@mytechtoday/augment-extensions 1.6.0 → 1.6.1

package/augment-extensions/writing-standards/screenplay/cinematic-styles/directors/michael-curtiz/rules/michael-curtiz.md

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+# Michael Curtiz - Screenplay Style Guide
+
+## Table of Contents
+- [Table of Contents](#table-of-contents)
+- [The Classic Hollywood Epic](#the-classic-hollywood-epic)
+- [Overview](#overview)
+- [Core Principles](#core-principles)
+  - [1. **Story First, Visuals in Service**](#1-story-first-visuals-in-service)
+  - [2. **Dynamic Dialogue with Moral Subtext**](#2-dynamic-dialogue-with-moral-subtext)
+  - [3. **Ensemble Dynamics Through Conflict and Loyalty**](#3-ensemble-dynamics-through-conflict-and-loyalty)
+  - [4. **Expressionistic Visuals Grounded in Reality**](#4-expressionistic-visuals-grounded-in-reality)
+- [Narrative Structure](#narrative-structure)
+  - [The Curtiz Three-Act Formula](#the-curtiz-three-act-formula)
+- [Character Development](#character-development)
+  - [The Reluctant Rebel](#the-reluctant-rebel)
+  - [Curtiz Character Archetypes](#curtiz-character-archetypes)
+- [Scene Construction](#scene-construction)
+  - [The "Moral Dilemma" Scene](#the-moral-dilemma-scene)
+  - [The "Swashbuckling Duel" Scene](#the-swashbuckling-duel-scene)
+  - [The "Shadow Play Revelation" Scene](#the-shadow-play-revelation-scene)
+  - [The "Musical Integration" Scene](#the-musical-integration-scene)
+  - [The "Redemption Sacrifice" Scene](#the-redemption-sacrifice-scene)
+
+## The Classic Hollywood Epic
+
+**Films Analyzed**: 
+- Casablanca (1942)
+- The Adventures of Robin Hood (1938)
+- Yankee Doodle Dandy (1942)
+- Mildred Pierce (1945)
+- Captain Blood (1935)
+- Angels with Dirty Faces (1938)
+- White Christmas (1954)
+- The Charge of the Light Brigade (1936)
+- The Sea Wolf (1941)
+- Passage to Marseille (1944)
+- The Breaking Point (1950)
+- Dodge City (1939)
+- The Private Lives of Elizabeth and Essex (1939)
+- Life with Father (1947)
+- We're No Angels (1955)
+- King Creole (1958)
+- The Egyptian (1954)
+- Noah's Ark (1928)
+- Doctor X (1932)
+- Mystery of the Wax Museum (1933)
+
+**Primary Writers**: Casey Robinson, Seton I. Miller, Julius J. Epstein, Philip G. Epstein, Howard Koch, Robert Buckner, Norman Reilly Raine, Rafael Sabatini (adaptations), Jack London (adaptations), Hal B. Wallis (production influence)  
+**Genre**: Classic Hollywood Adventure / Drama / Musical / Film Noir / Swashbuckler  
+**Core Concept**: Timeless narratives of moral ambiguity, rebellious heroism, and romantic passion, infused with dynamic visual storytelling, expressionistic flair, and a relentless pace that captures the human spirit under pressure.
+
+---
+
+## Overview
+
+Michael Curtiz, the prolific Hungarian-born director who helmed over 180 films across six decades, epitomized the golden age of Hollywood filmmaking. His work transformed studio assignments into cinematic masterpieces by blending European expressionism with American efficiency, creating stories that resonate with emotional depth, visual innovation, and narrative drive. From the swashbuckling escapades of Errol Flynn in The Adventures of Robin Hood to the shadowy moral dilemmas of Humphrey Bogart in Casablanca, Curtiz's films embody a style that prioritizes storytelling while employing fluid camera work, dramatic lighting, and forceful character interactions. This style guide distills the essence of Curtiz-type films, offering a blueprint for crafting epics that feel both grand and intimately human, where rebels confront authority, love battles cynicism, and spectacle serves the soul of the story.
