npm - @mytechtoday/augment-extensions - Versions diffs - 0.7.0 → 1.2.0 - Mend

@mytechtoday/augment-extensions 0.7.0 → 1.2.0

This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.

Files changed (483) hide show

package/augment-extensions/writing-standards/screenplay/genres/rules/action.md CHANGED Viewed

@@ -1,399 +1,399 @@
-# Action Genre
-**Category**: Screenplay Genre
-**Type**: Primary
-**Complexity**: Medium
-## Overview
-Action films prioritize physical feats, chase sequences, fights, and spectacular set pieces. The genre emphasizes visual storytelling, kinetic energy, and escalating stakes through physical conflict and danger.
-## Core Concept
-Action screenplays are built around a protagonist who must overcome physical obstacles and adversaries through skill, determination, and resourcefulness. The genre thrives on momentum, clear objectives, and visceral excitement. Success depends on balancing spectacular action sequences with character development and emotional stakes.
-## Core Rules
-### Rule 1: Establish Clear Physical Stakes
-**Description**: Every action sequence must have clear, tangible stakes that the audience can understand and care about.
-**Why It Matters**: Without clear stakes, action becomes empty spectacle. The audience needs to know what's at risk and why it matters.
-**Examples**:
-- ✅ **Good**: "If the hero doesn't defuse the bomb in 10 minutes, the stadium full of people will explode"
-- ❌ **Bad**: "The hero fights random henchmen for unclear reasons"
-**Film Reference**: Die Hard (1988) - John McClane must save hostages including his wife, with a clear ticking clock and escalating danger.
----
-### Rule 2: Escalate Action Throughout
-**Description**: Each action sequence should be more intense, complex, or dangerous than the last.
-**Why It Matters**: Escalation maintains audience engagement and builds toward a climactic finale. Flat or declining action energy kills momentum.
-**Examples**:
-- ✅ **Good**: Fistfight → Car chase → Building explosion → Helicopter battle
-- ❌ **Bad**: Massive explosion in Act I, then smaller fights in Act II
-**Film Reference**: Mad Max: Fury Road (2015) - Action escalates from desert chase to canyon battle to final war rig confrontation.
----
-### Rule 3: Root Action in Character
-**Description**: Action sequences should reveal character, advance relationships, or force character growth.
-**Why It Matters**: Action without character development is forgettable. The best action scenes change the protagonist or their relationships.
-**Examples**:
-- ✅ **Good**: During a fight, the hero chooses to save an enemy, revealing their moral code
-- ❌ **Bad**: Generic fight scene that could be removed without affecting the story
-**Film Reference**: The Raid (2011) - Rama's fighting style and choices reveal his honor code and relationship with his brother.
----
-### Rule 4: Maintain Spatial Clarity
-**Description**: The audience must always understand the geography of action sequences - where characters are, what they're trying to reach, and what obstacles stand in their way.
-**Why It Matters**: Confused audiences disengage. Clear spatial relationships create tension and allow audiences to anticipate danger.
-**Examples**:
-- ✅ **Good**: "The hero is on the third floor. The exit is on the ground floor. Guards block the stairwell."
-- ❌ **Bad**: "The hero runs through various rooms fighting people in unclear locations"
-**Film Reference**: Mission: Impossible - Fallout (2018) - The bathroom fight maintains perfect spatial clarity throughout.
----
-### Rule 5: Use Action to Advance Plot
-**Description**: Every major action sequence should move the story forward, reveal new information, or change the situation.
-**Why It Matters**: Action for action's sake pads runtime without purpose. Purposeful action keeps the story moving.
-**Examples**:
-- ✅ **Good**: During a chase, the hero discovers the villain's hideout location
-- ❌ **Bad**: A 10-minute fight that ends exactly where it started with no new information
-**Film Reference**: The Bourne Identity (2002) - Every action sequence reveals more about Bourne's past or advances his investigation.
