@voqalize/avatar 0.4.4 → 0.5.1

package/dist/three/sequences.d.ts

@@ -1,71 +0,0 @@
-import type { AvatarSupport } from "../internal.js";
-type Keyframes = Record<string, [number, number][]>;
-interface Sequence {
-    readonly id: string;
-    readonly label: string;
-    readonly text: string;
-    readonly duration: number;
-    readonly keys: Keyframes;
-}
-/**
- * What a server may address on a Blender avatar by name, beyond the two every
- * avatar owes it.
- *
- * Shared by every character in this package rather than owned by tara, because
- * they are all driven through the same 30 channels. A character that needs its
- * own shape of one of these overrides that entry; it does not get a second
- * table.
- */
-export declare const BLENDER_SEQUENCES: Readonly<{
-    NOD_SMALL: Sequence;
-    NOD_ASSESS: Sequence;
-    NOD_REALIZE: Sequence;
-    NOD_NO: Sequence;
-}>;
-export type BlenderSequenceId = keyof typeof BLENDER_SEQUENCES;
-/**
- * The Blender avatars' own shape for one of the mixer's own actions, passed to
- * it as `actions`. Same ids, same intent; only the rendering is theirs.
- *
- * **`ACK_NOD` is the continuer here.** It is the nod a server sends while the
- * user is still talking — "mm-hm, go on" — and that is half of all nods and
- * most of what this avatar does, because it listens far more than it speaks.
- * The shared clip is two strokes that render 15° on this head, which is past
- * even agreement (6–10°) and is what the owner read as the head dropping. A
- * server that means agreement or realisation, and knows a Blender avatar is
- * mounted, asks for `NOD_ASSESS` or `NOD_REALIZE`.
- *
- * Aliased rather than restated, so the continuer and the portable nod cannot
- * drift apart.
- *
- * The other shared clips with head keys stay shared, because they already
- * land inside their meaning on tara: `GESTURE_APPROVE` renders 8.8° of
- * chin-down (agreement's band), `GESTURE_GREET` 2.9° of chin-up, and
- * `GESTURE_WAIT` 5.2° of yaw.
- */
-export declare const BLENDER_ACTIONS: Readonly<{
-    ACK_NOD: {
-        id: string;
-        label: string;
-        text: string;
-        duration: number;
-        keys: Keyframes;
-    };
-}>;
-/**
- * What every character in this package answers to — each one's `supports`, the
- * optional declaration a driving UI reads (`AvatarSupport`).
- *
- * Derived rather than written down, because every part of it already exists: the
- * ids every avatar owes a server, the mixer's own clip catalogue these
- * characters inherit whole, and this file's own names. A hand-kept copy beside
- * them would only be able to disagree with them. `BLENDER_ACTIONS` adds nothing —
- * it re-shapes an id the mixer already has.
- *
- * It is one list for every 2.5-D character for the same reason the tables are:
- * they are one rig driven through one set of channels. A character that stops
- * being able to do one of these owes its own `supports`, not an edit here.
- */
-export declare const BLENDER_SUPPORTS: AvatarSupport;
-export {};
-//# sourceMappingURL=sequences.d.ts.map

package/dist/three/sequences.d.ts.map

@@ -1 +0,0 @@
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package/dist/three/sequences.js

