@mytechtoday/augment-extensions 0.4.0 → 0.5.0

package/augment-extensions/writing-standards/screenplay/styles/rules/linear.md

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+# Linear Narrative Style
+
+**Category**: Screenplay Narrative Style  
+**Type**: Structural  
+**Complexity**: Low
+
+## Overview
+
+Linear narrative follows a chronological sequence of events from beginning to end, presenting story events in the order they occur. This traditional storytelling approach emphasizes clear cause-and-effect relationships and straightforward temporal progression.
+
+## Core Concept
+
+Linear narratives build momentum through chronological progression, allowing audiences to experience events as they unfold naturally. This style prioritizes clarity, accessibility, and emotional investment through uninterrupted character journeys. The power of linear storytelling lies in its ability to create sustained tension and inevitable consequences.
+
+## Definition
+
+A linear narrative presents story events in chronological order without flashbacks, flash-forwards, or time jumps. The story moves forward continuously from inciting incident through rising action to climax and resolution.
+
+## Structural Requirements
+
+### Requirement 1: Chronological Progression
+
+**Description**: Events must occur in strict temporal order, with each scene following the previous scene in time.
+
+**Why It Matters**: Chronological order creates clear causality and allows audiences to track character development naturally.
+
+**Implementation**:
+- Number scenes sequentially in time
+- Avoid flashbacks or time jumps
+- Use continuous time markers (DAY 1, DAY 2, etc.)
+- Maintain consistent temporal flow
+
+**Examples**:
+- ✅ **Good**: Scene 1 (Monday morning) → Scene 2 (Monday afternoon) → Scene 3 (Monday evening)
+- ❌ **Bad**: Scene 1 (Monday) → Scene 2 (Friday) → Scene 3 (Tuesday)
+
+**Film Reference**: The Shawshank Redemption (1994) - Follows Andy's prison journey chronologically from arrival to escape.
+
+---
+
+### Requirement 2: Clear Cause-and-Effect Chain
+
+**Description**: Each scene must be a direct consequence of previous events and cause subsequent events.
+
+**Why It Matters**: Causal chains create narrative logic and prevent arbitrary plot developments.
+
+**Implementation**:
+- Every major event stems from a prior action
+- Character decisions have immediate consequences
+- Plot points build on established information
+- Avoid coincidences or deus ex machina
+
+**Examples**:
+- ✅ **Good**: Hero insults villain (Scene 5) → Villain retaliates (Scene 6) → Hero must flee (Scene 7)
+- ❌ **Bad**: Random events happen without connection to previous scenes
+
+**Film Reference**: The Fugitive (1993) - Every action Dr. Kimble takes directly leads to the next plot development.
+
+---
+
+### Requirement 3: Continuous Character Arc
+
+**Description**: Character development must progress steadily without temporal gaps that skip growth moments.
+
+**Why It Matters**: Audiences need to witness transformation, not just see before-and-after states.
+
+**Implementation**:
+- Show incremental character changes
+- Include scenes that demonstrate growth
+- Avoid time jumps that skip character development
+- Track emotional progression scene-by-scene
+
+**Examples**:
+- ✅ **Good**: Coward → Faces small fear → Gains confidence → Faces bigger fear → Becomes brave
+- ❌ **Bad**: Coward in Scene 10 → Suddenly brave in Scene 11 with no explanation
+
+**Film Reference**: Rocky (1976) - Rocky's transformation from nobody to contender shown through continuous training montages.
+
+---
+
+### Requirement 4: Uninterrupted Timeline
+
+**Description**: The story timeline must flow without breaks, jumps, or temporal disruptions.
+
+**Why It Matters**: Temporal continuity maintains immersion and prevents audience confusion.
+
+**Implementation**:
+- Account for all time between scenes
+- Use transitions that maintain temporal flow
+- Avoid "THREE YEARS LATER" or similar jumps
+- Keep story within a contained timeframe
+
+**Examples**:
+- ✅ **Good**: Story spans 48 continuous hours with all time accounted for
+- ❌ **Bad**: Story jumps from Tuesday to Friday with no explanation
+
+**Film Reference**: Before Sunrise (1995) - Entire story takes place over one continuous night.
