@vib3code/sdk 2.0.1 → 2.0.3-canary.0a63e71

package/DOCS/VISUAL_ANALYSIS_CLICKERSS.md

@@ -0,0 +1,87 @@
+Last reviewed: 2026-02-17
+
+# Visual Analysis: clickerss.com
+
+**Captured: 2026-02-10 via Playwright with wheel-based scrolling**
+**Method**: Real Chromium screenshots at 5 scroll positions (wheel events)
+**Page height**: 9,950px (~11x viewport)
+
+---
+
+## Scroll Journey (Frame by Frame)
+
+### s00 — Top (scrollY=0)
+**Dramatic B&W hero photograph**
+- Background: pure white
+- Massive B&W photograph: woman's face looking upward, cropped tight
+- Image fills ~90% of viewport width, extends below fold
+- "CLICKERSS" wordmark top-left in thin spaced uppercase
+- Grid/dot icon center-top (hamburger/menu)
+- Shopping bag icon top-right with "0"
+- No other text or elements visible — the photograph IS the hero
+- **Pattern**: Photography-as-hero. No text tagline, no CTA button, no gradient. Just a massive, emotional B&W portrait. The image does all the talking.
+
+### s01 — scrollY=2400
+**Massive serif typography with text-image overlap**
+- Left side: HUGE serif italic text — "CADA CAMPAÑA TIENE UN PROPOSITO." (~150px+ font)
+- Text fills entire left half of viewport
+- Right side at midpoint: device mockups (laptop + phone) showing portfolio work
+- Below-right: MORE massive serif text — "ELEVAR MARCAS QUE DESEAN MARCAR LA DIFERENCIA"
+- Bottom-left: portfolio image (fashion/beauty brand "MAISON LINA")
+- The text and images OVERLAP — text runs behind/through images, images overlap text
+- **Pattern**: Text-image interweaving. The massive serif text and the portfolio images occupy the SAME space, overlapping. Neither takes precedence — they share the viewport, creating a collage-like effect. This is the "text as visual element" pattern taken to an extreme.
+
+### s02 — scrollY=4800
+**Product photography + service description**
+- Top-left: iPhone product photos (phone shown from behind, showing camera modules)
+- Images are placed asymmetrically, partially overlapping
+- Right side: "VIDEOS CORPORATIVOS" heading in serif
+- Below: "CONTAMOS TU HISTORIA DE MANERA UNICA" subheading
+- Body text paragraph below
+- Lower-left: portrait photo of man with flowing hair, cropped as rectangle
+- Clean white background throughout
+- **Pattern**: Asymmetric service showcase. Product photos LEFT, description text RIGHT. Portrait photo breaks the pattern by appearing lower-left. The layout is deliberately irregular.
+
+### s03 — scrollY=7200
+**Mixed content section**
+- Various portfolio/service content
+- Continuing the white background
+- Images and text positioned asymmetrically
+- No dark/light mode switch — entire site stays on white
+
+### s04 — scrollY=9050 (bottom)
+**CTA footer with massive typography**
+- ENORMOUS serif text: "TU PRESENCIA DIGITAL ESTA A PUNTO DE DESPEGAR" (fills ~60% of viewport height)
+- Arrow → + call-to-action body text below
+- Footer nav: HOME, SERVICIOS, PORTFOLIO, SOBRE MI, CONTACTO, COMPRAR (all spaced across full width)
+- Thin horizontal rule
+- Bottom bar: legal links + copyright
+- **Pattern**: Typography-as-CTA. Instead of a small "Contact us" button, the entire viewport is filled with massive serif text that IS the CTA. The typography scale makes the message impossible to ignore.
+
+---
+
+## Key Design Patterns for VIB3+ Translation
+
+### 1. Photography-as-Hero (No Competing Elements)
+The hero has ONE thing: a massive photograph. No text overlay, no buttons, no gradients. The image fills the space and the viewer must engage with it.
+**For VIB3+**: The opening cinematic with VIB3CODE text mask should have the visualizer as the ONLY visual element — no competing UI, no description text. Let the GPU canvas be the hero image equivalent.
+
+### 2. Text-Image Interweaving
+Typography and images share the same spatial region, overlapping deliberately. Text runs behind images; images overlap text boundaries. Neither element "wins" — they coexist.
+**For VIB3+**: Cascade card overlays could have text that extends BEYOND the card boundaries, overlapping into adjacent cards. The `.cascade-overlay` text could be positioned to extend past the clip-path edge.
+
+### 3. Massive Serif Typography as Primary Visual Element
+Text isn't just information — it's the dominant visual pattern. Lines of text at 100-200px size create visual rhythm and weight comparable to images.
+**For VIB3+**: Section titles could be dramatically larger — not just `3rem` headings but `clamp(4rem, 12vw, 10rem)` viewport-filling text.
+
+### 4. Consistent White Background (No Mode Switching)
+Unlike Simone's dark/light mode transitions, clickerss stays on white throughout. All visual variety comes from photography and typography scale.
+**For VIB3+**: This validates that NOT every section needs a color mode switch. Some sections can maintain a consistent background and let the visualizer parameters alone create the visual change.
+
+### 5. CTA as Giant Typography
+The footer CTA fills the viewport with a single sentence. The scale of the text makes it feel like a billboard or poster.
+**For VIB3+**: The CTA section could use massive outlined text (similar to Simone's footer "SIMONE" strokes) rather than a traditional button layout.
+
+---
+
+*Analysis based on actual Playwright screenshots captured with wheel-event scrolling.*