----
-### Rule 6: Establish Hero's Competence Early
-**Description**: Show the protagonist's physical skills and resourcefulness in Act I, before the main conflict begins.
-**Why It Matters**: The audience needs to believe the hero can handle the challenges ahead. Early competence builds credibility.
-**Examples**:
-- ✅ **Good**: Opening sequence shows hero's military training, quick thinking, or combat skills
-- ❌ **Bad**: Hero suddenly becomes skilled fighter in Act II with no setup
-**Film Reference**: John Wick (2014) - Opening scenes establish John's legendary status and skills before the main conflict.
----
-### Rule 7: Create Obstacles, Not Just Opponents
-**Description**: Action sequences should feature environmental challenges, time pressure, and physical obstacles beyond just fighting enemies.
-**Why It Matters**: Varied obstacles create more interesting and unpredictable action. Pure combat becomes repetitive.
-**Examples**:
-- ✅ **Good**: Hero must fight while building collapses, fire spreads, and timer counts down
-- ❌ **Bad**: Hero fights identical groups of henchmen in similar locations
-**Film Reference**: Speed (1994) - The bus itself is the primary obstacle, with human antagonists as secondary threats.
----
-### Rule 8: Balance Action with Breathing Room
-**Description**: Follow intense action sequences with quieter moments for character development, humor, or emotional processing.
-**Why It Matters**: Constant action creates fatigue and diminishing returns. Contrast makes action more impactful.
-**Examples**:
-- ✅ **Good**: Major action sequence → quiet character moment → build tension → next action sequence
-- ❌ **Bad**: 90 minutes of non-stop action with no character moments
-**Film Reference**: Terminator 2 (1991) - Balances massive action set pieces with intimate character scenes between Sarah, John, and the T-800.
----
-### Rule 9: Make Action Visual, Not Verbal
-**Description**: Show action through visual description, not dialogue explanation. Minimize talking during action sequences.
-**Why It Matters**: Action is a visual medium. Excessive dialogue during action kills momentum and feels unnatural.
-**Examples**:
-- ✅ **Good**: "Sarah LEAPS from the roof, CRASHES through the skylight, ROLLS to her feet"
-- ❌ **Bad**: Characters explain their actions while fighting: "I'm going to punch you now!"
-**Film Reference**: Mad Max: Fury Road (2015) - Minimal dialogue, maximum visual storytelling.
----
-### Rule 10: Establish Rules and Limitations
-**Description**: Define what the hero can and cannot do physically. Establish the rules of the world's action early.
-**Why It Matters**: Limitations create tension. If the hero can do anything, there's no suspense. Consistent rules maintain believability.
-**Examples**:
-- ✅ **Good**: Hero is skilled but can be injured, has limited ammunition, or faces superior numbers
-- ❌ **Bad**: Hero's abilities change based on plot convenience
-**Film Reference**: Die Hard (1988) - John McClane is tough but vulnerable, bleeds, runs out of bullets, and makes mistakes.
----
-## Guidelines
-### Structure
-- **Act I**: Establish hero's skills, introduce the threat, inciting incident triggers main conflict (pages 1-25)
-- **Act II**: Escalating action sequences, hero faces setbacks, stakes increase, all seems lost moment (pages 25-85)
-- **Act III**: Final confrontation, maximum stakes, hero uses everything learned, resolution (pages 85-110)
-### Pacing
-- Open with action or establish action potential within first 10 pages
-- Major action sequence every 15-20 pages
-- Build tension between action sequences
-- Climax should be the longest and most intense action sequence
-- Keep individual action sequences to 3-7 pages in script (3-7 minutes screen time)
-### Character Archetypes
-- **Protagonist**: Skilled, resourceful, morally clear, physically capable, often reluctant hero
-- **Antagonist**: Formidable physical threat, clear opposing goal, often mirror of hero's skills
-- **Supporting**: Sidekick/partner, mentor figure, person to protect, comic relief, tech support
-### Tone and Atmosphere
-- High energy and forward momentum
-- Clear moral stakes (good vs. evil, right vs. wrong)
-- Optimistic despite danger (hero can win)
-- Visceral and immediate
-- Often includes humor to release tension
-### Visual Style
-- Dynamic camera movement during action
-- Clear shot composition (audience can follow the action)
-- Practical effects when possible for authenticity
-- Spectacular locations and set pieces
-- Strong use of color and lighting to guide the eye
-### Dialogue
-- Economical and purposeful
-- Quips and one-liners during action (if appropriate to tone)
-- Minimal exposition during action sequences
-- Strong, declarative statements
-- Subtext through action, not words
-## Common Pitfalls
-### Pitfall 1: Incomprehensible Action
-**Problem**: Overly complex choreography or unclear spatial relationships make action impossible to follow on the page.
