i source.mp4 -vframes 1 frame2.jpg
+```
+
+Read all three. Note: subject's head bbox, shoulder top line, and wherever hands move during gestures. Worst-case foreground envelope = union across all 3.
+
+## Step 2: Find the clean zone
+
+The caption plane should live in pixels that are **always background** across the clip. Never where the body lands.
+
+Annotate approximate ranges:
+
+- Head bbox: `head_x_min`, `head_x_max`, `head_y_min`, `head_y_max`
+- Hand gesture envelope (if any): usually below `y = shoulder_top ≈ head_y_max + 40`
+- Props (mic, cup): typically static, note bbox
+
+**Clean zones**, in priority order:
+
+1. **Corner farthest from head** (usually opposite the gaze direction)
+2. **Upper strip above head_y_min minus 30px margin**
+3. **Lower-third** if upper is occupied (last resort — breaks "embedded" aesthetic)
+
+## Step 2.5: Which side of the subject?
+
+Once you know where the subject and baked graphics are, decide which side (left or right of the subject) hosts the caption column. Order of precedence:
+
+### 1. Hard constraints first — baked graphics
+
+Logos, watermarks, date stamps, "60 Overtime"-style lower-thirds are already in the source. They occupy permanent zones you must avoid. Map them out from frame samples:
+
+- Jobs 60 Minutes: "2003" at upper-left (x=280-460, y=30-90); "60 Overtime" at bottom-left (x=280-770, y=960-1080). Left side partially constrained; still usable above/below these.
+- TikTok re-uploads: username watermark that rotates corners every few seconds — hard to plan around, often a refusal reason.
+
+If one side has a hard constraint that eats > 60% of that side's clean zone, default to the other side.
+
+### 2. Subject body bias — pick the bigger clean zone
+
+Compute clean-zone widths on both sides:
+
+```
+left_clean_width  = body_x_min − safe_left_margin
+right_clean_width = safe_right_margin − body_x_max
+```
+
+Pick the side where clean zone is wider. If the difference is within 10% of frame width, the sides are ~equivalent → fall through to step 3.
+
+Worked examples:
+
+- **Champion** (Djokovic, 1920×1080): body x ≈ 550-1200. Left clean = 510, right clean = 720. Right is wider → but we put captions LEFT because of gaze (see step 3). The narrow difference made either workable.
+- **Jobs**: body x ≈ 700-1480 (right-of-center). Left clean = 420, right clean = 160. Left wins decisively. Captions went LEFT.
+- **Memory Wall**: surface location dictated the side (see note below about wall-embed).
+
+### 3. Gaze direction — the "looking room" rule (tiebreaker and aesthetic)
+
+Classic cinematic framing: leave more empty space on the side the subject is **looking toward**. This preserves their gaze path and feels uncluttered. **Captions go to the OPPOSITE side** (the side the subject is facing away from), so they don't steal looking room.
+
+Quick check: sample 3 frames. Estimate the eye-line vector. Does it point more left or right?
+
+- Looking screen-right → captions on LEFT
+- Looking screen-left → captions on RIGHT
+- Looking forward at camera → no preference from gaze, use step 2 only
+
+The champion / Djokovic shot has him addressing camera slightly from the left — captions on LEFT actually read like text he's looking toward, which can feel like he's acknowledging them. That's fine here but is a flavor choice; generally prefer gaze-opposite.
+
+### 4. Narrative emphasis (for optional crown)
+
+If you're using a **center-stage crown**, it sits across the subject — no left/right choice for it. But the other captions (the column) still follow steps 1-3.
+
+If you're using a **clean-zone crown** (shrunk, placed in one clean zone instead of crossing the body), put it in the **same side as the main column** for visual consistency. Don't split crown and column on opposite sides — it creates ping-pong.
+
+### Special case — wall-embed
+
+When the template is `wall-embed`, the side is **dictated by where the usable surface is**, not by body bias or gaze. Memory Wall's foam panel was on the right, so captions went right even though the subject was slightly left-of-center. Surface location wins because the whole effect depends on the text sitting ON that specific surface.
+
+### Decision summary
+
+```
+Side = f(baked graphics, body bias, gaze, surface)
+
+priority:
+1. Hard constraints (baked logos)    — never place here
+2. Wall-embed surface location       — wins if using wall-embed
+3. Bigger clean zone                 — default for corner-column
+4. Gaze direction (looking room)     — tiebreaker when both sides similar
+```
+
+If the subject actively swings their gaze across the clip (turning head L→R), pick a side that works for both extremes, not just the most frequent. Or accept that looking room will briefly be violated — it's a 10-second video, nobody cares.
