@oriro/orirocli 0.1.11 → 0.3.1

package/skills/creative/creative-video/SKILL.md

@@ -1,84 +1,84 @@
----
-watermark: ORIRO
-disable-model-invocation: true
-name: creative-video
-provider: ORIRO.ai
-copyright: Copyright (c) 2026 ORIRO.ai
-description: >
-
-
-
-  Video production — shooting, editing, audio, color grading, storytelling, and distribution.
-
-
-
-  Sources: Open educational resources, Canva Design School, MIT OCW Architecture, design classics.
----
-
-# Video Production
-
-## The production process
-
-**Pre-production:** Script, storyboard, shot list, location scouting, casting, scheduling.
-**Production:** Shooting. Multiple takes, coverage (different angles), sound.
-**Post-production:** Editing, color grading, sound design, graphics, export.
-
-Pre-production investment pays off in production efficiency. "Fix it in post" is a trap.
-
-## Shooting fundamentals
-
-### Camera movement and support
-
-**Tripod:** Stable shots. Foundation of professional video.
-**Handheld:** Deliberate aesthetic choice (documentary feel, intimacy). Otherwise, stabilize.
-**Gimbal:** Smooth movement while moving. Used for walk-and-talk, following subjects.
-**Slider/dolly:** Horizontal or forward/backward movement. Cinematic.
-
-### Framing and shot types
-
-**Extreme wide shot:** Establishes location context.
-**Wide shot:** Shows full subject in environment.
-**Medium shot:** Waist up. Standard interview shot.
-**Close-up:** Face or detail. Emotional connection.
-**Insert:** Detail shot (hands, objects). Used in editing for coverage.
-**Rule of thirds in video:** Eyes in upper third. Headroom above, lead room in direction of gaze/movement.
-
-### Coverage for editing
-
-The "180-degree rule": Keep camera on one side of a line between subjects. Crossing the line = disorienting cut.
-**Cutaway shots:** B-roll that you cut to during A-roll (interview). Shot list: 3-5 B-roll shots for every 1 minute of finished video.
-**Match cut:** Action continues across a cut from different angle. Requires shooting action beginning and end on each angle.
-
-## Audio — the most important element most people ignore
-
-"People will tolerate bad video with good audio. They won't tolerate good video with bad audio."
-**Microphone types:**
-On-camera mic: Worst option for most interviews.
-Directional (shotgun): Pointed at source. Good for run-and-gun.
-Lavalier (lapel): Clip to clothing. Best for interviews. Natural sound.
-**Rule of thumb:** Get microphone as close to source as possible.
-**Monitor audio while recording:** Headphones on the camera operator or sound person.
-**Room acoustics:** Hard surfaces cause reverb. Soft furnishings absorb sound. Avoid rooms with echo.
-
-## Editing principles
-
-**Pacing:** Cut to the rhythm of the content, not the music.
-**Cut on action:** Cut in the middle of a movement for seamless transitions.
-**L-cut / J-cut:** Audio from next/previous scene overlaps the cut. Creates smooth transitions.
-**Story drives editing:** Every cut must serve the story. If a shot doesn't add, cut it.
-**30% rule:** Your first assembly cut will be about 30% longer than needed. Start cutting after you have an assembly.
-
-## Color grading
-
-**Color correction:** Fix problems — exposure, white balance, matching shots.
-**Color grading:** Stylize — create mood and look.
-**LUTs (Look Up Tables):** Pre-built color grades. Apply as starting point; adjust.
-**Skin tones:** Protected territory. Never green, blue, or magenta skin regardless of grade.
-
-## Export settings (common)
-
-**YouTube/web:** H.264, 1080p, 8 Mbps for 1080p, 20 Mbps for 4K.
-**Archive:** ProRes or DNxHD/HX (larger but higher quality).
-**Frame rate:** Match what you shot. 24fps = cinematic. 30fps = standard broadcast. 60fps = smooth/sports.