package/DOCS/VISUAL_ANALYSIS_FACETAD.md

@@ -0,0 +1,135 @@
+Last reviewed: 2026-02-17
+
+# Visual Analysis: facetad.com
+
+**Captured: 2026-02-10 via Playwright with wheel-based scrolling**
+**Method**: Real Chromium screenshots at 10 scroll positions (wheel events)
+**Page height**: 15,082px (~16.8x viewport)
+
+---
+
+## Scroll Journey (Frame by Frame)
+
+### s00 — Top (scrollY=0)
+**Ultra-minimal hero: single line of text on vast cream emptiness**
+- Background: warm cream/off-white (#F5F0EB range)
+- Centered text: "We approach every facet of design with a sense of wonder."
+- Text is small, light gray, serif — occupies maybe 5% of viewport
+- Tiny chevron/scroll indicator below text
+- No nav, no logo visible at top — just vast empty space above and below
+- **Pattern**: Extreme negative space. The emptiness IS the design. Forces the eye to the single sentence.
+
+### s01 — scrollY=1680
+**Parallelogram image explosion around centered logo**
+- FACET logo + "ARCHITECTURAL DESIGN" centered
+- Tagline below logo
+- 6+ architectural photos SCATTERED around the logo in **parallelogram/skewed clip-paths**
+- Images are different sizes, at different angles/positions
+- Images overlap each other and the logo text
+- Some images partially exit viewport edges
+- **Pattern**: Scattered parallelogram gallery. Images use CSS `transform: skew()` or `clip-path: polygon()` to create non-rectangular shapes. Creates a chaotic but visually rich collage effect.
+
+### s02 — scrollY=3360
+**Full parallelogram gallery — maximum density**
+- ~20+ architectural photos visible, ALL in parallelogram shapes
+- Images scattered across entire viewport at various sizes (small thumbnails to medium)
+- FACET logo still centered but partially obscured by overlapping images
+- Some images overlap each other creating depth layers
+- Images appear to float at different z-levels
+- **Pattern**: This is the peak of the scatter effect. The sheer density + non-rectangular shapes + overlap creates an effect like looking through a shattered window at many projects simultaneously. Very strong depth illusion.
+
+### s03 — scrollY=5040
+**Large diagonal project images**
+- Two massive project photos with strong diagonal clip-path edges
+- Top: building at dusk with warm-lit windows, cut diagonally
+- Bottom-right: bright blue architectural image, also cut diagonally
+- A red/orange geometric element visible at top-right (matching brand color)
+- Images take up most of viewport, overlapping
+- **Pattern**: From scattered small thumbnails, the images have GROWN into massive hero-sized images. The diagonal edges create dramatic slash transitions between photos. This is the parallelogram theme at architectural scale.
+
+### s04 — scrollY=6720
+**Single massive image with diagonal wipe to cream**
+- Top-left: large project photo (modern building exterior with glass, lawn, outdoor seating)
+- Diagonal edge cuts from top-left to bottom-right
+- Below the diagonal: pure cream emptiness
+- The diagonal creates a dramatic "wipe" transition from content to void
+- **Pattern**: Diagonal section transition. Not horizontal, not curved — a sharp diagonal slash separates photo content from empty space. This is how facetad handles section boundaries.
+
+### s05 — scrollY=8400
+**Markets section: overlapping photos + text**
+- Top: "MARKETS WE SERVE" heading in red/terracotta
+- Two large photos side by side showing hospitality interior (bar/restaurant)
+- Photos overlap slightly, creating a diptych
+- Right side: "HOSPITALITY" heading in red italic + body text paragraph
+- Classic asymmetric layout: images LEFT, text RIGHT
+- **Pattern**: Asymmetric portfolio section — large overlapping photos paired with small text. The overlap between the two photos adds depth.
+
+### s06 — scrollY=10080
+**Services section: clean asymmetric layout**
+- "OUR DESIGN SERVICES" heading top-left in small red text
+- "ARCHITECTURE" heading in large red italic text, left side
+- Body text paragraph below heading
+- Large architectural rendering (aerial view of commercial building) floats right at ~55% width
+- Image has subtle shadow/depth
+- Clean, spacious layout with generous white space
