@oriro/orirocli 0.1.11 → 0.3.1

package/skills/creative/creative-photography/SKILL.md

@@ -1,87 +1,87 @@
----
-watermark: ORIRO
-disable-model-invocation: true
-name: creative-photography
-provider: ORIRO.ai
-copyright: Copyright (c) 2026 ORIRO.ai
-description: >
-
-
-  Photography — exposure triangle, composition, lighting, camera settings, and photo editing basics.
-
-
-
-
-  Sources: Open educational resources, Canva Design School, MIT OCW Architecture, design classics.
----
-
-# Photography
-
-## The exposure triangle
-
-Three settings that control exposure (how much light hits the sensor):
-
-**ISO:** Sensor sensitivity to light.
-Low ISO (100-400): Clean image. Use in good light.
-High ISO (1600+): Noisy/grainy image. Use when light is low.
-Exposure rule: Use lowest ISO that gives correct exposure.
-
-**Aperture (f-stop):** Size of lens opening. Controls light AND depth of field.
-f/1.4-f/2.8: Wide open. Lots of light. Shallow depth of field (background blur). Portraits.
-f/8-f/11: Small opening. Less light. Large depth of field. Landscapes.
-Counter-intuitive: Small f-number = wide aperture = more light.
-
-**Shutter speed:** How long sensor is exposed to light.
-Fast (1/500s+): Freezes motion. Sports. Needs good light.
-Slow (1/30s or slower): Blurs motion. Needs tripod to avoid camera shake.
-General rule: Shutter speed ≥ 1/focal length to avoid blur (1/50mm lens = 1/50s minimum).
-
-**Exposure triangle balance:** Changing one setting requires changing others to maintain correct exposure.
-Darker scene: Open aperture OR lower shutter speed OR raise ISO.
-Use aperture priority for control over depth of field.
-Use shutter priority for control over motion.
-
-## Composition
-
-**Rule of thirds:** Divide frame into 3×3 grid. Place subjects/horizon on the lines or intersections. More dynamic than dead center.
-**Leading lines:** Roads, fences, rivers that lead the eye through the frame.
-**Framing:** Use elements in the scene (door, window, trees) to frame the subject.
-**Foreground interest:** Include something close in landscape shots for depth.
-**Negative space:** Empty space around subject draws attention to subject.
-**Patterns and repetition:** Find them; then find one element that breaks them.
-**Golden hour:** 30-60 min after sunrise and before sunset. Warm, directional light. Best for most subjects.
-
-## Lighting
-
-**Direction:**
-Front light (on-axis): Flat, even, shows color. Lacks drama.
-Side light (90° off-axis): Reveals texture and shape. Dramatic.
-Back light (behind subject): Creates silhouette or rim light.
-**Quality:**
-Hard light (small source, direct sun): Sharp shadows, high contrast.
-Soft light (large source, overcast sky): Diffuse shadows, flattering for portraits.
-**Modify light:** Move closer to light source to make it relatively larger and softer. Reflector to fill shadows.
-
-## Camera basics
-
-**Auto vs. manual modes:**
-P (Program): Auto exposure, some control. Safe starting point.
-Av/A (Aperture Priority): You set aperture; camera sets shutter. Best for most situations.
-Tv/S (Shutter Priority): You set shutter; camera sets aperture.
-M (Manual): You control everything. Best when auto fails.
-
-**Focus:** Auto-focus modes: Single AF (static subjects), Continuous AF (moving subjects). Focus point selection matters.
-
-## Basic editing workflow
-
-**Exposure correction:** Fix overall brightness first.
-**White balance:** Correct color cast (too orange = tungsten; too blue = daylight/cool).
-**Shadows and highlights:** Recover detail in both.
-**Contrast:** Add punch but don't overdo.
-**Clarity:** Adds midtone contrast. Use sparingly.
-**Saturation vs. Vibrance:** Vibrance selectively boosts less-saturated colors. Safer than saturation.
-**Sharpening:** Moderate; only sharpen edges, not smooth areas.
-**Noise reduction:** Required for high-ISO images.
-**Crop and straighten:** Last step.
-
-Sources: Cambridge in Colour (cambridgeincolour.com — free, comprehensive), Digital Photography School (free), DPReview education (free), Scott Kelby Lightroom guides (principles)
