anystyle 1.0.0

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  1. checksums.yaml +7 -0
  2. data/HISTORY.md +78 -0
  3. data/LICENSE +27 -0
  4. data/README.md +103 -0
  5. data/lib/anystyle.rb +71 -0
  6. data/lib/anystyle/dictionary.rb +132 -0
  7. data/lib/anystyle/dictionary/gdbm.rb +52 -0
  8. data/lib/anystyle/dictionary/lmdb.rb +67 -0
  9. data/lib/anystyle/dictionary/marshal.rb +27 -0
  10. data/lib/anystyle/dictionary/redis.rb +55 -0
  11. data/lib/anystyle/document.rb +264 -0
  12. data/lib/anystyle/errors.rb +14 -0
  13. data/lib/anystyle/feature.rb +27 -0
  14. data/lib/anystyle/feature/affix.rb +43 -0
  15. data/lib/anystyle/feature/brackets.rb +32 -0
  16. data/lib/anystyle/feature/canonical.rb +13 -0
  17. data/lib/anystyle/feature/caps.rb +20 -0
  18. data/lib/anystyle/feature/category.rb +70 -0
  19. data/lib/anystyle/feature/dictionary.rb +16 -0
  20. data/lib/anystyle/feature/indent.rb +16 -0
  21. data/lib/anystyle/feature/keyword.rb +52 -0
  22. data/lib/anystyle/feature/line.rb +39 -0
  23. data/lib/anystyle/feature/locator.rb +18 -0
  24. data/lib/anystyle/feature/number.rb +39 -0
  25. data/lib/anystyle/feature/position.rb +28 -0
  26. data/lib/anystyle/feature/punctuation.rb +22 -0
  27. data/lib/anystyle/feature/quotes.rb +20 -0
  28. data/lib/anystyle/feature/ref.rb +21 -0
  29. data/lib/anystyle/feature/terminal.rb +19 -0
  30. data/lib/anystyle/feature/words.rb +74 -0
  31. data/lib/anystyle/finder.rb +94 -0
  32. data/lib/anystyle/format/bibtex.rb +63 -0
  33. data/lib/anystyle/format/csl.rb +28 -0
  34. data/lib/anystyle/normalizer.rb +65 -0
  35. data/lib/anystyle/normalizer/brackets.rb +13 -0
  36. data/lib/anystyle/normalizer/container.rb +13 -0
  37. data/lib/anystyle/normalizer/date.rb +109 -0
  38. data/lib/anystyle/normalizer/edition.rb +16 -0
  39. data/lib/anystyle/normalizer/journal.rb +14 -0
  40. data/lib/anystyle/normalizer/locale.rb +30 -0
  41. data/lib/anystyle/normalizer/location.rb +24 -0
  42. data/lib/anystyle/normalizer/locator.rb +22 -0
  43. data/lib/anystyle/normalizer/names.rb +88 -0
  44. data/lib/anystyle/normalizer/page.rb +29 -0
  45. data/lib/anystyle/normalizer/publisher.rb +18 -0
  46. data/lib/anystyle/normalizer/pubmed.rb +18 -0
  47. data/lib/anystyle/normalizer/punctuation.rb +23 -0
  48. data/lib/anystyle/normalizer/quotes.rb +14 -0
  49. data/lib/anystyle/normalizer/type.rb +54 -0
  50. data/lib/anystyle/normalizer/volume.rb +26 -0
  51. data/lib/anystyle/parser.rb +199 -0
  52. data/lib/anystyle/support.rb +4 -0
  53. data/lib/anystyle/support/finder.mod +3234 -0
  54. data/lib/anystyle/support/finder.txt +75 -0
  55. data/lib/anystyle/support/parser.mod +15025 -0
  56. data/lib/anystyle/support/parser.txt +75 -0
  57. data/lib/anystyle/utils.rb +70 -0
  58. data/lib/anystyle/version.rb +3 -0
  59. data/res/finder/bb132pr2055.ttx +6803 -0
  60. data/res/finder/bb550sh8053.ttx +18660 -0
  61. data/res/finder/bb599nz4341.ttx +2957 -0
  62. data/res/finder/bb725rt6501.ttx +15276 -0
  63. data/res/finder/bc605xz1554.ttx +18815 -0
  64. data/res/finder/bd040gx5718.ttx +4271 -0
  65. data/res/finder/bd413nt2715.ttx +4956 -0
  66. data/res/finder/bd466fq0394.ttx +6100 -0
  67. data/res/finder/bf668vw2021.ttx +3578 -0
  68. data/res/finder/bg495cx0468.ttx +7267 -0
  69. data/res/finder/bg599vt3743.ttx +6752 -0
  70. data/res/finder/bg608dx2253.ttx +4094 -0
  71. data/res/finder/bh410qk3771.ttx +8785 -0
  72. data/res/finder/bh989ww6442.ttx +17204 -0
  73. data/res/finder/bj581pc8202.ttx +2719 -0
  74. data/res/parser/bad.xml +5199 -0
  75. data/res/parser/core.xml +7924 -0
  76. data/res/parser/gold.xml +2707 -0
  77. data/res/parser/good.xml +34281 -0
  78. data/res/parser/stanford-books.xml +2280 -0
  79. data/res/parser/stanford-diss.xml +726 -0
  80. data/res/parser/stanford-theses.xml +4684 -0
  81. data/res/parser/ugly.xml +33246 -0
  82. metadata +195 -0
@@ -0,0 +1,2280 @@
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4
+ <author>Culler, Jonathan.</author>
5
+ <date>1976.</date>
6
+ <title>Saussure.</title>
7
+ <location>London:</location>
8
+ <publisher>Fontana Collins.</publisher>
9
+ </sequence>
10
+ <sequence>
11
+ <author>———.</author>
12
+ <date>1996.</date>
13
+ <title>Classical Archaeology: Experiences of the Discipline.</title>
14
+ <location>London:</location>
15
+ <publisher>Routledge.</publisher>
16
+ </sequence>
17
+ <sequence>
18
+ <author>Shelley, Percy Bysshe.</author>
19
+ <date>2004.</date>
20
+ <title>Complete Poetry.</title>
21
+ <editor>Eds. Donald H Reiman and Neilm Fraistat.</editor>
22
+ <location>Baltimore:</location>
23
+ <publisher>Johns Hopkins University Press.</publisher>
24
+ </sequence>
25
+ <sequence>
26
+ <author>Holtorf, Cornelius.</author>
27
+ <date>2005.</date>
28
+ <title>From Stonehenge to Las Vegas: Archaeology as Popular Culture.</title>
29
+ <location>Walnut Creek, CA:</location>
30
+ <publisher>AltaMira Press.</publisher>
31
+ </sequence>
32
+ <sequence>
33
+ <author>Wainwright, Clive.</author>
34
+ <date>1989.</date>
35
+ <title>The Romantic Interior: The British Collector at Home, 1750–1850.</title>
36
+ <location>New Haven, CT:</location>
37
+ <publisher>Yale University Press.</publisher>
38
+ </sequence>
39
+ <sequence>
40
+ <author>Burke, James.</author>
41
+ <date>2000.</date>
42
+ <title>Circles: 50 Round Trips Through History, Technology, Science, Culture.</title>
43
+ <location>New York:</location>
44
+ <publisher>Simon &amp; Schuster.</publisher>
45
+ </sequence>
46
+ <sequence>
47
+ <author>Beck, Ulrich.</author>
48
+ <date>1992.</date>
49
+ <title>Risk Society: Towards a New Modernity.</title>
50
+ <location>London:</location>
51
+ <publisher>Sage.</publisher>
52
+ </sequence>
53
+ <sequence>
54
+ <author>Gordon, Alexander.</author>
55
+ <date>1726.</date>
56
+ <title>Itinerarium septentrionale: or, A journey thro' most of the counties of Scotland, and those in the north of England. In two parts ... illus- trated with sixty-six copper plates.</title>
57
+ <location>London:</location>
58
+ <note>Printed for the author and sold by G. Strahan etc.</note>
59
+ </sequence>
60
+ <sequence>
61
+ <author>———.</author>
62
+ <date>1996.</date>
63
+ <title>The Discovery of the Past: The Origins of Archaeology.</title>
64
+ <location>London:</location>
65
+ <publisher>British Museum Press.</publisher>
66
+ </sequence>
67
+ <sequence>
68
+ <author>Gregory, Derek.</author>
69
+ <date>1994.</date>
70
+ <title>Geographical Imaginations.</title>
71
+ <location>Oxford, UK:</location>
72
+ <publisher>Blackwell.</publisher>
73
+ </sequence>
74
+ <sequence>
75
+ <author>Hutton, James.</author>
76
+ <date>1788.</date>
77
+ <title>Theory of the earth; or, An investigation of the laws observ- able in the composition, dissolution, and restoration of land upon the globe.</title>
78
+ <location>Edinburgh.</location>
79
+ </sequence>
80
+ <sequence>
81
+ <author>———.</author>
82
+ <date>1836.</date>
83
+ <title>Tales of a Grandfather.</title>
84
+ <location>Edinburgh:</location>
85
+ <publisher>R. Cadell.</publisher>
86
+ </sequence>
87
+ <sequence>
88
+ <author>———.</author>
89
+ <date>1805.</date>
90
+ <title>Biographical account of the late James Hutton, FRS Edinburgh.</title>
91
