@oh-story/dsh 0.1.14 → 0.1.16

This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
Files changed (533) hide show
  1. package/README.md +12 -10
  2. package/lib/drama/manifest.json +284 -364
  3. package/lib/drama/skills/short-drama/SKILL.md +13 -14
  4. package/lib/drama/skills/short-drama/agents/openai.yaml +1 -1
  5. package/lib/drama/skills/short-drama/references/audience-reveal.md +4 -4
  6. package/lib/drama/skills/short-drama/references/contract-and-ownership.md +2 -2
  7. package/lib/drama/skills/short-drama/references/creator-documents.md +12 -10
  8. package/lib/drama/skills/short-drama/references/creator-workflow.md +6 -5
  9. package/lib/drama/skills/short-drama/references/form-cards/Q/347/211/210/350/241/250/350/276/276.md +8 -8
  10. package/lib/drama/skills/short-drama/references/form-cards//344/272/214/347/273/264/345/212/250/346/200/201/346/274/253.md +5 -5
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  15. package/lib/drama/skills/short-drama/references/knowhow-index.md +6 -7
  16. package/lib/drama/skills/short-drama/references/look-development.md +5 -7
  17. package/lib/drama/skills/short-drama/references/pickup-and-alternate.md +6 -3
  18. package/lib/drama/skills/short-drama/references/production-form-profiles.md +14 -16
  19. package/lib/drama/skills/short-drama/references/reference-roles.md +5 -3
  20. package/lib/drama/skills/short-drama/references/runtime-preflight.md +2 -1
  21. package/lib/drama/skills/short-drama-assets/SKILL.md +8 -8
  22. package/lib/drama/skills/short-drama-assets/agents/openai.yaml +1 -1
  23. package/lib/drama/skills/short-drama-assets/references/asset-review-checklist.md +26 -27
  24. package/lib/drama/skills/short-drama-assets/references/character-and-look.md +22 -22
  25. package/lib/drama/skills/short-drama-assets/references/continuity-delta.md +4 -4
  26. package/lib/drama/skills/short-drama-assets/references/continuity-lock.md +4 -4
  27. package/lib/drama/skills/short-drama-assets/references/era-anchors.md +3 -3
  28. package/lib/drama/skills/short-drama-assets/references/identity-vs-variant.md +5 -5
  29. package/lib/drama/skills/short-drama-assets/references/location-and-view.md +6 -7
  30. package/lib/drama/skills/short-drama-assets/references/occurrence-extraction.md +8 -9
  31. package/lib/drama/skills/short-drama-assets/references/prop-and-state.md +8 -11
  32. package/lib/drama/skills/short-drama-assets/references/voice-direction.md +22 -22
  33. package/lib/drama/skills/short-drama-develop/SKILL.md +6 -6
  34. package/lib/drama/skills/short-drama-develop/agents/openai.yaml +1 -1
  35. package/lib/drama/skills/short-drama-develop/assets/creative-brief.md +2 -2
  36. package/lib/drama/skills/short-drama-develop/assets/story-engine.md +2 -2
  37. package/lib/drama/skills/short-drama-develop/references/adaptation-craft.md +13 -12
  38. package/lib/drama/skills/short-drama-develop/references/creative-reference-intake.md +7 -7
  39. package/lib/drama/skills/short-drama-develop/references/director-brief-craft.md +7 -8
  40. package/lib/drama/skills/short-drama-develop/references/episode-design.md +20 -24
  41. package/lib/drama/skills/short-drama-develop/references/genre-and-hook-playbook.md +7 -7
  42. package/lib/drama/skills/short-drama-develop/references/genre-cards//344/272/262/345/255/220/351/232/220/347/247/230.md +4 -5
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  49. package/lib/drama/skills/short-drama-develop/references/genre-cards//347/224/237/346/264/273/346/265/201.md +1 -1
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  56. package/lib/drama/skills/short-drama-develop/references/mechanism-loop.md +6 -7
  57. package/lib/drama/skills/short-drama-develop/references/multi-episode-intake.md +19 -17
  58. package/lib/drama/skills/short-drama-develop/references/premise-devices.md +5 -5
  59. package/lib/drama/skills/short-drama-develop/references/reveal-reversal-payoff.md +6 -5
  60. package/lib/drama/skills/short-drama-develop/references/serial-character-and-memory.md +3 -4
  61. package/lib/drama/skills/short-drama-develop/references/stage-contract.md +7 -9
  62. package/lib/drama/skills/short-drama-develop/references/story-craft.md +8 -10
  63. package/lib/drama/skills/short-drama-edit/SKILL.md +11 -14
  64. package/lib/drama/skills/short-drama-edit/assets/remotion/README.md +12 -19
  65. package/lib/drama/skills/short-drama-edit/assets//345/211/252/350/276/221/345/215/225.md +2 -2
  66. package/lib/drama/skills/short-drama-edit/references/cut-craft.md +5 -4
  67. package/lib/drama/skills/short-drama-edit/references/generated-footage.md +1 -1
  68. package/lib/drama/skills/short-drama-edit/references/sound-and-subtitles.md +6 -4
  69. package/lib/drama/skills/short-drama-edit/references/stage-contract.md +5 -5
  70. package/lib/drama/skills/short-drama-edit/references/still-cuts.md +1 -1
  71. package/lib/drama/skills/short-drama-image-prompts/SKILL.md +7 -2
  72. package/lib/drama/skills/short-drama-image-prompts/agents/openai.yaml +1 -1
  73. package/lib/drama/skills/short-drama-image-prompts/references/character-and-look.md +4 -5
  74. package/lib/drama/skills/short-drama-image-prompts/references/common-recipe.md +17 -17
  75. package/lib/drama/skills/short-drama-image-prompts/references/edit-and-revision.md +10 -9
  76. package/lib/drama/skills/short-drama-image-prompts/references/location-plate.md +11 -12
  77. package/lib/drama/skills/short-drama-image-prompts/references/look-and-state-variant.md +6 -5
  78. package/lib/drama/skills/short-drama-image-prompts/references/lookdev-frame.md +2 -2
  79. package/lib/drama/skills/short-drama-image-prompts/references/production-sheet-recipes.md +6 -6
  80. package/lib/drama/skills/short-drama-image-prompts/references/prop-plate.md +8 -8
  81. package/lib/drama/skills/short-drama-image-prompts/references/review-and-fixtures.md +5 -4
  82. package/lib/drama/skills/short-drama-novel-analyze/SKILL.md +17 -24
  83. package/lib/drama/skills/short-drama-novel-analyze/references/adaptation-triage.md +3 -4
  84. package/lib/drama/skills/short-drama-novel-analyze/references/adaptation-value.md +5 -10
  85. package/lib/drama/skills/short-drama-novel-analyze/references/aggregation-and-entities.md +4 -6
  86. package/lib/drama/skills/short-drama-novel-analyze/references/chapter-extraction.md +9 -13
  87. package/lib/drama/skills/short-drama-novel-analyze/references/stage-contract.md +3 -7
  88. package/lib/drama/skills/short-drama-produce/SKILL.md +43 -42
  89. package/lib/drama/skills/short-drama-produce/agents/openai.yaml +1 -1
  90. package/lib/drama/skills/short-drama-produce/references/adapter-contract.md +31 -18
  91. package/lib/drama/skills/short-drama-produce/references/providers/gpt-image-2.md +1 -1
  92. package/lib/drama/skills/short-drama-produce/references/providers/minimax-h3-video.md +11 -6
  93. package/lib/drama/skills/short-drama-produce/references/providers/minimax-music.md +2 -2
  94. package/lib/drama/skills/short-drama-produce/references/providers/minimax-speech.md +7 -5
  95. package/lib/drama/skills/short-drama-produce/references/providers/seedance.md +14 -8
  96. package/lib/drama/skills/short-drama-review/SKILL.md +9 -9
  97. package/lib/drama/skills/short-drama-review/agents/openai.yaml +1 -1
  98. package/lib/drama/skills/short-drama-review/references/anti-template-repair.md +10 -11
  99. package/lib/drama/skills/short-drama-review/references/production-quality-gates.md +24 -23
  100. package/lib/drama/skills/short-drama-review/references/project-calibration.md +17 -16
  101. package/lib/drama/skills/short-drama-review/references/review-method.md +8 -6
  102. package/lib/drama/skills/short-drama-review/references/rubric-assets-prompts.md +7 -6
  103. package/lib/drama/skills/short-drama-review/references/rubric-source-analysis.md +17 -10
  104. package/lib/drama/skills/short-drama-review/references/rubric-story-script.md +29 -25