+
+Curtiz's approach was rooted in his immigrant experience, absorbing American culture while infusing it with Old World artistry. He mastered genres without being confined to them, directing everything from Technicolor adventures to gritty noirs, musical extravaganzas to historical dramas. His films often explore themes of redemption, loyalty, and defiance against oppressive systems, delivered through a visual language that emphasizes movement, shadow, and composition. Unlike modern auteurs with signature motifs, Curtiz was the ultimate studio craftsman—versatile, relentless, and collaborative—yet his consistent use of aggressive visuals, quick pacing, and character-driven conflicts creates a recognizable imprint. This guide examines how to replicate that imprint in screenplays, ensuring narratives pulse with energy, characters evolve through adversity, and visuals enhance emotional stakes without overwhelming the plot.
+
+In an era of studio dominance, Curtiz's success lay in his ability to elevate scripts through direction, but this guide focuses on writing principles that align with his vision: stories that move swiftly, characters who rebel reluctantly, and scenes built on tension and release. By studying his techniques, writers can create works that echo the enduring appeal of his classics—films that entertain masses while probing the human condition. Whether crafting a wartime romance like Casablanca or a rousing adventure like Captain Blood, the Curtiz style demands authenticity, visual poetry, and a commitment to the "genius of the system," where collaboration yields timeless art.
+
+---
+
+## Core Principles
+
+### 1. **Story First, Visuals in Service**
+In Curtiz-type films, narrative drive is paramount; every visual element, from lighting to camera movement, enhances the story without distracting from it. Spectacle exists to reveal character motivations and heighten emotional conflicts, not for its own sake.
+
+**Key Philosophy**:
+- Narrative momentum trumps stylistic indulgence
+- Visuals metaphorically underscore internal struggles
+- Pacing builds relentlessly toward emotional climaxes
+- Moral stakes ground even the most adventurous tales
+
+**Examples from Films**:
+- In Casablanca, the fog-shrouded airport finale symbolizes Rick's internal fog of cynicism lifting, allowing him to sacrifice love for a greater cause.
+- The Adventures of Robin Hood uses vibrant Technicolor not just for beauty but to contrast the lush Sherwood Forest (freedom) with the dark castle interiors (oppression).
+- Yankee Doodle Dandy's musical numbers reveal George M. Cohan's patriotism and personal regrets, turning song-and-dance into character exposition.
+- Mildred Pierce employs noir shadows to mirror the protagonist's descent into moral ambiguity, where her ambition casts long, distorting shades on her family life.
+
+**Writing Approach**:
+WRONG: "The camera cranes high over the battlefield as swords clash in colorful chaos."
+RIGHT: "As Robin's men charge, the camera cranes from the oppressed villagers' fearful faces to Robin's defiant grin, his sword gleaming like a beacon of hope. The clash isn't just steel on steel—it's justice piercing tyranny, each parry revealing Robin's growing resolve to protect the innocent."
+
+This ensures visuals are tied to character arcs, making the story feel organic and immersive. Expand on motivations: Why does the hero fight? What personal loss fuels the action? Layer subtext so that every frame advances the plot while deepening empathy.
+
+### 2. **Dynamic Dialogue with Moral Subtext**
+Curtiz films feature crisp, purposeful dialogue that blends wit, tension, and revelation. Words are weapons—sharp, economical, and laced with underlying conflicts, often reflecting characters' inner turmoil or societal pressures.
+
+**Dialogue Guidelines**:
+- **Reveals character through conflict** - Each line exposes flaws, desires, or rebellions
+- **Tension in brevity** - Short, punchy exchanges build suspense
+- **Subtext drives emotion** - Unsaid feelings simmer beneath the surface
+- **Cultural authenticity** - Dialogue grounds characters in their era and milieu
+
+**Dialogue Ratio**:
+- Action sequences: 20% commands/dialogue, 80% visual/physical
+- Dramatic scenes: 50% direct confrontation, 50% implied meaning
+- Romantic interludes: 40% banter, 60% vulnerable honesty
+- Ensemble moments: Overlapping lines for realism and pace
+
+**Character Voice Examples**:
+RICK BLAINE (Cynical, world-weary, reluctantly heroic - Casablanca)
+Of all the gin joints in all the towns in all the world, she walks into mine. (Subtext: Pain masked by sarcasm, hinting at unresolved love.)
+ROBIN HOOD (Dashing, defiant, charismatic - The Adventures of Robin Hood)
+You speak treason! (Subtext: Bold challenge to authority, revealing his rebel spirit.)
+MILDRED PIERCE (Ambitious, tormented, maternal - Mildred Pierce)
+I've worked too hard to let you throw it all away. (Subtext: Desperation born of sacrifice, exposing her controlling nature.)
