LilyPond-Ruby 0.1.1 → 0.1.2

data/share/lilypond/2.24.1/ly/engraver-init.ly

@@ -0,0 +1,1619 @@
+%%%% This file is part of LilyPond, the GNU music typesetter.
+%%%%
+%%%% Copyright (C) 1996--2022 Han-Wen Nienhuys <hanwen@xs4all.nl>
+%%%%                          Jan Nieuwenhuizen <janneke@gnu.org>
+%%%%
+%%%% LilyPond is free software: you can redistribute it and/or modify
+%%%% it under the terms of the GNU General Public License as published by
+%%%% the Free Software Foundation, either version 3 of the License, or
+%%%% (at your option) any later version.
+%%%%
+%%%% LilyPond is distributed in the hope that it will be useful,
+%%%% but WITHOUT ANY WARRANTY; without even the implied warranty of
+%%%% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the
+%%%% GNU General Public License for more details.
+%%%%
+%%%% You should have received a copy of the GNU General Public License
+%%%% along with LilyPond.  If not, see <http://www.gnu.org/licenses/>.
+
+\version "2.23.12"
+
+%% Warning: if updating context hierarchies, don't forget ly/performer-init.ly!
+
+\context {
+  \name Global
+
+  \accepts Score
+  \accepts ChordGridScore
+  \accepts StandaloneRhythmScore
+
+  \defaultchild Score
+  \description "Hard coded entry point for LilyPond.  Usually not meant
+to be modified directly."
+  \grobdescriptions #all-grob-descriptions
+}
+
+\context {
+  \type Engraver_group
+  \name FretBoards
+  \alias Staff
+  \description "A context for displaying fret diagrams."
+
+  \consists Fretboard_engraver
+  \consists Output_property_engraver
+  \consists Axis_group_engraver
+  \consists Separating_line_group_engraver
+  \consists Font_size_engraver
+  \consists Instrument_name_engraver
+
+  %% explicitly set instrument, so it is not inherited from the parent
+  instrumentName = #'()
+  shortInstrumentName = #'()
+
+  predefinedDiagramTable = #default-fret-table
+  handleNegativeFrets = #'recalculate
+  restrainOpenStrings = ##f
+}
+
+\context {
+  \type Engraver_group
+  \name Staff
+
+  \consists Output_property_engraver
+  \consists Skip_typesetting_engraver
+  \consists Bar_engraver
+  \consists Caesura_engraver
+  \consists Pure_from_neighbor_engraver
+  %% Bar_engraver must be first so default bars aren't overwritten
+  %% with empty ones.
+
+  \consists Font_size_engraver
+  \consists Separating_line_group_engraver
+  \consists Dot_column_engraver
+  \consists Staff_collecting_engraver
+
+  %% perhaps move to Voice context?
+  \consists Ottava_spanner_engraver
+  \consists Clef_engraver
+  \consists Key_engraver
+  \consists Time_signature_engraver
+  \consists Ledger_line_engraver
+  \consists Staff_symbol_engraver
+  \consists Collision_engraver
+  \consists Grob_pq_engraver
+  \consists Rest_collision_engraver
+  \consists Accidental_engraver
+  \consists Piano_pedal_engraver
+  \consists Piano_pedal_align_engraver
+  \consists Instrument_name_engraver
+  \consists Axis_group_engraver
+  \consists Figured_bass_engraver
+  \consists Figured_bass_position_engraver
+  \consists Script_row_engraver
+  \consists Non_musical_script_column_engraver
+  \consists Cue_clef_engraver
+  \consists Fingering_column_engraver
+  \consists Merge_mmrest_numbers_engraver
+  \consists Alteration_glyph_engraver
+  \consists Staff_highlight_engraver
+
+  localAlterations = #'()
+  createSpacing = ##t
+  ignoreFiguredBassRest = ##f
+
+  %% explicitly set instrument, so we don't get
+  %% weird effects when doing instrument names for
+  %% piano staves
+  instrumentName = #'()
+  shortInstrumentName = #'()
+
+  \defaultchild Voice
+  \accepts CueVoice
+  \accepts NullVoice
+  \accepts Voice
+
+  \description "Handles clefs, bar lines, keys, accidentals.  It can contain
+@code{Voice} contexts."
+
+  ottavationMarkups = #ottavation-numbers
+}
+
+\context {
+  \Staff
+  \name InternalGregorianStaff
+  \denies Voice % derived contexts will accept specific voices
+
+  \description "An internal @code{Staff} type with settings shared by
+multiple ancient notation schemes."
+
+  \remove Caesura_engraver
+  \consists Divisio_engraver
+
+  caesuraType = #'((breath . varcomma))
+  caesuraTypeTransform = #caesura-to-bar-line-or-divisio
+
+  %% Eliminate measure bar lines and allow line breaks anywhere.
+  forbidBreakBetweenBarLines = ##f
+  measureBarType = #'()
+
+  %% The chosen caesuraTypeTransform prefers BarLine over Divisio.
+  %% Also create bar lines for \section, \fine, and \repeat volta.
+  doubleRepeatBarType = "||"
+  endRepeatBarType = "||"
+  fineBarType = "||"
+  sectionBarType = "||"
+  startRepeatBarType = "||"
+  underlyingRepeatBarType = "||"
+  %% It does not seem likely that anyone will use in-staff segno, but ...
+  doubleRepeatSegnoBarType = "S-||"
+  endRepeatSegnoBarType = "S-||"
+  fineSegnoBarType = "S-||"
+  fineStartRepeatSegnoBarType = "S-||"
+  segnoBarType = "S-||"
+  startRepeatSegnoBarType = "S-||"
+
+  %% Maintain these BreathingSign settings in case someone follows old
+  %% documentation or examples that use \breathe rather than \caesura.
+  \override BreathingSign.extra-spacing-width = #'(-1.0 . 0.0)
+  \override BreathingSign.extra-spacing-height =
+    #item::extra-spacing-height-including-staff
+
+  %% Accidentals are valid only once (same as
+  %% \accidentalStyle forget)
+  extraNatural = ##f
+  autoAccidentals = #`(Staff ,(make-accidental-rule 'same-octave -1))
+  autoCautionaries = #'()
+  printKeyCancellation = ##f
+}
+
+\context {
+  \Staff
+  \type Engraver_group
+  \name DrumStaff
+  \alias Staff
+
+  \remove Accidental_engraver
+  \remove Ottava_spanner_engraver
+  \remove Key_engraver
+  \remove Piano_pedal_engraver
+
+  \description "Handles typesetting for percussion."
+
+  \denies Voice
+  \accepts DrumVoice
+  \defaultchild DrumVoice
+
+  clefGlyph = "clefs.percussion"
+  clefPosition = #0
+  \override Script.staff-padding = #0.75
+}
+
+\context{
+  \type Engraver_group
+
+  localAlterations = #'()
+  createSpacing = ##t
+
+  squashedPosition = #0
+  \name RhythmicStaff
+  \alias Staff
+
+  \override VoltaBracket.staff-padding = #3
+  \override StaffSymbol.line-count = #1
+
+  \override Stem.neutral-direction = #UP
+  \override Beam.neutral-direction = #UP
+
+  \consists Output_property_engraver
+  \consists Font_size_engraver
+  \consists Separating_line_group_engraver
+  \consists Dot_column_engraver
+  \consists Bar_engraver
+  \consists Caesura_engraver
+  \consists Staff_symbol_engraver
+  \consists Pitch_squash_engraver
+  \consists Time_signature_engraver
+  \consists Instrument_name_engraver
+  \consists Axis_group_engraver
+  \consists Ledger_line_engraver
+  \consists Staff_highlight_engraver
+
+  %% explicitly set instrument, so it is not inherited from the parent
+  instrumentName = #'()
+  shortInstrumentName = #'()
+
+  \accepts CueVoice
+  \accepts NullVoice
+  \accepts Voice
+  \defaultchild Voice
+
+  \description "A context like @code{Staff} but for printing rhythms.