  105. package/lib/drama/skills/short-drama-review/references/rubric-visual-motion.md +11 -11
  106. package/lib/drama/skills/short-drama-review/references/stage-contract.md +3 -2
  107. package/lib/drama/skills/short-drama-storyboard/SKILL.md +8 -10
  108. package/lib/drama/skills/short-drama-storyboard/agents/openai.yaml +1 -1
  109. package/lib/drama/skills/short-drama-storyboard/references/blocking-playbooks.md +8 -11
  110. package/lib/drama/skills/short-drama-storyboard/references/comic-keyframe-lexicon.md +11 -12
  111. package/lib/drama/skills/short-drama-storyboard/references/coverage-audition.md +4 -5
  112. package/lib/drama/skills/short-drama-storyboard/references/keyframe-craft.md +19 -24
  113. package/lib/drama/skills/short-drama-storyboard/references/lighting-craft.md +1 -1
  114. package/lib/drama/skills/short-drama-storyboard/references/production-shot-grammar.md +26 -29
  115. package/lib/drama/skills/short-drama-storyboard/references/review-and-fixtures.md +6 -5
  116. package/lib/drama/skills/short-drama-storyboard/references/scene-visual-plan.md +2 -2
  117. package/lib/drama/skills/short-drama-storyboard/references/screenplay-to-keyframe-example.md +4 -4
  118. package/lib/drama/skills/short-drama-storyboard/references/shot-craft.md +8 -8
  119. package/lib/drama/skills/short-drama-storyboard/references/shot-revision-identity.md +3 -3
  120. package/lib/drama/skills/short-drama-video-prompts/SKILL.md +10 -7
  121. package/lib/drama/skills/short-drama-video-prompts/agents/openai.yaml +1 -1
  122. package/lib/drama/skills/short-drama-video-prompts/references/camera-audio-continuity.md +63 -61
  123. package/lib/drama/skills/short-drama-video-prompts/references/delivery-profile.md +20 -18
  124. package/lib/drama/skills/short-drama-video-prompts/references/generability.md +12 -12
  125. package/lib/drama/skills/short-drama-video-prompts/references/minimax-h3.md +4 -3
  126. package/lib/drama/skills/short-drama-video-prompts/references/motion-recipe.md +38 -40
  127. package/lib/drama/skills/short-drama-video-prompts/references/performance-action-timing.md +36 -36
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  130. package/lib/drama/skills/short-drama-video-prompts/references/seedance-2.0.md +1 -1
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  133. package/lib/drama/skills/short-drama-video-prompts/references/wan-3.0.md +2 -1
  134. package/lib/drama/skills/short-drama-write/SKILL.md +15 -15
  135. package/lib/drama/skills/short-drama-write/agents/openai.yaml +1 -1
  136. package/lib/drama/skills/short-drama-write/assets/screenplay.md +3 -4
  137. package/lib/drama/skills/short-drama-write/references/dialogue-craft.md +20 -22
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  145. package/lib/index.js +80 -17
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  147. package/lib/novel-to-game/README.md +8 -9
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  149. package/lib/novel-to-game/manifest.json +19 -19
  150. package/lib/novel-to-game/skills/game-art-direction/SKILL.md +2 -2
  151. package/lib/novel-to-game/skills/game-build/SKILL.md +2 -0
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  154. package/lib/novel-to-game/skills/game-world-design/SKILL.md +1 -1
  155. package/lib/novel-to-game/skills/game-world-design/agents/openai.yaml +1 -1
  156. package/lib/novel-to-game/skills/novel-to-game/references/intake-method.md +4 -4
  157. package/lib/oh-story/manifest.json +676 -676
  158. package/lib/oh-story/roles/chapter-extractor.md +10 -10
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@@ -11,7 +11,7 @@ source: local_longform_sample_derived
11
11
  写豪门总裁时,核心放在亲密关系里的权力差、误会、契约、公开身份和安全感。奢侈品只做能改变局势的抓手。每章要让关系发生可见变化:靠近、退开、试探、护短、吃醋、揭身份、把分寸说清或旧误会加深。甜点和虐点都要落到具体场景。
12
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13
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  ## 开场抓手
14
- - 优先用家庭逼迫、婚约契约、酒店医院、相亲宴会、手机热搜、公司公开场切入。
14
+ - 优先用家庭逼迫、婚约契约、酒店、医院、相亲或宴会、手机热搜、公司公开场切入。
15
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  - 第一场要有关系压力,别先写豪门陈设。
16
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  - 男强女强或强弱差都可以,但弱位一方要有选择和反击,不做纯被摆布道具。
17
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@@ -22,7 +22,7 @@ source: local_longform_sample_derived
22
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  女频爽点常来自当众维护、分寸确认、恶意者失算、资源转向女主、男主从冷到偏爱。释放时写动作和场内反应,少用“安全感拉满”这类总结。
23
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24
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  ## 对话与声线
25
- 霸总可以短、稳、克制,但不能只会命令。女主台词要有自尊和限制。亲密戏对话重潜台词:不全说破,用停顿、转移话题、反问、嘴硬承接情绪。
25
+ 霸总可以短、稳、克制,但不能只会命令。女主台词要体现自尊和关系界限。亲密戏对话重潜台词:不全说破,用停顿、转移话题、反问、嘴硬承接情绪。
26
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27
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  ## 章尾钩子
28
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  适合用身份暴露、旧人出现、热搜爆料、家族电话、契约条款反噬、男主公开站队收尾。钩子要继续压关系,别只换一个新误会。
@@ -50,4 +50,4 @@ source: local_longform_sample_derived
50
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  ## 证据摘要
51
51
  样本说明:本地同题材长篇样本,可用 4457 本;抽样 24 本,前/中/后章节段 24/24/24,共 72 个。
52
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  正文参考:段落中位约 23.0 字,对话约占 31%,系统/面板提示约 8%。
53
- 使用提醒:只作题材参考,帮你抓常见场面和前中后写法;本书设定与同题材对标仍优先。
53
+ 使用提醒:常见场面和阶段写法只作题材参考;本书设定与同题材对标优先。
@@ -33,8 +33,8 @@ source: local_longform_sample_derived
33
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34
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  ## 前中后期打法
35
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  - 前期:用医院、古玩、家族羞辱、灵气异常或救人现场让现代规则撞上修真能力。
36
- - 中期:围绕法器线索、病情反转、钱、账资源和仇家上门推进,能力越强越要有限制。
37
- - 后期:把现代势力、修炼资源和旧仇合并清算,结尾留更高修士或资源源头。
36
+ - 中期:围绕法器线索、病情反转、钱款、修炼资源和仇家上门推进,能力越强越要有限制。
37
+ - 后期:把现代势力、修炼资源和旧仇合并清算,结尾留更高境界的修士或资源源头。
38
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  ## 节奏密度
40
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  每章一半以上篇幅留在现实问题上,修真能力只解决当前卡点并引出更高层麻烦。
@@ -48,4 +48,4 @@ source: local_longform_sample_derived
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  ## 证据摘要
49
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  样本说明:本地同题材长篇样本,可用 893 本;抽样 24 本,前/中/后章节段 24/24/24,共 72 个。
50
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  正文参考:段落中位约 25.8 字,对话约占 28%。
51
- 使用提醒:只作题材参考,帮你抓常见场面和前中后写法;本书设定与同题材对标仍优先。
51
+ 使用提醒:常见场面和阶段写法只作题材参考;本书设定与同题材对标优先。
@@ -8,7 +8,7 @@ source: local_longform_sample_derived
8
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  # 都市日常正文提示卡
9
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10
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  ## 正文提示词
11
- 写都市日常时,正文要让普通小事带出关系、钱、职业、家庭和身份变化。主线围绕一个清楚的生活目标推进:创业翻身、家庭修复、小店经营、社区治愈、职业转稳都可以。读者看的是生活一点点变好的确定感,大事件密度反而靠后。每章安排一个可见生活问题,再让主角的选择让关系或处境前进一步。
11
+ 写都市日常时,正文要让普通小事带出关系、钱、职业、家庭和身份变化。主线围绕一个清楚的生活目标推进:创业翻身、家庭修复、小店经营、社区治愈、职业转稳都可以。读者看的是生活一点点变好的确定感,大事件的密度不必高。每章安排一个可见生活问题,再通过主角的选择推动关系或处境前进一步。
12
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13
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  ## 开场抓手
14
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  - 用手机消息、吃饭接送、账单、工作班级、邻里亲友误会、家庭小争执切入。
@@ -50,4 +50,4 @@ source: local_longform_sample_derived
50
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  ## 证据摘要
51
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  样本说明:本地同题材长篇样本,可用 1572 本;抽样 24 本,前/中/后章节段 24/24/24,共 72 个。
52
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  正文参考:段落中位约 21.8 字,对话约占 30%。
53
- 使用提醒:只作题材参考,帮你抓常见场面和前中后写法;本书设定与同题材对标仍优先。
53
+ 使用提醒:常见场面和阶段写法只作题材参考;本书设定与同题材对标优先。
@@ -8,13 +8,13 @@ source: local_longform_sample_derived
8
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  # 都市种田正文提示卡
9
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  ## 正文提示词
11
- 写都市种田时,把家庭、土地/门店/产品、钱、邻里和身份变化写成经营循环。爽点来自一点点把生活盘活,并被身边人看见。
11
+ 写都市种田时,围绕土地/门店/产品展开经营循环,让收益牵动家庭、邻里和身份变化。爽点来自一点点把生活盘活,并被身边人看见。
12
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  ## 开场抓手
14
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  下岗/离婚、门店亏损、邻里关系、孩子/家人心声、第一笔生意、产品试卖都适合切入。
15
15
 
