takomi 2.1.45 → 2.5.4

package/assets/.agent/skills/hyperframes-animation/transitions/css-blur.md

@@ -1,51 +1,51 @@
-## Blur
-
-All blur transitions scale with energy. See SKILL.md "Blur Intensity by Energy" for the full table.
-
-### Blur Through
-
-Content becomes fully abstract before resolving. The heaviest blur transition.
-
-**Calm (default for this type — it's inherently heavy):**
-
-```js
-tl.to(old, { filter: "blur(30px)", scale: 1.08, duration: 0.5, ease: "power1.in" }, T);
-tl.to(old, { opacity: 0, duration: 0.3, ease: "power1.in" }, T + 0.3);
-// Hold: both scenes in abstract blur state
-tl.fromTo(new,
-  { filter: "blur(30px)", scale: 0.92, opacity: 0 },
-  { filter: "blur(30px)", scale: 0.92, opacity: 1, duration: 0.2, ease: "none" }, T + 0.5);
-// Slow resolve
-tl.to(new, { filter: "blur(0px)", scale: 1, duration: 0.7, ease: "power1.out" }, T + 0.7);
-```
-
-**Medium:**
-
-```js
-tl.to(old, { filter: "blur(15px)", scale: 1.05, opacity: 0, duration: 0.4, ease: "power2.in" }, T);
-tl.fromTo(new,
-  { filter: "blur(15px)", scale: 0.95, opacity: 0 },
-  { filter: "blur(0px)", scale: 1, opacity: 1, duration: 0.4, ease: "power2.out" }, T + 0.2);
-```
-
-### Directional Blur
-
-Blur + skew simulating motion in one direction. Scale blur and skew with energy.
-
-**Medium (default):**
-
-```js
-tl.to(old, { filter: "blur(12px)", skewX: -8, x: -200, opacity: 0, duration: 0.4, ease: "power3.in" }, T);
-tl.fromTo(new,
-  { filter: "blur(12px)", skewX: 8, x: 200, opacity: 0 },
-  { filter: "blur(0px)", skewX: 0, x: 0, opacity: 1, duration: 0.4, ease: "power3.out" }, T + 0.15);
-```
-
-**Calm (heavier blur, gentler motion):**
-
-```js
-tl.to(old, { filter: "blur(20px)", skewX: -4, x: -100, opacity: 0, duration: 0.6, ease: "power1.in" }, T);
-tl.fromTo(new,
-  { filter: "blur(20px)", skewX: 4, x: 100, opacity: 0 },
-  { filter: "blur(0px)", skewX: 0, x: 0, opacity: 1, duration: 0.6, ease: "power1.out" }, T + 0.3);
-```
+## Blur
+
+All blur transitions scale with energy. See SKILL.md "Blur Intensity by Energy" for the full table.
+
+### Blur Through
+
+Content becomes fully abstract before resolving. The heaviest blur transition.
+
+**Calm (default for this type — it's inherently heavy):**
+
+```js
+tl.to(old, { filter: "blur(30px)", scale: 1.08, duration: 0.5, ease: "power1.in" }, T);
+tl.to(old, { opacity: 0, duration: 0.3, ease: "power1.in" }, T + 0.3);
+// Hold: both scenes in abstract blur state
+tl.fromTo(new,
+  { filter: "blur(30px)", scale: 0.92, opacity: 0 },
+  { filter: "blur(30px)", scale: 0.92, opacity: 1, duration: 0.2, ease: "none" }, T + 0.5);
+// Slow resolve
+tl.to(new, { filter: "blur(0px)", scale: 1, duration: 0.7, ease: "power1.out" }, T + 0.7);
+```
+
+**Medium:**
+
+```js
+tl.to(old, { filter: "blur(15px)", scale: 1.05, opacity: 0, duration: 0.4, ease: "power2.in" }, T);
+tl.fromTo(new,
+  { filter: "blur(15px)", scale: 0.95, opacity: 0 },
+  { filter: "blur(0px)", scale: 1, opacity: 1, duration: 0.4, ease: "power2.out" }, T + 0.2);
+```
+
+### Directional Blur
+
+Blur + skew simulating motion in one direction. Scale blur and skew with energy.