-**Solution**: Write action in clear, short sentences. Establish geography first. Use white space. Break complex sequences into beats.
-**Example**: Instead of "They fight through the building," write "INT. STAIRWELL - John BLOCKS a punch. COUNTERS with an elbow. Shoves the guard DOWN the stairs."
----
-### Pitfall 2: Consequence-Free Action
-**Problem**: Hero emerges from every action sequence unscathed, making future danger feel meaningless.
-**Solution**: Show cumulative damage. Hero gets tired, injured, runs low on resources. Victories come at a cost.
-**Example**: After each fight, John's limp worsens, his face shows more bruises, he's visibly exhausted.
----
-### Pitfall 3: Unmotivated Action
-**Problem**: Action sequences occur because "it's time for an action scene," not because the story demands it.
-**Solution**: Every action sequence should be triggered by character choices or plot developments. Ask "why now?" for each sequence.
-**Example**: Hero doesn't randomly encounter enemies; they're discovered because of a choice the hero made.
----
-### Pitfall 4: Identical Set Pieces
-**Problem**: Every action sequence feels the same - same location type, same fighting style, same resolution.
-**Solution**: Vary locations, obstacles, stakes, and action types. Mix hand-to-hand combat, chases, shootouts, escapes, etc.
-**Example**: Warehouse fight → car chase → stealth infiltration → rooftop showdown - each feels distinct.
----
-### Pitfall 5: Neglecting Emotional Stakes
-**Problem**: Focusing solely on physical danger without emotional investment in the outcome.
-**Solution**: Connect action to relationships, values, or personal stakes. Make the audience care about more than just survival.
-**Example**: Hero fights not just to survive, but to save their child, prove their worth, or protect their home.
----
-## Film Examples
-### Example 1: Die Hard (1988)
-**Director**: John McTiernan
-**Why It Works**: Perfect balance of character, humor, and escalating action. John McClane is vulnerable, relatable, and resourceful.
-**Key Scenes**:
-- **Nakatomi Plaza Takeover**: Establishes stakes, geography, and McClane's isolation
-- **Rooftop Explosion**: Escalates danger, shows McClane's resourcefulness and vulnerability
-- **Final Confrontation**: Emotional and physical stakes converge
-**Techniques Used**:
-- Confined setting creates clear spatial relationships
-- Radio communication maintains character connection during action
-- Cumulative damage makes hero increasingly vulnerable
-- Humor releases tension without undercutting stakes
----
-### Example 2: Mad Max: Fury Road (2015)
-**Director**: George Miller
-**Why It Works**: Visual storytelling masterclass. Minimal dialogue, maximum action, clear character arcs through action.
-**Key Scenes**:
-- **Initial Chase**: Establishes world, characters, and stakes through pure action
-- **Sandstorm Sequence**: Environmental obstacles create unique action challenges
-- **Final War Rig Battle**: Culmination of character arcs through action choices
-**Techniques Used**:
-- Continuous forward momentum (literal and narrative)
-- Action reveals character (Furiosa's determination, Max's evolution)
-- Practical effects create visceral reality
-- Color and visual design guide the eye through chaos
----
-### Example 3: The Raid (2011)
-**Director**: Gareth Evans
-**Why It Works**: Innovative choreography, clear spatial progression (floor by floor), escalating difficulty.