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  ## 冲突发动机
17
- 低资源起点 + 经营机会 + 家庭关系压力。每章至少推进一个资源、口碑或关系位置。
17
+ 低资源起点 + 经营机会 + 家庭关系压力。每章至少推进一项资源、口碑或关系处境的变化。
18
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19
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  ## 爽点与情绪释放
20
20
  释放来自第一笔利润、产品被认可、家人安心、邻里改口、竞争对手失算。经营爽点要能算账,也要有人情反馈。
@@ -48,4 +48,4 @@ source: local_longform_sample_derived
48
48
  ## 证据摘要
49
49
  样本说明:本地同题材长篇样本,可用 451 本;抽样 24 本,前/中/后章节段 24/24/24,共 72 个。
50
50
  正文参考:段落中位约 25.0 字,对话约占 33%。
51
- 使用提醒:只作题材参考,帮你抓常见场面和前中后写法;本书设定与同题材对标仍优先。
51
+ 使用提醒:常见场面和阶段写法只作题材参考;本书设定与同题材对标优先。
@@ -12,7 +12,7 @@ source: local_longform_sample_derived
12
12
 
13
13
  ## 开场抓手
14
14
  - 用欠钱、离婚、退队、被嘲、求职失败、亲戚压力、手机消息等低门槛困境切入。
15
- - 金手指不要先讲说明书,先给一次能被现实场景验证的小见结果。
15
+ - 金手指不要先讲说明书,先给一次能被现实场景验证的小结果。
16
16
  - 若有系统面板,面板只给目标、奖励、限制三件事,立刻回到角色反应。
17
17
 
18
18
  ## 冲突发动机
@@ -36,10 +36,10 @@ source: local_longform_sample_derived
36
36
  ## 前中后期打法
37
37
  - 前期:用系统提示、手机消息、家庭/职场尴尬或公开评价让脑洞规则第一次改变现实收益。
38
38
  - 中期:围绕任务代价、钱和收益、关系误会和公开反馈推进,规则越爽越要给限制。
39
- - 后期:把奖励异常、热搜发酵和身份漏洞合并,结尾落到新任务或更大公开评价。
39
+ - 后期:把奖励异常、热搜发酵和身份漏洞合并,结尾落到新任务或更广范围的公开评价。
40
40
 
41
41
  ## 节奏密度
42
- 每章至少有一次规则小见结果和一次外部反馈。面板信息越长,现实反应越要具体,否则会变成自嗨。
42
+ 每章至少有一次规则生效的小结果和一次外部反馈。面板信息越长,现实反应越要具体,否则会变成自嗨。
43
43
 
44
44
  ## 本章取舍
45
45
  系统信息压短,现实反馈放大;设定用到哪写到哪。跨题材时,都市脑洞只承担“新规则改写现实”的主干,别抢走情感线或悬疑线的主节奏。
@@ -50,4 +50,4 @@ source: local_longform_sample_derived
50
50
  ## 证据摘要
51
51
  样本说明:本地同题材长篇样本,可用 1837 本;抽样 24 本,前/中/后章节段 24/24/24,共 72 个。
52
52
  正文参考:段落中位约 21.5 字,对话约占 32%,系统/面板提示约 10%。
53
- 使用提醒:只作题材参考,帮你抓常见场面和前中后写法;本书设定与同题材对标仍优先。
53
+ 使用提醒:常见场面和阶段写法只作题材参考;本书设定与同题材对标优先。
@@ -8,7 +8,7 @@ source: local_longform_sample_derived
8
8
  # 都市高武正文提示卡
9
9
 
10
10
  ## 正文提示词
11
- 写都市高武时,要把现代生活压力和超凡危险绑在一起。学校、家庭、城市秩序、职业考试、序列等级、异常灾害都要变成能力见效后的的现实后果。爽点落在被看轻的主角解决别人解决不了的危险。
11
+ 写都市高武时,要把现代生活压力和超凡危险绑在一起。能力见效后,要写出学校、家庭、城市秩序、职业考试和序列等级受到的影响,以及异常灾害中的破局结果。爽点落在被看轻的主角解决别人解决不了的危险。
12
12
 
13
13
  ## 开场抓手
14
14
  - 用异常事故、天赋检测、校园/训练场压力、家庭负担、官方通报、职业考试切入。
@@ -35,7 +35,7 @@ source: local_longform_sample_derived
35
35
 
