@oriro/orirocli 0.1.9 → 0.1.11

package/skills/creative/creative-3d-modeling/LICENSE

@@ -1,21 +1,21 @@
-MIT License
-
-Copyright (c) 2026 ORIRO.ai
-
-Permission is hereby granted, free of charge, to any person obtaining a copy
-of this software and associated documentation files (the "Software"), to deal
-in the Software without restriction, including without limitation the rights
-to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
-copies of the Software, and to permit persons to whom the Software is
-furnished to do so, subject to the following conditions:
-
-The above copyright notice and this permission notice shall be included in all
-copies or substantial portions of the Software.
-
-THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
-IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
-FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
-AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
-LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
-OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
-SOFTWARE.
+MIT License
+
+Copyright (c) 2026 ORIRO.ai
+
+Permission is hereby granted, free of charge, to any person obtaining a copy
+of this software and associated documentation files (the "Software"), to deal
+in the Software without restriction, including without limitation the rights
+to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
+copies of the Software, and to permit persons to whom the Software is
+furnished to do so, subject to the following conditions:
+
+The above copyright notice and this permission notice shall be included in all
+copies or substantial portions of the Software.
+
+THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
+IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
+FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
+AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
+LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
+OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
+SOFTWARE.

package/skills/creative/creative-3d-modeling/SKILL.md

@@ -1,70 +1,70 @@
----
-watermark: ORIRO
-disable-model-invocation: true
-name: creative-3d-modeling
-provider: ORIRO.ai
-copyright: Copyright (c) 2026 ORIRO.ai
-description: >
-  3D modeling — Blender, FreeCAD, OpenSCAD, mesh modeling, and 3D printing
-  preparation. Activate for 3D design, modeling questions, or print preparation.
-  Sources: Blender Foundation (CC-BY), FreeCAD docs (LGPL), Prusa Knowledge Base.
----
-
-# 3D Modeling and Design
-
-## Blender (free, open source — blender.org)
-
-### Interface basics
-
-**Number pad:** 1=front, 3=side, 7=top, 5=ortho/perspective toggle, 0=camera.
-**G/R/S:** Grab, Rotate, Scale. Follow with X/Y/Z to constrain.
-G X 2 = move 2 units along X. R Z 45 = rotate 45° around Z.
-**Tab:** Toggle Object Mode / Edit Mode.
-
-### Modeling in Edit Mode
-
-**Extrude (E):** Pull geometry out.
-**Loop Cut (Ctrl+R):** Add edge loops. Scroll wheel for more loops.
-**Bevel (Ctrl+B):** Round edges.
-**Boolean Modifier:** Union, Difference, Intersect operations.
-**Subdivision Surface:** Adds smooth subdivisions non-destructively. Level 2-3 for most objects.
-
-## FreeCAD (parametric CAD, free)
-
-For engineering/technical design. Dimensions drive geometry.
-**Workflow:** New Sketch → Draw 2D profile → Constrain fully (blue = fully constrained) → Pad (extrude) or Pocket (cut).
-**Constraints:** Horizontal, Vertical, Coincident, Distance, Angle, Equal.
-
-## OpenSCAD (code-based 3D modeling, free)
-
-Describe 3D objects with code. Great for parametric designs.
-
-```openscad
-difference() {
-    cylinder(h=80, r=40, $fn=100);
-    translate([0, 0, 5])
-        cylinder(h=80, r=37, $fn=100);
-}
-```
-
-**Primitives:** cube(), sphere(), cylinder().
-**Boolean:** union(), difference(), intersection().
-
-## 3D Printing Preparation
-
-**Slicer software:** PrusaSlicer (free), Cura (free), OrcaSlicer (free).
-**Key settings:**
-Layer height: 0.2mm standard. 0.1mm fine detail. 0.3mm fast.
-Infill: 15-20% general. 40-60% structural.
-Walls: 3-4 for structural parts.
-Supports: Required for overhangs >45°.
