@ninkch/dsh-infinite-canvas 0.19.2 → 0.19.3
This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
- package/README.md +50 -0
- package/README.zh-CN.md +50 -0
- package/assets/canvas-director/SKILL.md +235 -0
- package/assets/canvas-director/forms/cinematic.md +56 -0
- package/assets/canvas-director/forms/commercial.md +63 -0
- package/assets/canvas-director/forms/documentary.md +57 -0
- package/assets/canvas-director/forms/explainer.md +57 -0
- package/assets/canvas-director/forms/interview.md +56 -0
- package/assets/canvas-director/forms/music-video.md +62 -0
- package/assets/canvas-director/forms/short-drama.md +60 -0
- package/assets/canvas-director/forms/trailer.md +58 -0
- package/assets/canvas-director/genres/action-mission.md +58 -0
- package/assets/canvas-director/genres/adventure.md +78 -0
- package/assets/canvas-director/genres/broken-mirror-reunion.md +112 -0
- package/assets/canvas-director/genres/counterattack.md +58 -0
- package/assets/canvas-director/genres/crime-police.md +78 -0
- package/assets/canvas-director/genres/family-relation.md +58 -0
- package/assets/canvas-director/genres/fantasy.md +82 -0
- package/assets/canvas-director/genres/hk-retro.md +80 -0
- package/assets/canvas-director/genres/identity-swap.md +58 -0
- package/assets/canvas-director/genres/modern-urban.md +78 -0
- package/assets/canvas-director/genres/parent-child-secret.md +113 -0
- package/assets/canvas-director/genres/period-power-struggle.md +58 -0
- package/assets/canvas-director/genres/rebirth-transmigration.md +58 -0
- package/assets/canvas-director/genres/revenge-face-slap.md +58 -0
- package/assets/canvas-director/genres/slice-of-life.md +58 -0
- package/assets/canvas-director/genres/suspense-rule.md +58 -0
- package/assets/canvas-director/genres/system-flow.md +58 -0
- package/assets/canvas-director/genres/wealthy-romance.md +58 -0
- package/assets/canvas-director/genres/workplace-comedy.md +58 -0
- package/assets/canvas-director/genres/wuxia.md +78 -0
- package/assets/canvas-director/genres/xianxia-cultivation.md +58 -0
- package/assets/canvas-director/industries/auto.md +44 -0
- package/assets/canvas-director/industries/education.md +44 -0
- package/assets/canvas-director/industries/fashion-beauty.md +45 -0
- package/assets/canvas-director/industries/finance.md +44 -0
- package/assets/canvas-director/industries/fmcg.md +44 -0
- package/assets/canvas-director/industries/food.md +45 -0
- package/assets/canvas-director/industries/medical.md +45 -0
- package/assets/canvas-director/industries/realestate.md +44 -0
- package/assets/canvas-director/industries/tech.md +44 -0
- package/assets/canvas-director/industries/travel.md +45 -0
- package/assets/canvas-director/lenses/bergman.md +207 -0
- package/assets/canvas-director/lenses/bi_gan.md +198 -0
- package/assets/canvas-director/lenses/coen_brothers.md +204 -0
- package/assets/canvas-director/lenses/fellini.md +207 -0
- package/assets/canvas-director/lenses/fincher.md +195 -0
- package/assets/canvas-director/lenses/hitchcock.md +203 -0
- package/assets/canvas-director/lenses/hou_hsiao_hsien.md +202 -0
- package/assets/canvas-director/lenses/kubrick.md +206 -0
- package/assets/canvas-director/lenses/kurosawa.md +206 -0
- package/assets/canvas-director/lenses/lu_yang.md +200 -0
- package/assets/canvas-director/lenses/malick.md +201 -0
- package/assets/canvas-director/lenses/michael_mann.md +202 -0
- package/assets/canvas-director/lenses/nolan.md +195 -0
- package/assets/canvas-director/lenses/park_chan_wook.md +202 -0
- package/assets/canvas-director/lenses/refn.md +196 -0
- package/assets/canvas-director/lenses/scorsese.md +205 -0
- package/assets/canvas-director/lenses/spielberg.md +202 -0
- package/assets/canvas-director/lenses/tarkovsky.md +194 -0
- package/assets/canvas-director/lenses/tsui_hark.md +201 -0
- package/assets/canvas-director/lenses/villeneuve.md +198 -0
- package/assets/canvas-director/lenses/wong_kar_wai.md +199 -0
- package/assets/canvas-director/lenses/wu_ershan.md +206 -0
- package/assets/canvas-director/lenses/yuen_woo_ping.md +200 -0
- package/assets/canvas-director/lenses/zhang_yimou.md +202 -0
