@torrent-tv/proxy 2.87.10 → 2.87.11

package/services/encode/output/playlists.js

@@ -1,284 +1,284 @@
-/**
- * @file What an output tells a player it consists of.
- *
- * Two texts and one lookup, and all three are statements about a TIMELINE — how
- * the file is cut, and which of the file's heights and soundtracks are being
- * published beside it. None of them is about a session, a viewer, an encoder or
- * a disk, which is why they live here: the manager resolved a session, walked
- * the live outputs and then also wrote HLS by hand, so the format of a playlist
- * was a private detail of an eleven-thousand-line class.
- *
- * Every input is passed in. This layer reads no file, holds no state, and knows
- * nothing of the classes above it.
- */
-
-// Where a rung and a soundtrack live under a session's own address. The player
-// only ever sees them joined to it, so they are written once, here, beside the
-// lines that use them.
-const VARIANT_PATH_PREFIX = "v";
-const AUDIO_PATH_PREFIX = "a";
-
-// One group for every soundtrack of one picture: a rendition group is what
-// makes changing language the player's own switch instead of this proxy
-// rebuilding the session with another track number.
-const AUDIO_GROUP_ID = "aud";
-
-// ISO 639-2 codes as ffmpeg reports them, against the RFC 5646 tags HLS asks
-// for. Only the languages this serves in practice; anything else is passed
-// through, which is what players other than iOS accept anyway.
-const LANGUAGE_TAGS = new Map([
-  ["rus", "ru"], ["eng", "en"], ["ukr", "uk"], ["deu", "de"], ["ger", "de"],
-  ["fra", "fr"], ["fre", "fr"], ["spa", "es"], ["ita", "it"], ["jpn", "ja"],
-  ["kor", "ko"], ["zho", "zh"], ["chi", "zh"], ["pol", "pl"], ["por", "pt"],
-  ["tur", "tr"], ["ces", "cs"], ["cze", "cs"], ["nld", "nl"], ["dut", "nl"]
-]);
-
-/** The name ffmpeg writes its own playlist to, and the name that is served. */
-export const PLAYLIST_FILE_NAME = "index.m3u8";
-
-/**
- * The RFC 5646 tag for a language ffmpeg named, or the name unchanged.
- *
- * @param {string} language
- * @returns {string}
- */
-export function languageTag(language) {
-  const code = String(language ?? "").toLowerCase();
-  return LANGUAGE_TAGS.get(code) ?? code;
-}
-
-/**
- * Quote a value for an HLS attribute list.
- *
- * The quote would end the attribute early; a line break would end the LINE,
- * splitting one `#EXT-X-MEDIA` into two and corrupting the master. Both come
- * from the file's own metadata, which is not ours to trust.
- *
- * @param {string} value
- * @returns {string}
- */
-export function escapeAttribute(value) {
-  return String(value ?? "").replace(/"/g, "'").replace(/[\u0000-\u001f\u007f]/g, " ").trim();
-}
-
-// The smallest rate the HLS specification tolerates in a `BANDWIDTH` attribute.
-// It is a floor on what may be DECLARED, not a belief about any content: a file
-// whose rate is not yet known is described by it, and so is a variant so small
-// that the arithmetic below would go under it.
-const MINIMUM_DECLARED_BITS_PER_SECOND = 400_000;
-
-/**
- * How many bits of film there are per second of playback, for one height.
- *
- * MEASURED, and the measurement is available before anything is encoded. The
- * comment here used to say the opposite — "a measurement we do not have before
- * encoding starts" — and gave `height * height * 3.2` instead, which for 1080
- * is 3 732 480. Field 2026-09-08: that was declared for a file carrying
- * 18.4 Mbit/s, five times more, and the arithmetic that reads it is not
- * cosmetic.