@@ -1,262 +0,0 @@
-/**
- * The Blender avatars' own addressable motions, and their own shape for the one
- * shared action whose keys do not fit a head that turns in degrees.
- *
- * These are *shapes*, authored in a rig whose pose unit is a degree, and a
- * server addresses them by name with `cmd: "action"` when it knows which avatar
- * is mounted. The wire's action vocabulary is open, so they need no promotion
- * and are not trying to get one; a face without them ignores the message
- * ([contract-wire.md](../../../docs/contract-wire.md) § Action).
- *
- * **Why nods get three shapes and one intent.** A 2025 ICMI motion-capture
- * corpus of 90 attentive-listening dialogues separates nodding into three types
- * and publishes the distribution (research-biomechanics.md § 3.3):
- *
- * | type | what it co-occurs with | share of nods | mean duration |
- * |---|---|---:|---:|
- * | `short` | continuer backchannel — "mm-hm, go on" | 49% | 0.83 s |
- * | `long` | assessment, lexical response — "yes, that's right" | 40% | 1.42 s |
- * | `long_p` | a cognitive shift — "ah, I see" | 12% | 1.75 s |
- *
- * Their gloss: "nodding co-occurring with continuer backchannel has a smaller
- * average range of movement, whereas that co-occurring with assessment
- * backchannel and lexical responses has a larger average range", and "nodding
- * with swinging up is regarded to reflect a cognitive shift in the listener."
- *
- * That is three different things to say, not three sizes of one thing — which
- * is exactly why they are this avatar's own names and not three spellings of
- * one. `ACKNOWLEDGE` remains the portable "acknowledge the user" that every
- * renderer answers, and resolves to the continuer here; a server that knows it
- * is driving tara can say *which* nod.
- *
- * **How big, in degrees** (research-head-rotation.md § 2.3, peak-to-peak):
- * a continuer 3–5°, one stroke that returns as far as it went; agreement 6–10°,
- * single, ample and stressed; "oh, I see" 6–10°, opening upward. People's nods
- * are narrower than they look — Blomsma 2024 measures 5.95° on average at
- * backchannel opportunities, Kato 2026 about 4° — and a nod past them stops
- * reading as listening and starts reading as the head dropping.
- *
- * **§ 3.4's structural laws hold in every clip here**, because the paper's
- * finding is that flat repeated cycles are what real nods are not:
- *
- *   1. *Anticipatory rising* — a longer nod starts bigger, from the first
- *      cycle. The head knows how long the nod will be before it begins.
- *   2. *Declination* — each cycle is smaller than the one before it, by about
- *      0.7× (Mori 2025).
- *   3. *Under 1.5 Hz* — above it a nod reads as impatience rather than
- *      attention, and the head's own 160 ms smoothing eats most of it anyway.
- *      People repeat nods at 2–3.5 Hz; the cap is a perceptual choice and it
- *      stays, so a repeated nod here is slower than a person's.
- *
- * **Amplitudes are pre-compensated and the numbers are not free.** A stroke is
- * a target the head chases at a 160 ms time constant, so what renders is well
- * under what is written. `test/nods.test.ts` steps the real mixer and holds
- * each clip's rendered degrees to its band; the degrees quoted below are its.
- *
- * TARA-SPECIFIC: the keys are pose units, and a pose unit becomes degrees
- * through the mounted avatar's `HEAD_DEG` — tara's is 24° of pitch at the
- * ±1.4 clamp, 17.1° a unit. A second Blender avatar with another envelope
- * renders these same keys at other angles, and the degrees are recorded per
- * character where they are measured rather than here.
- */
-import { ACTION_IDS, ACTIONS, CORE_ACTION_IDS } from "../internal.js";
-/**
- * The continuer. "Go on, I'm with you" — half of all nods, and the one the
- * avatar would be doing most if a server drove every backchannel.
- *
- * One stroke down and back, because a continuer is "a single small nod" (Kato
- * 2026) and within a cycle the return is as big as the stroke (Mori 2025): no
- * rebound above neutral, which on a head that really rotates reads as a second,
- * upward nod. The stroke is fast and the return takes its time, which is what
- * makes it a beat rather than a bob. 720 ms, inside the 0.5–0.8 s a single
- * small nod lasts.
- *
- * **No preparatory up-beat, and that is a rate constraint rather than taste.**
- * An earlier draft opened with a dip, which put a turning point 308 ms before
- * the down-peak — 1.63 Hz. The corpus lists the swing-up as optional on `short`
- * and mandatory only on `long_p`, so the one that had to go was the one never
- * carrying meaning.
- *
- * The trunk sets forward a fraction and the shoulders with it — about a fifth
- * and a third of the shared `ACK_NOD`'s — because a head that nods on a body
- * that does not move is a head on a stick, and more than that turns "go on"
- * into leaning in.
- *
- * Renders ~4° of chin-down on tara.
- */
-const NOD_SMALL = {
-    id: "NOD_SMALL", label: "nod: continuer", text: "", duration: 720,
-    keys: {
-        headPitch: [[0, 0], [0.36, 0.34], [1, 0]],
-        // The lid dip is what separates a nod from a bob: eyes stay with the user
-        // and close a fraction on the beat.
-        lidL: [[0, 0], [0.40, 0.045], [1, 0]],
-        lidR: [[0, 0], [0.40, 0.045], [1, 0]],
-        torsoLean: [[0, 0], [0.40, 0.026], [1, 0]],
-        shoulderL: [[0, 0], [0.46, 0.019], [1, 0]],
-        shoulderR: [[0, 0], [0.46, 0.019], [1, 0]],
-    },
-};
-/**
- * The assessment nod — "yes, that's right".
- *
- * Agreement is "single, ample and stressed" (Poggi), larger and faster than
- * feedback (Bauer 2024), so it is one stroke with a hold at the bottom rather
- * than the continuer made bigger: the hold is the stress, and it is what keeps
- * a large nod from reading as a twitch. About twice the continuer's depth.
- *
- * It aliased the shared `ACK_NOD` until 2026-09-14. That clip is two strokes
- * sized for a line face, and on a head that really rotates it rendered 15°,
- * which is past every row of research § 2.3.
- *
- * Renders ~8° of chin-down on tara.
- */
-const NOD_ASSESS = {
-    id: "NOD_ASSESS", label: "nod: assessment", text: "", duration: 1000,
-    keys: {
-        headPitch: [[0, 0], [0.26, 0.56], [0.50, 0.50], [1, 0]],
-        lidL: [[0, 0], [0.28, 0.06], [0.55, 0.04], [1, 0]],
-        lidR: [[0, 0], [0.28, 0.06], [0.55, 0.04], [1, 0]],
-        torsoLean: [[0, 0], [0.32, 0.04], [0.60, 0.03], [1, 0]],
-        shoulderL: [[0, 0], [0.40, 0.025], [1, 0]],
-        shoulderR: [[0, 0], [0.40, 0.025], [1, 0]],
-    },
-};
-/**
- * "Ah — I see." The realisation nod, and the only one that *starts by going
- * up*.
- *
- * The swing-up is the whole gesture, not an ornament: it is what the corpus
- * separates `long_p` from `long` by, and what makes this read as a mind
