@mkbabb/glass-ui 5.0.0 → 7.0.0

package/src/styles/tokens/glass-fx.css

@@ -1,484 +0,0 @@
-/* tokens/glass-fx.css
-   §8 glass EFFECT knobs — the grain/specular/edge-light + the adaptive tint-source
-   + backdrop-luma bucket + the decorative fringe/curvature/chart-palette + the
-   per-tier shadow/spine/under-shadow/overlay-scrim recipes.
-   Carved from tokens/glass.css at BB.W-CARVE4 to hold the no-god-module bound (the
-   §8 opacity/blur/saturate LADDER + composed bg/border + the control-REST register
-   stay in glass.css; this is the contiguous decorative/fx tail). @import-ed by
-   tokens.css in cascade order IMMEDIATELY AFTER glass.css — the carve splits the ONE
-   §8 :root block into two adjacent same-selector :root{} blocks at the same cascade
-   slot (the AY.W-CSS1 isomorphism precedent), dist byte-identical. */
-:root {
-    /* Shared decorative. Light grain dropped 0.035 → 0.025 in P.W1.B —
-       at the chassis scale the original alpha read as crawl over the new
-       lower-alpha chassis bg; the grain's role is texture, not reading,
-       so it sits at the perceptual floor. Dark companion drops 0.06 →
-       0.045 below to keep the soft-light blend alive without stippling. */
-    --glass-grain-opacity: 0.025;
-    /* BD.W-PAPER-MORPHISM — the PAPER grain is its OWN register (~3× the glass grain):
-       paper texture is MEANT to READ (the user: "I don't see any paper grain or grit
-       anywhere"), not sit at the glass perceptual floor. ONE token retunes paper grit
-       library-wide WITHOUT coarsening the subtle glass-material grain (the split keeps
-       glass calm + paper tactile). The dark arm (dark-arm.css) lifts it for soft-light. */
-    /* BD.W-PAPER-MORPHISM — re-calibrated to the JND floor for the CORRECTED coarse
-       tooth + multiply blend (std ≥ 4.5 light, the no-squint floor): multiply on the
-       cream pole is GENTLE so it needs MORE alpha. The prior 0.08 rode a blend
-       (overlay) that was mathematically incapable of moving a near-white pixel.
-       BG.W-PAPER-GRAIN-OPTIN — the universal grain plane is RETIRED (the shell field
-       is the recessive aurora; grain is now PER-SURFACE opt-in). The opt-in alpha is
-       nudged sub-JND (0.22 → 0.21) for the per-surface register — barely perceptible,
-       so opt-in cards/panels read tactile-but-calm without the full-page wash. */
-    --paper-grain-opacity: 0.21;
-    /* BB.W-LIQUIDHOVER — the grain ENGAGE clock: a hover/active grain lift cross-fades
-       the grain `::after` OPACITY on this thin ~120ms linear write while the
-       `background-image` stays ALWAYS PRESENT (never a none→image swap — the one-frame
-       decode-and-pop, the T8-F6 disco-grain pop); collapses to 0ms under PRM. */
-    --glass-grain-engage-duration: 120ms;
-    /* BA.W-GLASS-CAL — `--glass-grain-opacity-disco` (0.08) DELETED with the disco
-       recipe retirement (H2a): no surviving consumer once `btn-audacious` + the
-       dock-tab primary phase-grain collapse onto the calm glass register. */
-    --glass-highlight: inset 0 0.5px 0 0 hsl(0 0% 100% / 0.25);
-
-    /* Hairline-accent — 0.5px catch-light + under-shadow pair.
-       Single token composes the canonical 2-stop hairline used by dock,
-       instrument-chassis. The `.hairline-accent` utility
-       (utilities.css §hairline) adopts these via `box-shadow:`. */
-    --hairline-catch-light: inset 0 0.5px 0 0 rgb(255 255 255 / 0.06);
-    --hairline-under-shadow: 0 0.5px 0 0 rgb(0 0 0 / 0.04);
-    --border-hairline: var(--hairline-catch-light), var(--hairline-under-shadow);
-
-    /* BC.W-AX-METAL-GLOW — the brand-metal catch-light DEFAULTS (the consumer
-       retune seam). The metal-shimmer family (`.metal-{gold,silver,bronze}`,
-       metal.css) halos the text-clip with a `drop-shadow` of the metal's OWN base
-       hue at this radius + strength — the gold reads as LIT metal, not a flat fill.
