@mytechtoday/augment-extensions 0.7.0 → 1.2.0

package/augment-extensions/writing-standards/screenplay/styles/rules/surreal.md

@@ -1,508 +1,508 @@
-# Surreal Narrative Style
-
-**Category**: Screenplay Narrative Style  
-**Type**: Tonal/Structural  
-**Complexity**: High
-
-## Overview
-
-Surreal narrative embraces dream logic, abstract imagery, unconventional causality, and reality-bending sequences to explore subconscious themes and psychological states. This style prioritizes emotional and symbolic truth over literal realism.
-
-## Core Concept
-
-Surrealist screenwriting operates on dream logic rather than rational causality, using bizarre juxtapositions, impossible events, and symbolic imagery to access deeper psychological and emotional truths. The power lies in bypassing rational mind to speak directly to the subconscious. Success requires commitment to internal dream logic and trust in symbolic communication.
-
-## Definition
-
-A surreal narrative employs dream logic, impossible events, abstract imagery, and unconventional causality to create meaning through symbolic and psychological truth rather than literal reality.
-
-## Structural Requirements
-
-### Requirement 1: Dream Logic
-
-**Description**: Events follow emotional/symbolic logic rather than rational causality.
-
-**Why It Matters**: Surrealism operates on subconscious rules, not realistic cause-and-effect.
-
-**Implementation**:
-- Events connected by emotion/symbol, not logic
-- Impossible occurrences treated as normal
-- Transitions follow dream associations
-- Internal consistency within dream rules
-
-**Examples**:
-- ✅ **Good**: Character walks through door into completely different location/time
-- ❌ **Bad**: Realistic cause-and-effect with logical explanations
-
-**Film Reference**: Mulholland Drive (2001) - Dream logic governs narrative structure.
-
----
-
-### Requirement 2: Reality Distortion
-
-**Description**: Physical reality bends, breaks, or transforms in impossible ways.
-
-**Why It Matters**: Surrealism requires breaking realistic constraints to access symbolic truth.
-
-**Implementation**:
-- Objects behave impossibly
-- Spaces transform illogically
-- Time becomes fluid or circular
-- Physics optional
-
-**Examples**:
-- ✅ **Good**: Room grows larger as character walks through it
-- ❌ **Bad**: Everything follows realistic physical laws
-
-**Film Reference**: Being John Malkovich (1999) - Portal into another person's consciousness.
-
----
-
-### Requirement 3: Symbolic Imagery
-
-**Description**: Images carry symbolic weight beyond literal meaning, often bizarre or disturbing.
-
-**Why It Matters**: Surrealism communicates through symbols and metaphors.
-
-**Implementation**:
-- Use striking, memorable images
-- Create symbolic rather than literal meaning
-- Embrace disturbing or beautiful imagery
-- Layer multiple interpretations
-
-**Examples**:
-- ✅ **Good**: Character vomits flowers representing suppressed creativity
-- ❌ **Bad**: All imagery serves only literal plot function
-
-**Film Reference**: Pan's Labyrinth (2006) - Fantastical creatures as psychological symbols.
-
----
-
-### Requirement 4: Ambiguous Reality
-
-**Description**: Blur lines between reality, dream, hallucination, and fantasy.
-
-**Why It Matters**: Surrealism questions nature of reality itself.
-
-**Implementation**:
-- Don't clearly mark what's real vs. imagined
-- Treat all events with equal reality
-- Avoid explanations or rationalizations
-- Embrace ambiguity
-
-**Examples**:
-- ✅ **Good**: Impossible events presented without explanation
-- ❌ **Bad**: "It was all a dream" revelation that explains everything
-
-**Film Reference**: Eraserhead (1977) - Reality status perpetually ambiguous.
-
----
-
-### Requirement 5: Psychological Manifestation
-
-**Description**: Internal psychological states manifest as external surreal events.
-
-**Why It Matters**: Surrealism externalizes the internal, making psychology visible.