+Pitches are ignored; the notes are printed on one line."
+}
+
+
+\context {
+  \type Engraver_group
+  \name Voice
+
+  \description "Corresponds to a voice on a staff.  This context
+handles the conversion of dynamic signs, stems, beams, super- and
+subscripts, slurs, ties, and rests.
+
+You have to instantiate this explicitly if you want to have
+multiple voices on the same staff."
+  %% Grace_engraver sets properties, it must come first.
+  \consists Grace_engraver
+  \consists Font_size_engraver
+
+  \consists Pitched_trill_engraver
+  \consists Output_property_engraver
+  \consists Arpeggio_engraver
+  \consists Multi_measure_rest_engraver
+  \consists Text_spanner_engraver
+  \consists Trill_spanner_engraver
+  \consists Grob_pq_engraver
+  \consists Forbid_line_break_engraver
+  \consists Laissez_vibrer_engraver
+  \consists Repeat_tie_engraver
+  \consists Note_head_line_engraver
+  \consists Glissando_engraver
+  \consists Ligature_bracket_engraver
+  \consists Breathing_sign_engraver
+  \consists Note_heads_engraver
+  \consists Dots_engraver
+  \consists Rest_engraver
+
+  %% switch on to make stem directions interpolate for the
+  %% center line.
+  %  \consists Melody_engraver
+
+  \consists Stem_engraver
+  \consists Beam_engraver
+  \consists Grace_beam_engraver
+  \consists Auto_beam_engraver
+  \consists Grace_auto_beam_engraver
+
+  %% must come before Script_column_engraver.
+  \consists New_fingering_engraver
+
+  \consists Chord_tremolo_engraver
+  \consists Double_percent_repeat_engraver
+  \consists Percent_repeat_engraver
+  \consists Slash_repeat_engraver
+  \consists Part_combine_engraver
+
+  \consists Text_engraver
+  \consists Dynamic_engraver
+  \consists Dynamic_align_engraver
+  \consists Fingering_engraver
+  \consists Bend_engraver
+  \consists Finger_glide_engraver
+
+  \consists Script_engraver
+  \consists Script_column_engraver
+  \consists Rhythmic_column_engraver
+  \consists Note_spacing_engraver
+  \consists Spanner_break_forbid_engraver
+  \consists Phrasing_slur_engraver
+  \consists Cluster_spanner_engraver
+  \consists Slur_engraver
+  \consists Tie_engraver
+  \consists Tuplet_engraver
+  \consists Instrument_switch_engraver
+}
+
+\context{
+  \Voice
+
+  \name CueVoice
+  \alias Voice
+  fontSize = #-4
+  \override NoteHead.ignore-ambitus = ##t
+  \override Stem.length-fraction = #(magstep -4)
+  \override Beam.length-fraction = #(magstep -4)
+  \override Beam.beam-thickness = #0.35
+  \override StemTremolo.beam-thickness = #0.35
+}
+
+\context {
+  \Voice
+  \name DrumVoice
+  \alias Voice
+
+  \description "A voice on a percussion staff."
+  \remove Arpeggio_engraver
+
+  \remove Note_head_line_engraver
+  \remove Glissando_engraver
+  \remove Ligature_bracket_engraver
+  \remove Note_heads_engraver
+  \consists Drum_notes_engraver
+  \remove New_fingering_engraver
+
+  \remove Fingering_engraver
+
+  \remove Cluster_spanner_engraver
+}
+
+\context {
+  \type Engraver_group
+  \name StaffGroup
+
+  \consists Vertical_align_engraver
+  topLevelAlignment = ##f
+
+  \consists Instrument_name_engraver
+  \consists Span_bar_engraver
+  %% The default for DynamicText.extra-spacing-width causes dynamics to
+  %% be placed across span bars, so switch it off:
+  \override DynamicText.extra-spacing-width = ##f
+  \consists Span_bar_stub_engraver
+  \consists Span_arpeggio_engraver
+  \consists Output_property_engraver
+  systemStartDelimiter = #'SystemStartBracket
+  %% explicitly set instrument, so it is not inherited from the parent
+  instrumentName = #'()
+  shortInstrumentName = #'()
+
+  localAlterations = ##f
+  \consists System_start_delimiter_engraver
+
+  \defaultchild Staff
+  % Accept all kinds of contexts also accepted by Score.
+  \accepts ChoirStaff
+  \accepts ChordNames
+  \accepts Devnull
+  \accepts DrumStaff
+  \accepts Dynamics
+  \accepts FiguredBass
+  \accepts FretBoards
+  \accepts GrandStaff
+  \accepts GregorianTranscriptionLyrics
+  \accepts GregorianTranscriptionStaff
+  \accepts KievanStaff
+  \accepts Lyrics
+  \accepts MensuralStaff
+  \accepts NoteNames
+  \accepts OneStaff
+  \accepts PetrucciStaff
+  \accepts PianoStaff
+  \accepts RhythmicStaff
+  \accepts Staff
+  \accepts StaffGroup
+  \accepts TabStaff
+  \accepts VaticanaLyrics
+  \accepts VaticanaStaff
+
+  localAlterations = #'()
+
+  \description "Groups staves while adding a bracket on the left
+side, grouping the staves together.  The bar lines of the contained
+staves are connected vertically.  @code{StaffGroup} only consists of
+a collection of staves, with a bracket in front and spanning bar lines."
+}
+
+\context{
+  \StaffGroup
+  \name GrandStaff
+
+  systemStartDelimiter = #'SystemStartBrace
+
+  localAlterations = #'()
+}
+
+\context{
+  \GrandStaff
+  \name PianoStaff
+  \alias GrandStaff
+
+  \description "Just like @code{GrandStaff}, but the staves are only removed
+together, never separately."
+
+  \consists Keep_alive_together_engraver
+}
+
+\context {
+  \StaffGroup
+  \name ChoirStaff
+  \remove Span_bar_engraver
+
+  %% StaffGroup sets this property for the sake of span
+  %% bars, but ChoirStaff does not have these.
+  \revert DynamicText.extra-spacing-width
+
+  \description "Identical to @code{StaffGroup} except that the
+contained staves are not connected vertically."
+}
+
+\context {
+  \type Engraver_group
+  \name OneStaff
+  \accepts ChordNames
+  \accepts DrumStaff
+  \accepts Dynamics
+  \accepts FiguredBass
+  \accepts FretBoards
+  \accepts GregorianTranscriptionLyrics
+  \accepts GregorianTranscriptionStaff
+  \accepts KievanStaff
+  \accepts Lyrics
+  \accepts MensuralStaff
+  \accepts NoteNames
+  \accepts PetrucciStaff
+  \accepts RhythmicStaff
+  \accepts Staff
+  \accepts TabStaff
+  \accepts VaticanaLyrics
+  \accepts VaticanaStaff
+  \defaultchild Staff
+  \consists Axis_group_engraver
+
+  \description "Provides a common axis for the contained staves,
+making all of them appear in the same vertical space.  This can be
+useful for typesetting staves of different types in immediate succession
+or for temporarily changing the character of one staff or overlaying
+it with a different one.  Often used with @code{\\stopStaff} and
+@code{\\startStaff} for best results."