-       Shared by the loop sweep AND the one-shot headline (the W-AX-COMPLETION-SEAL
-       seal glint reads `--metal-glow-blur`/`--metal-glow-opacity` — the ≥2-consumer
-       register). The defaults are a soft warm WHISPER bounded by the warm-cream
-       identity — a halo radius proportional to the text (0.5em) at a low strength
-       (0.35), NOT a neon bloom (the §6 calm register; the disco family stays gone).
-       A garish high-opacity glow is the consumer's preset choice, never the default;
-       a consumer who wants NO glow sets `--metal-glow-opacity: 0`. */
-    --metal-glow-blur-default: 0.5em;
-    --metal-glow-opacity-default: 0.35;
-
-    /* Specular catch-light — 1.5px-tall top-edge highlight that swaps in for
-       --glass-highlight on interactive moments (e.g. primary-action hover).
-       Reads as a real catch-light on a curved surface. The `-dark` companion
-       is overridden inside `.dark`; the named token here is the explicit
-       handle consumers can reference to compose dark-aware layers. */
-    --glass-specular: inset 0 1.5px 0 0 hsl(0 0% 100% / 0.45);
-    --glass-specular-dark: inset 0 1.5px 0 0 hsl(0 0% 100% / 0.30);
-
-    /* AV.W15 M3 — Full-perimeter rim light (the "rim that defines the
-       silhouette", WWDC25 sess. 219). Distinct from the top-only
-       `--glass-highlight` (a 0.5px top-edge catch-light): this is a 0.75px
-       inset ring around the WHOLE silhouette, four edges, reading as the
-       catch-light that wraps the glass plate the way iOS-26 Liquid Glass
-       carries a rim, not just a top highlight. Composed as a SECOND inset
-       box-shadow layer alongside `--glass-highlight` on the floating/dock
-       tiers (glass.css wires it). The alpha is deliberately low (0.18 light
-       / 0.10 dark) — the rim is decoration and must not eat AA legibility
-       over a busy backdrop; it sits below the perceptual reading threshold
-       on text. The `-dark` companion is overridden inside `.dark` mirroring
-       the `--glass-specular-dark` precedent. */
-    --glass-edge-light:      inset 0 0 0 0.75px hsl(0 0% 100% / 0.18);
-
-    /* BC.W-BLACK-BAR D2 — the DIRECTIONAL rim register (the iOS-27 glass-thickness
-       physics: light catch-light rims the TOP, a faint warm shadow grounds the
-       BOTTOM, so the plate reads as a physical pane lifted off the page — NEVER a
-       dark full-perimeter ink hairline). This RETIRES the load-bearing dark-rim role
-       of the per-rung `--glass-border-*` (now ≤5% α, glass.css): the silhouette is
-       carved by these two stops, not by the perimeter ink.
-         --glass-rim-top: the BRIGHT catch-light on the top edge (the kevinbism
-           `inset 0 1px white` motif; 0.30 α = apple-ios27.md §1.3 community value
-           rgba(255,255,255,0.3)). Subsumes the old omnidirectional white rim RING.
-         --glass-rim-bottom: the FAINT warm under-shadow grounding the plate (the
-           warm-ink that used to ring the whole perimeter, now only the bottom, at a
-           whisper 6% — riding --foreground so it stays warm-not-grey, BA.W-NO-GRAY).