+- **Pattern**: Standard asymmetric card (text left, image right) but with extreme white space. The image is large and positioned to feel like it's floating above the page.
+
+### s07 — scrollY=11760
+**Services continued + diagonal color transition beginning**
+- "OUR DESIGN SERVICES" still visible at top
+- "FF&E" heading in red italic with body text, left side
+- No image — text only section
+- Bottom of viewport: the red/terracotta color BEGINS appearing as a diagonal band
+- The diagonal enters from bottom-right, cutting upward to the left
+- **Pattern**: The diagonal section divider is introducing the red brand color. It's the same diagonal slash pattern but now used for a full COLOR MODE TRANSITION (cream → red).
+
+### s08 — scrollY=13440
+**Full diagonal color split: red to cream**
+- Top ~40%: solid red/terracotta (#C0392B range)
+- Diagonal slash cuts from upper-left to lower-right
+- Bottom ~60%: back to cream
+- "START A CONVERSATION" in large red italic text on cream
+- "Talk with one of our award-winning architects about your next project." body text
+- "Schedule A Call" link in red
+- **Pattern**: The CTA section uses the diagonal color split as a dramatic reveal. The red block slides away diagonally to reveal the CTA on cream. Creates a cinematic wipe effect.
+
+### s09 — scrollY=14182 (bottom)
+**Footer: diagonal split cream/red**
+- Top-left: cream background with FACET logo + address + contact info
+- Diagonal divider cuts from upper-right to lower-left
+- Bottom-right: solid red/terracotta background with nav links + social links + subscribe form
+- "SUBSCRIBE" heading with email input and "SUBMIT" button
+- "Website by Novel" credit at bottom-left
+- **Pattern**: Footer echoes the diagonal theme. The entire footer is split diagonally — warm cream on one side, brand red on the other. The diagonal is the site's signature visual motif from hero through footer.
+
+---
+
+## Key Design Patterns for VIB3+ Translation
+
+### 1. Parallelogram/Skewed Image Gallery
+Project images use non-rectangular clip-paths (parallelograms, rhomboids). Images are scattered at different sizes, positions, and overlap each other. This creates a shattered-glass collage effect with real depth.
+**For VIB3+**: Cascade cards could use parallelogram clip-paths instead of rectangles. The clip-path morphing system already supports polygon interpolation — add skewed/angled shapes to the shape sequence.
+
+### 2. Diagonal Section Dividers
+Every section boundary uses a diagonal slash — not horizontal lines, not curves. The same angle (~30-40 degrees) is used consistently.
+**For VIB3+**: Section dividers could use angled clip-paths or CSS `polygon()` instead of horizontal borders. The diagonal creates much more visual energy than straight horizontal lines.
+
+### 3. Density Progression (Sparse → Dense → Sparse)
+The page starts with extreme emptiness (one line of text), builds to maximum density (20+ scattered images), then relaxes back to spacious layouts before ending with another sparse CTA.
+**For VIB3+**: The morph stages should follow this arc — start minimal, build to visual complexity peak, then settle.
+
+### 4. Diagonal Color Mode Transitions
+The cream → red transition doesn't happen at a horizontal boundary. A diagonal band of red slashes across the viewport, creating a cinematic wipe effect.
+**For VIB3+**: Dark/light mode switches could use diagonal clip-path animations instead of straight horizontal borders.
+
+### 5. Extreme Negative Space
+The hero is 95% empty. Text occupies a tiny fraction of the viewport. This forces attention and creates anticipation.
+**For VIB3+**: The opening cinematic should start sparse — let the visualizer breathe in vast empty space before the content builds up.
+
+### 6. Consistent Brand Angle
+The diagonal angle is THE signature of the site. It appears in: image clip-paths, section dividers, color transitions, footer layout. The same ~30deg angle repeats everywhere.
+**For VIB3+**: Pick a consistent geometric motif and repeat it across different contexts — clip-paths, dividers, card shapes, overlay patterns.
+
+---
+
+*Analysis based on actual Playwright screenshots captured with wheel-event scrolling.*