-
-Sources: No Film School (nofilmschool.com — free), DSLR Video Shooter (YouTube/free), Resolve official tutorials (DaVinci Resolve is free), FilmRiot (free education)
+---
+watermark: ORIRO
+disable-model-invocation: true
+name: creative-video
+provider: ORIRO.ai
+copyright: Copyright (c) 2026 ORIRO.ai
+description: >
+
+
+
+  Video production — shooting, editing, audio, color grading, storytelling, and distribution.
+
+
+
+  Sources: Open educational resources, Canva Design School, MIT OCW Architecture, design classics.
+---
+
+# Video Production
+
+## The production process
+
+**Pre-production:** Script, storyboard, shot list, location scouting, casting, scheduling.
+**Production:** Shooting. Multiple takes, coverage (different angles), sound.
+**Post-production:** Editing, color grading, sound design, graphics, export.
+
+Pre-production investment pays off in production efficiency. "Fix it in post" is a trap.
+
+## Shooting fundamentals
+
+### Camera movement and support
+
+**Tripod:** Stable shots. Foundation of professional video.
+**Handheld:** Deliberate aesthetic choice (documentary feel, intimacy). Otherwise, stabilize.
+**Gimbal:** Smooth movement while moving. Used for walk-and-talk, following subjects.
+**Slider/dolly:** Horizontal or forward/backward movement. Cinematic.
+
+### Framing and shot types
+
+**Extreme wide shot:** Establishes location context.
+**Wide shot:** Shows full subject in environment.
+**Medium shot:** Waist up. Standard interview shot.
+**Close-up:** Face or detail. Emotional connection.
+**Insert:** Detail shot (hands, objects). Used in editing for coverage.
+**Rule of thirds in video:** Eyes in upper third. Headroom above, lead room in direction of gaze/movement.
+
+### Coverage for editing
+
+The "180-degree rule": Keep camera on one side of a line between subjects. Crossing the line = disorienting cut.
+**Cutaway shots:** B-roll that you cut to during A-roll (interview). Shot list: 3-5 B-roll shots for every 1 minute of finished video.
+**Match cut:** Action continues across a cut from different angle. Requires shooting action beginning and end on each angle.
+
+## Audio — the most important element most people ignore
+
+"People will tolerate bad video with good audio. They won't tolerate good video with bad audio."
+**Microphone types:**
+On-camera mic: Worst option for most interviews.
+Directional (shotgun): Pointed at source. Good for run-and-gun.
+Lavalier (lapel): Clip to clothing. Best for interviews. Natural sound.
+**Rule of thumb:** Get microphone as close to source as possible.
+**Monitor audio while recording:** Headphones on the camera operator or sound person.
+**Room acoustics:** Hard surfaces cause reverb. Soft furnishings absorb sound. Avoid rooms with echo.
+
+## Editing principles
+
+**Pacing:** Cut to the rhythm of the content, not the music.
+**Cut on action:** Cut in the middle of a movement for seamless transitions.
+**L-cut / J-cut:** Audio from next/previous scene overlaps the cut. Creates smooth transitions.
+**Story drives editing:** Every cut must serve the story. If a shot doesn't add, cut it.
+**30% rule:** Your first assembly cut will be about 30% longer than needed. Start cutting after you have an assembly.
+
+## Color grading
+
+**Color correction:** Fix problems — exposure, white balance, matching shots.
+**Color grading:** Stylize — create mood and look.
+**LUTs (Look Up Tables):** Pre-built color grades. Apply as starting point; adjust.
+**Skin tones:** Protected territory. Never green, blue, or magenta skin regardless of grade.
+
+## Export settings (common)
+
+**YouTube/web:** H.264, 1080p, 8 Mbps for 1080p, 20 Mbps for 4K.
+**Archive:** ProRes or DNxHD/HX (larger but higher quality).
+**Frame rate:** Match what you shot. 24fps = cinematic. 30fps = standard broadcast. 60fps = smooth/sports.