-
-**Implementation**:
-- Character's fears/desires become real
-- Emotions manifest as physical phenomena
-- Subconscious thoughts appear as events
-- Psychology drives surreal occurrences
-
-**Examples**:
-- ✅ **Good**: Character's anxiety causes walls to close in literally
-- ❌ **Bad**: Psychology only expressed through dialogue
-
-**Film Reference**: Black Swan (2010) - Psychological breakdown manifests as surreal transformation.
-
----
-
-### Requirement 6: Unconventional Narrative
-
-**Description**: Story structure defies conventional beginning-middle-end progression.
-
-**Why It Matters**: Surrealism requires breaking narrative conventions.
-
-**Implementation**:
-- Circular or spiral structure
-- Multiple contradictory realities
-- Fragmented or non-linear progression
-- Ambiguous or open endings
-
-**Examples**:
-- ✅ **Good**: Film ends where it began, creating loop
-- ❌ **Bad**: Conventional three-act structure with clear resolution
-
-**Film Reference**: Inland Empire (2006) - Labyrinthine structure defies conventional narrative.
-
----
-
-## Pacing Guidelines
-
-### Overall Rhythm
-
-- Unpredictable pacing reflecting dream states
-- Sudden shifts between slow and frenetic
-- Disorienting temporal flow
-- Rhythm serves psychological state
-
-### Scene Length
-
-- Highly varied and unpredictable
-- Some scenes linger uncomfortably long
-- Others flash by in moments
-- Length serves emotional/symbolic purpose
-
-### Act Structure
-
-- May abandon traditional acts entirely
-- Or use acts that loop/repeat/contradict
-- Structure serves surreal logic
-- Conventional progression optional
-
-### Transitions
-
-- Impossible transitions (walk through door to different world)
-- Match cuts on symbolic elements
-- Abrupt, disorienting shifts
-- Dream-like dissolves and morphs
-
-## Visual Storytelling
-
-### Camera Work
-
-- Unconventional angles and movements
-- Distorted perspectives
-- Impossible camera positions
-- Disorienting cinematography
-
-### Visual Motifs
-
-- Recurring surreal images
-- Symbolic objects and creatures
-- Disturbing or beautiful imagery
-- Visual impossibilities
-
-### Action Lines
-
-- Describe impossible events matter-of-factly
-- Embrace bizarre imagery
-- Don't explain or rationalize
-- Trust surreal vision
-
-**Example**:
-```
-INT. HALLWAY - NIGHT
-
-The hallway stretches infinitely. Sarah walks but never gets closer to the door at the end.
-
-The walls begin to breathe.
-
-A CHILD appears, walking backward. The child is Sarah at age seven.
-
-CHILD-SARAH
-You're late.
-
-SARAH
-For what?
-
-The child dissolves into butterflies.
-```
-
-## Dialogue Approach
-
-### Dialogue Style
-
-- Can be realistic or absurdist
-- Non-sequiturs and dream logic
-- Symbolic rather than literal
-- Cryptic or prophetic
-
-### Subtext
-
-- Dialogue may mean opposite of what's said
-- Symbolic communication
-- Dream associations
-- Multiple interpretations
-
-### Formatting
-
-- Standard formatting for bizarre content
-- Let strangeness speak for itself
-- Minimal explanation
-- Embrace ambiguity
-
-**Example**:
-```
-MAN IN RED SUIT
-The fish are drowning.
-
-SARAH
-I don't understand.
-
-MAN IN RED SUIT
-You will. You already have.
-
-He hands her a key made of ice. It doesn't melt.
