@mytechtoday/augment-extensions 0.7.0 → 1.2.0

package/augment-extensions/writing-standards/screenplay/rules/live-tv-productions.md

@@ -1,443 +1,443 @@
-# Live TV Productions
-
-## Overview
-
-Live television productions require real-time scripting, multi-camera coordination, precise timing, and contingency planning for unpredictable elements. Scripts must balance structure with flexibility for improvisation and live audience interaction.
-
-## Types of Live Productions
-
-### Live Variety Shows
-- Saturday Night Live
-- Late-night talk shows
-- Award shows
-- Sketch comedy
-- Musical performances
-
-### Live Sitcoms
-- Multi-camera setup
-- Live studio audience
-- Theatrical staging
-- Continuous performance
-- Immediate feedback
-
-### Live Events
-- Sports broadcasts
-- News coverage
-- Award ceremonies
-- Concerts
-- Special events
-
-### Live Drama
-- Live theater broadcasts
-- One-night television events
-- Experimental productions
-- Holiday specials
-
-## Script Format
-
-### Multi-Camera Script Format
-**Format**:
-```
-FADE IN:
-
-INT. LIVING ROOM - NIGHT
-
-                    JOHN ENTERS FROM KITCHEN, CARRYING PIZZA BOX.
-
-                         JOHN
-          (TO AUDIENCE)
-     Who ordered pepperoni?
-
-                    AUDIENCE LAUGHS.
-
-                         MARY
-          (SARCASTIC)
-     Oh great, more pizza.
-
-                    AUDIENCE LAUGHS.
-
-                         JOHN
-          What? You love pizza!
-
-                         MARY
-          I love NOT having pizza every night!
-
-                    AUDIENCE APPLAUSE.
-```
-
-**Characteristics**:
-- ALL CAPS for scene headings
-- Centered character names
-- Centered dialogue
-- Centered parentheticals
-- Audience reactions noted
-- Camera cues in margins
-
-### Timing Marks
-**Notation**:
-```
-[0:00] COLD OPEN
-[2:30] OPENING CREDITS
-[3:00] MONOLOGUE
-[8:00] COMMERCIAL BREAK 1
-[11:00] SKETCH 1
-[16:00] COMMERCIAL BREAK 2
-[TOTAL RUNTIME: 60:00]
-```
-
-### Camera Cues
-**Format**:
-```
-CAM 1: WIDE SHOT - LIVING ROOM
-CAM 2: CLOSE-UP - JOHN
-CAM 3: TWO-SHOT - JOHN AND MARY
-CAM 4: AUDIENCE REACTION
-```
-
-## Live Audience Considerations
-
-### Audience Warm-Up
-**Pre-Show** (10-15 minutes):
-- Comedian or host
-- Explain show format
-- Practice applause/laughter
-- Build energy
-- Set expectations
-
-### Audience Cues
-**Script Notation**:
-```
-                    APPLAUSE SIGN
-
-                    AUDIENCE APPLAUDS.
-
-                    LAUGHTER SIGN
-
-                    AUDIENCE LAUGHS.
-```
-
-### Playing to Audience
-**Techniques**:
-- Pause for laughter
-- Acknowledge reactions
-- Eye contact with audience
-- Physical comedy
-- Audience interaction
-
-### Audience Reactions
-**Timing**:
-- Allow time for laughter (3-5 seconds)
-- Pause for applause (5-10 seconds)
-- Don't step on laughs
-- Adjust pacing in real-time
-- Read the room
-
-## Timing and Pacing
-
-### Precise Timing
-**Requirements**:
-- Hit exact runtime
-- Account for audience reactions
-- Buffer time for delays
-- Flexible segments
-- Time cues for performers
-
-### Timing Buffer
-**Strategies**:
-- Flexible segments that can be cut
-- "Stretch" material if running short
-- Pre-planned cuts if running long
-- Real-time adjustments
-- Stage manager time cues
-
-### Time Cues
-**Notation**:
-```
-STAGE MANAGER GIVES 5-MINUTE WARNING
-
-STAGE MANAGER GIVES 1-MINUTE WARNING
-
