@torrent-tv/proxy 2.89.7 → 2.89.9

package/services/media/container/ContainerFactory.js

@@ -1,38 +1,38 @@
-/**
- * @file Container factory — detects format and returns the precise Container subclass.
- *
- * Sniffs first 16 bytes (same as container-index/index.js) and instantiates
- * MatroskaContainer / Mp4Container / AviContainer. Falls back to null (unknown).
- * Orchestrators depend on this, not on concrete constructors.
- */
-
-import { MatroskaContainer } from "./MatroskaContainer.js";
-import { Mp4Container } from "./Mp4Container.js";
-import { AviContainer } from "./AviContainer.js";
-import { strictReader } from "./unavailable.js";
-
-const SNIFF_BYTES = 16;
-
-export class ContainerFactory {
-  /**
-   * The container these bytes are, built over them.
-   *
-   * Null means the bytes were read and are none of the formats this knows — a
-   * statement about the file. Bytes that have not arrived throw
-   * `BytesUnavailable`, which is not one: until 2026-10-01 they came back as
-   * null too, and a file whose head was still downloading was remembered as
-   * being of no known format.
-   *
-   * @param {{ readRange: (start:number,end:number)=>Promise<Buffer|null>, fileSize: number, label?: string, portionBytes?: number }} params
-   * @returns {Promise<import("./Container.js").Container|null>}
-   */
-  static async create(params) {
-    const { readRange, fileSize } = params;
-    if (typeof readRange !== "function" || !Number.isFinite(fileSize) || fileSize <= 0) return null;
-    const head = await strictReader(readRange, fileSize)(0, Math.min(SNIFF_BYTES, fileSize) - 1);
-    if (MatroskaContainer.detect(head)) return new MatroskaContainer(params);
-    if (Mp4Container.detect(head)) return new Mp4Container(params);
-    if (AviContainer.detect(head)) return new AviContainer(params);
-    return null;
-  }
-}
+/**
+ * @file Container factory — detects format and returns the precise Container subclass.
+ *
+ * Sniffs first 16 bytes (same as container-index/index.js) and instantiates
+ * MatroskaContainer / Mp4Container / AviContainer. Falls back to null (unknown).
+ * Orchestrators depend on this, not on concrete constructors.
+ */
+
+import { MatroskaContainer } from "./MatroskaContainer.js";
+import { Mp4Container } from "./Mp4Container.js";
+import { AviContainer } from "./AviContainer.js";
+import { strictReader } from "./unavailable.js";
+
+const SNIFF_BYTES = 16;
+
+export class ContainerFactory {
+  /**
+   * The container these bytes are, built over them.
+   *
+   * Null means the bytes were read and are none of the formats this knows — a
+   * statement about the file. Bytes that have not arrived throw
+   * `BytesUnavailable`, which is not one: until 2026-10-01 they came back as
+   * null too, and a file whose head was still downloading was remembered as
+   * being of no known format.
+   *
+   * @param {{ readRange: (start:number,end:number)=>Promise<Buffer|null>, fileSize: number, label?: string, portionBytes?: number }} params
+   * @returns {Promise<import("./Container.js").Container|null>}
+   */
+  static async create(params) {
+    const { readRange, fileSize } = params;
+    if (typeof readRange !== "function" || !Number.isFinite(fileSize) || fileSize <= 0) return null;
+    const head = await strictReader(readRange, fileSize)(0, Math.min(SNIFF_BYTES, fileSize) - 1);
+    if (MatroskaContainer.detect(head)) return new MatroskaContainer(params);
+    if (Mp4Container.detect(head)) return new Mp4Container(params);
+    if (AviContainer.detect(head)) return new AviContainer(params);
+    return null;
+  }
+}

package/services/media/container/KeyframeTable.js

@@ -1,272 +1,272 @@
-/**
- * @file Where one file's keyframes are.
- *
- * A property of immutable bytes, like the duration and the track list: the same
- * for the picture and for every quality step of it, the same for one viewer and
- * for five, and unchanged while anybody is watching. So there is ONE of these
- * per file and everyone who reads that file is handed the same one — not a copy
- * of its contents. That is what lets a table that arrives late reach sessions
- * created before it: the object they hold is the object that was filled in.
- * `Timeline` is held the same way and for the same reason.