+
+---
+
+### Requirement 5: Forward Momentum
+
+**Description**: Every scene must push the story forward in time and plot development.
+
+**Why It Matters**: Linear narratives depend on constant forward motion to maintain engagement.
+
+**Implementation**:
+- No scenes that revisit past events
+- Each scene advances plot or character
+- Maintain rising tension throughout
+- Build toward inevitable climax
+
+**Examples**:
+- ✅ **Good**: Each scene introduces new obstacles or revelations
+- ❌ **Bad**: Scenes that repeat information or stall progress
+
+**Film Reference**: Speed (1994) - Relentless forward momentum with no backward glances.
+
+---
+
+### Requirement 6: Single Timeline Focus
+
+**Description**: Maintain focus on one primary timeline without parallel storylines in different time periods.
+
+**Why It Matters**: Multiple timelines violate linear structure and create temporal complexity.
+
+**Implementation**:
+- Follow one protagonist's journey
+- Keep all characters in the same timeframe
+- Avoid cutting between past and present
+- Maintain singular temporal perspective
+
+**Examples**:
+- ✅ **Good**: All characters exist in the same present moment
+- ❌ **Bad**: Cutting between 1940s and 2020s storylines
+
+**Film Reference**: Gravity (2013) - Single continuous timeline following one character's survival.
+
+---
+
+## Pacing Guidelines
+
+### Overall Rhythm
+
+- Steady, building momentum from beginning to end
+- Consistent scene length creates reliable rhythm
+- Tension escalates gradually without sudden jumps
+- Climax feels earned through accumulated progression
+
+### Scene Length
+
+- Maintain relatively consistent scene lengths (2-4 pages)
+- Shorter scenes as tension builds toward climax
+- Avoid jarring shifts in scene duration
+- Balance dialogue scenes with action scenes
+
+### Act Structure
+
+- **Act I**: Establish normal world, introduce conflict (25% of runtime)
+- **Act II**: Escalate complications chronologically (50% of runtime)
+- **Act III**: Resolve conflict through climax and denouement (25% of runtime)
+
+### Transitions
+
+- Use simple cuts or dissolves
+- Avoid flashy transitions that disrupt flow
+- Maintain temporal continuity across cuts
+- Use "LATER" or "CONTINUOUS" sparingly
+
+## Visual Storytelling
+
+### Camera Work
+
+- Smooth, continuous camera movements
+- Avoid jarring cuts or experimental techniques
+- Follow characters through space naturally
+- Use establishing shots to maintain spatial clarity
+
+### Visual Motifs
+
+- Recurring visual elements that evolve over time
+- Show passage of time through environmental changes
+- Use visual callbacks to earlier scenes
+- Maintain consistent visual tone throughout
+
+### Action Lines
+
+- Clear, present-tense descriptions
+- Focus on what's happening now
+- Avoid references to past or future events
+- Maintain objective observer perspective
+
+**Example**:
+```
+Sarah enters the diner. She scans the room, spots Tom at the corner booth. She walks over, slides into the seat across from him.
+```
+
+## Dialogue Approach
+
+### Dialogue Style
+
+- Natural, conversational flow
+- Characters reference recent events, not distant past
+- Exposition delivered through present circumstances
+- Subtext builds on established relationships
+
+### Subtext
+
+- Subtext emerges from accumulated history
+- Characters don't need to explain backstory
+- Tension builds from recent conflicts
+- Emotional weight comes from witnessed events
+
+### Formatting
+
+- Standard dialogue formatting
+- Minimal parentheticals
+- Let dialogue flow naturally
+- Avoid expository speeches
+
+**Example**:
+```
+TOM
+You said you'd be here at noon.
+
+SARAH
+I got held up. The meeting ran long.
+
+TOM
+(looking away)
+They always do.