+
+Sources: No Film School (nofilmschool.com — free), DSLR Video Shooter (YouTube/free), Resolve official tutorials (DaVinci Resolve is free), FilmRiot (free education)

package/skills/creative/creative-writing-craft/LICENSE

@@ -1,21 +1,21 @@
-MIT License
-
-Copyright (c) 2026 ORIRO.ai
-
-Permission is hereby granted, free of charge, to any person obtaining a copy
-of this software and associated documentation files (the "Software"), to deal
-in the Software without restriction, including without limitation the rights
-to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
-copies of the Software, and to permit persons to whom the Software is
-furnished to do so, subject to the following conditions:
-
-The above copyright notice and this permission notice shall be included in all
-copies or substantial portions of the Software.
-
-THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
-IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
-FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
-AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
-LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
-OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
-SOFTWARE.
+MIT License
+
+Copyright (c) 2026 ORIRO.ai
+
+Permission is hereby granted, free of charge, to any person obtaining a copy
+of this software and associated documentation files (the "Software"), to deal
+in the Software without restriction, including without limitation the rights
+to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
+copies of the Software, and to permit persons to whom the Software is
+furnished to do so, subject to the following conditions:
+
+The above copyright notice and this permission notice shall be included in all
+copies or substantial portions of the Software.
+
+THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
+IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
+FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
+AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
+LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
+OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
+SOFTWARE.

package/skills/creative/creative-writing-craft/SKILL.md

@@ -1,91 +1,91 @@
----
-watermark: ORIRO
-disable-model-invocation: true
-name: creative-writing-craft
-provider: ORIRO.ai
-copyright: Copyright (c) 2026 ORIRO.ai
-description: >
-
-
-
-
-
-  Creative writing — narrative structure, character, dialogue, voice, point of view, and the revision process.
-
-  Sources: Open educational resources, Canva Design School, MIT OCW Architecture, design classics.
----
-
-# Creative Writing Craft
-
-## Story structure
-
-### The three-act structure
-
-Act 1 (25%): Introduce characters, world, and stakes. End with inciting incident that disrupts normal life.
-Act 2 (50%): Rising action. Character pursues goal. Obstacles increase. Midpoint shifts stakes. All seems lost at 75%.
-Act 3 (25%): Climax — character must change/choose. Resolution.
-
-### Story beats (Save the Cat — Blake Snyder)
-
-Opening image → Theme stated → Set-up → Catalyst → Debate → Break into 2 → B-story → Fun and Games → Midpoint → Bad guys close in → All is lost → Dark night of the soul → Break into 3 → Finale → Closing image.
-
-### Conflict types (story engine)
-
-**Person vs. Person:** External antagonist. Most visible conflict.
-**Person vs. Self:** Internal struggle. Deepest and most resonant.
-**Person vs. Nature/Society/Fate:** Larger forces.
-Best stories have multiple levels operating simultaneously.
-
-## Character
-
-**Want vs. Need:** What a character wants (external goal) vs. what they need (internal truth they must discover).
-Great stories = character achieves/fails at want AND discovers their need (or doesn't — tragic arc).
-
-**Ghost/wound:** The backstory event that created the character's flaw and misbelief.
-Flaw is not a weakness — it's a limitation that prevents them from getting what they need.
-
-**The lie the character believes:** False belief about themselves or the world that the story will challenge.
-Harry Potter's lie: "I'm nobody special."
-The story forces characters to confront and overcome (or not) their lie.
-
-**Character in scenes:** Show character through choices under pressure. Not description. Not backstory dumps.
-What does the character do when it costs them something? That's who they really are.
-
-## Point of view
-
-**First person:** "I went to the store." Intimate. Limited to narrator's knowledge.
-**Third person limited:** "She went to the store." Follows one character. Most flexible.
-**Third person omniscient:** Access to all characters' thoughts. Difficult to handle well. Creates distance.
-**Second person:** "You go to the store." Unusual, experimental. Used in some games/interactive fiction.