+JAMES CAGNEY AS GEORGE M. COHAN (Energetic, patriotic, reflective - Yankee Doodle Dandy)
+My mother thanks you. My father thanks you. My sister thanks you. And I thank you. (Subtext: Humble bravado covering deep national pride.)
+VELMA FORRESTER (Manipulative, vulnerable - Mildred Pierce)
+You think just because you made a little money you can get a new hairdo and some expensive clothes and turn yourself into a lady. (Subtext: Jealousy revealing class tensions and familial betrayal.)
+CAPTAIN THORPE (Adventurous, honorable, swashbuckling - Captain Blood)
+I'm not in the habit of taking orders from slaves! (Subtext: Defiance against injustice, foreshadowing his transformation from slave to pirate hero.)
+
+Dialogue should propel the plot while peeling back layers, using irony and implication to engage audiences intellectually and emotionally. Avoid exposition dumps; instead, integrate backstory through heated exchanges.
+
+### 3. **Ensemble Dynamics Through Conflict and Loyalty**
+Curtiz excelled at balancing large casts, where supporting characters enhance the protagonist's journey through alliances, betrayals, and redemptions.
+
+**Ensemble Techniques**:
+- **Strategic pairings** - Contrast personalities for dramatic friction
+- **Individual arcs within group stories** - Every role has purpose
+- **Shifting alliances** - Loyalties evolve, testing morals
+- **Diverse archetypes** - Heroes, villains, mentors, and foils intermingle
+
+**Pairing Examples from Films**:
+- Rick and Renault (Casablanca) - Cynic and opportunist form unlikely bond through mutual respect and shared redemption.
+- Robin and Little John (The Adventures of Robin Hood) - Leader and loyal giant clash initially, forging unbreakable camaraderie.
+- Rocky and Jerry (Angels with Dirty Faces) - Gangster and priest embody moral opposites, highlighting themes of choice and influence.
+- Mildred and Veda (Mildred Pierce) - Mother-daughter rivalry drives the noir narrative, exploring ambition and ingratitude.
+- Cohan and his family (Yankee Doodle Dandy) - Personal relationships ground the biographical musical in emotional authenticity.
+
+**Writing Approach**:
+ENSEMBLE SCENE STRUCTURE:
+
+Introduce group tension (ideological clash or external threat)
+Highlight individual motivations (brief spotlights on 2-3 characters)
+Build to confrontation (dialogue escalates to action)
+Resolve with shifted dynamics (new alliance or deepened rift)
+Foreshadow larger arc (hint at future betrayals or unities)
+
+
+This structure ensures ensembles feel alive, with each member contributing to the thematic tapestry.
+
+### 4. **Expressionistic Visuals Grounded in Reality**
+Curtiz's style draws from German Expressionism, using shadows, angles, and movement to convey psychology, while rooting spectacles in authentic settings.
+
+**Visual Principles**:
+- **Shadow play for mood** - Darkness symbolizes inner turmoil
+- **Fluid camera for energy** - Tracks and cranes emphasize motion
+- **Compositions for tension** - Shoulder-to-shoulder shots build intimacy
+- **Technological innovation** - Color, sound, widescreen enhance immersion
+
+**Visual Philosophy**:
+NOT: Static wide shot of a city street.
+BUT: The camera tracks fluidly through Casablanca's bustling market, shadows from overhanging awnings casting bars across Rick's face, mirroring his emotional imprisonment as he navigates the crowd, his eyes darting—alert to threats, haunted by memories.
+
+Visuals must serve the story's emotional core, using practical effects and sets to blend realism with artistry.
+
+---
+
+## Narrative Structure
+
+### The Curtiz Three-Act Formula
+
+Curtiz films follow a classic Hollywood structure but infuse it with moral complexity, visual dynamism, and escalating personal stakes, building to cathartic resolutions.
+
+#### Act 1: Establishment and Incitement (0-30 minutes)
+**Goal**: Introduce the world, hero's flaw, and initial conflict, hooking with visual flair and character depth.