+
+**Medium (default):**
+
+```js
+tl.to(old, { filter: "blur(12px)", skewX: -8, x: -200, opacity: 0, duration: 0.4, ease: "power3.in" }, T);
+tl.fromTo(new,
+  { filter: "blur(12px)", skewX: 8, x: 200, opacity: 0 },
+  { filter: "blur(0px)", skewX: 0, x: 0, opacity: 1, duration: 0.4, ease: "power3.out" }, T + 0.15);
+```
+
+**Calm (heavier blur, gentler motion):**
+
+```js
+tl.to(old, { filter: "blur(20px)", skewX: -4, x: -100, opacity: 0, duration: 0.6, ease: "power1.in" }, T);
+tl.fromTo(new,
+  { filter: "blur(20px)", skewX: 4, x: 100, opacity: 0 },
+  { filter: "blur(0px)", skewX: 0, x: 0, opacity: 1, duration: 0.6, ease: "power1.out" }, T + 0.3);
+```

package/assets/.agent/skills/hyperframes-animation/transitions/css-cover.md

@@ -1,43 +1,43 @@
-## Cover
-
-### Staggered Color Blocks
-
-Full-screen (1920x1080) colored divs slide across staggered. Scene swaps while covered.
-
-**2-block** (standard):
-
-```js
-tl.set("#wipe-a", { x: -1920 }, T - 0.01);
-tl.set("#wipe-b", { x: -1920 }, T - 0.01);
-tl.to("#wipe-a", { x: 0, duration: 0.25, ease: "power3.inOut" }, T);
-tl.to("#wipe-b", { x: 0, duration: 0.25, ease: "power3.inOut" }, T + 0.06);
-tl.set(old, { opacity: 0 }, T + 0.2);
-tl.set(new, { opacity: 1 }, T + 0.2);
-tl.to("#wipe-a", { x: 1920, duration: 0.25, ease: "power3.inOut" }, T + 0.28);
-tl.to("#wipe-b", { x: 1920, duration: 0.25, ease: "power3.inOut" }, T + 0.34);
-```
-
-**5-block** (dense variant): same pattern with 5 blocks at 0.04s stagger. Use composition palette colors.
-
-### Horizontal Blinds
-
-Full-width strips slide across staggered. Each strip: `width: 1920px; height: Xpx`.
-
-**6 strips** (180px each): `0.03s` stagger
-**12 strips** (90px each): `0.018s` stagger
-
-```js
-for (var i = 0; i < N; i++) {
-  tl.set("#blind-h-" + i, { x: -1920 }, T - 0.01);
-  tl.fromTo("#blind-h-" + i, { x: -1920 }, { x: 0, duration: 0.2, ease: "power3.inOut" }, T + i * stagger);
-}
-tl.set(old, { opacity: 0 }, T + coverTime);
-tl.set(new, { opacity: 1 }, T + coverTime);
-for (var i = 0; i < N; i++) {
-  tl.to("#blind-h-" + i, { x: 1920, duration: 0.2, ease: "power3.inOut" }, T + exitStart + i * stagger);
-}
-```
-
-### Vertical Blinds
-
-Same as horizontal but strips are tall and narrow, moving on Y axis.
+## Cover
+
+### Staggered Color Blocks
+
+Full-screen (1920x1080) colored divs slide across staggered. Scene swaps while covered.
+
+**2-block** (standard):
+
+```js
+tl.set("#wipe-a", { x: -1920 }, T - 0.01);
+tl.set("#wipe-b", { x: -1920 }, T - 0.01);
+tl.to("#wipe-a", { x: 0, duration: 0.25, ease: "power3.inOut" }, T);
+tl.to("#wipe-b", { x: 0, duration: 0.25, ease: "power3.inOut" }, T + 0.06);
+tl.set(old, { opacity: 0 }, T + 0.2);
+tl.set(new, { opacity: 1 }, T + 0.2);
+tl.to("#wipe-a", { x: 1920, duration: 0.25, ease: "power3.inOut" }, T + 0.28);
+tl.to("#wipe-b", { x: 1920, duration: 0.25, ease: "power3.inOut" }, T + 0.34);
+```
+
+**5-block** (dense variant): same pattern with 5 blocks at 0.04s stagger. Use composition palette colors.
