@mevdragon/vidfarm-devcli 0.13.0 → 0.15.0

package/.agents/skills/embedded-captions/references/layout-heuristics.md

@@ -0,0 +1,238 @@
+# Layout Heuristics
+
+How to pick `wall_position` / `crown_position` in plan.json.
+
+## Step 1: Sample 3 frames
+
+```bash
+ffmpeg -y -ss 0.5 -i source.mp4 -vframes 1 frame0.jpg
+ffmpeg -y -ss <mid> -i source.mp4 -vframes 1 frame1.jpg
+ffmpeg -y -ss <end-0.5> -i source.mp4 -vframes 1 frame2.jpg
+```
+
+Read all three. Note: subject's head bbox, shoulder top line, and wherever hands move during gestures. Worst-case foreground envelope = union across all 3.
+
+## Step 2: Find the clean zone
+
+The caption plane should live in pixels that are **always background** across the clip. Never where the body lands.
+
+Annotate approximate ranges:
+
+- Head bbox: `head_x_min`, `head_x_max`, `head_y_min`, `head_y_max`
+- Hand gesture envelope (if any): usually below `y = shoulder_top ≈ head_y_max + 40`
+- Props (mic, cup): typically static, note bbox
+
+**Clean zones**, in priority order:
+
+1. **Corner farthest from head** (usually opposite the gaze direction)
+2. **Upper strip above head_y_min minus 30px margin**
+3. **Lower-third** if upper is occupied (last resort — breaks "embedded" aesthetic)
+
+## Step 2.5: Which side of the subject?
+
+Once you know where the subject and baked graphics are, decide which side (left or right of the subject) hosts the caption column. Order of precedence:
+
+### 1. Hard constraints first — baked graphics
+
+Logos, watermarks, date stamps, "60 Overtime"-style lower-thirds are already in the source. They occupy permanent zones you must avoid. Map them out from frame samples:
+
+- Jobs 60 Minutes: "2003" at upper-left (x=280-460, y=30-90); "60 Overtime" at bottom-left (x=280-770, y=960-1080). Left side partially constrained; still usable above/below these.
+- TikTok re-uploads: username watermark that rotates corners every few seconds — hard to plan around, often a refusal reason.
+
+If one side has a hard constraint that eats > 60% of that side's clean zone, default to the other side.
+
+### 2. Subject body bias — pick the bigger clean zone
+
+Compute clean-zone widths on both sides:
+
+```
+left_clean_width  = body_x_min − safe_left_margin
+right_clean_width = safe_right_margin − body_x_max
+```
+
+Pick the side where clean zone is wider. If the difference is within 10% of frame width, the sides are ~equivalent → fall through to step 3.
+
+Worked examples:
+
+- **Champion** (Djokovic, 1920×1080): body x ≈ 550-1200. Left clean = 510, right clean = 720. Right is wider → but we put captions LEFT because of gaze (see step 3). The narrow difference made either workable.
+- **Jobs**: body x ≈ 700-1480 (right-of-center). Left clean = 420, right clean = 160. Left wins decisively. Captions went LEFT.
+- **Memory Wall**: surface location dictated the side (see note below about wall-embed).
+
+### 3. Gaze direction — the "looking room" rule (tiebreaker and aesthetic)
+
+Classic cinematic framing: leave more empty space on the side the subject is **looking toward**. This preserves their gaze path and feels uncluttered. **Captions go to the OPPOSITE side** (the side the subject is facing away from), so they don't steal looking room.
+
+Quick check: sample 3 frames. Estimate the eye-line vector. Does it point more left or right?
+
+- Looking screen-right → captions on LEFT
+- Looking screen-left → captions on RIGHT
+- Looking forward at camera → no preference from gaze, use step 2 only
+
+The champion / Djokovic shot has him addressing camera slightly from the left — captions on LEFT actually read like text he's looking toward, which can feel like he's acknowledging them. That's fine here but is a flavor choice; generally prefer gaze-opposite.
+
+### 4. Narrative emphasis (for optional crown)
+
+If you're using a **center-stage crown**, it sits across the subject — no left/right choice for it. But the other captions (the column) still follow steps 1-3.
+
+If you're using a **clean-zone crown** (shrunk, placed in one clean zone instead of crossing the body), put it in the **same side as the main column** for visual consistency. Don't split crown and column on opposite sides — it creates ping-pong.
+
+### Special case — wall-embed
+
+When the template is `wall-embed`, the side is **dictated by where the usable surface is**, not by body bias or gaze. Memory Wall's foam panel was on the right, so captions went right even though the subject was slightly left-of-center. Surface location wins because the whole effect depends on the text sitting ON that specific surface.