-**Filament temperatures:** PLA 200-220°C. PETG 230-250°C. ABS 240-260°C.
-
-## Mesh optimization
-
-**Manifold mesh:** Closed surface, no holes. Required for printing.
-**Wall thickness:** Minimum 1.2mm (3 extrusion widths at 0.4mm nozzle).
-**Tolerances:** 0.2-0.4mm for mechanical fits.
-
-Sources: Blender Foundation tutorials (blender.org, CC-BY), FreeCAD docs (LGPL),
-OpenSCAD manual (free), Prusa Knowledge Base (free)
+---
+watermark: ORIRO
+disable-model-invocation: true
+name: creative-3d-modeling
+provider: ORIRO.ai
+copyright: Copyright (c) 2026 ORIRO.ai
+description: >
+  3D modeling — Blender, FreeCAD, OpenSCAD, mesh modeling, and 3D printing
+  preparation. Activate for 3D design, modeling questions, or print preparation.
+  Sources: Blender Foundation (CC-BY), FreeCAD docs (LGPL), Prusa Knowledge Base.
+---
+
+# 3D Modeling and Design
+
+## Blender (free, open source — blender.org)
+
+### Interface basics
+
+**Number pad:** 1=front, 3=side, 7=top, 5=ortho/perspective toggle, 0=camera.
+**G/R/S:** Grab, Rotate, Scale. Follow with X/Y/Z to constrain.
+G X 2 = move 2 units along X. R Z 45 = rotate 45° around Z.
+**Tab:** Toggle Object Mode / Edit Mode.
+
+### Modeling in Edit Mode
+
+**Extrude (E):** Pull geometry out.
+**Loop Cut (Ctrl+R):** Add edge loops. Scroll wheel for more loops.
+**Bevel (Ctrl+B):** Round edges.
+**Boolean Modifier:** Union, Difference, Intersect operations.
+**Subdivision Surface:** Adds smooth subdivisions non-destructively. Level 2-3 for most objects.
+
+## FreeCAD (parametric CAD, free)
+
+For engineering/technical design. Dimensions drive geometry.
+**Workflow:** New Sketch → Draw 2D profile → Constrain fully (blue = fully constrained) → Pad (extrude) or Pocket (cut).
+**Constraints:** Horizontal, Vertical, Coincident, Distance, Angle, Equal.
+
+## OpenSCAD (code-based 3D modeling, free)
+
+Describe 3D objects with code. Great for parametric designs.
+
+```openscad
+difference() {
+    cylinder(h=80, r=40, $fn=100);
+    translate([0, 0, 5])
+        cylinder(h=80, r=37, $fn=100);
+}
+```
+
+**Primitives:** cube(), sphere(), cylinder().
+**Boolean:** union(), difference(), intersection().
+
+## 3D Printing Preparation
+
+**Slicer software:** PrusaSlicer (free), Cura (free), OrcaSlicer (free).
+**Key settings:**
+Layer height: 0.2mm standard. 0.1mm fine detail. 0.3mm fast.
+Infill: 15-20% general. 40-60% structural.
+Walls: 3-4 for structural parts.
+Supports: Required for overhangs >45°.
+**Filament temperatures:** PLA 200-220°C. PETG 230-250°C. ABS 240-260°C.
+
+## Mesh optimization
+
+**Manifold mesh:** Closed surface, no holes. Required for printing.
+**Wall thickness:** Minimum 1.2mm (3 extrusion widths at 0.4mm nozzle).
+**Tolerances:** 0.2-0.4mm for mechanical fits.
+
+Sources: Blender Foundation tutorials (blender.org, CC-BY), FreeCAD docs (LGPL),
+OpenSCAD manual (free), Prusa Knowledge Base (free)

package/skills/creative/creative-architecture/LICENSE

@@ -1,21 +1,21 @@
-MIT License
-
-Copyright (c) 2026 ORIRO.ai
-
-Permission is hereby granted, free of charge, to any person obtaining a copy
-of this software and associated documentation files (the "Software"), to deal
-in the Software without restriction, including without limitation the rights
-to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
-copies of the Software, and to permit persons to whom the Software is
-furnished to do so, subject to the following conditions:
-
-The above copyright notice and this permission notice shall be included in all
-copies or substantial portions of the Software.