+
+### Horizontal Blinds
+
+Full-width strips slide across staggered. Each strip: `width: 1920px; height: Xpx`.
+
+**6 strips** (180px each): `0.03s` stagger
+**12 strips** (90px each): `0.018s` stagger
+
+```js
+for (var i = 0; i < N; i++) {
+  tl.set("#blind-h-" + i, { x: -1920 }, T - 0.01);
+  tl.fromTo("#blind-h-" + i, { x: -1920 }, { x: 0, duration: 0.2, ease: "power3.inOut" }, T + i * stagger);
+}
+tl.set(old, { opacity: 0 }, T + coverTime);
+tl.set(new, { opacity: 1 }, T + coverTime);
+for (var i = 0; i < N; i++) {
+  tl.to("#blind-h-" + i, { x: 1920, duration: 0.2, ease: "power3.inOut" }, T + exitStart + i * stagger);
+}
+```
+
+### Vertical Blinds
+
+Same as horizontal but strips are tall and narrow, moving on Y axis.

package/assets/.agent/skills/hyperframes-animation/transitions/css-destruction.md

@@ -1,95 +1,95 @@
-## Destruction
-
-### Page Burn
-
-The outgoing scene literally burns away from a corner. A fire front expands with noise-based irregular edges, a canvas draws the scorched char line at the burn boundary, and individual text characters/elements chip off and fall with gravity as the fire reaches them. The incoming scene reveals behind the burn.
-
-This transition has three systems working together:
-
-1. **Fire geometry** — a radial front expanding from a corner (e.g., bottom-right) with noise-based irregularity for organic edges
-2. **Scene clipping** — the outgoing scene uses an SVG clip-path (with `fill-rule: evenodd`) that cuts a hole matching the fire front. As the fire expands, more of the scene is clipped away. All content (text, images, lines) burns with the page — no separate debris.
-3. **Scorched edge** — a `<canvas>` overlay draws a radial gradient fringe at the fire boundary to simulate charring
-
-**When to use:** Dramatic reveals, edgy/destructive mood, gaming, cyberpunk. This is the most dramatic transition in the catalog — reserve it for hero moments.
-
-**Requirements:**
-
-- A `<canvas>` element for the burn edge overlay
-- A noise function for organic fire edge geometry
-- SVG clip-path with evenodd fill-rule for the inverted clip
-
-**Fire geometry (deterministic noise):**
-
-```js
-function noise(x) {
-  var ix = Math.floor(x),
-    fx = x - ix;
-  var a = Math.sin(ix * 127.1 + 311.7) * 43758.5453;
-  var b = Math.sin((ix + 1) * 127.1 + 311.7) * 43758.5453;
-  var t = fx * fx * (3 - 2 * fx);
-  return a - Math.floor(a) + (b - Math.floor(b) - (a - Math.floor(a))) * t;
-}
-
-function fireRadiusAtAngle(angle, progress) {
-  var base = progress * maxRadius;
-  return (
-    base +
-    noise(angle * 3 + progress * 4) * 50 +
-    noise(angle * 8 + progress * 9) * 20 +
-    noise(angle * 15 + progress * 15) * 8
-  );
-}
-```
-
-**Incoming scene timing:** The incoming scene should NOT be visible during the burn. As the fire consumes the outgoing scene, **black shows through the holes** — this is the dramatic part. The viewer watches content being destroyed against blackness.
-
-At ~90% through the burn, the incoming scene fades in SLOWLY from black — the background first, then content staggered. Use long, gentle fades (`power1.out`, 0.8-1.2s durations) so it feels like the new scene materializes from darkness, not a hard swap.