-**Rule:** Stay in chosen POV consistently. Head-hopping within scenes = unprofessional and confusing.
-
-## Dialogue
-
-**Purpose:** Reveals character, advances plot, creates conflict, conveys subtext.
-**Subtext:** What's NOT said. Characters rarely say what they mean. "Fine." can mean many things.
-**Read aloud test:** Clunky dialogue becomes obvious immediately.
-**Attribution:** Use "said" and "asked" as attribution verbs — invisible to readers. Avoid "exclaimed," "hissed," "interjected."
-**Beats:** Action beats replace attribution and anchor dialogue in physical reality.
-"I don't know about that." She picked up her coffee cup, turned it slowly.
-
-## Prose craft
-
-**Show, don't tell:** Don't report emotions — dramatize them.
-Telling: "She was angry."
-Showing: "She slapped the folder shut and shoved it across the table."
-
-**Specificity:** Concrete details beat abstractions. Not "a car" — "a 1978 Ford Ranger, rust-eaten at the wheel arches."
-
-**Sentence rhythm:** Vary sentence length. Short sentences create pace. Tension. Urgency. Longer sentences, with their subordinate clauses and qualifications, create a different rhythm, more meditative, allowing the reader to dwell.
-
-**Kill your darlings:** Your favorite sentences are often the ones that must go — too self-conscious, slowing the story.
-
-## Revision
-
-First drafts are not for readers. Revision is where writing happens.
-**Distance:** Time between draft and revision (days minimum; weeks better). Cannot see your own work clearly immediately.
-**Structure pass:** Does the story work at the macro level? Before fixing sentences.
-**Line edit:** After structure is solid. Prose craft, clarity, voice.
-**Read aloud:** Final pass. Catches rhythm problems, repetition, dialogue that doesn't sound human.
-
-Sources: Strunk & White "The Elements of Style" (public domain older editions), Stephen King "On Writing" (principles), Robert McKee "Story" (principles), Story Grid (public resources), Blake Snyder "Save the Cat" (principles)
+---
+watermark: ORIRO
+disable-model-invocation: true
+name: creative-writing-craft
+provider: ORIRO.ai
+copyright: Copyright (c) 2026 ORIRO.ai
+description: >
+
+
+
+
+
+  Creative writing — narrative structure, character, dialogue, voice, point of view, and the revision process.
+
+  Sources: Open educational resources, Canva Design School, MIT OCW Architecture, design classics.
+---
+
+# Creative Writing Craft
+
+## Story structure
+
+### The three-act structure
+
+Act 1 (25%): Introduce characters, world, and stakes. End with inciting incident that disrupts normal life.
+Act 2 (50%): Rising action. Character pursues goal. Obstacles increase. Midpoint shifts stakes. All seems lost at 75%.
+Act 3 (25%): Climax — character must change/choose. Resolution.
+
+### Story beats (Save the Cat — Blake Snyder)
+
+Opening image → Theme stated → Set-up → Catalyst → Debate → Break into 2 → B-story → Fun and Games → Midpoint → Bad guys close in → All is lost → Dark night of the soul → Break into 3 → Finale → Closing image.
+
+### Conflict types (story engine)
+
+**Person vs. Person:** External antagonist. Most visible conflict.
+**Person vs. Self:** Internal struggle. Deepest and most resonant.
+**Person vs. Nature/Society/Fate:** Larger forces.
+Best stories have multiple levels operating simultaneously.
+
+## Character
+
+**Want vs. Need:** What a character wants (external goal) vs. what they need (internal truth they must discover).
+Great stories = character achieves/fails at want AND discovers their need (or doesn't — tragic arc).
+
+**Ghost/wound:** The backstory event that created the character's flaw and misbelief.
+Flaw is not a weakness — it's a limitation that prevents them from getting what they need.
+
+**The lie the character believes:** False belief about themselves or the world that the story will challenge.
+Harry Potter's lie: "I'm nobody special."
+The story forces characters to confront and overcome (or not) their lie.