+
+### Decision summary
+
+```
+Side = f(baked graphics, body bias, gaze, surface)
+
+priority:
+1. Hard constraints (baked logos)    — never place here
+2. Wall-embed surface location       — wins if using wall-embed
+3. Bigger clean zone                 — default for corner-column
+4. Gaze direction (looking room)     — tiebreaker when both sides similar
+```
+
+If the subject actively swings their gaze across the clip (turning head L→R), pick a side that works for both extremes, not just the most frequent. Or accept that looking room will briefly be violated — it's a 10-second video, nobody cares.
+
+## Step 3: Pick template + position
+
+### If scene has a flat back wall (acoustic foam, plaster, fabric backdrop)
+
+→ `wall-embed.html`
+
+```
+wall_position: {
+  top:       max(40, head_y_min - 40),
+  right:     20-60 (hug outer edge),
+  width:     video_width * 0.35 – 0.50,
+  height:    shoulder_top - top,
+  rotateY:   -10 to -16 deg if wall angles away on the left,
+             +10 to +16 deg if mirrored, 0 if wall is parallel,
+  rotateX:   0-3 deg subtle downtilt only
+}
+```
+
+`mix-blend-mode: overlay` in this template — works on mid-tone walls. If wall is near-black (luminance < 60), switch CSS to `screen`.
+
+### If scene has a cluttered but dark backdrop (bookshelf, plants, set dressing)
+
+→ `corner-column-crown.html`
+
+```
+wall_position: {
+  top:       40,
+  left:      40,               // anchor to clean corner opposite head
+  width:     video_width * 0.40,
+  height:    clamp(360, 520),  // don't reach below shoulder top
+  rotateY:   3-6 deg (subtle, not flashy)
+}
+crown_position: {
+  top:       video_height * 0.40   // center-ish; body will cut middle letters
+}
+```
+
+`mix-blend-mode: screen` is correct here (bookshelf is dark).
+
+### If subject fills >70% of frame
+
+Template doesn't matter — there's nowhere clean. **Refuse**, suggest classic lower-third.
+
+## Step 3.5: Crown placement (when using `corner-column-crown`)
+
+**Default preference: center-stage crown.** A big, centered crown word (think "WIMBLEDON CHAMPION", "BEATLES", "SHARP AGAIN") that crosses the subject is the most powerful embed move — body occludes the middle letters, clean zones on both sides hold the outer letters, and the word reads as a title drop. **Use this whenever conditions allow.**
+
+### Conditions where a centered crown works
+
+Sample 3 frames, eyeball the subject's horizontal envelope across the clip. Let `body_x_min / body_x_max` = tightest horizontal bounds that contain the head+shoulders+arms in any frame.
+
+A centered crown at font size F (where `crown_width ≈ F × 0.55 × char_count`) reads as dramatic IF:
+
+1. **Subject is roughly centered**: `|body_center_x − frame_width/2| < frame_width × 0.10`. The body sits in the middle third.
+2. **Clean zones on both sides are non-trivial**: `body_x_min > frame_width × 0.15` AND `body_x_max < frame_width × 0.85`. There's ≥15% of frame width clean on each side.
+3. **The crown word is wide enough to poke out both sides**: `crown_width > body_width + 400px`. If the word ends before reaching the body's right edge, most letters just get swallowed — ugly.
+
+If all three hold, centered crown is right. Go big — font sized so the word spans `0.8 × frame_width` or more. "BEATLES" at 140px (~500px wide) fails condition 3 on an 1920 frame with Jobs-sized body (780px wide). "WIMBLEDON CHAMPION" at 140px (~1700px) on the same frame passes easily.
+
+### When center fails — move crown to the clean zone
+
+If any of the three conditions fails, center-stage eats too much and the word becomes illegible ("THE BEATLES" → "THE" and a sliver of "S"). Two strategies:
+
+**Option A — shrink crown to fit cleanly in the larger clean zone.** Pick the side opposite the subject's bias. Compute `clean_zone_width` on that side. Pick crown font such that the word wraps to 1-2 lines inside it. Tail letters can touch the subject edge for a hint of embed, but the body of the word lives on backdrop.
+
+```
+// Jobs: subject center ≈ x=1100 (right of frame center 960). Left clean zone is larger.
+crown_plane: { left: 200, width: 560, text-align: center }
+font-size: 118px  →  "THE / BEATLES" wraps to 2 lines, fits in x=230-770
+                      leaving "S" tail at x~760 lightly touching Jobs's shoulder
+```
+
+**Option B — drop the crown entirely, promote the word to `emph` in the main column.** Simpler when the phrase doesn't deserve dramatic center-stage treatment. Works fine for 2-word emph like "the Beatles" or "incredible things" — they become large bold text in the left column with body occluding their tails.