+---
+watermark: ORIRO
+disable-model-invocation: true
+name: creative-photography
+provider: ORIRO.ai
+copyright: Copyright (c) 2026 ORIRO.ai
+description: >
+
+
+  Photography — exposure triangle, composition, lighting, camera settings, and photo editing basics.
+
+
+
+
+  Sources: Open educational resources, Canva Design School, MIT OCW Architecture, design classics.
+---
+
+# Photography
+
+## The exposure triangle
+
+Three settings that control exposure (how much light hits the sensor):
+
+**ISO:** Sensor sensitivity to light.
+Low ISO (100-400): Clean image. Use in good light.
+High ISO (1600+): Noisy/grainy image. Use when light is low.
+Exposure rule: Use lowest ISO that gives correct exposure.
+
+**Aperture (f-stop):** Size of lens opening. Controls light AND depth of field.
+f/1.4-f/2.8: Wide open. Lots of light. Shallow depth of field (background blur). Portraits.
+f/8-f/11: Small opening. Less light. Large depth of field. Landscapes.
+Counter-intuitive: Small f-number = wide aperture = more light.
+
+**Shutter speed:** How long sensor is exposed to light.
+Fast (1/500s+): Freezes motion. Sports. Needs good light.
+Slow (1/30s or slower): Blurs motion. Needs tripod to avoid camera shake.
+General rule: Shutter speed ≥ 1/focal length to avoid blur (1/50mm lens = 1/50s minimum).
+
+**Exposure triangle balance:** Changing one setting requires changing others to maintain correct exposure.
+Darker scene: Open aperture OR lower shutter speed OR raise ISO.
+Use aperture priority for control over depth of field.
+Use shutter priority for control over motion.
+
+## Composition
+
+**Rule of thirds:** Divide frame into 3×3 grid. Place subjects/horizon on the lines or intersections. More dynamic than dead center.
+**Leading lines:** Roads, fences, rivers that lead the eye through the frame.
+**Framing:** Use elements in the scene (door, window, trees) to frame the subject.
+**Foreground interest:** Include something close in landscape shots for depth.
+**Negative space:** Empty space around subject draws attention to subject.
+**Patterns and repetition:** Find them; then find one element that breaks them.
+**Golden hour:** 30-60 min after sunrise and before sunset. Warm, directional light. Best for most subjects.
+
+## Lighting
+
+**Direction:**
+Front light (on-axis): Flat, even, shows color. Lacks drama.
+Side light (90° off-axis): Reveals texture and shape. Dramatic.
+Back light (behind subject): Creates silhouette or rim light.
+**Quality:**
+Hard light (small source, direct sun): Sharp shadows, high contrast.
+Soft light (large source, overcast sky): Diffuse shadows, flattering for portraits.
+**Modify light:** Move closer to light source to make it relatively larger and softer. Reflector to fill shadows.
+
+## Camera basics
+
+**Auto vs. manual modes:**
+P (Program): Auto exposure, some control. Safe starting point.
+Av/A (Aperture Priority): You set aperture; camera sets shutter. Best for most situations.
+Tv/S (Shutter Priority): You set shutter; camera sets aperture.
+M (Manual): You control everything. Best when auto fails.
+
+**Focus:** Auto-focus modes: Single AF (static subjects), Continuous AF (moving subjects). Focus point selection matters.
+
+## Basic editing workflow
+
+**Exposure correction:** Fix overall brightness first.
+**White balance:** Correct color cast (too orange = tungsten; too blue = daylight/cool).
+**Shadows and highlights:** Recover detail in both.
+**Contrast:** Add punch but don't overdo.
+**Clarity:** Adds midtone contrast. Use sparingly.
+**Saturation vs. Vibrance:** Vibrance selectively boosts less-saturated colors. Safer than saturation.
+**Sharpening:** Moderate; only sharpen edges, not smooth areas.
+**Noise reduction:** Required for high-ISO images.
+**Crop and straighten:** Last step.
+
+Sources: Cambridge in Colour (cambridgeincolour.com — free, comprehensive), Digital Photography School (free), DPReview education (free), Scott Kelby Lightroom guides (principles)