- *
- * **What reads it.** The browser sizes its cushion in BYTES from this figure
- * times the seconds it is asked to hold, so a figure five times low makes the
- * cushion five times shallow: 120 s asked bought 56 MB, which is 26 s of that
- * film, and the deepest the browser ever held was 17.1 s. And hls.js compares
- * it against its own estimate of the link to decide a level is unplayable —
- * which is why an inflated figure is not the answer either: its own recovery
- * then moves level, and that path does not honour our pinning (measured, 2.59.3).
- *
- * **Where the figure comes from.** Two cases, both exact:
- *
- * - a height that is COPIED carries the source's own bits, so it is the file's
- *   length over its duration;
- * - a height that is RE-ENCODED carries what the encoder is capped at, which we
- *   impose ourselves.
- *
- * The specification wants the PEAK per segment in `BANDWIDTH` and the average
- * in `AVERAGE-BANDWIDTH`; both are emitted, and the peak is scaled from the
- * average by the ratio the largest produced segment has actually shown — never
- * a chosen multiplier, and equal to the average until a segment exists.
- *
- * @param {object} params
- * @param {number} params.averageBitsPerSecond - The film's own rate, measured.
- * @param {number} params.height
- * @param {number} params.sourceHeight
- * @param {number} [params.capKbps] - What a re-encoded height is capped at.
- * @returns {number}
- */
-export function bitrateFor({ averageBitsPerSecond, height, sourceHeight, capKbps = 0 }) {
-  // ONE EXPRESSION, and each term is a measured quantity or the absence of one
-  // written as the identity of its operation. There is no case analysis here
-  // because there are no cases: the rate a variant carries is what the source
-  // carries, shrunk by how much less picture there is, and never more than what
-  // we cap the encoder at.
-  //
-  //  - what the source carries: `length * 8 / duration`, exact. Unknown is 0,
-  //    and 0 falls to the floor below, which is what "not measured" means;
-  //  - how much less picture: the ratio of pixel counts, and never above 1 —
-  //    a variant at or above the source's height carries the source's bits.
-  //    The pixel count is the one term of the relation that is a fact rather
-  //    than an opinion about the encoder, and it errs HIGH for a small height,
-  //    which is the safe direction: the cushion is sized generously and the
-  //    player does not conclude the level is beyond its link;
-  //  - what we cap it at: exact where we impose one, and `Infinity` where we
-  //    do not, which is the identity of `min` and so states "no cap" without a
-  //    branch;
-  //  - the floor: the smallest figure the specification tolerates, and the
-  //    identity of `max`.
-  const measured = Number(averageBitsPerSecond) > 0 ? Number(averageBitsPerSecond) : 0;
-  const shrink = height > 0 && sourceHeight > 0
-    ? Math.min(1, (height * height) / (sourceHeight * sourceHeight))
-    : 1;
-  const cap = capKbps > 0 ? capKbps * 1000 : Number.POSITIVE_INFINITY;
-  return Math.round(Math.max(MINIMUM_DECLARED_BITS_PER_SECOND, Math.min(measured * shrink, cap)));
-}
-
-/**
- * The media playlist: the whole film, as a VOD list of segments that mostly do
- * not exist yet.
- *
- * Synthetic and complete by design — every segment listed and `#EXT-X-ENDLIST`
- * at the end — so the player knows the length and can seek at once. An `event`
- * playlist gives neither, which is the bug this replaced.
- *
- * @param {{ boundaries: number[], segmentFormat: { playlistVersion: number, playlistHeaderLines: () => string[], segmentFileName: (index: number) => string } }} params
- * @returns {string}
- */
-export function mediaPlaylistText({ boundaries, segmentFormat }) {
-  const count = Math.max(0, boundaries.length - 1);
-  let maxDuration = 0;
-  for (let index = 0; index < count; index += 1) {
-    const duration = Math.max(0.1, boundaries[index + 1] - boundaries[index]);
-    if (duration > maxDuration) {
-      maxDuration = duration;
-    }
-  }
-  const lines = [
-    "#EXTM3U",
-    // The container decides the minimum version (fMP4 + `#EXT-X-MAP` needs 7,
-    // MPEG-TS is fine at 3).