+
+**Character in scenes:** Show character through choices under pressure. Not description. Not backstory dumps.
+What does the character do when it costs them something? That's who they really are.
+
+## Point of view
+
+**First person:** "I went to the store." Intimate. Limited to narrator's knowledge.
+**Third person limited:** "She went to the store." Follows one character. Most flexible.
+**Third person omniscient:** Access to all characters' thoughts. Difficult to handle well. Creates distance.
+**Second person:** "You go to the store." Unusual, experimental. Used in some games/interactive fiction.
+**Rule:** Stay in chosen POV consistently. Head-hopping within scenes = unprofessional and confusing.
+
+## Dialogue
+
+**Purpose:** Reveals character, advances plot, creates conflict, conveys subtext.
+**Subtext:** What's NOT said. Characters rarely say what they mean. "Fine." can mean many things.
+**Read aloud test:** Clunky dialogue becomes obvious immediately.
+**Attribution:** Use "said" and "asked" as attribution verbs — invisible to readers. Avoid "exclaimed," "hissed," "interjected."
+**Beats:** Action beats replace attribution and anchor dialogue in physical reality.
+"I don't know about that." She picked up her coffee cup, turned it slowly.
+
+## Prose craft
+
+**Show, don't tell:** Don't report emotions — dramatize them.
+Telling: "She was angry."
+Showing: "She slapped the folder shut and shoved it across the table."
+
+**Specificity:** Concrete details beat abstractions. Not "a car" — "a 1978 Ford Ranger, rust-eaten at the wheel arches."
+
+**Sentence rhythm:** Vary sentence length. Short sentences create pace. Tension. Urgency. Longer sentences, with their subordinate clauses and qualifications, create a different rhythm, more meditative, allowing the reader to dwell.
+
+**Kill your darlings:** Your favorite sentences are often the ones that must go — too self-conscious, slowing the story.
+
+## Revision
+
+First drafts are not for readers. Revision is where writing happens.
+**Distance:** Time between draft and revision (days minimum; weeks better). Cannot see your own work clearly immediately.
+**Structure pass:** Does the story work at the macro level? Before fixing sentences.
+**Line edit:** After structure is solid. Prose craft, clarity, voice.
+**Read aloud:** Final pass. Catches rhythm problems, repetition, dialogue that doesn't sound human.
+
+Sources: Strunk & White "The Elements of Style" (public domain older editions), Stephen King "On Writing" (principles), Robert McKee "Story" (principles), Story Grid (public resources), Blake Snyder "Save the Cat" (principles)

package/skills/diagram-maker/SKILL.md

@@ -1,56 +1,56 @@
----
-provider: ORIRO.ai
-copyright: Copyright (c) 2026 ORIRO.ai
-watermark: ORIRO
-name: diagram-maker
-description: Create SVG/HTML or Excalidraw diagrams for concepts, architecture, flows, and whiteboards.
-metadata: { "oriro": { "emoji": "🧭" } }
----
-
-# Diagram Maker
-
-Create diagrams as artifacts, not prose. Choose one output mode:
-
-- `clean-svg`: educational concepts, physical systems, processes, lifecycle, simple data flow.
-- `architecture-svg`: software/cloud/infra topology, services, databases, queues, trust zones.
-- `excalidraw`: editable hand-drawn whiteboard, flowchart, sequence, architecture sketch.
-
-Routing
-
-- User wants editable/collaborative: choose Excalidraw.
-- User wants polished standalone browser output: choose SVG/HTML.
-- Software architecture with infra components: choose architecture SVG.
-- Science, product, process, concept map, physical object: choose clean SVG.
-- Unsure: ask one short question only if output format matters; otherwise choose clean SVG.
-
-Workflow
-
-1. Extract nodes, groups, labels, and directed relationships.
-2. Pick layout first: left-to-right, top-down, hub-spoke, swimlanes, layered stack, sequence.
-3. Keep labels short. Prefer 5-9 main elements over dense diagrams.