+
+**Key Elements**:
+- **World-building through visuals** - Establish setting with expressive shots
+- **Hero's baseline** - Show reluctant rebel in ordinary circumstances
+- **Internal conflict** - Reveal moral dilemma or personal wound
+- **Inciting incident** - External force disrupts status quo
+- **Call to action** - Hero resists but is drawn in
+
+**Pacing**:
+- Quick establishment via montages or tracking shots
+- Early action or tension sequence
+- Emotional anchor by minute 15
+- Visual motifs introduced (e.g., shadows for noir, color for adventure)
+
+**Examples**:
+- Casablanca: Rick's café introduced with fluid camera sweeping through patrons, establishing his cynical exile; Ilsa's arrival incites old wounds.
+- The Adventures of Robin Hood: Vibrant forest shots set the oppressed world; Robin's defiance at the banquet sparks rebellion.
+- Mildred Pierce: Flashback structure reveals Mildred's rise; her daughter's ingratitude incites the central conflict.
+- Captain Blood: Thorpe's enslavement establishes injustice; escape opportunity calls him to piracy.
+
+In writing, layer visuals with subtext: Use crane shots to convey isolation or unity, ensuring the act ends with the hero committed, albeit reluctantly.
+
+#### Act 2A: Escalation and Alliances (30-60 minutes)
+**Goal**: Build tensions, form relationships, and confront initial obstacles, expanding the world through dynamic sequences.
+
+**Escalation Pattern**:
+1. **Hero's initial resistance** - Attempts lone solutions, fails
+2. **Allies emerge** - Reluctant partnerships form
+3. **First major conflict** - Victory at cost or defeat
+4. **Antagonist's depth revealed** - Not pure evil, but complex
+5. **Internal fractures** - Doubts or betrayals arise
+
+**Key Techniques**:
+- **Montages for progression** - Show time passing with visual energy
+- **Character contrasts** - Highlight differences for growth
+- **Rising action with visuals** - Increasing shadow play or pace
+- **Thematic expansion** - Deepen moral themes like loyalty vs. self-interest
+
+**Examples**:
+- Angels with Dirty Faces: Rocky's gang life contrasts Jerry's priesthood; alliances tested in street confrontations.
+- White Christmas: Bing Crosby's character forms showbiz partnerships; romantic tensions escalate through musical numbers.
+- The Sea Wolf: Crew alliances against tyrannical captain build through stormy sea sequences.
+- Dodge City: Lawman hero assembles deputies amid escalating frontier violence.
+
+Scripts should interweave personal and plot developments, using dialogue subtext to reveal evolving loyalties.
+
+#### Act 2B: Crisis and Despair (60-90 minutes)
+**Goal**: Push hero to breaking point, fracturing alliances and amplifying stakes.
+
+**Midpoint Crisis**:
+- **Major setback** - Loss of ally, moral compromise
+- **Personal revelation** - Hero confronts flaw
+- **Group dissolution** - Betrayals or separations
+- **Deepest doubt** - Questions identity or purpose
+
+**Examples**:
+- Casablanca: Rick's bitterness peaks with Ilsa's confession; Vichy control tightens.
+- Mildred Pierce: Veda's manipulations lead to Mildred's financial ruin and emotional collapse.
+- Yankee Doodle Dandy: Cohan's career highs crash into personal losses.
+- The Breaking Point: Fisher's desperate smuggling venture unravels, isolating him.
+
+Build intensity with visual metaphors—darkening lighting, tighter shots—to mirror psychological descent.
+
+#### Act 3: Confrontation and Resolution (90-120+ minutes)
+**Goal**: Hero rallies, faces antagonist, achieves bittersweet victory.
+
+**Resolution Principles**:
+- **Moral choice** - Hero embraces rebellion or sacrifice
+- **Unified effort** - Allies contribute uniquely
+- **Climactic spectacle** - Visual payoff with emotional weight
+- **Catharsis** - Resolution with lingering ambiguity
+- **Thematic closure** - Affirm human resilience
+
+**Final Confrontation Structure**:
+
+RALLY - Hero finds resolve, reunites allies
+PLAN - Strategic or improvised approach
+ASSAULT - Dynamic action with personal stakes
+REVERSAL - Antagonist's advantage
+TURNING POINT - Hero overcomes flaw
+CLIMAX - Decisive moral/action blow
+DENOUEMENT - Emotional aftermath, new equilibrium
+VISUAL CODA - Iconic image sealing theme
+
+
+**Examples**:
+- Casablanca: Rick's airport sacrifice, fog symbolizing transition.
+- The Adventures of Robin Hood: Castle siege, Robin's duel with Guy of Gisbourne.