-       Plain per-mode arms — NEVER an inset fragment inside light-dark() (the dark arm
-       re-declares both in dark-arm.css; light-dark() round an inset computes the WHOLE
-       box-shadow to none). The dark arm lifts the top to 0.40 (dark glass glows where
-       light passes) + keeps the bottom under-shadow at 6%. */
-    /* BD.W-GLASS-KEY-EDGE — the cel KEYSTONE. ONE light vector (the 1940s cel
-       upper-right key) drives WHICH edge of the existing two-stop directional rim
-       reads LIT vs SHADE, in lockstep with the shipped `.shadow-cartoon-*` down-LEFT
-       cast (shadow.css `-Npx Npx` → key upper-right). The key is expressed NOT as a
-       `-58deg` angle with sign-inverted cos()/sin() trig (the glass-material sign
-       trap — banned here), but as two PLAIN per-axis sign tokens the rim stops read
-       directly: the LIT catch wraps the key-facing edges (top + right), the SHADE
-       under-shadow grounds the opposite edges (bottom + left). A consumer re-points
-       `--glass-key-lit-x`/`--glass-key-lit-y` to move the key (e.g. upper-LEFT →
-       `1px`/`1px`) and the rim re-reads off it with ZERO new layer, ZERO new conic,
-       ZERO new DOM node. The key's SIGN tokens below are the wired form (the
-       upper-right keystone). */
-    --glass-key-lit-x: -1px; /* the lit catch sits on the RIGHT edge (key-facing) */
-    --glass-key-lit-y: 1px; /* …and the TOP edge — the upper-right key */
-    --glass-key-shade-x: 1px; /* the under-shadow grounds the LEFT edge */
-    --glass-key-shade-y: -1px; /* …and the BOTTOM edge — opposite the key */
-    /* BI.W-SURFACE-EXTRACT / atlas GU-1 · O-E2 — the `--glass-key-direction`
-       under-shadow KEY-LIGHT LEAN. The two-stop rim (above) SELECTS which edge is lit
-       vs shade (edge-select px tokens); this is the DISTINCT cast-RATIO knob for the
-       non-inset under-shadow FILL family (the 3 tiers below), which historically cast
-       STRAIGHT DOWN (X = 0). ONE write leans the whole under-shadow register
-       library-wide (the 3 tiers + the dock-wrap vivid consumer all read it). It is a
-       RATIO (unitless), multiplied into each tier's Y magnitude to give the X:
-       -0.375 = tan 20.56° down-LEFT is the cel-coherent FILL lean atlas sets (cel cast
-       = 45° KEY, under-shadow = 20.56° FILL — one light). The LIBRARY DEFAULT is `0`
-       (straight-down) so the shipped under-shadow is byte-identical (the
-       BI.W-SURFACE-EXTRACT refactor-not-repaint π holds); atlas / a future identity
-       wave sets `-0.375` via this ONE token (presets-in-consumers). The spine rung is
-       INTENTIONALLY-OMNIDIRECTIONAL (an edge-thickness cue, not a cast) — left unleaned. */
-    --glass-key-direction: 0;
-    /* BC.W-BLACK-BAR D2 + BD.W-GLASS-KEY-EDGE — the two-stop directional rim, now
-       KEY-DRIVEN: the bright catch-light `--glass-rim-top` rides the lit (key-facing)
-       edges, the faint warm under-shadow `--glass-rim-bottom` rides the shade edges.
-       Which edge each lands on is `--glass-key-{lit,shade}-{x,y}` so the rim and the
-       cartoon cast AGREE on one light source (the cel coherence). At the default
-       upper-right key these resolve byte-compatibly to the shipped top-lit/bottom-shade
-       silhouette (top catch + bottom under-shadow) PLUS the key-facing side stops, so
-       the lit edge reads as a real lit pane corner, not a flat omnidirectional halo.
-       The accent (BB.W-GLASS-ACCENT) still mixes onto the lit ink in rim.css — at 0%
-       strength byte-identical. Plain per-mode arms — NEVER an inset fragment inside
-       light-dark() (the dark arm re-declares both in dark-arm.css). */
-    --glass-rim-top:
-        inset 0 var(--glass-key-lit-y) 0 hsl(0 0% 100% / 0.30),
-        inset var(--glass-key-lit-x) 0 0 hsl(0 0% 100% / 0.18);
-    --glass-rim-bottom:
-        inset 0 var(--glass-key-shade-y) 0 color-mix(in srgb, var(--foreground) 6%, transparent),
-        inset var(--glass-key-shade-x) 0 0 color-mix(in srgb, var(--foreground) 4%, transparent);
-    /* BA.W-DARK-MATERIAL scope 2 — the dark edge/rim is the PRIMARY silhouette device in
-       dark. The light register's fill+shadow carry the plate; in dark the fill barely
-       separates (the deep page is near-black), so the EDGE + the transmitted glow carry the
-       silhouette — two registers, one design language. HEAD α 0.10 sits below the reading
-       threshold over the deep canvas; lifted to 0.22 so the rim DEFINES the plate (the
-       WWDC25 "rim that defines the silhouette" device, dialed up for the dark substrate). */
-    --glass-edge-light-dark: inset 0 0 0 0.75px hsl(0 0% 100% / 0.22);
-
-    /* AW.W23 — content-aware adaptive tint (the Baseline-2025 "tint informed by
-       surrounding content" axis, WWDC25 sess. 219). A surface can tint toward a
-       consumer-provided dominant backdrop color via a `color-mix(in oklab, …)`
-       recipe (oklab is the mwg-preferred space for THIS tint generation; NEVER a
-       lightness-shift in `oklch(from …)` in the glass-tint mix). BB.W-DARK-INK-WARM landed `oklch(from var(--foreground) …)` live on the dark `--surface-tint-*` arm.