-
-```js
-// Scene 2 stays at opacity: 0 during the burn — black behind the fire
-tl.set("#s2-title", { opacity: 0 }, T);
-tl.set("#s2-subtitle", { opacity: 0 }, T);
-
-// At 90% through, scene bg fades in slowly from black
-var contentReveal = T + BURN_DURATION * 0.9;
-tl.to("#scene2", { opacity: 1, duration: 1.2, ease: "power1.out" }, contentReveal);
-
-// Content fades in staggered on top, even slower
-tl.to("#s2-title", { opacity: 1, duration: 1.0, ease: "power1.out" }, contentReveal + 0.5);
-tl.to("#s2-subtitle", { opacity: 1, duration: 0.8, ease: "power1.out" }, contentReveal + 0.7);
-```
-
-**Content burns with the page — no falling debris.** The clip-path on scene1 IS the effect — as the fire shape expands, everything behind the fire edge (text, images, lines) disappears naturally. Don't clone elements, don't create falling debris. The content is part of the page being consumed. The scorched canvas edge provides the visual char line at the burn boundary.
-
-**Hide scene1 via `tl.set` at burn end — NEVER in `onComplete`.** Using `onComplete` to hide scene1 is not reversible when scrubbing. Instead, use a `tl.set` at the exact burn end time:
-
-```js
-tl.to(
-  burnState,
-  {
-    progress: 1,
-    duration: BURN_DURATION,
-    ease: "none",
-    onUpdate: function () {
-      var wp = burnState.progress;
-      var scene1 = document.getElementById("scene1");
-      if (wp <= 0) {
-        scene1.style.clipPath = "none"; // fully visible when rewound
-      } else if (wp < 1) {
-        scene1.style.clipPath = buildClipPath(wp);
-      }
-      drawEdge(wp);
-    },
-    // NO onComplete — use tl.set instead
-  },
-  T,
-);
-
-// Hide scene1 at exact burn end — reversible via timeline
-tl.set("#scene1", { opacity: 0 }, T + BURN_DURATION);
-tl.set("#scene1", { clipPath: "none" }, T + BURN_DURATION);
-```
-
-The `onUpdate` handles clip-path and canvas edge per-frame. The `tl.set` handles the final hide — and GSAP automatically reverses it when scrubbing backward, restoring scene1 to `opacity: 1`.
-
-The `onUpdate` callback is the key — it runs every frame to advance the clip-path and canvas edge in sync with the timeline.
+## Destruction
+
+### Page Burn
+
+The outgoing scene literally burns away from a corner. A fire front expands with noise-based irregular edges, a canvas draws the scorched char line at the burn boundary, and individual text characters/elements chip off and fall with gravity as the fire reaches them. The incoming scene reveals behind the burn.
+
+This transition has three systems working together:
+
+1. **Fire geometry** — a radial front expanding from a corner (e.g., bottom-right) with noise-based irregularity for organic edges
+2. **Scene clipping** — the outgoing scene uses an SVG clip-path (with `fill-rule: evenodd`) that cuts a hole matching the fire front. As the fire expands, more of the scene is clipped away. All content (text, images, lines) burns with the page — no separate debris.
+3. **Scorched edge** — a `<canvas>` overlay draws a radial gradient fringe at the fire boundary to simulate charring
+
+**When to use:** Dramatic reveals, edgy/destructive mood, gaming, cyberpunk. This is the most dramatic transition in the catalog — reserve it for hero moments.