-```
-
-## Technical Formatting
-
-### Page Layout
-
-- Standard format for surreal content
-- Clear scene headings despite impossible locations
-- Describe impossibilities clearly
-- Trust reader's imagination
-
-### Scene Headings
-
-- Can be impossible locations
-- Ambiguous time markers
-- Dreamlike place names
-- Reality status unclear
-
-### Special Elements
-
-- DREAM SEQUENCE (though may not mark as such)
-- HALLUCINATION (or not distinguish)
-- FANTASY (or treat as real)
-- Minimal technical notation
-
-## Strengths and Limitations
-
-### Strengths
-
-- Accesses deep psychological truths
-- Creates unforgettable imagery
-- Explores themes impossible in realism
-- Unique artistic vision
-- Bypasses rational defenses
-
-### Limitations
-
-- Can alienate mainstream audiences
-- Risk of incoherence
-- Difficult to sustain feature length
-- May feel pretentious
-- Requires sophisticated interpretation
-
-### Best Use Cases
-
-- Psychological horror and thriller
-- Exploration of mental states
-- Subconscious themes
-- Artistic/experimental cinema
-- Fantasy with psychological depth
-- Trauma and memory narratives
-
-## Film Examples
-
-### Example 1: Mulholland Drive (2001)
-
-**Director**: David Lynch
-
-**Why This Style Works**: Dream logic and reality distortion create psychological mystery that operates on subconscious level.
-
-**Key Stylistic Moments**:
-- **Club Silencio**: Lip-syncing performance reveals reality's artifice
-- **Identity Shifts**: Characters become different people
-- **Circular Structure**: Ending loops to beginning
-
-**Techniques Used**:
-- Dream logic governs narrative
-- Reality status perpetually ambiguous
-- Symbolic imagery (blue box, key)
-- Multiple contradictory realities
-
-**Structural Analysis**: First two-thirds appear realistic, final third reveals dream logic governing entire film.
-
----
-
-### Example 2: Being John Malkovich (1999)
-
-**Director**: Spike Jonze
-
-**Why This Style Works**: Impossible premise (portal into actor's mind) treated as mundane reality creates surreal comedy.
-
-**Key Stylistic Moments**:
-- **7½ Floor**: Physically impossible office space
-- **Portal**: Impossible doorway into consciousness
-- **Malkovich Malkovich**: Surreal recursive sequence
-
-**Techniques Used**:
-- Impossible events treated casually
-- Surreal premise with realistic execution
-- Psychological manifestation (desire to be someone else)
-- Reality distortion as comedy
-
-**Structural Analysis**: Surreal premise explored with logical consistency within its own impossible rules.
-
----
-
-### Example 3: Pan's Labyrinth (2006)
-
-**Director**: Guillermo del Toro
-
-**Why This Style Works**: Fantasy sequences may be real or psychological escape, creating ambiguous surreal narrative.
-
-**Key Stylistic Moments**:
-- **Pale Man**: Disturbing creature as symbolic threat
-- **Faun**: Ambiguous guide/tempter
-- **Mandrake Root**: Magic or metaphor?
-
-**Techniques Used**:
-- Ambiguous reality status
-- Symbolic creatures represent psychological states
-- Surreal fantasy intercut with brutal realism
-- Open to multiple interpretations
-
-**Structural Analysis**: Parallel realities (fantasy/reality) may be one reality or psychological manifestation.
-
----
-
-### Example 4: Eraserhead (1977)
-
-**Director**: David Lynch
-
-**Why This Style Works**: Pure surreal nightmare logic creates visceral psychological horror.
-
-**Key Stylistic Moments**:
-- **Baby**: Grotesque creature representing fatherhood anxiety
-- **Radiator Woman**: Symbolic escape fantasy
-- **Industrial Soundscape**: Reality as nightmare
-
-**Techniques Used**:
-- Consistent nightmare logic
-- Symbolic rather than literal narrative
-- Disturbing imagery throughout
-- Ambiguous reality status
-
-**Structural Analysis**: Abandons conventional narrative for sustained surreal nightmare.
-
----
-
-### Example 5: Black Swan (2010)
-
-**Director**: Darren Aronofsky
-
-**Why This Style Works**: Psychological breakdown manifests as surreal transformation, blurring reality and hallucination.