-
-       DEFAULT is zero delta: `--glass-tint-source` is the warm-white card itself
-       and `--glass-tint-strength` is 0%, so the rung background mixes 0% toward
-       the source = byte-identical to today. A consumer sets `--glass-tint-source`
-       to a sampled aurora hue + a strength ≤30% to bias the surface. Alpha-safe:
-       the mix is bounded ≤30% and never re-points the card's own alpha.
-
-       AX.W55 — the DEFAULTS stay `var(--card)`/`0%` (the zero-delta rest state).
-       The backdrop-luminance probe (`--glass-backdrop`, below) is what OVERRIDES
-       them under a bright backdrop; the `:root` defaults are NEVER touched — the
-       bucket blocks (glass.css / dock.css `@container style(--glass-backdrop:
-       light)`) do the lift, so a surface over today's rich/dark background reads
-       byte-identical. */
-    --glass-tint-source:   var(--card);
-    --glass-tint-strength: 0%;
-
-    /* BD.W-TAB-IOS-CAPSULE — the `.glass-capsule` warm-floor (C6). `--card` itself
-       is too pale to clear the meanChroma ≥ 0.02 floor (its own OKLab chroma is
-       ~0.015), so the capsule composes a SMALL fixed floor toward an explicitly
-       WARM oklch source — a warm cream/amber that carries real chroma. This is the
-       build-trap-(d) safe form (a warm color, never bare `transparent`). At the 16%
-       floor the painted capsule fill clears chroma ≥ 0.02 with negligible L lift
-       (stays near-white). Mode-invariant warm (the oklch reads warm on both the
-       light cream page and the dark canvas — the warm-floor is a property of the
-       LOZENGE, not the page); the floor is INDEPENDENT of the `--glass-tint-strength:
-       0%` adaptive default (which is zero-delta at rest, lifting only under the
-       bright bucket). Both are composed in `.glass-capsule`'s fill. */
-    --glass-capsule-warm: oklch(0.88 0.1 75);
-    --glass-capsule-warm-floor: 16%;
-
-    /* BD.W-TAB-IOS-CAPSULE — the `.glass-capsule-track` recess ink (the iOS-27
-       sunken-well inner-top edge). A PLAIN per-mode pair — this light arm + the dark
-       arm in `tokens/dark-arm.css`. NEVER a `light-dark()` fragment: an inset-shadow
-       leg inside `light-dark()` computes the WHOLE `box-shadow` to `none` (the
-       binding MEMORY lesson) and the recess would silently vanish. Bounded warm ink
-       so it darkens the inner-top edge without re-coloring the warm fill (no gray
-       well). */
-    --tab-track-recess-ink: color-mix(in srgb, var(--foreground) 7%, transparent);
-
-    /* AX.W55 — adaptive glass legibility (the iOS-26/27 "locally darken the glass
-       over light content" move; G2). There is NO web API that reads the pixels
-       painted BEHIND a `backdrop-filter` element, so the backdrop-luminance signal
-       is a DECLARATIVE BUCKET a consumer sets where it KNOWS the backdrop is bright
-       (a near-white card surface, a pale aurora bleed, a bright data grid). It is
-       read by the `@container style(--glass-backdrop: light)` blocks on every glass
-       family (the shipped density-cascade mechanism — utilities.css §density) which
-       lift `--glass-tint-strength` toward the AA floor + re-point `--glass-tint-
-       source` to the warm-ink below, mixing the rung TOWARD ink via the EXISTING
-       `color-mix(in oklab)` seam — ZERO new compositing seam.
-
-         --glass-backdrop:      the bucket. `dark` (or unset) = today's zero-delta;
-                                `light` engages the bright-bucket darken. An
-                                INHERITING ident set on any ancestor reaches every
-                                descendant glass surface (the @container read).
-         --glass-backdrop-luma: the numeric escape hatch — a sampled backdrop
-                                relative-luminance (0..1) a heavier JS observer sets
-                                when the declarative bucket is too coarse. The TOKEN
-                                is minted (the cascade reads it if set); the OBSERVER
-                                that sets it stays demo-private until a 2nd consumer
-                                arrives (the no-overfitting bar — the DEFAULT path is
-                                the declarative bucket, not a speculative sampler).
-                                BG.W-GLASS-SIGNAL-TRUTH (M7) — the band-driver decision
-                                RECONCILED to ONE: the declarative bucket above IS the
-                                BAND driver; the continuous `--glass-backdrop-luma` clamp
-                                (glass/ladder.css) is the DYNAMIC REFINEMENT that engages
-                                WHERE A WRITER FIRES (the dock; a wired band surface). The
-                                ladder.css "clamp retires the bucket as driver" claim was
-                                the contradictory-canon half, now removed — one recorded
-                                text, no double-ownership.