+}
+
+\context {
+  \type Engraver_group
+  \name Dynamics
+  \alias Voice
+  \alias Staff
+  \consists Output_property_engraver
+  %% The bar lines are invisible, but allow the to-barline
+  %% property to work.
+  \consists Bar_engraver
+  \consists Piano_pedal_engraver
+  \consists Script_engraver
+  \consists Dynamic_engraver
+  \consists Dynamic_align_engraver
+  \consists Text_engraver
+  \consists Text_spanner_engraver
+  \consists Font_size_engraver
+  \consists Axis_group_engraver
+
+  pedalSustainStrings = #'("Ped." "*Ped." "*")
+  pedalUnaCordaStrings = #'("una corda" "" "tre corde")
+  \override VerticalAxisGroup.staff-affinity = #CENTER
+  \override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
+    #'((basic-distance . 5)
+       (padding . 0.5))
+  \override TextScript.font-shape = #'italic
+  \override DynamicLineSpanner.Y-offset = #0
+  \override DynamicLineSpanner.outside-staff-priority = ##f
+  \override DynamicText.outside-staff-priority = ##f
+  \override Hairpin.outside-staff-priority = ##f
+
+  \description "Holds a single line of dynamics, which will be
+centered between the staves surrounding this context."
+}
+
+
+\context{
+  \type Engraver_group
+
+  \description "Corresponds to a voice with lyrics.  Handles the
+printing of a single line of lyrics."
+
+  \name Lyrics
+  \consists Lyric_engraver
+  \consists Extender_engraver
+  \consists Hyphen_engraver
+  \consists Stanza_number_engraver
+  \consists Instrument_name_engraver
+  \consists Font_size_engraver
+  \consists Axis_group_engraver
+  \consists Pure_from_neighbor_engraver
+  searchForVoice = ##f
+  %% explicitly set instrument, so it is not inherited from the parent
+  instrumentName = #'()
+  shortInstrumentName = #'()
+
+  \override VerticalAxisGroup.remove-first = ##t
+  \override VerticalAxisGroup.remove-empty = ##t
+  \override VerticalAxisGroup.staff-affinity = #UP
+  \override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
+    #'((basic-distance . 5.5)
+       (padding . 0.5)
+       (stretchability . 1))
+  \override VerticalAxisGroup.nonstaff-nonstaff-spacing =
+     #'((basic-distance . 0)
+        (minimum-distance . 2.8)
+        (padding . 0.2)
+        (stretchability . 0))
+  \override VerticalAxisGroup.nonstaff-unrelatedstaff-spacing.padding = #1.5
+  \override InstrumentName.self-alignment-Y = ##f
+
+  %% sync with define-grobs.scm ;
+  \override InstrumentName.font-size = #1.0
+
+  %% make sure that barlines aren't collapsed, when
+  %% Bar_engraver is there.
+  \override BarLine.bar-extent = #'(-0.05 . 0.05)
+
+  %% The use case for LyricRepeatCount is Gregorian chant.  In other
+  %% genres, a "Sing N times" instruction or a volta bracket over a
+  %% singleton alternative would be clearer, so we don't expect this
+  %% to be used, but we want a sane default regardless.
+  lyricRepeatCountFormatter = #(make-lyric-repeat-count-formatter
+                                '(lowercase roman-ij dot))
+}
+
+\context {
+  \type Engraver_group
+  \name NoteNames
+  \alias Staff			% Catch Staff-level overrides like
+				% \key, \transposition
+  \description "A context for printing the names of notes."
+  \consists Axis_group_engraver
+
+  \override VerticalAxisGroup.staff-affinity = #UP
+  \override VerticalAxisGroup.nonstaff-nonstaff-spacing =
+    #'((basic-distance . 0)
+       (minimum-distance . 2.8)
+       (padding . 0.2)
+       (stretchability . 0))
+  \override VerticalAxisGroup.nonstaff-relatedstaff-spacing =
+    #'((basic-distance . 5.5)
+       (padding . 0.5)
+       (stretchability . 1))
+  \override VerticalAxisGroup.nonstaff-unrelatedstaff-spacing.padding = 1.5
+
+  \consists Tie_engraver
+  \consists Note_name_engraver
+  \consists Separating_line_group_engraver
+  \consists Alteration_glyph_engraver
+}
+
+\context {
+  \type Engraver_group
+  \name ChordNames
+  \alias Staff			% Catch Staff-level overrides like
+				% \key, \transposition
+  \description "Typesets chord names."
+
+  \consists Output_property_engraver
+  \consists Separating_line_group_engraver
+  \consists Current_chord_text_engraver
+  \consists Chord_name_engraver
+  \consists Axis_group_engraver
+  %\consists Note_spacing_engraver
+  \consists Alteration_glyph_engraver
+
+  \override VerticalAxisGroup.remove-first = ##t
+  \override VerticalAxisGroup.remove-empty = ##t
+  \override VerticalAxisGroup.staff-affinity = #DOWN
+  \override VerticalAxisGroup.nonstaff-relatedstaff-spacing.padding = #0.5
+  \override VerticalAxisGroup.nonstaff-nonstaff-spacing.padding = #0.5
+  \override Parentheses.font-size = #1.5
+}
+
+\context {
+  \type Score_engraver
+  \name Score
+
+  \description "This is the top level notation context.  No
+other context can contain a @code{Score} context.  This context
+handles the administration of time signatures.  It also makes sure
+that items such as clefs, time signatures, and key-signatures are
+aligned across staves.
+
+You cannot explicitly instantiate a @code{Score} context (since it
+is not contained in any other context).  It is instantiated
+automatically when an output definition (a @code{\\score} or
+@code{\\layout} block) is processed.
+
+@anchor{Timing}
+An alias for @code{Timing} is established by the
+@code{Timing_translator} in whatever context it is initialized, and
+the timing variables are then copied from wherever @code{Timing}
+had been previously established.  The alias at @code{Score} level
+provides a target for initializing @code{Timing} variables in
+layout definitions before any @code{Timing_translator} has been
+run."