-
-THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
-IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
-FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
-AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
-LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
-OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
-SOFTWARE.
+MIT License
+
+Copyright (c) 2026 ORIRO.ai
+
+Permission is hereby granted, free of charge, to any person obtaining a copy
+of this software and associated documentation files (the "Software"), to deal
+in the Software without restriction, including without limitation the rights
+to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
+copies of the Software, and to permit persons to whom the Software is
+furnished to do so, subject to the following conditions:
+
+The above copyright notice and this permission notice shall be included in all
+copies or substantial portions of the Software.
+
+THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
+IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
+FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
+AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
+LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
+OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
+SOFTWARE.

package/skills/creative/creative-architecture/SKILL.md

@@ -1,94 +1,94 @@
----
-watermark: ORIRO
-disable-model-invocation: true
-name: creative-architecture
-provider: ORIRO.ai
-copyright: Copyright (c) 2026 ORIRO.ai
-description: >
-
-
-
-
-
-
-  Architecture basics — spatial design, structural systems, building codes, sustainability, and architectural history.
-  Sources: Open educational resources, Canva Design School, MIT OCW Architecture, design classics.
----
-
-# Architecture Basics
-
-## Principles of architectural design
-
-### The Vitruvian triad (30 BC — still foundational)
-
-**Firmitas:** Structural integrity and durability.
-**Utilitas:** Functionality and practicality.
-**Venustas:** Beauty and aesthetic pleasure.
-Good architecture serves all three simultaneously.
-
-### Space, form, and light
-
-**Space:** Architecture creates space, not objects. The volume enclosed defines the experience.
-Compression and release: Moving from low ceiling to high ceiling creates emotional impact.
-Prospect and refuge: Humans prefer spaces with both overview (prospect) and shelter (refuge).
-
-**Form:** Relationship of the building to context, program, structure.
-Form follows function (Sullivan): Practical function should determine form.
-Form and function are one (Wright): More integrated view — function includes spiritual and aesthetic experience.
-
-**Light:** The most important material in architecture (Le Corbusier: "Architecture is the masterly, correct and magnificent play of masses brought together in light.")
-Natural light changes throughout the day and year — design considers this.
-North light (in northern hemisphere): Consistent, cool, diffuse. Studio light.
-South light: Warm, direct. Passive solar.
-
-## Structural systems
-
-**Load-bearing masonry:** Walls carry loads. No wall removal without replacement structure.
-**Post-and-beam:** Columns carry loads; walls non-structural. More flexible plans.
-**Steel frame:** Enables large spans, slender profiles, glass curtain walls.
-**Concrete frame (cast in place or precast):** Durable, fireproof, acoustically effective.
-**Long-span structures:** Trusses, space frames, arches, shells, tensile/cable structures.
-
-## Program and function
-
-Architectural program: List of spaces and requirements.
-Adjacency diagram: Which spaces need to be near each other?
-Circulation: How do people move through the building? Corridors, stairs, elevators.
-CORE: Central service area (elevators, stairs, mechanical, toilets) in tall buildings.
-
-## Building codes and zoning
-
-**Zoning:** Land use regulations.
-Setbacks: Minimum distance from property lines.
-FAR (Floor Area Ratio): Allowed total floor area / Site area. Determines building density.
-Use: Residential, commercial, industrial, mixed-use designations.
-
-**Building codes:**
-IBC (International Building Code): Adopted by most US jurisdictions with amendments.
-**Occupancy type** determines: Fire resistance rating, egress requirements, occupant load.
-**Egress:** Exit width, maximum travel distance to exits, number of exits required.