-    `#EXT-X-VERSION:${segmentFormat.playlistVersion}`,
-    `#EXT-X-TARGETDURATION:${Math.ceil(maxDuration)}`,
-    "#EXT-X-MEDIA-SEQUENCE:0",
-    "#EXT-X-PLAYLIST-TYPE:VOD",
-    "#EXT-X-INDEPENDENT-SEGMENTS",
-    // Container-specific header lines (e.g. fMP4's `#EXT-X-MAP`).
-    ...segmentFormat.playlistHeaderLines()
-  ];
-  for (let index = 0; index < count; index += 1) {
-    const duration = Math.max(0.1, boundaries[index + 1] - boundaries[index]);
-    lines.push(`#EXTINF:${duration.toFixed(6)},`);
-    lines.push(segmentFormat.segmentFileName(index));
-  }
-  lines.push("#EXT-X-ENDLIST");
-  return `${lines.join("\n")}\n`;
-}
-
-/**
- * The master playlist: the heights a player may switch between, and the
- * soundtracks published beside them.
- *
- * The soundtracks are published once for the whole file rather than muxed into
- * every rung. Two things follow: the same track is not encoded once per rung on
- * a host that struggles to encode it once, and changing track becomes the
- * player switching rendition instead of this proxy rebuilding the session.
- *
- * Which rendition is marked DEFAULT is decided by the caller, per VIEWER: one
- * picture is shared by everyone watching it and each of them may have chosen a
- * different language, so a default taken from the session's own field would
- * start the second viewer in the first viewer's language.
- *
- * @param {{
- *   playlistVersion: number,
- *   heights: number[],
- *   sourceWidth: number,
- *   sourceHeight: number,
- *   renditions?: Array<{ trackIndex: number, name: string, language: string, isDefault: boolean }>,
- *   playlistFileName: string,
- *   averageBitsPerSecond?: number,
- *   peakOverAverage?: number,
- *   capKbpsFor?: (height: number) => number
- * }} params
- * @returns {string}
- */
-export function masterPlaylistText({
-  playlistVersion,
-  heights,
-  sourceWidth,
-  sourceHeight,
-  renditions = [],
-  playlistFileName,
-  averageBitsPerSecond = 0,
-  peakOverAverage = 1,
-  capKbpsFor = () => 0
-}) {
-  const lines = ["#EXTM3U", `#EXT-X-VERSION:${playlistVersion}`];
-  const audioGroup = renditions.length > 0 ? AUDIO_GROUP_ID : "";
-  for (const rendition of renditions) {
-    lines.push(
-      `#EXT-X-MEDIA:TYPE=AUDIO,GROUP-ID="${audioGroup}",NAME="${escapeAttribute(rendition.name)}"` +
-      (rendition.language ? `,LANGUAGE="${escapeAttribute(languageTag(rendition.language))}"` : "") +
-      `,AUTOSELECT=YES,DEFAULT=${rendition.isDefault ? "YES" : "NO"}` +
-      `,URI="${AUDIO_PATH_PREFIX}/${rendition.trackIndex}/${playlistFileName}"`
-    );
-  }
-  for (const height of heights) {
-    const width = sourceHeight > 0 && sourceWidth > 0
-      ? Math.round((sourceWidth / sourceHeight) * height / 2) * 2
-      : 0;
-    const average = bitrateFor({
-      averageBitsPerSecond,
-      height,
-      sourceHeight,
-      capKbps: capKbpsFor(height)
-    });
-    // BOTH, because they answer different questions and the specification has a
-    // name for each: the peak is what a link must carry at the worst moment,
-    // the average is what the whole variant costs. hls.js sizes its byte budget
-    // from BANDWIDTH, so the peak is what stops the cushion being sized for a
-    // quiet stretch and running dry on a loud one — measured on the field file,
-    // 17.1 Mbit/s median against 73 Mbit/s at its peak.