+```
+
+## Technical Formatting
+
+### Page Layout
+
+- Standard screenplay format
+- Consistent margins and spacing
+- Clear scene headings
+- Balanced white space
+
+### Scene Headings
+
+- Sequential scene numbers
+- Clear INT./EXT. and DAY/NIGHT markers
+- Specific locations
+- Chronological progression evident
+
+### Special Elements
+
+- Minimal use of MONTAGE or INTERCUT
+- Avoid FLASHBACK entirely
+- Use CONTINUOUS sparingly
+- Keep formatting simple and clear
+
+## Strengths and Limitations
+
+### Strengths
+
+- Maximum clarity and accessibility for audiences
+- Strong emotional investment through continuous character journey
+- Clear cause-and-effect creates satisfying narrative logic
+- Easy to follow for all audience demographics
+- Builds tension naturally through accumulation
+
+### Limitations
+
+- Cannot explore complex temporal relationships
+- Limited ability to reveal backstory organically
+- May feel predictable or conventional
+- Restricts narrative experimentation
+- Difficult to create mystery through withheld information
+
+### Best Use Cases
+
+- Character-driven dramas requiring emotional investment
+- Thrillers that build suspense through escalation
+- Coming-of-age stories tracking transformation
+- Survival narratives with ticking clocks
+- Sports films following training and competition
+- Quest narratives with clear objectives
+
+## Film Examples
+
+### Example 1: 12 Angry Men (1957)
+
+**Director**: Sidney Lumet
+
+**Why This Style Works**: The real-time, single-location linear narrative creates claustrophobic tension and allows character development through continuous interaction.
+
+**Key Stylistic Moments**:
+- **Opening**: Jury enters deliberation room, establishing all characters and conflict
+- **Progression**: Each vote reveals character shifts based on accumulated arguments
+- **Climax**: Final holdout changes vote after witnessing complete logical progression
+
+**Techniques Used**:
+- Real-time narrative (90 minutes of film = 90 minutes of story)
+- Single location maintains focus
+- Chronological revelation of evidence
+- Character arcs visible through continuous presence
+
+**Structural Analysis**: Perfect three-act structure within continuous timeline, with each act marked by vote counts and shifting alliances.
+
+---
+
+### Example 2: Mad Max: Fury Road (2015)
+
+**Director**: George Miller
+
+**Why This Style Works**: Linear chase structure creates relentless momentum, with each action sequence building on the previous one.
+
+**Key Stylistic Moments**:
+- **Opening**: Immediate action establishes stakes and characters
+- **Midpoint**: Turn-around point literally reverses direction but maintains chronology
+- **Climax**: Return journey escalates everything from outbound journey
+
+**Techniques Used**:
+- Continuous chase narrative
+- Escalating action sequences
+- Character development through action
+- Clear spatial geography throughout
+
+**Structural Analysis**: Simple out-and-back structure maintains perfect linearity while creating satisfying symmetry.
+
+---
+
+### Example 3: The Social Network (2010)
+
+**Director**: David Fincher
+
+**Why This Style Works**: Despite deposition framing device, the main narrative follows Facebook's creation chronologically, showing cause-and-effect of each decision.
+
+**Key Stylistic Moments**:
+- **Act I**: Breakup leads to FaceMash leads to Facebook idea
+- **Act II**: Each expansion creates new conflicts and partnerships
+- **Act III**: Success brings lawsuits and isolation
+
+**Techniques Used**:
+- Chronological business development
+- Clear consequences for each action
+- Parallel relationship deterioration
+- Continuous character transformation
+
+**Structural Analysis**: Linear rise-to-success narrative with clear milestones marking progression.
+
+---
+
+### Example 4: Whiplash (2014)
+
+**Director**: Damien Chazelle
+
+**Why This Style Works**: Linear progression through school year allows audience to experience Andrew's transformation and escalating conflict with Fletcher.
+
+**Key Stylistic Moments**:
+- **Opening**: First encounter establishes dynamic
+- **Midpoint**: Car accident shows desperation
+- **Climax**: Final performance resolves all accumulated tension
+
+**Techniques Used**:
+- Chronological school year structure
+- Escalating practice sessions
+- Continuous relationship evolution
+- Clear cause-and-effect of obsession
+
+**Structural Analysis**: Academic year provides natural linear framework for character descent and redemption.
+
+---
+
+### Example 5: Jaws (1975)
+
+**Director**: Steven Spielberg
+
+**Why This Style Works**: Linear summer timeline creates escalating danger as tourist season approaches, with each attack raising stakes.