+
+  \consists Mark_tracking_translator
+  \consists Paper_column_engraver
+  \consists Repeat_acknowledge_engraver
+  \consists Staff_collecting_engraver
+
+  \alias Timing
+
+  %% timing translator must come BEFORE bar number engraver
+  \consists Timing_translator
+  \consists Output_property_engraver
+  \consists Tweak_engraver
+  \consists Spanner_tracking_engraver
+  \consists System_start_delimiter_engraver
+  \consists Mark_engraver
+  \consists Text_mark_engraver
+  \consists Jump_engraver
+  \consists Volta_engraver
+  \consists Metronome_mark_engraver
+  \consists Break_align_engraver
+  \consists Spacing_engraver
+  \consists Grace_spacing_engraver
+  \consists Vertical_align_engraver
+  \consists Stanza_number_align_engraver
+  \consists Bar_number_engraver
+  \consists Parenthesis_engraver
+  \consists Concurrent_hairpin_engraver
+  \consists Beam_collision_engraver
+  \consists Footnote_engraver
+  \consists Centered_bar_number_align_engraver
+  \consists Show_control_points_engraver
+
+  \defaultchild Staff
+
+  \accepts ChoirStaff
+  \accepts ChordNames
+  \accepts Devnull
+  \accepts DrumStaff
+  \accepts Dynamics
+  \accepts FiguredBass
+  \accepts FretBoards
+  \accepts GrandStaff
+  \accepts GregorianTranscriptionLyrics
+  \accepts GregorianTranscriptionStaff
+  \accepts KievanStaff
+  \accepts Lyrics
+  \accepts MensuralStaff
+  \accepts NoteNames
+  \accepts OneStaff
+  \accepts PetrucciStaff
+  \accepts PianoStaff
+  \accepts RhythmicStaff
+  \accepts Staff
+  \accepts StaffGroup
+  \accepts TabStaff
+  \accepts VaticanaLyrics
+  \accepts VaticanaStaff
+
+  noteToFretFunction = #determine-frets
+  predefinedDiagramTable = ##f
+  soloText = "Solo"
+  soloIIText = "Solo II"
+  aDueText = "a2"
+  printPartCombineTexts = ##t
+  partCombineTextsOnNote = ##t
+  systemStartDelimiter =#'SystemStartBar
+
+  drumStyleTable = #drums-style
+
+  associatedVoiceType = #'Voice
+  melismaBusyProperties = #default-melisma-properties
+  tieWaitForNote = ##f
+  clefGlyph = "clefs.G"
+  clefPosition = #-2
+  middleCClefPosition = #-6
+  middleCPosition = #-6
+  firstClef = ##t
+
+  crescendoSpanner = #'hairpin
+  decrescendoSpanner = #'hairpin
+
+  forbidBreakBetweenBarLines = ##t % where Bar_engraver is present
+
+  measureBarType = "|"
+  sectionBarType = "||"
+  fineBarType = "|."
+
+  doubleRepeatBarType = ":..:"
+  endRepeatBarType = ":|."
+  startRepeatBarType = ".|:"
+  %% At points of repetition or departure where there wouldn't
+  %% otherwise be a bar line, print a thin double bar line (Behind
+  %% Bars, p.240).
+  underlyingRepeatBarType = "||"
+
+  doubleRepeatSegnoBarType = ":|.S.|:"
+  endRepeatSegnoBarType = ":|.S"
+  fineSegnoBarType = "|.S"
+  fineStartRepeatSegnoBarType = "|.S.|:"
+  segnoBarType = "S"
+  startRepeatSegnoBarType = "S.|:"
+
+  %% TODO: Add 'timing to alternativeRestores?
+  alternativeRestores = #'(measurePosition measureLength measureStartNow
+                           lastChord)
+  barNumberVisibility = #first-bar-number-invisible-and-no-parenthesized-bar-numbers
+  barNumberFormatter = #robust-bar-number-function
+  centerBarNumbers = ##f
+  clefTranspositionFormatter = #clef-transposition-markup
+  cueClefTranspositionFormatter = #clef-transposition-markup
+
+  explicitClefVisibility = #all-visible
+  explicitCueClefVisibility = #end-of-line-invisible
+  explicitKeySignatureVisibility = #all-visible
+  initialTimeSignatureVisibility = #end-of-line-invisible
+
+  repeatCountVisibility = #all-repeat-counts-visible
+
+  restNumberThreshold = 1
+
+  %% Other Timing variables are derived and set by the Timing_translator
+  %% at initialization time by calling the functions in
+  %% scm/time-signature-settings.scm
+
+  timeSignatureSettings = #default-time-signature-settings
+  timeSignatureFraction = 4/4
+
+  beamHalfMeasure = ##t
+
+  autoBeaming = ##t
+  autoBeamCheck = #default-auto-beam-check
+
+  breathMarkDefinitions = #default-breath-alist
+  breathMarkType = #'comma
+
+  caesuraType = #'((breath . caesura))
+
+  completionFactor = #unity-if-multimeasure
+
+  scriptDefinitions = #default-script-alist
+
+  pedalSustainStrings = #'("Ped." "*Ped." "*")
+  pedalSustainStyle = #'text
+  pedalUnaCordaStrings = #'("una corda" "" "tre corde")
+  pedalUnaCordaStyle = #'text
+
+  %% These are in ordinary italic font, including the *,
+  %% but they are unlikely to be used,
+  %% as the default pedal-style for SostenutoPedal is 'mixed':
+  %% i.e.  Sost. Ped_____________________
+  pedalSostenutoStrings = #'("Sost. Ped." "*Sost. Ped." "*")
+  pedalSostenutoStyle = #'mixed
+
+  harmonicAccidentals = ##t
+  fingeringOrientations = #'(up down)
+  stringNumberOrientations = #'(up down)
+  strokeFingerOrientations = #'(right)
+
+  extendersOverRests = ##t
+  lyricMelismaAlignment = #LEFT
+  codaMarkFormatter = #format-coda-mark
+  rehearsalMark = #1
+  rehearsalMarkFormatter = #format-mark-letters
+  segnoMarkFormatter = #format-segno-mark-considering-bar-lines
+  segnoStyle = #'mark
+  subdivideBeams = ##f
+  extraNatural = ##t
+  autoAccidentals = #`(Staff ,(make-accidental-rule 'same-octave 0))
+  autoCautionaries = #'()
+
+  dalSegnoTextFormatter = #format-dal-segno-text
+  fineText = "Fine"
+
+  printKeyCancellation = ##t
+  keyAlterationOrder = #`(
+    (6 . ,FLAT) (2  . ,FLAT) (5 . ,FLAT ) (1  . ,FLAT) (4  . ,FLAT) (0  . ,FLAT) (3  . ,FLAT)
+    (3 . ,SHARP) (0 . ,SHARP) (4 . ,SHARP) (1 . ,SHARP) (5 . ,SHARP) (2 . ,SHARP) (6 . ,SHARP)
+    (6 . ,DOUBLE-FLAT) (2 . ,DOUBLE-FLAT) (5 . ,DOUBLE-FLAT ) (1 . ,DOUBLE-FLAT) (4 . ,DOUBLE-FLAT) (0 . ,DOUBLE-FLAT) (3 . ,DOUBLE-FLAT)
+    (3  . ,DOUBLE-SHARP) (0 . ,DOUBLE-SHARP) (4 . ,DOUBLE-SHARP) (1 . ,DOUBLE-SHARP) (5 . ,DOUBLE-SHARP) (2 . ,DOUBLE-SHARP) (6 . ,DOUBLE-SHARP)
+  )
+  alterationGlyphs = ##f
+
+  barCheckSynchronize = ##f
+
+  %% note names:
+  noteNameFunction = #note-name-markup
+  noteNameSeparator = "/"
+  printOctaveNames = ##f
+  printAccidentalNames = ##t
+
+  %% chord names:
+  chordNameFunction = #ignatzek-chord-names
+  minorChordModifier = #(make-simple-markup "m")
+  additionalPitchPrefix = "" % was "add"
+  majorSevenSymbol = #whiteTriangleMarkup
+  chordNameLowercaseMinor = ##f
+  chordNameSeparator = #(make-hspace-markup 0.5)
+  slashChordSeparator = #(make-simple-markup "/")
+  chordNameExceptions = #ignatzekExceptions
+  chordNoteNamer = #'()
+  chordRootNamer = #note-name->markup
+  chordPrefixSpacer = #0
+  noChordSymbol = #(make-simple-markup "N.C.")