36
36
  ## 前中后期打法
37
37
  - 前期:用体测、武考、异兽警报、训练馆或排名刷新压出战力差距和资源名额。
38
- - 中期:围绕训练收益、补给资源、公开评测和危险、事故、案件推进,升级要有可见测量。
38
+ - 中期:围绕训练收益、补给资源、公开评测,以及危险事故或案件推进,升级要有可见测量。
39
39
  - 后期:把榜单变化、强者关注和异兽入侵推到明面上见结果,结尾留新训练资格或战场召唤。
40
40
 
41
41
  ## 节奏密度
@@ -50,4 +50,4 @@ source: local_longform_sample_derived
50
50
  ## 证据摘要
51
51
  样本说明:本地同题材长篇样本,可用 1695 本;抽样 24 本,前/中/后章节段 24/24/24,共 72 个。
52
52
  正文参考:段落中位约 26.0 字,对话约占 27%,系统/面板提示约 12%。
53
- 使用提醒:只作题材参考,帮你抓常见场面和前中后写法;本书设定与同题材对标仍优先。
53
+ 使用提醒:常见场面和阶段写法只作题材参考;本书设定与同题材对标优先。
@@ -32,7 +32,7 @@ source: local_longform_sample_derived
32
32
  开场落到班级、宿舍、考试、社团、校门口或一条消息;冲突落到误会、竞争和青春期面子;结尾落到约定、公开围观、成绩/比赛变化或暧昧证据。
33
33
 
34
34
  ## 前中后期打法
35
- - 前期:用班级、宿舍、考试、社团、校门口或一条消息制造误会和青春期面子。
35
+ - 前期:用班级、宿舍、考试、社团、校门口或一条消息制造误会,逼出青春期爱面子的反应。
36
36
  - 中期:围绕成绩/比赛、同学围观、约定落地和小吃醋推进,甜点要和具体事件绑定。
37
37
  - 后期:把公开围观、成绩变化和暧昧证据合并,结尾留下一次约定或关系被同学看见。
38
38
 
@@ -40,7 +40,7 @@ source: local_longform_sample_derived
40
40
  每章一个小压力、一个小靠近、一个未说破的余波。甜点短而准,关系变化要能被下一章继承。
41
41
 
42
42
  ## 本章取舍
43
- 校园规则和同龄人围观不能消失。若本章重撒糖,就留一个考试、家长或同学误会压力;若重冲突,就给读者一个关系安全感回扣。
43
+ 校园规则和同龄人围观不能消失。若本章重撒糖,就留一个考试、家长或同学误会压力;若重冲突,就用一次维护或靠近,回扣关系的安全感。
44
44
 
45
45
  ## 禁止漂移
46
46
  不要只写脸红心跳;不要连续撒糖没有外部压力;不要成人化油腻;不要让校园规则消失。
@@ -48,4 +48,4 @@ source: local_longform_sample_derived
48
48
  ## 证据摘要
49
49
  样本说明:本地同题材长篇样本,可用 143 本;抽样 24 本,前/中/后章节段 24/24/24,共 72 个。
50
50
  正文参考:段落中位约 26.8 字,对话约占 24%,系统/面板提示约 8%。
51
- 使用提醒:只作题材参考,帮你抓常见场面和前中后写法;本书设定与同题材对标仍优先。
51
+ 使用提醒:常见场面和阶段写法只作题材参考;本书设定与同题材对标优先。
@@ -1,6 +1,6 @@
1
1
  # 题材正文提示词卡索引
2
2
 
3
- > 本文只做**索引与召回规范**,每个题材的正文提示词已拆到同目录的 `genre-prose-cards/` 下。
3
+ > 按题材查阅 `genre-prose-cards/` 中的单卡;正文的自动匹配入口见下方召回规则。
4
4
 
5
5
  ---
6
6
 
@@ -10,21 +10,21 @@
10
10
 
11
11
  - 通用正文要求只维护一份:严格消费细纲,按情节点义务写,缓慢推进,严禁提前写后续剧情,写完做确定性字数、钩子、禁用词、退化校验。
12
12
  - 题材卡只管题材层稳定核心:世界观/生活逻辑、读者期待、核心爽点/情绪、常见场面、常见钩子和禁止漂移。
13
- - 本书文风只管句长、标点、潜台词、锚点片段和笔调;它不覆盖题材卡,也不覆盖 `剧情/情绪模块.md` / `剧情/节奏.md`。
14
- - 三者冲突时:章节细纲与连续性 > 情绪/节奏权威召回 > 题材卡 > 本书文风 > 通用技巧。
13
+ - 本书文风规定句长、标点、潜台词、锚点片段和笔调;题材卡补充常见场面与题材期待,`剧情/情绪模块.md` / `剧情/节奏.md` 提供情绪和节奏依据。
14
+ - 事件、连续性与信息边界服从章节细纲和权威召回;表达维度的冲突按 `style-resolution.md` 裁决,本书明确文风优先于题材卡默认值。
15
15
 
16
16
  ## 召回规则
17
17
 
18
- 1. 先读 `设定/题材定位.md`,确认主题材、目标平台、性向频道、主对标书和核心梗。
19
- 2. 先查本索引匹配题材,再只读取同目录的 `genre-prose-cards/{题材}.md` 这一张卡;不要把整套题材卡全部加载进 prompt。
18
+ 1. 正文先按 单章正文工作流 取得组装报告,脚本已按「题材类型」匹配卡头的 `genre` / `aliases`。手动选题或查卡时,再读 `设定/题材定位.md`,确认主题材、目标平台、性向频道、主对标书和核心梗。
19
+ 2. 组装报告给出主辅卡路径时,只读取所列卡;无匹配时按报告指定范围读 `style-genre-modules.md`。人工查卡用本索引,不把整套题材卡全部加载进 prompt。
20
20
  3. 跨题材时,主题材读取 1 张完整卡,辅题材读取 1 张并只摘 1-2 条“常见场面/禁止漂移”;不要把两套节奏并行堆满。
21
21
  4. 高置信卡可直接用于写第 1 章前生成的 `设定/题材正文提示卡.md`;中置信卡需结合本书对标/细纲对照;低置信卡只能兜底,必须标注低置信并优先补同题材对标。
22
22
  5. 每章传给 narrative-writer 的 `genre_prose_card` 只保留本章相关条目,推荐 120-300 字;包含:题材限制、核心逻辑、读者期待、核心爽点/情绪、正文落点、前中后期打法、场景颗粒、禁止漂移、本章取舍、卡片置信度。
23
- 6. **题材卡只在写手内部校准题材味,绝不出现在正文里**:正文不得写卡名、题材标签、置信度、条目编号或“证据摘要”数据,也不得写“已按题材卡/满足字数/零违规”一类合规自评或写作过程说明——只输出故事本身。
23
+ 6. **题材卡只在写手内部校准题材味,正文只输出故事**:不写卡名、题材标签、置信度、条目编号、“证据摘要”数据,或“已按题材卡/满足字数/零违规”等过程自评。
24
24
 
25
25
  ## 题材卡写法原则
26
26
 
27
- 每张题材卡必须回答九件事:题材核心、主线目标、冲突发动机、爽点定位、常见情绪转化、场景颗粒、正文落点、前中后期打法和禁止漂移。可参考“都市日常”式写法:先给清晰生活目标,再说明低烈度冲突如何产生真实结果,然后把开场/冲突/结尾分别落到具体物件和场面,最后写哪些爽点是微小但可见的改变。不要把通用方法论硬套进所有题材。
27
+ 每张题材卡必须回答九件事:题材核心、主线目标、冲突发动机、爽点定位、常见情绪转化、场景颗粒、正文落点、前中后期打法和禁止漂移。以“都市日常”为例:先给生活目标,再说明低烈度冲突如何改变关系或处境,把开场、冲突和结尾落到具体物件与场面,写出微小但可见的爽点。各题材保留自己的冲突和释放方式。
28
28
 