-STAGE MANAGER GIVES 30-SECOND WARNING
-
-STAGE MANAGER GIVES WRAP CUE
-```
-
-## Improvisation and Flexibility
-
-### Scripted vs. Improvised
-**Balance**:
-- Scripted structure
-- Room for improvisation
-- Ad-lib opportunities
-- Spontaneous moments
-- Controlled flexibility
-
-### Improvisation Markers
-**Script Notation**:
-```
-JOHN AND MARY AD-LIB ABOUT CURRENT EVENTS
-(APPROXIMATELY 2 MINUTES)
-
-[IMPROVISED BANTER]
-
-JOHN RETURNS TO SCRIPT:
-```
-
-### Contingency Planning
-**Prepare For**:
-- Technical difficulties
-- Performer mistakes
-- Timing issues
-- Unexpected events
-- Backup material
-
-## Multi-Camera Setup
-
-### Camera Blocking
-**Planning**:
-- Pre-plan camera positions
-- Choreograph camera moves
-- Avoid crossing cameras
-- Clear sightlines
-- Smooth transitions
-
-### Shot List
-**Format**:
-```
-SCENE 1 - LIVING ROOM
-
-SHOT 1: WIDE - Establish room
-SHOT 2: MED - John enters
-SHOT 3: CU - John's reaction
-SHOT 4: TWO-SHOT - John and Mary
-SHOT 5: CU - Mary's response
-SHOT 6: WIDE - Both characters
-```
-
-### Camera Transitions
-**Techniques**:
-- Cut on movement
-- Match action
-- Reaction shots
-- Audience cutaways
-- Smooth flow
-
-## Cue Cards and Teleprompter
-
-### Cue Card Usage
-**Guidelines**:
-- Large, readable text
-- Key lines only
-- Positioned near camera
-- Updated in real-time
-- Backup for teleprompter
-
-### Teleprompter
-**Format**:
-```
-WELCOME TO THE SHOW!
-
-[PAUSE FOR APPLAUSE]
-
-TONIGHT WE HAVE A GREAT SHOW FOR YOU.
-
-[GESTURE TO GUESTS]
-
-PLEASE WELCOME OUR FIRST GUEST...
-```
-
-**Best Practices**:
-- Short sentences
-- Natural breaks
-- Pause indicators
-- Emphasis markers
-- Easy-to-read font
-
-## Live Performance Elements
-
-### Entrances and Exits
-**Choreography**:
-- Precise timing
-- Clear pathways
-- Audience visibility
-- Camera awareness
-- Smooth transitions
-
-### Physical Comedy
-**Considerations**:
-- Rehearsed but spontaneous-looking
-- Safety first
-- Camera angles
-- Audience sightlines
-- Timing precision
-
-### Musical Performances
-**Integration**:
-- Pre-recorded vs. live
-- Sound check timing
-- Camera choreography
-- Lighting cues
-- Transition planning
-
-## Error Recovery
-
-### Handling Mistakes
-**Strategies**:
-- Acknowledge and move on
-- Incorporate into comedy
-- Have backup lines ready
-- Stay in character
-- Don't break unless necessary
-
-### Technical Difficulties
-**Contingencies**:
-- Backup equipment
-- Alternative segments
-- Stall tactics
-- Audience interaction
-- Pre-recorded backup
-
-### Script Notation
-```
-[IF TECHNICAL DIFFICULTY, GO TO BACKUP SKETCH]
-
-[BACKUP MATERIAL - 3 MINUTES]
-
-[RETURN TO MAIN SCRIPT WHEN READY]
-```
-
-## Rehearsal Process
-
-### Table Read
-- Full cast read-through
-- Timing check
-- Script adjustments
-- Character development
-- Identify issues
-
-### Blocking Rehearsal
-- Stage movement
-- Camera positions
-- Entrance/exit timing
-- Physical comedy
-- Set familiarization
-
-### Camera Rehearsal
-- Full technical run
-- Camera blocking
-- Lighting cues
-- Sound checks
-- Timing refinement
-
-### Dress Rehearsal
-- Full performance
-- Costumes and makeup
-- Live audience (sometimes)
-- Final adjustments
-- Confidence building
-
-## Live Show Structure
-
-### Variety Show (60 minutes)
-**Structure**:
-- **Cold Open** (2-3 min): Sketch or monologue
-- **Opening Credits** (1 min)
-- **Monologue** (5-7 min): Host addresses audience
-- **Commercial Break 1** (3 min)
