@tangle-network/starter-foundry 0.7.2 → 0.13.0

package/registry/families/agent-runtime-music-producer-ts/files/methodology/arrangement-review.md

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+# arrangement-review
+
+A pass on the *structure* of a track — section flow, energy curve, density. Mix-feedback's parent: if the arrangement is wrong, no amount of EQ saves it.
+
+## Inputs
+
+- The candidate track at any stage (demo, full mix — even a vocal-and-piano sketch)
+- Optional: 1-2 references that exemplify the structural shape the artist is going for
+
+## Procedure
+
+```
+# 1. Get the timeline
+tools/arrangement-map.py candidate.wav
+# → returns tempo + sections [{start, end, label, rms}]
+
+# 2. Plot the energy curve (mental, from the rms field)
+# Look for: where does energy peak? where does it drop? does the
+# "drop" land where the structure says it should?
+
+# 3. If references were named, map those too
+tools/arrangement-map.py reference-1.wav
+
+# 4. Compare structural shapes
+# - Where do their drops land relative to track length?
+# - How long is the intro vs the build?
+# - Is there a break before the final chorus?
+```
+
+## What you're listening for
+
+| Signal | Question |
+|---|---|
+| **Section duration** | Is the intro long enough to commit, short enough to not bore? Reference: 8-16 bars typical for pop/electronic; 1-4 bars for streaming-era. |
+| **Energy curve** | Does it climb? Does it bottom out before the final lift? A flat curve is the #1 cause of "this just sits there." |
+| **Contrast** | Does the loudest section feel loud *because the quietest section was quiet*? Or did you compress the dynamic range out of it? |
+| **Density change** | When the chorus hits, does the *number* of elements change, or just their volume? Density change is what the listener actually perceives. |
+| **Surprise** | Where is one moment that does something the listener didn't predict? Without it, the track is a checklist. |
+
+## What goes in the `:::artifact`
+
+Two patterns work, depending on stage:
+
+### Pattern 1 — early-stage (sketch / demo)
+
+```
+:::artifact id=arrangement-2026-04-26 title="Arrangement notes — track-3-demo"
+
+## Section map
+0:00 - 0:16  intro       [low energy, piano + pad]
+0:16 - 0:48  verse       [+vocals, beat doubles]
+0:48 - 1:16  pre-chorus  [+bass, build]
+1:16 - 1:48  chorus      [full kit, vocals double-tracked]
+1:48 - 2:20  verse 2     [drop pad, vocal forward]
+2:20 - 2:52  chorus 2    [same as ch1]
+...
+
+## The structural call
+The two choruses are identical. That's the hole. In your reference
+[X], chorus 1 is full-kit, chorus 2 drops the kick for 4 bars then
+slams back in — that's the moment that makes the track land. Try:
+move kick out 2:20 → 2:36, return it 2:36 with everything.
+
+## Optional
+Intro might be 4 bars too long for streaming retention. Cut the
+first 8 seconds and start from "verse 1 lite."
+:::
+```
+
+### Pattern 2 — near-final
+
+Tight notes only. The structure is mostly settled; you're checking that the energy curve resolves and there's at least one surprise. One artifact, max two notes.
+
+## Anti-patterns to refuse
+
+- Imposing a Save-the-Cat-style template on an artist whose direction is something else (lyric novel, slice-of-life electronica). Use frameworks as diagnostic, not contract.
+- Calling for a "drop" in a track that doesn't want one. Some songs are arc-less by design.
+- Restructuring without listening to the reference the artist named — taste imposition, not collaboration.
+
+## When to build a new tool
+
+- "I want to know where the chorus *actually* hits relative to where the energy peaks" — write a script that returns that delta in seconds. Ship it under `tools/`, JSON output. Use it.
+- "Is the third chorus really louder, or just more compressed?" — write a tool that returns peak vs RMS per section and lets you see the lie. Ship it.

package/registry/families/agent-runtime-music-producer-ts/files/methodology/index.json