- * changing rather than a head agreeing (Mori 2022: upward-first marks a change
- * of state). Then two declining beats at 1.30 Hz, the second about 0.65 of the
- * first.
- *
- * Longest of the three at 1.75 s, and that is the corpus mean for this type —
- * a realisation takes longer than an agreement because something happened in
- * between.
- *
- * Renders ~3.5° of chin-up, then ~6° of chin-down, on tara.
- */
-const NOD_REALIZE = {
-    id: "NOD_REALIZE", label: "nod: realisation", text: "", duration: 1750,
-    keys: {
-        // Same as the assessment nod: no trailing flourish. A −0.08 at 0.95 put two
-        // return beats 542 ms apart, 1.85 Hz, which is a twitch on the way out of a
-        // gesture whose whole point is the deliberate lift at the start.
-        headPitch: [[0, 0], [0.14, -0.30], [0.40, 0.48], [0.64, -0.12], [0.84, 0.30], [1, 0]],
-        // Brows up with the swing and down as the nod lands: the face arrives at
-        // the understanding before the head finishes agreeing with it.
-        browRaiseL: [[0, 0], [0.16, 0.42], [0.46, 0.10], [1, 0]],
-        browRaiseR: [[0, 0], [0.16, 0.38], [0.46, 0.10], [1, 0]],
-        lidL: [[0, 0], [0.14, -0.08], [0.42, 0.06], [1, 0]],
-        lidR: [[0, 0], [0.14, -0.08], [0.42, 0.06], [1, 0]],
-        // The corners come up late, on the second beat. Warmth that arrives *with*
-        // the realisation reads as having known already.
-        mouthCornerL: [[0, 0], [0.55, 0.10], [0.84, 0.26], [1, 0.12]],
-        mouthCornerR: [[0, 0], [0.55, 0.10], [0.84, 0.26], [1, 0.12]],
-    },
-};
-/**
- * "No." The head shake, and it had to be authored for this rig rather than
- * borrowed.
- *
- * `INTERNAL_CLIPS.HEAD_SHAKE` is written in pose units that mean pixels on a
- * line face. On tara a pose unit is a degree, and that clip's +-0.55 lands at
- * +-3.5 deg authored and about +-2 deg rendered — ambient drift, not a refusal.
- * Two things had to change and only one of them is amplitude.
- *
- * **Yaw is the axis this rig is weakest on**, because the albedo is a front
- * projection of a shallow shell: a turn parallaxes rather than re-silhouettes.
- * Measured against the tile, though, it is not as weak as it looks — 8.7 deg
- * moves 13% of the pixels past a 16/255 delta and carries the silhouette 6 px,
- * which is comparable to what 5.7 deg of roll does. So a shake reads here; it
- * just has to actually reach those angles.
- *
- * **And it has to be slow enough to survive the smoothing.** The borrowed clip
- * swings at 1.42 Hz where the head returns about 0.57 of what it is asked for.
- * At 1.05 Hz it returns ~0.71, which buys a quarter more amplitude for nothing
- * and sits further from the impatience line a *refusal* can least afford to
- * cross.
- *
- * Renders about 11 deg peak-to-peak of yaw. § 3.4's laws again: first swing
- * biggest, every one after it smaller.
- */
-const NOD_NO = {
-    id: "NOD_NO", label: "no (head shake)", text: "", duration: 1900,
-    keys: {
-        headYaw: [[0, 0], [0.14, -1.35], [0.39, 1.15], [0.64, -0.62], [0.85, 0.24], [1, 0]],
-        // A small roll in phase with the turn, because a head that swings on one
-        // axis alone is a turret. Kept to a fifth of the yaw: more and the refusal
-        // starts reading as a wince.
-        headRoll: [[0, 0], [0.14, -0.26], [0.39, 0.22], [0.64, -0.12], [1, 0]],
-        // The set of the face is what makes it a "no" rather than a look around.
-        // A refusal over a resting smile reads as teasing.
-        mouthPress: [[0, 0], [0.18, 0.40], [0.82, 0.34], [1, 0]],
-        mouthCornerL: [[0, 0], [0.22, -0.22], [1, 0]],
-        mouthCornerR: [[0, 0], [0.22, -0.22], [1, 0]],
-        browRaiseL: [[0, 0], [0.18, -0.24], [0.86, -0.12], [1, 0]],
-        browRaiseR: [[0, 0], [0.18, -0.24], [0.86, -0.12], [1, 0]],
-    },
-};
-/**
- * What a server may address on a Blender avatar by name, beyond the two every
- * avatar owes it.
- *
- * Shared by every character in this package rather than owned by tara, because
- * they are all driven through the same 30 channels. A character that needs its
- * own shape of one of these overrides that entry; it does not get a second
- * table.
- */
-export const BLENDER_SEQUENCES = Object.freeze({
-    NOD_SMALL, NOD_ASSESS, NOD_REALIZE, NOD_NO,
-});
-/**
- * The Blender avatars' own shape for one of the mixer's own actions, passed to
- * it as `actions`. Same ids, same intent; only the rendering is theirs.
- *
- * **`ACK_NOD` is the continuer here.** It is the nod a server sends while the
- * user is still talking — "mm-hm, go on" — and that is half of all nods and
- * most of what this avatar does, because it listens far more than it speaks.
- * The shared clip is two strokes that render 15° on this head, which is past
- * even agreement (6–10°) and is what the owner read as the head dropping. A
- * server that means agreement or realisation, and knows a Blender avatar is
- * mounted, asks for `NOD_ASSESS` or `NOD_REALIZE`.
- *
- * Aliased rather than restated, so the continuer and the portable nod cannot
- * drift apart.
- *
- * The other shared clips with head keys stay shared, because they already
- * land inside their meaning on tara: `GESTURE_APPROVE` renders 8.8° of
- * chin-down (agreement's band), `GESTURE_GREET` 2.9° of chin-up, and
- * `GESTURE_WAIT` 5.2° of yaw.
- */
-export const BLENDER_ACTIONS = Object.freeze({
-    ACK_NOD: { ...NOD_SMALL, id: "ACK_NOD", label: "acknowledge: nod" },
-});
-// A shape for an action the mixer already has, never a new one: the mixer
-// refuses an id that is not its own, and this keeps the table honest at the type
-// level too. A *new* motion goes in the table above, which is the open door.
-void BLENDER_ACTIONS;
-/**
- * What every character in this package answers to — each one's `supports`, the
- * optional declaration a driving UI reads (`AvatarSupport`).
- *
- * Derived rather than written down, because every part of it already exists: the
- * ids every avatar owes a server, the mixer's own clip catalogue these
- * characters inherit whole, and this file's own names. A hand-kept copy beside
- * them would only be able to disagree with them. `BLENDER_ACTIONS` adds nothing —
- * it re-shapes an id the mixer already has.
- *
- * It is one list for every 2.5-D character for the same reason the tables are:
- * they are one rig driven through one set of channels. A character that stops
- * being able to do one of these owes its own `supports`, not an edit here.
- */
-export const BLENDER_SUPPORTS = Object.freeze({
-    actions: Object.freeze([
-        ...CORE_ACTION_IDS,
-        ...ACTION_IDS.filter((id) => !CORE_ACTION_IDS.includes(id)),
-        ...Object.keys(BLENDER_SEQUENCES),
-    ]),
-});
-//# sourceMappingURL=sequences.js.map