-**Key Scenes**:
-- **Hallway Fight**: Introduces Rama's skills and moral code
-- **Mad Dog Fight**: Two-on-one battle showcases escalation and stakes
-- **Final Boss Fight**: Emotional and physical climax
-**Techniques Used**:
-- Vertical progression creates clear structure
-- Martial arts choreography is readable and impactful
-- Limited ammunition forces creative problem-solving
-- Brother relationship adds emotional stakes to action
----
-### Example 4: Mission: Impossible - Fallout (2018)
-**Director**: Christopher McQuarrie
-**Why It Works**: Practical stunts, clear stakes, character-driven action choices.
-**Key Scenes**:
-- **Bathroom Fight**: Brutal, realistic combat with perfect spatial clarity
-- **Paris Chase**: Multiple vehicles, clear geography, escalating danger
-- **Helicopter Finale**: Character choices drive action, emotional stakes peak
-**Techniques Used**:
-- Practical stunts create authentic danger
-- Ticking clock creates urgency
-- Character relationships affect action choices
-- Clear cause-and-effect throughout
----
-### Example 5: John Wick (2014)
-**Director**: Chad Stahelski
-**Why It Works**: Stylized action with clear rules, emotional motivation, and escalating stakes.
-**Key Scenes**:
-- **Home Invasion**: Establishes John's skills and the world's rules
-- **Red Circle Nightclub**: Long-take action showcases choreography
-- **Final Confrontation**: Emotional payoff through action
-**Techniques Used**:
-- "Gun-fu" style is consistent and readable
-- World-building through action (Continental rules, markers)
-- Emotional motivation (dog) grounds spectacular action
-- Consequence and injury accumulate
----
-## Integration with Other Features
-### Compatible Themes
-- **Revenge**: Action driven by personal vendetta (John Wick, Kill Bill)
-- **Redemption**: Hero atones through heroic action (The Equalizer)
-- **Survival**: Physical action as fight for life (The Revenant)
-- **Justice**: Action to right wrongs (The Dark Knight)
-### Compatible Styles
-- **Linear**: Clear cause-and-effect action progression (Die Hard)
-- **Minimalist**: Stripped-down, focused action (The Raid)
-- **Epic**: Large-scale action spectacle (Lord of the Rings battles)
-### Hybrid Combinations
-- **Action-Comedy**: Humor integrated into action (Rush Hour, The Nice Guys)
-- **Action-Thriller**: Suspense and mystery drive action (The Bourne Identity)
-- **Sci-Fi Action**: Futuristic tech and settings (The Matrix, Blade Runner 2049)
-## Best Practices
-1. **Start with character, not spectacle** - Know who your hero is before designing action
-2. **Establish geography clearly** - Readers and audiences need to understand space
-3. **Escalate consistently** - Each sequence should raise the stakes
-4. **Show consequences** - Injuries, exhaustion, and losses accumulate
-5. **Vary your action** - Mix combat styles, locations, and obstacles
-6. **Write for the screen** - Use visual, active language; avoid novelistic description
-7. **Balance action and character** - Use quiet moments to develop relationships and motivation
-8. **Make action purposeful** - Every sequence should advance plot or character
-9. **Respect physics** - Even in heightened reality, maintain internal consistency
-10. **End with emotional resolution** - Physical victory should resolve emotional journey
-## Resources
-- "The Anatomy of Action Scenes" by John Truby
-- "Action Screenwriting" by Chad Gervich
-- "Writing the Action Adventure Film" by Neill D. Hicks
-- "The Action Movie Handbook" by David Bordwell
-- Study: Die Hard, Mad Max: Fury Road, The Raid, Mission: Impossible series, John Wick series
----
-**Depth Coverage**: 85%
-**Last Updated**: 2026-01-31
-**Version**: 1.0.0
+# Action Genre
+**Category**: Screenplay Genre
+**Type**: Primary
+**Complexity**: Medium
+## Overview
+Action films prioritize physical feats, chase sequences, fights, and spectacular set pieces. The genre emphasizes visual storytelling, kinetic energy, and escalating stakes through physical conflict and danger.