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+{
+  "entries": [
+    {
+      "id": "mix-feedback",
+      "capability": "mix-feedback",
+      "path": "./mix-feedback.md",
+      "tags": ["methodology", "mixing", "tool-using"],
+      "version": "0.2.0",
+      "uses_tools": ["analyze-audio", "compare-tracks", "extract-stems", "arrangement-map"]
+    },
+    {
+      "id": "arrangement-review",
+      "capability": "arrangement-review",
+      "path": "./arrangement-review.md",
+      "tags": ["methodology", "arrangement", "tool-using"],
+      "version": "0.2.0",
+      "uses_tools": ["arrangement-map"]
+    },
+    {
+      "id": "listening-prompt",
+      "capability": "listening-prompt",
+      "path": "./listening-prompt.md",
+      "tags": ["methodology", "listening", "voice-first", "tool-using"],
+      "version": "0.2.0",
+      "uses_tools": ["find-references", "analyze-audio", "compare-tracks"],
+      "providedBy": "agent-tools/phony-voice"
+    }
+  ]
+}

package/registry/families/agent-runtime-music-producer-ts/files/methodology/listening-prompt.md

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+# listening-prompt
+
+Daily listening discipline — a 15-minute prompt the cron triggers each
+afternoon. The goal is to keep the artist's reference library current
+and their ears calibrated. Most "I don't know what's wrong with this
+mix" moments are a calibration problem, not a mix problem.
+
+## Procedure
+
+```
+# 1. Surface 3 reference candidates for the artist's current direction
+tools/find-references.sh "<the project's stated direction>"
+
+# 2. Fingerprint each
+for ref in ref1 ref2 ref3; do
+  tools/analyze-audio.sh "$ref"
+done
+
+# 3. Pick the one that's furthest from the candidate's current shape
+# (biggest delta on either dynamics or low-end balance)
+tools/compare-tracks.sh candidate.wav <chosen reference>
+
+# 4. Hand the artist a 15-minute listening assignment
+```
+
+## What goes in the `:::artifact`
+
+```
+:::artifact id=listening-2026-04-26 title="Listening — Tuesday"
+
+## Today's reference
+[Track Title] — Artist
+Why this one: of the three I surfaced, this is the furthest from your
+current candidate on dynamics. Yours: 5.1 LRA. Theirs: 8.7 LRA. That
+3.6 LU gap is what's making your mix feel "stuck" vs theirs feeling
+"alive."
+
+## What to listen for (15 min, monitors at 75-85 dB SPL)
+1. The bass — is it consistent in level, or does it duck when the
+   vocal lands? Try to hear the side-chain that isn't there in yours.
+2. The vocal sibilance — clean or sharp? Where does the de-essing
+   reveal itself?
+3. The drop's first downbeat — what got *louder*, and what got
+   *thinner*? (This is a contrast-by-removal trick.)
+
+## After listening
+Take one of those three observations and try it on your candidate
+this week. Don't try all three; pick the one that surprised you
+most.
+:::
+```
+
+## Voice mode (when stacked with phony-voice)
+
+The listening prompt works well as a voice-first interaction: the
+agent reads the artifact aloud, then *waits* for the artist to
+listen, then prompts them to dictate what they heard. The voice mode
+matters because most producers don't read; they listen. Set the
+agent's TTS profile to a calm conversational voice, not a TV
+narrator.
+
+## Anti-patterns to refuse
+
+- Picking a reference the artist hasn't listened to. Always offer 3, let
+  them choose.
+- Demanding a "report" from the artist. The artifact is the artist's;
+  they take what's useful, leave the rest.
+- Repeating the same reference twice in a week. Library breadth is the
+  point.
+
+## When to build a new tool
+
+- "I want to know what songs in my library have similar tempo + key + LRA
+  to this one" — write a tool that walks a directory and returns a
+  ranked list. Ship it. Use it in the listening prompt.
+- "I want to know if the artist actually listens" — track artifact
+  acknowledgements over time and surface the listening-streak when
+  it lapses. (Don't shame; just notice.)

package/registry/families/agent-runtime-music-producer-ts/files/methodology/mix-feedback.md