package/skills/creative/creative-textile-science/LICENSE

@@ -1,21 +1,21 @@
-MIT License
-
-Copyright (c) 2026 ORIRO.ai
-
-Permission is hereby granted, free of charge, to any person obtaining a copy
-of this software and associated documentation files (the "Software"), to deal
-in the Software without restriction, including without limitation the rights
-to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
-copies of the Software, and to permit persons to whom the Software is
-furnished to do so, subject to the following conditions:
-
-The above copyright notice and this permission notice shall be included in all
-copies or substantial portions of the Software.
-
-THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
-IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
-FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
-AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
-LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
-OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
-SOFTWARE.
+MIT License
+
+Copyright (c) 2026 ORIRO.ai
+
+Permission is hereby granted, free of charge, to any person obtaining a copy
+of this software and associated documentation files (the "Software"), to deal
+in the Software without restriction, including without limitation the rights
+to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
+copies of the Software, and to permit persons to whom the Software is
+furnished to do so, subject to the following conditions:
+
+The above copyright notice and this permission notice shall be included in all
+copies or substantial portions of the Software.
+
+THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
+IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
+FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
+AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
+LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
+OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
+SOFTWARE.

package/skills/creative/creative-textile-science/SKILL.md

@@ -1,67 +1,67 @@
----
-watermark: ORIRO
-disable-model-invocation: true
-name: creative-textile-science
-provider: ORIRO.ai
-copyright: Copyright (c) 2026 ORIRO.ai
-description: >
-  Textile science — fiber types, fabric construction (weave and knit structures),
-  fabric properties, finishing processes, and sustainable textiles.
-  Sources: Textile Learner (free), AATCC education (free summaries).
----
-
-# Textile Science
-
-## Fiber classification
-
-### Natural fibers
-
-**Cotton:** Cellulose. Comfortable, breathable, absorbent. Wrinkles easily. Washable.
-**Linen:** Cellulose. Strong, crisp, cool. Wrinkles badly. Softens with washing.
-**Wool:** Protein (keratin). Excellent insulation. Natural crimp traps air. Felts if agitated wet.
-**Silk:** Protein (fibroin). Strongest natural fiber. Lustrous. Weakens in sunlight.
-**Cashmere:** Undercoat of Cashmere goat. Ultra-soft. 2-3 micron diameter.
-
-### Synthetic fibers
-
-**Polyester:** Most produced synthetic. Wrinkle-resistant, quick-drying. Hydrophobic.
-**Nylon:** Strong, elastic, abrasion-resistant. Hosiery, activewear.
-**Spandex/Elastane/Lycra:** 500-600% stretch and recovery. Always blended.
-**Viscose/Rayon:** Regenerated cellulose. Natural-feel but weak.
-**Lyocell/Tencel:** Most sustainable regenerated fiber. Closed-loop process.
-
-## Fabric construction
-
-### Weave structures
-
-**Plain weave:** Each warp thread alternates over/under each weft. Muslin, poplin.
-**Twill weave:** Diagonal rib visible. Denim (3×1 twill), chino, herringbone.
-**Satin weave:** Long float before interlacing. Smooth, lustrous. Charmeuse.
-
-### Knit structures
-
-**Jersey (single knit):** Most common T-shirt fabric. One face smooth, other looped.