+ <journal>Transactions of the Royal Society of Edinburgh</journal>
92
+ <volume>5:</volume>
93
+ <pages>39–99.</pages>
94
+ </sequence>
95
+ <sequence>
96
+ <author>———.</author>
97
+ <date>1973.</date>
98
+ <title>Social Justice and the City.</title>
99
+ <location>London:</location>
100
+ <publisher>Edward Arnold.</publisher>
101
+ </sequence>
102
+ <sequence>
103
+ <author>Tilley, Christopher.</author>
104
+ <date>1994.</date>
105
+ <title>A Phenomenology of Landscape: Places, Paths and Monuments.</title>
106
+ <location>Oxford:</location>
107
+ <publisher>Berg.</publisher>
108
+ </sequence>
109
+ <sequence>
110
+ <author>Wallace, Jennifer.</author>
111
+ <date>2004.</date>
112
+ <title>Digging the Dirt: The Archaeological Imagination.</title>
113
+ <location>London:</location>
114
+ <publisher>Duckworth.</publisher>
115
+ </sequence>
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+ <sequence>
117
+ <author>———.</author>
118
+ <date>1783.</date>
119
+ <title>A Select Collection of English Songs.</title>
120
+ <location>London:</location>
121
+ <publisher>Printed for J. Johnson.</publisher>
122
+ </sequence>
123
+ <sequence>
124
+ <author>———.</author>
125
+ <date>1810.</date>
126
+ <title>The Itinerary of Greece, with a commentary on Pausanias and Strabo, and an account of the Monuments of Antiquity at present existing in that country, compiled in the years 1801, 2, 5, 6 etc.</title>
127
+ <location>London:</location>
128
+ <publisher>T. Payne.</publisher>
129
+ </sequence>
130
+ <sequence>
131
+ <author>Harvey, David.</author>
132
+ <date>1969.</date>
133
+ <title>Explanation in Geography.</title>
134
+ <location>London:</location>
135
+ <publisher>Edward Arnold.</publisher>
136
+ </sequence>
137
+ <sequence>
138
+ <author>———.</author>
139
+ <date>1788.</date>
140
+ <title>Theory of the earth, or, an investigation of the laws observable in the composition, dissoultion, and restoration of land upon the globe.</title>
141
+ <journal>Transactions of the Royal Society of Edinburgh</journal>
142
+ <volume>1:</volume>
143
+ <pages>209–304.</pages>
144
+ </sequence>
145
+ <sequence>
146
+ <editor>Neville, Brian, and Johanne Villeneuve, eds.</editor>
147
+ <date>2002.</date>
148
+ <title>Waste-Site Stories: The Recycling of Memory.</title>
149
+ <location>Albany, NY:</location>
150
+ <publisher>SUNY.</publisher>
151
+ </sequence>
152
+ <sequence>
153
+ <author>Piggott, Stuart.</author>
154
+ <date>1950.</date>
155
+ <title>William Stukeley, an Eighteenth-century Antiquary.</title>
156
+ <location>Oxford, UK:</location>
157
+ <publisher>Clarendon Press.</publisher>
158
+ </sequence>
159
+ <sequence>
160
+ <author>Salzani, Carlo.</author>
161
+ <date>2007.</date>
162
+ <title>The city as crime scene: Walter Benjamin and the traces of the detective.</title>
163
+ <journal>New German Critique</journal>
164
+ <volume>34:</volume>
165
+ <pages>165–87.</pages>
166
+ </sequence>
167
+ <sequence>
168
+ <author>Latour, Bruno, and Shirley Strum.</author>
169
+ <date>1986.</date>
170
+ <title>Human social origins: Oh please, tell us another story!, .</title>
171
+ <journal>Journal of Social and Biological Structures</journal>
172
+ <volume>9:</volume>
173
+ <pages>169–87.</pages>
174
+ </sequence>
175
+ <sequence>
176
+ <author>———.</author>
177
+ <date>2007.</date>
178
+ <title>Archaeology is a Brand!: the Meaning of Archaeology in Contemporary Popular Culture.</title>
179
+ <location>Walnut Creek, CA:</location>
180
+ <publisher>Left Coast Press, Inc.</publisher>
181
+ </sequence>
182
+ <sequence>
183
+ <author>Pearson, Mike.</author>
184
+ <date>2007.</date>
185
+ <title>In Comes I: Performance, Memory, and Landscape.</title>
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+ <location>Exeter:</location>
187
+ <publisher>University of Exeter Press.</publisher>
188
+ </sequence>
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+ <sequence>
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+ <author>Hutchinson, William.</author>
191
+ <date>1778.</date>
192
+ <title>A View of Northumberland, with an Excursion to the Abbey of Mailross in Scotland.</title>
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+ <location>Newcastle:</location>
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+ <publisher>Printed by T. Saint by W. Charnley, Vesey and Whitfield.</publisher>
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+ </sequence>
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+ <sequence>
197
+ <author>Thomas, Julian.</author>
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+ <date>2004.</date>
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+ <title>Archaeology and Modernity.</title>
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+ <location>London:</location>
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+ <publisher>Routledge.</publisher>
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+ </sequence>
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+ <sequence>
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+ <author>Stengers, Isabelle.</author>
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+ <date>2005.</date>
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+ <title>Introductory notes on an ecology of practices.</title>
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+ <journal>Cultural Studies</journal>
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+ <volume>11:</volume>
209
+ <pages>183–96.</pages>
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+ </sequence>
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+ <sequence>
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+ <author>Daniel, Glyn Edmund.</author>
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+ <date>1950.</date>
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+ <title>A Hundred Years of Archaeology.</title>
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+ <location>London:</location>
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+ <publisher>Duckworth.</publisher>
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+ </sequence>
218
+ <sequence>
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+ <author>Giddens, Anthony.</author>
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+ <date>1991.</date>
221
+ <title>Modernity and Self-Identity: Self and Society in the Late Modern Age.</title>
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+ <location>Cambridge, UK:</location>
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+ <publisher>Blackwell Polity.</publisher>
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+ </sequence>
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+ <sequence>
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+ <author>Sloterdijk, Peter.</author>
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+ <date>2004.</date>
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+ <title>Sphären III: Schäume, Plurale Sphärolgie.</title>
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+ <location>Frankfurt:</location>
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+ <publisher>Suhrkamp.</publisher>
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+ </sequence>
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+ <sequence>
