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+{"003d08dc-6215-5320-a8d3-88161baeb779":{"title":"Explore Baroque","description":"Explore Baroque","extra":{"country_ids":["cz","hu","hr","at","de","it","pt"],"country_texts":[{"text":"The Counter-Reformation brought forward a veritable boom in Austrian construction. New ‘houses of God’ were erected everywhere as a sign of a re-strengthened Christianity. Numerous new churches and monasteries emerged with magnificent fresco cycles, but Gothic churches were also commonly furnished with Baroque paintings. This animated, expressive style had its origins in Italy, where it blossomed into a luxuriant display of splendour and emotion. Stucco works are essential decorative elements, which were produced mainly by southern German artists (namely from Wessobrunn), from fruit garlands in the early Baroque to graceful rocailles during the late Baroque period. Frescoes range from small colourful pieces to huge pastose designs spanning across vaults as with illusionistic motifs.  \n  \nGardens along with the connected castle now represent so-called *Gesamtkunstwerke* (total works of art), and the newly developed medium of the opera shows refined stage machinery ranging from water arts and horse ballets to fireworks. The largest palace in Tyrol, the imperial Hofburg, was refashioned in the late Baroque style and termed by Maria Theresa as the “little Schönbrunn of the Alps”. The most notable monasteries of the region, Wilten & Stams, were refurbished into Baroque.","langId":"en","countryId":"at"},{"text":"Southern Bavaria unites the southern parts of Upper Bavaria and Lower Swabia. In the Baroque era, these regions were the scene of some intense building activity – so much that even today the monuments from this time make their mark on the landscape. Not only are there many splendorous monasteries and palaces with rich furnishings, but everywhere one finds the onion-shaped spires of village churches built or rebuilt in Baroque style, typical of the countryside. Over the course of the 18th century the gracious and elegant French styles of Régence and Rococo, originating from profane noble or courtly buildings, came to influence Southern German ecclesiastical architecture, leading to those miracles dubbed ‘Rococo churches’. A typical feature of Rococo style is the popular, enchanting, friendly, indeed sometimes childishly naive character of the painted and sculpted depictions, often enriched with a touch of humour – one needs only to look at the countless playful small angels found in so many churches to find such flourishes.","langId":"en","countryId":"de"},{"text":"The appearance of Baroque in Croatia coincided with the cessation of the Ottoman invasion at the beginning of the 17th century and simultaneous ecclesiastical renewal after the Council of Trent. Perhaps to a greater extent than in other European countries, Baroque in Croatia manifests the duality of stylistic influences of the Central European and Mediterranean cultural and artistic circles. It is a consequence of the historical integration of the two central Croatian regions – continental Croatia and coastal Croatia – into two dominant political and cultural options of the 17th and 18th centuries: the Habsburg Monarchy and the Venetian Republic. That general dichotomy has its exceptions: the expansion of the Central European cultural circle on the Croatian coast and Habsburg estates in Istria and Kvarner, as well as the phenomenon of the Republic of Dubrovnik, a free city-state in south-eastern Croatia, oriented towards Rome and southern Italy. The most prominent clients in both regions – Jesuits, Franciscans, dioceses and nobility – turn mainly to foreign architects, sculptors and painters, but also to notable domestic authors who had their workshops in larger towns. During both Baroque centuries, we can trace two simultaneous phenomena - an increase in artistic standards, promoted by works of foreign masters and educated domestic artists, and a provincial variant of Baroque in the creations of local authors. Particularly in sculpture and painting the first category combines quality artworks of various provenances, and the second includes works of often reproductive character. Nevertheless, they both fit perfectly into the narrative of the Baroque in the vast area of its spread.","langId":"en","countryId":"hr"},{"text":"The Ottoman occupation of the middle part of Hungary from the 1540s cut short, stopped or altered the continuity of arts and architecture influenced by Western European ideas. However, the Baroque arrived in the early 17th century to those parts that were not occupied by the Turks (North and a part of West Hungary) as can be seen in the compelling Baroque rebuilding of Sopron after a devastating fire in 1676. The new style and its accompanying ideals would spread across the whole of the country gradually after the reconquering wars at the end of the 17th century. These circumstances led to entire Baroque cityscapes built over empty sites or atop cities destroyed in war like Buda, Győr or Eger. The nobility was eager to commission country and town palaces in the new style with gardens built following the Baroque schemes and the emerging bourgeoisie also erected their town home following the ideas of the Baroque. Among the main promoters was the Catholic Church, mainly the Jesuit order. Grandiose churches and colleges were built to serve new demands to show rich decorations and the perspective and theatrical effects that were already used in the Western part of Europe. On city squares, Baroque statues were erected to glorify the Christian Faith and Religion or to commemorate important events. Alongside the activities of foreign artists and architects (mainly from Italy or German-speaking countries) in Hungary, local masters also took over the new fashion. From the middle of the 18th century arrived the fashion of the Rococo and a Neoclassical Late-Baroque as well.","langId":"en","countryId":"hu"},{"text":"By the early 17th century, the arts of the Baroque began to flourish in papal Rome, thanks to the contribution of artists such as Caravaggio and Bernini, Lanfranco, Pietro da Cortona and Borromini. Popes and cardinals promoted a majestic and emotional art celebrating the power of the Roman Catholic Church by means of public undertakings: piazzas, bridges, fountains, churches, altarpieces, chapels, all characterized by grandiose architectures, dynamic spaces, flowing curves, rich colours and luxurious materials. Noble families competed with the popes in commissioning outstanding palaces and villas, as well as frescoes, paintings and statues often depicting profane mythological subjects. Not only Rome but also its environs witnessed the spread of the splendour of the Baroque art: for example Frascati, Grottaferrata and Castel Gandolfo, where the popes and their families had villas and gardens built. Bologna was the other important city of the Papal State: cradle of the naturalism of the Carracci, Bologna shows a peculiar declination of the Baroque language, more classical and restrained, through its noble palaces, churches, villas and theatres within the city and in its surroundings.","langId":"en","countryId":"it"},{"text":"Portuguese monuments collection aims to introduce the visitor to the extremely rich variety of Baroque heritage in Portugal. Taking advantage of the financial resources provided by Brazilian gold shipments from 1695 till the second half of the 18th century, King João V, as well as mainly the religious orders and the aristocracy were enabled to commission a wide array of civil, military and religious monumental ensembles and artistic masterpieces, displayed throughout the whole country, from Minho to Algarve, Madeira and Azores.  \nIn addition to exhibiting the splendour of both royal and religious power, these works of art convey the peculiar Portuguese interpretation of Baroque that blends the ‘exoticism’ of its culture, originated by the encounter with other civilizations from Brazil to the Far East, together with the richness of its typical artistic language, whose main features are the gilded wood and the *azulejos* panels.","langId":"en","countryId":"pt"}],"legacy_status":"e"}},"003e5b56-f530-5f59-88f9-8fbf91faecd0":{"title":"Medjez al-Bab","description":"","extra":{"how_to_reach":"A very pretty country 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Ghar al-Melh is reachable via the main road to Bizerte (GP 8), turn right at the road sign, or turn right before that towards Utique. Cross the village of Aousja, and then take the road on the right towards Ghar al-Melh."}},"16ba5e0a-5573-5505-bf94-ccbd8be483ec":{"title":"Ba'abda","description":""},"1722bd43-ba35-5a6c-af26-3b6663530cee":{"title":"Itinerary 137","description":"","extra":{"country_ids":["dz"],"location_ids":[531,532,533,534]}},"182b1531-4c25-504a-a601-aa172eb9ac58":{"title":"Maqam of Nabi Musa","description":"","extra":{"showOnMonument":true}},"187c7694-fc86-5d77-b135-81491b2e7018":{"title":"Shawbak","description":"","extra":{"showOnMonument":true}},"18aaafe7-0751-5c6d-8fb0-efec52f23488":{"title":"Merida","description":""},"191739c4-e87f-5582-b839-471dbd7d9adc":{"title":"Itinerary 84","description":"","extra":{"country_ids":["tr"],"location_ids":[224]}},"1a03c051-4560-5817-8bd7-9d5511c58e19":{"title":"Valmontone","description":"","extra":{"additional_regions":[1]}},"1a37552b-8961-5b42-85f5-531eccfe5064":{"title":"Monchique","description":"","extra":{"showOnMonument":true}},"1a487c79-bc61-58f6-a881-cdf438de5e53":{"title":"Maskaneh / Medieval Balis","description":"","extra":{"showOnMonument":true}},"1ad68177-5365-5783-bffc-b5ada9d8936b":{"title":"Itinerary 75","description":"","extra":{"country_ids":["pa"],"location_ids":[51]}},"1af40c81-ec28-5997-ba9c-ad813b348272":{"title":"Itinerary 56","description":"","extra":{"country_ids":["it"],"location_ids":[406,414,420,448],"territory_ids":[10]}},"1b6fbc31-63a5-5d2a-bae7-f8ba8202c41d":{"title":"Itinerary 91","description":"","extra":{"country_ids":["sy"],"location_ids":[186,187,191,206]}},"1b9d7ce6-9125-5a2f-9d88-61f99af1d75d":{"title":"Bichlbach","description":""},"1bc50cd9-67d6-5d3a-b1a9-e06707740830":{"title":"Khan Yunis","description":"","extra":{"showOnMonument":true}},"1bd4c932-8933-5aca-a3f7-27e2f59dc9df":{"title":"Tadmur (Palmyra)","description":"","extra":{"showOnMonument":true}},"1c2a6900-6048-5779-ae77-fc0fe3ca70c8":{"title":"Vranov nad Dyjí","description":""},"1c68c2cd-3d84-5d89-a95d-6155f2bad593":{"title":"Itinerary 94","description":"","extra":{"country_ids":["sy"],"location_ids":[180]}},"1c916263-eac6-5db8-bb1f-fcae945b9b83":{"title":"Mikulov","description":""},"1cab368f-4365-58a1-83ff-99719362990c":{"title":"Dornes","description":"","extra":{"showOnMonument":true}},"1cbade54-caf0-524b-9f9a-92a2962bab4e":{"title":"Palencia","description":""},"1d166744-72cc-5d12-9f83-542e250f0dbf":{"title":"Chénini (of Tataouine)","description":""},"1d248a52-9fe9-521f-9654-0315d2af0583":{"title":"Honaïne","description":""},"1e46ad24-936c-52c5-9aff-3cc1b2eab906":{"title":"Dois Portos","description":"","extra":{"showOnMonument":true}},"1f679a97-788c-55ec-b954-eb648252937d":{"title":"Tobed","description":""},"1fb62e7f-9602-5e45-8f3d-930fbd0b5573":{"title":"Upper Austria","description":"","extra":{"theme_ids":[3],"territory_level":"1"}},"1fe7b005-0804-51de-9ff3-f38214ab42b1":{"title":"Castelli Romani","description":"","extra":{"theme_ids":[3],"territory_level":"3"}},"20a76c6e-d0d5-5be9-bbd2-2410f653b0cc":{"title":"Itinerary 71","description":"","extra":{"country_ids":["pa"],"location_ids":[42]}},"2116aa4f-1d72-55bc-91c3-024d3de686bf":{"title":"Medicina","description":""},"215a58ba-2526-5f2d-a659-cf594b7d6ae5":{"title":"Itinerary 106","description":"","extra":{"country_ids":["pt"],"location_ids":[85,87,102,111,117,134,164,175,177,178]}},"21b8d3fb-52f5-540d-a8e3-3bbe5dffb670":{"title":"Carrión de los Condes","description":""},"229cbeb1-6396-593e-8e36-9a428f1b05ef":{"title":"Orah","description":""},"243a7b03-68b6-50a7-9e2b-eba235d997a7":{"title":"Tunis","description":""},"24694934-315b-5b72-8c3d-e3760af099b9":{"title":"Tihany","description":""},"24797143-d0d9-5f8b-9fc4-36d358d0d636":{"title":"Virovitica","description":""},"254eae82-8c03-5979-98a2-7368a721cda5":{"title":"Evora","description":"","extra":{"showOnMonument":true}},"25508345-c342-5e46-8fee-afd41e6b9dfd":{"title":"Explore the Islamic Heritage of the Mediterranean","description":"Explore the Islamic Heritage of the Mediterranean","extra":{"country_ids":["dz","eg","jo","ma","pa","pt","es","sy","tn","tr","it"],"country_texts":[{"text":"Algeria is the descendant of an ancient African civilisation. The people of Algeria have managed to absorb and elaborate influences from Greek, Phoenician, Roman, Vandal and Muslim cultures, while still maintaining their spirit of independence, a quality which has provided space for a multitude of political experiments as well as the creation of a unique new artistic style.  \n  \nThis important artistic legacy is linked to some crucial aspects of Algeria’s history: the rise of dissident religious movements, the reign of the great dynasties, the role of the great axes of trade and pilgrimage, and the Ottoman presence in cities of the Mediterranean rim.  \n  \nTake a journey through both the Islamic art and the history of the Central Maghreb (now Algeria) and explore sixty-three monuments and seven museums which demonstrate the specific style of North African Islam that stems from the assimilation of an old Berber-African civilisation into a more recent and more powerful Arab-Muslim dominion.","langId":"en","countryId":"dz"},{"text":"Art et architecture de la lumière présente les formes les plus variées et les plus riches de l'art islamique du Maghreb central, un héritage artistique important, lié aux événements cruciaux qui ont marqué l'histoire de l'Algérie, depuis l'essor des mouvements religieux dissidents et le règne des grandes dynasties, en passant par le rôle des grands axes de commerce et de pèlerinage et jusqu'à la présence ottomane dans les cités du pourtour méditerranéen. La synthèse des influences arabe et berbère, africaine, andalouse et orientale a façonné des modèles artistiques et architecturaux qui s'expriment dans la pureté et l'harmonie de l'architecture ibadite, des mosquées almoravides et des palais ottomans sur la côte.","langId":"fr","countryId":"dz"},{"text":"“He who has not seen Cairo has not seen the magnitude of Islam, for she is the capital of the world, the garden of the universe, the assembly of nations, the beginnings of the Earth, the origin of man, the *iwan* of Islam and the seat of kingship.” That is how Arab historian Ibn Khaldun described Cairo in the 14th century. To see some of what inspired this lofty language, take a tour of the Egyptian art that flourished during the Mamluk era. The Mamluks, a dynasty of former slave-soldiers who rose to power in the mid-13th century, won a major victory over the reigning crusaders and stopped the Mongols’ advance toward Palestine and Egypt.  \n  \nUnder Mamluk patronage, Islamic art in Egypt reached its peak. Artists and craftsmen from every Muslim territory escaped from the Mongol invasion and converged in Egypt, where their different skills blended and created new artistic and architectural styles. These talented artisans drew from Egypt’s unique heritage and abundant materials to create a myriad of masterworks. During the Mamluk period, Egyptian art and architecture united in a harmony of theme that produced pieces of unprecedented quality.","langId":"en","countryId":"eg"},{"text":"For eight centuries medieval Spain was divided into an unequal and constantly changing balance between Christendom and Islam. The difficulty experienced by the Christian kingdoms in the north of the peninsula in re-populating the vast territories that had been conquered led to a political decision which had long-lasting consequences for Medieval Spain. This was the authorisation granted to the conquered Muslim population which allowed them to remain under Christian domination in the conquered territories, but to preserve the Muslim religion, the Arabic language and their own judicial system. These Muslims were known as the *Mudéjar*.  \n  \nThis period, called the *Reconquista* (reconquest), marked the beginning of a new phase for art and architecture in the Iberian Peninsula. Muslim craftsmen in the region continued their work for the newly established Christian rulers and from the confluence of Christian and Islamic artistic traditions, a new *Mudéjar* art style emerged.","langId":"en","countryId":"es"},{"text":"The architectural and artistic landscape of Sicily in the Middle Ages was characterised by the unification of three cultures: Byzantine, Arab and Norman. Sicily has been on the fringe of the Muslim world since the Arab conquest of Tunisia by the famous Umayyad general Uqba ibn Nafi in the late 7th century. By the 9th century, the Aghlabids had established themselves on the island, choosing Palermo as their capital. The Fatimids also left their mark on Sicily, but the most sumptuous monuments that still bear the lineage of Islamic art date back to the 12th century, when the Normans ruled. Norman kings such as Ruggero II, Guglielmo I and Guglielmo II, as well as leading personalities from the kingdom commissioned important construction projects to architects and craftsmen from North Africa, thus importing their knowledge, philosophy and aesthetics, which thereby determined the artistic landscape of medieval art in Sicily.  \n  \nThe impact of Arabic civilisation on Sicily is complex and unique, but – like the integration of Arabic influences in Spain – it constitutes a synergy between two cultures. This commingling blossomed into a wide variety of expressive styles, and Arabic motifs can be seen echoing through the island’s art and architecture long after it left the dominion of the *Dar al-Islam*.","langId":"en","countryId":"it"},{"text":"The material on display explores the abundance of Jordan’s historical culture, which flourished during the Umayyad era (661–750 AD / 40–129 AH). The Umayyad dynasty immediately followed the four “rightly guided” caliphs, and its two most important characteristics were the institutionalisation of the Islamic faith and the use of Arabic for all administrative purposes. During the relatively brief period of their reign, the Umayyads changed the political and cultural maps of the Mediterranean world and those of both Western and Central Asia. Fuelled by the new religion of Islam, they created a vast empire. The territory corresponding to today’s Jordan was of great importance to the dynasty as a geographical connection between Damascus, the capital of Bilad al-Sham, and the Hijaz, the political and religious centre of the Arabian Peninsula.  \n  \nThe Umayyads created the first artistic tradition of Islam. We can see the foundations for much of what was to come on display in a great deal of their art and architecture. The Umayyads inherited a rich cultural and artistic heritage of Greek, Roman, Assyrian, Babylonian, Achemenid, Parthian and Sassanian origins. In integrating this multitude of influences, they were embodying one of the most distinctive elements of Islamic civilisation: receptiveness to various cultural and religious traditions","langId":"en","countryId":"jo"},{"text":"The history of Morocco is inextricably linked with that of *al-Andalus* (the Iberian Peninsula). The dynamic exchange of cultures, people and commerce brought about the birth of a flourishing art form, the most beautiful examples of which materialised in Morocco. In the enchanted cities of Fez, Tangier, Tétouan and Chefchaouen, the holy city, Andalusian art and architecture manifested the peak of their beauty in their most renowned monuments, the Qarawiyin and Andalusian mosques. Experts agree that these two grand sanctuaries in Fez, built in the 9th century AD (3rd century AH), mark the true beginning of Islamic art in Morocco.  \n  \nStarting with the first minaret and minbar (pulpit), a flourishing artistic heritage began to be passed along to subsequent Moroccan dynasties – a legacy which still represents an important part of Moroccan tradition and culture. In the 11th century AD (5th century AH), when the Almoravids came to power, one sees the Maghreb opening up to Andalusian influences. All artistic creations commissioned by the Almoravid princes thus presented similarities to the art of the Iberian Peninsula. However, it is not until the Almohads come to power that we can see the genesis of a symbiotic, Moroccan-Andalusian art form.","langId":"en","countryId":"ma"},{"text":"The Islamic history of Palestine is connected to some of the most important events in the spreading of the new religion. According to Islam, The Prophet Muhammad prayed in the al-Aqsa mosque in Jerusalem when he ascended to heaven. On top of the rock where he stood to ascend, the Umayyads built the Dome of the Rock, a sacred Islamic site that has served as a pilgrimage destination over the centuries. Palestine has cultivated phenomenal developments in Islamic art, particularly in architecture and complementary minor arts.  \n  \nThe artistic traditions that began in Palestine thousands of years ago grew and changed significantly when they incorporated Hellenistic, Roman and Byzantine influences into local practices and styles. Situated between Egypt and Syria – the heart of the Islamic world – Palestine was exposed to impactful architectural and artistic movements originating in Cairo, Damascus and Aleppo, the effects of which can be clearly seen during the Ayyubid and Mamluk periods. Explore Palestine on a journey of “Pilgrimage, Sciences and Sufism” to see the beauty and variety of Islamic art.","langId":"en","countryId":"pa"},{"text":"Islamic Portugal, *Gharb al-Andalus* in Arabic, represented an important example of the cultural symbiosis which characterised the Iberian Peninsula during the eight centuries of Muslim presence there. Local communities, Mozarabs (Iberian Christians) and Mullawads (Iberian Muslims) shared and revised artistic styles developed in the great Andalusian cities, which became intimately connected to local culture and artistic tradition over the centuries.  \n  \nThe westernmost territories of the Peninsula closely followed the Islamicisation process taking place in other regions of *Hispania* at the time. According to written records, cities such as Lisbon, Faro, Beja, Santarém and Coimbra gradually came under Muslim influence. The strategy adopted by the first Muslim troops for the occupation of this territory was based mainly on consensus and drafting agreements with the Iberian people. This made a significant contribution toward maintaining a relatively autonomous state in the *Gharb* that sometimes came very close to complete independence.","langId":"en","countryId":"pt"},{"text":"The Atabeg and Ayyubid era coincided with a struggle against crusaders. This conflict marred the whole period, but it did not prevent the Islamic art of the territory now known as Syria from developing according to the politics of Nur al-Din and Salah al-Din (Saladin), founder of the Ayyubid dynasty who aimed to promote cohesion against the crusaders through the restoration of religious and educational institutions. Islamic art found its expression through *madrasas*, *khanqas* (hostels) and *bimaristans* (hospitals), but many other artistic works are also a legacy of this era, from mosques and frescoed churches to crusader castles. The citadels of Mesopotamia, *norias* (waterwheels), *suqs*, metalwork and manuscripts represent the ability of the local culture to serve as a crossroads for new artistic influences in the 12th and 13th centuries.  \n  \nAll texts refer to the pre-war situation and are our expression of hope that Syria, a land which witnessed the evolution of civilisation since the beginnings of human history, may soon become a place of peace and the driving force behind a new and peaceful beginning for the entire region.","langId":"en","countryId":"sy"},{"text":"Tunisia, formerly known as Ifriqiya, occupies a predominant place in the history of Mediterranean art. Heavily urbanised during Phoenician and Roman times, it was enriched by a number of monuments and saw itself as the heir to an old architectural and urban tradition. Tunisia possesses a rich Islamic heritage, spread over 13 centuries, and presents itself as the Maghreb country that has kept and conserved the greatest number of original works. The north of Tunisia includes significant monuments commissioned by the dynasties which ruled Ifriqiya over the centuries, from the first Muslim conquerors to the Aghlabides, Fatimids, Zirids, Almohads, Hafsids and Ottomans. Every mosque, *zawiya* (religious school), *dar* (house) and port displays the rich artistic exchange between ancient and local techniques and magnificent Andalusian and Eastern influences in architecture and ornamentation.  \n  \nThrough an exploration of works of architecture, we will touch upon a variety of artistic expressions such as stonemasonry and sculpture, plaster moulding and carving, wood painting, calligraphy and a wealth of other forms of arts and crafts.","langId":"en","countryId":"tn"},{"text":"The 14th and 15th centuries in West Anatolia marked the beginning of a new era with respect to the art and culture of Turkish communities. It was at this time, approximately 200 years after the conquest of Central Anatolia, that the shores of the Aegean and Marmara Seas came under Turkish control. The Emirates and Early Ottoman periods are striking from an art historical point of view because of their extreme colourfulness, and their new experiments and influences. The Emirates, which declared their independence in various regions of Anatolia and whose strength increased as time went on, began significant public improvements – as though they wanted to leave their mark on the regions they ruled.  \n  \nThe most important centres of the new Ottoman art include the cities of Bursa, Manisa and Selçuk (close to the ancient Ephesus) in west Anatolia, as well as the city which recalls the most sumptuous masterpieces of Ottoman art: Istanbul. Each of these cities displays examples of the artistic experimentalism that is characteristic of Ottoman art and traces of Ottoman artists’ ability to inherit the techniques and the architecture of the Turkish Emirates.  \n  \nExplore West Anatolia and Thrace, where new modes of search and experimentation in architecture and art are more obvious, since it was the first time this region had encountered Turkish-Islamic culture.","langId":"en","countryId":"tr"}],"legacy_status":"e"}},"25787735-a360-55bc-936a-69e1d4568c31":{"title":"Itinerary 82","description":"","extra":{"country_ids":["tr"],"location_ids":[229,234]}},"257b5f30-1106-5169-b4d7-5331aea15dd4":{"title":"Itinerary 104","description":"","extra":{"country_ids":["pt"],"location_ids":[81,109,169,174]}},"25d210e2-2bc0-52ba-83b8-5dc784d2170c":{"title":"Buye","description":""},"26846198-61a1-5b1d-ad44-1c83a106c373":{"title":"Grottaferrata","description":"","extra":{"additional_regions":[1,2]}},"26b30cfc-84d5-5656-975c-89d3ec08925d":{"title":"Miljana","description":""},"276f16e4-890d-54da-b9cb-dd218ccca0fd":{"title":"Innsbruck","description":""},"27c13f2f-63b2-5e1d-9046-04cce1662982":{"title":"Chébika","description":"","extra":{"info":"As soon as one reaches Chébika, the landscape becomes impressive and is imbued with everchanging colours, depending on the time of day and season.","how_to_reach":"Take the road to Tozeur. At al-Hamma, without entering the village, veer right and get onto a 53 km. track which is suitable for motor vehicles, heading in the direction of the mountain oases. Enquire at the National Guard beforehand as to the condition of the roads, as, if it is windy, the track can be very difficult to drive on."}},"2883ede4-ee09-5379-a944-a2ccb25f361d":{"title":"Sortelha","description":"","extra":{"showOnMonument":true}},"28d2dec2-cd01-5556-ae76-6854a267dd94":{"title":"Zahle","description":""},"291efb8d-da4b-5c9b-98fb-85346d5f7f23":{"title":"Itinerary 15","description":"","extra":{"country_ids":["es"],"location_ids":[320,326,328,329,339,344,346],"territory_ids":[7]}},"2a04a1cf-a94b-5178-96f5-f54ad4d1516b":{"title":"Castro da Cola","description":"","extra":{"showOnMonument":true}},"2a29df8e-6929-5f5b-9e18-1e8b40d2f69b":{"title":"Becerril de Campos","description":""},"2ad9bbce-2381-54ea-a612-41aee478d8bb":{"title":"Sela","description":""},"2ae8203c-12c6-5034-99c0-5e18ac219a7b":{"title":"Graz","description":""},"2afc11b3-46d1-5152-8861-f7ed2b80829d":{"title":"Ribeira Brava","description":"","extra":{"showOnMonument":true}},"2b5eb50f-6254-5b9b-998f-d224bde681d8":{"title":"Village of Qara","description":"","extra":{"showOnMonument":true}},"2bccad7b-c15a-51ff-b490-40fef5f9b524":{"title":"Erice","description":""},"2bf100d6-f83b-5bec-b6a6-2a4ba97a70bb":{"title":"Tamerza","description":"","extra":{"info":"In heading towards Tamerza, the track changes into a tarmac road.  \n  \nImpressive landscapes appear successively along the entire length of the road: canyons, disappearing into the chott in the distance, views of oases. Make a stop 2 km. from Tamerza, to visit the Great Cascade located below, 100 m. further on. Directions are clearly indicated."}},"2bfa5715-5b74-521a-a598-fe04009f1d2e":{"title":"Aznalcóllar","description":""},"2c5f6baf-d246-5c79-8fd7-e846b0d5458b":{"title":"Varaždin","description":""},"2cd7ba00-bca8-5b1c-8d24-6ef94c53b201":{"title":"Coimbra","description":"","extra":{"showOnMonument":true}},"2d51cdc7-d297-5bf9-9765-cbb31fdbde17":{"title":"Tresonche","description":""},"2d52e1ee-a6ca-5404-a479-bc09d0547a70":{"title":"Sillian","description":""},"2df15d5c-ab21-568e-ab3f-9e5c544082a2":{"title":"Explore the Islamic Heritage of the Mediterranean - EG","description":"","extra":{"country_ids":["eg"],"location_ids":[2,38,45,184]}},"2df3c84c-0c1d-5e91-adc9-192ae928eaac":{"title":"Vila do Conde","description":"","extra":{"showOnMonument":true}},"2e51c7ea-8adb-51fa-803b-f2f1e82d8cce":{"title":"Lermoos","description":""},"2e760c7e-a147-5f62-bdd7-d3f346344b71":{"title":"Aleppo","description":"","extra":{"showOnMonument":true}},"2e7a9e63-d0a8-51ae-b736-58cf0ca47700":{"title":"Mafraq","description":"","extra":{"showOnMonument":true}},"2e82cd47-1496-5533-97f9-bf8afcd8498a":{"title":"Valtice","description":""},"2eea80ab-aee2-5fea-8633-6946e1bf2db6":{"title":"Itinerary 64","description":"","extra":{"country_ids":["ma"],"location_ids":[508,516]}},"2f2ebd83-5d2c-5169-8003-2d2bb937e1ab":{"title":"San Vittore del