29
29
  ## 不要把这些写成硬规则
30
30
 
@@ -1,15 +1,12 @@
1
1
  # 读者心理与题材适配
2
2
 
3
- > **用途**:读者心理需求、题材生命力规律、跨网站适配、平台差异、书名/简介技法、代入感管理。选题和定位时对照使用。
4
- > **语气**:指令式——每个规律都要转化为选题、定位、书名、文案或开篇的可执行约束。
3
+ > **用途**:选题定位时,对照读者需求、题材生命力、平台差异、书名简介和代入感。
5
4
  > **配合**:长篇题材结构见 `long-genre-catalog.md`,声线见 `genre-prose-cards.md`,核心梗设计见 `long-genre-mechanics.md`。
6
5
 
7
6
  ---
8
7
 
9
8
  ## 决策路由:按决策类型选章节
10
9
 
11
- > 做选题和定位决策时,先确认你在做什么决定,然后翻到对应章节。
12
-
13
10
  | 你要做的决定 | 先看哪个章节 | 核心问题 |
14
11
  |-------------|-------------|---------|
15
12
  | 选题材/判断题材潜力 | 题材生命力规律 | 这个题材还有没有红利? |
@@ -26,14 +23,15 @@
26
23
 
27
24
  ### 从爆款反推读者心理
28
25
 
29
- - 从爆款提炼核心剧情元素→框定读者画像→推测心理需求→双管验证
30
- - 爆款情绪一以贯之(斗破="莫欺少年穷"从头到尾);非爆款散乱多头并行
31
- - 小情绪(升级/复仇/寻宝)应统一到主情绪之下
32
- - 验证法:提炼出的情绪需求对照目标读者真实生活状态
26
+ - 从爆款提炼核心剧情元素,框定候选读者画像并推测心理需求,再对照剧情与读者反馈验证。
27
+ - 检查主情绪是否贯穿全书,如斗破的"莫欺少年穷";升级、复仇、寻宝等小情绪应服务于主情绪,避免各自展开却互不支撑。
28
+ - 验证时把推测的需求与目标读者的评论、生活状态对照,不把剧情反推的画像直接当作事实。
33
29
  - 特别关注"别人觉得剧毒但核心读者痴迷"的元素
34
30
 
35
31
  ### 题材→读者画像→深层需求
36
32
 
33
+ 下表是从题材机制反推的候选画像,须用目标样本和读者反馈验证。
34
+
37
35
  | 题材 | 读者画像 | 三层心理需求 |
38
36
  |------|----------|-------------|
39
37
  | 末日重生 | 对阶级跃升绝望的人 | 颠倒秩序(权力渴望)+不安全感(生存焦虑)+捡漏(最小努力最大回报) |
@@ -42,23 +40,18 @@
42
40
 
43
41
  ### 深层需求挖掘法
44
42
 
45
- - 潜入读者集体潜意识→爱什么恨什么渴望什么逃避什么
46
- - 不同题材读者画像不同→必须先定位读者再设计情绪
47
- - 写作前先问:目标读者现实生活中最缺什么?最想要什么?
48
- - 情绪需求深度决定作品天花板——越触及深层需求共鸣越强
43
+ 先定位读者,问清他们爱什么、恨什么、渴望什么、逃避什么,再检查核心情绪能否回应他们现实中最缺、最想要的东西。
49
44
 
50
45
  ### 情绪根源
51
46
 
52
- 情绪来自"不公平"和"为什么"。区别对待→读者理所当然觉得不公平→这就是情绪根源。
47
+ "不公平"是常见情绪来源:让读者看见区别对待的具体行为,并追问主角为什么承受这些后果。
53
48
  都市情绪例:事业小有成就→爸要创业→妈要给弟弟买婚房→不公平感自然产生。
54
49
 
55
50
  ---
56
51
 
57
52
  ## 题材生命力规律
58
53
 
59
- - 题材生命力按“样本验证”判断,不把历史经验当作当前事实。
60
- - 先用当前 scan/analyze 或用户指定样本确认目标平台仍有读者反馈。
61
- - 判断题材所处阶段:新鲜期 / 成熟期 / 审美疲劳期。
54
+ - 用当前 scan/analyze 或用户指定样本的读者反馈判断题材阶段:新鲜期 / 成熟期 / 审美疲劳期,不把历史热度当作当前事实。
62
55
  - 新鲜期优先提炼创意方向;成熟期优先稳定交付边界期待;疲劳期必须给出新切入点。
63
56
  - 跟风只能复用结构功能位,不能复刻剧情内容。
64
57
  - 无法确认阶段时,按成熟期处理:保守满足边界期待,微创新不超过 3 个。
@@ -75,13 +68,13 @@
75
68
 
76
69
  ## 跨网站题材适配
77
70
 
78
- 同一个题材在不同网站写法完全不同,由目标读者群体决定。不能用A网站的样本直接套到B网站;必须用目标平台样本校准读者期待、节奏和雷点。
71
+ 跨平台写作须用目标平台当前样本校准读者期待、节奏和雷点。下列差异作为定位假设。
79
72
 
80
73
  ### 平台核心差异
81
74
 
82
75
  | 平台 | 核心驱动力 | 不适配题材 |
83
76
  |------|-----------|-----------|
84
- | 刺猬猫 | 整活与人设,动漫同人/二游基础 | 全民流、高武流基本行不通 |
77
+ | 刺猬猫 | 整活与人设,动漫同人/二游基础 | 全民流、高武流需先验证圈层接受度 |
85
78
  | 起点(非轻小说) | 正常剧情推进的节奏与代入感 | 纯整活难以长期维持 |
86
79
  | 起点轻小说 | 整活+人设+节奏并重 | 需持续整活能力 |
87
80
  | 番茄 | 强情绪、噱头、爽感直给 | 需慢热铺垫的题材 |
@@ -93,11 +86,9 @@
93
86
  | 起点 | 筛选成本高,读者更耐心,慢节奏也能接受 |
94
87
  | 新媒体(30岁+) | 偏爱接近真实的故事,被打击的生活才是常态 |
95
88
 
96
- **关键**:同一套写法不同平台效果截然不同,必须针对平台调整。
97
-
98
89
  ### 刺猬猫要点
99
90
 
100
- 同人优先验证目标圈层样本 | 脑洞要加成在次元文化里 | 逻辑以圈层接受度为准 | 少写打斗多写日常 | 对"梗"要求很高,需用最新榜单/评论校准
91
+ 同人先验证目标圈层样本,脑洞要与次元文化结合,逻辑接受度也由圈层样本校准。以整活和人设为卖点时,多用日常互动发挥角色魅力,少用连续打斗挤占篇幅;梗的选用对照最新榜单和评论。
101
92
 
102
93
  ### 番茄书测改名策略
103
94
 
@@ -116,24 +107,26 @@
116
107
 
117
108
  ### 玄幻三大核心
118
109
 
119
- - **代入感**:玄幻王朝比赛博朋克代入感强百倍;肉身成圣拳拳到肉比斗法对波好代入
120
- - **期待感**:期待感不崩贯穿全文,读者流失很慢
121
- - **认同感**:读者代入主角对主角认同=死忠粉极难流失。"小德可缺大义不能失"
110
+ - **代入感**:面向熟悉玄幻的读者,王朝身份关系通常比赛博朋克设定更易理解;肉身成圣的拳拳到肉,比斗法对波更便于用痛感和力量差距写代入。
111
+ - **期待感**:让眼前目标与后续升级相接,持续兑现并更新期待。
112
+ - **认同感**:通过主角的选择建立认同,尤其要守住大义上的一致性。"小德可缺大义不能失"
122
113
 