-For 1,000+ square feet, 2 independent exits typically required.
-**Fire separation:** Walls and floors rated for fire resistance separate occupancies.
-
-## Sustainable design
-
-**Passive design (most important):**
-Orientation: Long axis east-west captures winter sun.
-Shading: Overhangs sized to block summer sun, allow winter sun.
-Natural ventilation: Cross ventilation, stack effect.
-Insulation and thermal mass.
-
-**LEED certification:** Points-based system across: Sustainable sites, water, energy, materials, indoor quality.
-**Passive House standard:** Rigorous energy standard. Heat demand < 15 kWh/m²/year. Air leakage < 0.6 ACH at 50Pa.
-
-## Architectural history capsule
-
-Ancient: Post-and-lintel (Greece), arch and vault (Rome).
-Medieval: Gothic cathedral — flying buttresses liberate wall for glass.
-Renaissance: Classical revival, human scale and proportion.
-Industrial revolution: Iron and glass, new structural possibilities.
-Modernism (20th c.): Form follows function, rejection of ornament (Loos), white walls, flat roofs (Le Corbusier), open plan (Mies, Wright).
-Postmodernism: Ironic historical reference, complexity.
-Contemporary: Parametric design, sustainability, urban resilience.
-
-Sources: MIT OCW Architecture (free), Ching "Architecture: Form, Space, and Order" (principles), Frampton "Modern Architecture: A Critical History" (principles), IBC code provisions, Architecture 2030 (free climate resources)
+---
+watermark: ORIRO
+disable-model-invocation: true
+name: creative-architecture
+provider: ORIRO.ai
+copyright: Copyright (c) 2026 ORIRO.ai
+description: >
+
+
+
+
+
+
+  Architecture basics — spatial design, structural systems, building codes, sustainability, and architectural history.
+  Sources: Open educational resources, Canva Design School, MIT OCW Architecture, design classics.
+---
+
+# Architecture Basics
+
+## Principles of architectural design
+
+### The Vitruvian triad (30 BC — still foundational)
+
+**Firmitas:** Structural integrity and durability.
+**Utilitas:** Functionality and practicality.
+**Venustas:** Beauty and aesthetic pleasure.
+Good architecture serves all three simultaneously.
+
+### Space, form, and light
+
+**Space:** Architecture creates space, not objects. The volume enclosed defines the experience.
+Compression and release: Moving from low ceiling to high ceiling creates emotional impact.
+Prospect and refuge: Humans prefer spaces with both overview (prospect) and shelter (refuge).
+
+**Form:** Relationship of the building to context, program, structure.
+Form follows function (Sullivan): Practical function should determine form.
+Form and function are one (Wright): More integrated view — function includes spiritual and aesthetic experience.
+
+**Light:** The most important material in architecture (Le Corbusier: "Architecture is the masterly, correct and magnificent play of masses brought together in light.")
+Natural light changes throughout the day and year — design considers this.
+North light (in northern hemisphere): Consistent, cool, diffuse. Studio light.
+South light: Warm, direct. Passive solar.
+
+## Structural systems
+
+**Load-bearing masonry:** Walls carry loads. No wall removal without replacement structure.
+**Post-and-beam:** Columns carry loads; walls non-structural. More flexible plans.
+**Steel frame:** Enables large spans, slender profiles, glass curtain walls.
+**Concrete frame (cast in place or precast):** Durable, fireproof, acoustically effective.
+**Long-span structures:** Trusses, space frames, arches, shells, tensile/cable structures.
+
+## Program and function
+
+Architectural program: List of spaces and requirements.
+Adjacency diagram: Which spaces need to be near each other?
+Circulation: How do people move through the building? Corridors, stairs, elevators.
+CORE: Central service area (elevators, stairs, mechanical, toilets) in tall buildings.
+
+## Building codes and zoning
+
+**Zoning:** Land use regulations.
+Setbacks: Minimum distance from property lines.