package/dist/three/sequences.js.map

@@ -1 +0,0 @@
-{"version":3,"file":"sequences.js","sourceRoot":"","sources":["../../client/three/sequences.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;GA4DG;AACH,OAAO,EAAE,UAAU,EAAE,OAAO,EAAE,eAAe,EAAE,MAAM,gBAAgB,CAAC;AAYtE;;;;;;;;;;;;;;;;;;;;;;;GAuBG;AACH,MAAM,SAAS,GAAa;IAC1B,EAAE,EAAE,WAAW,EAAE,KAAK,EAAE,gBAAgB,EAAE,IAAI,EAAE,EAAE,EAAE,QAAQ,EAAE,GAAG;IACjE,IAAI,EAAE;QACJ,SAAS,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QACzC,0EAA0E;QAC1E,oCAAoC;QACpC,IAAI,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,KAAK,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QACrC,IAAI,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,KAAK,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QACrC,SAAS,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,KAAK,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QAC1C,SAAS,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,KAAK,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QAC1C,SAAS,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,KAAK,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;KAC3C;CACF,CAAC;AAEF;;;;;;;;;;;;;GAaG;AACH,MAAM,UAAU,GAAa;IAC3B,EAAE,EAAE,YAAY,EAAE,KAAK,EAAE,iBAAiB,EAAE,IAAI,EAAE,EAAE,EAAE,QAAQ,EAAE,IAAI;IACpE,IAAI,EAAE;QACJ,SAAS,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QACvD,IAAI,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QAClD,IAAI,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QAClD,SAAS,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QACvD,SAAS,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,KAAK,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QAC1C,SAAS,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,KAAK,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;KAC3C;CACF,CAAC;AAEF;;;;;;;;;;;;;;;GAeG;AACH,MAAM,WAAW,GAAa;IAC5B,EAAE,EAAE,aAAa,EAAE,KAAK,EAAE,kBAAkB,EAAE,IAAI,EAAE,EAAE,EAAE,QAAQ,EAAE,IAAI;IACtE,IAAI,EAAE;QACJ,4EAA4E;QAC5E,4EAA4E;QAC5E,iEAAiE;QACjE,SAAS,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,CAAC,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,CAAC,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QACrF,yEAAyE;QACzE,+DAA+D;QAC/D,UAAU,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QACxD,UAAU,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QACxD,IAAI,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,CAAC,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QACnD,IAAI,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,CAAC,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QACnD,2EAA2E;QAC3E,iDAAiD;QACjD,YAAY,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,CAAC,EAAE,IAAI,CAAC,CAAC;QAC7D,YAAY,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,CAAC,EAAE,IAAI,CAAC,CAAC;KAC9D;CACF,CAAC;AAEF;;;;;;;;;;;;;;;;;;;;;;;;GAwBG;AACH,MAAM,MAAM,GAAa;IACvB,EAAE,EAAE,QAAQ,EAAE,KAAK,EAAE,iBAAiB,EAAE,IAAI,EAAE,EAAE,EAAE,QAAQ,EAAE,IAAI;IAChE,IAAI,EAAE;QACJ,OAAO,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,CAAC,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,CAAC,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QACnF,yEAAyE;QACzE,2EAA2E;QAC3E,6BAA6B;QAC7B,QAAQ,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,CAAC,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,CAAC,IAAI,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QACtE,yEAAyE;QACzE,mDAAmD;QACnD,UAAU,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,IAAI,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QACxD,YAAY,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,CAAC,IAAI,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QAC7C,YAAY,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,CAAC,IAAI,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QAC7C,UAAU,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,CAAC,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,CAAC,IAAI,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;QAC1D,UAAU,EAAE,CAAC,CAAC,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,IAAI,EAAE,CAAC,IAAI,CAAC,EAAE,CAAC,IAAI,EAAE,CAAC,IAAI,CAAC,EAAE,CAAC,CAAC,EAAE,CAAC,CAAC,CAAC;KAC3D;CACF,CAAC;AAEF;;;;;;;;GAQG;AACH,MAAM,CAAC,MAAM,iBAAiB,GAAG,MAAM,CAAC,MAAM,CAAC;IAC7C,SAAS,EAAE,UAAU,EAAE,WAAW,EAAE,MAAM;CAC3C,CAAC,CAAC;AAIH;;;;;;;;;;;;;;;;;;;GAmBG;AACH,MAAM,CAAC,MAAM,eAAe,GAAG,MAAM,CAAC,MAAM,CAAC;IAC3C,OAAO,EAAE,EAAE,GAAG,SAAS,EAAE,EAAE,EAAE,SAAS,EAAE,KAAK,EAAE,kBAAkB,EAAE;CACpE,CAAC,CAAC;AAEH,0EAA0E;AAC1E,iFAAiF;AACjF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package/dist/three/tanvi-asset.d.ts