-         --glass-tint-ink:      the LOW-LUMINANCE warm-ink the bright bucket re-points
-                                `--glass-tint-source` to — the warm dark `--foreground`
-                                family (NOT white; a lightener over light content is
-                                exactly the W52-fixed wrong direction). It auto-flips
-                                with `--foreground` (dark-mode it resolves the light
-                                warm ink — but the bright-backdrop case is a light-mode
-                                concern). Overridable like every magnitude here.
-
-       The bright-bucket `--glass-tint-strength` is clamped to a BOUNDED AA-clearing
-       floor — `--glass-tint-strength-aa` (≤24%, the iOS clamp; the lowest value that
-       clears 4.5:1 over synthetic white, capped LOW so the surface STAYS translucent,
-       "let as much content through as possible"). Recorded here as the ceiling the
-       bucket blocks drive to; the live 4.5:1 readback (proof:adaptive-glass π arm)
-       ratifies the exact value. */
-    --glass-backdrop:           dark;
-    --glass-tint-ink:           var(--foreground);
-
-    /* BD.W-DOCK-CORE (D1) — the warm-CHROMATIC dock tint ink (the keystone, RESEARCH-3).
-       The dock self-engage (dock/morph.css) mixes its thin ~0.42-alpha plate toward the
-       near-black `--foreground` (chroma ≈ 0.0062) → it darkens L with chroma DEAD-FLAT (the
-       gray dock the user reports). This dock-SCOPED ink extracts the foreground's warm
-       hue/chroma via `oklch(from …)` (the BB.W-DARK-INK-WARM idiom — NOT a new mechanism),
-       LIFTS the chroma to 0.05 (well above foreground's 0.0062), and DROPS L to 0.42 (the
-       darken anchor). At the bright-bucket AA engage the composited plate yields a WARM
-       material darken (C ≈ 0.016, ~2× HEAD, H ≈ 62°) — never gray. The OUTER mix stays
-       `color-mix(in oklab)` (the glass-tint family, AW.W26 in-srgb fence untouched); this
-       `oklch(from)` is only the INK SOURCE. The GLOBAL `--glass-tint-ink` above is FROZEN
-       (W-DARK-MATERIAL's whole-system register) — this is a NEW dock-scoped token read ONLY
-       by the dock self-engage (file-line-disjoint, no-dual-path). */
-    --glass-tint-ink-dock:      oklch(from var(--foreground) 0.42 0.05 h);
-
-    /* BC.W-ADAPTIVE-RECONCILE — the ONE retune knob for the continuous observer
-       driver. `--glass-backdrop-luma` (the measured sampled relative-luminance the
-       useGlassBackdropLuminance observer WRITES, registered typed in property-regs.css)
-       is now READ on the RHS of the `--glass-tint-strength` clamp (glass/ladder.css +
-       dock/morph.css): below this knee the plate holds the calm warm-cream floor; above
-       it the strength ramps CONTINUOUSLY toward the ≤24% AA ceiling (the iOS-27 dynamic-
-       range shift, apple-ios27.md §1.5 ~0.6 light threshold). The dead-knob is closed —
-       the loop READS. A consumer raising the knee darkens LATER (a brighter backdrop is
-       tolerated before the lift); the ONE override point for the whole adaptive axis. */
-    --glass-backdrop-luma-knee: 0.6;
-    /* AZ.W-ADAPTIVE-AUTO Arm 1 — recalibrated 18% → 20%. The bump strengthens the
-       G2 surface-SILHOUETTE darken (ΔL ≈ 0.40 over synthetic white, the plate is
-       distinguishable from a bright page behind) while staying bounded ≤ 24% (the
-       iOS clamp — the surface STAYS translucent, "let content through"). The body
-       register over the engaged plate is the full warm-ink `--foreground` (~10.6:1
-       over white at 20%) — the muted L40 tier is lifted to the full ink by the
-       self-engage rules (it cannot clear 4.5:1 on a translucent darkened plate;
-       darkening moves the plate toward muted's own luminance). The shipped overlay-
-       band engaged appearance re-ratifies at the new floor: `--foreground` reads
-       ~10.6–10.9:1 (within the ~11:1 ratified register — the bump is a silhouette