-**Rib knit (1×1, 2×2):** High stretch and recovery. Cuffs, neckbands.
-**Interlock:** Double knit. Stable, smooth both sides.
-**French terry:** Loops on inside. Sweatshirts, joggers.
-
-## Fabric properties
-
-**Drapability:** How fabric falls. Silk chiffon drapes; canvas does not.
-**Hand:** Softness, crispness, roughness, warmth. Critical for fashion selection.
-
-## Finishing processes
-
-**Mercerization (cotton):** NaOH treatment. Increases luster, strength, dye uptake.
-**Sanforization:** Pre-shrinking. Max 1% residual shrinkage.
-**DWR coating:** Durable water repellent treatment.
-
-## Sustainable textiles
-
-**Organic cotton:** No synthetic pesticides. GOTS certified.
-**Recycled polyester (rPET):** From plastic bottles. Lower carbon footprint.
-**Linen:** Low water use, minimal pesticides. Biodegradable.
-**Greenwashing alert:** Bamboo viscose is NOT inherently sustainable.
-
-Sources: Textile Learner (textilearner.com — free articles), AATCC (free summaries),
-FTC Care Labeling requirements (free)
+---
+watermark: ORIRO
+disable-model-invocation: true
+name: creative-textile-science
+provider: ORIRO.ai
+copyright: Copyright (c) 2026 ORIRO.ai
+description: >
+  Textile science — fiber types, fabric construction (weave and knit structures),
+  fabric properties, finishing processes, and sustainable textiles.
+  Sources: Textile Learner (free), AATCC education (free summaries).
+---
+
+# Textile Science
+
+## Fiber classification
+
+### Natural fibers
+
+**Cotton:** Cellulose. Comfortable, breathable, absorbent. Wrinkles easily. Washable.
+**Linen:** Cellulose. Strong, crisp, cool. Wrinkles badly. Softens with washing.
+**Wool:** Protein (keratin). Excellent insulation. Natural crimp traps air. Felts if agitated wet.
+**Silk:** Protein (fibroin). Strongest natural fiber. Lustrous. Weakens in sunlight.
+**Cashmere:** Undercoat of Cashmere goat. Ultra-soft. 2-3 micron diameter.
+
+### Synthetic fibers
+
+**Polyester:** Most produced synthetic. Wrinkle-resistant, quick-drying. Hydrophobic.
+**Nylon:** Strong, elastic, abrasion-resistant. Hosiery, activewear.
+**Spandex/Elastane/Lycra:** 500-600% stretch and recovery. Always blended.
+**Viscose/Rayon:** Regenerated cellulose. Natural-feel but weak.
+**Lyocell/Tencel:** Most sustainable regenerated fiber. Closed-loop process.
+
+## Fabric construction
+
+### Weave structures
+
+**Plain weave:** Each warp thread alternates over/under each weft. Muslin, poplin.
+**Twill weave:** Diagonal rib visible. Denim (3×1 twill), chino, herringbone.
+**Satin weave:** Long float before interlacing. Smooth, lustrous. Charmeuse.
+
+### Knit structures
+
+**Jersey (single knit):** Most common T-shirt fabric. One face smooth, other looped.
+**Rib knit (1×1, 2×2):** High stretch and recovery. Cuffs, neckbands.
+**Interlock:** Double knit. Stable, smooth both sides.
+**French terry:** Loops on inside. Sweatshirts, joggers.
+
+## Fabric properties
+
+**Drapability:** How fabric falls. Silk chiffon drapes; canvas does not.
+**Hand:** Softness, crispness, roughness, warmth. Critical for fashion selection.
+
+## Finishing processes
+
+**Mercerization (cotton):** NaOH treatment. Increases luster, strength, dye uptake.
+**Sanforization:** Pre-shrinking. Max 1% residual shrinkage.
+**DWR coating:** Durable water repellent treatment.
+
+## Sustainable textiles
+
+**Organic cotton:** No synthetic pesticides. GOTS certified.
+**Recycled polyester (rPET):** From plastic bottles. Lower carbon footprint.
+**Linen:** Low water use, minimal pesticides. Biodegradable.
+**Greenwashing alert:** Bamboo viscose is NOT inherently sustainable.
+
+Sources: Textile Learner (textilearner.com — free articles), AATCC (free summaries),
+FTC Care Labeling requirements (free)