- package/assets/canvas-director/looks/anime-thick-paint.md +81 -0
- package/assets/canvas-director/looks/dark-myth-cg.md +83 -0
- package/assets/canvas-director/looks/east-epic-3d.md +83 -0
- package/assets/canvas-director/looks/ghibli-watercolor.md +82 -0
- package/assets/canvas-director/looks/guoman-3d-ink.md +82 -0
- package/assets/canvas-director/looks/guoman-3d-xianxia.md +82 -0
- package/assets/canvas-director/looks/hk-retro-film.md +81 -0
- package/assets/canvas-director/looks/realistic-cinema.md +83 -0
- package/assets/canvas-director/looks/shinkai-light.md +82 -0
- package/assets/canvas-director/manifest.json +603 -0
- package/assets/canvas-director/moves/camera-moves.md +79 -0
- package/assets/canvas-director/moves/fight-rhythm.md +77 -0
- package/assets/canvas-director/pack.js +342 -0
- package/assets/canvas-studio/SKILL.md +34 -3
- package/client.js +19577 -18938
- package/docs/guide.en.md +66 -1
- package/docs/guide.zh-CN.md +64 -1
- package/index-core-skill-profile.js +39 -0
- package/index.js +127 -3
- package/package.json +65 -60
- package/skill-pack-loader.js +147 -0
- package/skill-pack.js +179 -0
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{
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"version": 1,
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"lenses": [
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"id": "bergman",
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"name": "英格玛·伯格曼",
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"file": "bergman.md",
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"glyph": "bergman",
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"oneliner": "把摄影机放在视线正前方,用长焦让整张脸清晰,然后不切",
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"group": "欧美"
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{
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"id": "bi_gan",
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"name": "毕赣",
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"file": "bi_gan.md",
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"glyph": "bi_gan",
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"oneliner": "摄影机像一个没睡醒的人,沿一条能画在地图上的路,一直走进梦里",
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"group": "华语"
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{
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"id": "coen_brothers",
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"name": "科恩兄弟",
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"file": "coen_brothers.md",
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"glyph": "coen_brothers",
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"oneliner": "把画面摆得一丝不苟,让演员绝对认真地演,然后比该切的时候多留一秒",
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"group": "欧美"
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{
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"id": "fellini",
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"name": "费德里科·费里尼",
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"file": "fellini.md",
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"glyph": "fellini",
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"oneliner": "怪异全部长在真人身上:脸、身体、服装、姿态",
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"group": "欧美"
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{
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"id": "fincher",
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"name": "大卫·芬奇",
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"file": "fincher.md",
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"glyph": "fincher",
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"oneliner": "用长焦把人从背景里切下来,再从他不知道的位置上看着他",
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"group": "欧美",
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"tier": "A"
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{
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"id": "hitchcock",
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"name": "阿尔弗雷德·希区柯克",
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"file": "hitchcock.md",