-- **Sketch 1** (5-7 min)
-- **Commercial Break 2** (3 min)
-- **Musical Performance** (4-5 min)
-- **Commercial Break 3** (3 min)
-- **Sketch 2** (5-7 min)
-- **Commercial Break 4** (3 min)
-- **Sketch 3** (5-7 min)
-- **Goodnights** (2 min)
-
-### Talk Show (60 minutes)
-**Structure**:
-- **Cold Open** (2 min)
-- **Monologue** (8-10 min)
-- **Commercial Break 1**
-- **Guest 1** (10-12 min)
-- **Commercial Break 2**
-- **Guest 2** (8-10 min)
-- **Commercial Break 3**
-- **Musical Performance** (4-5 min)
-- **Closing** (2 min)
-
-## Best Practices
-
-### DO
-✅ Rehearse extensively
-✅ Plan for contingencies
-✅ Allow time for audience reactions
-✅ Use clear timing marks
-✅ Prepare backup material
-✅ Communicate with crew
-✅ Stay flexible
-✅ Mark camera cues clearly
-✅ Account for improvisation
-✅ Build in timing buffers
-
-### DON'T
-❌ Over-script improvised moments
-❌ Ignore timing constraints
-❌ Forget audience reactions
-❌ Neglect camera blocking
-❌ Panic during mistakes
-❌ Rush through material
-❌ Forget backup plans
-❌ Ignore stage manager cues
-❌ Overcomplicate camera moves
-❌ Sacrifice safety for comedy
-
-## Script Example
-
-**Live Sketch Comedy**:
-```
-SKETCH: "THE JOB INTERVIEW"
-RUNTIME: 5:00
-CAMERAS: 3
-
-FADE IN:
-
-INT. OFFICE - DAY
-
-CAM 1: WIDE SHOT - OFFICE
-
-                    BOSS SITS BEHIND DESK. APPLICANT ENTERS.
-
-CAM 2: MED SHOT - APPLICANT
-
-                         APPLICANT
-          Thanks for seeing me.
-
-CAM 3: CU - BOSS
-
-                         BOSS
-          Have a seat.
-
-                    AUDIENCE LAUGHS (ANTICIPATORY).
-
-CAM 2: TWO-SHOT
-
-                    APPLICANT SITS. CHAIR COLLAPSES.
-
-                    AUDIENCE LAUGHS.
-
-CAM 3: CU - BOSS (DEADPAN)
-
-                         BOSS
-          That's a good start.
-
-                    AUDIENCE ROARS.
-
-[SKETCH CONTINUES...]
-
-[4:30] STAGE MANAGER: 30-SECOND WARNING
-
-[5:00] BLACKOUT
-
-                    AUDIENCE APPLAUSE.
-```
-
+# Live TV Productions
+
+## Overview
+
+Live television productions require real-time scripting, multi-camera coordination, precise timing, and contingency planning for unpredictable elements. Scripts must balance structure with flexibility for improvisation and live audience interaction.
+
+## Types of Live Productions
+
+### Live Variety Shows
+- Saturday Night Live
+- Late-night talk shows
+- Award shows
+- Sketch comedy
+- Musical performances
+
+### Live Sitcoms
+- Multi-camera setup
+- Live studio audience
+- Theatrical staging
+- Continuous performance
+- Immediate feedback
+
+### Live Events
+- Sports broadcasts
+- News coverage
+- Award ceremonies
+- Concerts
+- Special events
+
+### Live Drama
+- Live theater broadcasts
+- One-night television events
+- Experimental productions
+- Holiday specials
+
+## Script Format
+
+### Multi-Camera Script Format
+**Format**:
+```
+FADE IN:
+
+INT. LIVING ROOM - NIGHT
+
+                    JOHN ENTERS FROM KITCHEN, CARRYING PIZZA BOX.
+
+                         JOHN
+          (TO AUDIENCE)
+     Who ordered pepperoni?
+
+                    AUDIENCE LAUGHS.
+
+                         MARY
+          (SARCASTIC)
+     Oh great, more pizza.
+
+                    AUDIENCE LAUGHS.
+
+                         JOHN
+          What? You love pizza!
+
+                         MARY
+          I love NOT having pizza every night!
+
+                    AUDIENCE APPLAUSE.