- *
- * **Why an object and not three fields.** The three travel together and are
- * meaningless apart. The times alone cannot be used to seek: AVI stores frame
- * NUMBERS and states the time as that number times the frame duration, which
- * lands 10-44 ms from the presentation time the demuxer computes (measured
- * 2026-08-21), so a seek made at such a name can fall just below the real
- * keyframe and land on the one before it. And a refusal that does not name the
- * container it is refusing says nothing about the file it is refusing — "no
- * keyframe index in the ⟨format⟩ container" is the line, and `format` is the
- * only thing in it that identifies what was read.
- *
- * **`answered` and `readable` are two different questions, and conflating them
- * costs a picture.** `answered` says a reader has come back; `readable` says it
- * came back with times. A file that has answered with nothing must be
- * re-encoded for ever — MPEG-TS is the case, measured 2026-08-21, 669 real
- * keyframes and no index of any kind to read them from. A file that has not
- * answered is a shortage of bytes off the swarm, and asking again in a moment
- * is the right thing to do. Held as three loose fields in a bag of probe
- * results, nothing distinguished them, and a passing shortage was written onto
- * the file as a property of the bytes.
- *
- * **What this is NOT.** It is not the reading of the table — who reads, over
- * what transport, how long anybody waits — which is
- * `orchestrators/KeyframeTables.js`, the only thing that may call `learn`.
- *
- * **And it holds the evidence AGAINST itself**, which is the one thing that can
- * only be learned from the file being played. A copied picture can be cut
- * nowhere but a real keyframe, so where a produced piece truly began is a
- * reading about THIS table and about nothing else. Kept here, it outlives the
- * cut table of any one grid and reaches every step and every later session of
- * the file; kept on a grid, as it was until 2026-09-15, it was mixed with two
- * other facts that merely shared that grid — a step that was TOLD where to put
- * a keyframe and did not, and a soundtrack that has no keyframes at all.
- */
-
-/**
- * How far a produced piece may sit from a time this table names and still be
- * that time. Zero would be right for a container that states presentation
- * times; AVI states frame NUMBERS and computes the time from them, landing
- * 10-44 ms out (measured 2026-08-21), and that is what `tolerance` declares.
- * The floor is half an audio frame, below which nothing is distinguishable.
- */
-const NAMES_WITHIN_SEC = 0.05;
-
-export class KeyframeTable {
-  /** @type {number[] | null} */
-  #times = null;
-
-  /** @type {number} */
-  #tolerance = 0;
-
-  /** @type {string} */
-  #format = "";
-
-  /** @type {boolean} */
-  #answered = false;
-
-  /**
-   * What copied pieces of this file have shown about the table above.
-   *
-   * @type {{ checked: number, disagreed: number, maxDeviationSec: number, firstDisagreementIndex: number, deviations: number[], landedOnAnotherKeyframe: number, seen: Set<number> }}
-   */
-  #evidence = {
-    checked: 0,
-    disagreed: 0,
-    maxDeviationSec: 0,
-    firstDisagreementIndex: -1,
-    // Every deviation, so a summary can report a distribution instead of one
-    // extreme. Bounded by the number of distinct cuts the file has.
-    deviations: [],
-    // Of the pieces that began away from where they were told, how many began
-    // at ANOTHER time in this very table. That is the measurement separating
-    // the two explanations: a table describing times the file does not have,
-    // against a table naming only SOME keyframes with a grid built over its
-    // gaps. Asked 2026-08-17 by the user, who was right that the second is far
-    // more likely — every deviation measured that day was positive, 0.58-2.96s,
-    // which is what a cut pushed forward to the next real keyframe looks like.
-    landedOnAnotherKeyframe: 0,
-    // Which cuts have been counted. A piece can be produced and served again,
-    // and a repeat is the same cut, not new evidence.
-    seen: new Set()
-  };
-
-  /**
-   * Keyframe times in seconds on the FILE's own clock, ascending. Null until
-   * something has answered, and null forever after an answer of none.
-   *
-   * @returns {number[] | null}
-   */
-  get times() {
-    return this.#times;
-  }
-
-  /**
-   * How far a time in this table may sit from the instant it names.
-   *
-   * Zero for a container that states times directly; only AVI, which states
-   * frame numbers, has anything to declare here.
-   *
-   * @returns {number}
-   */
-  get tolerance() {
-    return this.#tolerance;
-  }
-
-  /**
-   * Which container stated it, whether or not it produced a table.