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"glyph": "hitchcock",
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"oneliner": "把秘密先交给观众,再让角色慢慢走进去",
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"group": "欧美"
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{
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"id": "hou_hsiao_hsien",
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"name": "侯孝贤",
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"file": "hou_hsiao_hsien.md",
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"glyph": "hou_hsiao_hsien",
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"oneliner": "摄影机提前到场,坐在门外,不走近也不离开,让一屋子人把时间过完",
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"group": "华语"
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{
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"id": "kubrick",
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"name": "斯坦利·库布里克",
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"file": "kubrick.md",
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"glyph": "kubrick",
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"oneliner": "让建筑比人更有权力:广角、单点透视、匀速推进,人被压进几何里",
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"group": "欧美"
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},
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{
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"id": "kurosawa",
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"name": "黑泽明",
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"file": "kurosawa.md",
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"glyph": "kurosawa",
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"oneliner": "用长焦把队列压成横向的带,让风雨作用在身体上,等待比爆发更长",
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"group": "日韩",
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"tier": "A"
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{
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"id": "lu_yang",
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"name": "路阳",
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"file": "lu_yang.md",
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"glyph": "lu_yang",
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"oneliner": "冷青灰里只留一盏烛火,窄巷把两个人往一起挤,刀只走三五合就见生死",
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"group": "华语",
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"tier": "A"
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"id": "malick",
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"name": "泰伦斯·马力克",
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"file": "malick.md",
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"glyph": "malick",
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"oneliner": "镜头贴着一只手,太阳在她背后压着地平线,摄影机以步速漂移,不停",
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"group": "欧美"
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"id": "michael_mann",
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"name": "迈克尔·曼",
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"file": "michael_mann.md",
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"glyph": "michael_mann",
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"oneliner": "夜里的城市是一块发着冷光的平原,一个懂行的人站在它前面,谁也不认识他",
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"group": "欧美"
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"id": "nolan",
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"name": "克里斯托弗·诺兰",
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"file": "nolan.md",
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"glyph": "nolan",
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"oneliner": "先把规则讲清楚,再让三条时间线同时向同一个倒计时收拢",
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"group": "欧美",
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"tier": "A"
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"id": "park_chan_wook",
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"name": "朴赞郁",
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"file": "park_chan_wook.md",