123
114
  ### 都市文暧昧四要素
124
115
 
125
- 1. **女人**:没有女人的都市文不是都市文(男频)
126
- 2. **轻松**:读者图轻松愉悦不写苦大仇深
116
+ 四要素用于男频都市文的暧昧支线。
117
+
118
+ 1. **女人**:让女性角色参与主角生活,与主角形成暧昧关系和互动。
119
+ 2. **轻松**:暧昧互动以轻松愉悦为主,避免全靠苦大仇深维持关系。
127
120
  3. **互动**:角色间互动+读者与主角的"秘密"互动
128
121
  4. **私密**:隐藏主角能力,读者和主角之间的小秘密
129
122
 
130
123
  ### 金手指设定原则
131
124
 
132
- 必须与主角生活/职业息息相关。医生配医术秘籍=合理;医生配隐身=牵强。金手指跟主线有关,技能能升级,一个技能衍生不同效果,不要频繁开新金手指。
125
+ 金手指须关联主角生活、职业与主线。医生配医术秘籍=合理;医生配隐身=牵强。让同一技能升级、衍生不同效果,不频繁另开金手指。
133
126
 
134
127
  ### 历史文红线
135
128
 
136
- - 核心立场:"基于民族主义的圣主平等",前后立场摇摆=严重割裂
129
+ - 采用仁义换忠诚的历史爽文路线时,写主角悲天悯人、施惠于人,受惠者因此效忠或受感化;人物立场前后一致。
137
130
  - 历史网文≠历史,以读者为第一要素不是以真实为第一要素
138
131
  - 历史人物评判跟随当代权威共识,尤其是教员的评判,不要逾越
139
132
  - 爽感阈值管理:前期家族/势力升级过快→后续难以为继
@@ -144,15 +137,15 @@
144
137
 
145
138
  ### 代入感
146
139
 
147
- 代入感高度重叠于爽感。代入感低时主角做什么读者都不觉得爽。越代入越爽越爽越想看。
140
+ 代入感会放大爽感:读者认同主角的目标与处境,才更容易因主角的突破、获利或被认可而满足。
148
141
 
149
142
  ### 塑料感来源
150
143
 
151
- 仙侠不仙、武侠不侠、画风撕裂(仙侠世界搞科研)。去塑料感:让世界像真实存在的世界不是纸糊的。
144
+ 塑料感常来自仙侠不仙、武侠不侠,或新元素与原有世界脱节,如仙侠世界搞科研却不交代知识和制度如何衔接。补足世界内部的因果,让人物的生活与选择受其规则影响。
152
145
 
153
146
  ### 同人为什么开头高追读
154
147
 
155
- 世界观够硬,初始代入感够高。例外:搞笑文/梗文核心偏有趣,爽感居次,需旁观者视角,不需要强代入感。
148
+ 熟悉原作的读者已有世界观和人物认知,开篇较容易建立代入感。搞笑文/梗文则可侧重旁观者看热闹的趣味,爽感居次,不必强求读者与主角高度同一。
156
149
 
157
150
  ### 有效扫榜
158
151
 
@@ -160,7 +153,7 @@
160
153
 
161
154
  ### 商业化认知
162
155
 
163
- 私人表达占比规则:非核心情绪的个人表达不超过全篇5%,且不得打断叙事节奏。商业化不是故意恶心读者。商业化原则:所有私人表达必须服务于核心卖点,不得独立于主线剧情存在。
156
+ 私人表达须服务于核心卖点和主线剧情。非核心情绪的个人表达不超过全篇5%,且不得打断叙事节奏。
164
157
 
165
158
  ---
166
159
 
@@ -168,6 +161,8 @@
168
161
 
169
162
  ### 身份法(覆盖约1/3书名)
170
163
 
164
+ 按目标榜单核对这类书名的占比,再选以下公式。
165
+
171
166
  | 类别 | 公式 | 示例 |
172
167
  |------|------|------|
173
168
  | 高逼格身份 | [仙帝/魔神/财阀]爹妈+[反差行为/目标] | "武神爹,财阀妈,我当躺赢狗怎么了?" |
@@ -187,7 +182,7 @@
187
182
 
188
183
  | 平台 | 风格 | 关键原则 |
189
184
  |------|------|----------|
190
- | 番茄 | 噱头优先吸量第一 | 书名决定80%流量上限 |
185
+ | 番茄 | 噱头优先吸量第一 | 书名承担吸量入口,须准确承诺正文卖点 |
191
186
  | 起点 | 轻度反差+金手指+主线+爽点 | 内容必须贴合书名 |
192
187
 
193
188
  ---
@@ -212,24 +207,22 @@
212
207
 
213
208
  ### 文案要点
214
209
 
215
- - 必须体现女主主体性——主体性差会提高吸引力和留存风险
216
- - 读者需要安全感——至少暗示主角会成功
210
+ - 体现主角主体性,让读者看见主角会作什么选择;女频感情线尤其要交代女主如何回应处境。
211
+ - 简介按类型兑现承诺:成功型暗示会赢,行动型留下结果悬念,失败型交付虐感并留悬念,悬疑型交代核心问题。
217
212
  - 文案和书名货不对板会劝退
218
- - 悬疑型不宜叠过多——太"谜语人"理解不了且安全感不足
213
+ - 悬疑型文案不宜叠加过多未解问题;读者至少要看懂主角处境与核心悬念,避免只剩"谜语人"式表达。
219
214
 
220
215
  ---
221
216
 
222
217
  ## 质量检查清单
223
218
 
224
- > 选题定位完成后逐项核对。全部通过才算合格。
225
-
226
219
  - [ ] **读者画像明确**:能用一句话说出目标读者是谁、现实生活中最缺什么
227
220
  - [ ] **深层需求对位**:题材提供的核心情绪与读者深层需求匹配,不是自嗨
228
221
  - [ ] **题材生命力判断**:已用当前样本确认题材阶段,不把历史热度当作当前事实
229
222
  - [ ] **平台适配**:写法已针对目标平台调整,不是用A平台的经验硬套B平台
230
223
  - [ ] **边界感确认**:当前素材、知识储备和篇幅能支撑所选题材
231
224
  - [ ] **书名3秒抓人**:书名在目标平台的命名规则内,3秒内能传递核心卖点或钩子
232
- - [ ] **简介有安全感+钩子**:简介类型选择正确,给了安全感同时留了悬念
225
+ - [ ] **简介有安全感+钩子**:承诺的情绪与简介类型一致,读者知道看什么,并有继续看的悬念
233
226
  - [ ] **代入感无塑料感**:世界观自洽,画风统一,没有"仙侠搞科研"式撕裂
234
227
  - [ ] **书名简介内容三位一体**:书名暗示的卖点=简介承诺的内容=正文实际交付的东西
235
228
  - [ ] **金手指与生活关联**:金手指设定与主角职业/生活紧密相关,不是硬贴的
@@ -195,7 +195,7 @@
195
195
  | 对手 | 嚣张到让读者恨 → 被打脸时才爽 |
196
196
  | 主角 | 铺垫时低调 → 释放时干脆 |
197
197
 
198
- 看点 = 吊起读者期待;爽点 = 满足期待。一一对应:前面铺垫多少,后面爽点就有多少。
198
+ 看点吊起期待,爽点兑现期待;核对前面承诺了什么、后面兑现了什么,避免铺垫落空。
199
199
 