+FAR (Floor Area Ratio): Allowed total floor area / Site area. Determines building density.
+Use: Residential, commercial, industrial, mixed-use designations.
+
+**Building codes:**
+IBC (International Building Code): Adopted by most US jurisdictions with amendments.
+**Occupancy type** determines: Fire resistance rating, egress requirements, occupant load.
+**Egress:** Exit width, maximum travel distance to exits, number of exits required.
+For 1,000+ square feet, 2 independent exits typically required.
+**Fire separation:** Walls and floors rated for fire resistance separate occupancies.
+
+## Sustainable design
+
+**Passive design (most important):**
+Orientation: Long axis east-west captures winter sun.
+Shading: Overhangs sized to block summer sun, allow winter sun.
+Natural ventilation: Cross ventilation, stack effect.
+Insulation and thermal mass.
+
+**LEED certification:** Points-based system across: Sustainable sites, water, energy, materials, indoor quality.
+**Passive House standard:** Rigorous energy standard. Heat demand < 15 kWh/m²/year. Air leakage < 0.6 ACH at 50Pa.
+
+## Architectural history capsule
+
+Ancient: Post-and-lintel (Greece), arch and vault (Rome).
+Medieval: Gothic cathedral — flying buttresses liberate wall for glass.
+Renaissance: Classical revival, human scale and proportion.
+Industrial revolution: Iron and glass, new structural possibilities.
+Modernism (20th c.): Form follows function, rejection of ornament (Loos), white walls, flat roofs (Le Corbusier), open plan (Mies, Wright).
+Postmodernism: Ironic historical reference, complexity.
+Contemporary: Parametric design, sustainability, urban resilience.
+
+Sources: MIT OCW Architecture (free), Ching "Architecture: Form, Space, and Order" (principles), Frampton "Modern Architecture: A Critical History" (principles), IBC code provisions, Architecture 2030 (free climate resources)

package/skills/creative/creative-design-principles/LICENSE

@@ -1,21 +1,21 @@
-MIT License
-
-Copyright (c) 2026 ORIRO.ai
-
-Permission is hereby granted, free of charge, to any person obtaining a copy
-of this software and associated documentation files (the "Software"), to deal
-in the Software without restriction, including without limitation the rights
-to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
-copies of the Software, and to permit persons to whom the Software is
-furnished to do so, subject to the following conditions:
-
-The above copyright notice and this permission notice shall be included in all
-copies or substantial portions of the Software.
-
-THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
-IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
-FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
-AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
-LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
-OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
-SOFTWARE.
+MIT License
+
+Copyright (c) 2026 ORIRO.ai
+
+Permission is hereby granted, free of charge, to any person obtaining a copy
+of this software and associated documentation files (the "Software"), to deal
+in the Software without restriction, including without limitation the rights
+to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
+copies of the Software, and to permit persons to whom the Software is
+furnished to do so, subject to the following conditions:
+
+The above copyright notice and this permission notice shall be included in all
+copies or substantial portions of the Software.
+
+THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
+IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
+FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
+AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
+LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
+OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
+SOFTWARE.

package/skills/creative/creative-design-principles/SKILL.md

@@ -1,95 +1,95 @@
----
-watermark: ORIRO
-name: creative-design-principles
-provider: ORIRO.ai
-copyright: Copyright (c) 2026 ORIRO.ai
-description: >
-  Design fundamentals — color theory, typography, layout, visual hierarchy, gestalt principles, and design thinking.
-
-
-
-
-
-
-  Sources: Open educational resources, Canva Design School, MIT OCW Architecture, design classics.
----
-
-# Design Fundamentals
-
-## The core principles (C.R.A.P.)
-
-**Contrast:** Make different things look different. Similar things look similar.
-Contrast creates visual hierarchy and directs the eye.
-Ways to contrast: Size, color, weight, shape, texture, position.
-Bad design: Everything the same size, same color, same weight — looks flat.