+
+  %% tablature:
+  stringOneTopmost = ##t
+  highStringOne = ##t
+
+  %% One may change the string tunings as follows :
+  %% The length of the list must be equal to the number of strings
+  stringTunings = #guitar-tuning
+  tablatureFormat = #fret-number-tablature-format
+  tabStaffLineLayoutFunction = #tablature-position-on-lines
+
+  figuredBassFormatter = #format-bass-figure
+
+  figuredBassAlterationDirection = #LEFT
+  figuredBassLargeNumberAlignment = #CENTER
+  figuredBassPlusDirection = #LEFT
+  figuredBassPlusStrokedAlist = #'(
+    (2 . "figbass.twoplus")
+    (4 . "figbass.fourplus")
+    (5 . "figbass.fiveplus")
+    (6 . "figbass.sixstroked")
+    (7 . "figbass.sevenstroked")
+    (9 . "figbass.ninestroked"))
+
+  metronomeMarkFormatter = #format-metronome-markup
+
+  %% See also make-voice-props-set
+  graceSettings = #score-grace-settings
+
+  keepAliveInterfaces = #'(
+    bass-figure-interface
+    chord-name-interface
+    cluster-beacon-interface
+    dynamic-interface
+    fret-diagram-interface
+    lyric-syllable-interface
+    note-head-interface
+    tab-note-head-interface
+    lyric-interface
+    percent-repeat-interface
+
+    ;; need this, as stanza numbers are items, and appear only once.
+    stanza-number-interface
+  )
+  %% \quoteDuring is supposed to quote everything, cueDuring only the essentials
+  quotedEventTypes = #'(StreamEvent)
+  quotedCueEventTypes = #'(
+    note-event
+    rest-event
+    tie-event
+    beam-event
+    tuplet-span-event
+    tremolo-event)
+  instrumentTransposition = #(ly:make-pitch 0 0 0)
+
+  topLevelAlignment = ##t
+
+  timing = ##t
+
+  suspendMelodyDecisions = ##f
+}
+
+%{
+Some TODOs on chord grids:
+
+* Basically every score has to use
+
+  \paper {
+    indent = 0
+    system-system-spacing.padding = 2.5 % or some similar value
+  }
+
+  We should arrange for these properties to become settable in
+  context defs and give them more sensible defaults for ChordGridScore.
+
+* At different staff sizes, not all thicknesses are properly
+  scaled yet.  The current implementation of \magnifyStaff is
+  also weird and buggy.  See
+  https://gitlab.com/lilypond/lilypond/-/merge_requests/1294#note_907159523
+
+* Support chordChanges property, probably printing a horizontal line
+  in the square.
+
+* A bass note could be printed differently (cf. Baudoin).
+
+* According to Baudoin, rhythmic breaks can be notated with
+  parentheses.  \parenthesize works on chord names, but there is no
+  provision to parenthesize several chord names at the same time.
+  See also https://lsr.di.unimi.it/LSR/Item?id=902
+
+* Detect anticipated chords and bring them on beat so that the same
+  music variable can be used for outputting a chord grid and for a
+  more realistic MIDI performance.
+
+* The repeat bar lines "[|:", ":|]" and ":|][|:" are apparently
+  standard in jazz.  It would be nice to use them by default.  Sadly,
+  they don't look good due to the increased height.  This likely needs
+  a good way to reduce the hair-thickness for those bar lines only
+  while preserving it for normal bar lines.
+
+* If there were a property to let \repeat volta print a ".|:" bar even
+  at the beginning of the piece, it could be switched on by default in
+  ChordGrid, since this is standard practice for jazz.
+
+* It's a little odd that the vertical lines separating squares are
+  drawn by SystemStartBar at the beginning of the line but BarLine
+  elsewhere.  The problem here is that no bar line is created by
+  default at the beginning of the piece.
+
+--JeanAS
+%}
+
+\context {
+  \Score
+  \name ChordGridScore
+  \alias Score
+  \description "Top-level context replacing @code{Score} in chord grid notation.
+Compared to @code{Score}, it uses proportional notation, and has a few other
+settings like removing bar numbers."
+  \accepts ChordGrid
+  \remove Bar_number_engraver
+  \remove System_start_delimiter_engraver
+  proportionalNotationDuration = #(ly:make-moment 1/4)
+}
+
+\context {
+  \name ChordGrid
+  \type Engraver_group
+  \alias Staff
+  \description "Creates chord grid notation.  This context is always part of
+a @code{ChordGridScore} context."
+  \consists Output_property_engraver
+  \consists Current_chord_text_engraver
+  \consists Grid_chord_name_engraver
+  \consists Chord_square_engraver
+  \consists Axis_group_engraver
+  \consists Alteration_glyph_engraver
+  \consists Bar_engraver
+  \consists Staff_symbol_engraver
+  \consists Percent_repeat_engraver
+  \consists Double_percent_repeat_engraver
+  \consists System_start_delimiter_engraver
+
+  \override StaffSymbol.line-positions = #'(-13.5 13.5)
+  \override SystemStartBar.thickness = 2
+  \override StaffSymbol.thickness = 2
+  \override BarLine.hair-thickness = 2
+  \override BarLine.font-size = 3
+  \override BarLine.kern = 5
+}
+
+\context {
+  \type Engraver_group
+  \name FiguredBass
+  \description "A context for printing a figured bass line."
+
+  \consists Figured_bass_engraver
+  \consists Separating_line_group_engraver
+  \consists Axis_group_engraver
+
+  \override VerticalAxisGroup.remove-empty = ##t
+  \override VerticalAxisGroup.remove-first = ##t
+  \override VerticalAxisGroup.staff-affinity = #UP
+  \override VerticalAxisGroup.nonstaff-relatedstaff-spacing.padding = #0.5
+  \override VerticalAxisGroup.nonstaff-nonstaff-spacing.padding = #0.5
+}
+
+\context {
+  \name Devnull
+  \type Engraver_group
+
+  %% don't want to route anything out of here:
+  \alias Staff
+  \alias Voice
+  \description "Silently discards all musical information given to this
+context."
+}
+
+\context {
+  \name NullVoice
+  \type Engraver_group
+  \description "For aligning lyrics without printing notes"
+
+  %% don't route anything out of here
+  \alias Staff
+  \alias Voice
+
+  %% provide non-printing NoteHeads with proper extents for lyric alignment
+  \consists Note_heads_engraver
+  \omit NoteHead
+  \override NoteHead.X-extent = #(lambda (g)
+    (ly:stencil-extent (ly:note-head::print g) X))
+
+  %% generate no accidentals
+  nullAccidentals = ##t
+
+  %% keep noteheads inside the staff
+  \consists Pitch_squash_engraver
+  squashedPosition = 0
+
+  %% generate no ledger lines, needed for staves with custom
+  %% line positions and ledger lines that appear inside the staff
+  \override NoteHead.no-ledgers = ##t
+
+  %% the engravers that control the 'busy' flags for note-onsets and melismata
+  \consists Grob_pq_engraver
+  \consists Tie_engraver
+  \omit Tie
+  \consists Beam_engraver
+  \omit Beam
+  \consists Slur_engraver
+  \omit Slur
+}
+
+\context {
+  \Voice
+  \name TabVoice
+  \alias Voice
+  \consists Tab_note_heads_engraver
+  \consists Tab_tie_follow_engraver
+  \consists Bend_spanner_engraver
+
+  \remove Note_heads_engraver
+  \remove Fingering_engraver
+  \remove New_fingering_engraver
+  \remove Pitched_trill_engraver
+
+  \description "Context for drawing notes in a Tab staff."