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+ <author>———.</author>
234
+ <date>1791.</date>
235
+ <title>Pieces of Ancient Popular Poetry: from Authentic Manuscripts and Old Printed Copies.</title>
236
+ <location>London,:</location>
237
+ <note>Printed by C. Clarke, for T. and J. Egerton.</note>
238
+ </sequence>
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+ <sequence>
240
+ <author>———.</author>
241
+ <date>1992.</date>
242
+ <title>Experiencing the Past: On the Character of Archaeology.</title>
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+ <location>London:</location>
244
+ <publisher>Routledge.</publisher>
245
+ </sequence>
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+ <sequence>
247
+ <author>Benjamin, Walter.</author>
248
+ <date>1970.</date>
249
+ <title>Theses on the philosophy of history, in Illuminations.</title>
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+ <location>London:</location>
251
+ <publisher>Jonathan Cape.</publisher>
252
+ </sequence>
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+ <sequence>
254
+ <author>———.</author>
255
+ <date>1820.</date>
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+ <title>Robin Hood: a collection of all the ancient poems, songs, and bal- lads, now extant, relative to that celebrated English outlaw.</title>
257
+ <location>London:</location>
258
+ <publisher>Printed for Longman, Hurst, Rees, Orme.</publisher>
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+ </sequence>
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+ <sequence>
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+ <author>———.</author>
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+ <date>2004.</date>
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+ <title>Past Poetic: Archaeology in the Poetry of W.B. Yeats and Seamus Heaney.</title>
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+ <location>London:</location>
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+ <publisher>Duckworth.</publisher>
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+ </sequence>
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+ <sequence>
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+ <author>Percy, Thomas.</author>
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+ <date>1765.</date>
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+ <title>Reliques of Ancient English Poetry.</title>
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+ <location>London:</location>
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+ <publisher>Printed for J. Dodsley.</publisher>
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+ </sequence>
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+ <sequence>
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+ <author>Ritson, Joseph.</author>
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+ <date>1782.</date>
277
+ <title>Observations on the three first volumes of The history of English poetry.</title>
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+ <location>London:</location>
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+ <publisher>J. Stockdale etc.</publisher>
280
+ </sequence>
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+ <sequence>
282
+ <author>Macpherson, James.</author>
283
+ <date>1765.</date>
284
+ <title>The Works of Ossian, the Son of Fingal.</title>
285
+ <location>London:</location>
286
+ <publisher>Printed for T.Becket and P.A. Dehondt.</publisher>
287
+ </sequence>
288
+ <sequence>
289
+ <author>Hutton, William.</author>
290
+ <date>1781.</date>
291
+ <title>An History of Birmingham to the end of the year 1780.</title>
292
+ <location>Birmingham:</location>
293
+ <publisher>Pearson.</publisher>
294
+ </sequence>
295
+ <sequence>
296
+ <author>Hall, Peter.</author>
297
+ <date>1998.</date>
298
+ <title>Cities in Civilization: Culture, Innovation, and Urban Order.</title>
299
+ <location>London:</location>
300
+ <publisher>Weidenfeld &amp; Nicolson.</publisher>
301
+ </sequence>
302
+ <sequence>
303
+ <author>———.</author>
304
+ <date>1802.</date>
305
+ <title>History of the Roman Wall, which crosses the island of Britain from the German Ocean to the Irish Sea. Describing its Ancient State, and its Appearance in the Year 1801.</title>
306
+ <location>London:</location>
307
+ <publisher>John Nichols etc.</publisher>
308
+ </sequence>
309
+ <sequence>
310
+ <author>———.</author>
311
+ <date>1807.</date>
312
+ <title>The geography and antiquities of Ithaca.</title>
313
+ <location>London:</location>
314
+ <publisher>Printed by J. Wright for Longman, Hurst, Rees, and Orme.</publisher>
315
+ </sequence>
316
+ <sequence>
317
+ <author>Horsley, John.</author>
318
+ <date>1732.</date>
319
+ <title>Britannia Romana, or, The Roman Antiquities of Britain.</title>
320
+ <location>London:</location>
321
+ <publisher>Printed for J. Osborn and T. Longman.</publisher>
322
+ </sequence>
323
+ <sequence>
324
+ <author>Myrone, Martin, a nd Lucy Peltz.</author>
325
+ <date>1999.</date>
326
+ <title>Producing the Past: Aspects of Antiquarian Culture and Practice, 1700–1850.</title>
327
+ <location>Brookfield, VT:</location>
328
+ <publisher>Ashgate.</publisher>
329
+ </sequence>
330
+ <sequence>
331
+ <author>———.</author>
332
+ <date>1794.</date>
333
+ <title>An Investigation of the principles of knowledge and of the progress of reason, from sense to science and philosophy.</title>
334
+ <location>London:</location>
335
+ <publisher>A. Strahan and T. Cadell.</publisher>
336
+ </sequence>
337
+ <sequence>
338
+ <author>Shapin, S., and S. Schaffer.</author>
339
+ <date>1986.</date>
340
+ <title>Leviathan and the Air-Pump: Hobbes, Boyle and the Experimental Life.</title>
341
+ <location>Princeton, NJ:</location>
342
+ <publisher>Princeton University Press.</publisher>
343
+ </sequence>
344
+ <sequence>
345
+ <author>Foucault, Michel.</author>
346
+ <date>1972.</date>
347
+ <title>The Archaeology of Knowledge.</title>
348
+ <location>London:</location>
349
+ <publisher>Tavistock/ Routledge.</publisher>
350
+ </sequence>
351
+ <sequence>
352
+ <author>Lockhart, John Gibson.</author>
353
+ <date>1850.</date>
354
+ <title>Memoirs of the Life of Sir Walter Scott, Bart.</title>
355
+ <location>Edinburgh:</location>
356
+ <publisher>Cadell.</publisher>
357
+ </sequence>
358
+ <sequence>
359
+ <author>Butterworth, George, &amp; Jarrett, Nicholas.</author>
360
+ <date>1991.</date>
361
+ <title>What minds have in common in space: Spatial mechanisms serving joint visual attention in infancy.</title>
362
+ <journal>British Journal of Developmental Psychology</journal>
363
+ <volume>9,</volume>
364
+ <pages>55–72.</pages>
365
+ </sequence>
366
+ <sequence>
367
+ <author>Maneva, Blagovesta, &amp; Genesee, Fred.</author>
368
+ <date>2002.</date>
369
+ <title>Bilingual babbling: Evidence for language differentiation in dual language acquisition.</title>
370
+ <editor>In B. Skarabela, S. Fish, &amp; A. H.-J. Do (eds.),</editor>
371
+ <container-title>Proceedings of the 26th Boston University Conference on Language Development</container-title>
372
+ <pages>(383–392).</pages>
373
+ <location>Somerville, MA:</location>
374