+
+### Rules of thumb for choosing
+
+| Subject occupies center X%+ of frame | Clean zones L/R          | Crown approach                                  |
+| ------------------------------------ | ------------------------ | ----------------------------------------------- |
+| < 50%, roughly centered              | both ≥ 15% of width      | Centered crown, go BIG (frame_w × 0.8+)         |
+| 50-70%, slightly offset              | one side ≥ 25%           | Crown shifted to larger clean zone              |
+| > 70%, fills most of frame           | neither side wide enough | Drop crown, use `emph` in column                |
+| Close-crop face, fills > 80%         | essentially none         | No crown. All captions in a header/footer strip |
+
+## Step 4: Respect these invariants
+
+1. **Never cover the eyes.** Eye bbox is sacred. Add 20px margin around it when checking caption bbox intersection.
+2. **Caption bbox must not exit frame.** Reserve 4% broadcast-safe margin on all edges.
+3. **Large emphasis words should have horizontal slack.** At `cap-emph` (92px), an 8-char word ≈ 580px. Plane needs ≥ 620px width OR rely on wrapping at 2 lines.
+4. **Crown lives at `top ≈ shoulder_top − crown_font_size/2`** so it sits across the upper body, not the face.
+5. **If aspect ratio is portrait (9:16), rotate layout**: wall-plane becomes a **top band** (full width, height ≈ 20%), crown goes below it if used at all.
+
+## Step 5: Validate before render
+
+Before calling `render-and-composite.sh`, sanity check:
+
+- Did you place the plane in the opposite quadrant from the face? ✓
+- Does the plane exit the frame anywhere? If yes, shrink.
+- Is the font too big for the plane width? Calculate: longest word in words[] × 0.55 × font_size < plane_width - padding\*2.
+- For `corner-column-crown`, did you set `crown_position.top` so the crown actually crosses the body (not above the head, not below the torso)?
+- **Pillarbox / letterbox hard check.** If the source has black bars (see pre-flight probe in SKILL.md), compute `leftmost_text_x` using the correct formula for the text alignment:
+
+  | Alignment                   | Formula                                            |
+  | --------------------------- | -------------------------------------------------- |
+  | Left-aligned                | `plane_left + padding_left`                        |
+  | Right-aligned (main column) | `plane_right − padding_right − longest_word_width` |
+  | Center-aligned (crown)      | `plane_center − longest_word_width / 2`            |
+
+  Where `longest_word_width ≈ font_size × char_count × 0.55` (adjust 0.55 down to ~0.50 for italic, up to ~0.62 for uppercase bold). **All** of these must be ≥ `pillarbox_left_edge + 10–20px` (safety margin). Mirror for the right bar.
+
+  **Gotcha from past iteration**: setting `plane_left = 180` with a right-aligned column on a Jobs 60 Minutes clip (pillarbox at 280) looked "inside the plane" but the right-aligned text at font 108px produced `leftmost = plane_right − padding − 468 = 180 + 700 − 36 − 468 = 376` … wait, that IS past pillarbox. The actual bug was different: for a 3-line wrap ("four very / talented / guys") the widest line is "talented" at ~468px, not the whole phrase. Compute against the longest **single line** after wrap, not total phrase width.
+
+  **Re-check after font-size changes** — bumping font 84→104 shifts right-aligned text leftward by ~30px. If the budget was already tight, the bump blows through the pillarbox.
+
+  **Empirical target**: leftmost text at pillarbox + 10-20px looks "anchored" to the bar (visually grounded). Pushing it much deeper (50px+) makes captions feel floaty in the middle of the frame.
+
+## Worked examples
+
+### memory-wall (1280×720, acoustic foam wall)
+
+```json
+{
+  "template": "wall-embed",
+  "wall_position": {
+    "top": 40,
+    "right": 30,
+    "width": 720,
+    "height": 520,
+    "rotateY": -13,
+    "rotateX": 1
+  }
+}
+```
+
+### champion (1920×1080, bookshelf backdrop)
+
+```json
+{
+  "template": "corner-column-crown",
+  "wall_position": { "top": 40, "left": 40, "width": 720, "height": 420, "rotateY": 4 },
+  "crown_position": { "top": 440 }
+}
+```

package/.agents/skills/embedded-captions/references/motion-vocabulary.md

@@ -0,0 +1,148 @@
+# Motion Vocabulary — named word-entry moves
+
+10 motion primitives the skill uses. Each has a specific timing + easing + situational fit. Agent picks by **content tone**, not default to one.
+
+**Easing philosophy:** `cubic-bezier(.2,.7,.2,1)` is the "considered confident" default. `linear` is almost always wrong. Back-easing (elastic) is for playful content only — never documentary.