+```
+
+**Characteristics**:
+- ALL CAPS for scene headings
+- Centered character names
+- Centered dialogue
+- Centered parentheticals
+- Audience reactions noted
+- Camera cues in margins
+
+### Timing Marks
+**Notation**:
+```
+[0:00] COLD OPEN
+[2:30] OPENING CREDITS
+[3:00] MONOLOGUE
+[8:00] COMMERCIAL BREAK 1
+[11:00] SKETCH 1
+[16:00] COMMERCIAL BREAK 2
+[TOTAL RUNTIME: 60:00]
+```
+
+### Camera Cues
+**Format**:
+```
+CAM 1: WIDE SHOT - LIVING ROOM
+CAM 2: CLOSE-UP - JOHN
+CAM 3: TWO-SHOT - JOHN AND MARY
+CAM 4: AUDIENCE REACTION
+```
+
+## Live Audience Considerations
+
+### Audience Warm-Up
+**Pre-Show** (10-15 minutes):
+- Comedian or host
+- Explain show format
+- Practice applause/laughter
+- Build energy
+- Set expectations
+
+### Audience Cues
+**Script Notation**:
+```
+                    APPLAUSE SIGN
+
+                    AUDIENCE APPLAUDS.
+
+                    LAUGHTER SIGN
+
+                    AUDIENCE LAUGHS.
+```
+
+### Playing to Audience
+**Techniques**:
+- Pause for laughter
+- Acknowledge reactions
+- Eye contact with audience
+- Physical comedy
+- Audience interaction
+
+### Audience Reactions
+**Timing**:
+- Allow time for laughter (3-5 seconds)
+- Pause for applause (5-10 seconds)
+- Don't step on laughs
+- Adjust pacing in real-time
+- Read the room
+
+## Timing and Pacing
+
+### Precise Timing
+**Requirements**:
+- Hit exact runtime
+- Account for audience reactions
+- Buffer time for delays
+- Flexible segments
+- Time cues for performers
+
+### Timing Buffer
+**Strategies**:
+- Flexible segments that can be cut
+- "Stretch" material if running short
+- Pre-planned cuts if running long
+- Real-time adjustments
+- Stage manager time cues
+
+### Time Cues
+**Notation**:
+```
+STAGE MANAGER GIVES 5-MINUTE WARNING
+
+STAGE MANAGER GIVES 1-MINUTE WARNING
+
+STAGE MANAGER GIVES 30-SECOND WARNING
+
+STAGE MANAGER GIVES WRAP CUE
+```
+
+## Improvisation and Flexibility
+
+### Scripted vs. Improvised
+**Balance**:
+- Scripted structure
+- Room for improvisation
+- Ad-lib opportunities
+- Spontaneous moments
+- Controlled flexibility
+
+### Improvisation Markers
+**Script Notation**:
+```
+JOHN AND MARY AD-LIB ABOUT CURRENT EVENTS
+(APPROXIMATELY 2 MINUTES)
+
+[IMPROVISED BANTER]
+
+JOHN RETURNS TO SCRIPT:
+```
+
+### Contingency Planning
+**Prepare For**:
+- Technical difficulties
+- Performer mistakes
+- Timing issues
+- Unexpected events
+- Backup material
+
+## Multi-Camera Setup
+
+### Camera Blocking
+**Planning**:
+- Pre-plan camera positions
+- Choreograph camera moves
+- Avoid crossing cameras
+- Clear sightlines
+- Smooth transitions
+
+### Shot List
+**Format**:
+```
+SCENE 1 - LIVING ROOM
+
+SHOT 1: WIDE - Establish room
+SHOT 2: MED - John enters
+SHOT 3: CU - John's reaction
+SHOT 4: TWO-SHOT - John and Mary
+SHOT 5: CU - Mary's response
+SHOT 6: WIDE - Both characters
+```
+
+### Camera Transitions
+**Techniques**:
+- Cut on movement
+- Match action
+- Reaction shots
+- Audience cutaways
+- Smooth flow
+
+## Cue Cards and Teleprompter
+
+### Cue Card Usage
+**Guidelines**:
+- Large, readable text
+- Key lines only
+- Positioned near camera
+- Updated in real-time
+- Backup for teleprompter
+
+### Teleprompter
+**Format**:
+```
+WELCOME TO THE SHOW!
+
+[PAUSE FOR APPLAUSE]
+
+TONIGHT WE HAVE A GREAT SHOW FOR YOU.
+
+[GESTURE TO GUESTS]
+
+PLEASE WELCOME OUR FIRST GUEST...