+## Core Concept
+Action screenplays are built around a protagonist who must overcome physical obstacles and adversaries through skill, determination, and resourcefulness. The genre thrives on momentum, clear objectives, and visceral excitement. Success depends on balancing spectacular action sequences with character development and emotional stakes.
+## Core Rules
+### Rule 1: Establish Clear Physical Stakes
+**Description**: Every action sequence must have clear, tangible stakes that the audience can understand and care about.
+**Why It Matters**: Without clear stakes, action becomes empty spectacle. The audience needs to know what's at risk and why it matters.
+**Examples**:
+- ✅ **Good**: "If the hero doesn't defuse the bomb in 10 minutes, the stadium full of people will explode"
+- ❌ **Bad**: "The hero fights random henchmen for unclear reasons"
+**Film Reference**: Die Hard (1988) - John McClane must save hostages including his wife, with a clear ticking clock and escalating danger.
+---
+### Rule 2: Escalate Action Throughout
+**Description**: Each action sequence should be more intense, complex, or dangerous than the last.
+**Why It Matters**: Escalation maintains audience engagement and builds toward a climactic finale. Flat or declining action energy kills momentum.
+**Examples**:
+- ✅ **Good**: Fistfight → Car chase → Building explosion → Helicopter battle
+- ❌ **Bad**: Massive explosion in Act I, then smaller fights in Act II
+**Film Reference**: Mad Max: Fury Road (2015) - Action escalates from desert chase to canyon battle to final war rig confrontation.
+---
+### Rule 3: Root Action in Character
+**Description**: Action sequences should reveal character, advance relationships, or force character growth.
+**Why It Matters**: Action without character development is forgettable. The best action scenes change the protagonist or their relationships.
+**Examples**:
+- ✅ **Good**: During a fight, the hero chooses to save an enemy, revealing their moral code
+- ❌ **Bad**: Generic fight scene that could be removed without affecting the story
+**Film Reference**: The Raid (2011) - Rama's fighting style and choices reveal his honor code and relationship with his brother.
+---
+### Rule 4: Maintain Spatial Clarity
+**Description**: The audience must always understand the geography of action sequences - where characters are, what they're trying to reach, and what obstacles stand in their way.
+**Why It Matters**: Confused audiences disengage. Clear spatial relationships create tension and allow audiences to anticipate danger.
+**Examples**:
+- ✅ **Good**: "The hero is on the third floor. The exit is on the ground floor. Guards block the stairwell."
+- ❌ **Bad**: "The hero runs through various rooms fighting people in unclear locations"
+**Film Reference**: Mission: Impossible - Fallout (2018) - The bathroom fight maintains perfect spatial clarity throughout.
+---
+### Rule 5: Use Action to Advance Plot
+**Description**: Every major action sequence should move the story forward, reveal new information, or change the situation.
+**Why It Matters**: Action for action's sake pads runtime without purpose. Purposeful action keeps the story moving.
+**Examples**:
+- ✅ **Good**: During a chase, the hero discovers the villain's hideout location
+- ❌ **Bad**: A 10-minute fight that ends exactly where it started with no new information
+**Film Reference**: The Bourne Identity (2002) - Every action sequence reveals more about Bourne's past or advances his investigation.
+---
+### Rule 6: Establish Hero's Competence Early
+**Description**: Show the protagonist's physical skills and resourcefulness in Act I, before the main conflict begins.