-   *
-   * @returns {string}
-   */
-  get format() {
-    return this.#format || "not yet read";
-  }
-
-  /**
-   * How many keyframes this table names.
-   *
-   * @returns {number}
-   */
-  get count() {
-    return this.#times?.length ?? 0;
-  }
-
-  /**
-   * Whether anything has answered about this file yet.
-   *
-   * @returns {boolean}
-   */
-  get answered() {
-    return this.#answered;
-  }
-
-  /**
-   * Whether a picture of this file can be COPIED.
-   *
-   * A copy can only be cut where a keyframe already is, so without a table
-   * there is no honest grid: declaring an even one instead is a falsehood the
-   * player punishes — it walks the whole file to rebuild the timeline, or shows
-   * audio with no picture because a segment begins with nothing decodable (both
-   * field-observed 2026-08-02).
-   *
-   * @returns {boolean}
-   */
-  get readable() {
-    return this.#times !== null;
-  }
-
-  /**
-   * Take in what a reader found. Called only by `KeyframeTables`.
-   *
-   * **A table already here is never displaced by an emptier one.** Two readers
-   * answer about one file and they are not equals: a container's own index is
-   * two point reads of 16 KB and names every keyframe, while the packet probe
-   * decodes the media and on a torrent-backed file often finds only some of
-   * them — measured 2026-08-02, 77 keyframes in 45 s without finishing, against
-   * all 570 in 0.8 s from the index. Whichever of them answers second, the
-   * fuller answer is the one that stands.
-   *
-   * @param {{ times?: number[] | null, tolerance?: number, format?: string } | null} reading
-   * @returns {this}
-   */
-  learn(reading) {
-    const wasAnswered = this.#answered;
-    this.#answered = true;
-    const times = Array.isArray(reading?.times) && reading.times.length > 0 ? reading.times : null;
-    const format = typeof reading?.format === "string" && reading.format.length > 0 ? reading.format : "";
-    const fuller = times !== null && (this.#times === null || times.length > this.#times.length);
-    // THE FORMAT NAMES WHOEVER SUPPLIED THE TIMES IN USE, so it moves with them
-    // — except before any times exist, where the first answer's name is what a
-    // refusal has to print ("no keyframe index in the ⟨format⟩ container").
-    if (format && (fuller || !wasAnswered)) {
-      this.#format = format;
-    }
-    if (!fuller) {
-      return this;
-    }
-    this.#times = times;
-    const declared = Number(reading?.tolerance);
-    this.#tolerance = Number.isFinite(declared) && declared > 0 ? declared : 0;
-    return this;
-  }
-
-  /**
-   * Whether this table names that instant.
-   *
-   * @param {number} seconds
-   * @returns {boolean} False when nothing has been read, which is not the same
-   *   as "the table does not name it" — but a table with no times makes no
-   *   claim to be wrong about either.
-   */
-  names(seconds) {
-    if (this.#times === null || !Number.isFinite(seconds)) {
-      return false;
-    }
-    const within = Math.max(NAMES_WITHIN_SEC, this.#tolerance);
-    return this.#times.some((time) => Math.abs(time - seconds) <= within);
-  }
-
-  /**
-   * A COPIED piece of this file states where it truly began.
-   *
-   * Only a copy may be witnessed here, and the caller is what knows which it
-   * has: a copy is cut at a keyframe of this file and nowhere else, so its
-   * landing is a reading about this table. A re-encoded step was told where to
-   * put a keyframe — a disagreement there is that step failing to obey, not the
-   * table being wrong — and a soundtrack is cut exactly where it is asked to
-   * be, to within one audio frame, so it says nothing about any keyframe at all.
-   *
-   * @param {object} reading
-   * @param {number} reading.index - Which cut, so a repeat is recognised.
-   * @param {number} reading.trueStart - Where the piece really began, on the
-   *   file's own clock.
-   * @param {number} reading.deviationSec - How far that is from where the grid
-   *   said it would be.
-   * @param {number} reading.toleranceSec - Above which the two are held to
-   *   disagree rather than to have rounded. The judgement's own figure, stated
-   *   by whoever is judging, so that one number decides it everywhere.