+
+**Requirements:**
+
+- A `<canvas>` element for the burn edge overlay
+- A noise function for organic fire edge geometry
+- SVG clip-path with evenodd fill-rule for the inverted clip
+
+**Fire geometry (deterministic noise):**
+
+```js
+function noise(x) {
+  var ix = Math.floor(x),
+    fx = x - ix;
+  var a = Math.sin(ix * 127.1 + 311.7) * 43758.5453;
+  var b = Math.sin((ix + 1) * 127.1 + 311.7) * 43758.5453;
+  var t = fx * fx * (3 - 2 * fx);
+  return a - Math.floor(a) + (b - Math.floor(b) - (a - Math.floor(a))) * t;
+}
+
+function fireRadiusAtAngle(angle, progress) {
+  var base = progress * maxRadius;
+  return (
+    base +
+    noise(angle * 3 + progress * 4) * 50 +
+    noise(angle * 8 + progress * 9) * 20 +
+    noise(angle * 15 + progress * 15) * 8
+  );
+}
+```
+
+**Incoming scene timing:** The incoming scene should NOT be visible during the burn. As the fire consumes the outgoing scene, **black shows through the holes** — this is the dramatic part. The viewer watches content being destroyed against blackness.
+
+At ~90% through the burn, the incoming scene fades in SLOWLY from black — the background first, then content staggered. Use long, gentle fades (`power1.out`, 0.8-1.2s durations) so it feels like the new scene materializes from darkness, not a hard swap.
+
+```js
+// Scene 2 stays at opacity: 0 during the burn — black behind the fire
+tl.set("#s2-title", { opacity: 0 }, T);
+tl.set("#s2-subtitle", { opacity: 0 }, T);
+
+// At 90% through, scene bg fades in slowly from black
+var contentReveal = T + BURN_DURATION * 0.9;
+tl.to("#scene2", { opacity: 1, duration: 1.2, ease: "power1.out" }, contentReveal);
+
+// Content fades in staggered on top, even slower
+tl.to("#s2-title", { opacity: 1, duration: 1.0, ease: "power1.out" }, contentReveal + 0.5);
+tl.to("#s2-subtitle", { opacity: 1, duration: 0.8, ease: "power1.out" }, contentReveal + 0.7);
+```
+
+**Content burns with the page — no falling debris.** The clip-path on scene1 IS the effect — as the fire shape expands, everything behind the fire edge (text, images, lines) disappears naturally. Don't clone elements, don't create falling debris. The content is part of the page being consumed. The scorched canvas edge provides the visual char line at the burn boundary.
+
+**Hide scene1 via `tl.set` at burn end — NEVER in `onComplete`.** Using `onComplete` to hide scene1 is not reversible when scrubbing. Instead, use a `tl.set` at the exact burn end time:
+
+```js
+tl.to(
+  burnState,
+  {
+    progress: 1,
+    duration: BURN_DURATION,
+    ease: "none",
+    onUpdate: function () {
+      var wp = burnState.progress;
+      var scene1 = document.getElementById("scene1");
+      if (wp <= 0) {
+        scene1.style.clipPath = "none"; // fully visible when rewound
+      } else if (wp < 1) {
+        scene1.style.clipPath = buildClipPath(wp);
+      }
+      drawEdge(wp);
+    },
+    // NO onComplete — use tl.set instead
+  },
+  T,
+);
+
+// Hide scene1 at exact burn end — reversible via timeline
+tl.set("#scene1", { opacity: 0 }, T + BURN_DURATION);
+tl.set("#scene1", { clipPath: "none" }, T + BURN_DURATION);
+```
+
+The `onUpdate` handles clip-path and canvas edge per-frame. The `tl.set` handles the final hide — and GSAP automatically reverses it when scrubbing backward, restoring scene1 to `opacity: 1`.
+
+The `onUpdate` callback is the key — it runs every frame to advance the clip-path and canvas edge in sync with the timeline.

package/assets/.agent/skills/hyperframes-animation/transitions/css-dissolve.md

@@ -1,66 +1,66 @@
-## Dissolve
-
-### Crossfade
-
-Simple opacity swap. The baseline.
-
-```js
-tl.to(old, { opacity: 0, duration: 0.5, ease: "power2.inOut" }, T);
-tl.fromTo(new, { opacity: 0 }, { opacity: 1, duration: 0.5, ease: "power2.inOut" }, T);
-```
-
-### Blur Crossfade
-
-Dissolve with blur + scale shift. **Scale blur amount by energy** — see SKILL.md "Blur Intensity by Energy" section. The examples below show the medium (default) version. For calm compositions, increase to 20-30px with a 0.3-0.5s hold at peak blur. For high-energy, decrease to 3-6px with no hold.