+ <publisher>Cascadilla Press.</publisher>
375
+ </sequence>
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+ <sequence>
377
+ <author>Colas, Annie.</author>
378
+ <date>1999.</date>
379
+ <title>Introducing infants to referential events: A developmental study of material ostensive marking in French.</title>
380
+ <journal>Journal of Child Language</journal>
381
+ <volume>26,</volume>
382
+ <pages>113–131.</pages>
383
+ </sequence>
384
+ <sequence>
385
+ <author>Wernicke, Carl.</author>
386
+ <date>1874.</date>
387
+ <title>Der aphasische Symptomencomplex: Eine psychologische Studie auf anatomischer Basis.</title>
388
+ <location>Breslan:</location>
389
+ <publisher>Cohn &amp; Weigert.</publisher>
390
+ </sequence>
391
+ <sequence>
392
+ <author>Mervis, Carolyn B., &amp; Greco, Carolyn.</author>
393
+ <date>1984.</date>
394
+ <title>Parts and early conceptual development: Comment on Tversky &amp; Hemenway.</title>
395
+ <journal>Journal of Experimental Psychology: General</journal>
396
+ <volume>113,</volume>
397
+ <pages>194–197.</pages>
398
+ </sequence>
399
+ <sequence>
400
+ <author>Mintz, Toben H.</author>
401
+ <date>2002.</date>
402
+ <title>Category induction from distributional cues in an artificial language.</title>
403
+ <journal>Memory &amp; Cognition</journal>
404
+ <volume>30,</volume>
405
+ <pages>678–686.</pages>
406
+ </sequence>
407
+ <sequence>
408
+ <author>Lieven, Elena V. M.</author>
409
+ <date>1978.</date>
410
+ <title>Turn-taking and pragmatics: Two issues in early child language.</title>
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+ <container-title>In The Best Short Stories of J. G. Ballard.</container-title>
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+ <container-title>In The Best Short Stories of J. G. Ballard.</container-title>
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+ <sequence>
1412
+ <author>Deitering, Cynthia.</author>
1413
+ <title>“The Postnatural Novel: Toxic Consciousness in Fiction of the 1980s.”</title>
1414
+ <editor>In Glotfelty and Fromm,</editor>
1415
+ <pages>196–203.</pages>
1416
+ </sequence>
1417
+ <sequence>
1418
+ <author>Deleuze, Gilles, and Félix Guattari.</author>
1419
+ <title>Anti-Oedipus: Capitalism and Schizophrenia.</title>
1420
+ <translator>Translated by Robert Hurley, Helen R. Lane, and Mark Seem.</translator>
1421
+ <location>New York:</location>
1422
+ <publisher>Viking,</publisher>
1423
+ <date>1977.</date>
1424
+ </sequence>
1425
+ <sequence>
1426
+ <author>Deleuze, Gilles, and Félix Guattari.</author>
1427
+ <title>A Thousand Plateaus: Capitalism and Schizophrenia.</title>
1428
+ <translator>Translated by Brian Massumi.</translator>
1429
+ <location>Minneapolis:</location>
1430
+ <publisher>University of Minnesota Press,</publisher>
1431
+ <date>1987.</date>
1432
+ </sequence>
1433
+ <sequence>
1434
+ <author>DeLillo, Don.</author>
1435
+ <title>The Names.</title>
1436
+ <location>New York:</location>
1437
+ <publisher>Knopf,</publisher>
1438
+ <date>1982.</date>
1439
+ </sequence>
1440
+ <sequence>
1441
+ <author>DeLillo, Don.</author>
1442
+ <title>White Noise: Text and Criticism.</title>
1443
+ <editor>Edited by Mark Osteen.</editor>
1444
+ <edition>Viking critical edition.</edition>
1445
+ <location>New York:</location>
1446
+ <publisher>Penguin,</publisher>
1447
+ <date>1998.</date>
1448
+ </sequence>
1449
+ <sequence>
1450
+ <author>Del Rey, Lester.</author>
1451
+ <title>The Eleventh Commandment.</title>
1452
+ <location>Evanston, Ill.:</location>
1453
+ <publisher>Regency,</publisher>
1454
+ <date>1962.</date>
1455
+ </sequence>
1456
+ <sequence>
1457
+ <author>Del Rey, Lester.</author>
1458
+ <title>The Eleventh Commandment.</title>
1459
+ <edition>Rev. ed.</edition>
1460
+ <location>New York:</location>
1461
+ <publisher>Ballantine,</publisher>
1462
+ <date>1970.</date>
1463
+ </sequence>
1464
+ <sequence>
1465
+ <editor>Diamond, Irene, and Gloria Feman Orenstein, eds.</editor>
1466
+ <title>Reweaving the World: The Emergence of Ecofeminism.</title>
1467
+ <location>San Francisco:</location>
1468
+ <publisher>Sierra Club,</publisher>
1469
+ <date>1990.</date>
1470
+ </sequence>
1471
+ <sequence>
1472
+ <author>Diamond, Jared M.</author>
1473
+ <title>Collapse: How Societies Choose to Fail or Succeed.</title>
1474
+ <location>New York:</location>
1475
+ <publisher>Viking,</publisher>
1476
+ <date>2005.</date>
1477
+ </sequence>
1478
+ <sequence>
1479
+ <author>Dimock, Wai Chee.</author>
1480
+ <title>Through Other Continents: American Literature across Deep Time.</title>
1481
+ <location>Princeton:</location>
1482
+ <publisher>Princeton University Press,</publisher>
1483
+ <date>2006.</date>
1484
+ </sequence>
1485
+ <sequence>
1486
+ <author>Dirlik, Arif.</author>
1487
+ <title>“Place-Based Imagination: Globalism and the Politics of Place.”</title>
1488
+ <editor>In Prazniak and Dirlik,</editor>
1489
+ <pages>15–51.</pages>
1490
+ </sequence>
1491
+ <sequence>
1492
+ <editor>Disch, Thomas M., ed.</editor>
1493
+ <title>The Ruins of Earth: An Anthology of Stories of the Immediate Future.</title>
1494
+ <location>New York:</location>
1495
+ <publisher>Berkley,</publisher>
1496
+ <date>1971.</date>
1497
+ </sequence>
1498
+ <sequence>
1499
+ <author>Disch, Thomas M.</author>
1500
+ <title>334.</title>
1501
+ <location>New York:</location>
1502
+ <publisher>Avon,</publisher>
1503
+ <date>1974.</date>
1504
+ </sequence>
1505
+ <sequence>
1506
+ <author>Douglas, Mary.</author>
1507
+ <title>Risk and Blame: Essays in Cultural Theory.</title>
1508
+ <location>London:</location>
1509
+ <publisher>Routledge,</publisher>
1510
+ <date>1992.</date>
1511
+ </sequence>
1512
+ <sequence>
1513
+ <author>Douglas, Mary, and Aaron Wildavsky.</author>
1514
+ <title>Risk and Culture: An Essay on the Selection of Technological and Environmental Dangers.</title>
1515
+ <location>Berkeley:</location>
1516
+ <publisher>University of California Press,</publisher>
1517
+ <date>1982.</date>
1518
+ </sequence>
1519
+ <sequence>
1520
+ <author>Bakhtin, Mikhail,</author>
1521
+ <title>The Dialogic Imagination: Four Essays,</title>
1522
+ <editor>Michael Holquist (ed.),</editor>
1523
+ <translator>Caryl Emerson and Michael Holquist (trans.)</translator>
1524
+ <location>(Austin, TX:</location>
1525
+ <publisher>University of Texas Press,</publisher>
1526
+ <date>1981).</date>
1527
+ </sequence>
1528
+ <sequence>
1529
+ <author>Perloff, Marjorie,</author>
1530
+ <title>The Poetics of Indeterminacy: Rimbaud to Cage</title>
1531
+ <publisher>(Princeton University Press,</publisher>
1532
+ <date>1981).</date>
1533
+ </sequence>
1534
+ <sequence>
1535
+ <author>Senici, Emanuele,</author>
1536
+ <title>“‘Se potessimo tornare da capo’,”</title>
1537
+ <editor>in Fabrizio Della Seta, Roberta Montemorra Marvin, and Marco Marica (eds.),</editor>
1538
+ <container-title>Verdi 2001,</container-title>
1539
+ <volume>2 vols.</volume>
1540
+ <location>(Florence:</location>
1541
+ <publisher>Olschki,</publisher>
1542
+ <date>2003),</date>
1543
+ <volume>vol. ii,</volume>
1544
+ <pages>pp. 937–43.</pages>
1545
+ </sequence>
1546
+ <sequence>
1547
+ <author>Adams, Nicholson B.,</author>
1548
+ <title>“A Spanish Romanticist Parodies Himself: Los Hijos del Tı́o Tronera,”</title>