+
+**Exit rules:** Default exit is the same tween reversed at 60% duration. Never exit with a different motion than entry unless doing a rhetorical pivot. Never fade out during speech — only during the gap between phrases.
+
+---
+
+## The 10 moves
+
+### 1. typewriter
+
+Char-by-char reveal, 25–35ms/char, linear easing. Documentary / data-heavy / tense / interrogative.
+
+```js
+// GSAP
+words.forEach((w, i) => {
+  const chars = w.textContent.split("");
+  w.textContent = "";
+  chars.forEach((c, j) => {
+    const span = document.createElement("span");
+    span.textContent = c;
+    span.style.opacity = 0;
+    w.appendChild(span);
+    tl.to(span, { opacity: 1, duration: 0 }, wordStart + j * 0.028);
+  });
+});
+```
+
+### 2. word-fade-up (DEFAULT)
+
+Per-word, 80ms stagger, `opacity 0→1 + translateY 8→0`, `cubic-bezier(.2,.7,.2,1)` (ease-out). Default for conversational content.
+
+```js
+tl.fromTo(
+  word,
+  { opacity: 0, y: 8 },
+  { opacity: 1, y: 0, duration: 0.45, ease: "power2.out" },
+  wordStart,
+);
+```
+
+### 3. word-pop
+
+Per-word, 60ms stagger, `scale 0.85→1 + opacity 0→1`, elastic-light `cubic-bezier(.34,1.56,.64,1)`. Energetic / YouTube-vlog / high-tempo. **Never for documentary.**
+
+### 4. swipe-reveal
+
+Whole phrase at once, 400ms, `clip-path inset 0 100% 0 0 → 0 0 0 0`, expo `cubic-bezier(.77,0,.175,1)`. Keynote / tech product / announcement.
+
+```css
+.cap {
+  clip-path: inset(0 100% 0 0);
+}
+/* animate to inset(0 0 0 0) */
+```
+
+### 5. drop-and-settle
+
+Per-word, 120ms stagger, `y: -30→0` with back-bounce `cubic-bezier(.68,-.55,.27,1.55)`. Playful but controlled. **Not for documentary.**
+
+### 6. etch
+
+Whole word at once, 600ms, opacity ramp `0→1` with slight blur→sharp transition. Ease-in-out. Poetic / lyrical / "quote on wall" direction.
+
+### 7. crosshair
+
+Per-word, 200ms total: two 1px lines converge on word center (linear 150ms), then word snaps in (expo-out 50ms). Thriller / investigative doc.
+
+### 8. breathing-hold
+
+**Static but alive.** No entry animation. Once visible, micro-scale loop `1.00↔1.008` over 2s, sine ease. Used on climax lines held 1.5s+.
+
+### 9. cascade
+
+Each word from alternating direction: L, R, L, R. `translateX: ±40→0`, ease-out 300ms. **Rhythm-break move** — use sparingly, once per 30s max.
+
+### 10. burn-in
+
+**Zero animation.** Sudden 1-frame opacity 1. No fade, no transform. Interview-doc style. Use for every 6–8th phrase in a documentary direction for variety (Standard mode; see direction-catalog §1).
+
+---
+
+## Tone → timing lookup table
+
+| Tone           | Stagger                   | Hold        | Entry move                         |
+| -------------- | ------------------------- | ----------- | ---------------------------------- |
+| documentary    | 150ms                     | 600ms       | burn-in (70%) + word-fade-up (30%) |
+| conversational | 80ms                      | 400ms       | word-fade-up                       |
+| energetic      | 50ms                      | 300ms       | word-pop                           |
+| poetic         | 250ms                     | 1200ms      | etch                               |
+| broadcast      | 0 (burn-in)               | BBC timings | burn-in                            |
+| investigative  | 25ms/char                 | 500ms       | typewriter                         |
+| keynote        | 0 per-word (phrase swipe) | 600ms       | swipe-reveal                       |
+
+Agent picks tone → this table → GSAP parameters. Data, not guesswork.
+
+---
+
+## Per-word vs per-phrase animation axis
+
+Orthogonal to the 10 moves above.
+
+- **Per-word animation** (default): each word enters at its `w.start` timestamp. Tight sync with speech.
+- **Per-phrase animation**: whole group enters/exits at `g.in`/`g.out`. Words appear together. Used for:
+  - swipe-reveal moves
+  - burn-in (no animation, but the "reveal" is a group event)
+  - title cards / chapter breaks
+
+Rule: per-word for content that tracks speech; per-phrase for moments that step outside the speech flow.