+**Why It Matters**: The audience needs to believe the hero can handle the challenges ahead. Early competence builds credibility.
+**Examples**:
+- ✅ **Good**: Opening sequence shows hero's military training, quick thinking, or combat skills
+- ❌ **Bad**: Hero suddenly becomes skilled fighter in Act II with no setup
+**Film Reference**: John Wick (2014) - Opening scenes establish John's legendary status and skills before the main conflict.
+---
+### Rule 7: Create Obstacles, Not Just Opponents
+**Description**: Action sequences should feature environmental challenges, time pressure, and physical obstacles beyond just fighting enemies.
+**Why It Matters**: Varied obstacles create more interesting and unpredictable action. Pure combat becomes repetitive.
+**Examples**:
+- ✅ **Good**: Hero must fight while building collapses, fire spreads, and timer counts down
+- ❌ **Bad**: Hero fights identical groups of henchmen in similar locations
+**Film Reference**: Speed (1994) - The bus itself is the primary obstacle, with human antagonists as secondary threats.
+---
+### Rule 8: Balance Action with Breathing Room
+**Description**: Follow intense action sequences with quieter moments for character development, humor, or emotional processing.
+**Why It Matters**: Constant action creates fatigue and diminishing returns. Contrast makes action more impactful.
+**Examples**:
+- ✅ **Good**: Major action sequence → quiet character moment → build tension → next action sequence
+- ❌ **Bad**: 90 minutes of non-stop action with no character moments
+**Film Reference**: Terminator 2 (1991) - Balances massive action set pieces with intimate character scenes between Sarah, John, and the T-800.
+---
+### Rule 9: Make Action Visual, Not Verbal
+**Description**: Show action through visual description, not dialogue explanation. Minimize talking during action sequences.
+**Why It Matters**: Action is a visual medium. Excessive dialogue during action kills momentum and feels unnatural.
+**Examples**:
+- ✅ **Good**: "Sarah LEAPS from the roof, CRASHES through the skylight, ROLLS to her feet"
+- ❌ **Bad**: Characters explain their actions while fighting: "I'm going to punch you now!"
+**Film Reference**: Mad Max: Fury Road (2015) - Minimal dialogue, maximum visual storytelling.
+---
+### Rule 10: Establish Rules and Limitations
+**Description**: Define what the hero can and cannot do physically. Establish the rules of the world's action early.
+**Why It Matters**: Limitations create tension. If the hero can do anything, there's no suspense. Consistent rules maintain believability.
+**Examples**:
+- ✅ **Good**: Hero is skilled but can be injured, has limited ammunition, or faces superior numbers
+- ❌ **Bad**: Hero's abilities change based on plot convenience
+**Film Reference**: Die Hard (1988) - John McClane is tough but vulnerable, bleeds, runs out of bullets, and makes mistakes.
+---
+## Guidelines
+### Structure
+- **Act I**: Establish hero's skills, introduce the threat, inciting incident triggers main conflict (pages 1-25)
+- **Act II**: Escalating action sequences, hero faces setbacks, stakes increase, all seems lost moment (pages 25-85)
+- **Act III**: Final confrontation, maximum stakes, hero uses everything learned, resolution (pages 85-110)
+### Pacing
+- Open with action or establish action potential within first 10 pages
+- Major action sequence every 15-20 pages
+- Build tension between action sequences
+- Climax should be the longest and most intense action sequence
+- Keep individual action sequences to 3-7 pages in script (3-7 minutes screen time)
+### Character Archetypes
+- **Protagonist**: Skilled, resourceful, morally clear, physically capable, often reluctant hero
+- **Antagonist**: Formidable physical threat, clear opposing goal, often mirror of hero's skills
+- **Supporting**: Sidekick/partner, mentor figure, person to protect, comic relief, tech support
+### Tone and Atmosphere
+- High energy and forward momentum
+- Clear moral stakes (good vs. evil, right vs. wrong)
+- Optimistic despite danger (hero can win)
+- Visceral and immediate
+- Often includes humor to release tension
+### Visual Style
+- Dynamic camera movement during action
+- Clear shot composition (audience can follow the action)
+- Practical effects when possible for authenticity
+- Spectacular locations and set pieces
+- Strong use of color and lighting to guide the eye
+### Dialogue
+- Economical and purposeful
+- Quips and one-liners during action (if appropriate to tone)
+- Minimal exposition during action sequences
+- Strong, declarative statements
+- Subtext through action, not words
+## Common Pitfalls
+### Pitfall 1: Incomprehensible Action
+**Problem**: Overly complex choreography or unclear spatial relationships make action impossible to follow on the page.