1549
+ <container-title>Proceedings of the Modern Language Association,</container-title>
1550
+ <volume>45</volume>
1551
+ <date>(1930),</date>
1552
+ <pages>pp. 573–77.</pages>
1553
+ </sequence>
1554
+ <sequence>
1555
+ <author>Wilhelm, Kurt,</author>
1556
+ <title>Richard Strauss persönlich: Eine Bibliographie</title>
1557
+ <location>(Berlin:</location>
1558
+ <publisher>Henschel,</publisher>
1559
+ <date>1999).</date>
1560
+ </sequence>
1561
+ <sequence>
1562
+ <author>Stravinsky, Igor, and Robert Craft,</author>
1563
+ <title>Memories and Commentaries</title>
1564
+ <location>(Berkeley, CA:</location>
1565
+ <publisher>University of California Press,</publisher>
1566
+ <date>1959).</date>
1567
+ </sequence>
1568
+ <sequence>
1569
+ <author>Menon, Vinod, and Daniel J. Levitin,</author>
1570
+ <title>“The Rewards of Music Listening: Response and Physiological Connectivity of the Mesolimbic System,”</title>
1571
+ <journal>NeuroImage,</journal>
1572
+ <volume>28</volume>
1573
+ <date>(2005),</date>
1574
+ <pages>pp. 175–84.</pages>
1575
+ </sequence>
1576
+ <sequence>
1577
+ <author>Braider, Christopher,</author>
1578
+ <title>Refiguring the Real: Picture and Modernity in Word and Image, 1400–1700</title>
1579
+ <publisher>(Princeton University Press,</publisher>
1580
+ <date>1992).</date>
1581
+ </sequence>
1582
+ <sequence>
1583
+ <author>Mitterschiffthaler, Martina T., and Cynthia H. Y. Fu, Jeffrey A. Dalton, Christopher M. Andrew, and Steven C. R. Williams,</author>
1584
+ <title>“A Functional MRI Study of Happy and Sad Affective States Induced by Classical Music,”</title>
1585
+ <journal>Human Brain Mapping,</journal>
1586
+ <volume>28</volume>
1587
+ <date>(2007),</date>
1588
+ <pages>pp. 1150–62.</pages>
1589
+ </sequence>
1590
+ <sequence>
1591
+ <author>Griffiths, Paul,</author>
1592
+ <title>“Saint François d’Assise,”</title>
1593
+ <editor>in Peter Hill (ed.),</editor>
1594
+ <container-title>The Messiaen Companion</container-title>
1595
+ <location>(London:</location>
1596
+ <publisher>Faber,</publisher>
1597
+ <date>1995),</date>
1598
+ <pages>pp. 488–509.</pages>
1599
+ </sequence>
1600
+ <sequence>
1601
+ <author>Pater, Walter,</author>
1602
+ <title>“Conclusion” to Studies in the History of the Renaissance,</title>
1603
+ <editor>in M. H. Abrams (ed.),</editor>
1604
+ <container-title>Norton Anthology of English Literature,</container-title>
1605
+ <edition>5th edn.</edition>
1606
+ <volume>2 vols.</volume>
1607
+ <location>(New York, NY:</location>
1608
+ <publisher>Norton,</publisher>
1609
+ <date>1986),</date>
1610
+ <volume>vol. ii,</volume>
1611
+ <pages>pp. 1565–68.</pages>
1612
+ </sequence>
1613
+ <sequence>
1614
+ <author>Christov-Bakargiev, Carolyn,</author>
1615
+ <title>William Kentridge</title>
1616
+ <location>(Brussels:</location>
1617
+ <publisher>Société des Expositions du Palais des Beaux-Arts de Bruxelles,</publisher>
1618
+ <date>1998).</date>
1619
+ </sequence>
1620
+ <sequence>
1621
+ <author>Messiaen, Olivier,</author>
1622
+ <title>Saint François d’Assise,</title>
1623
+ <volume>8 vols.</volume>
1624
+ <location>(Paris:</location>
1625
+ <publisher>Alphonse Leduc,</publisher>
1626
+ <date>1988–1992).</date>
1627
+ </sequence>
1628
+ <sequence>
1629
+ <author>McGuinness, Patrick,</author>
1630
+ <title>Maurice Maeterlinck and the Making of Modern Theatre</title>
1631
+ <publisher>(Oxford University Press,</publisher>
1632
+ <date>2000).</date>
1633
+ </sequence>
1634
+ <sequence>
1635
+ <author>Webb, Daniel,</author>
1636
+ <title>Observations on the Correspondence between Poetry and Music (1769),</title>
1637
+ <editor>in Ruth Katz and Ruth HaCohen (eds.),</editor>
1638
+ <container-title>The Arts in Mind: Pioneering Texts of a Coterie of British Men of Letters</container-title>
1639
+ <location>(New Brunswick, NJ:</location>
1640
+ <publisher>Transaction Publishers,</publisher>
1641
+ <date>2003),</date>
1642
+ <pages>pp. 255–324.</pages>
1643
+ </sequence>
1644
+ <sequence>
1645
+ <author>Tomlinson, Gary,</author>
1646
+ <title>Metaphysical Song: An Essay on Opera</title>
1647
+ <publisher>(Princeton University Press,</publisher>
1648
+ <date>1999).</date>
1649
+ </sequence>
1650
+ <sequence>
1651
+ <author>Weber, William,</author>
1652
+ <title>The Rise of Musical Classics in Eighteenth-Century England: A Study in Canon, Ritual, and Ideology</title>
1653
+ <location>(Oxford:</location>
1654
+ <publisher>Clarendon Press,</publisher>
1655
+ <date>1992).</date>
1656
+ </sequence>
1657
+ <sequence>
1658
+ <author>Freyhan, Michael,</author>
1659
+ <title>The Authentic Magic Flute Libretto: Mozart’s Autograph or the First Full-Score Edition?</title>
1660
+ <location>(Lanham, MD:</location>
1661
+ <publisher>Scarecrow Press,</publisher>
1662
+ <date>2009).</date>
1663
+ </sequence>
1664
+ <sequence>
1665
+ <author>Hadlock, Heather,</author>
1666
+ <title>“Tancredi and Semiramide,”</title>
1667
+ <editor>in Emanuele Senici (ed.),</editor>
1668
+ <container-title>The Cambridge Companion to Rossini</container-title>
1669
+ <publisher>(Cambridge University Press,</publisher>
1670
+ <date>2004),</date>
1671
+ <pages>pp. 139–58.</pages>
1672
+ </sequence>
1673
+ <sequence>
1674
+ <editor>Conati, Marcello (ed.),</editor>
1675
+ <title>Encounters with Verdi,</title>
1676
+ <translator>Richard Stokes (trans.)</translator>
1677
+ <location>(Ithaca, NY:</location>
1678
+ <publisher>Cornell University Press,</publisher>
1679
+ <date>1984).</date>
1680
+ </sequence>
1681
+ <sequence>
1682
+ <author>Debussy, Claude,</author>
1683
+ <title>Pelléas et Mélisande</title>
1684
+ <location>(New York, NY:</location>
1685
+ <publisher>Dover,</publisher>
1686
+ <date>1985).</date>
1687
+ </sequence>
1688
+ <sequence>
1689
+ <editor>Csampai, Attila, and Dietmar Holland (eds.),</editor>
1690
+ <title>Tannhäuser: Texte, Materialien, Kommentare</title>
1691
+ <location>(Hamburg:</location>
1692
+ <publisher>Rowohlt,</publisher>
1693
+ <date>1986).</date>
1694
+ </sequence>
1695
+ <sequence>
1696
+ <author>Jauss, Hans-Robert,</author>
1697
+ <title>Toward an Aesthetic of Reception,</title>
1698
+ <translator>Timothy Bahti (trans.)</translator>
1699
+ <location>(Minneapolis, MN:</location>
1700
+ <publisher>University of Minnesota Press,</publisher>
1701
+ <date>1982).</date>
1702
+ </sequence>
1703
+ <sequence>
1704
+ <author>Fulcher, Jane F.,</author>
1705
+ <title>“Shifting the Paradigm from Adorno to Bourdieu,”</title>
1706
+ <editor>in Victoria Johnson, Jane F. Fulcher, and Thomas Ertman (eds.),</editor>
1707
+ <container-title>Opera and Society in Italy and France from Monteverdi to Bourdieu</container-title>
1708
+ <publisher>(Cambridge University Press,</publisher>
1709
+ <date>2007),</date>
1710
+ <pages>pp. 312–29.</pages>
1711
+ </sequence>
1712
+ <sequence>
1713
+ <author>Behler, Ernst,</author>
1714
+ <title>“Schellings Ästhetik in der Überlieferung von Henry Crabb Robinson,”</title>
1715
+ <journal>Philosophisches Jahrbuch,</journal>
1716
+ <volume>83</volume>
1717
+ <date>(1976),</date>
1718
+ <pages>pp. 133–83.</pages>
1719
+ </sequence>
1720
+ <sequence>
1721
+ <author>Marvin, Roberta Montemorra,</author>
1722
+ <title>“Verdian Opera Burlesqued: A Glimpse into Mid-Victorian Theatrical Culture,”</title>