-
-**Medium (default):**
-
-```js
-tl.to(old, { filter: "blur(10px)", scale: 1.03, opacity: 0, duration: 0.5, ease: "power2.inOut" }, T);
-tl.fromTo(new,
-  { filter: "blur(10px)", scale: 0.97, opacity: 0 },
-  { filter: "blur(0px)", scale: 1, opacity: 1, duration: 0.5, ease: "power2.inOut" }, T + 0.1);
-```
-
-**Calm (wellness, luxury) — heavy blur, holds at abstract color:**
-
-```js
-tl.to(old, { filter: "blur(25px)", scale: 1.05, duration: 0.6, ease: "power1.in" }, T);
-tl.to(old, { opacity: 0, duration: 0.4, ease: "power1.in" }, T + 0.4);
-tl.fromTo(new,
-  { filter: "blur(25px)", scale: 0.95, opacity: 0 },
-  { filter: "blur(25px)", scale: 0.95, opacity: 1, duration: 0.3, ease: "power1.inOut" }, T + 0.5);
-tl.to(new, { filter: "blur(0px)", scale: 1, duration: 0.6, ease: "power1.out" }, T + 0.8);
-```
-
-### Focus Pull
-
-Outgoing slowly blurs while incoming fades in sharp. Depth-of-field feel. **Scale blur amount and hold duration by energy.**
-
-**Medium:**
-
-```js
-tl.to(old, { filter: "blur(15px)", duration: 0.5, ease: "power1.in" }, T);
-tl.to(old, { opacity: 0, duration: 0.3, ease: "power2.in" }, T + 0.25);
-tl.fromTo(new, { opacity: 0 }, { opacity: 1, duration: 0.3, ease: "power2.out" }, T + 0.25);
-```
-
-**Calm — slow rack focus with long hold at peak defocus:**
-
-```js
-tl.to(old, { filter: "blur(30px)", duration: 0.8, ease: "power1.in" }, T);
-tl.to(old, { opacity: 0, duration: 0.5, ease: "power1.in" }, T + 0.6);
-tl.fromTo(new, { opacity: 0, filter: "blur(20px)" },
-  { opacity: 1, filter: "blur(20px)", duration: 0.3, ease: "power1.inOut" }, T + 0.7);
-tl.to(new, { filter: "blur(0px)", duration: 0.6, ease: "power1.out" }, T + 1.0);
-```
-
-### Color Dip
-
-Fade to solid color, hold, fade up new scene.
-
-```js
-tl.to(old, { opacity: 0, duration: 0.2, ease: "power2.in" }, T);
-// Background color shows through
-tl.fromTo(new, { opacity: 0 }, { opacity: 1, duration: 0.2, ease: "power2.out" }, T + 0.25);
-```
+## Dissolve
+
+### Crossfade
+
+Simple opacity swap. The baseline.
+
+```js
+tl.to(old, { opacity: 0, duration: 0.5, ease: "power2.inOut" }, T);
+tl.fromTo(new, { opacity: 0 }, { opacity: 1, duration: 0.5, ease: "power2.inOut" }, T);
+```
+
+### Blur Crossfade
+
+Dissolve with blur + scale shift. **Scale blur amount by energy** — see SKILL.md "Blur Intensity by Energy" section. The examples below show the medium (default) version. For calm compositions, increase to 20-30px with a 0.3-0.5s hold at peak blur. For high-energy, decrease to 3-6px with no hold.