+
+  %% No accidental in tablature !
+  \remove Accidental_engraver
+}
+
+\context {
+  \Staff
+  \alias Staff
+  \name TabStaff
+  \denies Voice
+  \consists Tab_staff_symbol_engraver
+
+  \description "Context for generating tablature. It accepts only @code{TabVoice}
+contexts and handles the line spacing, the tablature clef etc. properly."
+
+  \accepts TabVoice
+  \defaultchild TabVoice
+
+  %% 6 strings, bigger spacing
+  \override StaffSymbol.staff-space = #1.5
+
+  %% Don't draw stems over the tablature figures !
+  \override Stem.avoid-note-head = ##t
+
+  %% No accidental in tablature !
+  \remove Accidental_engraver
+  \remove Key_engraver
+
+  \remove Ottava_spanner_engraver
+  %% the clef handler
+  \override Clef.stencil = #clef::print-modern-tab-if-set
+  %% no time signature
+  \override TimeSignature.stencil = ##f
+  %% no arpeggios
+  \override Arpeggio.stencil = ##f
+  %% we ignore collision warnings that may occur due to
+  %% stem overlapping, because we have no stems ;-)
+  \override NoteColumn.ignore-collision = ##t
+  %% Special "TAB" clef
+  clefGlyph = "clefs.tab"
+  clefPosition = #0
+  %% Change string if note results in negative fret number
+  handleNegativeFrets = #'recalculate
+  %% Allow open strings even if minimumFret is set
+  restrainOpenStrings = ##f
+
+  %% TabStaff increase the staff-space, which in turn
+  %% increases beam thickness and spacing; beams are
+  %% too big. We have to adjust the beam settings:
+  \override Beam.beam-thickness = #0.32
+  \override Beam.length-fraction = #0.62
+  %% the same goes for tremolo beams
+  \override StemTremolo.beam-thickness = #0.32
+  %% NOTE: in lily/stem-tremolo.cc, we have length-fraction = 1,
+  %% and the tablature staff space is scaled (1.5 by default),
+  %% so we use the inversion of the scale factor:
+  \override StemTremolo.length-fraction = #(lambda (grob)
+                                               (/ 1 (ly:staff-symbol-staff-space grob)))
+  \override StemTremolo.beam-width = #stem-tremolo::calc-tab-width
+
+  %% make the Stems as short as possible to minimize their influence
+  %% on the slur::calc-control-points routine
+  \override Stem.no-stem-extend = ##t
+  \override Flag.style = #'no-flag
+  \override Stem.details = #'((lengths 0 0 0 0 0 0)
+                                (beamed-lengths 0 0 0)
+                                (beamed-minimum-free-lengths 0 0 0)
+                                (beamed-extreme-minimum-free-lengths 0 0)
+                                (stem-shorten 0 0))
+  %% after all, the stubs of the stems may still be visible, so ...
+  \override Stem.stencil = ##f
+  \override Flag.stencil = ##f
+  %% automatic beams should be suppressed for similar reasons ...
+  autoBeaming = ##f
+  %% remove beams, dots and rests ...
+  \override Beam.stencil = ##f
+  \override StemTremolo.stencil = ##f
+  \override Dots.stencil = ##f
+  \override Rest.stencil = ##f
+  \override MultiMeasureRest.stencil = ##f
+  \override MultiMeasureRestNumber.stencil = ##f
+  \override MultiMeasureRestScript.stencil = ##f
+  \override MultiMeasureRestText.stencil = ##f
+  %% ... all kinds of ties/slurs
+  \override Tie.stencil = ##f
+  \override RepeatTie.stencil = ##f
+  \override LaissezVibrerTie.stencil = ##f
+  \override Slur.control-points = #slur::move-closer-to-tab-note-heads
+  \override PhrasingSlur.stencil = ##f
+  %% 'tied to' fret numbers become invisible or parenthesized, respectively)
+  \override Tie.after-line-breaking = #tie::handle-tab-note-head
+  \override RepeatTie.after-line-breaking = #repeat-tie::handle-tab-note-head
+  %% ... and all kinds of markups, spanners etc.
+  \override TupletBracket.stencil = ##f
+  \override TupletNumber.stencil = ##f
+  \override DynamicText.stencil = ##f
+  \override DynamicTextSpanner.stencil = ##f
+  \override TextSpanner.stencil = ##f
+  \override Hairpin.stencil = ##f
+  \override Script.stencil = ##f
+  \override TextScript.stencil = ##f
+  \override Glissando.stencil = #glissando::draw-tab-glissando
+  %% the direction for glissando lines will be automatically corrected
+  \override Glissando.extra-dy = #glissando::calc-tab-extra-dy
+  \override Glissando.bound-details.right = #`((attach-dir . ,LEFT)
+                                                   (padding . 0.3))
+  \override Glissando.bound-details.left = #`((attach-dir . ,RIGHT)
+                                                   (padding . 0.3))
+  %% dead notes
+  \override TabNoteHead.glyph-name = #tab-note-head::calc-glyph-name
+  \override TabNoteHead.stencil = #tab-note-head::whiteout-if-style-set
+}
+
+\context {
+  \Voice
+  \name VaticanaVoice
+  \alias Voice
+  \description "Same as @code{Voice} context, except that it is
+accommodated for typesetting Gregorian Chant in the notational style
+of Editio Vaticana."
+
+  \remove Slur_engraver
+  \remove Stem_engraver
+  \remove Ligature_bracket_engraver
+  \consists Vaticana_ligature_engraver
+  \remove Text_spanner_engraver
+  \consists Episema_engraver
+
+  %% Set default head for notes outside of \[ \].
+  \override NoteHead.style = #'vaticana.punctum
+
+  %% Compensate for thinner staff lines set in `VaticanaStaff`.
+  \override Episema.thickness = #1.6
+  %% Compensate for roundedness of the line.
+  \override Episema.bound-details.left.padding = #0.05
+  \override Episema.bound-details.right.padding = #0.05
+
+  %% There are no beams in Gregorian Chant notation.
+  autoBeaming = ##f
+}
+
+\context {
+  \InternalGregorianStaff
+  \name VaticanaStaff
+  \alias Staff
+  \accepts VaticanaVoice
+  \defaultchild VaticanaVoice
+
+  \description "Same as @code{Staff} context, except that it is
+accommodated for typesetting Gregorian Chant in the notational style
+of Editio Vaticana."
+
+  \remove Time_signature_engraver
+  \consists Custos_engraver
+
+  \EnableGregorianDivisiones
+
+  %% Mark bar lines a little thinner to match the divisiones.
+  %% BarLine.hair-thickness = StaffSymbol.thickness * Divisio.thickness
+  \override BarLine.hair-thickness = #0.6
+  \override BarLine.thick-thickness = #1.8
+
+  %% Match BreathingSign to Divisio in case someone follows old
+  %% documentation or examples that use \breathe.
+  \override BreathingSign.font-size = #-2
+  \override BreathingSign.thickness = #1
+
+  %% Reduce the size of caesura and virgula marks.
+  \override Divisio.font-size = #-2
+  %% Match the thickness of divisiones to the staff lines.