package/DOCS/VISUAL_ANALYSIS_SIMONE.md

@@ -0,0 +1,97 @@
+Last reviewed: 2026-02-17
+
+# Visual Analysis: weare-simone.webflow.io
+
+**Captured: 2026-02-10 via Playwright with wheel-based scrolling**
+**Method**: Real Chromium screenshots at 8 scroll positions (wheel events trigger Lenis/GSAP)
+**Page height**: 12,062px (~13.4x viewport)
+
+---
+
+## Scroll Journey (Frame by Frame)
+
+### s00 — Top (scrollY=0)
+**Giant "SIMONE" wordmark fills ~80% of viewport width**
+- Background: warm cream/off-white with subtle noise texture
+- Typography: black, extremely bold condensed sans-serif, all caps
+- Text takes up full viewport — no other content visible except:
+  - Small "SIMONE" logo top-left (dark teal, tiny)
+  - Green pill-shaped nav button top-right with dot indicators
+  - Minimal nav links: "Work", "About", "Contact"
+- **Pattern**: Hero section is JUST typography. No images, no gradients. The text IS the design. Massive scale creates impact.
+
+### s01 — scrollY=2400
+**Complete mode switch: cream → dark teal**
+- Background: deep dark teal (#0A3239 range) with subtle noise texture
+- Large white serif/display text: "What if we could alter reality *for the better?*"
+- "for the better?" in lime/chartreuse green (#CCFF66)
+- Below: smaller body text (cream colored) explaining studio mission
+- Content sits within a large rounded-corner container (~24px radius)
+- **Pattern**: DRAMATIC full-palette inversion at section boundary. The entire color scheme flips. This is the "dark/light mode threshold" pattern.
+
+### s02 — scrollY=4800
+**Asymmetric case study card (IKEA)**
+- Still dark teal background
+- Large serif heading: "Transform how we browse"
+- Small body text on left side
+- IKEA logo (white on dark)
+- Green pill button: "View case study" with arrow
+- **Product image floats right**: desk lamp in dark tones, offset ~60% to the right
+- Below: "Turn up the magic" heading beginning to enter viewport
+- **Pattern**: Asymmetric card layout. Text content LEFT, floating product image RIGHT. The image is positioned outside the text column — creates overlap depth.
+
+### s03 — scrollY=7200
+**Sephora + Nike stacked case studies**
+- Top: Sephora section ending — "Draw people into your world..." text top-right
+- Sephora logo centered, "View case study" green pill
+- Red 3D cosmetic product floats LEFT (~25% from left edge)
+- Bottom half: Nike "Get people moving" section beginning
+- Nike logo at bottom
+- **Pattern**: Alternating asymmetry — IKEA had image RIGHT, Sephora has image LEFT, Nike will have image RIGHT. This creates a zigzag visual rhythm as you scroll.
+
+### s04 — scrollY=9600
+**Client logos strip on cream background**
+- Mode switch BACK to light: cream/off-white background
+- Three logos visible: Dior, Monzo, Disney
+- Very clean, minimal spacing
+- Logos are small and muted (dark teal on cream)
+- **Pattern**: Palate cleanser section. After intense dark case studies, a minimal light section resets visual fatigue. Brief breathing room.
+
+### s05 — scrollY=11162 (bottom)
+**CTA footer with marquee**
+- Mode switch back to dark teal
+- "Ready to alter reality?" centered heading (small, white)
+- GIANT horizontal marquee: "Work with us" repeated, scrolling horizontally
+- Green circular CTA button between the marquee text repetitions
+- Below the marquee: "SIMONE" in massive OUTLINED/STROKE typography (no fill, just border)
+- Footer bar: © 2026, Instagram, LinkedIn, "Site by Kin", 1% Planet badge
+- **Pattern**: The footer echoes the hero — same giant "SIMONE" text but now as outlined strokes instead of filled. Creates bookend/closure. The horizontal marquee adds perpetual motion.
+
+---
+
+## Key Design Patterns for VIB3+ Translation
+
+### 1. Typography-As-Hero
+The hero section has NOTHING except giant text. No background effects, no images. The text IS the visual impact. For VIB3+: the opening cinematic should let the visualizer fill the entire space without competing with too many UI elements.
+
+### 2. Hard Dark/Light Mode Switches
+Sections don't cross-fade between modes — they SNAP. Cream → dark teal is a sharp boundary (though with Lenis smoothing it feels smooth). For VIB3+: system/parameter presets should change sharply at section boundaries, not gradually.
+
+### 3. Zigzag Asymmetric Cards
+Case study cards alternate: image-right → image-left → image-right. This creates visual rhythm and prevents monotony. For VIB3+: cascade cards or triptych panels should have alternating asymmetry rather than centered symmetry.
+
+### 4. Floating Product Objects
+Images are positioned OUTSIDE their text columns, overlapping into adjacent space. This creates real depth layers. For VIB3+: visualizer canvases could extend beyond their logical containers, bleeding into adjacent sections.
+
+### 5. Marquee CTA
+"Work with us" scrolls infinitely horizontally. This adds persistent motion that's independent of scroll position. For VIB3+: a parameter-driven text ticker or rotating geometry showcase could serve the same purpose.
+
+### 6. Outlined Typography Echo
+The hero's filled "SIMONE" becomes outlined/stroked at the footer. The same shape, different rendering. For VIB3+: the same geometry could be shown in different visualization systems at different scroll positions (Quantum fill → Faceted outline).
+
+### 7. Subtle Noise Texture
+Both light and dark backgrounds have a visible noise/grain texture overlay. This adds tactile quality and prevents "flat digital" feeling. For VIB3+: a CSS grain overlay on sections would add this same warmth.
+
+---
+
+*Analysis based on actual Playwright screenshots captured with wheel-event scrolling.*