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"glyph": "park_chan_wook",
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"oneliner": "把画面塞满花纹,让摄影机做一件物理上不可能的事,然后礼貌地伤害一个人",
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"group": "日韩"
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"id": "refn",
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"name": "尼古拉斯·温丁·雷弗恩",
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"file": "refn.md",
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"glyph": "refn",
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"oneliner": "机位锁死、人在正中、什么都不动,让颜色替所有人做完这场仪式",
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"group": "欧美"
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"id": "scorsese",
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"name": "马丁·斯科塞斯",
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"file": "scorsese.md",
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"glyph": "scorsese",
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"oneliner": "让摄影机被欲望拖着走,用音乐把上升拍得好看,再用静默让代价落地",
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"group": "欧美"
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"id": "spielberg",
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"name": "史蒂文·斯皮尔伯格",
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"file": "spielberg.md",
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"glyph": "spielberg",
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"oneliner": "先拍看见的人,再拍被看见的东西",
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"group": "欧美"
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"id": "tarkovsky",
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"name": "安德烈·塔可夫斯基",
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"file": "tarkovsky.md",
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"glyph": "tarkovsky",
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"oneliner": "镜头站着不动,让水、火和时间在画面里替人物完成表演",
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"group": "欧美"
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"id": "tsui_hark",
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"name": "徐克",
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"file": "tsui_hark.md",
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"glyph": "tsui_hark",
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"oneliner": "光打硬、雾放厚、机位压到膝盖高、升格拉到 120fps",
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"group": "华语",
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"tier": "A"
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"id": "villeneuve",
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"name": "丹尼斯·维伦纽瓦",
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"file": "villeneuve.md",
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"glyph": "villeneuve",
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"oneliner": "把人缩到画面高度的百分之五,然后给他二十秒,什么也不解释",
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"group": "欧美"
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"id": "wong_kar_wai",
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"name": "王家卫",
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"file": "wong_kar_wai.md",
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"glyph": "wong_kar_wai",
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"oneliner": "摄影机贴得太近、挡得太多、又晚了一步,正好是这段关系的形状",
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"group": "华语",
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"tier": "A"
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"id": "wu_ershan",
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"name": "乌尔善",
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"file": "wu_ershan.md",
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"oneliner": "先让一个比人大二十倍的东西压在画面上方,再让火把人照成剪影",
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"group": "华语",
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"id": "yuen_woo_ping",
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"name": "袁和平",