-
-**Key Stylistic Moments**:
-- **Mirror Attacks**: Doppelganger as psychological manifestation
-- **Physical Transformation**: Body horror as metaphor
-- **Ambiguous Events**: What's real vs. imagined unclear
-
-**Techniques Used**:
-- Psychological state manifests physically
-- Reality increasingly distorted
-- Ambiguous hallucinations
-- Surreal horror from internal state
-
-**Structural Analysis**: Realistic beginning gradually becomes surreal as protagonist's psychology fractures.
-
----
-
-## Integration with Other Features
-
-### Compatible Genres
-
-- **Horror**: Surrealism creates psychological terror
-- **Thriller**: Reality distortion builds suspense
-- **Fantasy**: Surreal approach deepens fantasy
-- **Drama**: Psychological drama benefits from surreal expression
-- **Comedy**: Surreal humor (Being John Malkovich)
-
-### Compatible Themes
-
-- **Identity**: Surrealism explores fractured self
-- **Reality**: Questions nature of reality itself
-- **Psychology**: Externalizes internal states
-- **Dreams**: Natural fit for dream exploration
-- **Trauma**: Surreal expression of psychological damage
-
-### Style Variations
-
-- **Surreal horror**: Nightmare logic (Eraserhead)
-- **Surreal comedy**: Absurdist humor (Being John Malkovich)
-- **Magical realism**: Subtle surrealism in realistic world
-- **Psychological surrealism**: Mental states manifest (Black Swan)
-
-## Common Pitfalls
-
-### Pitfall 1: Incoherent Randomness
-
-**Problem**: Random weird events without internal logic or meaning.
-
-**Solution**: Establish dream logic rules and follow them. Surreal doesn't mean arbitrary.
-
-**Example**: Mulholland Drive has consistent dream logic despite surface incoherence.
-
----
-
-### Pitfall 2: Explaining the Surreal
-
-**Problem**: Rationalizing or explaining surreal elements, destroying their power.
-
-**Solution**: Trust ambiguity. Don't explain. Let surrealism speak for itself.
-
-**Example**: Pan's Labyrinth never confirms whether fantasy is real or imagined.
-
----
-
-### Pitfall 3: Surreal for Surreal's Sake
-
-**Problem**: Weird imagery without serving themes or psychology.
-
-**Solution**: Ensure surreal elements express genuine psychological or thematic truth.
-
-**Example**: Black Swan's surreal elements directly express protagonist's psychological state.
-
----
-
-### Pitfall 4: Losing All Grounding
-
-**Problem**: So surreal that audiences have no anchor point or emotional connection.
-
-**Solution**: Provide some realistic elements or emotional truth to ground surrealism.
-
-**Example**: Being John Malkovich grounds impossible premise in realistic character emotions.
-
----
-
-### Pitfall 5: Pretentious Obscurity
-
-**Problem**: Surrealism becomes excuse for incomprehensible self-indulgence.
-
-**Solution**: Surrealism should communicate, not obscure. Serve story and theme.
-
-**Example**: Even Lynch's most surreal films communicate emotional and psychological truths.
-
----
-
-## Best Practices
-
-1. **Establish internal logic** - Even dream logic needs consistency
-2. **Ground in psychology** - Surreal elements should express internal states
-3. **Trust ambiguity** - Don't explain everything
-4. **Commit fully** - Half-hearted surrealism feels false
-5. **Serve themes** - Surrealism should illuminate meaning
-6. **Create memorable images** - Surreal imagery should be unforgettable
-7. **Balance with reality** - Some grounding helps audiences connect
-8. **Study dreams** - Understand how dreams actually work
-
-## Resources
-
-- "Surrealism and Cinema" by Michael Richardson - Theory of surreal film
-- "Lynch on Lynch" by Chris Rodley - David Lynch on surreal filmmaking
-- "The Interpretation of Dreams" by Sigmund Freud - Understanding dream logic
-- "Mulholland Drive" screenplay by David Lynch - Master class in surrealism
-- "Being John Malkovich" screenplay by Charlie Kaufman - Surreal comedy
-
----
-
-**Depth Coverage**: 85%
-**Last Updated**: 2026-01-31
-**Version**: 1.0.0
-
+# Surreal Narrative Style
+
+**Category**: Screenplay Narrative Style  
+**Type**: Tonal/Structural  
+**Complexity**: High
+
+## Overview
+
+Surreal narrative embraces dream logic, abstract imagery, unconventional causality, and reality-bending sequences to explore subconscious themes and psychological states. This style prioritizes emotional and symbolic truth over literal realism.