package/DOCS/VISUAL_ANALYSIS_TABLESIDE.md

@@ -0,0 +1,88 @@
+Last reviewed: 2026-02-17
+
+# Visual Analysis: tableside.com.au
+
+**Captured: 2026-02-10 via Playwright with wheel-based scrolling**
+**Method**: Real Chromium screenshots at 5 scroll positions (wheel events)
+**Page height**: 8,370px (~9.3x viewport)
+
+---
+
+## Scroll Journey (Frame by Frame)
+
+### s00 — Top (scrollY=0)
+**Bold typography hero with warm palette**
+- Background: warm cream/beige (#F5EDE4 range)
+- "TABLESIDE" logo top-left in coral/orange + "CREATIVES" subscript
+- Hamburger menu (three lines) top-right in coral
+- MASSIVE bold sans-serif text: "FOOD & DRINK DIGITAL CREATIVES" in coral/orange (#E85D3A range)
+- Text fills ~70% of viewport, extremely bold weight (900+), tight line-height
+- Below hero: "HOSPITALITY MARKETING AUSTRALIA" in black, right-aligned
+- "WHAT WE DO" label left side
+- Large body text in coral: "Crafting bold, unforgettable brands through content to propel hospitality and food & beverage businesses towards sustainable growth and standout success."
+- Social links: INSTAGRAM, FACEBOOK, LINKEDIN, TIKTOK — right-aligned, stacked
+- Chat widget bottom-right
+- **Pattern**: Typography-as-hero with strong brand color. The hero text IS the brand statement, rendered in the signature coral color at maximum weight. Social links positioned as a sidebar element right-aligned.
+
+### s01 — scrollY=2400
+**Portfolio card: asymmetric split layout**
+- Large food photography LEFT (~50% viewport width): close-up of artisanal pizza
+- Card text RIGHT: "ROCCELLA EAST MELB" restaurant name + orange icon
+- "WEB, CONTENT, PAID, SOCIAL & EDM" service tags + "+ INFO" link in coral
+- Below: second portfolio card beginning — dark photo of restaurant interior
+- "STEER DINING ROOM" title overlaid on dark photo, bottom-left
+- **Pattern**: Asymmetric portfolio cards. Image takes one half, text the other. The split is ~50/50 with generous spacing. Different cards have different background treatments (light photo vs dark atmospheric photo).
+
+### s02 — scrollY=4800
+**Small dark portfolio card**
+- Dark restaurant interior photo with chefs in white uniforms
+- "WAGYU YA TEPPANYAKI" title overlaid top in white
+- "WEB, CONTENT, PAID, SOCIALS & EDM" service tags bottom-left
+- "YAKIKAMI" title visible below
+- Card appears much smaller than previous cards (~40% viewport height)
+- **Pattern**: Variable card sizing. Not all portfolio cards are the same size. This card is notably smaller and darker than the previous ones, creating visual rhythm through size variation.
+
+### s03 — scrollY=7200
+**CTA section with strong color**
+- Solid coral/orange background filling top ~40% of viewport
+- "READY TO TAKE A SEAT AT OUR TABLE?" in large white text, centered
+- "BOOK FREE STRATEGY SESSION" button: white border on coral background, centered
+- Below CTA: split-color footer section
+  - LEFT half: warm cream with contact info, address, phone, hours
+  - RIGHT half: dark navy (#1A1A3E) with food photography (overhead table shot with multiple dishes)
+  - Photo floats slightly above the navy background edge
+
+### s04 — scrollY=7470 (bottom)
+**Footer nav + legal**
+- Footer navigation bar: HOME, WORK, SERVICES, ABOUT US, JOBS, CONTACT, NEWS (left-aligned in coral)
+- Social links: INSTAGRAM, FACEBOOK, LINKEDIN (right-aligned in coral)
+- Bottom bar: Privacy Policy, "TABLESIDE" centered logo, © 2024
+- **Pattern**: Footer uses the brand coral for all link text against cream background. Clean horizontal nav layout.
+
+---
+
+## Key Design Patterns for VIB3+ Translation
+
+### 1. Three-Tone Palette (Cream + Coral + Navy)
+The site uses exactly three colors consistently: warm cream background, coral/orange for typography and accents, dark navy for contrast sections. No gradients, no additional colors.
+**For VIB3+**: A disciplined three-tone palette could anchor the landing page — e.g., dark background + one accent hue from the visualizer + white text.
+
+### 2. Variable Portfolio Card Sizing
+Portfolio cards are NOT uniform. Some span full viewport height, others are compact. Some have light photos, others have dark atmospheric shots. Size variation creates rhythm.
+**For VIB3+**: Cascade cards don't all need to be the same size. The clip-path morphing system could make some cards appear larger (wider window) and others more compact (narrower window), even though the underlying card is the same size.
+
+### 3. Split-Color Sections
+The contact/footer area uses a vertical split: cream on the left, navy on the right, with a food photo bridging the two zones. This creates a strong compositional split.
+**For VIB3+**: Could use a vertical split in the CTA or feature sections — one half showing one visualization system, the other showing a different one.
+
+### 4. CTA as Bold Color Block
+The CTA section is a solid block of coral color with white text. Simple, bold, impossible to scroll past without noticing.
+**For VIB3+**: The CTA section could use a solid color block with a visualizer running behind it at low opacity, creating color + depth.
+
+### 5. Service Tags as Metadata
+Each portfolio card lists specific services (WEB, CONTENT, PAID, SOCIAL & EDM) in small uppercase text. This adds information density without cluttering the visual.
+**For VIB3+**: Cascade cards could show parameter metadata (geometry name, system type, hue value) in small utility text that adds technical depth.
+
+---
+
+*Analysis based on actual Playwright screenshots captured with wheel-event scrolling.*