-
-**Repetition:** Repeat visual elements throughout a design to create consistency and unity.
-Fonts, colors, spacing, shapes — use consistently.
-Creates recognition, professionalism, brand identity.
-
-**Alignment:** Every element should have a visual connection to something else.
-Align text and images to an invisible grid.
-Centered alignment = formal but weaker. Left or right alignment = stronger visual line.
-Never center everything by default.
-
-**Proximity:** Group related items together. Separate unrelated items.
-White space between groups signals separation. White space within signals relationship.
-Group navigation links together. Separate headers from body text with appropriate space.
-
-## Color theory
-
-**Color wheel:** Primary (red, yellow, blue) → Secondary → Tertiary.
-**Color harmonies:**
-Complementary: Opposite on wheel (red/green). High contrast, vibrant.
-Analogous: Adjacent on wheel. Harmonious, natural.
-Triadic: Three evenly spaced colors. Vibrant but balanced.
-Split-complementary: Color + two adjacent to its complement. Less tension than complementary.
-
-**Color properties:** Hue (the color), Saturation (intensity), Value/Brightness (light to dark).
-**Warm vs. cool:** Red/orange/yellow = warm (energetic). Blue/green/purple = cool (calm).
-**Color psychology:**
-Red: Energy, urgency, passion, danger.
-Blue: Trust, calm, professionalism.
-Green: Nature, health, growth.
-Yellow: Optimism, warning, attention.
-Purple: Luxury, creativity.
-Black: Elegance, authority.
-White: Clean, simple, space.
-
-**Contrast ratios:** Text must meet WCAG accessibility requirements.
-Normal text: 4.5:1 contrast ratio. Large text (18pt+): 3:1.
-Tool: webaim.org/resources/contrastchecker (free).
-
-## Typography
-
-**Type anatomy:** Baseline, cap height, x-height, ascender, descender.
-**Typeface categories:**
-Serif: Letters have serifs (small strokes at letter ends). Traditional, authoritative. Good for body text in print. (Times New Roman, Georgia, Garamond)
-Sans-serif: No serifs. Clean, modern. Better for screens. (Helvetica, Arial, Roboto)
-Display/Decorative: Eye-catching. Never use for body text.
-Monospace: Fixed width. Code, technical. (Courier, Consolas)
-
-**Hierarchy rules:** No more than 2-3 typefaces. Use size, weight, and color to create hierarchy.
-**Line length:** 45-75 characters per line for comfortable reading.
-**Line height (leading):** 1.4-1.6× for body text. Too tight = cramped. Too loose = disconnected.
-**Tracking (letter spacing):** Loosen slightly for large headlines. Tighten sparingly.
-
-## Visual hierarchy
-
-Guides the eye through a design in order of importance.
-**Size:** Bigger = more important (usually).
-**Weight:** Bold = more important.
-**Color:** High-contrast elements draw the eye first.
-**Position:** Top/left reads first (in Western cultures). F-pattern and Z-pattern reading.
-**White space:** Surrounded by space = important (isolation effect).
-
-## Gestalt principles
-
-How the human brain perceives visual elements as patterns:
-**Proximity:** Close elements perceived as related groups.
-**Similarity:** Elements that look alike perceived as related.
-**Continuity:** Eye follows lines or curves.
-**Closure:** Brain completes incomplete shapes.
-**Figure/ground:** Object vs. background. Negative space can contain meaning.
-
-Sources: Robin Williams "The Non-Designer's Design Book" (principles), IDEO Design Thinking, Google Material Design (free), Apple Human Interface Guidelines (free), Canva Design School (free)
+---
+watermark: ORIRO
+name: creative-design-principles
+provider: ORIRO.ai
+copyright: Copyright (c) 2026 ORIRO.ai
+description: >
+  Design fundamentals — color theory, typography, layout, visual hierarchy, gestalt principles, and design thinking.
+
+
+
+
+
+
+  Sources: Open educational resources, Canva Design School, MIT OCW Architecture, design classics.