Lazio","description":""},"2f73372e-4e43-5ccd-a783-aa75abd0c5c5":{"title":"Tinmel","description":""},"30365ac4-3b12-5055-98a6-01207e53126a":{"title":"Achir","description":""},"303b522a-7090-5ebd-a07f-0ac577d423a6":{"title":"Umm al-Jimal","description":"","extra":{"showOnMonument":true}},"305f585b-ad37-511c-af7a-7f7f5e994390":{"title":"Lepoglava","description":""},"307bd0b6-a9a6-525c-8575-4a93d948cd24":{"title":"Santervás de Campos","description":""},"308e9b9f-f89c-5c1e-aa7c-cbd90c19e523":{"title":"Slavonski Brod","description":""},"30e55473-f8d1-542a-a3b6-ef4aea1890e7":{"title":"Annaba","description":""},"31e5d2b4-692b-5e7b-9fc4-9d10025c2f3e":{"title":"Racalmuto","description":""},"32391ad5-c5c3-530a-8616-731bc01e3327":{"title":"Eçeabat","description":"","extra":{"showOnMonument":true}},"325d985d-0eb8-5039-be2c-18c3e5d1710a":{"title":"Carthage","description":""},"32679e25-72c3-5f81-93b7-b47774d618a3":{"title":"Lambach","description":""},"331b7d91-f7b7-51dc-9d7e-b467f1d7abe7":{"title":"Schäftlarn","description":""},"333bd404-e9e3-54a8-8aa2-bb30cfc82c46":{"title":"Ariccia","description":"Ancient *Aricia* was a famous pre-Roman city and an important member of the Latin League due to the presence of the Sanctuary of Diana on its land—one of the three main places of worship of the confederation of Latin peoples. The hegemonic ambitions of the Etruscans toward southern Lazio came to a close at the end of the 6th century BCE with the famous battle of Aricia.  \n  \nThe city took part in the battle of Lake Regillus (c. 496 BCE) after the defeat of the Latin League as stipulated in the *Foedus Cassianum* (493 BCE). Following the refurbishment of the Via Appia starting in 312 BCE, the town moved from the top of the acropolis (the current Historical Centre) towards the valley, which started being populated with *tabernae* (shops), warehouses, temples, public buildings and markets, all revolving around a Forum, whose arch, *Basto del Diavolo* (Devil’s packsaddle), was one of the entrances and is still standing today. Many *Aricini* were awarded important public offices in Rome. Moreover, Augustus’ maternal family was originally from Aricia.  \n  \nDespite being severely affected by the decadence of the Roman Empire, Aricia survived the assaults of the Vandals, but by the turn of the 5th century CE it succumbed to the barbarian hordes that looted and attacked the Roman countryside, and later the Saracen raids. The local population slowly moved back towards the acropolis and the upstream areas.  \n  \nIn 981 CE Ariccia became a fief of the powerful family of the Counts of Tusculum, and it went then to the Malabrancas. They promoted important fortification works, choosing the area today occupied by Chigi Palace to build a defensive tower to the northern entrance, facing the current Via dei Laghi, which became the main entrance to the town due to the abandonment of the Appia Antica. Later, the land tenure went from the Malabrancas to several religious orders, namely the monks of Saint Anastasius, Tre Fontane, the Colonna papal family and the Order of Grottaferrata, but only decaying ruins remained to recall its ancient splendour.  \n  \nIn 1473 Ariccia was acquired by the Savelli family. They launched the reconstruction of the destroyed town, providing it with services, adequate fortifications and – starting at the beginning of the 16th century – the erection of the baronial palace. After being purchased by the Chigi family in 1661, the village underwent a complete transformation under Gian Lorenzo Bernini. The brilliant architect not only redesigned the Palazzo, designed the Piazza di Corte and built the Assunta complex, the Stalloni and the Porta Napoletana, but he also reorganized internal roads and oversaw the redevelopment of construction in the city. The recent refurbishment of the square has allowed for the modern needs of the town and its citizens while restoring the architectural value of the precious complex.  \n  \nIn 1854 the Monumental Bridge was inaugurated, commissioned by Pius IX (1846–78). It is considered one of the most magnificent works of engineering of the Pontifical State.  \n  \nAriccia is also known worldwide as the land of porchetta (boneless pork roast). You can find shops and taverns (*fraschette*) that offer this classic product all over Ariccia. The secret of its recipe dates back more than 26 centuries: thus, the porchetta of Ariccia was no less famous in Roman times (when it was called *ventre falisco*) than it is now.","extra":{"info":"To visit Ariccia you should allow at least a full day. You can create your own itinerary using this website to get an idea about the monuments and sites to be visited or you select from the routes that you find on this page, after the map: \\[https://explore.museumwnf.org/countries/c-it/l-409\\](< https://explore.museumwnf.org/countries/c-it/l-409>) For the opening hours of Chigi Palace and the possibility of visiting other monuments, see the corresponding files. Churches are normally closed between about 12.30 and 15.30.","contact":"Chigi Palace  \nPiazza di Corte, 14  \n00040 Ariccia (Rome)  \nEmail: info@palazzochigiariccia.com  \nPhone: +39 06 933 0053","contacts":[{"name":"Comune di Ariccia","phone":"+39 06 93 48 51 (centralino)","address":"Piazza della Repubblica, 1, 00040 Ariccia (RM)"}],"prepared_by":"arch. Francesco Petrucci  \nCopy-editor (Italian): Saverio Capozzi  \nTranslator: Lavinia Amenduni  \nCopy-editor (English): Danny de la Vega  \n© Museum With No Frontiers (MWNF)","how_to_reach":"**By car**: take Via Appia Nuova (SS 7), 28 km from Rome, going south. At the entrance to Ariccia, follow the signs for parking at the foot of the Monumental Bridge, where you can take an elevator with a panoramic view of Chigi Park to easily reach Piazza di Corte, the historic centre and the Fraschette area. Alternatively, you can find a place to leave your car in one of the many available parking lots in the city. All parking spots are subject to payment for non-residents.  \n  \n**By train and/or bus**: Ariccia is easily reachable by public transport too: from Roma Termini Station, take the regional train to Albano Laziale (departure every hour, [www.trenitalia.com](https://www.trenitalia.com), journey time approximately 50 minutes). Leaving the Albano Laziale station, go up the stairway that crosses a park to reach the Appia Nuova (this segment called Corso Matteotti); continue to the right and after a 15–20 minute walk, skirting the tomb of the Oriazi and Curiazi from above and crossing the Monumental Bridge with a view of Chigi Palace and the Church of the Assumption, you will reach Ariccia. On the Appia Nuova you can also find a minibus-shuttle that connects Albano, Ariccia and Genzano (about three trips per hour). As an alternative to the train, you can take the Cotral buses departing from Anagnina, the last stop of Metro A, toward Velletri (about two departures per hour, [www.cotralspa.it](https://www.cotralspa.it/)); in this case it is better to get off at Albano Laziale and take the minibus-shuttle that leaves from the same square or continue on foot (see above); since the Monumental Bridge has been closed to heavy vehicles, the Cotral bus stop in the Ariccia city centre has been suspended.","additional_regions":[1,2]}},"336c7ca4-8c52-5e89-a9b6-5bb9da298a6c":{"title":"Lagos","description":"","extra":{"showOnMonument":true}},"33f0a28d-5ee4-567a-a3e1-f51cb0ebf14e":{"title":"Kemerburgaz","description":"","extra":{"showOnMonument":true}},"34ae3cf7-4d3f-5c3f-b623-a39e7546c6c9":{"title":"Oberammergau","description":""},"34e69385-f419-572e-b66a-7586c5008fb8":{"title":"Oroszlány-Majkpuszta","description":""},"37188672-4c42-54e6-9f5f-5e9b19515f4e":{"title":"İnegöl","description":"","extra":{"showOnMonument":true}},"3735bf6f-80a1-5e8c-b2d8-3aa8b4852fa4":{"title":"Velika Mlaka","description":""},"375e7bfc-c808-5833-8592-9c06e884cedd":{"title":"Bosra","description":"","extra":{"showOnMonument":true}},"376d8d50-83c1-5c1b-9172-14f8ebb37fb7":{"title":"Belyunesh","description":"","extra":{"how_to_reach":"Located about 50 km. from Tétouan. A sublime route along the Mediterranean and across the mountainous ridge of Hauz. Estimate between three and four hours for this part of the itinerary.  \nLeave Tétouan via avenue Martil, heading in the direction of Ceuta. Arriving in Fnidq, head towards Tangier. After about 5 km., take a right in the direction of Belyunesh. Continue for a further 12 km. on an extremely winding road across the Ridge of Hauz. Belyunesh is at the foot of the Jabal Musa."}},"3825da91-9387-5c14-8956-99f7f8d7b46f":{"title":"Itinerary 67","description":"","extra":{"country_ids":["ma"],"location_ids":[505,506,509,511,517,518]}},"383e8088-f8da-5a5c-a5d5-9d5aa5274552":{"title":"Deir al-Qamar","description":""},"387b9175-e6eb-50ea-a1fc-e5728762c257":{"title":"Prelog","description":""},"39e4c763-441f-534f-b7da-8466a3a1068b":{"title":"Machico","description":"","extra":{"showOnMonument":true}},"3a09d8fd-9ec4-537e-b74b-4bd0314de3cd":{"title":"Rein","description":""},"3a40eacd-85fa-5375-8374-cb892e542155":{"title":"Sharjah City","description":""},"3a6b5537-8ef3-58a1-8704-0989bb384b5f":{"title":"São Marcos","description":"","extra":{"showOnMonument":true}},"3b1a2aeb-e44a-5dbf-aee3-db40aede9066":{"title":"Italy","description":""},"3b623270-d9d2-5179-b4e8-6ba0325ea34f":{"title":"Innsbruck-Wilten","description":""},"3bd2a83c-a7d1-563a-9483-3a0bae6d0e2e":{"title":"Palestrina","description":"","extra":{"additional_regions":[1]}},"3bd697d1-1027-5e5d-9907-d117f0bf38fb":{"title":"Explore the Islamic Heritage of the Mediterranean - PT","description":""},"3c220c46-7247-5a4c-8307-edb69c9d95b2":{"title":"Touggourt","description":""},"3c452f8c-c184-58df-a05d-da033e720ab2":{"title":"Zsira-Gyüleviz","description":""},"3c78c18d-c7e4-5bbf-99c1-d4cd544fa0f6":{"title":"Gelibolu","description":"","extra":{"info":"Today the Gelibolu (known as Gallipoli in the West) Peninsula is a National Park full of monuments and cemeteries of Turkish and foreign soldiers who lost their lives in the Battle of Çanakkale. You can take a rather narrow main road to the southern end of the peninsula where there are Turkish, French and English monuments. In the direction of the town of Gelibolu to the north, you can reach Kabatepe, Anzac Bay and Conk Bayırı by heading north and then taking a road that curves to the left. There is a small museum at Kabatepe, where belongings recovered from the soldiers of the First World War are displayed.","how_to_reach":"You can reach Gelibolu by taking the main road D.550 north from Eceabat.","showOnMonument":true}},"3c8f11c1-0bcf-53d0-80b8-fffd3dd74106":{"title":"Sines","description":"","extra":{"showOnMonument":true}},"3cb405e1-d7e3-557c-a9d5-195513f53afb":{"title":"Qal‘at Bani Hammad","description":""},"3cb9ba99-b573-5934-be8b-f6ee81c0c904":{"title":"Almeida","description":"","extra":{"showOnMonument":true}},"3cdfa37d-3583-5465-8552-4683f18b63f0":{"title":"Wadi al-Dhlayl","description":"","extra":{"showOnMonument":true}},"3d3e1e7e-a4cb-5981-be10-8f0713b262bd":{"title":"Monsanto","description":"","extra":{"showOnMonument":true}},"3d7c4663-726a-5e6e-abd2-574c088f2bdb":{"title":"Hama","description":"","extra":{"showOnMonument":true}},"3d7de905-9d34-51ff-8ace-3c5bd1a3621f":{"title":"Marija 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Built on both banks of the *wadi* Aggai, it was surrounded by gardens and orchards which it turned into a summer resort, following the example of the neighbouring towns of Ifrane or Immouzer.  \n  \nOne of the first residential centres, dating from before the arrival of the Muslim conquerors, it was originally composed of three townships or *qsur*, divided along the wadi: the *qsur al-Fuqaniyyin*, “high town”, the *qsur al-Wastaniyyin*, “mid-town”, and the *qsur al-Tahtaniyyin*, “low town”. These three separate entities grouped themselves together to defend themselves more effectively against the attacks of nearby tribes. The Jewish community occupied a specific place within the town, having settled in the centre ever since it came into existence. This geographic positioning would have a dual impact on the community.  \n  \nThe Sefriouris were under constant attack from neighbouring mountain people, but as the Mellah was surrounded by Muslim Quarters, the Jews were better protected and better guarded. On the other hand, due its place at the heart of the *medina*, the Mellah could not grow and extend itself outwardly due to the lack of vacant space. Housing ,therefore, grew in height. The community thus became a victim of its own means of protection and survival. The distinguishing mark of the Mellah, the crucial height of its houses in comparison to those in other parts of the city, attracted the attention of the ‘Alawite Sultan Mulay Hassan (1873–1894) during his visit to Sefrou. He began to dream of building a new Mellah to house the growing number of Jews, but the project never saw the light of day in consequence to the sultan’s death. The housing in the Mellah, in line with all those of the town, were built in brick or in stone. The terraces were made of cedar joists covered in planks of the same kind; cedarwood from the Atlas forests close by.  \n  \nEvery Christian and Muslim traveller who visited the town was united in their description of it as a quiet and peaceful city, far from the great battles which shook the neighbouring town of Fez. Charles de Foucault estimated that *“Damnat and Sefrou are the two places in Morocco in which the Jews are the most happy”*.  \n  \nMajor players within the town’s economy, the Jews of Sefrou enjoyed administrative autonomy, managing their own affairs, even though they were reliant on the *qa’id* in terms of politics and the law, and on the *muhtassib* in terms of crafts and commerce. Three Israelite institutions thus busied themselves with the daily affairs of the inhabitants of the Mellah.  \n  \nThe Jewish community of Sefrou did not stop growing in numbers from when the town was founded. In 1880, their population in the Mellah was counted at 1,000. On the eve of the Protectorate, this number had increased to 3,000, which was over a third of the town’s total population, and was the largest concentration of Jews in Morocco. Their number would have increased to over 4,000 in 1951 had a large part of the community not left, in a period of massive immigration, for Palestine, Western Europe and North America. In 1960, the Jewish community was estimated at numbering 3,138 persons, whereas in 1971 this number had dropped to 222. Today, only Jewish women married to Muslims, or pilgrims who come regularly to Sefrou, remember this communitarian past.","extra":{"how_to_reach":"Situated 28 km. from Fez, on the traditional route for the transportation of dates. Leave Fez via the Immouzer road. Once in Sefrou, park in the car park outside the ramparts of the medina."