-       strengthening, not a silent re-tint below AA). The live π readback ratifies. */
-    --glass-tint-strength-aa:   20%;
-
-    /* BA.W-DARK-MATERIAL scope 7 — the calm-light recalibration (R9-1; the slides gray-slab
-       fix). The AZ unconditional content-tier self-engage applied the full 20% AA darken to
-       EVERY .glass-card/.glass-resting/.glass-quiet/.glass-wash mode- and backdrop-agnostically
-       — over a plain LIGHT page (not a bright/busy backdrop) the 20% warm-ink darken + the
-       muted→ink lift composited the translucent cream card into a flat gray slab (the slides
-       presenter card: 20% → oklab(0.785) gray). The recalibration: the FULL AA darken is now
-       gated on the declared/sampled bright signal (the @container --glass-backdrop:light bucket /
-       the observer); the UNCONDITIONAL content-tier floor drops to this sub-perceptual SILHOUETTE
-       tint — just enough edge over a busy backdrop without graying a calm-light card (the
-       calm-light plate stays warm, L ≈ 0.94 at the slides-equivalent fixture). The overlay band
-       (.glass-floating/.glass-overlay) keeps the FULL unconditional darken (floating over an
-       UNKNOWN consumer surface, darkening is the correct default). A consumer opts out on a
-       light-page ancestor via --glass-tint-strength: 0%. Bounded > 0%, ≤ 10%. The DARK arm
-       re-tunes --glass-tint-strength-aa directly (dark-arm.css scope 3) — the luminous-dark lift
-       is the desired default there, NOT a sub-perceptual floor, so the floor is a light-mode knob. */
-    --glass-tint-strength-floor: 4%;
-
-    /* The on-glass FOREGROUND register (BB.W-ON-GLASS-FG) lives in tokens/on-glass-fg.css. */
-    /* R5-7 — the VEIL text-plate feather. The `veil-surface` decoration
-       (cards.css) paints a borderless/rimless translucent glass plate as a LOCAL
-       text-legibility surface over a busy backdrop; its `--veil-feather` axis is
-       an OPTIONAL `mask-image` that fades the plate edges into the page (the
-       soft-edged "bleed" the slides deck text plates use). The default is `none`
-       (a clean rectangle); a consumer opts into the feather by pointing
-       `--veil-feather` at this ready-made radial, or any `mask-image` value.
-       The 70%→100% falloff feathers the outer ~30% of the plate; override the
-       token to retune the fade radius library-wide. */
-    --veil-feather-radial: radial-gradient(
-        ellipse 100% 100% at 50% 50%,
-        black 0%,
-        black 70%,
-        transparent 100%
-    );
-
-    /* AW.W23 — chromatic edge dispersion (the "polished glass" rim fringe Apple
-       shows). A warm fringe on one edge + a cool fringe on the other, low-alpha,
-       biased warm-cream/NCSU-red (NOT iOS-blue). Composed OVER the W22 uniform
-       rim under `prefers-reduced-transparency: no-preference`; dropped under
-       `reduce` (it is a transparency garnish). The two directional inset rings
-       read as light refracting through the glass edge. */
-    --glass-fringe-warm: oklch(0.92 0.06 40 / 0.22);
-    --glass-fringe-cool: oklch(0.90 0.05 230 / 0.16);
-    --glass-edge-dispersion:
-        inset 0.75px 0 0 0 var(--glass-fringe-warm),
-        inset -0.75px 0 0 0 var(--glass-fringe-cool);
-
-    /* AX.W52 D19 — the moving-specular gleam radius (glass.css `.glass-material::
-       before`). The ONE knob that BOUNDS the gleam geometry as a percentage of the
-       plate so it can NEVER again become a whole-surface disc (the prior implicit
-       `circle at …` ran its stops to 55–75% of the half-diagonal — a wash on a
-       small tile). 36% reads as a tracked edge glint. Override on `:root` to retune
-       library-wide; a per-surface override clips the gleam tighter/wider. */
-    --glass-specular-size: 36%;
-
-    /* Chassis curvature illusion — a subtle radial gradient at the chassis
-       top centre that lifts the surface without committing to literal 3D.