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"file": "yuen_woo_ping.md",
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"glyph": "yuen_woo_ping",
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"oneliner": "镜头退到能看见两只脚的位置,让人真的踩着地发力,打中的那一下硬停在原地",
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"group": "华语",
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"tier": "A"
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"id": "zhang_yimou",
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"name": "张艺谋",
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"file": "zhang_yimou.md",
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"glyph": "zhang_yimou",
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"oneliner": "先决定这一段是什么颜色,再决定谁站在里面",
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"group": "华语",
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"tier": "A"
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}
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"genres": [
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"id": "action-mission",
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"name": "动作任务",
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"file": "action-mission.md",
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"glyph": "action-mission",
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|
+
"oneliner": "观众看的是在条件不断收窄的过程里,把一件必须完成的事做完",
|
|
213
|
+
"group": "叙事"
|
|
214
|
+
},
|
|
215
|
+
{
|
|
216
|
+
"id": "adventure",
|
|
217
|
+
"name": "冒险",
|
|
218
|
+
"file": "adventure.md",
|
|
219
|
+
"glyph": "adventure",
|
|
220
|
+
"oneliner": "观众看的是一个有钟、有地图、有退路可数的一段路",
|
|
221
|
+
"group": "叙事"
|
|
222
|
+
},
|
|
223
|
+
{
|
|
224
|
+
"id": "broken-mirror-reunion",
|
|
225
|
+
"name": "破镜重圆",
|
|
226
|
+
"file": "broken-mirror-reunion.md",
|
|
227
|
+
"glyph": "broken-mirror-reunion",
|
|
228
|
+
"oneliner": "观众看的是一段已经断掉的关系,被一件一件重新证明",
|
|
229
|
+
"group": "叙事"
|
|
230
|
+
},
|
|
231
|
+
{
|
|
232
|
+
"id": "counterattack",
|
|
233
|
+
"name": "逆袭",
|
|
234
|
+
"file": "counterattack.md",
|
|
235
|
+
"glyph": "counterattack",
|
|
236
|
+
"oneliner": "观众看的是被看不起的人当众证明自己,看不起他的人被迫改口",
|
|
237
|
+
"group": "叙事"
|
|
238
|
+
},
|
|
239
|
+
{
|
|
240
|
+
"id": "crime-police",
|
|
241
|
+
"name": "警匪",
|
|
242
|
+
"file": "crime-police.md",
|
|
243
|
+
"glyph": "crime-police",
|
|
244
|
+
"oneliner": "观众看的是一笔本来该顺利完成的交易怎么烂掉,以及烂掉之后谁还按程序办事",
|
|
245
|
+
"group": "叙事"
|
|
246
|
+
},
|
|
247
|
+
{
|
|
248
|
+
"id": "family-relation",
|
|
249
|
+
"name": "家庭关系",
|
|
250
|
+
"file": "family-relation.md",
|
|
251
|
+
"glyph": "family-relation",
|
|
252
|
+
"oneliner": "观众看的是最亲近的人之间,照料与伤害由同一双手完成",
|
|
253
|
+
"group": "叙事"
|
|
254
|
+
},
|
|
255
|
+
{
|
|
256
|
+
"id": "fantasy",
|
|
257
|
+
"name": "奇幻",
|
|
258
|
+
"file": "fantasy.md",
|
|
259
|
+
"glyph": "fantasy",
|
|
260
|
+
"oneliner": "观众看的是一个有价目的世界,每一次动用力量都要付一样能看见的东西",
|
|
261
|
+
"group": "叙事"
|
|
262
|
+
},
|
|
263
|
+
{
|
|
264
|
+
"id": "hk-retro",
|
|
265
|
+
"name": "复古港风",
|
|
266
|
+
"file": "hk-retro.md",
|
|
267
|
+
"glyph": "hk-retro",
|
|
268
|
+
"oneliner": "观众看的是一个按旧规矩算账的人,在一个正在改规矩的城市里怎么把账收回来",
|
|
269
|
+
"group": "叙事"
|
|
270
|
+
},
|
|
271
|
+
{
|
|
272
|
+
"id": "identity-swap",
|
|
273
|
+
"name": "身份错位",
|
|
274
|
+
"file": "identity-swap.md",
|
|
275
|
+
"glyph": "identity-swap",
|
|
276
|
+
"oneliner": "观众看的是一个人被迫用不合身的身份、身体或权限去完成一件真实的任务",
|
|
277
|
+
"group": "叙事"
|
|
278
|
+
},
|
|
279
|
+
{
|
|
280
|
+
"id": "modern-urban",
|
|
281
|
+
"name": "现代都市",
|
|
282
|
+
"file": "modern-urban.md",
|
|
283
|
+
"glyph": "modern-urban",
|
|
284
|
+
"oneliner": "观众看的是一个在当代城市里被规矩和价格同时挤压的人,怎么用很小的动作把自己捞回来",
|
|
285
|
+
"group": "叙事"
|
|
286
|
+
},
|
|
287
|
+
{
|
|
288
|
+
"id": "parent-child-secret",
|
|
289
|
+
"name": "亲子隐秘",
|
|
290
|
+
"file": "parent-child-secret.md",
|
|
291
|
+
"glyph": "parent-child-secret",
|
|
292
|
+
"oneliner": "观众看的是一个孩子的存在本身就是尚未披露的信息,而这个信息一旦落地,成年人之间",
|
|
293
|
+
"group": "叙事"
|
|
294
|
+
},
|
|
295
|
+
{
|
|
296
|
+
"id": "period-power-struggle",
|
|
297
|
+
"name": "古装权谋",
|
|
298
|