}},"759ee0f0-d707-5075-b844-d5f2e83f164b":{"title":"Beçin","description":"","extra":{"how_to_reach":"Beçin is situated to the south of Milas, just 4 km. from the city centre. You can reach Beçin by taking one of the Beçin *dolmush* minibuses that leave from the front of the Great Mosque.","showOnMonument":true}},"75c8c879-b877-5aa9-bec2-523a21cd6b52":{"title":"Ráckeve","description":""},"75d41794-03f0-5db8-9ea7-c68f08e138a7":{"title":"Explore the Islamic Heritage of the Mediterranean - IT","description":""},"75df2664-1cfb-574f-8ff1-d4c507720610":{"title":"Nablus","description":"","extra":{"showOnMonument":true}},"763f5b82-70cf-58e1-8eeb-3b674169b8e8":{"title":"Aïn Al-Kabira","description":""},"76bf2347-6f55-5f0e-8a3a-1b62a61ee708":{"title":"Calatayud","description":""},"76fafa55-b4ca-5cbe-825b-5b4e70770c74":{"title":"Manisa","description":"","extra":{"info":"Spil Mountain, located just behind the city of Manisa, offers a rare opportunity for those who want to rest and be alone with nature. For those who would like to spend more time in Manisa, a visit to the Muradiye Mosque Complex and Sultaniye Mosque Complex (16th century) are recommended. Manisa also offers the “Mesir Festival”, organized every year during the last week of April. “Mesir macunu” (a gum-like confection) was first made in the 16th century by Muslihüddin Merkez Efendi, the manager of Sultaniye Mosque Complex at the time. He devised the mixture for use in the medical treatment of Hafsa Sultan, the wife of Yavuz Sultan Selim I. It has become a tradition to distribute “mesir macunu” to the people every year from the Sultaniye Mosque, across the street from the Museum. This is done with great festivity. It is also believed that “mesir macunu”, which contains 41 ingredients including clover, ginger, coriander, cumin, cinnamon, vanilla, orange rind and sugar, has, in addition to its characteristics as an energiser and appetiser that eases digestion and eliminates tiredness, an aphrodisiac quality.","showOnMonument":true}},"773f4a73-45ce-5761-87d5-b5aeb5e1d6ec":{"title":"Solomon's Pool","description":"","extra":{"showOnMonument":true}},"774c5c46-01e9-5da1-bf38-1dcabc3034df":{"title":"Castilla-La Mancha","description":"","extra":{"theme_ids":[1],"territory_level":"1"}},"776d2a89-68b1-53aa-aa36-724396dc7a49":{"title":"München-Berg am Laim","description":""},"78078ae7-e037-5a6c-9ff3-dcb2940f435c":{"title":"Sidi ‘Uqba","description":""},"782e74a6-c050-51c0-a988-dab162a35f20":{"title":"Hall in Tirol","description":""},"78927feb-9cb7-5a56-8eac-ca7fa126a008":{"title":"Itinerary 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Cast your gaze along the Spanish coast, and in good weather you should be able to see very distinctly the Rock of Gibraltar."}},"963a15fc-ac9c-56e5-bcc8-5de1dcc200a6":{"title":"Al-‘Ayzariyya","description":"","extra":{"showOnMonument":true}},"965b3e98-b613-5063-a674-e935a8025c6c":{"title":"Petra","description":"","extra":{"showOnMonument":true}},"96a7a9ec-0476-5e06-a2c4-01e9dd3811ae":{"title":"Bani Isguen","description":""},"96b52a44-1c73-5c98-8aa3-d84123e2e3c2":{"title":"Itinerary 19","description":"","extra":{"country_ids":["es"],"location_ids":[333],"territory_ids":[5]}},"9763089a-c9d5-527e-a5fa-34bb11d626af":{"title":"Itinerary 17","description":"","extra":{"country_ids":["es"],"location_ids":[297,310,315,347],"territory_ids":[4]}},"976d26b0-ff1e-5bfa-a604-8d0261ef987f":{"title":"Mazara del Vallo","description":""},"978579a0-3764-5c74-a922-83c504f7dc27":{"title":"Tabuk","description":""},"97eb2052-294e-5762-a90a-1a870dd042d7":{"title":"Itinerary 126","description":"","extra":{"country_ids":["it"],"location_ids":[409]}},"98087b47-c20e-57d8-807c-277f4034c456":{"title":"Bragança","description":"","extra":{"showOnMonument":true}},"9893c66f-592e-5071-8fa8-a2f680f58b4c":{"title":"Bitushe","description":""},"98c7ad17-67da-5183-b309-97ed7de4e81a":{"title":"Jerusalem","description":"","extra":{"showOnMonument":true}},"990ed27c-5d36-50ab-939b-66034ba161c2":{"title":"Calheta","description":"","extra":{"showOnMonument":true}},"9949333b-f61a-5981-8b6b-730c70ac86be":{"title":"Bkerki","description":""},"99636532-54d3-561d-8e1b-9c82bfe36c4c":{"title":"Pombal","description":"","extra":{"showOnMonument":true}},"997448ad-cec9-519b-8278-34b8aa4d5bf6":{"title":"Soma","description":""},"999a2268-9710-5ed0-8012-19ebff66a973":{"title":"Villalpando","description":""},"99d9db3e-1464-51ab-943f-121b6e7df24c":{"title":"Extremadura","description":"","extra":{"theme_ids":[1],"territory_level":"1"}},"99fae180-5cc0-5865-bfd3-68b539909e42":{"title":"Itàla","description":""},"9a0fac77-a5c2-533c-be61-9f2846d68648":{"title":"Schwetzingen","description":""},"9a104cf2-615c-51d1-a33c-3deb81005928":{"title":"Azraq","description":"","extra":{"showOnMonument":true}},"9a12b00b-dc42-5a4a-92d4-7c8cc7e04662":{"title":"Balat","description":"","extra":{"info":"Located 20 km. to the south of Balat, the Didyma Apollo Temple (Didim) still preserves its magnificence in spite of being largely in ruins today. The Altınkum beach is just 5 km. from the temple.  \n16 km. north of Balat, on the Balat-Söke main road, the ancient city of Priene charms its visitors with its magnificent location.  \nAnother corner of the region worth visiting is the Dilek Peninsula National Park which functions as a plant and animal reserve and is located 30 km. south of Kuşadası. However, the Büyük Menderes River Delta, part of the National Park, can be visited by turning north at the village of Tuzburgazı; also the old village of Doğanbey will give a taste of Aegean and Mediterranean cultures.","how_to_reach":"Balat is the Turkish name of the ancient city of Miletus. To get from Milas to Miletus you must take the main road D.525 in the direction of Akköy for approximately 55 km. If you are using public transport, go to Söke first and board a dolmush minibus to Balat. İlyas Bey Mosque Complex stands among the magnificent remains of buildings from the ancient world.","showOnMonument":true}},"9a7c0f56-f865-566e-8877-48b08f0721b5":{"title":"Gmunden","description":""},"9ace23c5-bff3-507e-bacc-71dafe129e33":{"title":"Castel Gandolfo","description":"","extra":{"additional_regions":[1,2]}},"9b00bbb6-1cd8-5d2b-b9e8-a4a4798c29a7":{"title":"Budapest","description":""},"9b090c54-9b80-55f3-8754-a98add250309":{"title":"Toro","description":""},"9b845428-8fad-515d-b15b-ef0a3a013445":{"title":"Salé","description":"","extra":{"how_to_reach":"Salé is 3 km. from Rabat, separated from it by the river Bu Regreg. 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The deeply rooted popular faith of the region gave birth to religious testimonies everywhere, mostly embedded in a grandiose alpine landscape. Thanks to the Tyrolean salt mines and the flourishing trade associated with them, noble and bourgeois residences have been built all across the country, often richly decorated with frescos and sumptuously furnished. Between 1490 and 1519, Innsbruck was the residential seat of the first Habsburg Emperor Maximilian, whose monumental tomb in Innsbruck’s Hofkirche (court church) offers a living testimony of Maximilian’s understanding of self-representation.  \n  \nExplore Tyrol – a work-in progress – invites to discover the artistic legacy of three periods: Gothic Art, Baroque and Rococò and Maximilian I. At present it provides access to monuments from the Baroque period. 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The site can be reached from the Dead Sea following the Araba route heading south for about 60 km. Visitors from Amman are advised to follow the Dead Sea road from Na‘ur and continue south to Ghawr al-Safi. The best transport is by private car. 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Popular legend links this point to the pirate raids of the 15th and 16th centuries."