200
200
  ### 装逼打脸节奏
201
201
 
@@ -62,7 +62,7 @@
62
62
  以下信号出现 = 可能水了:
63
63
  - 全章对话没有任何新信息
64
64
  - 同一个情绪写了 3 段以上
65
- - 场景描写超过 500 字但不推进剧情
65
+ - 场景描写超过 500 字且不推进剧情、人物或氛围
66
66
  - 角色回忆之前发生的事但没有任何新视角
67
67
  - 连续 2 章以上没有冲突
68
68
  - 删掉无损的流程细节 / 任务卡点 = 水;压缩或删除
@@ -161,7 +161,7 @@
161
161
 
162
162
  ### 读者契约与终局储备
163
163
 
164
- 按 `reader-contract-and-progression.md`「契约四问」审,标 契约安全 / 需补强 / 契约破坏;答不上来的那问再读对应小节。四问都过只代表无毒,再补两问看好不好看:
164
+ 按 `reader-contract-and-progression.md`「契约四问」审,标 契约安全 / 需补强 / 契约破坏;答不上来的那问再读对应小节。四问通过代表契约成立,再查情绪效果:
165
165
 
166
166
  - [ ] 删掉某处“安全解释”,情绪会不会更强?保留风险情节是否带来更强期待、代价或爽点?
167
167
  - [ ] 高潮或兑现后是否允许短暂低压和小而可见的收益,而非机械立即加危机?
@@ -2,7 +2,7 @@
2
2
 
3
3
  > 表达默认值服从 [style-resolution.md](style-resolution.md);文件结构与事实约束不豁免。
4
4
 
5
- > 只约束长篇章节的段落、对话、标点与工程元信息。短篇 `###1.` 小节、8–15 节全文结构和 500–800 字/节口径不适用。
5
+ > 只约束长篇章节的段落、对话、标点与工程元信息。短篇的全文小节结构不适用。
6
6
 
7
7
  ## 章节与段落
8
8
 
@@ -24,7 +24,7 @@
24
24
 
25
25
  ## 长篇章级约束
26
26
 
27
- - 章级 `字数目标` 与 `visible_chars_v1` 是唯一字数口径;内部带 ±12%,用户带 ±15%,以确定性工具测量。
27
+ - 以 `visible_chars_v1` 测量章级字数;作者明确范围优先,未指定时内部带 ±12%、用户带 ±15%。
28
28
  - 字数不足先检查细纲中批准的情节点是否全部落地,不新增独立事件、角色、规则、反转或伏笔凑字。
29
29
  - 字数超标优先删除重复解释、重复反应、流程和无功能微动作,不删除批准情节点、因果、选择、兑现与钩子。
30
30
  - 章节可以包含多个场景或 beat,数量由细纲和因果决定;不套短篇全文小节数。
@@ -6,15 +6,15 @@
6
6
 
7
7
  ## 题材选择路由
8
8
 
9
- 根据以下条件快速定位对应框架。先判断大类,再看具体变体。
9
+ 先按故事核心判断大类,再查具体变体。
10
10
 
11
11
  | 如果故事核心是... | 走这个框架 | 备注 |
12
12
  |---|---|---|
13
- | 男人伤害女人,离开后悔但追不回 | **追妻火葬场** | 女主离开后不回头是核心 |
13
+ | 男人伤害女人,女主离开后男人追悔 | **追妻火葬场** | 冷拒主线不回头,复合型另作变体 |
14
14
  | 前世惨死,重生利用信息差复仇 | **重生复仇** | 反派需分层嵌套 |
15
15
  | 伴侣出轨/算计,觉醒独立 | **小三/婚恋** | 发现过程要有悬念 |
16
16
  | 奇葩/恶霸欺压老实人,恶有恶报 | **世情** | 靠细节不靠大事件 |
17
- | 女主被虐至死,男主死后追悔 | **死人文学** | 核心是"来不及" |
17
+ | 女主被虐至死,男主在她死后追悔 | **死人文学** | 核心是"来不及" |
18
18
  | 特殊相遇,男主追求宠溺 | **霸总/甜宠** | 甜的密度决定粘性 |
19
19
  | 底层崛起,升级打怪(都市+武道) | **都市高武** | 金钱驱动+分层地图 |
20
20
  | 废材/落魄天才,修仙世界登顶 | **仙侠/玄幻** | 力量体系必须清晰 |
@@ -41,7 +41,7 @@
41
41
 
42
42
  ### 长篇(8节点)
43
43
 
44
- **设定**:女主被伤害 → 离开 → 男主后悔追回但女主不回头。场景:豪门/职场/娱乐圈/古代贵族,需权力差。
44
+ **设定**:冷拒主线为女主被伤害 → 离开 → 男主后悔追回但女主不回头;复合型在结局另作变体。场景:豪门/职场/娱乐圈/古代贵族,需权力差。
45
45
 
46
46
  **人物**
47
47
  | 角色 | 弧线 |
@@ -60,7 +60,7 @@
60
60
  | 5.男主追悔 | 意识女主重要性 | 10% | 痛快 |
61
61
  | 6.事业/成长 | 新领域取得成绩 | 15% | 爽(逆袭) |
62
62
  | 7.反复拉扯 | 多次求复合被拒 | 20% | 爽(打脸) |
63
- | 8.结局 | 开放/回头/悲剧 | 15% | 释放 |
63
+ | 8.结局 | 冷拒主线开放/悲剧;复合变体可回头 | 15% | 释放 |
64
64
 
65
65
  ---
66
66
 
@@ -227,13 +227,13 @@
227
227
  ## 同人流派
228
228
 
229
229
  ### 核心机制
230
- 借用已有IP世界观和角色写新故事。核心卖="如果在这个世界里有主角会怎样"。
230
+ 借用已有 IP 的世界观和角色写新故事,核心卖点是"如果在这个世界里有主角会怎样"。
231
231
 
232
232
  ### 使用边界
233
- 不保留具体 IP 题材清单。只有用户明确目标 IP、平台允许且近期样本有效时,才抽取“已知世界 + 新主角变量 + 名场面改写”的结构功能。
233
+ 用户明确目标 IP、平台允许且近期样本有效时,抽取“已知世界 + 新主角变量 + 名场面改写”的结构;具体题材随本次目标确定。
234
234
 
235
235
  ### 写法要点
236
- - 读者大多"云爱好者":没看过原著的比看过的多,硬核非必要
236
+ - 面向"云爱好者"时,补足读懂当前剧情所需的原著背景,不预设读者熟悉全部原作
237
237
  - 爽第一:不为还原原著牺牲爽感
238
238
  - 时代设定可简化,适度改编不影响阅读;但人物命名不脱离原著的地域和文化——原著角色用官方本名/译名,新角色顺对应地域的命名风格,别混语系或塞与设定不符的现代化/政治化名字
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  - 优势:自带世界观省铺设定 | 风险:原著粉考据挑刺
@@ -260,7 +260,7 @@
260
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  | 逆向型 | 失去X→获得更强Y | 越惨越强、负债越有钱 |
261
261
 