+
+---
+
+## Stagger breakdown by context
+
+Fine-tune stagger within a tone:
+
+- **Documentary dialog**: 150ms (measured)
+- **Documentary punchline**: 250ms (weighted)
+- **Vlog opener**: 50ms (fast hook)
+- **Vlog narration**: 70ms (conversational but snappy)
+- **Poem / lyric**: 250–400ms per word, with 500–1000ms gaps between phrases
+- **Keynote hero**: per-phrase only (stagger = N/A)
+- **Interview name card**: 0 stagger (static)
+
+---
+
+## Anti-patterns (banned, from anti-patterns.md)
+
+- Animating `letter-spacing` → reflow
+- Animating `filter:blur` → reflow + can wash out text
+- `Math.random()` / `Date.now()` in timeline → non-deterministic render
+- Entries under 100ms total → frantic, unreadable
+- Same motion for every group for 30s+ → eye adapts, stops registering
+
+---
+
+## When to break the vocabulary
+
+The 10 moves are a comfortable coverage, not a ceiling. For Standard mode, invent new moves when the scene demands it:
+
+- Kyle Cooper's scratched typewriter for noir
+- K-pop lyric's directional word-from-side
+- Film-title flash-cut burn-in with chromatic aberration
+
+When inventing: stay deterministic, stay transform+opacity only, state the motion in terms of the 4 axes (entry, hold, exit, stagger).

package/.agents/skills/embedded-captions/references/rail.md

@@ -0,0 +1,68 @@
+# Rail track — standard lower-third subtitle
+
+The **default** caption track and the workhorse: a clean, readable subtitle that sits **in
+front** of everything (never occluded by the matte) in the lower third. It carries **most**
+of the transcript. It is deliberately **plain** — the cinematic craft (planes, occlusion,
+Vogue-masthead, accumulation) lives in the _embed_ track only ([composition-craft.md](composition-craft.md)).
+
+For talking-head / explainer / voiceover, the typical output is **the whole transcript on the rail**
+with only the climax(es) promoted to embed. Rail is not a fallback — it's the baseline.
+
+> **Implementation note.** A dedicated rail renderer is the next build step. The rail is a
+> plain `fg` caption track and maps cleanly onto hyperframes' native caption pipeline
+> (`hyperframes-media` captions) — prefer reusing that over hand-rolling. Until wired, render
+> the rail as a simple `data-caption-layer="fg"` composition (no matte overlay for these caps).
+
+## Position & safe area
+
+- **Lower third, horizontally centered.** Landscape (16:9): baseline ~80–120px above the
+  bottom edge. Portrait (9:16): lower-middle, ~ 600–700px from the bottom (clear of platform UI).
+- **Title-safe margins:** keep text within ~90% width / inside any letterbox-pillarbox bars
+  (see the letterbox probe). Never flush to the frame edge.
+- **One caption group on screen at a time.** No accumulation, no cascade — that's embed-track behaviour.
+- It rides above the subject; the matte does **not** occlude it (rail = in front).
+
+## Lines, length, timing
+
+- **≤ 2 lines.** Broadcast target ~ 32–42 chars/line; break at a clause/phrase boundary, never
+  mid-word, never leave a dangling 1-word line.
+- **Word-synced.** Each group's window envelops its words (`group.in ≤ first word.start`,
+  `group.out ≥ last word.end`); each group ≥ 0.5s on screen; ~1.5s min gap discipline so it
+  doesn't strobe. Word timings within 80ms of transcript (same gate as everywhere).
+- **Grouping** = short readable phrases (see [caption-grouping.md](caption-grouping.md)) — not the
+  embed track's "phrase = composition" rule; here it's just legible subtitle chunking.
+
+## Look (restrained on purpose)
+
+- **Size: ~`calc(0.045 * var(--h))`** (≈48px @1080, ≈58px @1290) — readable, _not_ hero. The rail is a subtitle; it is deliberately much smaller than the embed body/climax. Express as a `var(--h)` fraction (never hardcode px) so it scales across resolutions. The embed climax is sized to the frame independently (see composition-craft § POP) — **never** size the climax as a multiple of this rail.
+- One clean sans (Inter / Helvetica Now / Neue Haas), weight 500–600; white (or near-white).
+- **Legibility without grading the video:** a tight text treatment local to the glyphs only —
+  a soft dark drop-shadow, or a subtle rounded gradient pill / 30–40% scrim **sized to the text
+  box** (not a full-frame bar, never a frame-wide grade). On luminance > 180 backgrounds, keep
+  the scrim; never rely on bare light text.
+- Motion is minimal: 150–250ms fade-up in / fade-down out. No glitch, no scale-pop, no per-word
+  choreography on the rail — that energy is reserved for embed.