1723
+ <journal>Cambridge Opera Journal,</journal>
1724
+ <volume>15</volume>
1725
+ <date>(2003),</date>
1726
+ <pages>pp. 33–66.</pages>
1727
+ </sequence>
1728
+ <sequence>
1729
+ <author>Mahler, Alma,</author>
1730
+ <title>Gustav Mahler: Memories and Letters</title>
1731
+ <location>(New York, NY:</location>
1732
+ <publisher>Viking Press,</publisher>
1733
+ <date>1969).</date>
1734
+ </sequence>
1735
+ <sequence>
1736
+ <author>Shreffler, Anne C.,</author>
1737
+ <title>Webern and the Lyric Impulse: Songs and Fragments on Poems of Georg Trakl</title>
1738
+ <location>(Oxford:</location>
1739
+ <publisher>Clarendon Press,</publisher>
1740
+ <date>1994).</date>
1741
+ </sequence>
1742
+ <sequence>
1743
+ <author>Lindenberger, Herbert,</author>
1744
+ <title>Georg Trakl</title>
1745
+ <location>(New York, NY:</location>
1746
+ <publisher>Twayne,</publisher>
1747
+ <date>1971).</date>
1748
+ </sequence>
1749
+ <sequence>
1750
+ <author>Eldar, Eran, and Ori Ganor, Roee Admon, Avraham Bleich, and Talma Hendler,</author>
1751
+ <title>“Feeling the Real World: Limbic Response to Music Depends on Related Content,”</title>
1752
+ <journal>Cerebral Cortex,</journal>
1753
+ <volume>17</volume>
1754
+ <date>(2007),</date>
1755
+ <pages>pp. 2828–40.</pages>
1756
+ </sequence>
1757
+ <sequence>
1758
+ <author>Lawton, David,</author>
1759
+ <title>“‘Le Trouvère’: Verdi’s Revision of Il trovatore for Paris,”</title>
1760
+ <journal>Studi Verdiani,</journal>
1761
+ <volume>3</volume>
1762
+ <date>(1985),</date>
1763
+ <pages>79–119.</pages>
1764
+ </sequence>
1765
+ <sequence>
1766
+ <author>Wagner, Richard,</author>
1767
+ <title>Mein Leben,</title>
1768
+ <editor>Eike Middell (ed.),</editor>
1769
+ <volume>2 vols.</volume>
1770
+ <location>(Bremen:</location>
1771
+ <publisher>Carl Schünemann Verlag,</publisher>
1772
+ <date>1986).</date>
1773
+ </sequence>
1774
+ <sequence>
1775
+ <author>Kubik, Reinhold,</author>
1776
+ <title>Händels Rinaldo: Geschichte, Werk, Wirkung</title>
1777
+ <location>(Neuhausen-Stuttgart:</location>
1778
+ <publisher>Hänssler-Verlag,</publisher>
1779
+ <date>1982).</date>
1780
+ </sequence>
1781
+ <sequence>
1782
+ <author>Till, Nicholas,</author>
1783
+ <title>Mozart and the Enlightenment: Truth, Virtue and Beauty in Mozart’s Operas</title>
1784
+ <location>(London:</location>
1785
+ <publisher>Faber and Faber,</publisher>
1786
+ <date>1992).</date>
1787
+ </sequence>
1788
+ <sequence>
1789
+ <author>Schelling, F. W. J.,</author>
1790
+ <title>Philosophy of Art,</title>
1791
+ <editor>Douglas W. Stott (ed. and trans.)</editor>
1792
+ <location>(Minneapolis, MN:</location>
1793
+ <publisher>University of Minnesota Press,</publisher>
1794
+ <date>1989).</date>
1795
+ </sequence>
1796
+ <sequence>
1797
+ <author>Lindau, Paul,</author>
1798
+ <title>“The ‘Tannhäuser’ Scandal in March 1861,”</title>
1799
+ <translator>Daphne Ellis (trans.),</translator>
1800
+ <journal>Wagner,</journal>
1801
+ <volume>24</volume>
1802
+ <date>(September 2003),</date>
1803
+ <pages>pp. 3–22.</pages>
1804
+ </sequence>
1805
+ <sequence>
1806
+ <author>Basevi, Abramo,</author>
1807
+ <title>Studio sulle opere di Giuseppe Verdi (1859),</title>
1808
+ <editor>Ugo Piovano (ed.)</editor>
1809
+ <location>(Milan:</location>
1810
+ <publisher>Rugginente,</publisher>
1811
+ <date>2001).</date>
1812
+ </sequence>
1813
+ <sequence>
1814
+ <author>Hepokoski, James,</author>
1815
+ <title>“Ottocento Opera as Cultural Drama: Generic Mixtures in Il trovatore,”</title>
1816
+ <editor>in Martin Chusid (ed.),</editor>
1817
+ <container-title>Verdi’s Middle Period: 1849–1859: Source Studies, Analysis, and Performance Practice</container-title>
1818
+ <publisher>(University of Chicago Press,</publisher>
1819
+ <date>1997),</date>
1820
+ <pages>pp. 147–96.</pages>
1821
+ </sequence>
1822
+ <sequence>
1823
+ <author>Levin, David,</author>
1824
+ <title>Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky</title>
1825
+ <publisher>(University of Chicago Press,</publisher>
1826
+ <date>2007).</date>
1827
+ </sequence>
1828
+ <sequence>
1829
+ <author>Herder, Johann Gottfried,</author>
1830
+ <title>Die kritischen Wälder der Ästhetik,</title>
1831
+ <editor>in Martin Bollacher (ed.),</editor>
1832
+ <container-title>Werke,</container-title>
1833
+ <volume>10 vols.</volume>
1834
+ <location>(Frankfurt am Main:</location>
1835
+ <publisher>Deutscher Klassiker Verlag,</publisher>
1836
+ <date>1985–2000),</date>
1837
+ <volume>vol. ii</volume>
1838
+ <date>(1993),</date>
1839
+ <container-title>Schriften zur Ästhetik und Literatur,</container-title>
1840
+ <editor>ed. Gunter E. Grimm,</editor>
1841
+ <pages>pp. 9–442.</pages>
1842
+ </sequence>
1843
+ <sequence>
1844
+ <author>Bourdieu, Pierre,</author>
1845
+ <title>Homo Academicus,</title>
1846
+ <translator>Peter Collier (trans.)</translator>
1847
+ <publisher>(Stanford University Press,</publisher>
1848
+ <date>1988).</date>
1849
+ </sequence>
1850
+ <sequence>
1851
+ <editor>Whenham, John (ed.),</editor>
1852
+ <title>Claudio Monteverdi: Orfeo</title>
1853
+ <publisher>(Cambridge University Press,</publisher>
1854
+ <date>1986).</date>
1855
+ </sequence>
1856
+ <sequence>
1857
+ <author>Della Seta, Fabrizio,</author>
1858
+ <title>“Gli esordi della critica Verdiana – a proposito di Alberto Mazzucato”</title>
1859
+ <editor>in Sieghart Döhring and Wolfgang Osthoff (eds.),</editor>
1860
+ <container-title>Verdi-Studien: Pierluigi Petrobelli zum 60. Geburtstag</container-title>
1861
+ <location>(Munich:</location>
1862
+ <publisher>G. Ricordi,</publisher>
1863
+ <date>2000),</date>
1864
+ <pages>pp. 59–73.</pages>
1865
+ </sequence>
1866
+ <sequence>
1867
+ <author>Trimpi, Wesley,</author>
1868
+ <title>“The Meaning of Horace’s ut pictura poesis,”</title>
1869
+ <journal>Journal of the Warburg and Courtauld Institutes,</journal>
1870
+ <volume>37</volume>
1871
+ <date>(1973),</date>
1872
+ <pages>pp. 1–34.</pages>
1873
+ </sequence>
1874
+ <sequence>
1875
+ <author>Auner, Joseph,</author>
1876
+ <title>A Schoenberg Reader: Documents of a Life</title>
1877
+ <location>(New Haven, CT:</location>
1878
+ <publisher>Yale University Press,</publisher>
1879
+ <date>2003).</date>
1880
+ </sequence>
1881
+ <sequence>
1882
+ <author>Glixon, Beth L., and Jonathan E. Glixon,</author>
1883
+ <title>Inventing the Business of Opera: The Impresario and His World in Seventeenth-Century Venice</title>
1884
+ <publisher>(Oxford University Press,</publisher>
1885
+ <date>2006).</date>
1886
+ </sequence>
1887
+ <sequence>
1888
+ <author>Wordsworth, William,</author>
1889
+ <title>The Prelude,</title>
1890
+ <editor>Jonathan Wordsworth, M. H. Abrams, and Stephen Gill (eds.)</editor>
1891
+ <location>(New York, NY:</location>
1892
+ <publisher>Norton,</publisher>
1893
+ <date>1979).</date>
1894
+ </sequence>
1895
+ <sequence>
1896
+ <author>Rosen, David,</author>
1897
+ <title>“Meter, Character, and Tinta in Verdi’s Operas,”</title>
1898
+ <editor>in Martin Chusid (ed.),</editor>
1899
+ <container-title>Verdi’s Middle Period: 1849–1859: Source Studies, Analysis, and Performance Practice</container-title>
1900
+ <publisher>(University of Chicago Press,</publisher>
1901
+ <date>1997),</date>
1902