262
262
  ### 写长方法
263
- 核心卖点确定后多套路交织循环;单元故事围绕一个套路展开,主线串联;剧情单元循环(模式重复但对象/场景/规模升级)
263
+ 核心卖点确定后,用主线串联多个套路:每个单元围绕一个套路展开,重复模式时升级对象、场景或规模。
264
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265
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  ### 脑洞四类
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  1. 金手指类(聊天群/系统/戒指老爷爷)
@@ -308,7 +308,7 @@
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  | 经营/种田 | 古代搞经济建设 | 技术引进、商业帝国、改善民生 |
309
309
  | 国潮/非遗 | 传统文化魅力 | 盘点式装逼、民族自豪感 |
310
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311
- **关键**:大部分读者是"云爱好者"爽感优先于还原度 | 现代认知信息差=最大金手指 | 架空可降低门槛 | 盘点+历史共鸣感强
311
+ **关键**:面向"云爱好者"时,先交代读懂剧情所需的历史处境,爽感优先于细节还原 | 现代认知信息差=最大金手指 | 架空可降低门槛 | 盘点+历史共鸣感强
312
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313
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  ---
314
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@@ -335,13 +335,13 @@
335
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  ## 其他题材速查
336
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337
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  ### 规则怪谈
338
- 类无限流,玩家被抽入规则副本冒险求生。绑定国运+直播性价比最高。副本构建:背景故事→规则包装→通关线+dead end→节奏(别人死→主角装→揭露→升华)。番茄主流走爽文路线,智斗和金手指负责包合理外衣。
338
+ 类无限流,玩家被抽入规则副本冒险求生。主打国运压力和围观反馈时,可用绑定国运+直播组合。副本构建:背景故事→规则包装→通关线+dead end(死路)→节奏(别人死→主角装→揭露→升华)。爽文路线用智斗和金手指解释通关结果,规则和限制要能支撑翻盘。
339
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340
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  ### 长生流
341
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  核心卖=时移世易沧海桑田,主角长生看别人浴血搏杀。凡俗时期最好看。天然缺陷:开始修仙后实力增长→身边同级别出现→"熬时间"失去意义→变成寻常修仙文。延续方向:保持时间碾压感/代际传承/分层世界/凡俗时期充分展开。
342
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343
343
  ### 西幻/骑士文
344
- 西幻=东方玄幻内核换皮。骑士自带晋升属性是天然力量体系骨架。推荐DND式/巫师式/种田领主文,不写日式奇幻。开篇从低位开始(马奴/铁匠学徒),凿壁偷光式努力。
344
+ 西幻要让魔法、种族、神权和契约影响人物选择,不能只替换东方玄幻名词。骑士晋升可作力量体系骨架;这里侧重DND式/巫师式/种田领主文,日式奇幻另按目标对标确定写法。开篇从低位开始(马奴/铁匠学徒),凿壁偷光式努力。
345
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346
346
  ### 新媒体文
347
347
  一切为情绪服务。第一情绪对:不爽→装逼/愤怒→解气。双向结构=强+虐(反差/矛盾)。矛盾必须源于现实逻辑。核心三重点:用梗+节奏+情绪。极致信息差=强烈期待感。
@@ -356,7 +356,7 @@
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  核心靠铺垫+氛围描写营造悬疑感,非靠血腥暴力。信息释放节奏要控好。
357
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358
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  ### 高武
359
- 爽点相对单一(升级打怪)但套路成熟不易翻车。可高仿成功作品世界观架构降低门槛。
359
+ 爽点集中于升级打怪,成熟套路便于建立期待。可借鉴成功作品的战力层级、地图递进和资源循环,按本书设定重建世界观。
360
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361
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  ### 后悔流
362
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  避免退婚等老套外衣,需创新包装(后悔对象可从爱情转为事业选择/人生抉择)。
@@ -24,7 +24,7 @@
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25
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  ## 核心梗三层递进设计(主题→题材→情绪)
26
26
 
27
- 三代指**迭代层次**,一本小说通常由2-4条核心梗融合。
27
+ 下文一代、二代、三代指从主题到题材再到情绪的**三个设计层次**,不指写作的历史阶段;一本小说通常融合2-4条核心梗。
28
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29
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  ### 一代:主题/中心思想
30
30
 
@@ -242,7 +242,7 @@
242
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243
243
  ### 爽点阈值递升原则
244
244
 
245
- 后一个剧情的情绪满足必须高过前一个。
245
+ 同类关键爽点要在下列维度中递升;两次高潮间可安排呼吸与关系回收。
246
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247
247
  **递升维度**:影响力范围扩大 | 人物层级升高 | 收获价值增大 | 认知颠覆加深
248
248
 
@@ -1,6 +1,6 @@
1
1
  # 长篇反转设计
2
2
  > 操作手册:反转类型、嵌套反转、误导技巧、打脸节奏。按决策路由选用,按设置/揭示步骤执行,用自检清单验收。
3
- > 反转类型枚举与拆文 `_meta.json.reversal_type` 字段一致:视角/身份/动机/时间线/信息/认知/无反转。
3
+ > 以下分类也用于短篇拆文的 `_meta.json.reversal_type` 字段:视角/身份/动机/时间线/信息/认知/无反转。
4
4
 
5
5
  ## 决策路由
6
6
 
@@ -177,7 +177,7 @@
177
177
  2. 报应型:每个报应要让读者等过、铺过,兑现时才解气
178
178
  3. 甜宠型:在关系阶段节点给甜点/反差点,不为每章硬塞反转
179
179
 
180
- > 拆文时遇到此类,`reversal_type` 填「无反转」,`setup_clues`(反转铺垫)一项跳过阈值(见 analyze output-contract 的「structure_counts 数值校验」)。
180
+ > 使用短篇拆文资料时,「无反转」对应 `reversal_type`,「反转铺垫」对应 `setup_clues`;该类型跳过铺垫数量阈值。它们是短篇拆文字段,不是长篇卷纲新增字段。
181
181
 
182
182
  ---
183
183
 
@@ -303,7 +303,7 @@
303
303
 
304
304
  1. 展示物品/能力强大,读者期待+1
305
305
  2. 配角因信息差认为鸡肋,读者期待打脸+1
306
- 3. 展示反派特性恰好克制,读者期待+1
306
+ 3. 展示反派特性,前述物品/能力恰好克制反派,读者期待+1
307
307
  4. 配角拿更强装备打反派失败,期待+1
308
308
  5. 众人看衰主角,期待继续+1
309
309
  6. 主角秒杀,期待满足
@@ -13,8 +13,6 @@
13
13
  | 跨卷悬念 | 期待接力法 + 震惊分层 |
14
14
  | 判断悬念强度 | 强度5级分级表 |
15
15
 
16
- 使用方法:先看左列定位你的当前任务,再用右列指定的方法。
17
-
18
16
  ---
19
17
 
20
18
  ## 悬念构建核心法则
@@ -32,7 +30,7 @@
32
30
  | 揭示时机 | 短期内揭晓 | 长期后才揭示 |
33
31
  | 情绪效果 | 紧张/好奇/期待 | 震惊/恍然大悟 |
34
32
 
35
- 判断依据:短期揭晓+紧张感 = 悬念;长期埋线+揭示时震惊 = 伏笔。两者经常配合使用,但不要混淆。
33
+ 判断先看作用:未决问题引起悬念,预埋线索支撑后续揭示。上表是常见安排;悬念也能跨卷,伏笔也能短期回收。
36
34
 
37
35
  ### 四种悬念信息顺序模板
38
36
 
@@ -216,8 +214,8 @@
216
214
 
217
215
  ### 永留悬念大结构设计
218
216
 
219
- - 大结构是"欺骗式的主线":贯穿全文的噱头,并不实际推进
220
- - 每次看似砍了99%,但总剩1%变成新的100%,一直吊着读者
217
+ - 马甲曝光等长悬念可阶段延迟:每次解决一个局部疑问,再暴露更深问题。
218
+ - 局部必须真有推进,不能反复撤销成果,让主线永远原地打转。
221
219
 
222
220
  ### 信息差运用
223
221