+
+## The `emphasis` flag (active-word highlight)
+
+The only intensity the rail carries. When a word is graded `emphasis` (the 1–2 punch words in a
+phrase), give it an **inline** lift on the rail — accent colour and/or +weight, optionally a
+karaoke-style active-word pop (≤1.1× scale) as it's spoken. Keep it inline; it does **not**
+leave the rail. Anything that wants to leave the rail is an `embed`, not an emphasis.
+
+## What the rail never does
+
+- Never goes behind the subject (that's embed).
+- Never accumulates into a multi-line poem (that's embed).
+- Never crosses the face / uses occlusion as an effect.
+- Never grades or textures the underlying video.
+- Doesn't drop content to "fit fewer blocks" — split into more groups instead. The only drops
+  are filler (um/uh, exact stutters, self-corrections); dense conversational `narrator` glue
+  ("you know", "sort of") may be trimmed for readability, content/structure words stay.
+
+## Hand-off to embed
+
+Rail + embed coexist in one render: the rail runs the whole clip; an embedded peak appears over
+it at its moment (the rail can briefly clear or dim under the embed if they'd collide). Decide
+which phrases promote via the role read in SKILL.md § Caption model; author the promoted ones
+with [composition-craft.md](composition-craft.md).

package/.agents/skills/embedded-captions/references/reference-bar.md

@@ -0,0 +1,47 @@
+# The reference bar — what world-class looks like
+
+Self-review without an external bar always passes. Before shipping, hold the render
+against these references — not "is anything broken" (the gates did that) but "would a
+designer at these houses sign it".
+
+## Per register
+
+**premium-warm / editorial (cream, editorial)** — the bar is a _Vogue cover_ and the
+A24 title card: type interacts with the subject (masthead behind the head), one or two
+sizes feel chosen not defaulted, the frame would work printed as a poster. Check: does
+the climax frame, screenshotted alone, look like a designed cover — or like a subtitle
+that grew?
+
+**tech-premium (keynote, ink)** — the bar is an _Apple keynote slide_ over footage:
+opaque, weighty, dead-center confidence; negative space is doing the work; nothing
+decorating. Check: would this frame look at home in a WWDC sizzle?
+
+**formal (documentary)** — the bar is _Errol Morris / PBS Frontline_: the type has the
+restraint of a court document; stillness reads as authority. Check: does ANY motion call
+attention to itself? If yes, cut it.
+
+**loud** — the bar is a _k-pop lyric video / Nike spot_: type fights the subject and
+wins on purpose, color is saturated and scene-true, the beat hits WITH the word. Check:
+does the hero frame make you want to replay it?
+
+## The five positive checks (run on the preview sheet, after the failure checks)
+
+1. **Poster test** — screenshot the climax frame alone. Would you post it as a still?
+   If it needs the motion to excuse the composition, the composition isn't done.
+2. **Timid test** — is any body caption apologizing (tiny, corner-parked, far from the
+   silhouette)? Small is a choice; timid is a default. Hug the subject or commit to the
+   margin as a designed column.
+3. **One-glance hierarchy** — at thumbnail size (shrink the sheet), can you still tell
+   opener / body / hero apart? If the tiers blur together, the contrast ratios are off.
+4. **Scene handshake** — name three ways the type acknowledges THIS footage (accent
+   sampled from the scene, occlusion crossing, shadow direction, depth blur, palette
+   temperature). Fewer than two = it's a sticker, not an embed.
+5. **Dead-air audit** — scrub the no-caption stretches. Are they _composed rests_
+   (subject carries the frame) or _gaps_ (the design just stopped)? Rests are earned by
+   rhythm; gaps are bugs in pacing.
+
+## How to use with fresh-eyes review
+
+Give the sub-agent the preview sheet + the 5 failure checks (SKILL.md § Visual QA) +
+these 5 positive checks, and ask for verdicts on both lists. A render ships when it
+passes the failure checks AND at least 4/5 positive checks with specific evidence.

package/.agents/skills/embedded-captions/references/scene-types.md

@@ -0,0 +1,94 @@
+# Scene Types — picking the right template
+
+The three templates differ in one thing: **what surface (if any) the text physically sits on**. Pick by reading the scene, not by the genre label.
+
+## wall-embed — "text is printed on a real surface"
+
+Original Memory Wall render used this. Text uses perspective transform + `mix-blend-mode: overlay` to look like it was silk-screened onto a wall behind the subject. The illusion is strong when it works and completely broken when forced.
+
+### Four conditions — ALL must hold
+
+1. **A flat or near-flat surface exists somewhere in the frame, larger than the caption block.** Good: acoustic foam panel, painted wall, door, stone facade, large backdrop cloth, blackboard. Bad: bookshelf (3D depth + decorative items), mic shield (too small), window (transparent, content behind it shifts), brick wall with mortar patterns (competes).