-   * @returns {void}
-   */
-  witness({ index, trueStart, deviationSec, toleranceSec }) {
-    if (!Number.isInteger(index) || !Number.isFinite(deviationSec) || this.#evidence.seen.has(index)) {
-      return;
-    }
-    this.#evidence.seen.add(index);
-    this.#evidence.checked += 1;
-    this.#evidence.deviations.push(deviationSec);
-    if (this.names(trueStart)) {
-      this.#evidence.landedOnAnotherKeyframe += 1;
-    }
-    if (deviationSec > toleranceSec) {
-      this.#evidence.disagreed += 1;
-      if (this.#evidence.firstDisagreementIndex < 0) {
-        this.#evidence.firstDisagreementIndex = index;
-      }
-    }
-    if (deviationSec > this.#evidence.maxDeviationSec) {
-      this.#evidence.maxDeviationSec = deviationSec;
-    }
-  }
-
-  /**
-   * What the copied pieces produced so far say about this table.
-   *
-   * @returns {{ checked: number, disagreed: number, maxDeviationSec: number, medianDeviationSec: number, firstDisagreementIndex: number, landedOnAnotherKeyframe: number } | null}
-   *   Null while nothing has been produced from a copy, which says neither that
-   *   the table is right nor that it is wrong.
-   */
-  get evidence() {
-    if (this.#evidence.checked === 0) {
-      return null;
-    }
-    const sorted = [...this.#evidence.deviations].sort((left, right) => left - right);
-    return {
-      checked: this.#evidence.checked,
-      disagreed: this.#evidence.disagreed,
-      maxDeviationSec: this.#evidence.maxDeviationSec,
-      medianDeviationSec: sorted[Math.floor(sorted.length / 2)],
-      firstDisagreementIndex: this.#evidence.firstDisagreementIndex,
-      landedOnAnotherKeyframe: this.#evidence.landedOnAnotherKeyframe
-    };
-  }
-}
+/**
+ * @file Where one file's keyframes are.
+ *
+ * A property of immutable bytes, like the duration and the track list: the same
+ * for the picture and for every quality step of it, the same for one viewer and
+ * for five, and unchanged while anybody is watching. So there is ONE of these
+ * per file and everyone who reads that file is handed the same one — not a copy
+ * of its contents. That is what lets a table that arrives late reach sessions
+ * created before it: the object they hold is the object that was filled in.
+ * `Timeline` is held the same way and for the same reason.
+ *
+ * **Why an object and not three fields.** The three travel together and are
+ * meaningless apart. The times alone cannot be used to seek: AVI stores frame
+ * NUMBERS and states the time as that number times the frame duration, which
+ * lands 10-44 ms from the presentation time the demuxer computes (measured
+ * 2026-08-21), so a seek made at such a name can fall just below the real
+ * keyframe and land on the one before it. And a refusal that does not name the
+ * container it is refusing says nothing about the file it is refusing — "no
+ * keyframe index in the ⟨format⟩ container" is the line, and `format` is the
+ * only thing in it that identifies what was read.
+ *
+ * **`answered` and `readable` are two different questions, and conflating them
+ * costs a picture.** `answered` says a reader has come back; `readable` says it
+ * came back with times. A file that has answered with nothing must be
+ * re-encoded for ever — MPEG-TS is the case, measured 2026-08-21, 669 real
+ * keyframes and no index of any kind to read them from. A file that has not
+ * answered is a shortage of bytes off the swarm, and asking again in a moment
+ * is the right thing to do. Held as three loose fields in a bag of probe
+ * results, nothing distinguished them, and a passing shortage was written onto
+ * the file as a property of the bytes.
+ *
+ * **What this is NOT.** It is not the reading of the table — who reads, over
+ * what transport, how long anybody waits — which is
+ * `orchestrators/KeyframeTables.js`, the only thing that may call `learn`.
+ *
+ * **And it holds the evidence AGAINST itself**, which is the one thing that can
+ * only be learned from the file being played. A copied picture can be cut
+ * nowhere but a real keyframe, so where a produced piece truly began is a
+ * reading about THIS table and about nothing else. Kept here, it outlives the
+ * cut table of any one grid and reaches every step and every later session of
+ * the file; kept on a grid, as it was until 2026-09-15, it was mixed with two
+ * other facts that merely shared that grid — a step that was TOLD where to put
+ * a keyframe and did not, and a soundtrack that has no keyframes at all.