}},"ea549fce-5a4f-5e0f-b22d-3c04e828e1d9":{"title":"Gormaz","description":""},"ea66069e-07f3-5e7c-b2ec-99017d856002":{"title":"Aci Castello","description":""},"eaac8961-6afb-5403-a85c-b5bf43669273":{"title":"Monastir","description":""},"ead0db21-e152-55fa-be73-54cb2f8f40e4":{"title":"Elbigenalp","description":""},"ead22cdb-3af6-54e4-b807-c275d854b718":{"title":"Damascus","description":"","extra":{"showOnMonument":true}},"eadb3505-da7f-5559-bfb2-8613950c824c":{"title":"Paternò","description":""},"eaddd627-9484-588e-a1d5-d73dd5ab5572":{"title":"Itinerary 27","description":"","extra":{"country_ids":["tn"],"location_ids":[474,479,486]}},"eb01170e-205c-5495-b0d9-1cf58404bca5":{"title":"Itinerary 134","description":"","extra":{"country_ids":["dz"],"location_ids":[243,251,527,528,529,530]}},"eb36df4c-dd06-5c6f-8057-6025dd315857":{"title":"Maria-Steinbach","description":""},"eb77a944-ef14-5e92-8214-8217fdc11fd5":{"title":"Itinerary 20","description":"","extra":{"country_ids":["es"],"location_ids":[289,290,295,306,327],"territory_ids":[5]}},"eba60ed4-707e-53be-892c-484b399bba54":{"title":"Itinerary 109","description":"","extra":{"country_ids":["pt"],"location_ids":[67,86,96,107,142,146,156,162]}},"ebb5581c-b7f7-5682-881e-d527fe4d520d":{"title":"Milotice","description":""},"ebe4f8fd-a03e-5998-9fdf-008a71a34c31":{"title":"Sambuca di Sicilia","description":""},"ebfa1c43-8ad2-5522-a54a-0db5c2c48e88":{"title":"Pieve di Cento","description":""},"ec3745fa-655d-586d-8239-7f4391989cf0":{"title":"Sciacca","description":""},"ecbd0758-1ef8-5462-ae11-1e1433740762":{"title":"Maqam of Nabi Salih","description":"","extra":{"showOnMonument":true}},"ed87816e-61e0-5b3d-9f31-0d49b14a60b2":{"title":"Itinerary 53","description":"","extra":{"country_ids":["it"],"location_ids":[434],"territory_ids":[10]}},"edc3f9f1-c4c9-5cbb-abff-f4cfb15d91d5":{"title":"Palermo","description":""},"edf98cd6-60f1-5ef0-aa4d-390695a7f125":{"title":"Purga Lepoglavska","description":""},"ee24c08d-c6f1-5f20-bda0-de65252be8b3":{"title":"Explore Portugal - 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All the works on this itinerary are located in the city of İznik. Except for Kırkkızlar Türbe, which is a little outside the city centre, you can reach all the monuments on foot. For orientation: the town centre surrounded by two superb rings of walls has two main streets; one in a north-south direction, from Istanbul Gate to Yenişehir Gate; and the other in an east-west direction, from Lefke Gate to Göl Gate, respectively; at the junction, in the centre, is Ayasofya, the church where the First and the Seventh Ecumenical Councils were held.","showOnMonument":true}},"f71ed2b8-532e-5730-9155-69ed88c485bd":{"title":"Coca","description":""},"f7669e1b-4dda-533c-9849-71fb8268c6ec":{"title":"Salt","description":""},"f7968ef3-f59e-5fea-95fe-5f1189e55dde":{"title":"Baños de la Encina","description":""},"f79b06ee-ca1e-5f75-a911-977fc3ec77b3":{"title":"Jaroměřice u Jevíčka","description":""},"f7c2c1ad-5000-55b0-b949-9c212a87f767":{"title":"Hebron (al-Khalil)","description":"","extra":{"showOnMonument":true}},"f82177bc-01e2-52ae-b16e-800af33271cb":{"title":"Aragón","description":"","extra":{"theme_ids":[1],"territory_level":"1"}},"f888c18c-8312-518d-89cb-7123a69f2133":{"title":"Harissa","description":""},"f9fe98d5-2553-5ae2-856b-1f9af3091e1c":{"title":"Krushevo","description":""},"fa39a796-fd88-5ca0-8337-01b827b866cc":{"title":"Itinerary 55","description":"","extra":{"country_ids":["it"],"location_ids":[416,426,440,444],"territory_ids":[10]}},"fa95345a-2f10-57fc-a1ee-47f331c3f886":{"title":"Ega","description":"","extra":{"showOnMonument":true}},"fac3ca49-7953-5363-b7bf-ae0096eaedc9":{"title":"Sidi Bou Said","description":""},"fb36c4d3-69e1-5f6b-a02d-63ed1f28678b":{"title":"Tunis, Marsa","description":""},"fbc2cb78-d275-5c02-a7cd-8b8734c925c6":{"title":"Itinerary 31","description":"","extra":{"country_ids":["tn"],"location_ids":[470,478]}},"fbcf92a2-5bad-573b-bb31-f9d2d3a2b6de":{"title":"Mehdia","description":"No other site in the Atlantic coast of Morocco incited as much desire as did the estuary of the Sebou, which in fact dominates the ruins of the *kasbah* of Mehdia. It became, during the centuries, the thoroughfare of populations and nations who surged into Moroccan cities, thus becoming the stage for the country’s important historical events.  \nThe first locality established, in the Middle Ages, close to the mouth of the river was called *Marsa al-Ma‘mora*. It was founded at the end of the 4th/10th century, and, in the 6th/12th century, the Almohad Monarch ‘Abd al-Mumen established a shipyard there.  \nDuring the 5th/11th century, *al-Ma‘mora* was a small but active commercial centre frequented by European merchants. Having become, by the beginning of the 6th/12th century, one of the main centres of North African piracy, it turned itself into an autonomous Republic. The Spanish stormed the fort in 1022/1614, and built a fortress on the hill overlooking the mouth of the river, whose main enclosure constructions constitute the backbone of the perimeter of Mehdia’s *kasbah*. After 67 years of occupation, the fortress was finally conquered by Mulay Isma‘il in 1092/1681. Liberated, it took the name of al-Mehdia, and the name Ma‘mora was restricted to describing the large forest of oak trees to the north-east of Salé.  \nMulay Isma‘il restored the enclosure, inserting a monumental elbow-shaped gate. He erected a large palace with all its outbuildings and established shipyards and warehouses along the river. How to reach: From Asilah, take the motorway up to Kenitra. From there, take the exit marked sortie Centre-Ville, then drive towards Mehdia, 12 km. from Kenitra. After a further 8 km., take a left in the direction of the kasbah, which is marked by a signpost. It is necessary to go via the guard for the site to be opened.","extra":{"how_to_reach":"From Asilah, take the motorway up to Kenitra. From there, take the exit marked sortie Centre-Ville, then drive towards Mehdia, 12 km. from Kenitra. After a further 8 km., take a left in the direction of the kasbah, which is marked by a signpost. It is necessary to go via the guard for the site to be opened."}},"fc2d5113-417f-58ce-a496-e257ed8b86ec":{"title":"Itinerary 21","description":"","extra":{"country_ids":["es"],"location_ids":[308,311,312,313,314],"territory_ids":[5]}},"fc6b6af2-c309-5c42-9422-0d9a3ae64c02":{"title":"Steingaden-Wies","description":""},"fd350980-e5e7-54df-977d-d5f6b51ed582":{"title":"Oporto","description":"","extra":{"showOnMonument":true}},"fd9b0897-0823-59fd-b83f-aa02c5823754":{"title":"Sesimbra","description":"","extra":{"showOnMonument":true}},"fe0b2c08-d329-56a3-9335-4ab840ef1f36":{"title":"Pápa","description":""},"fe387d67-4239-5459-b998-303f7cbdc6a7":{"title":"Vila Viçosa","description":"","extra":{"showOnMonument":true}},"fe47e0d3-4965-52ff-94e7-f4ec3598a70d":{"title":"Caronia","description":""},"fe83aac0-f953-5a33-b637-369e609d0601":{"title":"Itinerary 41","description":"","extra":{"country_ids":["pt"],"location_ids":[62,146]}},"feb49d2c-78be-5d99-ba33-f99e6c94e78e":{"title":"Sasso Marconi","description":""},"fef161e0-ac23-5710-8e02-a6db33267c60":{"title":"Qal‘at Misyaf","description":"","extra":{"showOnMonument":true}},"ff1757c0-f1c9-57c4-a14f-90c483bea111":{"title":"Qatrana","description":"","extra":{"showOnMonument":true}},"ff2d3e48-94b4-5c6e-9963-a5475d2508ba":{"title":"Sielenbach","description":""},"ff598419-46cc-5fe0-b07a-9387f2654e26":{"title":"Zaghwan","description":""},"ff7e8cd5-ac06-5ac9-8629-89a353440bed":{"title":"Bayern-Süd","description":"","extra":{"theme_ids":[3],"territory_level":"1"}},"ffb4a696-bd47-50d4-a570-df505c2b4db1":{"title":"Itinerary 117","description":"","extra":{"country_ids":["eg"],"location_ids":[2]}},"ffba57e8-407e-5393-a2e6-f925b0c5e42c":{"title":"Jaroměřice nad Rokytnou","description":""},"ffbce6aa-a2c6-5af6-8867-b443a36e5889":{"title":"Ponta Delgada","description":"","extra":{"showOnMonument":true}},"ffea8eaa-d5b6-5227-ac5a-413e7376d129":{"title":"Itinerary 135","description":"","extra":{"country_ids":["dz"],"location_ids":[241,538,539,540]}}}