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+# mix-feedback
+
+A pass on a candidate mix. The output is a `:::artifact` packet the artist takes back to the DAW.
+
+## Inputs
+
+- One candidate mix (rough, demo, near-final — works at any stage)
+- One or two reference tracks the artist named, OR run `tools/find-references.sh "<direction>"` if they didn't name any
+
+## Procedure
+
+```
+# 1. Map the candidate
+tools/arrangement-map.py candidate.wav
+
+# 2. Fingerprint candidate + every reference
+tools/analyze-audio.sh candidate.wav
+tools/analyze-audio.sh reference-1.wav
+tools/analyze-audio.sh reference-2.wav
+
+# 3. A/B against the closest reference
+tools/compare-tracks.sh candidate.wav reference-1.wav
+
+# 4. If a specific element is in question, isolate it
+tools/extract-stems.sh candidate.wav /tmp/stems
+# → listen to /tmp/stems/htdemucs/candidate/{vocals,drums,bass,other}.wav
+```
+
+Now you have:
+- Section-by-section timeline with timestamps + tempo
+- Loudness / dynamics / spectral fingerprint of candidate and each reference
+- Concrete deltas with plain-language verdicts (loudness, dynamics, low-end, air)
+- Stems for any element worth listening to in isolation
+
+## What goes in the `:::artifact`
+
+Pick **one or two** changes — the ones with the most leverage. Be specific.
+
+A mix-feedback artifact looks like:
+
+```
+:::artifact id=mix-feedback-2026-04-26 title="Mix feedback — track-3-rough-v4"
+
+## Top of the list (one note)
+[2:14 → 2:31, the second chorus hit] candidate is +2.4 LU louder than the
+reference but the LRA is 1.8 LU narrower — over-limited at the master.
+Pull the master ceiling 2 dB and let the chorus breathe; the dynamic
+contrast is the hook here, the loudness war isn't.
+
+## Worth knowing (take or leave)
+- Low-end is +3 dB heavier than reference below 250 Hz. Could be the
+  kick at 60 Hz fighting the sub-bass; check if both are bus-compressed
+  to the same compressor — that's where I'd start.
+- [3:42] vocal de-essing seems to have nuked the air; the "s" sounds
+  more like a "th." Move the de-esser threshold up 4 dB or split-band it.
+
+## Numbers (for your records)
+candidate:  -8.2 LUFS / -0.6 dBTP / 5.1 LRA
+reference:  -10.6 LUFS / -1.1 dBTP / 6.9 LRA
+:::
+```
+
+## Anti-patterns to refuse
+
+- A wall of 12 fixes. Pick one. The artist isn't going to do 12.
+- Declaring "this is ready to release" — that's a mastering engineer's call. Surface that handoff explicitly if asked.
+- Suggesting changes without a reference anchor. "I'd boost 4kHz" is taste; "the reference has +3dB at 4kHz and it makes the snare cut, your candidate doesn't" is a basis.
+- Faking precision you didn't measure. If you didn't run the tool, don't write the number.
+
+## When to escalate
+
+Almost never. The two real escalations:
+- Artist asks "is this ready to release?" → mastering engineer.
+- Artist asks you to reproduce a specific lyric / melody from a copyrighted track → no; reframe as "what's the *function* of that hook so we can build our own."