+- King Creole: Elvis's character confronts mobsters in musical showdown.
+
+End with emotional resonance, avoiding tidy bows—Curtiz favored nuanced victories.
+
+---
+
+## Character Development
+
+### The Reluctant Rebel
+
+**Core Traits**:
+- **Exceptional ability** - Skill, charm, or intellect
+- **Moral flaw** - Cynicism, ambition, or rigidity
+- **Ethical core** - Innate sense of justice
+- **Transformation via conflict** - Grows through adversity
+
+**Character Arc Template**:
+SETUP: Hero defined by reluctance (Rick's isolation, Robin's nobility in hiding)
+CHALLENGE: Flaw exacerbates problems (creates enemies, loses love)
+CRISIS: Flaw causes downfall (betrayal, loss)
+GROWTH: Embraces rebellion (sacrifices self-interest)
+RESOLUTION: Redeemed identity (heroic figure emerges)
+
+Elaborate arcs with subplots: Rick's past with Ilsa informs his cynicism; Mildred's drive stems from abandonment fears. Use visuals to track evolution—lighter shadows as heroism dawns.
+
+### Curtiz Character Archetypes
+
+**The Cynical Exile** (Rick Blaine, Harry Morgan in The Breaking Point):
+- World-weary but capable
+- Masks pain with sarcasm
+- Reluctant involvement in larger causes
+- Redeems through sacrifice
+
+Expand: These characters start detached, drawn into conflict by personal ties. Dialogue sharpens their wit, visuals isolate them in frames.
+
+**The Dashing Swashbuckler** (Robin Hood, Peter Blood):
+- Charismatic leader against tyranny
+- Witty in defiance
+- Physical prowess with moral code
+- Unites outcasts
+
+Detail: Action reveals grace under pressure; romances add vulnerability. Pair with loyal sidekicks for banter.
+
+**The Ambitious Matriarch** (Mildred Pierce, Joan Crawford roles):
+- Driven by family/security
+- Moral compromises for success
+- Tormented by ingratitude
+- Finds strength in adversity
+
+Verbose: Explore gender dynamics; shadows emphasize internal strife.
+
+**The Patriotic Performer** (George M. Cohan, Bing Crosby in White Christmas):
+- Energetic, showman-like
+- Hides regrets behind flair
+- Patriotism as redemption
+- Grows through reflection
+
+Elaborate: Musical numbers externalize emotions; ensembles amplify charisma.
+
+**The Redeemable Gangster** (Rocky Sullivan, Edward G. Robinson roles):
+- Charismatic criminal
+- Seeks redemption indirectly
+- Influences youth/morals
+- Tragic end with heroism
+
+Detail: Forceful acting; quick cuts heighten intensity.
+
+**The Tyrannical Authority** (Wolf Larsen in The Sea Wolf, Prince John):
+- Complex villain, not caricature
+- Intellectual/physical dominance
+- Mirrors hero's potential dark side
+- Defeat affirms justice
+
+Expand: Humanize with backstories; confrontations build thematic depth.
+
+**The Loyal Confidant** (Sam in Casablanca, Little John):
+- Wise, supportive
+- Provides comic relief or wisdom
+- Tests hero's decisions
+- Sacrifices for greater good
+
+Verbose: Ground ensembles; dialogue reveals hero's heart.
+
+---
+
+## Scene Construction
+
+### The "Moral Dilemma" Scene
+Central to Curtiz films, where heroes face choices defining their rebellion.
+
+**Structure**:
+1. **Setup context** - Visuals establish stakes (shadowy room for tension)
+2. **Conflicting arguments** - Dialogue exposes options
+3. **Internal struggle** - Close-ups on faces, subtle expressions
+4. **Decision moment** - Fluid camera tracks reaction
+5. **Consequence hint** - Foreshadow outcome
+
+**Example Template**:
+INT. RICK'S CAFÉ - NIGHT
+Shadows dance from the piano as Sam plays softly. Rick pours whiskey, face etched with conflict.
+ILSA
+You have to help us, Rick. For old times' sake.
+RICK
+(eyes hardening)
+I stick my neck out for nobody.
+Camera tracks closer: Ilsa's plea, Rick's flicker of pain. He turns away, shadow engulfing him—decision deferred, but turmoil evident.
+
+### The "Swashbuckling Duel" Scene
+High-energy action showcasing heroism and visuals.