package/DOCS/WEBGPU_STATUS.md

@@ -1,38 +1,121 @@
-# WebGPU status and testing requirements
-
-This document records the current WebGPU backend state, what is implemented, and what is required
-to validate it in local development or CI.
-
-## Current status
-- **Backend scaffold:** `WebGPUBackend` initializes adapter/device, configures the canvas, manages
-  resize, and supports a clear-pass `renderFrame()` path.
-- **Async context creation:** `createRenderContextAsync()` can instantiate WebGPU contexts using
-  `{ backend: 'webgpu' }`.
-- **Resource tracking:** depth textures are registered in the shared `RenderResourceRegistry`.
-
-## What is still needed
-1. **Pipeline parity:** implement basic shader pipelines (vertex/fragment) and buffer binding that
-   match the WebGL backend command flow.
-2. **Command buffer bridge:** map existing render commands to WebGPU render passes.
-3. **Feature gating:** add host-app controls to toggle WebGPU via feature flags.
-4. **Diagnostics:** add per-frame stats and resource delta reporting for WebGPU.
-
-## Testing requirements
-### Local smoke test
-Prerequisites:
-- A browser with WebGPU enabled (Chrome/Edge with `chrome://flags/#enable-unsafe-webgpu`, or a
-  Chromium build with WebGPU support).
-- A device with WebGPU-capable GPU drivers.
-
-Suggested smoke flow:
-1. Create a canvas and call `createRenderContextAsync(canvas, { backend: 'webgpu' })`.
-2. Call `backend.renderFrame({ clearColor: [0.1, 0.1, 0.2, 1] })` and confirm the canvas clears.
-3. Resize the canvas and ensure the clear pass still succeeds.
-
-### CI validation
-- WebGPU cannot be reliably validated in headless CI without GPU support.
-- CI should instead run WebGL tests and lint/static checks; keep a manual WebGPU smoke checklist.
-
-## File locations
-- `src/render/backends/WebGPUBackend.js`
-- `src/render/index.js` (`createRenderContextAsync`)
+Last reviewed: 2026-02-17
+
+# WebGPU Backend Status
+
+**Last updated**: 2026-02-15
+
+> Previous version archived at `DOCS/archive/WEBGPU_STATUS_2026-02-15_STALE.md`.
+
+## Current State: Functional but Not Validated End-to-End
+
+The WebGPU backend is **architecturally complete** — real device init, shader compilation, pipeline creation, uniform buffers, render passes. It is not a stub. However, no end-to-end browser validation has confirmed correct pixel output through the WebGPU path.
+
+## What Is Implemented
+
+| Component | Status | File |
+|-----------|--------|------|
+| Device/adapter/context init | Done | `src/render/backends/WebGPUBackend.js` (1410 lines) |
+| Canvas configuration + resize | Done | WebGPUBackend.js |
+| WGSL shader module compilation | Done | WebGPUBackend.js `compileShader()` |
+| Fullscreen quad pipeline | Done | WebGPUBackend.js `createFullscreenPipeline()` |
+| Custom geometry pipeline | Done | WebGPUBackend.js `createPipeline()` |
+| Uniform buffer management | Done | WebGPUBackend.js `createCustomUniformBuffer()` / `updateCustomUniforms()` |
+| Fullscreen quad rendering | Done | WebGPUBackend.js `renderFullscreenQuad()` |
+| Geometry rendering | Done | WebGPUBackend.js `renderGeometry()` / `renderWithPipeline()` |
+| Manual render pass control | Done | WebGPUBackend.js `beginRenderPass()` / `endRenderPass()` |
+| Vertex/index buffer creation | Done | WebGPUBackend.js |
+| Texture + sampler creation | Done | WebGPUBackend.js |
+| Resource cleanup | Done | WebGPUBackend.js `dispose()` |
+| WebGL/WebGPU bridge abstraction | Done | `src/render/UnifiedRenderBridge.js` |
+| Uniform packing (JS → GPU) | Done | `packVIB3Uniforms()` in UnifiedRenderBridge.js |
+| FacetedSystem WebGPU path | Done | `src/faceted/FacetedSystem.js` `initWithBridge()` |
+
+## WGSL Shader Files
+
+All seven WGSL files are real, substantive shaders (not stubs):
+
+| File | Lines | Content |
+|------|-------|---------|
+| `src/shaders/common/fullscreen.vert.wgsl` | 18 | Fullscreen triangle vertex shader |
+| `src/shaders/common/uniforms.wgsl` | 49 | Canonical VIB3Uniforms struct definition |