+
+## Step 3: Pick template + position
+
+### If scene has a flat back wall (acoustic foam, plaster, fabric backdrop)
+
+→ `wall-embed.html`
+
+```
+wall_position: {
+  top:       max(40, head_y_min - 40),
+  right:     20-60 (hug outer edge),
+  width:     video_width * 0.35 – 0.50,
+  height:    shoulder_top - top,
+  rotateY:   -10 to -16 deg if wall angles away on the left,
+             +10 to +16 deg if mirrored, 0 if wall is parallel,
+  rotateX:   0-3 deg subtle downtilt only
+}
+```
+
+`mix-blend-mode: overlay` in this template — works on mid-tone walls. If wall is near-black (luminance < 60), switch CSS to `screen`.
+
+### If scene has a cluttered but dark backdrop (bookshelf, plants, set dressing)
+
+→ `corner-column-crown.html`
+
+```
+wall_position: {
+  top:       40,
+  left:      40,               // anchor to clean corner opposite head
+  width:     video_width * 0.40,
+  height:    clamp(360, 520),  // don't reach below shoulder top
+  rotateY:   3-6 deg (subtle, not flashy)
+}
+crown_position: {
+  top:       video_height * 0.40   // center-ish; body will cut middle letters
+}
+```
+
+`mix-blend-mode: screen` is correct here (bookshelf is dark).
+
+### If subject fills >70% of frame
+
+Template doesn't matter — there's nowhere clean. **Refuse**, suggest classic lower-third.
+
+## Step 3.5: Crown placement (when using `corner-column-crown`)
+
+**Default preference: center-stage crown.** A big, centered crown word (think "WIMBLEDON CHAMPION", "BEATLES", "SHARP AGAIN") that crosses the subject is the most powerful embed move — body occludes the middle letters, clean zones on both sides hold the outer letters, and the word reads as a title drop. **Use this whenever conditions allow.**
+
+### Conditions where a centered crown works
+
+Sample 3 frames, eyeball the subject's horizontal envelope across the clip. Let `body_x_min / body_x_max` = tightest horizontal bounds that contain the head+shoulders+arms in any frame.
+
+A centered crown at font size F (where `crown_width ≈ F × 0.55 × char_count`) reads as dramatic IF:
+
+1. **Subject is roughly centered**: `|body_center_x − frame_width/2| < frame_width × 0.10`. The body sits in the middle third.
+2. **Clean zones on both sides are non-trivial**: `body_x_min > frame_width × 0.15` AND `body_x_max < frame_width × 0.85`. There's ≥15% of frame width clean on each side.
+3. **The crown word is wide enough to poke out both sides**: `crown_width > body_width + 400px`. If the word ends before reaching the body's right edge, most letters just get swallowed — ugly.
+
+If all three hold, centered crown is right. Go big — font sized so the word spans `0.8 × frame_width` or more. "BEATLES" at 140px (~500px wide) fails condition 3 on an 1920 frame with Jobs-sized body (780px wide). "WIMBLEDON CHAMPION" at 140px (~1700px) on the same frame passes easily.
+
+### When center fails — move crown to the clean zone
+
+If any of the three conditions fails, center-stage eats too much and the word becomes illegible ("THE BEATLES" → "THE" and a sliver of "S"). Two strategies:
+
+**Option A — shrink crown to fit cleanly in the larger clean zone.** Pick the side opposite the subject's bias. Compute `clean_zone_width` on that side. Pick crown font such that the word wraps to 1-2 lines inside it. Tail letters can touch the subject edge for a hint of embed, but the body of the word lives on backdrop.
+
+```
+// Jobs: subject center ≈ x=1100 (right of frame center 960). Left clean zone is larger.
+crown_plane: { left: 200, width: 560, text-align: center }
+font-size: 118px  →  "THE / BEATLES" wraps to 2 lines, fits in x=230-770
+                      leaving "S" tail at x~760 lightly touching Jobs's shoulder
+```
+
+**Option B — drop the crown entirely, promote the word to `emph` in the main column.** Simpler when the phrase doesn't deserve dramatic center-stage treatment. Works fine for 2-word emph like "the Beatles" or "incredible things" — they become large bold text in the left column with body occluding their tails.