+
+**Elements**:
+- **Build-up** - Banter establishes personal grudge
+- **Choreography** - Fluid movements, unusual angles
+- **Environment interaction** - Use settings dynamically
+- **Emotional beat** - Victory tied to moral triumph
+- **Pacing** - Quick cuts, crane shots for scope
+
+**Timing Rules**:
+- Banter before clash (heightens anticipation)
+- Intercuts during (personal reactions)
+- Silence post-victory (reflection)
+- Avoid gratuitous violence; tie to character
+
+**Examples**:
+WRONG (Generic fight):
+Robin swings sword at Gisbourne.
+RIGHT (Character-driven):
+Robin leaps onto the banquet table, sword flashing. 'For King Richard!' Gisbourne sneers, parrying. Shadows from torches elongate their forms, each thrust revealing Robin's agility vs. Gisbourne's brutality. Camera circles, capturing Robin's grin—defiance personified.
+
+### The "Shadow Play Revelation" Scene
+Uses expressionistic lighting for emotional uncovers.
+
+**Required Elements**:
+- **Atmospheric setup** - Dim lights, angled shadows
+- **Revelation dialogue** - Subtext-heavy confession
+- **Visual metaphor** - Shadows distort truth
+- **Character reaction** - Forceful acting, close-ups
+- **Resolution shift** - Light change signals change
+
+**Examples**:
+- Casablanca: Rick's shadow on the wall during Ilsa's story, symbolizing hidden past.
+- Mildred Pierce: Veda's betrayal in noir lighting, shadows caging Mildred.
+
+### The "Musical Integration" Scene
+In musicals, songs advance plot and character.
+
+**Structure**:
+1. **Emotional trigger** - Conflict sparks performance
+2. **Visual flair** - Crane shots, fluid transitions
+3. **Lyric subtext** - Words reveal inner thoughts
+4. **Ensemble involvement** - Builds community
+5. **Payoff** - Advances arc
+
+**Examples**:
+- Yankee Doodle Dandy: "Yankee Doodle Boy" showcases Cohan's energy, revealing ambition.
+- White Christmas: "White Christmas" song ties romance to nostalgia.
+
+### The "Redemption Sacrifice" Scene
+Hero's ultimate act of rebellion/selflessness.
+
+**Structure**:
+1. **Impossible odds** - Stakes peak
+2. **Hero's resolve** - Moral choice made
+3. **Allied pleas** - Heighten emotion
+4. **Act of sacrifice** - Dynamic visuals
+5. **Aftermath** - Bittersweet closure
+
+**Example**:
+- Angels with Dirty Faces: Rocky's fake cowardice to save kids, shadows emphasizing tragedy.
+
+This guide, drawing from Curtiz's vast oeuvre, provides a framework for crafting films that endure. By emphasizing narrative integrity, visual expression, and character depth, writers can evoke the magic of classic Hollywood, where stories of rebels and romantics continue to captivate generations.

package/augment-extensions/writing-standards/screenplay/cinematic-styles/directors/michael-mann/module.json

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+{
+  "name": "cinematic-styles-directors-michael-mann",
+  "version": "1.0.0",
+  "displayName": "Michael Mann Style Guide",
+  "description": "Screenplay style guide for Michael Mann",
+  "type": "writing-standards",
+  "category": "screenplay/cinematic-styles/directors",
+  "tags": [
+    "screenplay",
+    "cinematic-style",
+    "director",
+    "auteur",
+    "michael-mann"
+  ],
+  "dependencies": {
+    "required": [],
+    "optional": [
+      "writing-standards/screenplay"
+    ]
+  },
+  "augment": {
+    "characterCount": 5000,
+    "priority": "medium",
+    "category": "cinematic-styles",
+    "appliesTo": {
+      "filePatterns": [
+        "**/*.fountain",
+        "**/*.screenplay",
+        "**/screenplay/**/*.md",
+        "**/screenplays/**/*"
+      ],
+      "languages": [
+        "fountain",
+        "markdown"
+      ]
+    }
+  },
+  "installation": {
+    "required": false,
+    "steps": [
+      "Link module: augx link writing-standards/screenplay/cinematic-styles/directors/michael-mann",
+      "Configure active style in .augment/screenplay-config.json"
+    ]
+  },
+  "contents": {
+    "rules": [
+      "michael-mann.md"
+    ]
+  }
+}