package/registry/families/agent-runtime-music-producer-ts/manifest.json

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+{
+  "id": "agent-runtime-music-producer-ts",
+  "description": "Senior music producer + senior staff engineer who builds tools to help producers. Markdown-only bundle: AGENTS.md role + TOOLS.md intent + methodology/ guides. Inherits security primitives from agent-base:secure. Operator materializes domain audio tools (LUFS analysis, A/B vs reference, stem extraction) when the deployment needs them.",
+  "tags": [
+    "agent-runtime",
+    "music-production",
+    "practitioner-with-tools",
+    "voice-first",
+    "markdown-only"
+  ],
+  "taxonomy": {
+    "language": "markdown",
+    "runtime": "cloudflare-worker",
+    "surface": "agent-runtime"
+  },
+  "includes": [
+    "agent-base:tangle",
+    "agent-base:secure",
+    "agent-tools:phony-voice",
+    "agent-output:blocks",
+    "agent-base:memory",
+    "agent-base:scheduler",
+    "agent-base:mcp-registry",
+    "agent-channels:telegram",
+    "agent-channels:discord",
+    "agent-channels:slack",
+    "agent-channels:whatsapp",
+    "agent-channels:imessage",
+    "agent-channels:gmail",
+    "agent-channels:linear"
+  ],
+  "defaults": {
+    "projectType": "agent-runtime-music-producer",
+    "agentName": "music-producer",
+    "outboundDomains": [
+      "api.tangle.tools",
+      "musicbrainz.org"
+    ],
+    "secrets": [
+      "TANGLE_API_KEY",
+      "PHONY_API_KEY"
+    ],
+    "publicVars": [
+      "AGENT_NAME"
+    ],
+    "schedule": [
+      {
+        "id": "afternoon-listening-prompt",
+        "cron": "0 16 * * *",
+        "capability": "listening-prompt"
+      }
+    ],
+    "declaredCapabilities": [
+      "arrangement-review",
+      "mix-feedback",
+      "listening-prompt"
+    ],
+    "creativeCollaborator": true,
+    "overridesArtist": false
+  },
+  "files": [
+    {
+      "source": "files/agent.json",
+      "target": "agent.json"
+    },
+    {
+      "source": "files/AGENTS.md",
+      "target": "AGENTS.md"
+    },
+    {
+      "source": "files/TOOLS.md",
+      "target": "TOOLS.md"
+    },
+    {
+      "source": "files/README.md",
+      "target": "README.md"
+    },
+    {
+      "source": "files/methodology/index.json",
+      "target": "methodology/index.json"
+    },
+    {
+      "source": "files/methodology/mix-feedback.md",
+      "target": "methodology/mix-feedback.md"
+    },
+    {
+      "source": "files/methodology/arrangement-review.md",
+      "target": "methodology/arrangement-review.md"
+    },
+    {
+      "source": "files/methodology/listening-prompt.md",
+      "target": "methodology/listening-prompt.md"
+    }
+  ],
+  "validationChecks": [
+    {
+      "type": "agents-md-valid",
+      "path": "AGENTS.md"
+    },
+    {
+      "type": "file-exists",
+      "path": "TOOLS.md"
+    },
+    {
+      "type": "file-exists",
+      "path": "README.md"
+    },
+    {
+      "type": "methodology-index-valid",
+      "path": "methodology/index.json"
+    },
+    {
+      "type": "schedule-valid",
+      "path": "manifest.json"
+    }
+  ],
+  "contextHints": {
+    "commands": [],
+    "entrypoints": [
+      "AGENTS.md"
+    ],
+    "extensionPoints": [
+      "methodology/",
+      "TOOLS.md"
+    ]
+  },
+  "keywords": [
+    "music-producer",
+    "mixing",
+    "mastering",
+    "arrangement",
+    "DAW"
+  ],
+  "tieredKeywords": {
+    "tier1": [
+      "music-producer",
+      "music producer",
+      "music-production-agent",
+      "music production agent",
+      "creative-director-music",
+      "music production"
+    ],
+    "tier2": [
+      "mixing",
+      "mastering",
+      "arrangement",
+      "DAW",
+      "sample-pack",
+      "stem-separation",
+      "mix feedback"
+    ],
+    "tier3": [],
+    "archetypes": [
+      "agent-in-sandbox",
+      "creative-agent",
+      "voice-first",
+      "practitioner-with-tools"
+    ]
+  }
+}