-4. Generate the file at the requested path, or `./diagram.html` / `./diagram.excalidraw`.
-5. Verify syntax by opening/parsing when feasible.
-
-SVG/HTML rules
-
-- Single standalone `.html` file with inline CSS and inline SVG.
-- No external fonts, JS, images, gradients, glows, decorative blobs, or remote assets.
-- Use semantic colors, not rainbow sequences: neutral, input, process, storage, external, risk.
-- Draw connectors before nodes so arrows sit behind boxes.
-- Every connector path has `fill="none"` and a marker arrow when directed.
-- Leave 24px text padding inside boxes; do not let text touch borders.
-- Legend only when symbols/colors are not obvious.
-
-SVG template
-
-Use `references/svg-template.md` as the wrapper and replace `<!-- SVG -->`.
-
-Excalidraw rules
-
-- Save `.excalidraw` JSON with `type`, `version`, `source`, `elements`, and `appState`.
-- Use bound text for shape labels. Do not use a nonstandard `label` property.
-- Keep bound text immediately after its container in the elements array.
-- Minimum labeled shape: 120x60. Minimum body text: 16px.
-- Use roughness `1`, `fontFamily: 1`, and simple fills.
-
-For exact Excalidraw element snippets, read `references/excalidraw-patterns.md`.
+---
+provider: ORIRO.ai
+copyright: Copyright (c) 2026 ORIRO.ai
+watermark: ORIRO
+name: diagram-maker
+description: Create SVG/HTML or Excalidraw diagrams for concepts, architecture, flows, and whiteboards.
+metadata: { "oriro": { "emoji": "🧭" } }
+---
+
+# Diagram Maker
+
+Create diagrams as artifacts, not prose. Choose one output mode:
+
+- `clean-svg`: educational concepts, physical systems, processes, lifecycle, simple data flow.
+- `architecture-svg`: software/cloud/infra topology, services, databases, queues, trust zones.
+- `excalidraw`: editable hand-drawn whiteboard, flowchart, sequence, architecture sketch.
+
+Routing
+
+- User wants editable/collaborative: choose Excalidraw.
+- User wants polished standalone browser output: choose SVG/HTML.
+- Software architecture with infra components: choose architecture SVG.
+- Science, product, process, concept map, physical object: choose clean SVG.
+- Unsure: ask one short question only if output format matters; otherwise choose clean SVG.
+
+Workflow
+
+1. Extract nodes, groups, labels, and directed relationships.
+2. Pick layout first: left-to-right, top-down, hub-spoke, swimlanes, layered stack, sequence.
+3. Keep labels short. Prefer 5-9 main elements over dense diagrams.
+4. Generate the file at the requested path, or `./diagram.html` / `./diagram.excalidraw`.
+5. Verify syntax by opening/parsing when feasible.
+
+SVG/HTML rules
+
+- Single standalone `.html` file with inline CSS and inline SVG.
+- No external fonts, JS, images, gradients, glows, decorative blobs, or remote assets.
+- Use semantic colors, not rainbow sequences: neutral, input, process, storage, external, risk.
+- Draw connectors before nodes so arrows sit behind boxes.
+- Every connector path has `fill="none"` and a marker arrow when directed.
+- Leave 24px text padding inside boxes; do not let text touch borders.
+- Legend only when symbols/colors are not obvious.
+
+SVG template
+
+Use `references/svg-template.md` as the wrapper and replace `<!-- SVG -->`.
+
+Excalidraw rules
+
+- Save `.excalidraw` JSON with `type`, `version`, `source`, `elements`, and `appState`.
+- Use bound text for shape labels. Do not use a nonstandard `label` property.
+- Keep bound text immediately after its container in the elements array.
+- Minimum labeled shape: 120x60. Minimum body text: 16px.
+- Use roughness `1`, `fontFamily: 1`, and simple fills.
+
+For exact Excalidraw element snippets, read `references/excalidraw-patterns.md`.