+  \override Divisio.thickness = #1
+
+  \override StaffSymbol.line-count = #4
+  \override StaffSymbol.thickness = #0.6
+
+  \override LedgerLineSpanner.length-fraction = #0.9
+  \override StaffSymbol.ledger-line-thickness = #'(1 . 0)
+
+  %% FIXME: unit on StaffSymbol's width should be \linewidth.
+  %% \override StaffSymbol.width = #60.0
+
+  %% Choose vaticana do clef on 3rd line as default.
+  clefGlyph = "clefs.vaticana.do"
+  middleCPosition = #1
+  middleCClefPosition = #1
+  clefPosition = #1
+  clefTransposition = #0
+
+  %% Select vaticana style font.
+  alterationGlyphs = #alteration-vaticana-glyph-name-alist
+  \override Custos.style = #'vaticana
+  \override Custos.neutral-position = #3
+  \override Custos.neutral-direction = #DOWN
+  \override Dots.style = #'vaticana
+
+  \override Clef.space-alist.first-note = #'(minimum-fixed-space . 1.4)
+  \override LeftEdge.space-alist.clef = #'(extra-space . 0)
+  \override BarLine.space-alist.custos = #'(minimum-space . 0.7)
+  \override Custos.space-alist.right-edge = #'(extra-space . 0)
+}
+
+\context {
+  \Lyrics
+  \name VaticanaLyrics
+  \alias Lyrics
+
+  \override LyricText.font-size = #-4
+  %% TODO: Implement Editio Vaticana style for aligning syllables to notes
+  %%       (essentially, align with a syllable's vowel).  The GregorioTeX
+  %%       documentation contains all the necessary details.
+
+  \override LyricHyphen.stencil = #lyric-hyphen::vaticana-style
+  \override LyricHyphen.font-series = #'medium
+  \override LyricHyphen.font-size = #-4
+
+  \description "Same as @code{Lyrics} context, except that it
+provides a hyphenation style (a single, flush-left hyphen between
+two syllables) as used in the notational style of Editio Vaticana."
+}
+
+\context {
+  \Voice
+  \name GregorianTranscriptionVoice
+  \alias Voice
+  \remove Stem_engraver
+  \consists Episema_engraver
+
+  %% Removing ligature bracket engraver without replacing it by some
+  %% other ligature engraver would cause a "Junking event: `LigatureEvent'"
+  %% warning for every "\[" and "\]".  Therefore, we make the grob
+  %% transparent instead.
+  \override LigatureBracket.transparent = ##t
+
+  %% There are no beams in Gregorian Chant notation.
+  autoBeaming = ##f
+}
+
+\context {
+  \InternalGregorianStaff
+  \name GregorianTranscriptionStaff
+  \alias Staff
+  \accepts GregorianTranscriptionVoice
+  \defaultchild GregorianTranscriptionVoice
+
+  \description "A staff for notating Gregorian chant in modern style."
+
+  \remove Time_signature_engraver
+}
+
+\context {
+  \Lyrics
+  \name GregorianTranscriptionLyrics
+  \alias Lyrics
+
+  \consists Lyric_repeat_count_engraver
+
+  %% Let the count use all the space under the finalis signs.
+  \override LyricRepeatCount.parent-alignment-X = #RIGHT
+
+  \description "A lyrics context for notating Gregorian chant in
+modern style."
+}
+
+\context {
+  \Voice
+  \name MensuralVoice
+  \alias Voice
+  \description "Same as @code{Voice} context, except that it is
+accommodated for typesetting a piece in mensural style."
+
+  \remove Slur_engraver
+  \remove Ligature_bracket_engraver
+  \consists Mensural_ligature_engraver
+
+  %% Set default head for notes outside of \[ \].
+  \override NoteHead.style = #'mensural
+  \override Rest.style = #'mensural
+  \override Flag.style = #'mensural
+
+  %% There are no beams in mensural notation.
+  autoBeaming = ##f
+}
+
+\context {
+  \InternalGregorianStaff
+  \name MensuralStaff
+  \alias Staff
+  \defaultchild MensuralVoice
+  \accepts MensuralVoice
+  \description "Same as @code{Staff} context, except that it is
+accommodated for typesetting a piece in mensural style."
+
+  \consists Custos_engraver
+
+  \EnableGregorianDivisiones
+
+  %% Mark bar lines a little thinner to match the divisiones.
+  %% BarLine.hair-thickness = StaffSymbol.thickness * Divisio.thickness
+  \override BarLine.hair-thickness = #0.6
+  \override BarLine.thick-thickness = #1.8
+
+  %% Match BreathingSign to Divisio in case someone follows old
+  %% documentation or examples that use \breathe.
+  \override BreathingSign.font-size = #-2
+  \override BreathingSign.thickness = #1
+
+  %% Reduce the size of caesura and virgula marks.
+  \override Divisio.font-size = #-2
+  %% Match the thickness of divisiones to the staff lines.
+  \override Divisio.thickness = #1
+
+  \override StaffSymbol.thickness = #0.6
+
+  %% FIXME: unit on StaffSymbol's width should be \linewidth.
+  %% \override StaffSymbol.width = #60.0
+
+  %% Choose mensural g clef on 2nd line as default.
+  clefGlyph = "clefs.mensural.g"
+  middleCClefPosition = #-6
+  middleCPosition = #-6
+  clefPosition = #-2
+  clefTransposition = #0
+
+  %% Select mensural style font.
+  \override TimeSignature.style = #'mensural
+  alterationGlyphs = #alteration-mensural-glyph-name-alist
+  \override Custos.style = #'mensural
+  \override Custos.neutral-position = #3
+  \override Custos.neutral-direction = #DOWN
+}
+
+\context {
+  \Voice
+  \name PetrucciVoice
+  \alias Voice
+  \description "Same as @code{Voice} context, except that it is
+accommodated for typesetting a piece in Petrucci style."
+
+  \remove Ligature_bracket_engraver
+  \consists Mensural_ligature_engraver
+
+  %% Set glyph styles.
+  \override NoteHead.style = #'petrucci
+  \override Rest.style = #'mensural
+
+  %% Thickens and shortens stems.
+  \override Stem.thickness = #1.7
+  \override Stem.length = #5
+
+  %% There are no beams in Petrucci notation.
+  autoBeaming = ##f
+}
+
+\context {
+  \Staff
+  \name PetrucciStaff
+  \alias Staff
+  \denies Voice
+  \defaultchild PetrucciVoice
+  \accepts PetrucciVoice
+  \description "Same as @code{Staff} context, except that it is
+accommodated for typesetting a piece in Petrucci style."
+
+  \consists Custos_engraver
+  \consists Signum_repetitionis_engraver
+
+  %% Eliminate measure bar lines and allow line breaks anywhere.
+  forbidBreakBetweenBarLines = ##f
+  measureBarType = #'()
+
+  %% Both single and double bar lines appear at section breaks in
+  %% Harmonice Musices Odhecaton.  It is not clear that there is any
+  %% semantic difference.  Likewise, there does not seem to be any
+  %% difference between section and final double bar lines.  The line
+  %% thickness does vary noticeably throughout (even between lines of
+  %% the same double bar) and we use that as an excuse to preserve our
+  %% modern distinctions in these defaults.
+  sectionBarType = "||"
+  fineBarType = "|."
+
+  %% Harmonice Musices Odhecaton has notation for repeated sections.
+  %%
+  %% See "Bergerette savoyene" (f. 12v-13r) for an example of a repeat
+  %% to the beginning of the piece.  As in modern notation, there is
+  %% no bar line at the beginning.