-       Composed into <InstrumentChassis>'s background stack. AX.W52 D19 — the
-       prior pure-white `hsl(0 0% 100% / 0.06)` reaching `transparent 60%` was a
-       broad top-centre WASH (the #1 fixed-anchor rest-bloom culprit). Re-derived
-       onto the warm-cream house identity (`hsl(40 30% 96%)`, L < 100% so the warm
-       hue survives — mirroring the moving gleam), the alpha routed through the
-       SINGLE overridable `--glass-curvature-intensity` knob (0.02 default, a third
-       of the old 0.06), and the ellipse tightened to `transparent 38%` so it reads
-       as a thin top-edge sheen, not a central wash. */
-    --glass-curvature-intensity: 0.02;
-    --glass-curvature-overlay: radial-gradient(
-        ellipse at 50% -20%,
-        hsl(40 30% 96% / var(--glass-curvature-intensity)),
-        transparent 38%
-    );
-    /* The light-arm dark alias kept on the same warm-cream + token recipe so a
-       non-`.dark` consumer reading `…-overlay-dark` still resolves a softened
-       sheen; the `.dark` block below lowers `--glass-curvature-intensity` so the
-       deep-canvas arm is genuinely softer (the prior byte-identical dark arm read
-       HARDER over the dark canvas). */
-    --glass-curvature-overlay-dark: var(--glass-curvature-overlay);
-
-    /* Chart palette aliases — speedtest et al. read these for phase tinting.
-       Defaults map to viz-basis hues; consumers can override per app. */
-    --chart-ping:     var(--viz-chebyshev);
-    --chart-download: var(--viz-fourier);
-    --chart-upload:   var(--viz-amber);
-    --chart-jitter:   var(--viz-legendre);
-
-    /* O.W6 Lane D — WCAG companion `--chart-{phase}-label` tokens
-       (speedtest AC.W6c.T2 — F1.V-04 closure).
-
-       The canvas-side hues above preserve their saturated brand register
-       (correct against the meter dial); the COMPANION tokens darken to
-       L≈0.40 so phase-label text on `--background` clears the WCAG 2.1
-       AA-body 4.5:1 contrast floor. Mirrors the two-token discipline
-       already established by `--meter-{background-color,track-stroke}`:
-       one token feeds the canvas/visual, the second feeds the label
-       text.
-
-       Light-mode L≈0.40 in OKLCH preserves the hue rotation while
-       dropping luminance enough for body contrast; dark-mode flips to
-       L≈0.85 against the dark canvas. Consumers reach these via
-       `color: var(--chart-ping-label)` (etc.) on label elements ONLY —
-       chart strokes/fills continue to read `--chart-ping`. */
-    --chart-ping-label:     oklch(0.40 0.18 230);
-    --chart-download-label: oklch(0.40 0.20 22);
-    --chart-upload-label:   oklch(0.40 0.16 55);
-    --chart-jitter-label:   oklch(0.40 0.20 305);
-
-    /* O.W6 Lane D — Meter track stroke (speedtest AC.W6c.T3 — F1.V-02
-       closure). Promoted from speedtest's consumer-side declaration so
-       glass-ui owns the canonical light + dark values. The light-mode
-       value reads opaque foreground (composes through canvas
-       `globalAlpha` in consumer renderers; e.g., speedtest's `rings.ts`
-       `globalAlpha = 0.22` lands the phantom-track at the perceptual
-       sweet-spot). The dark-mode companion lives under `.dark` below
-       and ALSO reads `var(--foreground)` — the prior speedtest value
-       `var(--background)` rendered bg-on-bg invisible at dark mode. */
-    --meter-track-stroke: var(--foreground);
-
-    /* Shadow per tier — complete box-shadow lists for glass surface classes */
-    --glass-shadow-wash:     var(--shadow-sm), var(--glass-highlight);
-    --glass-shadow-quiet:    var(--shadow-md), var(--glass-highlight);
-    --glass-shadow-resting:  var(--shadow-lg), var(--glass-highlight);
-    --glass-shadow-floating: var(--shadow-xl),
-        0 0 0 0.5px color-mix(in srgb, var(--shadow-color) 5%, transparent),
-        var(--glass-highlight);
-    --glass-shadow-overlay:  var(--shadow-2xl),
-        0 0 0 0.5px color-mix(in srgb, var(--shadow-color) 8%, transparent),
-        var(--glass-highlight);
-    --glass-shadow:    var(--glass-shadow-quiet);
-
-    /* ─────────────────────────────────────────────────────────────
-       AL-W1-α augmented — SPINE 8th tier (HOUSING register)
-
-       Closes the AK W2 chassis-spine architectural underclaim per
-       AL-X5 §4.1. The spine register is a polished SLEEVE, not glass:
-       NO backdrop-filter, NO plate opacity, hairline outer stroke,
-       interior radial vignette that subtly carries the phase-color
-       cascade. Consumed exclusively by `<InstrumentChassis variant="spine">`
-       at App-level mount paths (quiet-content routes).