+
+## Core Concept
+
+Surrealist screenwriting operates on dream logic rather than rational causality, using bizarre juxtapositions, impossible events, and symbolic imagery to access deeper psychological and emotional truths. The power lies in bypassing rational mind to speak directly to the subconscious. Success requires commitment to internal dream logic and trust in symbolic communication.
+
+## Definition
+
+A surreal narrative employs dream logic, impossible events, abstract imagery, and unconventional causality to create meaning through symbolic and psychological truth rather than literal reality.
+
+## Structural Requirements
+
+### Requirement 1: Dream Logic
+
+**Description**: Events follow emotional/symbolic logic rather than rational causality.
+
+**Why It Matters**: Surrealism operates on subconscious rules, not realistic cause-and-effect.
+
+**Implementation**:
+- Events connected by emotion/symbol, not logic
+- Impossible occurrences treated as normal
+- Transitions follow dream associations
+- Internal consistency within dream rules
+
+**Examples**:
+- ✅ **Good**: Character walks through door into completely different location/time
+- ❌ **Bad**: Realistic cause-and-effect with logical explanations
+
+**Film Reference**: Mulholland Drive (2001) - Dream logic governs narrative structure.
+
+---
+
+### Requirement 2: Reality Distortion
+
+**Description**: Physical reality bends, breaks, or transforms in impossible ways.
+
+**Why It Matters**: Surrealism requires breaking realistic constraints to access symbolic truth.
+
+**Implementation**:
+- Objects behave impossibly
+- Spaces transform illogically
+- Time becomes fluid or circular
+- Physics optional
+
+**Examples**:
+- ✅ **Good**: Room grows larger as character walks through it
+- ❌ **Bad**: Everything follows realistic physical laws
+
+**Film Reference**: Being John Malkovich (1999) - Portal into another person's consciousness.
+
+---
+
+### Requirement 3: Symbolic Imagery
+
+**Description**: Images carry symbolic weight beyond literal meaning, often bizarre or disturbing.
+
+**Why It Matters**: Surrealism communicates through symbols and metaphors.
+
+**Implementation**:
+- Use striking, memorable images
+- Create symbolic rather than literal meaning
+- Embrace disturbing or beautiful imagery
+- Layer multiple interpretations
+
+**Examples**:
+- ✅ **Good**: Character vomits flowers representing suppressed creativity
+- ❌ **Bad**: All imagery serves only literal plot function
+
+**Film Reference**: Pan's Labyrinth (2006) - Fantastical creatures as psychological symbols.
+
+---
+
+### Requirement 4: Ambiguous Reality
+
+**Description**: Blur lines between reality, dream, hallucination, and fantasy.
+
+**Why It Matters**: Surrealism questions nature of reality itself.
+
+**Implementation**:
+- Don't clearly mark what's real vs. imagined
+- Treat all events with equal reality
+- Avoid explanations or rationalizations
+- Embrace ambiguity
+
+**Examples**:
+- ✅ **Good**: Impossible events presented without explanation
+- ❌ **Bad**: "It was all a dream" revelation that explains everything
+
+**Film Reference**: Eraserhead (1977) - Reality status perpetually ambiguous.
+
+---
+
+### Requirement 5: Psychological Manifestation
+
+**Description**: Internal psychological states manifest as external surreal events.
+
+**Why It Matters**: Surrealism externalizes the internal, making psychology visible.