@@ -1,7 +0,0 @@
-/**
- * Where tanvi's compiled GLB is. One character, one module — see
- * [tara-asset.ts](./tara-asset.ts) for why that separation is load-bearing and
- * why the `new URL` literal is spelled exactly this way.
- */
-export declare const TANVI_GLB: string;
-//# sourceMappingURL=tanvi-asset.d.ts.map

package/dist/three/tanvi-asset.d.ts.map

@@ -1 +0,0 @@
-{"version":3,"file":"tanvi-asset.d.ts","sourceRoot":"","sources":["../../client/three/tanvi-asset.ts"],"names":[],"mappings":"AAAA;;;;GAIG;AACH,eAAO,MAAM,SAAS,QAA0D,CAAC"}

package/dist/three/tanvi-asset.js

@@ -1,7 +0,0 @@
-/**
- * Where tanvi's compiled GLB is. One character, one module — see
- * [tara-asset.ts](./tara-asset.ts) for why that separation is load-bearing and
- * why the `new URL` literal is spelled exactly this way.
- */
-export const TANVI_GLB = new URL("../../assets/tanvi.glb", import.meta.url).href;
-//# sourceMappingURL=tanvi-asset.js.map

package/dist/three/tanvi-asset.js.map

@@ -1 +0,0 @@
-{"version":3,"file":"tanvi-asset.js","sourceRoot":"","sources":["../../client/three/tanvi-asset.ts"],"names":[],"mappings":"AAAA;;;;GAIG;AACH,MAAM,CAAC,MAAM,SAAS,GAAG,IAAI,GAAG,CAAC,wBAAwB,EAAE,MAAM,CAAC,IAAI,CAAC,GAAG,CAAC,CAAC,IAAI,CAAC"}

package/dist/three/tanvi.d.ts

@@ -1,24 +0,0 @@
-/**
- * tanvi — Indian, and the first character whose hair is not part of her head.
- *
- * Her GLB is the shared scripts run with her landmarks (`characters/tanvi/`).
- * Her long waves fall past both shoulders onto her chest, which a `Hair` shell
- * painted into the head's atlas cannot carry: it can only be where the head is.
- * So her photograph is split into her with the hair pulled back, which is what
- * every other script reads, and the hair alone, which becomes a `HairLayer`
- * mesh of its own — turning with the skull, holding back its share of a roll
- * like tanya's hanging hair, lifting with the shoulders below the chin, and
- * drawn over everything behind it (`character-rig.ts`).
- *
- * Her head angles have not been read off her yet. `motion-limits.json` says so
- * rather than guessing, and `headHold` gives her the tightest budget any face
- * is still vouched for until the owner drives her.
- */
-import type { CharacterAvatarOptions } from "./createCharacter.js";
-export type { CharacterAvatarOptions as AvatarOptions };
-export type { AvatarInstance } from "./createCharacter.js";
-/** The optional driving-UI declaration; one list for every Blender character
- *  (`sequences.ts`), because they are one rig. */
-export declare const supports: import("../createAvatar.js").AvatarSupport;
-export declare const createAvatar: import("../createAvatar.js").AvatarFactory<CharacterAvatarOptions>;
-//# sourceMappingURL=tanvi.d.ts.map