+
+### Rules of thumb for choosing
+
+| Subject occupies center X%+ of frame | Clean zones L/R          | Crown approach                                  |
+| ------------------------------------ | ------------------------ | ----------------------------------------------- |
+| < 50%, roughly centered              | both ≥ 15% of width      | Centered crown, go BIG (frame_w × 0.8+)         |
+| 50-70%, slightly offset              | one side ≥ 25%           | Crown shifted to larger clean zone              |
+| > 70%, fills most of frame           | neither side wide enough | Drop crown, use `emph` in column                |
+| Close-crop face, fills > 80%         | essentially none         | No crown. All captions in a header/footer strip |
+
+## Step 4: Respect these invariants
+
+1. **Never cover the eyes.** Eye bbox is sacred. Add 20px margin around it when checking caption bbox intersection.
+2. **Caption bbox must not exit frame.** Reserve 4% broadcast-safe margin on all edges.
+3. **Large emphasis words should have horizontal slack.** At `cap-emph` (92px), an 8-char word ≈ 580px. Plane needs ≥ 620px width OR rely on wrapping at 2 lines.
+4. **Crown lives at `top ≈ shoulder_top − crown_font_size/2`** so it sits across the upper body, not the face.
+5. **If aspect ratio is portrait (9:16), rotate layout**: wall-plane becomes a **top band** (full width, height ≈ 20%), crown goes below it if used at all.
+
+## Step 5: Validate before render
+
+Before calling `render-and-composite.sh`, sanity check:
+
+- Did you place the plane in the opposite quadrant from the face? ✓
+- Does the plane exit the frame anywhere? If yes, shrink.
+- Is the font too big for the plane width? Calculate: longest word in words[] × 0.55 × font_size < plane_width - padding\*2.
+- For `corner-column-crown`, did you set `crown_position.top` so the crown actually crosses the body (not above the head, not below the torso)?
+- **Pillarbox / letterbox hard check.** If the source has black bars (see pre-flight probe in SKILL.md), compute `leftmost_text_x` using the correct formula for the text alignment:
+
+  | Alignment                   | Formula                                            |
+  | --------------------------- | -------------------------------------------------- |
+  | Left-aligned                | `plane_left + padding_left`                        |
+  | Right-aligned (main column) | `plane_right − padding_right − longest_word_width` |
+  | Center-aligned (crown)      | `plane_center − longest_word_width / 2`            |
+
+  Where `longest_word_width ≈ font_size × char_count × 0.55` (adjust 0.55 down to ~0.50 for italic, up to ~0.62 for uppercase bold). **All** of these must be ≥ `pillarbox_left_edge + 10–20px` (safety margin). Mirror for the right bar.
+
+  **Gotcha from past iteration**: setting `plane_left = 180` with a right-aligned column on a Jobs 60 Minutes clip (pillarbox at 280) looked "inside the plane" but the right-aligned text at font 108px produced `leftmost = plane_right − padding − 468 = 180 + 700 − 36 − 468 = 376` … wait, that IS past pillarbox. The actual bug was different: for a 3-line wrap ("four very / talented / guys") the widest line is "talented" at ~468px, not the whole phrase. Compute against the longest **single line** after wrap, not total phrase width.
+
+  **Re-check after font-size changes** — bumping font 84→104 shifts right-aligned text leftward by ~30px. If the budget was already tight, the bump blows through the pillarbox.
+
+  **Empirical target**: leftmost text at pillarbox + 10-20px looks "anchored" to the bar (visually grounded). Pushing it much deeper (50px+) makes captions feel floaty in the middle of the frame.
+
+## Worked examples
+
+### memory-wall (1280×720, acoustic foam wall)
+
+```json
+{
+  "template": "wall-embed",
+  "wall_position": {
+    "top": 40,
+    "right": 30,
+    "width": 720,
+    "height": 520,
+    "rotateY": -13,
+    "rotateX": 1
+  }
+}
+```
+
+### champion (1920×1080, bookshelf backdrop)
+
+```json
+{
+  "template": "corner-column-crown",
+  "wall_position": { "top": 40, "left": 40, "width": 720, "height": 420, "rotateY": 4 },
+  "crown_position": { "top": 440 }
+}
+```