+
+**Implementation**:
+- Character's fears/desires become real
+- Emotions manifest as physical phenomena
+- Subconscious thoughts appear as events
+- Psychology drives surreal occurrences
+
+**Examples**:
+- ✅ **Good**: Character's anxiety causes walls to close in literally
+- ❌ **Bad**: Psychology only expressed through dialogue
+
+**Film Reference**: Black Swan (2010) - Psychological breakdown manifests as surreal transformation.
+
+---
+
+### Requirement 6: Unconventional Narrative
+
+**Description**: Story structure defies conventional beginning-middle-end progression.
+
+**Why It Matters**: Surrealism requires breaking narrative conventions.
+
+**Implementation**:
+- Circular or spiral structure
+- Multiple contradictory realities
+- Fragmented or non-linear progression
+- Ambiguous or open endings
+
+**Examples**:
+- ✅ **Good**: Film ends where it began, creating loop
+- ❌ **Bad**: Conventional three-act structure with clear resolution
+
+**Film Reference**: Inland Empire (2006) - Labyrinthine structure defies conventional narrative.
+
+---
+
+## Pacing Guidelines
+
+### Overall Rhythm
+
+- Unpredictable pacing reflecting dream states
+- Sudden shifts between slow and frenetic
+- Disorienting temporal flow
+- Rhythm serves psychological state
+
+### Scene Length
+
+- Highly varied and unpredictable
+- Some scenes linger uncomfortably long
+- Others flash by in moments
+- Length serves emotional/symbolic purpose
+
+### Act Structure
+
+- May abandon traditional acts entirely
+- Or use acts that loop/repeat/contradict
+- Structure serves surreal logic
+- Conventional progression optional
+
+### Transitions
+
+- Impossible transitions (walk through door to different world)
+- Match cuts on symbolic elements
+- Abrupt, disorienting shifts
+- Dream-like dissolves and morphs
+
+## Visual Storytelling
+
+### Camera Work
+
+- Unconventional angles and movements
+- Distorted perspectives
+- Impossible camera positions
+- Disorienting cinematography
+
+### Visual Motifs
+
+- Recurring surreal images
+- Symbolic objects and creatures
+- Disturbing or beautiful imagery
+- Visual impossibilities
+
+### Action Lines
+
+- Describe impossible events matter-of-factly
+- Embrace bizarre imagery
+- Don't explain or rationalize
+- Trust surreal vision
+
+**Example**:
+```
+INT. HALLWAY - NIGHT
+
+The hallway stretches infinitely. Sarah walks but never gets closer to the door at the end.
+
+The walls begin to breathe.
+
+A CHILD appears, walking backward. The child is Sarah at age seven.
+
+CHILD-SARAH
+You're late.
+
+SARAH
+For what?
+
+The child dissolves into butterflies.
+```
+
+## Dialogue Approach
+
+### Dialogue Style
+
+- Can be realistic or absurdist
+- Non-sequiturs and dream logic
+- Symbolic rather than literal
+- Cryptic or prophetic
+
+### Subtext
+
+- Dialogue may mean opposite of what's said
+- Symbolic communication
+- Dream associations
+- Multiple interpretations
+
+### Formatting
+
+- Standard formatting for bizarre content
+- Let strangeness speak for itself
+- Minimal explanation
+- Embrace ambiguity
+
+**Example**:
+```
+MAN IN RED SUIT
+The fish are drowning.
+
+SARAH
+I don't understand.
+
+MAN IN RED SUIT
+You will. You already have.
+
+He hands her a key made of ice. It doesn't melt.