-    const peak = Math.round(average * Math.max(1, peakOverAverage));
-    lines.push(
-      `#EXT-X-STREAM-INF:BANDWIDTH=${peak},AVERAGE-BANDWIDTH=${average}` +
-      (width > 0 ? `,RESOLUTION=${width}x${height}` : "") +
-      (audioGroup ? `,AUDIO="${audioGroup}"` : "")
-    );
-    lines.push(`${VARIANT_PATH_PREFIX}/${height}/${playlistFileName}`);
-  }
-  return `${lines.join("\n")}\n`;
-}
-
-/**
- * The segment whose span contains `seconds`, by a boundary table.
- *
- * The table to pass is the one the PLAYER holds: the time being resolved came
- * from the playlist the player was given, so the index it means is the index
- * that playlist gives it. Falls back to an even grid of `segmentDurationSec`
- * when there is no table, which is a session with no known duration.
- *
- * @param {number[]} boundaries
- * @param {number} seconds
- * @param {number} segmentDurationSec
- * @returns {number}
- */
-export function segmentIndexForTime(boundaries, seconds, segmentDurationSec) {
-  if (!Array.isArray(boundaries) || boundaries.length < 2) {
-    return Math.max(0, Math.floor(seconds / segmentDurationSec));
-  }
-  // boundaries is sorted ascending; find the last boundary <= t.
-  let lo = 0;
-  let hi = boundaries.length - 1;
-  let result = 0;
-  while (lo <= hi) {
-    const mid = (lo + hi) >> 1;
-    if (boundaries[mid] <= seconds) {
-      result = mid;
-      lo = mid + 1;
-    } else {
-      hi = mid - 1;
-    }
-  }
-  return Math.min(result, boundaries.length - 2);
-}
-
-export { AUDIO_GROUP_ID, AUDIO_PATH_PREFIX, VARIANT_PATH_PREFIX };
+/**
+ * @file What an output tells a player it consists of.
+ *
+ * Two texts and one lookup, and all three are statements about a TIMELINE — how
+ * the file is cut, and which of the file's heights and soundtracks are being
+ * published beside it. None of them is about a session, a viewer, an encoder or
+ * a disk, which is why they live here: the manager resolved a session, walked
+ * the live outputs and then also wrote HLS by hand, so the format of a playlist
+ * was a private detail of an eleven-thousand-line class.
+ *
+ * Every input is passed in. This layer reads no file, holds no state, and knows
+ * nothing of the classes above it.
+ */
+
+// Where a rung and a soundtrack live under a session's own address. The player
+// only ever sees them joined to it, so they are written once, here, beside the
+// lines that use them.
+const VARIANT_PATH_PREFIX = "v";
+const AUDIO_PATH_PREFIX = "a";
+
+// One group for every soundtrack of one picture: a rendition group is what
+// makes changing language the player's own switch instead of this proxy
+// rebuilding the session with another track number.
+const AUDIO_GROUP_ID = "aud";
+
+// ISO 639-2 codes as ffmpeg reports them, against the RFC 5646 tags HLS asks
+// for. Only the languages this serves in practice; anything else is passed
+// through, which is what players other than iOS accept anyway.
+const LANGUAGE_TAGS = new Map([
+  ["rus", "ru"], ["eng", "en"], ["ukr", "uk"], ["deu", "de"], ["ger", "de"],
+  ["fra", "fr"], ["fre", "fr"], ["spa", "es"], ["ita", "it"], ["jpn", "ja"],
+  ["kor", "ko"], ["zho", "zh"], ["chi", "zh"], ["pol", "pl"], ["por", "pt"],
+  ["tur", "tr"], ["ces", "cs"], ["cze", "cs"], ["nld", "nl"], ["dut", "nl"]
+]);
+
+/** The name ffmpeg writes its own playlist to, and the name that is served. */
+export const PLAYLIST_FILE_NAME = "index.m3u8";
+
+/**
+ * The RFC 5646 tag for a language ffmpeg named, or the name unchanged.