+
+**Medium (default):**
+
+```js
+tl.to(old, { filter: "blur(10px)", scale: 1.03, opacity: 0, duration: 0.5, ease: "power2.inOut" }, T);
+tl.fromTo(new,
+  { filter: "blur(10px)", scale: 0.97, opacity: 0 },
+  { filter: "blur(0px)", scale: 1, opacity: 1, duration: 0.5, ease: "power2.inOut" }, T + 0.1);
+```
+
+**Calm (wellness, luxury) — heavy blur, holds at abstract color:**
+
+```js
+tl.to(old, { filter: "blur(25px)", scale: 1.05, duration: 0.6, ease: "power1.in" }, T);
+tl.to(old, { opacity: 0, duration: 0.4, ease: "power1.in" }, T + 0.4);
+tl.fromTo(new,
+  { filter: "blur(25px)", scale: 0.95, opacity: 0 },
+  { filter: "blur(25px)", scale: 0.95, opacity: 1, duration: 0.3, ease: "power1.inOut" }, T + 0.5);
+tl.to(new, { filter: "blur(0px)", scale: 1, duration: 0.6, ease: "power1.out" }, T + 0.8);
+```
+
+### Focus Pull
+
+Outgoing slowly blurs while incoming fades in sharp. Depth-of-field feel. **Scale blur amount and hold duration by energy.**
+
+**Medium:**
+
+```js
+tl.to(old, { filter: "blur(15px)", duration: 0.5, ease: "power1.in" }, T);
+tl.to(old, { opacity: 0, duration: 0.3, ease: "power2.in" }, T + 0.25);
+tl.fromTo(new, { opacity: 0 }, { opacity: 1, duration: 0.3, ease: "power2.out" }, T + 0.25);
+```
+
+**Calm — slow rack focus with long hold at peak defocus:**
+
+```js
+tl.to(old, { filter: "blur(30px)", duration: 0.8, ease: "power1.in" }, T);
+tl.to(old, { opacity: 0, duration: 0.5, ease: "power1.in" }, T + 0.6);
+tl.fromTo(new, { opacity: 0, filter: "blur(20px)" },
+  { opacity: 1, filter: "blur(20px)", duration: 0.3, ease: "power1.inOut" }, T + 0.7);
+tl.to(new, { filter: "blur(0px)", duration: 0.6, ease: "power1.out" }, T + 1.0);
+```
+
+### Color Dip
+
+Fade to solid color, hold, fade up new scene.
+
+```js
+tl.to(old, { opacity: 0, duration: 0.2, ease: "power2.in" }, T);
+// Background color shows through
+tl.fromTo(new, { opacity: 0 }, { opacity: 1, duration: 0.2, ease: "power2.out" }, T + 0.25);
+```

package/assets/.agent/skills/hyperframes-animation/transitions/css-distortion.md

@@ -1,45 +1,45 @@
-## Distortion
-
-### Glitch
-
-RGB-tinted overlays (NOT multiply blend — use normal blending at 35% opacity) jitter with large offsets. Scene itself also jitters.
-
-```js
-tl.set("#glitch-r", { opacity: 1, x: 40, y: -8 }, T);
-tl.set("#glitch-g", { opacity: 1, x: -30, y: 12 }, T);
-tl.set("#glitch-b", { opacity: 1, x: 15, y: -20 }, T);
-tl.set(old, { x: -15 }, T);
-// 6 jitter frames at 0.03s intervals with big offsets (±30-60px)
-// ... swap and clear at T + 0.2
-```
-
-### Chromatic Aberration
-
-RGB overlays start aligned then spread apart (±80px), scene fades, converge on new scene.
-
-```js
-tl.set("#glitch-r", { opacity: 0.6, x: 0 }, T);
-tl.set("#glitch-g", { opacity: 0.6, x: 0 }, T);
-tl.set("#glitch-b", { opacity: 0.6, x: 0 }, T);
-tl.to("#glitch-r", { x: -80, opacity: 0.8, duration: 0.3, ease: "power2.in" }, T);
-tl.to("#glitch-b", { x: 80, opacity: 0.8, duration: 0.3, ease: "power2.in" }, T);
-tl.to("#glitch-g", { y: 30, duration: 0.3, ease: "power2.in" }, T);
-// Swap at T + 0.3, converge back at T + 0.3
-```
-
-### Ripple
-
-Rapid oscillation (±30px) + scale distortion (0.97-1.03) + increasing blur. Swap at peak distortion.