+```
+
+## Technical Formatting
+
+### Page Layout
+
+- Standard format for surreal content
+- Clear scene headings despite impossible locations
+- Describe impossibilities clearly
+- Trust reader's imagination
+
+### Scene Headings
+
+- Can be impossible locations
+- Ambiguous time markers
+- Dreamlike place names
+- Reality status unclear
+
+### Special Elements
+
+- DREAM SEQUENCE (though may not mark as such)
+- HALLUCINATION (or not distinguish)
+- FANTASY (or treat as real)
+- Minimal technical notation
+
+## Strengths and Limitations
+
+### Strengths
+
+- Accesses deep psychological truths
+- Creates unforgettable imagery
+- Explores themes impossible in realism
+- Unique artistic vision
+- Bypasses rational defenses
+
+### Limitations
+
+- Can alienate mainstream audiences
+- Risk of incoherence
+- Difficult to sustain feature length
+- May feel pretentious
+- Requires sophisticated interpretation
+
+### Best Use Cases
+
+- Psychological horror and thriller
+- Exploration of mental states
+- Subconscious themes
+- Artistic/experimental cinema
+- Fantasy with psychological depth
+- Trauma and memory narratives
+
+## Film Examples
+
+### Example 1: Mulholland Drive (2001)
+
+**Director**: David Lynch
+
+**Why This Style Works**: Dream logic and reality distortion create psychological mystery that operates on subconscious level.
+
+**Key Stylistic Moments**:
+- **Club Silencio**: Lip-syncing performance reveals reality's artifice
+- **Identity Shifts**: Characters become different people
+- **Circular Structure**: Ending loops to beginning
+
+**Techniques Used**:
+- Dream logic governs narrative
+- Reality status perpetually ambiguous
+- Symbolic imagery (blue box, key)
+- Multiple contradictory realities
+
+**Structural Analysis**: First two-thirds appear realistic, final third reveals dream logic governing entire film.
+
+---
+
+### Example 2: Being John Malkovich (1999)
+
+**Director**: Spike Jonze
+
+**Why This Style Works**: Impossible premise (portal into actor's mind) treated as mundane reality creates surreal comedy.
+
+**Key Stylistic Moments**:
+- **7½ Floor**: Physically impossible office space
+- **Portal**: Impossible doorway into consciousness
+- **Malkovich Malkovich**: Surreal recursive sequence
+
+**Techniques Used**:
+- Impossible events treated casually
+- Surreal premise with realistic execution
+- Psychological manifestation (desire to be someone else)
+- Reality distortion as comedy
+
+**Structural Analysis**: Surreal premise explored with logical consistency within its own impossible rules.
+
+---
+
+### Example 3: Pan's Labyrinth (2006)
+
+**Director**: Guillermo del Toro
+
+**Why This Style Works**: Fantasy sequences may be real or psychological escape, creating ambiguous surreal narrative.
+
+**Key Stylistic Moments**:
+- **Pale Man**: Disturbing creature as symbolic threat
+- **Faun**: Ambiguous guide/tempter
+- **Mandrake Root**: Magic or metaphor?
+
+**Techniques Used**:
+- Ambiguous reality status
+- Symbolic creatures represent psychological states
+- Surreal fantasy intercut with brutal realism
+- Open to multiple interpretations
+
+**Structural Analysis**: Parallel realities (fantasy/reality) may be one reality or psychological manifestation.
+
+---
+
+### Example 4: Eraserhead (1977)
+
+**Director**: David Lynch
+
+**Why This Style Works**: Pure surreal nightmare logic creates visceral psychological horror.
+
+**Key Stylistic Moments**:
+- **Baby**: Grotesque creature representing fatherhood anxiety
+- **Radiator Woman**: Symbolic escape fantasy
+- **Industrial Soundscape**: Reality as nightmare
+
+**Techniques Used**:
+- Consistent nightmare logic
+- Symbolic rather than literal narrative
+- Disturbing imagery throughout
+- Ambiguous reality status
+
+**Structural Analysis**: Abandons conventional narrative for sustained surreal nightmare.
+
+---
+
+### Example 5: Black Swan (2010)
+
+**Director**: Darren Aronofsky
+
+**Why This Style Works**: Psychological breakdown manifests as surreal transformation, blurring reality and hallucination.