+ *
+ * @param {string} language
+ * @returns {string}
+ */
+export function languageTag(language) {
+  const code = String(language ?? "").toLowerCase();
+  return LANGUAGE_TAGS.get(code) ?? code;
+}
+
+/**
+ * Quote a value for an HLS attribute list.
+ *
+ * The quote would end the attribute early; a line break would end the LINE,
+ * splitting one `#EXT-X-MEDIA` into two and corrupting the master. Both come
+ * from the file's own metadata, which is not ours to trust.
+ *
+ * @param {string} value
+ * @returns {string}
+ */
+export function escapeAttribute(value) {
+  return String(value ?? "").replace(/"/g, "'").replace(/[\u0000-\u001f\u007f]/g, " ").trim();
+}
+
+// The smallest rate the HLS specification tolerates in a `BANDWIDTH` attribute.
+// It is a floor on what may be DECLARED, not a belief about any content: a file
+// whose rate is not yet known is described by it, and so is a variant so small
+// that the arithmetic below would go under it.
+const MINIMUM_DECLARED_BITS_PER_SECOND = 400_000;
+
+/**
+ * How many bits of film there are per second of playback, for one height.
+ *
+ * MEASURED, and the measurement is available before anything is encoded. The
+ * comment here used to say the opposite — "a measurement we do not have before
+ * encoding starts" — and gave `height * height * 3.2` instead, which for 1080
+ * is 3 732 480. Field 2026-09-08: that was declared for a file carrying
+ * 18.4 Mbit/s, five times more, and the arithmetic that reads it is not
+ * cosmetic.
+ *
+ * **What reads it.** The browser sizes its cushion in BYTES from this figure
+ * times the seconds it is asked to hold, so a figure five times low makes the
+ * cushion five times shallow: 120 s asked bought 56 MB, which is 26 s of that
+ * film, and the deepest the browser ever held was 17.1 s. And hls.js compares
+ * it against its own estimate of the link to decide a level is unplayable —
+ * which is why an inflated figure is not the answer either: its own recovery
+ * then moves level, and that path does not honour our pinning (measured, 2.59.3).
+ *
+ * **Where the figure comes from.** Two cases, both exact:
+ *
+ * - a height that is COPIED carries the source's own bits, so it is the file's
+ *   length over its duration;
+ * - a height that is RE-ENCODED carries what the encoder is capped at, which we
+ *   impose ourselves.
+ *
+ * The specification wants the PEAK per segment in `BANDWIDTH` and the average
+ * in `AVERAGE-BANDWIDTH`; both are emitted, and the peak is scaled from the
+ * average by the ratio the largest produced segment has actually shown — never
+ * a chosen multiplier, and equal to the average until a segment exists.
+ *
+ * @param {object} params
+ * @param {number} params.averageBitsPerSecond - The film's own rate, measured.
+ * @param {number} params.height
+ * @param {number} params.sourceHeight
+ * @param {number} [params.capKbps] - What a re-encoded height is capped at.
+ * @returns {number}
+ */
+export function bitrateFor({ averageBitsPerSecond, height, sourceHeight, capKbps = 0 }) {
+  // ONE EXPRESSION, and each term is a measured quantity or the absence of one
+  // written as the identity of its operation. There is no case analysis here
+  // because there are no cases: the rate a variant carries is what the source
+  // carries, shrunk by how much less picture there is, and never more than what
+  // we cap the encoder at.
+  //
+  //  - what the source carries: `length * 8 / duration`, exact. Unknown is 0,
+  //    and 0 falls to the floor below, which is what "not measured" means;
+  //  - how much less picture: the ratio of pixel counts, and never above 1 —
+  //    a variant at or above the source's height carries the source's bits.