+
"file": "period-power-struggle.md",
|
|
299
|
+
"glyph": "period-power-struggle",
|
|
300
|
+
"oneliner": "观众看的是在一套所有人都承认的规矩里,用规矩本身改变谁能决定事",
|
|
301
|
+
"group": "叙事"
|
|
302
|
+
},
|
|
303
|
+
{
|
|
304
|
+
"id": "rebirth-transmigration",
|
|
305
|
+
"name": "重生穿越",
|
|
306
|
+
"file": "rebirth-transmigration.md",
|
|
307
|
+
"glyph": "rebirth-transmigration",
|
|
308
|
+
"oneliner": "观众看的是主角带着上一世的教训回来,把这一世的第一笔账当场翻过来",
|
|
309
|
+
"group": "叙事"
|
|
310
|
+
},
|
|
311
|
+
{
|
|
312
|
+
"id": "revenge-face-slap",
|
|
313
|
+
"name": "复仇打脸",
|
|
314
|
+
"file": "revenge-face-slap.md",
|
|
315
|
+
"glyph": "revenge-face-slap",
|
|
316
|
+
"oneliner": "观众看的是被系统性剥夺的人,一件一件把可执行的权力拿回来",
|
|
317
|
+
"group": "叙事"
|
|
318
|
+
},
|
|
319
|
+
{
|
|
320
|
+
"id": "slice-of-life",
|
|
321
|
+
"name": "生活流",
|
|
322
|
+
"file": "slice-of-life.md",
|
|
323
|
+
"glyph": "slice-of-life",
|
|
324
|
+
"oneliner": "观众看的是一个普通人守住一件小事:修好一样东西、等到一个人、守住摊位、还掉一件借来的物、完成一次照料",
|
|
325
|
+
"group": "叙事"
|
|
326
|
+
},
|
|
327
|
+
{
|
|
328
|
+
"id": "suspense-rule",
|
|
329
|
+
"name": "悬疑规则",
|
|
330
|
+
"file": "suspense-rule.md",
|
|
331
|
+
"glyph": "suspense-rule",
|
|
332
|
+
"oneliner": "观众看的是在信息不足的时候下注,并为下注承担后果",
|
|
333
|
+
"group": "叙事"
|
|
334
|
+
},
|
|
335
|
+
{
|
|
336
|
+
"id": "system-flow",
|
|
337
|
+
"name": "系统流",
|
|
338
|
+
"file": "system-flow.md",
|
|
339
|
+
"glyph": "system-flow",
|
|
340
|
+
"oneliner": "观众看的是奖励一笔一笔到账,以及看不起主角的人一个一个被迫改口",
|
|
341
|
+
"group": "叙事"
|
|
342
|
+
},
|
|
343
|
+
{
|
|
344
|
+
"id": "wealthy-romance",
|
|
345
|
+
"name": "豪门婚恋",
|
|
346
|
+
"file": "wealthy-romance.md",
|
|
347
|
+
"glyph": "wealthy-romance",
|
|
348
|
+
"oneliner": "观众看的是亲密关系里的权力不对等如何被使用、被反抗、被重新协商",
|
|
349
|
+
"group": "叙事"
|
|
350
|
+
},
|
|
351
|
+
{
|
|
352
|
+
"id": "workplace-comedy",
|
|
353
|
+
"name": "职场喜剧",
|
|
354
|
+
"file": "workplace-comedy.md",
|
|
355
|
+
"glyph": "workplace-comedy",
|
|
356
|
+
"oneliner": "观众看的是被低估的人用可以当场核对的专业能力改变自己的处境",
|
|
357
|
+
"group": "叙事"
|
|
358
|
+
},
|
|
359
|
+
{
|
|
360
|
+
"id": "wuxia",
|
|
361
|
+
"name": "武侠",
|
|
362
|
+
"file": "wuxia.md",
|
|
363
|
+
"glyph": "wuxia",
|
|
364
|
+
"oneliner": "观众看的是一个人被江湖规矩和官府律法同时夹住,用一身手艺换一个说法",
|
|
365
|
+
"group": "叙事"
|
|
366
|
+
},
|
|
367
|
+
{
|
|
368
|
+
"id": "xianxia-cultivation",
|
|
369
|
+
"name": "仙侠修真",
|
|
370
|
+
"file": "xianxia-cultivation.md",
|
|
371
|
+
"glyph": "xianxia-cultivation",
|
|
372
|
+
"oneliner": "观众看的是在一套可以学习的力量规则里,人怎样用规则解决人的问题",
|
|
373
|
+
"group": "叙事"
|
|
374
|
+
}
|
|
375
|
+
],
|
|
376
|
+
"industries": [
|
|
377
|
+
{
|
|
378
|
+
"id": "auto",
|
|
379
|
+
"name": "汽车",
|
|
380
|
+
"file": "auto.md",
|
|
381
|
+
"glyph": "auto",
|
|
382
|
+
"oneliner": "漆面上有一层清漆,光在漆面里走一段再出来,所以反射的灯管边缘是软的",
|
|
383
|
+
"group": "行业"
|
|
384
|
+
},
|
|
385
|
+
{
|
|
386
|
+
"id": "education",
|
|
387
|
+
"name": "教育",
|
|
388
|
+
"file": "education.md",
|
|
389
|
+
"glyph": "education",
|
|
390
|
+
"oneliner": "铅笔芯在纸上留下的石墨有方向:顺着笔锋的那一侧亮,另一侧灰",
|
|
391
|
+
"group": "行业"
|
|
392
|
+
},
|
|
393
|
+
{
|
|
394
|
+
"id": "fashion-beauty",
|
|
395
|
+
"name": "美妆",
|
|
396
|
+
"file": "fashion-beauty.md",
|
|
397
|
+
"glyph": "fashion-beauty",
|
|
398
|
+
"oneliner": "皮肤在侧光下能看见绒毛,绒毛根根立着,边缘一圈发亮",
|
|
399
|
+
"group": "行业"
|
|
400
|
+
},
|
|
401
|
+
{
|
|
402
|
+
"id": "finance",
|
|
403
|
+
"name": "金融",
|
|
404
|
+
"file": "finance.md",
|
|
405
|
+
"glyph": "finance",
|
|
406
|
+
"oneliner": "纸币的雕刻线在侧光下凸起,拇指压过时凹槽里积着一点黑",
|
|
407
|
+
"group": "行业"
|
|
408
|
+
},
|
|
409
|
+
{
|
|
410
|
+
"id": "fmcg",
|
|
411
|
+
"name": "快消",
|
|
412
|
+
"file": "fmcg.md",
|
|
413
|
+
"glyph": "fmcg",
|
|
414
|
+
"oneliner": "货架上同一排产品的正面朝向误差:有的标签高一点,有的低一点,边缘排成一条不齐的线",
|
|
415
|
+
"group": "行业"
|
|
416
|
+
},
|
|
417
|
+
{
|
|
418
|
+
"id": "food",
|
|
419
|
+
"name": "餐饮",
|
|
420
|
+
"file": "food.md",
|
|
421
|
+
"glyph": "food",
|
|
422
|
+
"oneliner": "热油表面在斜光下有一层皱,皱里折出一道碎亮,油面下能看到葱段四周在翻",
|
|
423
|
+
"group": "行业"
|
|
424
|
+
},
|
|
425
|
+
{
|
|
426
|
+
"id": "medical",
|
|
427
|
+
"name": "医疗",
|
|
428
|
+
"file": "medical.md",
|
|
429
|
+
"glyph": "medical",
|
|
430
|
+