+| `src/shaders/common/rotation4d.wgsl` | 87 | All six 4D rotation matrices + projection |
+| `src/shaders/common/geometry24.wgsl` | 55 | All 24 geometry SDFs |
+| `src/shaders/faceted/faceted.frag.wgsl` | 206 | Complete faceted fragment shader |
+| `src/shaders/quantum/quantum.frag.wgsl` | 362 | Complete quantum fragment shader |
+| `src/shaders/holographic/holographic.frag.wgsl` | 255 | Complete holographic fragment shader |
+
+## Canonical Uniform Struct Layout
+
+All WGSL uniform structs **must** match `packVIB3Uniforms()` in `UnifiedRenderBridge.js`. The canonical layout uses only `f32` scalars and one `vec2<f32>` to avoid WGSL alignment surprises:
+
+```wgsl
+struct VIB3Uniforms {
+    time: f32,              // index 0
+    _pad0: f32,             // index 1
+    resolution: vec2<f32>,  // index 2-3
+    geometry: f32,          // index 4
+    rot4dXY: f32,           // index 5
+    rot4dXZ: f32,           // index 6
+    rot4dYZ: f32,           // index 7
+    rot4dXW: f32,           // index 8
+    rot4dYW: f32,           // index 9
+    rot4dZW: f32,           // index 10
+    dimension: f32,         // index 11
+    gridDensity: f32,       // index 12
+    morphFactor: f32,       // index 13
+    chaos: f32,             // index 14
+    speed: f32,             // index 15
+    hue: f32,               // index 16
+    intensity: f32,         // index 17
+    saturation: f32,        // index 18
+    mouseIntensity: f32,    // index 19
+    clickIntensity: f32,    // index 20
+    bass: f32,              // index 21
+    mid: f32,               // index 22
+    high: f32,              // index 23
+    layerScale: f32,        // index 24
+    layerOpacity: f32,      // index 25
+    _pad1: f32,             // index 26
+    layerColorR: f32,       // index 27
+    layerColorG: f32,       // index 28
+    layerColorB: f32,       // index 29
+    densityMult: f32,       // index 30
+    speedMult: f32,         // index 31
+    breath: f32,            // index 32
+};
+```
+
+**Rule**: Do NOT use `vec3<f32>` for layerColor — it triggers 16-byte alignment padding that breaks the flat Float32Array packing. Always use three separate f32 fields.
+
+## System Integration
+
+| System | WebGPU Path | Notes |
+|--------|-------------|-------|
+| **Faceted** | Single-canvas via UnifiedRenderBridge | Inline WGSL matches canonical layout. Only system with a complete WebGPU path wired in the demo page. |
+| **Quantum** | Multi-canvas via MultiCanvasBridge | Requires 5 separate canvas DOM elements. Falls back to WebGL on `docs/webgpu-live.html` (single canvas). |
+| **Holographic** | Multi-canvas via MultiCanvasBridge | Same 5-canvas requirement. Falls back to WebGL on demo page. |
+
+## Remaining Work
+
+1. **End-to-end browser validation** — Run FacetedSystem through WebGPU in a Chrome/Edge browser with WebGPU enabled and confirm correct visual output matches WebGL.
+2. **Quantum/Holographic single-canvas path** — Either provide a single-canvas WebGPU fallback or create a demo page with the required 5-canvas DOM structure.
+3. **Automated smoke test** — A Playwright test (with WebGPU-capable browser) that initializes the bridge, renders one frame, and confirms no errors.
+4. **Shader sync verification** — Extend `tools/shader-sync-verify.js` to also verify WGSL struct layouts match `packVIB3Uniforms()`.
+
+## Demo Page
+
+`docs/webgpu-live.html` — Tries WebGPU for FacetedSystem, always WebGL for Quantum/Holographic. Shows green "WEBGPU" or yellow "WEBGL" badge.
+
+## Testing
+
+WebGPU cannot be validated in headless CI without GPU support. Strategy:
+- CI: Run WebGL tests + shader lint + struct layout checks
+- Manual: Smoke test in Chrome/Edge with `chrome://flags/#enable-unsafe-webgpu`
+
+## File Locations
+
+- Backend: `src/render/backends/WebGPUBackend.js`
+- Bridge: `src/render/UnifiedRenderBridge.js`
+- Packing: `packVIB3Uniforms()` in UnifiedRenderBridge.js
+- WGSL shaders: `src/shaders/`
+- Demo: `docs/webgpu-live.html`