package/dist/three/tanvi.d.ts.map

@@ -1 +0,0 @@
-{"version":3,"file":"tanvi.d.ts","sourceRoot":"","sources":["../../client/three/tanvi.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;GAeG;AAGH,OAAO,KAAK,EAAE,sBAAsB,EAAE,MAAM,sBAAsB,CAAC;AAInE,YAAY,EAAE,sBAAsB,IAAI,aAAa,EAAE,CAAC;AACxD,YAAY,EAAE,cAAc,EAAE,MAAM,sBAAsB,CAAC;AAE3D;kDACkD;AAClD,eAAO,MAAM,QAAQ,4CAAmB,CAAC;AAEzC,eAAO,MAAM,YAAY,oEAAgC,CAAC"}

package/dist/three/tanvi.js

@@ -1,24 +0,0 @@
-/**
- * tanvi — Indian, and the first character whose hair is not part of her head.
- *
- * Her GLB is the shared scripts run with her landmarks (`characters/tanvi/`).
- * Her long waves fall past both shoulders onto her chest, which a `Hair` shell
- * painted into the head's atlas cannot carry: it can only be where the head is.
- * So her photograph is split into her with the hair pulled back, which is what
- * every other script reads, and the hair alone, which becomes a `HairLayer`
- * mesh of its own — turning with the skull, holding back its share of a roll
- * like tanya's hanging hair, lifting with the shoulders below the chin, and
- * drawn over everything behind it (`character-rig.ts`).
- *
- * Her head angles have not been read off her yet. `motion-limits.json` says so
- * rather than guessing, and `headHold` gives her the tightest budget any face
- * is still vouched for until the owner drives her.
- */
-import { character } from "./createCharacter.js";
-import { BLENDER_SUPPORTS } from "./sequences.js";
-import { TANVI_GLB } from "./tanvi-asset.js";
-/** The optional driving-UI declaration; one list for every Blender character
- *  (`sequences.ts`), because they are one rig. */
-export const supports = BLENDER_SUPPORTS;
-export const createAvatar = character("tanvi", TANVI_GLB);
-//# sourceMappingURL=tanvi.js.map

package/dist/three/tanvi.js.map

@@ -1 +0,0 @@
-{"version":3,"file":"tanvi.js","sourceRoot":"","sources":["../../client/three/tanvi.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;GAeG;AAEH,OAAO,EAAE,SAAS,EAAE,MAAM,sBAAsB,CAAC;AAEjD,OAAO,EAAE,gBAAgB,EAAE,MAAM,gBAAgB,CAAC;AAClD,OAAO,EAAE,SAAS,EAAE,MAAM,kBAAkB,CAAC;AAK7C;kDACkD;AAClD,MAAM,CAAC,MAAM,QAAQ,GAAG,gBAAgB,CAAC;AAEzC,MAAM,CAAC,MAAM,YAAY,GAAG,SAAS,CAAC,OAAO,EAAE,SAAS,CAAC,CAAC"}

package/dist/three/tanya-asset.d.ts

@@ -1,7 +0,0 @@
-/**
- * Where tanya's compiled GLB is. One character, one module — see
- * [tara-asset.ts](./tara-asset.ts) for why that separation is load-bearing and
- * why the `new URL` literal is spelled exactly this way.
- */
-export declare const TANYA_GLB: string;
-//# sourceMappingURL=tanya-asset.d.ts.map

package/dist/three/tanya-asset.d.ts.map

@@ -1 +0,0 @@
-{"version":3,"file":"tanya-asset.d.ts","sourceRoot":"","sources":["../../client/three/tanya-asset.ts"],"names":[],"mappings":"AAAA;;;;GAIG;AACH,eAAO,MAAM,SAAS,QAA0D,CAAC"}

package/dist/three/tanya-asset.js

@@ -1,7 +0,0 @@
-/**
- * Where tanya's compiled GLB is. One character, one module — see
- * [tara-asset.ts](./tara-asset.ts) for why that separation is load-bearing and
- * why the `new URL` literal is spelled exactly this way.
- */
-export const TANYA_GLB = new URL("../../assets/tanya.glb", import.meta.url).href;
-//# sourceMappingURL=tanya-asset.js.map

package/dist/three/tanya-asset.js.map

@@ -1 +0,0 @@
-{"version":3,"file":"tanya-asset.js","sourceRoot":"","sources":["../../client/three/tanya-asset.ts"],"names":[],"mappings":"AAAA;;;;GAIG;AACH,MAAM,CAAC,MAAM,SAAS,GAAG,IAAI,GAAG,CAAC,wBAAwB,EAAE,MAAM,CAAC,IAAI,CAAC,GAAG,CAAC,CAAC,IAAI,CAAC"}