+ */
+
+/**
+ * How far a produced piece may sit from a time this table names and still be
+ * that time. Zero would be right for a container that states presentation
+ * times; AVI states frame NUMBERS and computes the time from them, landing
+ * 10-44 ms out (measured 2026-08-21), and that is what `tolerance` declares.
+ * The floor is half an audio frame, below which nothing is distinguishable.
+ */
+const NAMES_WITHIN_SEC = 0.05;
+
+export class KeyframeTable {
+  /** @type {number[] | null} */
+  #times = null;
+
+  /** @type {number} */
+  #tolerance = 0;
+
+  /** @type {string} */
+  #format = "";
+
+  /** @type {boolean} */
+  #answered = false;
+
+  /**
+   * What copied pieces of this file have shown about the table above.
+   *
+   * @type {{ checked: number, disagreed: number, maxDeviationSec: number, firstDisagreementIndex: number, deviations: number[], landedOnAnotherKeyframe: number, seen: Set<number> }}
+   */
+  #evidence = {
+    checked: 0,
+    disagreed: 0,
+    maxDeviationSec: 0,
+    firstDisagreementIndex: -1,
+    // Every deviation, so a summary can report a distribution instead of one
+    // extreme. Bounded by the number of distinct cuts the file has.
+    deviations: [],
+    // Of the pieces that began away from where they were told, how many began
+    // at ANOTHER time in this very table. That is the measurement separating
+    // the two explanations: a table describing times the file does not have,
+    // against a table naming only SOME keyframes with a grid built over its
+    // gaps. Asked 2026-08-17 by the user, who was right that the second is far
+    // more likely — every deviation measured that day was positive, 0.58-2.96s,
+    // which is what a cut pushed forward to the next real keyframe looks like.
+    landedOnAnotherKeyframe: 0,
+    // Which cuts have been counted. A piece can be produced and served again,
+    // and a repeat is the same cut, not new evidence.
+    seen: new Set()
+  };
+
+  /**
+   * Keyframe times in seconds on the FILE's own clock, ascending. Null until
+   * something has answered, and null forever after an answer of none.
+   *
+   * @returns {number[] | null}
+   */
+  get times() {
+    return this.#times;
+  }
+
+  /**
+   * How far a time in this table may sit from the instant it names.
+   *
+   * Zero for a container that states times directly; only AVI, which states
+   * frame numbers, has anything to declare here.
+   *
+   * @returns {number}
+   */
+  get tolerance() {
+    return this.#tolerance;
+  }
+
+  /**
+   * Which container stated it, whether or not it produced a table.
+   *
+   * @returns {string}
+   */
+  get format() {
+    return this.#format || "not yet read";
+  }
+
+  /**
+   * How many keyframes this table names.
+   *
+   * @returns {number}
+   */
+  get count() {
+    return this.#times?.length ?? 0;
+  }
+
+  /**
+   * Whether anything has answered about this file yet.
+   *
+   * @returns {boolean}
+   */
+  get answered() {
+    return this.#answered;
+  }
+
+  /**
+   * Whether a picture of this file can be COPIED.
+   *
+   * A copy can only be cut where a keyframe already is, so without a table
+   * there is no honest grid: declaring an even one instead is a falsehood the
+   * player punishes — it walks the whole file to rebuild the timeline, or shows
+   * audio with no picture because a segment begins with nothing decodable (both
+   * field-observed 2026-08-02).
+   *
+   * @returns {boolean}
+   */
+  get readable() {
+    return this.#times !== null;
+  }
+
+  /**
+   * Take in what a reader found. Called only by `KeyframeTables`.
+   *
+   * **A table already here is never displaced by an emptier one.** Two readers
+   * answer about one file and they are not equals: a container's own index is
+   * two point reads of 16 KB and names every keyframe, while the packet probe
+   * decodes the media and on a torrent-backed file often finds only some of
+   * them — measured 2026-08-02, 77 keyframes in 45 s without finishing, against
+   * all 570 in 0.8 s from the index. Whichever of them answers second, the
+   * fuller answer is the one that stands.