package/skills/creative/creative-ux/LICENSE

@@ -1,21 +1,21 @@
-MIT License
-
-Copyright (c) 2026 ORIRO.ai
-
-Permission is hereby granted, free of charge, to any person obtaining a copy
-of this software and associated documentation files (the "Software"), to deal
-in the Software without restriction, including without limitation the rights
-to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
-copies of the Software, and to permit persons to whom the Software is
-furnished to do so, subject to the following conditions:
-
-The above copyright notice and this permission notice shall be included in all
-copies or substantial portions of the Software.
-
-THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
-IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
-FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
-AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
-LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
-OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
-SOFTWARE.
+MIT License
+
+Copyright (c) 2026 ORIRO.ai
+
+Permission is hereby granted, free of charge, to any person obtaining a copy
+of this software and associated documentation files (the "Software"), to deal
+in the Software without restriction, including without limitation the rights
+to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
+copies of the Software, and to permit persons to whom the Software is
+furnished to do so, subject to the following conditions:
+
+The above copyright notice and this permission notice shall be included in all
+copies or substantial portions of the Software.
+
+THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
+IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
+FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
+AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
+LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
+OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
+SOFTWARE.

package/skills/creative/creative-ux/SKILL.md

@@ -1,81 +1,81 @@
----
-watermark: ORIRO
-name: creative-ux
-provider: ORIRO.ai
-copyright: Copyright (c) 2026 ORIRO.ai
-description: >
-
-  UX design — user research, information architecture, usability, accessibility, and human-centered design process.
-
-
-
-
-
-  Sources: Open educational resources, Canva Design School, MIT OCW Architecture, design classics.
----
-
-# UX Design
-
-## The UX design process
-
-**Discover → Define → Develop → Deliver** (Double Diamond)
-Or: **Empathize → Define → Ideate → Prototype → Test** (Design Thinking)
-
-## User research methods
-
-### Generative research (discover problems)
-
-**User interviews:** Semi-structured conversations. 45-60 minutes. Ask about behaviors, not preferences. "Tell me about the last time you..." not "Would you like a feature that...?"
-**Diary studies:** Participants document their own experiences over time. Captures context and patterns.
-**Ethnographic observation:** Watch people in their actual environment. Reveals what they don't think to mention.
-**Surveys:** Large-scale quantitative data. Good for measuring, not understanding.
-
-### Evaluative research (test solutions)
-
-**Usability testing:** Watch 5 real users attempt specific tasks. More than 5 gives diminishing returns (Nielsen's law: 5 users find 85% of usability problems).
-**A/B testing:** Compare two versions with real users. Need sufficient traffic for statistical validity.
-**Tree testing:** Test information architecture by having users navigate without visual design.
-**Card sorting:** Users group content into categories. Informs navigation structure.
-
-## Information architecture
-
-**Navigation patterns:**
-Hierarchical: Top nav → sub-nav → pages. Most common.
-Hub-and-spoke: Central hub with spokes to features (iOS apps).
-Flat: All pages accessible from everywhere. Works for small sites.
-Faceted: Multiple filtering dimensions (e-commerce).
-
-**Labeling:** Use the user's language, not company jargon. "My Bookings" not "Reservation Management."
-**Search:** Required when navigation won't find items or users have specific needs. Good search vs. good navigation are complementary.
-
-## Usability heuristics (Nielsen)
-
-1. Visibility of system status: Show what's happening.
-2. Match between system and real world: Speak users' language.
-3. User control and freedom: Easy undo/redo.
-4. Consistency and standards: Follow platform conventions.
-5. Error prevention: Design to prevent errors.
-6. Recognition over recall: Show options; don't make users remember.
-7. Flexibility and efficiency: Shortcuts for expert users.
-8. Aesthetic and minimal design: Remove irrelevant information.
-9. Help recognize, diagnose, recover from errors: Plain-language error messages.
-10. Help and documentation: Easy to search and focused on tasks.
-
-## Accessibility (WCAG 2.1 principles — POUR)
-
-**Perceivable:** Alt text for images. Captions for video. Sufficient color contrast. Text doesn't require color to understand.
-**Operable:** Keyboard navigation. Skip links. No keyboard traps. Enough time to read content.
-**Understandable:** Clear language. Consistent navigation. Input assistance (labels, error descriptions).
-**Robust:** Compatible with current and future assistive technologies.
-
-## Prototyping
-
-**Fidelity spectrum:**
-Paper sketches: Fastest, cheapest. Test concepts.
-Low-fi wireframes: Grayscale, no styling. Test layout and flow.
-High-fi mockups: Pixel-perfect. Test visual design.
-Interactive prototype: Clickable. Test interactions.
-**Rule:** Use the lowest fidelity that answers your current question.
-High-fi too early wastes time and invites feedback on aesthetics over structure.
-
-Sources: Nielsen Norman Group (nngroup.com — extensive free resources), IDEO Design Thinking (designkit.org — free), Interaction Design Foundation (interaction-design.org), WCAG guidelines (w3.org/WAI — free)