+  %%
+  %% See the tenor part of "Amours amours amours" (f. 25v) for (maybe)
+  %% a repeat back to a previous double bar line which is at the end
+  %% of a line.  That is why we leave start-repeat double bar lines
+  %% with the visibility of a modern double bar line rather than make
+  %% them visible at the beginning of the line.
+  %%
+  %% See "Le corps" (f. 72v-73r) for an example of the repeat sign
+  %% appearing along with the final double bar line.  That is why we
+  %% have implemented the repeat sign as its own grob.
+  doubleRepeatBarType = #'()
+  endRepeatBarType = #'()
+  startRepeatBarType = "||"
+  underlyingRepeatBarType = #'()
+
+  %% Match BarLine.hair-thickness to stems:
+  %% BarLine.hair-thickness = Stem.thickness * StaffSymbol.thickness
+  %% Set kern and thick-thickness relatively, based on scans.
+  \override BarLine.hair-thickness = #2.21
+  \override BarLine.kern = #2.9
+  \override BarLine.thick-thickness = #2.9
+
+  %% In Harmonice Musices Odhecaton, double bar lines extend about
+  %% half a staff space from the top and bottom bar lines, and single
+  %% bar lines seem to extend about a space.  We lack the
+  %% infrastructure to do both.
+  \override BarLine.bar-extent = #'(-2.5 . 2.5)
+  %% Because the ends will be visible, round the corners.
+  \override BarLine.rounded = ##t
+
+  %% same settings for SignumRepetitionis (repeat sign) as for BarLine
+  \override SignumRepetitionis.hair-thickness = #2.21
+  \override SignumRepetitionis.kern = #2.9
+  \override SignumRepetitionis.thick-thickness = #2.9
+  \override SignumRepetitionis.bar-extent = #'(-2.5 . 2.5)
+  \override SignumRepetitionis.rounded = ##t
+
+  \override StaffSymbol.thickness = #1.3
+
+  %% Choose Petrucci g clef on 2nd line as default.
+  clefGlyph = "clefs.petrucci.g"
+  middleCClefPosition = #-6
+  middleCPosition = #-6
+  clefPosition = #-2
+  clefTransposition = #0
+
+  \override Custos.style = #'mensural
+  \override Custos.neutral-position = #3
+  \override Custos.neutral-direction = #DOWN
+
+  %% Accidentals are valid only once (if the following note is different)
+  extraNatural = ##f
+  autoAccidentals = #`(Staff ,(make-accidental-rule 'same-octave 0)
+                             ,neo-modern-accidental-rule)
+  autoCautionaries = #'()
+  printKeyCancellation = ##f
+}
+
+\context {
+  \Voice
+  \name KievanVoice
+  \alias Voice
+  \description "Same as @code{Voice} context, except that it is
+accommodated for typesetting a piece in Kievan style."
+
+  \remove Ligature_bracket_engraver
+  \consists Kievan_ligature_engraver
+
+  %% Set glyph styles.
+  \override NoteHead.style = #'kievan
+  \override Stem.X-offset = #stem::kievan-offset-callback
+  \override Stem.stencil = ##f
+  \override Flag.stencil = ##f
+  \override Rest.style = #'mensural
+  alterationGlyphs = #alteration-kievan-glyph-name-alist
+  \override Dots.style = #'kievan
+  \override Slur.stencil = ##f
+  \override Stem.length = #0.0
+  \override Beam.positions = #beam::get-kievan-positions
+  \override Beam.quantized-positions = #beam::get-kievan-quantized-positions
+  \override NoteHead.duration-log = #note-head::calc-kievan-duration-log
+
+  %% There are beams in Kievan notation, but they are invoked manually
+  autoBeaming = ##f
+}
+
+\context {
+  \Staff
+  \name KievanStaff
+  \alias Staff
+  \denies Voice
+  \defaultchild KievanVoice
+  \accepts KievanVoice
+  \description "Same as @code{Staff} context, except that it is
+accommodated for typesetting a piece in Kievan style."
+
+  \remove Time_signature_engraver
+
+  %% Sample: Обиход нотного пения употребительных церковных роспевов.
+  %% http://seminaria.ru/toporiki
+
+  %% Eliminate measure bar lines and allow line breaks anywhere.
+  forbidBreakBetweenBarLines = ##f
+  measureBarType = #'()
+
+  %% A single bar line delimits phrases.  A width of about 3x the
+  %% staff line makes it hard to decide whether to use a thinner thick
+  %% bar or a thicker thin bar.  The decision is "." to avoid
+  %% thickening other bar types that might be used editorially.
+  %%
+  %% Preserving articulations on \caesura is a conscious choice, but
+  %% is not carefully considered.  They should possibly be stripped.
+  caesuraType = #'((bar-line . "."))
+  \override BarLine.thick-thickness = 3
+
+  %% The "k" bar is consistently used as a final bar line, but is
+  %% sometimes used in mid line, seemingly between sections.
+  sectionBarType = "k"
+  fineBarType = "k"
+
+  %% I see no obvious notation for repeated sections, so I have used
+  %% the section bar for them. [DE]
+  doubleRepeatBarType = "k"
+  endRepeatBarType = "k"
+  startRepeatBarType = "k"
+  underlyingRepeatBarType = "k"
+
+  %% Choose Kievan tsefaut clef
+  clefGlyph = "clefs.kievan.do"
+  middleCClefPosition = #0
+  middleCPosition = #0
+  clefPosition = #0
+  clefTransposition = #0
+
+  %% Accidentals are valid only once (if the following note is different)
+  extraNatural = ##f
+  autoAccidentals = #`(Staff ,(make-accidental-rule 'same-octave 0)
+                             ,neo-modern-accidental-rule)
+  autoCautionaries = #'()
+  printKeyCancellation = ##f
+}
+
+\context {
+  \Score
+  \name StandaloneRhythmScore
+  \description "A @code{Score}-level context for use by
+@code{\\markup \\rhythm}."
+  \alias Score
+  %% We want to avoid a notion of a measure in \markup \rhythm.  For
+  %% example, it can be used to notate 8 8 = \tuplet 3/2 { 4 8 },
+  %% (swing indication), and this doesn't mean anything on the time
+  %% signature of the score itself.  By design, beaming is manual
+  %% within \rhythm.
+  \cadenzaOn
+  \accepts StandaloneRhythmStaff
+  \defaultchild StandaloneRhythmStaff
+  %% Ensure consistent horizontal spacing across \rhythm snippets,
+  %% which is particularly needed for the typical "Swing" indications.
+  \override SpacingSpanner.common-shortest-duration =
+    #(ly:make-moment 1/10)
+}
+
+\context {
+  \RhythmicStaff
+  \name StandaloneRhythmStaff
+  \description "A @code{Staff}-level context for use by
+@code{\\markup \\rhythm}."
+  \alias Staff
+  \accepts StandaloneRhythmVoice
+  \defaultchild StandaloneRhythmVoice
+  \remove Time_signature_engraver
+  \override StaffSymbol.line-count = 0
+  %% The squashed position is 1, i.e. c'', so that the bottom of the
+  %% note heads is exactly on the baseline.
+  squashedPosition = 1
+}
+
+\context {
+  \Voice
+  \name StandaloneRhythmVoice
+  \description "A @code{Voice}-level context for use by
+@code{\\markup \\rhythm}."
+  \alias Voice
+  %% Force direction of stems, since they would be down by default
+  %% for c''.
+  \stemUp
+}