+   *
+   * @param {{ times?: number[] | null, tolerance?: number, format?: string } | null} reading
+   * @returns {this}
+   */
+  learn(reading) {
+    const wasAnswered = this.#answered;
+    this.#answered = true;
+    const times = Array.isArray(reading?.times) && reading.times.length > 0 ? reading.times : null;
+    const format = typeof reading?.format === "string" && reading.format.length > 0 ? reading.format : "";
+    const fuller = times !== null && (this.#times === null || times.length > this.#times.length);
+    // THE FORMAT NAMES WHOEVER SUPPLIED THE TIMES IN USE, so it moves with them
+    // — except before any times exist, where the first answer's name is what a
+    // refusal has to print ("no keyframe index in the ⟨format⟩ container").
+    if (format && (fuller || !wasAnswered)) {
+      this.#format = format;
+    }
+    if (!fuller) {
+      return this;
+    }
+    this.#times = times;
+    const declared = Number(reading?.tolerance);
+    this.#tolerance = Number.isFinite(declared) && declared > 0 ? declared : 0;
+    return this;
+  }
+
+  /**
+   * Whether this table names that instant.
+   *
+   * @param {number} seconds
+   * @returns {boolean} False when nothing has been read, which is not the same
+   *   as "the table does not name it" — but a table with no times makes no
+   *   claim to be wrong about either.
+   */
+  names(seconds) {
+    if (this.#times === null || !Number.isFinite(seconds)) {
+      return false;
+    }
+    const within = Math.max(NAMES_WITHIN_SEC, this.#tolerance);
+    return this.#times.some((time) => Math.abs(time - seconds) <= within);
+  }
+
+  /**
+   * A COPIED piece of this file states where it truly began.
+   *
+   * Only a copy may be witnessed here, and the caller is what knows which it
+   * has: a copy is cut at a keyframe of this file and nowhere else, so its
+   * landing is a reading about this table. A re-encoded step was told where to
+   * put a keyframe — a disagreement there is that step failing to obey, not the
+   * table being wrong — and a soundtrack is cut exactly where it is asked to
+   * be, to within one audio frame, so it says nothing about any keyframe at all.
+   *
+   * @param {object} reading
+   * @param {number} reading.index - Which cut, so a repeat is recognised.
+   * @param {number} reading.trueStart - Where the piece really began, on the
+   *   file's own clock.
+   * @param {number} reading.deviationSec - How far that is from where the grid
+   *   said it would be.
+   * @param {number} reading.toleranceSec - Above which the two are held to
+   *   disagree rather than to have rounded. The judgement's own figure, stated
+   *   by whoever is judging, so that one number decides it everywhere.
+   * @returns {void}
+   */
+  witness({ index, trueStart, deviationSec, toleranceSec }) {
+    if (!Number.isInteger(index) || !Number.isFinite(deviationSec) || this.#evidence.seen.has(index)) {
+      return;
+    }
+    this.#evidence.seen.add(index);
+    this.#evidence.checked += 1;
+    this.#evidence.deviations.push(deviationSec);
+    if (this.names(trueStart)) {
+      this.#evidence.landedOnAnotherKeyframe += 1;
+    }
+    if (deviationSec > toleranceSec) {
+      this.#evidence.disagreed += 1;
+      if (this.#evidence.firstDisagreementIndex < 0) {
+        this.#evidence.firstDisagreementIndex = index;
+      }
+    }
+    if (deviationSec > this.#evidence.maxDeviationSec) {
+      this.#evidence.maxDeviationSec = deviationSec;
+    }
+  }
+
+  /**
+   * What the copied pieces produced so far say about this table.
+   *
+   * @returns {{ checked: number, disagreed: number, maxDeviationSec: number, medianDeviationSec: number, firstDisagreementIndex: number, landedOnAnotherKeyframe: number } | null}
+   *   Null while nothing has been produced from a copy, which says neither that
+   *   the table is right nor that it is wrong.
+   */
+  get evidence() {
+    if (this.#evidence.checked === 0) {
+      return null;
+    }
+    const sorted = [...this.#evidence.deviations].sort((left, right) => left - right);
+    return {
+      checked: this.#evidence.checked,
+      disagreed: this.#evidence.disagreed,
+      maxDeviationSec: this.#evidence.maxDeviationSec,
+      medianDeviationSec: sorted[Math.floor(sorted.length / 2)],
+      firstDisagreementIndex: this.#evidence.firstDisagreementIndex,
+      landedOnAnotherKeyframe: this.#evidence.landedOnAnotherKeyframe
+    };
+  }
+}