+---
+watermark: ORIRO
+name: creative-ux
+provider: ORIRO.ai
+copyright: Copyright (c) 2026 ORIRO.ai
+description: >
+
+  UX design — user research, information architecture, usability, accessibility, and human-centered design process.
+
+
+
+
+
+  Sources: Open educational resources, Canva Design School, MIT OCW Architecture, design classics.
+---
+
+# UX Design
+
+## The UX design process
+
+**Discover → Define → Develop → Deliver** (Double Diamond)
+Or: **Empathize → Define → Ideate → Prototype → Test** (Design Thinking)
+
+## User research methods
+
+### Generative research (discover problems)
+
+**User interviews:** Semi-structured conversations. 45-60 minutes. Ask about behaviors, not preferences. "Tell me about the last time you..." not "Would you like a feature that...?"
+**Diary studies:** Participants document their own experiences over time. Captures context and patterns.
+**Ethnographic observation:** Watch people in their actual environment. Reveals what they don't think to mention.
+**Surveys:** Large-scale quantitative data. Good for measuring, not understanding.
+
+### Evaluative research (test solutions)
+
+**Usability testing:** Watch 5 real users attempt specific tasks. More than 5 gives diminishing returns (Nielsen's law: 5 users find 85% of usability problems).
+**A/B testing:** Compare two versions with real users. Need sufficient traffic for statistical validity.
+**Tree testing:** Test information architecture by having users navigate without visual design.
+**Card sorting:** Users group content into categories. Informs navigation structure.
+
+## Information architecture
+
+**Navigation patterns:**
+Hierarchical: Top nav → sub-nav → pages. Most common.
+Hub-and-spoke: Central hub with spokes to features (iOS apps).
+Flat: All pages accessible from everywhere. Works for small sites.
+Faceted: Multiple filtering dimensions (e-commerce).
+
+**Labeling:** Use the user's language, not company jargon. "My Bookings" not "Reservation Management."
+**Search:** Required when navigation won't find items or users have specific needs. Good search vs. good navigation are complementary.
+
+## Usability heuristics (Nielsen)
+
+1. Visibility of system status: Show what's happening.
+2. Match between system and real world: Speak users' language.
+3. User control and freedom: Easy undo/redo.
+4. Consistency and standards: Follow platform conventions.
+5. Error prevention: Design to prevent errors.
+6. Recognition over recall: Show options; don't make users remember.
+7. Flexibility and efficiency: Shortcuts for expert users.
+8. Aesthetic and minimal design: Remove irrelevant information.
+9. Help recognize, diagnose, recover from errors: Plain-language error messages.
+10. Help and documentation: Easy to search and focused on tasks.
+
+## Accessibility (WCAG 2.1 principles — POUR)
+
+**Perceivable:** Alt text for images. Captions for video. Sufficient color contrast. Text doesn't require color to understand.
+**Operable:** Keyboard navigation. Skip links. No keyboard traps. Enough time to read content.
+**Understandable:** Clear language. Consistent navigation. Input assistance (labels, error descriptions).
+**Robust:** Compatible with current and future assistive technologies.
+
+## Prototyping
+
+**Fidelity spectrum:**
+Paper sketches: Fastest, cheapest. Test concepts.
+Low-fi wireframes: Grayscale, no styling. Test layout and flow.
+High-fi mockups: Pixel-perfect. Test visual design.
+Interactive prototype: Clickable. Test interactions.
+**Rule:** Use the lowest fidelity that answers your current question.
+High-fi too early wastes time and invites feedback on aesthetics over structure.
+
+Sources: Nielsen Norman Group (nngroup.com — extensive free resources), IDEO Design Thinking (designkit.org — free), Interaction Design Foundation (interaction-design.org), WCAG guidelines (w3.org/WAI — free)

package/skills/creative/creative-video/LICENSE

@@ -1,21 +1,21 @@
-MIT License
-
-Copyright (c) 2026 ORIRO.ai
-
-Permission is hereby granted, free of charge, to any person obtaining a copy
-of this software and associated documentation files (the "Software"), to deal
-in the Software without restriction, including without limitation the rights
-to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
-copies of the Software, and to permit persons to whom the Software is
-furnished to do so, subject to the following conditions:
-
-The above copyright notice and this permission notice shall be included in all
-copies or substantial portions of the Software.
-
-THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
-IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
-FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
-AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
-LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
-OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
-SOFTWARE.
+MIT License
+
+Copyright (c) 2026 ORIRO.ai
+
+Permission is hereby granted, free of charge, to any person obtaining a copy
+of this software and associated documentation files (the "Software"), to deal
+in the Software without restriction, including without limitation the rights
+to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
+copies of the Software, and to permit persons to whom the Software is
+furnished to do so, subject to the following conditions:
+
+The above copyright notice and this permission notice shall be included in all
+copies or substantial portions of the Software.
+
+THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
+IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
+FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
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+SOFTWARE.