+ <pages>pp. 339–92.</pages>
1903
+ </sequence>
1904
+ <sequence>
1905
+ <author>Thomas, Downing A.,</author>
1906
+ <title>Aesthetics of Opera in the Ancien Régime, 1647–1785</title>
1907
+ <publisher>(Cambridge University Press,</publisher>
1908
+ <date>2002).</date>
1909
+ </sequence>
1910
+ <sequence>
1911
+ <author>Baudelaire, Charles,</author>
1912
+ <title>Oeuvres complètes,</title>
1913
+ <editor>Y.-G. Le Dantec (ed.)</editor>
1914
+ <location>(Paris:</location>
1915
+ <publisher>Gallimard,</publisher>
1916
+ <date>1951).</date>
1917
+ </sequence>
1918
+ <sequence>
1919
+ <author>Esty, Joshua (Jed).</author>
1920
+ <title>Unseasonable Youth: Modernism, Colonialism, and the Fiction of Development.</title>
1921
+ <location>New York:</location>
1922
+ <publisher>Oxford University Press,</publisher>
1923
+ <date>2012.</date>
1924
+ </sequence>
1925
+ <sequence>
1926
+ <author>Sommer, Doris.</author>
1927
+ <title>Foundational Fictions: The National Romances of Latin America.</title>
1928
+ <location>Berkeley:</location>
1929
+ <publisher>University of California Press,</publisher>
1930
+ <date>1991.</date>
1931
+ </sequence>
1932
+ <sequence>
1933
+ <author>Balzac, Honoré de.</author>
1934
+ <title>César Birotteau.</title>
1935
+ <container-title>In La Comédie humaine</container-title>
1936
+ <volume>6:</volume>
1937
+ <pages>37–312.</pages>
1938
+ </sequence>
1939
+ <sequence>
1940
+ <author>Triner, Gail D.</author>
1941
+ <title>Banking and Economic Development: Brazil, 1889–1930.</title>
1942
+ <location>New York:</location>
1943
+ <publisher>Palgrave,</publisher>
1944
+ <date>2000.</date>
1945
+ </sequence>
1946
+ <sequence>
1947
+ <author>———.</author>
1948
+ <title>Memorial de Aires.</title>
1949
+ <container-title>In Obra Completa,</container-title>
1950
+ <volume>1:</volume>
1951
+ <pages>1095–1200.</pages>
1952
+ </sequence>
1953
+ <sequence>
1954
+ <author>———.</author>
1955
+ <title>Tese e Antítese.</title>
1956
+ <location>São Paulo:</location>
1957
+ <publisher>Companhia Editora Nacional,</publisher>
1958
+ <date>1964.</date>
1959
+ </sequence>
1960
+ <sequence>
1961
+ <author>———.</author>
1962
+ <title>Dom Casmurro.</title>
1963
+ <container-title>In Obra Completa,</container-title>
1964
+ <volume>1:</volume>
1965
+ <pages>807–944.</pages>
1966
+ </sequence>
1967
+ <sequence>
1968
+ <author>Watt, Ian.</author>
1969
+ <title>The Rise of the Novel: Studies in Defoe, Richardson, and Fielding.</title>
1970
+ <location>Berkeley:</location>
1971
+ <publisher>University of California Press,</publisher>
1972
+ <date>2001.</date>
1973
+ </sequence>
1974
+ <sequence>
1975
+ <author>Simmel, Georg.</author>
1976
+ <title>On Individuality and Social Forms: Selected Writings.</title>
1977
+ <location>Chicago:</location>
1978
+ <publisher>University of Chicago Press,</publisher>
1979
+ <date>1971.</date>
1980
+ </sequence>
1981
+ <sequence>
1982
+ <author>———.</author>
1983
+ <title>The Presentation of Self in Everyday Life.</title>
1984
+ <location>New York:</location>
1985
+ <publisher>Anchor Books,</publisher>
1986
+ <date>1959.</date>
1987
+ </sequence>
1988
+ <sequence>
1989
+ <author>Araripe, Júnior.</author>
1990
+ <title>Obra Crítica,</title>
1991
+ <volume>vol. 2.</volume>
1992
+ <location>Rio de Janeiro:</location>
1993
+ <publisher>Casa de Rui Barbosa,</publisher>
1994
+ <date>1960.</date>
1995
+ </sequence>
1996
+ <sequence>
1997
+ <author>———.</author>
1998
+ <title>Speech Genres and Other Late Essays.</title>
1999
+ <translator>Trans. Vern W. McGee.</translator>
2000
+ <location>Austin:</location>
2001
+ <publisher>University of Texas Press,</publisher>
2002
+ <date>1986.</date>
2003
+ </sequence>
2004
+ <sequence>
2005
+ <author>Auerbach, Erich.</author>
2006
+ <title>Mimesis: The Representation of Reality in Western Literature.</title>
2007
+ <location>Princeton, NJ:</location>
2008
+ <publisher>Princeton University Press,</publisher>
2009
+ <date>2003.</date>
2010
+ </sequence>
2011
+ <sequence>
2012
+ <author>———.</author>
2013
+ <title>O Primo Basílio.</title>
2014
+ <container-title>In Obras de Eça de Queiroz,</container-title>
2015
+ <volume>1:</volume>
2016
+ <pages>865–1173.</pages>
2017
+ </sequence>
2018
+ <sequence>
2019
+ <author>Stein, Stanley J.</author>
2020
+ <title>Vassouras, a Brazilian Coffee County, 1850–1900.</title>
2021
+ <location>Cambridge, MA:</location>
2022
+ <publisher>Harvard University Press,</publisher>
2023
+ <date>1957.</date>
2024
+ </sequence>
2025
+ <sequence>
2026
+ <author>———.</author>
2027
+ <title>A Viúvinha.</title>
2028
+ <container-title>In Obra Completa,</container-title>
2029
+ <volume>1:</volume>
2030
+ <pages>229–92.</pages>
2031
+ </sequence>
2032
+ <sequence>
2033
+ <author>———.</author>
2034
+ <title>Epitaph of a Small Winner [Memórias Póstumas],</title>
2035
+ <translator>trans. William Grossman.</translator>
2036
+ <location>New York:</location>
2037
+ <publisher>Noonday Press,</publisher>
2038
+ <date>1952.</date>
2039
+ </sequence>
2040
+ <sequence>
2041
+ <author>———.</author>
2042
+ <title>Distant Reading.</title>
2043
+ <location>London:</location>
2044
+ <publisher>Verso,</publisher>
2045
+ <date>2013.</date>
2046
+ </sequence>
2047
+ <sequence>
2048
+ <author>Schorske, Carl.</author>
2049
+ <title>Fin-de-Siècle Vienna.</title>
2050
+ <location>New York:</location>
2051
+ <publisher>Vintage Books,</publisher>
2052
+ <date>1981.</date>
2053
+ </sequence>
2054
+ <sequence>
2055
+ <author>Davis, Natalie Zemon.</author>
2056
+ <title>The Return of Martin Guerre.</title>
2057
+ <location>Cambridge, MA:</location>
2058
+ <publisher>Harvard University Press,</publisher>
2059
+ <date>1983.</date>
2060
+ </sequence>
2061
+ <sequence>
2062
+ <author>Weber, Eugen.</author>
2063
+ <title>Movements, Currents, Trends: Aspects of European Thought in the Nineteenth and Twentieth Centuries.</title>
2064
+ <location>Lexington, MA:</location>
2065
+ <publisher>D. C. Heath,</publisher>
2066
+ <date>1992.</date>
2067
+ </sequence>
2068
+ <sequence>
2069
+ <author>Silveira, Daniela Magalhaes da.</author>
2070
+ <title>Fábrica de contos: Ciencia e Literatura em Machado de Assis.</title>
2071
+ <location>Campinas:</location>
2072
+ <publisher>Editora Unicamp,</publisher>
2073
+ <date>2010.</date>
2074
+ </sequence>
2075
+ <sequence>
2076
+ <author>———.</author>
2077
+ <title>As Minas de Prata.</title>
2078
+ <container-title>In Obra Completa,</container-title>
2079
+ <volume>2:</volume>
2080
+ <pages>407–1258.</pages>
2081
+ </sequence>
2082
+ <sequence>
2083
+ <author>Dean, Warren.</author>
2084
+ <title>The Industrialization of São Paulo, 1880–1945.</title>
2085
+ <location>Austin:</location>
2086
+ <publisher>University of Texas Press,</publisher>
2087
+ <date>1969.</date>
2088
+ </sequence>
2089
+ <sequence>
2090
+ <author>———.</author>
2091
+ <title>Dom Casmurro,</title>
2092
+ <translator>trans. John Gledson.</translator>
2093
+ <location>New York:</location>
2094
+ <publisher>Oxford University Press,</publisher>
2095
+ <date>1997.</date>
2096
+ </sequence>
2097
+ <sequence>
2098
+ <author>———.</author>
2099
+ <title>Senhora.</title>
2100
+ <container-title>In Obra Completa,</container-title>
2101
+ <volume>1:</volume>
2102
+ <pages>941–1214.</pages>
2103
+ </sequence>