-
-```js
-tl.to(old, { x: 30, scale: 1.02, duration: 0.04, ease: "none" }, T);
-tl.to(old, { x: -25, scale: 0.98, filter: "blur(4px)", duration: 0.04, ease: "none" }, T + 0.04);
-// ... more oscillations with increasing blur
-// Swap at peak, incoming stabilizes with decreasing wobble
-```
-
-### VHS Tape
-
-Clone scene into 20 horizontal strips (each 54px, clip-path'd). Each strip shifts x independently with seeded pseudo-random offsets at per-bar random intervals. Add red+blue chromatic offset copies on each strip (z-index above main, 35% opacity). Make strips wider than frame (2020px at left:-50px) so edges never show.
-
-See SKILL.md for clone-based implementation pattern.
+## Distortion
+
+### Glitch
+
+RGB-tinted overlays (NOT multiply blend — use normal blending at 35% opacity) jitter with large offsets. Scene itself also jitters.
+
+```js
+tl.set("#glitch-r", { opacity: 1, x: 40, y: -8 }, T);
+tl.set("#glitch-g", { opacity: 1, x: -30, y: 12 }, T);
+tl.set("#glitch-b", { opacity: 1, x: 15, y: -20 }, T);
+tl.set(old, { x: -15 }, T);
+// 6 jitter frames at 0.03s intervals with big offsets (±30-60px)
+// ... swap and clear at T + 0.2
+```
+
+### Chromatic Aberration
+
+RGB overlays start aligned then spread apart (±80px), scene fades, converge on new scene.
+
+```js
+tl.set("#glitch-r", { opacity: 0.6, x: 0 }, T);
+tl.set("#glitch-g", { opacity: 0.6, x: 0 }, T);
+tl.set("#glitch-b", { opacity: 0.6, x: 0 }, T);
+tl.to("#glitch-r", { x: -80, opacity: 0.8, duration: 0.3, ease: "power2.in" }, T);
+tl.to("#glitch-b", { x: 80, opacity: 0.8, duration: 0.3, ease: "power2.in" }, T);
+tl.to("#glitch-g", { y: 30, duration: 0.3, ease: "power2.in" }, T);
+// Swap at T + 0.3, converge back at T + 0.3
+```
+
+### Ripple
+
+Rapid oscillation (±30px) + scale distortion (0.97-1.03) + increasing blur. Swap at peak distortion.
+
+```js
+tl.to(old, { x: 30, scale: 1.02, duration: 0.04, ease: "none" }, T);
+tl.to(old, { x: -25, scale: 0.98, filter: "blur(4px)", duration: 0.04, ease: "none" }, T + 0.04);
+// ... more oscillations with increasing blur
+// Swap at peak, incoming stabilizes with decreasing wobble
+```
+
+### VHS Tape
+
+Clone scene into 20 horizontal strips (each 54px, clip-path'd). Each strip shifts x independently with seeded pseudo-random offsets at per-bar random intervals. Add red+blue chromatic offset copies on each strip (z-index above main, 35% opacity). Make strips wider than frame (2020px at left:-50px) so edges never show.
+
+See SKILL.md for clone-based implementation pattern.

package/assets/.agent/skills/hyperframes-animation/transitions/css-grid.md

@@ -1,10 +1,10 @@
-## Grid
-
-### Grid Dissolve
-
-Grid of colored cells covers the frame in a ripple from center. Scene swaps at 50% coverage. Cells fade out in ripple.
-
-**12-cell** (4x3, each 480x270): standard
-**120-cell** (12x10, each 160x108): dense variant — lower opacity (0.75), tighter ripple
-
-Cells are created dynamically in JS, sorted by distance from center for ripple stagger.
+## Grid
+
+### Grid Dissolve
+
+Grid of colored cells covers the frame in a ripple from center. Scene swaps at 50% coverage. Cells fade out in ripple.
+
+**12-cell** (4x3, each 480x270): standard
+**120-cell** (12x10, each 160x108): dense variant — lower opacity (0.75), tighter ripple
+
+Cells are created dynamically in JS, sorted by distance from center for ripple stagger.