+---
+
+# Design Fundamentals
+
+## The core principles (C.R.A.P.)
+
+**Contrast:** Make different things look different. Similar things look similar.
+Contrast creates visual hierarchy and directs the eye.
+Ways to contrast: Size, color, weight, shape, texture, position.
+Bad design: Everything the same size, same color, same weight — looks flat.
+
+**Repetition:** Repeat visual elements throughout a design to create consistency and unity.
+Fonts, colors, spacing, shapes — use consistently.
+Creates recognition, professionalism, brand identity.
+
+**Alignment:** Every element should have a visual connection to something else.
+Align text and images to an invisible grid.
+Centered alignment = formal but weaker. Left or right alignment = stronger visual line.
+Never center everything by default.
+
+**Proximity:** Group related items together. Separate unrelated items.
+White space between groups signals separation. White space within signals relationship.
+Group navigation links together. Separate headers from body text with appropriate space.
+
+## Color theory
+
+**Color wheel:** Primary (red, yellow, blue) → Secondary → Tertiary.
+**Color harmonies:**
+Complementary: Opposite on wheel (red/green). High contrast, vibrant.
+Analogous: Adjacent on wheel. Harmonious, natural.
+Triadic: Three evenly spaced colors. Vibrant but balanced.
+Split-complementary: Color + two adjacent to its complement. Less tension than complementary.
+
+**Color properties:** Hue (the color), Saturation (intensity), Value/Brightness (light to dark).
+**Warm vs. cool:** Red/orange/yellow = warm (energetic). Blue/green/purple = cool (calm).
+**Color psychology:**
+Red: Energy, urgency, passion, danger.
+Blue: Trust, calm, professionalism.
+Green: Nature, health, growth.
+Yellow: Optimism, warning, attention.
+Purple: Luxury, creativity.
+Black: Elegance, authority.
+White: Clean, simple, space.
+
+**Contrast ratios:** Text must meet WCAG accessibility requirements.
+Normal text: 4.5:1 contrast ratio. Large text (18pt+): 3:1.
+Tool: webaim.org/resources/contrastchecker (free).
+
+## Typography
+
+**Type anatomy:** Baseline, cap height, x-height, ascender, descender.
+**Typeface categories:**
+Serif: Letters have serifs (small strokes at letter ends). Traditional, authoritative. Good for body text in print. (Times New Roman, Georgia, Garamond)
+Sans-serif: No serifs. Clean, modern. Better for screens. (Helvetica, Arial, Roboto)
+Display/Decorative: Eye-catching. Never use for body text.
+Monospace: Fixed width. Code, technical. (Courier, Consolas)
+
+**Hierarchy rules:** No more than 2-3 typefaces. Use size, weight, and color to create hierarchy.
+**Line length:** 45-75 characters per line for comfortable reading.
+**Line height (leading):** 1.4-1.6× for body text. Too tight = cramped. Too loose = disconnected.
+**Tracking (letter spacing):** Loosen slightly for large headlines. Tighten sparingly.
+
+## Visual hierarchy
+
+Guides the eye through a design in order of importance.
+**Size:** Bigger = more important (usually).
+**Weight:** Bold = more important.
+**Color:** High-contrast elements draw the eye first.
+**Position:** Top/left reads first (in Western cultures). F-pattern and Z-pattern reading.
+**White space:** Surrounded by space = important (isolation effect).
+
+## Gestalt principles
+
+How the human brain perceives visual elements as patterns:
+**Proximity:** Close elements perceived as related groups.
+**Similarity:** Elements that look alike perceived as related.
+**Continuity:** Eye follows lines or curves.
+**Closure:** Brain completes incomplete shapes.
+**Figure/ground:** Object vs. background. Negative space can contain meaning.
+
+Sources: Robin Williams "The Non-Designer's Design Book" (principles), IDEO Design Thinking, Google Material Design (free), Apple Human Interface Guidelines (free), Canva Design School (free)