"oneliner": "无影灯在器械盘上打出两三个重叠的圆,圆与圆的交界有一条过渡带",
|
|
431
|
+
"group": "行业"
|
|
432
|
+
},
|
|
433
|
+
{
|
|
434
|
+
"id": "realestate",
|
|
435
|
+
"name": "地产",
|
|
436
|
+
"file": "realestate.md",
|
|
437
|
+
"glyph": "realestate",
|
|
438
|
+
"oneliner": "墙面乳胶漆在斜光下有极细的滚筒纹,纹路走向一致",
|
|
439
|
+
"group": "行业"
|
|
440
|
+
},
|
|
441
|
+
{
|
|
442
|
+
"id": "tech",
|
|
443
|
+
"name": "科技",
|
|
444
|
+
"file": "tech.md",
|
|
445
|
+
"glyph": "tech",
|
|
446
|
+
"oneliner": "冷白光贴着阳极氧化铝边框走,边缘只剩一条 0.5mm 高光,其余面把光吃掉",
|
|
447
|
+
"group": "行业"
|
|
448
|
+
},
|
|
449
|
+
{
|
|
450
|
+
"id": "travel",
|
|
451
|
+
"name": "文旅",
|
|
452
|
+
"file": "travel.md",
|
|
453
|
+
"glyph": "travel",
|
|
454
|
+
"oneliner": "石阶被踩出的凹面在斜光下有一层油亮,凹面的边缘比中间旧",
|
|
455
|
+
"group": "行业"
|
|
456
|
+
}
|
|
457
|
+
],
|
|
458
|
+
"forms": [
|
|
459
|
+
{
|
|
460
|
+
"id": "short-drama",
|
|
461
|
+
"name": "短剧",
|
|
462
|
+
"file": "short-drama.md",
|
|
463
|
+
"glyph": "short-drama",
|
|
464
|
+
"oneliner": "单集或多集的短剧:60-180 秒自足单元,10 秒立钩;按电影标准拍,不是低配",
|
|
465
|
+
"group": "类型"
|
|
466
|
+
},
|
|
467
|
+
{
|
|
468
|
+
"id": "cinematic",
|
|
469
|
+
"name": "电影质感",
|
|
470
|
+
"file": "cinematic.md",
|
|
471
|
+
"glyph": "cinematic",
|
|
472
|
+
"oneliner": "电影质感规格(不是长片):每镜都要过电影线——动机光、真材质、成立景深",
|
|
473
|
+
"group": "类型"
|
|
474
|
+
},
|
|
475
|
+
{
|
|
476
|
+
"id": "commercial",
|
|
477
|
+
"name": "商业片",
|
|
478
|
+
"file": "commercial.md",
|
|
479
|
+
"glyph": "commercial",
|
|
480
|
+
"oneliner": "宣传片 / 广告片 / 产品片合一:一条片只承诺一件事,证据必须看得见",
|
|
481
|
+
"group": "类型"
|
|
482
|
+
},
|
|
483
|
+
{
|
|
484
|
+
"id": "documentary",
|
|
485
|
+
"name": "纪实",
|
|
486
|
+
"file": "documentary.md",
|
|
487
|
+
"glyph": "documentary",
|
|
488
|
+
"oneliner": "可信优先于好看:现场光、真环境音、允许承认不知道",
|
|
489
|
+
"group": "类型"
|
|
490
|
+
},
|
|
491
|
+
{
|
|
492
|
+
"id": "music-video",
|
|
493
|
+
"name": "音乐视频",
|
|
494
|
+
"file": "music-video.md",
|
|
495
|
+
"glyph": "music-video",
|
|
496
|
+
"oneliner": "节奏单位是拍不是秒:切点对齐 BPM,全片必有一次「停」",
|
|
497
|
+
"group": "类型"
|
|
498
|
+
},
|
|
499
|
+
{
|
|
500
|
+
"id": "trailer",
|
|
501
|
+
"name": "预告",
|
|
502
|
+
"file": "trailer.md",
|
|
503
|
+
"glyph": "trailer",
|
|
504
|
+
"oneliner": "设局—加压—爆发—按钮:只给一个信息,藏住结局",
|
|
505
|
+
"group": "类型"
|
|
506
|
+
},
|
|
507
|
+
{
|
|
508
|
+
"id": "explainer",
|
|
509
|
+
"name": "解说",
|
|
510
|
+
"file": "explainer.md",
|
|
511
|
+
"glyph": "explainer",
|
|
512
|
+
"oneliner": "一块屏一条信息:语速 4.5-6.5 字/秒,画面必须与旁白同步",
|
|
513
|
+
"group": "类型"
|
|
514
|
+
},
|
|
515
|
+
{
|
|
516
|
+
"id": "interview",
|
|
517
|
+
"name": "访谈",
|
|
518
|
+
"file": "interview.md",
|
|
519
|
+
"glyph": "interview",
|
|
520
|
+
"oneliner": "脸与话是全部资产:ASL 8-20 秒,犹豫和沉默都要留着",
|
|
521
|
+
"group": "类型"
|
|
522
|
+
}
|
|
523
|
+
],
|
|
524
|
+
"looks": [
|
|
525
|
+
{
|
|
526
|
+
"id": "anime-thick-paint",
|
|
527
|
+
"name": "2D厚涂",
|
|
528
|
+
"file": "anime-thick-paint.md",
|
|
529
|
+
"glyph": "anime-thick-paint",
|
|
530
|
+
"oneliner": "2D 厚涂:不透明颜料逐层覆盖,笔触堆积"
|
|
531
|
+
},
|
|
532
|
+
{
|
|
533
|
+
"id": "dark-myth-cg",
|
|
534
|
+
"name": "暗黑系神话游戏CG",
|
|
535
|
+
"file": "dark-myth-cg.md",
|
|
536
|
+
"glyph": "dark-myth-cg",
|
|
537
|
+
"oneliner": "暗黑系神话游戏CG:高精 PBR + 战损皮革 + 硬光切边"
|
|
538
|
+
},
|
|
539
|
+
{
|
|
540
|
+
"id": "east-epic-3d",
|
|
541
|
+
"name": "东方神话3D",
|
|
542
|
+
"file": "east-epic-3d.md",
|
|
543
|
+
"glyph": "east-epic-3d",
|
|
544
|
+
"oneliner": "东方神话3D:三渲二 + SSS 玉石 + 织金重彩"
|
|
545
|
+
},
|
|
546
|
+
{
|
|
547
|
+
"id": "ghibli-watercolor",
|
|
548
|
+
"name": "吉卜力水彩",
|
|
549
|
+
"file": "ghibli-watercolor.md",
|
|
550
|
+
"glyph": "ghibli-watercolor",
|
|
551
|
+
"oneliner": "吉卜力水彩:纸本水彩背景 + 赛璐璐角色"
|
|
552
|
+
},
|
|
553
|
+
{
|
|
554
|
+
"id": "guoman-3d-ink",
|
|
555
|
+
"name": "国漫3D水墨",
|
|
556
|
+
"file": "guoman-3d-ink.md",
|
|
557
|
+
"glyph": "guoman-3d-ink",
|
|
558
|
+
"oneliner": "国漫3D水墨:3D 骨相 + 宣纸肌理与枯笔描边"
|
|
559
|
+
},
|
|
560
|
+
{
|
|
561
|
+
"id": "guoman-3d-xianxia",
|
|
562
|
+
"name": "国漫3D仙侠",
|
|
563
|
+
"file": "guoman-3d-xianxia.md",
|
|
564
|
+
"glyph": "guoman-3d-xianxia",
|
|
565
|
+
"oneliner": "国漫3D仙侠:PBR 丝绸玉石、丁达尔、体积雾"