package/dist/three/tanya.d.ts

@@ -1,23 +0,0 @@
-/**
- * tanya — the third 3-D character, and the first whose atlas is not tara's
- * window.
- *
- * Her GLB is the shared scripts run with her landmarks and atlas layout
- * (`characters/tanya/`, whose README has the provenance and the commands).
- * Her hair is the silhouette down past the jaw, out to |u| 0.761 where tara's
- * window stops at 0.64, so `characters/tanya/face_texture.py` widens it to
- * 1408x1568 at the same 800 pixels per face height. That is a fact about the
- * asset and costs this file nothing — the rig reads the window from the GLB.
- *
- * Hair that hangs is what else makes her the third rather than a fourth copy:
- * hers is the only `Hair` mesh that carries the roll channels, because it is
- * the only one with anything below the hold line to lag behind a tilt.
- */
-import type { CharacterAvatarOptions } from "./createCharacter.js";
-export type { CharacterAvatarOptions as AvatarOptions };
-export type { AvatarInstance } from "./createCharacter.js";
-/** The optional driving-UI declaration; one list for every Blender character
- *  (`sequences.ts`), because they are one rig. */
-export declare const supports: import("../createAvatar.js").AvatarSupport;
-export declare const createAvatar: import("../createAvatar.js").AvatarFactory<CharacterAvatarOptions>;
-//# sourceMappingURL=tanya.d.ts.map

package/dist/three/tanya.d.ts.map

@@ -1 +0,0 @@
-{"version":3,"file":"tanya.d.ts","sourceRoot":"","sources":["../../client/three/tanya.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;GAcG;AAGH,OAAO,KAAK,EAAE,sBAAsB,EAAE,MAAM,sBAAsB,CAAC;AAInE,YAAY,EAAE,sBAAsB,IAAI,aAAa,EAAE,CAAC;AACxD,YAAY,EAAE,cAAc,EAAE,MAAM,sBAAsB,CAAC;AAE3D;kDACkD;AAClD,eAAO,MAAM,QAAQ,4CAAmB,CAAC;AAEzC,eAAO,MAAM,YAAY,oEAAgC,CAAC"}

package/dist/three/tanya.js

@@ -1,23 +0,0 @@
-/**
- * tanya — the third 3-D character, and the first whose atlas is not tara's
- * window.
- *
- * Her GLB is the shared scripts run with her landmarks and atlas layout
- * (`characters/tanya/`, whose README has the provenance and the commands).
- * Her hair is the silhouette down past the jaw, out to |u| 0.761 where tara's
- * window stops at 0.64, so `characters/tanya/face_texture.py` widens it to
- * 1408x1568 at the same 800 pixels per face height. That is a fact about the
- * asset and costs this file nothing — the rig reads the window from the GLB.
- *
- * Hair that hangs is what else makes her the third rather than a fourth copy:
- * hers is the only `Hair` mesh that carries the roll channels, because it is
- * the only one with anything below the hold line to lag behind a tilt.
- */
-import { character } from "./createCharacter.js";
-import { BLENDER_SUPPORTS } from "./sequences.js";
-import { TANYA_GLB } from "./tanya-asset.js";
-/** The optional driving-UI declaration; one list for every Blender character
- *  (`sequences.ts`), because they are one rig. */
-export const supports = BLENDER_SUPPORTS;
-export const createAvatar = character("tanya", TANYA_GLB);
-//# sourceMappingURL=tanya.js.map

package/dist/three/tanya.js.map

@@ -1 +0,0 @@
-{"version":3,"file":"tanya.js","sourceRoot":"","sources":["../../client/three/tanya.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;GAcG;AAEH,OAAO,EAAE,SAAS,EAAE,MAAM,sBAAsB,CAAC;AAEjD,OAAO,EAAE,gBAAgB,EAAE,MAAM,gBAAgB,CAAC;AAClD,OAAO,EAAE,SAAS,EAAE,MAAM,kBAAkB,CAAC;AAK7C;kDACkD;AAClD,MAAM,CAAC,MAAM,QAAQ,GAAG,gBAAgB,CAAC;AAEzC,MAAM,CAAC,MAAM,YAAY,GAAG,SAAS,CAAC,OAAO,EAAE,SAAS,CAAC,CAAC"}

package/dist/three/tara-asset.d.ts

@@ -1,26 +0,0 @@
-/**
- * Where tara's compiled GLB is — one character, one module, on purpose.
- *
- * `new URL(…, import.meta.url)` and not a bundler's asset import: these files
- * are fetched at runtime by a consumer's app, and the spelling has to survive
- * Vite, webpack, Rollup, esbuild, a plain `tsc` output and a browser loading the
- * module directly. The query-suffix form this used to carry is Vite syntax —
- * every other toolchain, including the compiler that now builds this directory,
- * passes it through verbatim and produces an import of a file that is not there.
- *
- * The depth is the same from the source tree and from the compiled one
- * (`client/three/` and `dist/three/` are siblings), so one literal is correct in
- * both — and literal is load-bearing, because a bundler can only follow this
- * pattern when it can read the path without running anything.
- *
- * **One module per character is the whole point, and it is a bundling fact, not
- * tidiness.** A bundler that can follow `new URL` emits the file it names, and
- * it decides what to emit per *module*: three literals in one object meant a
- * consumer who imported one character shipped all three GLBs — ~1.3 MB of a
- * character they never mount, in every build we checked. Splitting them is what
- * makes `@voqalize/avatar/avatars/tara` cost tara. Nothing that a character
- * module loads may reach for another character's URL, which is also why the rig
- * takes its `url` from its caller instead of defaulting to tara's.
- */
-export declare const TARA_GLB: string;
-//# sourceMappingURL=tara-asset.d.ts.map