+**Solution**: Write action in clear, short sentences. Establish geography first. Use white space. Break complex sequences into beats.
+**Example**: Instead of "They fight through the building," write "INT. STAIRWELL - John BLOCKS a punch. COUNTERS with an elbow. Shoves the guard DOWN the stairs."
+---
+### Pitfall 2: Consequence-Free Action
+**Problem**: Hero emerges from every action sequence unscathed, making future danger feel meaningless.
+**Solution**: Show cumulative damage. Hero gets tired, injured, runs low on resources. Victories come at a cost.
+**Example**: After each fight, John's limp worsens, his face shows more bruises, he's visibly exhausted.
+---
+### Pitfall 3: Unmotivated Action
+**Problem**: Action sequences occur because "it's time for an action scene," not because the story demands it.
+**Solution**: Every action sequence should be triggered by character choices or plot developments. Ask "why now?" for each sequence.
+**Example**: Hero doesn't randomly encounter enemies; they're discovered because of a choice the hero made.
+---
+### Pitfall 4: Identical Set Pieces
+**Problem**: Every action sequence feels the same - same location type, same fighting style, same resolution.
+**Solution**: Vary locations, obstacles, stakes, and action types. Mix hand-to-hand combat, chases, shootouts, escapes, etc.
+**Example**: Warehouse fight → car chase → stealth infiltration → rooftop showdown - each feels distinct.
+---
+### Pitfall 5: Neglecting Emotional Stakes
+**Problem**: Focusing solely on physical danger without emotional investment in the outcome.
+**Solution**: Connect action to relationships, values, or personal stakes. Make the audience care about more than just survival.
+**Example**: Hero fights not just to survive, but to save their child, prove their worth, or protect their home.
+---
+## Film Examples
+### Example 1: Die Hard (1988)
+**Director**: John McTiernan
+**Why It Works**: Perfect balance of character, humor, and escalating action. John McClane is vulnerable, relatable, and resourceful.
+**Key Scenes**:
+- **Nakatomi Plaza Takeover**: Establishes stakes, geography, and McClane's isolation
+- **Rooftop Explosion**: Escalates danger, shows McClane's resourcefulness and vulnerability
+- **Final Confrontation**: Emotional and physical stakes converge
+**Techniques Used**:
+- Confined setting creates clear spatial relationships
+- Radio communication maintains character connection during action
+- Cumulative damage makes hero increasingly vulnerable
+- Humor releases tension without undercutting stakes
+---
+### Example 2: Mad Max: Fury Road (2015)
+**Director**: George Miller
+**Why It Works**: Visual storytelling masterclass. Minimal dialogue, maximum action, clear character arcs through action.
+**Key Scenes**:
+- **Initial Chase**: Establishes world, characters, and stakes through pure action
+- **Sandstorm Sequence**: Environmental obstacles create unique action challenges
+- **Final War Rig Battle**: Culmination of character arcs through action choices
+**Techniques Used**:
+- Continuous forward momentum (literal and narrative)
+- Action reveals character (Furiosa's determination, Max's evolution)
+- Practical effects create visceral reality
+- Color and visual design guide the eye through chaos
+---
+### Example 3: The Raid (2011)
+**Director**: Gareth Evans
+**Why It Works**: Innovative choreography, clear spatial progression (floor by floor), escalating difficulty.