-
-       The 4 tokens here cover the minimum viable substrate the SLIM
-       Y4/Y6/Y7 retention set ratified. The 35 rejected axes (saturate
-       band, edge-light per tier, depth-shadow per tier, tier-up macro)
-       stay rejected per the conservative-creation mandate. (BB.W-DEAD-SWEEP KEEP:
-       --glass-spine-opacity/-blur — no var() consumer, pinned by InstrumentChassis.spine-variant.test.ts; Batch-6 re-anchor.)
-       ───────────────────────────────────────────────────────────── */
-    --glass-spine-opacity: 0;
-    --glass-spine-blur: 0px;
-    --glass-spine-border: var(--surface-tint-8);
-    --glass-spine-vignette: radial-gradient(
-        ellipse at 50% 0%,
-        color-mix(in oklab, var(--phase-color, var(--surface-tint-8)) 8%, transparent),
-        transparent 60%
-    );
-
-    /* ─────────────────────────────────────────────────────────────
-       AL-W10 SLIM — UNDER-SHADOW recipe rungs
-
-       Per AL-X5 §4 + Y7 §3. iOS Liquid Glass surfaces carry a 0.5px
-       dark hairline along the bottom edge (reads as under-shadow /
-       glass thickness). The substrate `--hairline-under-shadow`
-       already publishes one quiet rung; the four-rung ladder here
-       names the SLIM retention set (Y4 §3.2 / Y6 §4.3) — `quiet`,
-       `default`, `vivid`, `spine` cover the consumer landings without
-       multiplying tokens per tier. The 3 hand-rolled literals at
-       `instrument-chassis.css:52`, `dock.css:279`, `dock.css:952`
-       retire to these.
-
-       Composes as a NON-INSET box-shadow layer alongside the existing
-       `--glass-shadow-*` recipe (the inset under-shadow stays at the
-       hand-rolled literal where it's load-bearing on chassis-internal
-       surfaces).
-       ───────────────────────────────────────────────────────────── */
-    /* atlas GU-1/O-E2 — the X cast leans off the ONE `--glass-key-direction` ratio
-       (default 0 → byte-identical straight-down cast; atlas sets -0.375 for the
-       cel-coherent down-left FILL lean). Y/blur/spread/α byte-unchanged. The spine
-       rung stays INTENTIONALLY-OMNIDIRECTIONAL (an edge-thickness cue, no cast). */
-    --glass-under-shadow-quiet:   calc(2px * var(--glass-key-direction)) 2px 8px -1px oklch(0 0 0 / 0.04);
-    --glass-under-shadow-default: calc(4px * var(--glass-key-direction)) 4px 16px -2px oklch(0 0 0 / 0.08);
-    --glass-under-shadow-vivid:   calc(8px * var(--glass-key-direction)) 8px 32px -4px oklch(0 0 0 / 0.12);
-    --glass-under-shadow-spine:   0 1px 0 0 oklch(0 0 0 / 0.06);
-
-    /* Overlay scrim rungs — substrate-aware modal/dialog backdrop tints.
-       Three weights cover the deployed range: dialog-scroll (subtle),
-       canonical modal (default), drawer/full-cover (strong).
-
-       AY.W-PRIM-POLISH D3 — the scrim is its OWN identity token, NOT derived
-       from `--shadow-color`. A scrim's role is to RECEDE: it must pin to INK in
-       BOTH modes. The cartoon-shadow family rides `--shadow-color: var(--foreground)`
-       (correct — a shadow re-tints under `.dark` by construction), but a scrim
-       that does the same FLOODS the dark room with a cream fog (the old dark
-       overlay painted `srgb(0.91… / 0.5)`, a near-white wash that BRIGHTENED the
-       page at the modal moment). `--overlay-scrim-ink` is a fixed warm near-black
-       (the light-mode `--foreground` value), re-resolved verbatim in `.dark` so
-       the scrim recedes in both modes. Clean break, no alias (no-backwards-compat).
-       The `--shadow-color` / `--shadow-cartoon-*` family is UNTOUCHED. */
-    --overlay-scrim-ink:     hsl(24 10% 10%);
-    --overlay-scrim:         color-mix(in srgb, var(--overlay-scrim-ink) 50%, transparent);
-    --overlay-scrim-strong:  color-mix(in srgb, var(--overlay-scrim-ink) 80%, transparent);
-    --overlay-scrim-subtle:  color-mix(in srgb, var(--overlay-scrim-ink) 40%, transparent);
-
-}