package/dist/three/tara-asset.d.ts.map

@@ -1 +0,0 @@
-{"version":3,"file":"tara-asset.d.ts","sourceRoot":"","sources":["../../client/three/tara-asset.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;;;;;;;;;GAuBG;AACH,eAAO,MAAM,QAAQ,QAAyD,CAAC"}

package/dist/three/tara-asset.js

@@ -1,26 +0,0 @@
-/**
- * Where tara's compiled GLB is — one character, one module, on purpose.
- *
- * `new URL(…, import.meta.url)` and not a bundler's asset import: these files
- * are fetched at runtime by a consumer's app, and the spelling has to survive
- * Vite, webpack, Rollup, esbuild, a plain `tsc` output and a browser loading the
- * module directly. The query-suffix form this used to carry is Vite syntax —
- * every other toolchain, including the compiler that now builds this directory,
- * passes it through verbatim and produces an import of a file that is not there.
- *
- * The depth is the same from the source tree and from the compiled one
- * (`client/three/` and `dist/three/` are siblings), so one literal is correct in
- * both — and literal is load-bearing, because a bundler can only follow this
- * pattern when it can read the path without running anything.
- *
- * **One module per character is the whole point, and it is a bundling fact, not
- * tidiness.** A bundler that can follow `new URL` emits the file it names, and
- * it decides what to emit per *module*: three literals in one object meant a
- * consumer who imported one character shipped all three GLBs — ~1.3 MB of a
- * character they never mount, in every build we checked. Splitting them is what
- * makes `@voqalize/avatar/avatars/tara` cost tara. Nothing that a character
- * module loads may reach for another character's URL, which is also why the rig
- * takes its `url` from its caller instead of defaulting to tara's.
- */
-export const TARA_GLB = new URL("../../assets/tara.glb", import.meta.url).href;
-//# sourceMappingURL=tara-asset.js.map

package/dist/three/tara-asset.js.map

@@ -1 +0,0 @@
-{"version":3,"file":"tara-asset.js","sourceRoot":"","sources":["../../client/three/tara-asset.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;;;;;;;;;GAuBG;AACH,MAAM,CAAC,MAAM,QAAQ,GAAG,IAAI,GAAG,CAAC,uBAAuB,EAAE,MAAM,CAAC,IAAI,CAAC,GAAG,CAAC,CAAC,IAAI,CAAC"}

package/dist/three/tara.d.ts

@@ -1,30 +0,0 @@
-/**
- * tara — the first 3-D character, as a complete `createAvatar` module.
- *
- * Structurally this is the canvas avatars' shape, one layer down: the mixer
- * (`@voqalize/avatar/internal`) does states, layers, gaze, idle, blinks, clips
- * and per-channel smoothing exactly as it does for every SVG face, and the only
- * thing a Blender character replaces is the renderer at the end of it. That is
- * the whole argument for authoring her morph targets under the library's pose
- * channel names: nothing above this line knows there is a GPU involved, and
- * every clip, viseme and co-articulation rule the SVG faces have works here
- * unmodified.
- *
- * How a Blender character is driven is `createCharacter.ts`, and it is the same
- * for all of them. What is hers is the mesh — and, until 2026-09-23, rather
- * more than that: this file was the original, the others were copies of it, and
- * the performance every character inherits was measured on her face. It is the
- * house performance now (`CHARACTER_TUNING`), which changes nothing about how
- * she looks and everything about where it is decided.
- *
- * The Three.js import lives behind this module rather than in the barrel so an
- * SVG or Canvas consumer never downloads it.
- */
-import type { CharacterAvatarOptions } from "./createCharacter.js";
-export type { CharacterAvatarOptions as AvatarOptions };
-export type { AvatarInstance } from "./createCharacter.js";
-/** The optional driving-UI declaration; one list for every Blender character
- *  (`sequences.ts`), because they are one rig. */
-export declare const supports: import("../createAvatar.js").AvatarSupport;
-export declare const createAvatar: import("../createAvatar.js").AvatarFactory<CharacterAvatarOptions>;
-//# sourceMappingURL=tara.d.ts.map

package/dist/three/tara.d.ts.map

@@ -1 +0,0 @@
-{"version":3,"file":"tara.d.ts","sourceRoot":"","sources":["../../client/three/tara.ts"],"names":[],"mappings":"AAAA;;;;;;;;;;;;;;;;;;;;;GAqBG;AAGH,OAAO,KAAK,EAAE,sBAAsB,EAAE,MAAM,sBAAsB,CAAC;AAInE,YAAY,EAAE,sBAAsB,IAAI,aAAa,EAAE,CAAC;AACxD,YAAY,EAAE,cAAc,EAAE,MAAM,sBAAsB,CAAC;AAE3D;kDACkD;AAClD,eAAO,MAAM,QAAQ,4CAAmB,CAAC;AAEzC,eAAO,MAAM,YAAY,oEAA8B,CAAC"}