+2. **The surface is at a non-zero angle to the camera.** Perspective is what sells "embedded". If the wall is perfectly parallel (0° rotation relative to camera), pasting rotateY:0 text onto it looks like a sticker, not embedded. Memory Wall's foam wall was tilted ~13° — perfect. A wall directly behind a centered frontal subject usually has no exploitable angle.
+3. **The surface is mid-luminance.** Overlay blend neutralizes mid-tones — text keeps contrast against a mid-grey wall. On near-black surfaces (luminance < 60), overlay makes text vanish → switch to `mix-blend-mode: screen`. On near-white surfaces (> 180), overlay also fails → switch to `mix-blend-mode: normal` with opaque color.
+4. **The surface has no competing graphical content.** Plain paint, uniform acoustic foam, blurred OOF background all work. Printed wallpaper, picture frames, text on signage, busy bookshelves all compete with the caption and ruin the embed illusion.
+
+If **any** condition fails, **do not use wall-embed**. Pick another template.
+
+### What memory-wall looked like
+
+The acoustic foam wall to the right of the subject took ~40% of frame width, tilted ~13° toward the viewer, mid-grey color, uniform dimpled texture. Perfect. Text with `rotateY(-13deg)` and overlay blend sat on it like printed letters.
+
+### Anti-examples (wall-embed would FAIL)
+
+- **champion / demo1_avatarv** — bookshelf background with books, white vases, picture frames. Cluttered + 3D depth. Fails condition 1 and 4. Used corner-column-crown instead.
+- **Jobs 60 Minutes** — blurry potted plant background. No flat surface at all. Fails condition 1.
+- **Randy Pausch "Time is all we have"** — completely black backdrop. No perspective to exploit, no mid-tone surface. Fails 2 and 3. Used portrait-header.
+- **Any vlog / selfie with handheld camera** — surface moves frame-to-frame, can't lock perspective. Even if conditions 1-4 hold briefly, motion breaks the illusion.
+
+## corner-column-crown — "text sits in a clean region next to the subject"
+
+The default for most talking-head content. Works when wall-embed doesn't.
+
+### Conditions
+
+1. **Single subject, fixed camera.** Handheld is tolerable if drift is small.
+2. **At least one clean zone (≥ 15% of frame width) to the left or right of the subject** where captions can sit without continuous body occlusion.
+3. **Background can be cluttered or 3D** — we're not relying on a flat surface, just readable contrast. Screen blend mode picks up darker backgrounds (bookshelves, dark walls) naturally.
+4. **Landscape aspect** (16:9 or similar). For portrait, use `portrait-header`.
+
+### When to add the crown vs when to skip it
+
+- Add crown if there's a natural "title drop" line — the one phrase that lands the story (e.g. "WIMBLEDON CHAMPION", "BEATLES", "SHARP AGAIN"). Check [layout-heuristics.md § Crown placement](layout-heuristics.md) for the three geometric conditions.
+- Skip crown for factual / neutral monologues where no phrase carries the climax. Short videos (<10s) often don't need it.
+
+## portrait-header — "subject fills center, text lives in top banner"
+
+For 9:16 aspect where the subject inevitably fills the middle.
+
+### Conditions
+
+1. **Portrait aspect** (9:16, 1080×1920 etc.).
+2. **Subject occupies the vertical middle of frame**, leaving ~15-25% of the frame height clear at the top.
+3. **Optional crown at bottom** — only works if there's also clean space beneath the subject's waist, which is rare in close-crop portrait.
+
+### What to watch
+
+- Subject's head top often approaches y=40 — top banner captions at `top: 30px` will get partially occluded by hair. Accept the partial occlusion (it reads as embed) or bump the caption size down to clear the hair.
+- If the subject already has **baked-in captions** (like the burned-in subtitles test case with yellow subtitles burned in), the skill should refuse — two caption systems compete.
+
+## Quick decision flow
+
+```
+START
+  │
+  ├─ Aspect is 9:16 / portrait?
+  │    ├─ YES → portrait-header
+  │    └─ NO ──▼
+  │
+  ├─ Does the scene have a flat uniform surface that passes
+  │  ALL 4 wall-embed conditions?
+  │    ├─ YES → wall-embed
+  │    └─ NO ──▼
+  │
+  ├─ Single subject + fixed camera + ≥15% clean zone on one side?
+  │    ├─ YES → corner-column-crown
+  │    └─ NO ──▼
+  │
+  └─ Refuse with reason:
+     "No flat surface for embed, no clean caption zone for column.
+      Suggest a classic lower-third instead."
+```
+
+## Mode checklist (run this before committing to wall-embed)
+
+Read 3 frames (start, mid, end). For each, honestly answer:
+
+- [ ] Is there a single surface behind/beside the subject that occupies ≥ 30% of the frame?