+
+**Key Stylistic Moments**:
+- **Mirror Attacks**: Doppelganger as psychological manifestation
+- **Physical Transformation**: Body horror as metaphor
+- **Ambiguous Events**: What's real vs. imagined unclear
+
+**Techniques Used**:
+- Psychological state manifests physically
+- Reality increasingly distorted
+- Ambiguous hallucinations
+- Surreal horror from internal state
+
+**Structural Analysis**: Realistic beginning gradually becomes surreal as protagonist's psychology fractures.
+
+---
+
+## Integration with Other Features
+
+### Compatible Genres
+
+- **Horror**: Surrealism creates psychological terror
+- **Thriller**: Reality distortion builds suspense
+- **Fantasy**: Surreal approach deepens fantasy
+- **Drama**: Psychological drama benefits from surreal expression
+- **Comedy**: Surreal humor (Being John Malkovich)
+
+### Compatible Themes
+
+- **Identity**: Surrealism explores fractured self
+- **Reality**: Questions nature of reality itself
+- **Psychology**: Externalizes internal states
+- **Dreams**: Natural fit for dream exploration
+- **Trauma**: Surreal expression of psychological damage
+
+### Style Variations
+
+- **Surreal horror**: Nightmare logic (Eraserhead)
+- **Surreal comedy**: Absurdist humor (Being John Malkovich)
+- **Magical realism**: Subtle surrealism in realistic world
+- **Psychological surrealism**: Mental states manifest (Black Swan)
+
+## Common Pitfalls
+
+### Pitfall 1: Incoherent Randomness
+
+**Problem**: Random weird events without internal logic or meaning.
+
+**Solution**: Establish dream logic rules and follow them. Surreal doesn't mean arbitrary.
+
+**Example**: Mulholland Drive has consistent dream logic despite surface incoherence.
+
+---
+
+### Pitfall 2: Explaining the Surreal
+
+**Problem**: Rationalizing or explaining surreal elements, destroying their power.
+
+**Solution**: Trust ambiguity. Don't explain. Let surrealism speak for itself.
+
+**Example**: Pan's Labyrinth never confirms whether fantasy is real or imagined.
+
+---
+
+### Pitfall 3: Surreal for Surreal's Sake
+
+**Problem**: Weird imagery without serving themes or psychology.
+
+**Solution**: Ensure surreal elements express genuine psychological or thematic truth.
+
+**Example**: Black Swan's surreal elements directly express protagonist's psychological state.
+
+---
+
+### Pitfall 4: Losing All Grounding
+
+**Problem**: So surreal that audiences have no anchor point or emotional connection.
+
+**Solution**: Provide some realistic elements or emotional truth to ground surrealism.
+
+**Example**: Being John Malkovich grounds impossible premise in realistic character emotions.
+
+---
+
+### Pitfall 5: Pretentious Obscurity
+
+**Problem**: Surrealism becomes excuse for incomprehensible self-indulgence.
+
+**Solution**: Surrealism should communicate, not obscure. Serve story and theme.
+
+**Example**: Even Lynch's most surreal films communicate emotional and psychological truths.
+
+---
+
+## Best Practices
+
+1. **Establish internal logic** - Even dream logic needs consistency
+2. **Ground in psychology** - Surreal elements should express internal states
+3. **Trust ambiguity** - Don't explain everything
+4. **Commit fully** - Half-hearted surrealism feels false
+5. **Serve themes** - Surrealism should illuminate meaning
+6. **Create memorable images** - Surreal imagery should be unforgettable
+7. **Balance with reality** - Some grounding helps audiences connect
+8. **Study dreams** - Understand how dreams actually work
+
+## Resources
+
+- "Surrealism and Cinema" by Michael Richardson - Theory of surreal film
+- "Lynch on Lynch" by Chris Rodley - David Lynch on surreal filmmaking
+- "The Interpretation of Dreams" by Sigmund Freud - Understanding dream logic
+- "Mulholland Drive" screenplay by David Lynch - Master class in surrealism
+- "Being John Malkovich" screenplay by Charlie Kaufman - Surreal comedy
+
+---
+
+**Depth Coverage**: 85%
+**Last Updated**: 2026-01-31
+**Version**: 1.0.0
+