2104
+ <sequence>
2105
+ <author>———.</author>
2106
+ <title>Lucíola.</title>
2107
+ <container-title>In Obra Completa,</container-title>
2108
+ <volume>1:</volume>
2109
+ <pages>293–458.</pages>
2110
+ </sequence>
2111
+ <sequence>
2112
+ <author>Goffman, Erving.</author>
2113
+ <title>Encounters: Two Studies in the Sociology of Interaction.</title>
2114
+ <location>Indianapolis:</location>
2115
+ <publisher>Bobbs-Merrill,</publisher>
2116
+ <date>1961.</date>
2117
+ </sequence>
2118
+ <sequence>
2119
+ <author>Lobo, Eulalia Maria Lahmeyer.</author>
2120
+ <title>História do Rio de Janeiro: do capital comercial ao capital industrial e financeiro.</title>
2121
+ <location>Rio de Janeiro:</location>
2122
+ <publisher>IBMEC,</publisher>
2123
+ <date>1978.</date>
2124
+ </sequence>
2125
+ <sequence>
2126
+ <author>Da Matta, Roberto.</author>
2127
+ <title>Carnivals, Rogues, and Heroes: An Interpretation of the Brazilian Dilemma.</title>
2128
+ <location>South Bend, IN:</location>
2129
+ <publisher>University of Notre Dame Press,</publisher>
2130
+ <date>1991.</date>
2131
+ </sequence>
2132
+ <sequence>
2133
+ <author>Gledson, John.</author>
2134
+ <title>The Deceptive Realism of Machado de Assis: A Dissenting Interpretation of Dom Casmurro.</title>
2135
+ <location>Liverpool, UK:</location>
2136
+ <publisher>F. Cairns,</publisher>
2137
+ <date>1984.</date>
2138
+ </sequence>
2139
+ <sequence>
2140
+ <author>Holloway, Thomas.</author>
2141
+ <title>Policing Rio de Janeiro: Repression and Resistance in a Nineteenth-Century City.</title>
2142
+ <location>Stanford, CA:</location>
2143
+ <publisher>Stanford University Press,</publisher>
2144
+ <date>1993.</date>
2145
+ </sequence>
2146
+ <sequence>
2147
+ <author>———.</author>
2148
+ <title>A Tropical Belle Époque: Elite Culture and Society in Turn-of-the-Century Rio de Janeiro.</title>
2149
+ <location>Cambridge, UK:</location>
2150
+ <publisher>Cambridge University Press,</publisher>
2151
+ <date>1987.</date>
2152
+ </sequence>
2153
+ <sequence>
2154
+ <author>Hanley, Anne G.</author>
2155
+ <title>Native Capital: Financial Institutions and Economic Development in São Paulo, Brazil, 1850–1920.</title>
2156
+ <location>Stanford, CA:</location>
2157
+ <publisher>Stanford University Press,</publisher>
2158
+ <date>2005.</date>
2159
+ </sequence>
2160
+ <sequence>
2161
+ <author>———.</author>
2162
+ <title>A Harlot of High and Low,</title>
2163
+ <translator>trans. Rainer Heppenstall.</translator>
2164
+ <location>New York:</location>
2165
+ <publisher>Penguin,</publisher>
2166
+ <date>1970.</date>
2167
+ </sequence>
2168
+ <sequence>
2169
+ <author>———.</author>
2170
+ <title>“Un roman anachevé.”</title>
2171
+ <editor>In Manuel Bandeira, Aluísio Azevedo, Graciliano Ramos, Ariano Suassuna:</editor>
2172
+ <container-title>Travaux présentés au séminaire de 1974 du Centre de Recherches Latino-Américaines de l’Université de Poitiers,</container-title>
2173
+ <pages>97–116.</pages>
2174
+ <location>Poitiers:</location>
2175
+ <publisher>Université de Poitiers,</publisher>
2176
+ <date>1974.</date>
2177
+ </sequence>
2178
+ <sequence>
2179
+ <author>Pereira, Maria Aparecida Viana Schtine.</author>
2180
+ <title>“‘O Coruja’ de Aluísio Azevedo: romance de formação sob o prisma do grotesco.”</title>
2181
+ <genre>MA thesis,</genre>
2182
+ <publisher>University of São Paulo,</publisher>
2183
+ <date>2013.</date>
2184
+ </sequence>
2185
+ <sequence>
2186
+ <author>Durkheim, Émile.</author>
2187
+ <title>De la division du travail social.</title>
2188
+ <location>Paris:</location>
2189
+ <publisher>Les Presses universitaires de France,</publisher>
2190
+ <date>1967.</date>
2191
+ <url>classiques.uqac.ca/classiques/Durkheim_emile/division_du_travail/division_travail_1.pdf</url>
2192
+ <note>(accessed June 7, 2015).</note>
2193
+ </sequence>
2194
+ <sequence>
2195
+ <author>Vargas Llosa, Mario.</author>
2196
+ <title>The Perpetual Orgy: Flaubert and Madame Bovary.</title>
2197
+ <location>New York:</location>
2198
+ <publisher>Farrar, Straus &amp; Giroux,</publisher>
2199
+ <date>1986.</date>
2200
+ </sequence>
2201
+ <sequence>
2202
+ <author>———.</author>
2203
+ <title>Sense and Sensibility,</title>
2204
+ <volume>2 vols.</volume>
2205
+ <location>New York:</location>
2206
+ <publisher>Frank S. Holby,</publisher>
2207
+ <date>1906.</date>
2208
+ </sequence>
2209
+ <sequence>
2210
+ <author>———.</author>
2211
+ <title>“A Formação do Romance Brasileiro: 1808–1860 (vertentes inglesas).”</title>
2212
+ <url>www.uni-camp.br/iel/memoria/Ensaios/Sandra/sandra.htm</url>
2213
+ <note>(accessed June 8, 2015).</note>
2214
+ </sequence>
2215
+ <sequence>
2216
+ <author>Forster, E.</author>
2217
+ <title>M.Howards End.</title>
2218
+ <location>New York:</location>
2219
+ <publisher>Barnes &amp; Noble Classics,</publisher>
2220
+ <date>2003 [1910].</date>
2221
+ </sequence>
2222
+ <sequence>
2223
+ <author>Vasconcelos, Sandra G. T.</author>
2224
+ <title>“Figurações do passado: o romance histórico em Walter Scott e José de Alencar.”</title>
2225
+ <journal>Terceira Margem: Revista da Pós-Graduação em Ciência da Literatura</journal>
2226
+ <volume>12.18</volume>
2227
+ <date>(2008):</date>
2228
+ <pages>15–37.</pages>
2229
+ </sequence>
2230
+ <sequence>
2231
+ <author>Goethe, Johann Wolfgang von.</author>
2232
+ <title>Wilhelm Meister’s Apprenticeship.</title>
2233
+ <location>Princeton, NJ:</location>
2234
+ <publisher>Princeton University Press,</publisher>
2235
+ <date>1989.</date>
2236
+ </sequence>
2237
+ <sequence>
2238
+ <author>Metcalf, Alida.</author>
2239
+ <title>Family and Frontier in Colonial Brazil: Santana de Parnaíba, 1580–1822.</title>
2240
+ <location>Berkeley:</location>
2241
+ <publisher>University of California Press,</publisher>
2242
+ <date>1992.</date>
2243
+ </sequence>
2244
+ <sequence>
2245
+ <author>Blest Gana, Alberto.</author>
2246
+ <title>Martín Rivas.</title>
2247
+ <location>Santiago:</location>
2248
+ <publisher>Origo,</publisher>
2249
+ <date>2013.</date>
2250
+ </sequence>
2251
+ <sequence>
2252
+ <author>Magalhães, Raimundo,</author>
2253
+ <title>Jr.José de Alencar e sua época.</title>
2254
+ <location>São Paulo:</location>
2255
+ <publisher>Livros Irradiantes,</publisher>
2256
+ <date>1971.</date>
2257
+ </sequence>
2258
+ <sequence>
2259
+ <author>Buarque de Holanda, Sergio.</author>
2260
+ <title>O Homem Cordial.</title>
2261
+ <location>São Paulo:</location>
2262
+ <publisher>Companhia das Letras,</publisher>
2263
+ <date>2012.</date>
2264
+ </sequence>
2265
+ <sequence>
2266
+ <author>———.</author>
2267
+ <title>Da Senzala à Colonia.</title>
2268
+ <location>São Paulo:</location>
2269
+ <publisher>Difusão Europeia do Livro,</publisher>
2270
+ <date>1966.</date>
2271
+ </sequence>
2272
+ <sequence>
2273
+ <author>Summerhill, William.</author>
2274
+ <title>“Sovereign Credibility With Financial Underdevelopment: The Case of Nineteenth-Century Brazil.”</title>
2275
+ <note>Working draft prepared for the Hoover Seminar on Collective Choice,</note>
2276
+ <date>March 6, 2007.</date>
2277
+ <url>www.hoover.org/sites/default/files/uploads/documents/ Sovereign_Credibility.pdf</url>
2278
+ <note>(accessed June 7, 2015).</note>
2279
+ </sequence>
2280
+ </dataset>