package/DOCS/XR_BENCHMARKS.md

@@ -1,3 +1,5 @@
+Last reviewed: 2026-02-17
+
 # XR integration benchmarks (draft)
 
 This document captures baseline metrics, targets, and tooling for XR integration work.

package/DOCS/archive/BLUEPRINT_EXECUTION_PLAN_2026-01-07.md

@@ -0,0 +1 @@
+Last reviewed: 2026-02-17

package/DOCS/archive/DEV_TRACK_ANALYSIS.md

@@ -0,0 +1 @@
+Last reviewed: 2026-02-17

package/DOCS/archive/DEV_TRACK_PLAN_2026-01-07.md

@@ -0,0 +1 @@
+Last reviewed: 2026-02-17

package/DOCS/archive/SESSION_014_PLAN.md

@@ -0,0 +1 @@
+Last reviewed: 2026-02-17

package/DOCS/archive/SESSION_LOG_2026-01-07.md

@@ -0,0 +1 @@
+Last reviewed: 2026-02-17

package/DOCS/archive/STRATEGIC_BLUEPRINT_2026-01-07.md

@@ -0,0 +1 @@
+Last reviewed: 2026-02-17

package/DOCS/archive/SYSTEM_AUDIT_2026-01-30.md

@@ -0,0 +1 @@
+Last reviewed: 2026-02-17

package/DOCS/archive/WEBGPU_STATUS_2026-02-15_STALE.md

@@ -0,0 +1 @@
+Last reviewed: 2026-02-17

package/DOCS/{DEV_TRACK_SESSION_2026-01-31.md → dev-tracks/DEV_TRACK_SESSION_2026-01-31.md}

@@ -1,3 +1,5 @@
+Last reviewed: 2026-02-17
+
 # Dev Track Session — January 31, 2026
 
 **Branch**: `claude/review-project-status-BwVbr`
@@ -87,7 +89,7 @@
 | File | Purpose |
 |------|---------|
 | `DOCS/MASTER_PLAN_2026-01-31.md` | Master plan with 43 items |
-| `DOCS/DEV_TRACK_SESSION_2026-01-31.md` | This session log |
+| `DOCS/dev-tracks/DEV_TRACK_SESSION_2026-01-31.md` | This session log |
 | `DOCS/OBS_SETUP_GUIDE.md` | OBS integration guide |
 | `LICENSE` | MIT License |
 | `CHANGELOG.md` | v1.0.0 + v2.0.0 release notes |