+```
+
+**Best Practices**:
+- Short sentences
+- Natural breaks
+- Pause indicators
+- Emphasis markers
+- Easy-to-read font
+
+## Live Performance Elements
+
+### Entrances and Exits
+**Choreography**:
+- Precise timing
+- Clear pathways
+- Audience visibility
+- Camera awareness
+- Smooth transitions
+
+### Physical Comedy
+**Considerations**:
+- Rehearsed but spontaneous-looking
+- Safety first
+- Camera angles
+- Audience sightlines
+- Timing precision
+
+### Musical Performances
+**Integration**:
+- Pre-recorded vs. live
+- Sound check timing
+- Camera choreography
+- Lighting cues
+- Transition planning
+
+## Error Recovery
+
+### Handling Mistakes
+**Strategies**:
+- Acknowledge and move on
+- Incorporate into comedy
+- Have backup lines ready
+- Stay in character
+- Don't break unless necessary
+
+### Technical Difficulties
+**Contingencies**:
+- Backup equipment
+- Alternative segments
+- Stall tactics
+- Audience interaction
+- Pre-recorded backup
+
+### Script Notation
+```
+[IF TECHNICAL DIFFICULTY, GO TO BACKUP SKETCH]
+
+[BACKUP MATERIAL - 3 MINUTES]
+
+[RETURN TO MAIN SCRIPT WHEN READY]
+```
+
+## Rehearsal Process
+
+### Table Read
+- Full cast read-through
+- Timing check
+- Script adjustments
+- Character development
+- Identify issues
+
+### Blocking Rehearsal
+- Stage movement
+- Camera positions
+- Entrance/exit timing
+- Physical comedy
+- Set familiarization
+
+### Camera Rehearsal
+- Full technical run
+- Camera blocking
+- Lighting cues
+- Sound checks
+- Timing refinement
+
+### Dress Rehearsal
+- Full performance
+- Costumes and makeup
+- Live audience (sometimes)
+- Final adjustments
+- Confidence building
+
+## Live Show Structure
+
+### Variety Show (60 minutes)
+**Structure**:
+- **Cold Open** (2-3 min): Sketch or monologue
+- **Opening Credits** (1 min)
+- **Monologue** (5-7 min): Host addresses audience
+- **Commercial Break 1** (3 min)
+- **Sketch 1** (5-7 min)
+- **Commercial Break 2** (3 min)
+- **Musical Performance** (4-5 min)
+- **Commercial Break 3** (3 min)
+- **Sketch 2** (5-7 min)
+- **Commercial Break 4** (3 min)
+- **Sketch 3** (5-7 min)
+- **Goodnights** (2 min)
+
+### Talk Show (60 minutes)
+**Structure**:
+- **Cold Open** (2 min)
+- **Monologue** (8-10 min)
+- **Commercial Break 1**
+- **Guest 1** (10-12 min)
+- **Commercial Break 2**
+- **Guest 2** (8-10 min)
+- **Commercial Break 3**
+- **Musical Performance** (4-5 min)
+- **Closing** (2 min)
+
+## Best Practices
+
+### DO
+✅ Rehearse extensively
+✅ Plan for contingencies
+✅ Allow time for audience reactions
+✅ Use clear timing marks
+✅ Prepare backup material
+✅ Communicate with crew
+✅ Stay flexible
+✅ Mark camera cues clearly
+✅ Account for improvisation
+✅ Build in timing buffers
+
+### DON'T
+❌ Over-script improvised moments
+❌ Ignore timing constraints
+❌ Forget audience reactions
+❌ Neglect camera blocking
+❌ Panic during mistakes
+❌ Rush through material
+❌ Forget backup plans
+❌ Ignore stage manager cues
+❌ Overcomplicate camera moves
+❌ Sacrifice safety for comedy
+
+## Script Example
+
+**Live Sketch Comedy**:
+```
+SKETCH: "THE JOB INTERVIEW"
+RUNTIME: 5:00
+CAMERAS: 3
+
+FADE IN:
+
+INT. OFFICE - DAY
+
+CAM 1: WIDE SHOT - OFFICE
+
+                    BOSS SITS BEHIND DESK. APPLICANT ENTERS.
+
+CAM 2: MED SHOT - APPLICANT
+
+                         APPLICANT
+          Thanks for seeing me.
+
+CAM 3: CU - BOSS
+
+                         BOSS
+          Have a seat.
+
+                    AUDIENCE LAUGHS (ANTICIPATORY).
+
+CAM 2: TWO-SHOT
+
+                    APPLICANT SITS. CHAIR COLLAPSES.
+
+                    AUDIENCE LAUGHS.
+
+CAM 3: CU - BOSS (DEADPAN)
+
+                         BOSS
+          That's a good start.
+
+                    AUDIENCE ROARS.
+
+[SKETCH CONTINUES...]
+
+[4:30] STAGE MANAGER: 30-SECOND WARNING
+
+[5:00] BLACKOUT
+
+                    AUDIENCE APPLAUSE.
+```
+