+- [ ] Is that surface relatively flat (not curved, not 3D-stacked shelving)?
+- [ ] Does that surface angle at 5-20° to the camera (not perfectly parallel, not warped)?
+- [ ] Is the surface mid-luminance (not near-black like dark bookshelves, not near-white like a sunny window)?
+- [ ] Does the surface contain NO printed/decorative elements that compete with caption text?
+- [ ] Does the surface remain visible across all 3 frames (subject doesn't step in front of it)?
+
+**Need all six YES to use wall-embed.** Even one NO → step down to corner-column-crown or portrait-header.

package/.agents/skills/embedded-captions/references/test-set.md

@@ -0,0 +1,66 @@
+# Test set — diverse scenes for template stability regression
+
+Canonical test corpus for verifying templates don't regress when we add
+features. Pick cases that stress different parts of the pipeline — blend
+mode, matte quality, baked-in graphics, luminance extremes, motion.
+
+## The test set
+
+All in `~/Downloads/vidfarm_test_videos/` (720×1290, ~8s, 9:16). Add
+landscape + 1:1 as we grow.
+
+| Case            | Scene                                                                      | Stress test                                                                          |
+| --------------- | -------------------------------------------------------------------------- | ------------------------------------------------------------------------------------ |
+| `Sunset_Stroll` | Outdoor selfie at sunset, palm trees, boardwalk                            | **Bright backdrop** → default `screen` blend fails; needs dark text + `normal` blend |
+| `Nature_Vibe`   | Forest golden-hour + **baked timestamp** bottom-left + watermark top-right | Baked graphics avoidance; warm-mid luminance                                         |
+| `Gym_Grind`     | Dark gym + dark tank top + phone-mirror selfie                             | **Low luminance** → matte difficulty; screen blend natural fit                       |
+| `AI_Insights`   | Podcast studio + neon "THE DIALOG" sign + window view                      | **Competing graphics in BG** (sign, city skyline); mid-tone                          |
+| `Kitchen_Buzz`  | Warm kitchen, apron, smiling                                               | Baseline friendly case                                                               |
+| `Tech_Trends`   | Clean white studio + mic                                                   | **Max bright backdrop** — needs dark text or opaque BG                               |
+| `Street_Talk`   | Walking city street, handheld                                              | Handheld motion + bright outdoor                                                     |
+| `Outdoor_Hype`  | Forest + **Instagram watermark** top + sun flare                           | Baked graphic + bright + motion                                                      |
+
+## Usage
+
+```bash
+for case in Sunset_Stroll Nature_Vibe Gym_Grind AI_Insights; do
+  bash scripts/render-and-composite.sh /tmp/ts-${case}
+done
+```
+
+## Regression checklist
+
+For every new template or significant change, re-run the test set and
+verify:
+
+- [ ] Sunset_Stroll: captions legible on bright sunset (Cinematic cream/screen washes out → use **Standard mode**, opaque rail)
+- [ ] Nature_Vibe: captions don't collide with baked timestamp (bottom-left) or watermark
+- [ ] Gym_Grind: captions visible on dark gym despite dark subject
+- [ ] AI_Insights: captions don't fight with "THE DIALOG" neon sign
+- [ ] Tech_Trends: dark text + `normal` blend on pure white studio
+- [ ] Each case: 0.5s+ per caption, no wrap-into-subject-head-zone
+- [ ] Each case: FG layer for 9:16 portraits where subject fills frame
+
+## Bugs we've fixed via this test set
+
+- **2026-04-23**: Hardcoded `text-shadow: warm-glow + dark-drop` in all
+  templates ignored `cap_color` — dark text got overwhelmed by bright
+  halo on bright backgrounds. Fix: `TEXT_SHADOW` placeholder with
+  luminance-adaptive default.
+- **2026-04-23**: Hardcoded `filter: brightness(1.12)` lightened dark
+  text, shifting it toward neutral. Fix: `TEXT_FILTER` placeholder that
+  drops brightness boost for dark colors.
+- **2026-04-23**: `BLEND_MODE` and `CAP_COLOR` hardcoded in new
+  templates — plan.json overrides ignored. Fix: placeholders added to
+  all 4 templates.
+
+## Expansion plan
+
+Still need to add:
+
+- 1 × 16:9 landscape (from any test-corpus clip via letterboxing, or new source)
+- 1 × 1:1 square (if available)
+- 1 × multi-speaker (speaker diarization test)
+- 1 × foreign language (CJK rendering test)
+- 1 × shot-cut (PySceneDetect-required case)
+- 1 × product/B-roll (no talking head — refuse gate)