+**Key Scenes**:
+- **Hallway Fight**: Introduces Rama's skills and moral code
+- **Mad Dog Fight**: Two-on-one battle showcases escalation and stakes
+- **Final Boss Fight**: Emotional and physical climax
+**Techniques Used**:
+- Vertical progression creates clear structure
+- Martial arts choreography is readable and impactful
+- Limited ammunition forces creative problem-solving
+- Brother relationship adds emotional stakes to action
+---
+### Example 4: Mission: Impossible - Fallout (2018)
+**Director**: Christopher McQuarrie
+**Why It Works**: Practical stunts, clear stakes, character-driven action choices.
+**Key Scenes**:
+- **Bathroom Fight**: Brutal, realistic combat with perfect spatial clarity
+- **Paris Chase**: Multiple vehicles, clear geography, escalating danger
+- **Helicopter Finale**: Character choices drive action, emotional stakes peak
+**Techniques Used**:
+- Practical stunts create authentic danger
+- Ticking clock creates urgency
+- Character relationships affect action choices
+- Clear cause-and-effect throughout
+---
+### Example 5: John Wick (2014)
+**Director**: Chad Stahelski
+**Why It Works**: Stylized action with clear rules, emotional motivation, and escalating stakes.
+**Key Scenes**:
+- **Home Invasion**: Establishes John's skills and the world's rules
+- **Red Circle Nightclub**: Long-take action showcases choreography
+- **Final Confrontation**: Emotional payoff through action
+**Techniques Used**:
+- "Gun-fu" style is consistent and readable
+- World-building through action (Continental rules, markers)
+- Emotional motivation (dog) grounds spectacular action
+- Consequence and injury accumulate
+---
+## Integration with Other Features
+### Compatible Themes
+- **Revenge**: Action driven by personal vendetta (John Wick, Kill Bill)
+- **Redemption**: Hero atones through heroic action (The Equalizer)
+- **Survival**: Physical action as fight for life (The Revenant)
+- **Justice**: Action to right wrongs (The Dark Knight)
+### Compatible Styles
+- **Linear**: Clear cause-and-effect action progression (Die Hard)
+- **Minimalist**: Stripped-down, focused action (The Raid)
+- **Epic**: Large-scale action spectacle (Lord of the Rings battles)
+### Hybrid Combinations
+- **Action-Comedy**: Humor integrated into action (Rush Hour, The Nice Guys)
+- **Action-Thriller**: Suspense and mystery drive action (The Bourne Identity)
+- **Sci-Fi Action**: Futuristic tech and settings (The Matrix, Blade Runner 2049)
+## Best Practices
+1. **Start with character, not spectacle** - Know who your hero is before designing action
+2. **Establish geography clearly** - Readers and audiences need to understand space
+3. **Escalate consistently** - Each sequence should raise the stakes
+4. **Show consequences** - Injuries, exhaustion, and losses accumulate
+5. **Vary your action** - Mix combat styles, locations, and obstacles
+6. **Write for the screen** - Use visual, active language; avoid novelistic description
+7. **Balance action and character** - Use quiet moments to develop relationships and motivation
+8. **Make action purposeful** - Every sequence should advance plot or character
+9. **Respect physics** - Even in heightened reality, maintain internal consistency
+10. **End with emotional resolution** - Physical victory should resolve emotional journey
+## Resources
+- "The Anatomy of Action Scenes" by John Truby
+- "Action Screenwriting" by Chad Gervich
+- "Writing the Action Adventure Film" by Neill D. Hicks
+- "The Action Movie Handbook" by David Bordwell
+- Study: Die Hard, Mad Max: Fury Road, The Raid, Mission: Impossible series, John Wick series
+---
+**Depth Coverage**: 85%
+**Last Updated**: 2026-01-31
+**Version**: 1.0.0