+  //    The pixel count is the one term of the relation that is a fact rather
+  //    than an opinion about the encoder, and it errs HIGH for a small height,
+  //    which is the safe direction: the cushion is sized generously and the
+  //    player does not conclude the level is beyond its link;
+  //  - what we cap it at: exact where we impose one, and `Infinity` where we
+  //    do not, which is the identity of `min` and so states "no cap" without a
+  //    branch;
+  //  - the floor: the smallest figure the specification tolerates, and the
+  //    identity of `max`.
+  const measured = Number(averageBitsPerSecond) > 0 ? Number(averageBitsPerSecond) : 0;
+  const shrink = height > 0 && sourceHeight > 0
+    ? Math.min(1, (height * height) / (sourceHeight * sourceHeight))
+    : 1;
+  const cap = capKbps > 0 ? capKbps * 1000 : Number.POSITIVE_INFINITY;
+  return Math.round(Math.max(MINIMUM_DECLARED_BITS_PER_SECOND, Math.min(measured * shrink, cap)));
+}
+
+/**
+ * The media playlist: the whole film, as a VOD list of segments that mostly do
+ * not exist yet.
+ *
+ * Synthetic and complete by design — every segment listed and `#EXT-X-ENDLIST`
+ * at the end — so the player knows the length and can seek at once. An `event`
+ * playlist gives neither, which is the bug this replaced.
+ *
+ * @param {{ boundaries: number[], segmentFormat: { playlistVersion: number, playlistHeaderLines: () => string[], segmentFileName: (index: number) => string } }} params
+ * @returns {string}
+ */
+export function mediaPlaylistText({ boundaries, segmentFormat }) {
+  const count = Math.max(0, boundaries.length - 1);
+  let maxDuration = 0;
+  for (let index = 0; index < count; index += 1) {
+    const duration = Math.max(0.1, boundaries[index + 1] - boundaries[index]);
+    if (duration > maxDuration) {
+      maxDuration = duration;
+    }
+  }
+  const lines = [
+    "#EXTM3U",
+    // The container decides the minimum version (fMP4 + `#EXT-X-MAP` needs 7,
+    // MPEG-TS is fine at 3).
+    `#EXT-X-VERSION:${segmentFormat.playlistVersion}`,
+    `#EXT-X-TARGETDURATION:${Math.ceil(maxDuration)}`,
+    "#EXT-X-MEDIA-SEQUENCE:0",
+    "#EXT-X-PLAYLIST-TYPE:VOD",
+    "#EXT-X-INDEPENDENT-SEGMENTS",
+    // Container-specific header lines (e.g. fMP4's `#EXT-X-MAP`).
+    ...segmentFormat.playlistHeaderLines()
+  ];
+  for (let index = 0; index < count; index += 1) {
+    const duration = Math.max(0.1, boundaries[index + 1] - boundaries[index]);
+    lines.push(`#EXTINF:${duration.toFixed(6)},`);
+    lines.push(segmentFormat.segmentFileName(index));
+  }
+  lines.push("#EXT-X-ENDLIST");
+  return `${lines.join("\n")}\n`;
+}
+
+/**
+ * The master playlist: the heights a player may switch between, and the
+ * soundtracks published beside them.
+ *
+ * The soundtracks are published once for the whole file rather than muxed into
+ * every rung. Two things follow: the same track is not encoded once per rung on
+ * a host that struggles to encode it once, and changing track becomes the
+ * player switching rendition instead of this proxy rebuilding the session.
+ *
+ * Which rendition is marked DEFAULT is decided by the caller, per VIEWER: one
+ * picture is shared by everyone watching it and each of them may have chosen a
+ * different language, so a default taken from the session's own field would
+ * start the second viewer in the first viewer's language.