+
+**Key Stylistic Moments**:
+- **Act I**: First attack establishes threat
+- **Act II**: Each subsequent attack increases pressure
+- **Act III**: Final confrontation resolves accumulated tension
+
+**Techniques Used**:
+- Chronological attack sequence
+- Escalating danger and stakes
+- Clear deadline (July 4th)
+- Continuous character conflicts
+
+**Structural Analysis**: Perfect linear thriller structure with clear ticking clock and escalating consequences.
+
+---
+
+## Integration with Other Features
+
+### Compatible Genres
+
+- **Thriller**: Linear progression builds suspense naturally
+- **Drama**: Continuous character arcs create emotional investment
+- **Action**: Escalating sequences benefit from chronological structure
+- **Horror**: Building dread works well with linear progression
+- **Sports**: Training and competition follow natural linear path
+
+### Compatible Themes
+
+- **Redemption**: Transformation visible through continuous journey
+- **Coming-of-Age**: Growth tracked through chronological experiences
+- **Survival**: Escalating challenges build naturally
+- **Justice**: Investigation and revelation follow logical progression
+- **Ambition**: Rise or fall shown through accumulated choices
+
+### Style Variations
+
+- **Real-time linear**: Story time equals screen time (12 Angry Men)
+- **Compressed linear**: Days or weeks shown continuously (Rocky)
+- **Extended linear**: Months or years with all time accounted for (Boyhood)
+
+## Common Pitfalls
+
+### Pitfall 1: Boring Predictability
+
+**Problem**: Linear structure becomes too predictable, with audiences anticipating every beat.
+
+**Solution**: Subvert expectations within linear framework. Surprise comes from character choices, not temporal tricks.
+
+**Example**: In The Shawshank Redemption, Andy's escape is surprising despite linear structure because information was withheld through perspective, not time manipulation.
+
+---
+
+### Pitfall 2: Exposition Dumps
+
+**Problem**: Without flashbacks, writers resort to dialogue-heavy backstory exposition.
+
+**Solution**: Reveal backstory through present action, documents, or brief character references. Trust audiences to infer history.
+
+**Example**: Show character's military training through how they handle current crisis, not through "remember when we were in the army" dialogue.
+
+---
+
+### Pitfall 3: Sagging Middle
+
+**Problem**: Linear narratives can lose momentum in Act II without temporal jumps to skip slow periods.
+
+**Solution**: Ensure every scene advances plot or character. Cut scenes that don't contribute to forward momentum.
+
+**Example**: In Speed, every scene maintains tension through continuous ticking clock and escalating complications.
+
+---
+
+### Pitfall 4: Lack of Mystery
+
+**Problem**: Chronological revelation makes it hard to create mystery or withhold information.
+
+**Solution**: Use limited perspective, unreliable narration, or strategic information gaps within linear framework.
+
+**Example**: The Sixth Sense maintains mystery through limited perspective while following linear timeline.
+
+---
+
+### Pitfall 5: Rushed Character Development
+
+**Problem**: Trying to show complete transformation within limited linear timeframe.
+
+**Solution**: Focus on specific aspect of character growth, or extend timeline to accommodate realistic development.
+
+**Example**: Whiplash focuses specifically on obsession and ambition over one school year, not complete life transformation.
+
+---
+
+## Best Practices
+
+1. **Establish clear timeline markers** - Help audiences track progression through time references
+2. **Build tension through accumulation** - Each scene should add weight to the narrative
+3. **Maintain cause-and-effect logic** - Every event should stem from previous events
+4. **Show character growth incrementally** - Avoid sudden transformations
+5. **Use deadlines or ticking clocks** - Create urgency within linear structure
+6. **Keep momentum constant** - Every scene must push forward
+7. **Trust audience intelligence** - Don't over-explain temporal relationships
+8. **Embrace simplicity** - Linear structure's power is its clarity
+
+## Resources
+
+- "Story" by Robert McKee - Chapter on Classical Design
+- "Save the Cat!" by Blake Snyder - Beat sheet for linear structure
+- "The Anatomy of Story" by John Truby - 22-step linear story structure
+- "Into the Woods" by John Yorke - Five-act linear structure analysis
+
+---
+
+**Depth Coverage**: 85%  
+**Last Updated**: 2026-01-31  
+**Version**: 1.0.0
+