|
|
566
|
+
},
|
|
567
|
+
{
|
|
568
|
+
"id": "hk-retro-film",
|
|
569
|
+
"name": "复古港风胶片",
|
|
570
|
+
"file": "hk-retro-film.md",
|
|
571
|
+
"glyph": "hk-retro-film",
|
|
572
|
+
"oneliner": "复古港风胶片:500T 负片颗粒、霓虹污染、halation"
|
|
573
|
+
},
|
|
574
|
+
{
|
|
575
|
+
"id": "realistic-cinema",
|
|
576
|
+
"name": "写实电影",
|
|
577
|
+
"file": "realistic-cinema.md",
|
|
578
|
+
"glyph": "realistic-cinema",
|
|
579
|
+
"oneliner": "写实电影:数字采集为主,光比克制,肤质保留"
|
|
580
|
+
},
|
|
581
|
+
{
|
|
582
|
+
"id": "shinkai-light",
|
|
583
|
+
"name": "新海诚光",
|
|
584
|
+
"file": "shinkai-light.md",
|
|
585
|
+
"glyph": "shinkai-light",
|
|
586
|
+
"oneliner": "新海诚光:高饱和天空、强光斑、玻璃反射"
|
|
587
|
+
}
|
|
588
|
+
],
|
|
589
|
+
"moves": [
|
|
590
|
+
{
|
|
591
|
+
"id": "camera-moves",
|
|
592
|
+
"name": "运镜词典",
|
|
593
|
+
"file": "camera-moves.md",
|
|
594
|
+
"oneliner": "10 条运镜,一镜一条,含参数与禁用条件"
|
|
595
|
+
},
|
|
596
|
+
{
|
|
597
|
+
"id": "fight-rhythm",
|
|
598
|
+
"name": "打斗节奏",
|
|
599
|
+
"file": "fight-rhythm.md",
|
|
600
|
+
"oneliner": "实测节奏基线 + 五条可迁移手法 + 生成边界"
|
|
601
|
+
}
|
|
602
|
+
]
|
|
603
|
+
}
|
|
@@ -0,0 +1,79 @@
|
|
|
1
|
+
---
|
|
2
|
+
moves_id: camera-moves
|
|
3
|
+
title: 运镜词典
|
|
4
|
+
kind: moves
|
|
5
|
+
---
|
|
6
|
+
|
|
7
|
+
# 运镜词典
|
|
8
|
+
|
|
9
|
+
一次只选一条。运镜是**句子里的动词**,不是装饰:它决定了观众在这一秒被要求看哪里。
|
|
10
|
+
|
|
11
|
+
## 一镜一运镜(硬规则)
|
|
12
|
+
|
|
13
|
+
- **一镜只能有一个主运镜**。同时推 + 摇 + 移 = 模型只执行前半段,后半段变成漂移。
|
|
14
|
+
- **相邻镜不得反向**。上一镜右移、下一镜左移,观众立刻感到"跳"。需要反向时,把切点做成遮挡、过肩或特写插入。
|
|
15
|
+
- **位移超过画面 1/4 就拆镜**。人物横穿大半画面还要求一个连续跟拍,成品必然糊。
|
|
16
|
+
- **能不动就不动**。锁定机位是最被低估的选择,尤其当表演本身够好的时候。
|
|
17
|
+
- **写终点不写方向**。"从腰部高度缓推至面部,匀速,到脸前 0.2 秒减速停住" 可执行;"推进" 不可执行。
|
|
18
|
+
|
|
19
|
+
---
|
|
20
|
+
|
|
21
|
+
### 急推 / Punch-in
|
|
22
|
+
|
|
23
|
+
- 动作:机位不动,焦段在 6–11 帧内从全景等效急变到特写等效(如 24mm → 85mm 观感),落幅锁定目标;中心点在切换过程中同步收拢到目标。
|
|
24
|
+
- 参数:切换 6–11 帧;目标 zoom 倍率 2.4–3.8;落幅前预留 ≥10 帧建立全景、落幅后 ≥15 帧读特写;带运动模糊只包住切换段。
|
|
25
|
+
- 禁用:一镜一次以上;角色对话段;抒情/回忆段;以及"急推 + 震屏"同时用(读成穿帮)。
|
|
26
|
+
|
|
27
|
+
### 陡倾滑行 / Steep-tilt glide
|
|
28
|
+
|
|
29
|
+
- 动作:机位沿倾斜方向匀速滑动,画面地平线在滑动过程中逐渐由正变斜(或由斜变正),终点停在一个刻意歪的构图。
|
|
30
|
+
- 参数:滑动 1–3 秒;倾角终点 8–25°;速度恒定不加减速;建议 24–35mm。
|
|
31
|
+
- 禁用:一镜内来回倾;与环绕叠加;需要观众读地理关系的建立镜头。
|
|
32
|
+
|
|
33
|
+
### 顶拍俯冲 / Overhead dive
|
|
34
|
+
|
|
35
|
+
- 动作:机位从与主体同高下降到接近 90° 垂直俯视(或反向从顶拍下降),过程中主体在画面里的投影位置保持不动。
|
|
36
|
+
- 参数:1.5–4 秒;起始仰角 0–10°、终点 75–90°;焦段 24–35mm;需明确主体在落幅中占画面高度百分比。
|
|
37
|
+
- 禁用:多人同时移动的场面(俯冲后分不清谁是谁);没有地面纹理可读的纯色地面。
|
|
38
|
+
|
|
39
|
+
### 空间穿行 / Space traverse
|
|
40
|
+
|
|
41
|
+
- 动作:机位沿一条可画在地图上的路径连续前进,穿过一个以上的空间层级(门→走廊→房间),中途不切。
|
|
42
|
+
- 参数:3–8 秒;前进速度 0.6–1.2 m/s;焦段 18–28mm 给纵深;路径上至少两个遮挡物被打穿。
|
|
43
|
+
- 禁用:模型不擅长保持通道几何;单条 clip 超过 6 秒后墙体必然变形,超过就拆两段并在门框处切。
|
|
44
|
+
|
|
45
|
+
### 擦脸巡回 / Graze-face tour
|
|
46
|
+
|
|
47
|
+
- 动作:机位绕主体做小半径弧线,最近处几乎贴到脸部轮廓,前景遮挡物在弧线中途掠过画面。
|
|
48
|
+
- 参数:0.8–2.5 秒;半径 0.4–0.8 m;角度 30–90°;焦段 35–50mm;必须指定旋转方向。
|
|
49
|
+
- 禁用:需要看清全身动作的镜;主体还要在弧线里做大幅位移(两者互斥,必拆)。
|
|
50
|
+
|
|
51
|
+
### 张力机位 / Tension camera
|
|
52
|
+
|
|
53
|
+
- 动作:机位固定在比主体低或高的异常高度,长时间不动,只有极小幅度的呼吸式浮动(< 画幅 2%)。
|
|
54
|
+
- 参数:4–10 秒;浮动幅度 0.5–2%;焦段 40–85mm;全程一个构图。
|
|
55
|
+
- 禁用:动作段;需要交代空间的全景;与"在等待中发生事件"的镜(那要真动,不能只是抖)。
|
|
56
|
+
|
|
57
|
+
### 景深分层 / Depth-layer move
|
|
58
|
+
|
|
59
|
+
- 动作:机位横向平移,让前景、中景、背景三层以不同速度错位(前景扫过最快,背景几乎不动),主体始终在中景。
|
|
60
|
+
- 参数:1–3 秒;横移 0.5–2 m;焦段 50–85mm 压缩层次;光圈 f/2.0–f/2.8 保证层次可辨。
|
|
61
|
+
- 禁用:背景没有层次可用的空景;主体与背景距离 < 1 m(压不出分层)。
|
|
62
|
+
|
|
63
|
+
### 手持微调 / Handheld micro
|
|
64
|
+
|
|
65
|
+
- 动作:无位移,只有幅度 < 10 cm 的持续微幅晃动,模拟手持呼吸;偶尔一次重新构图(reframe)而不是甩镜。
|
|
66
|
+
- 参数:全程持续;幅度 < 10cm;每次 reframe 位移 < 画幅 10%;焦段 25–50mm。
|
|
67
|
+
- 禁用:写成"手持晃动"就完事——必须同时点明"小幅度微调,不是晃动";需要精确构图的对称镜。
|
|
68
|
+
|
|
69
|
+
### 环绕 / Orbit
|
|
70
|
+
|
|
71
|
+
- 动作:机位绕主体做 90–360° 圆弧运动,半径固定,主体始终在画面中心。
|
|
72
|
+
- 参数:2–6 秒;半径 1.5–3 m;焦段 35–50mm;必须指定方向与是否收尾停在正面。
|
|
73
|
+
- 禁用:一镜内环绕超过 180°(超过后背景必然崩);需要看清背景地标的镜。
|
|
74
|
+
|
|
75
|
+
### 升降 / Crane
|
|
76
|
+
|
|
77
|
+
- 动作:机位垂直升降,落幅揭示或隐藏环境信息(升高揭示全景,降低进入人物视线高度)。
|
|
78
|
+
- 参数:1.5–4 秒;升降 0.5–3 m;焦段 24–50mm;必须写清落幅要揭示什么。
|
|
79
|
+
- 禁用:落幅没有新信息可揭示(纯粹为了动而动);室内低层高空间。
|