+ *
+ * @param {{
+ *   playlistVersion: number,
+ *   heights: number[],
+ *   sourceWidth: number,
+ *   sourceHeight: number,
+ *   renditions?: Array<{ trackIndex: number, name: string, language: string, isDefault: boolean }>,
+ *   playlistFileName: string,
+ *   averageBitsPerSecond?: number,
+ *   peakOverAverage?: number,
+ *   capKbpsFor?: (height: number) => number
+ * }} params
+ * @returns {string}
+ */
+export function masterPlaylistText({
+  playlistVersion,
+  heights,
+  sourceWidth,
+  sourceHeight,
+  renditions = [],
+  playlistFileName,
+  averageBitsPerSecond = 0,
+  peakOverAverage = 1,
+  capKbpsFor = () => 0
+}) {
+  const lines = ["#EXTM3U", `#EXT-X-VERSION:${playlistVersion}`];
+  const audioGroup = renditions.length > 0 ? AUDIO_GROUP_ID : "";
+  for (const rendition of renditions) {
+    lines.push(
+      `#EXT-X-MEDIA:TYPE=AUDIO,GROUP-ID="${audioGroup}",NAME="${escapeAttribute(rendition.name)}"` +
+      (rendition.language ? `,LANGUAGE="${escapeAttribute(languageTag(rendition.language))}"` : "") +
+      `,AUTOSELECT=YES,DEFAULT=${rendition.isDefault ? "YES" : "NO"}` +
+      `,URI="${AUDIO_PATH_PREFIX}/${rendition.trackIndex}/${playlistFileName}"`
+    );
+  }
+  for (const height of heights) {
+    const width = sourceHeight > 0 && sourceWidth > 0
+      ? Math.round((sourceWidth / sourceHeight) * height / 2) * 2
+      : 0;
+    const average = bitrateFor({
+      averageBitsPerSecond,
+      height,
+      sourceHeight,
+      capKbps: capKbpsFor(height)
+    });
+    // BOTH, because they answer different questions and the specification has a
+    // name for each: the peak is what a link must carry at the worst moment,
+    // the average is what the whole variant costs. hls.js sizes its byte budget
+    // from BANDWIDTH, so the peak is what stops the cushion being sized for a
+    // quiet stretch and running dry on a loud one — measured on the field file,
+    // 17.1 Mbit/s median against 73 Mbit/s at its peak.
+    const peak = Math.round(average * Math.max(1, peakOverAverage));
+    lines.push(
+      `#EXT-X-STREAM-INF:BANDWIDTH=${peak},AVERAGE-BANDWIDTH=${average}` +
+      (width > 0 ? `,RESOLUTION=${width}x${height}` : "") +
+      (audioGroup ? `,AUDIO="${audioGroup}"` : "")
+    );
+    lines.push(`${VARIANT_PATH_PREFIX}/${height}/${playlistFileName}`);
+  }
+  return `${lines.join("\n")}\n`;
+}
+
+/**
+ * The segment whose span contains `seconds`, by a boundary table.
+ *
+ * The table to pass is the one the PLAYER holds: the time being resolved came
+ * from the playlist the player was given, so the index it means is the index
+ * that playlist gives it. Falls back to an even grid of `segmentDurationSec`
+ * when there is no table, which is a session with no known duration.
+ *
+ * @param {number[]} boundaries
+ * @param {number} seconds
+ * @param {number} segmentDurationSec
+ * @returns {number}
+ */
+export function segmentIndexForTime(boundaries, seconds, segmentDurationSec) {
+  if (!Array.isArray(boundaries) || boundaries.length < 2) {
+    return Math.max(0, Math.floor(seconds / segmentDurationSec));
+  }
+  // boundaries is sorted ascending; find the last boundary <= t.
+  let lo = 0;
+  let hi = boundaries.length - 1;
+  let result = 0;
+  while (lo <= hi) {
+    const mid = (lo + hi) >> 1;
+    if (boundaries[mid] <= seconds) {
+      result = mid;
+      lo = mid + 1;
+    } else {
+      hi = mid - 1;
+    }
+  }
+  return Math.min(result, boundaries.length - 2);
+}
+
+export { AUDIO_GROUP_ID, AUDIO_PATH_PREFIX, VARIANT_PATH_PREFIX };