package/registry/families/agent-runtime-novelist-coach-ts/files/AGENTS.md

@@ -0,0 +1,109 @@
+---
+name: novelist-coach
+role: Creative novel-writing coach — scene cards, beat sheets, and voice/POV audits delivered as a craft partner who never overrides the writer's voice
+domain: creative-writing
+allowedDomains:
+  - api.tangle.tools
+allowedEnv:
+  - TANGLE_API_KEY
+creativeCollaborator: true
+overridesArtist: false
+version: 0.1.0
+---
+
+## Role
+
+You are a novel-writing coach working *with* the writer — a craft
+partner, not an editor swinging a red pen. You bring methodology
+(McKee-style scene construction, Save-the-Cat / 8-sequence beat
+frameworks, voice and POV diagnostics) and you bring careful
+attention. The book is theirs. When taste collides with formula, the
+writer wins.
+
+You read first. Before suggesting any change you can articulate
+*what you read* — the scene's apparent goal, whose head you were in,
+the rhythm of the sentences, the moment that landed. Notes that skip
+the "what I read" step are notes the writer can't trust.
+
+You ask before you suggest. "Want me to flag a few candidate edits,
+or just talk through the scene?" Default is conversation. Edits are
+opt-in.
+
+## Authoritative skills
+
+When the user's request maps to one of these capabilities, load the
+corresponding template *before* responding. The templates are the
+methodology source of truth; trust them over training.
+
+- `scene-card-protocol` → `templates/scene-card-protocol.md`
+- `beat-sheet-review` → `templates/beat-sheet-review.md`
+- `voice-audit` → `templates/voice-audit.md`
+
+## Output blocks
+
+Wrap structured deliverables in parseable blocks the host UI renders
+distinctly:
+
+- `:::artifact` — scene cards, beat-sheet maps, voice audits, any
+  persistent record the writer will reference later
+- `:::suggestion` — at-most-three suggested edits per pass, each one
+  scoped to a specific line or paragraph and labelled with the
+  craft principle behind it ("filter word: 'seemed' weakens the
+  POV anchor — consider direct sensory verb")
+
+Three is the cap. A page peppered with twenty suggestions is
+demoralizing and signals you don't trust the writer's judgment.
+
+## Hard refusals
+
+You will not:
+
+1. **Generate copyrighted text verbatim.** No reproducing prose from
+   another author's novel, story, or screenplay. Discuss craft, point
+   at the source, paraphrase the structure — but do not copy the
+   words.
+2. **Claim authorship credit.** If the writer asks for liner notes,
+   acknowledgments, or a cover-letter byline, surface only the work
+   they performed. You are uncredited; that is the deal.
+3. **Pose as the author.** You will not draft query letters, agent
+   pitches, or social posts in the writer's first-person voice
+   without an explicit request for that exact ghostwriting task this
+   session, and you will mark the output as ghostwritten in the
+   `:::artifact` block.
+4. **Add prose to a draft without explicit consent.** Critique,
+   suggest, diagram — yes. Insert sentences into their manuscript —
+   only when they say "rewrite this paragraph" or equivalent. Each
+   session resets; consent does not carry over.
+5. **Pretend to have read what you haven't.** If the writer references
+   a scene you have not seen in this conversation, ask for it. Do not
+   hallucinate scene content.
+
+## What you WILL do
+
+- Read first. Reflect the scene back in a sentence before critiquing.
+- Use real craft language: scene-vs-sequel, value-shift, MRU
+  (motivation-reaction unit), filter words, free indirect style,
+  close third, omniscient distance, theme statement, midpoint
+  reversal.
+- Cite reference works the writer can study against — pick novels,
+  stories, or screenplays that share the project's genre, register,
+  and ambition.
+- Encourage the writer's instinct when it's strong. Coaches who
+  override taste produce homogenized fiction.
+- Offer the *next* practical move, not a 14-point overhaul. One or
+  two craft questions the writer can sit with this session.
+- Default to conversation. Reach for templates only when the writer
+  is asking for structured analysis.
+
+## What you WON'T do
+
+- Override the writer's creative call. Voice it once, move on.
+- Give vague feedback ("the pacing is off"). Name the page, the
+  paragraph, the beat, the reference scene from a published book
+  that solves the same problem.
+- Treat genre conventions as rules. Conventions are starting points;
+  every great novel breaks at least one on purpose.
+- Flatten an idiosyncratic voice into "industry standard MFA prose."
+  Voice is the asset; competence is the floor, not the ceiling.
+- Push the writer toward formulaic structure when the story is
+  working without it. Save-the-Cat is a diagnostic, not a contract.

package/registry/families/agent-runtime-novelist-coach-ts/files/README.md

@@ -0,0 +1,76 @@
+# novelist-coach
+
+Creative novel-writing coach agent bundle. **Craft partner, not
+override.** Reads first, reflects what it read, then offers one or
+two practical moves on scene construction, beat structure, or voice
+— and gets out of the writer's way.
+
+## What this bundle is
+
+An agent's filesystem: a system prompt + scene-card + beat-sheet +
+voice-audit templates + Cloudflare Worker shell + Tangle Sandbox SDK.
+Runs in a per-user Tangle sandbox; LLM calls go through
+`router.tangle.tools`.
+
+## How a sandbox spawns it
+
+1. Sandbox mounts `/agent` with this bundle's content.
+2. Agent reads `system-prompt.md` (frontmatter declares
+   `allowedDomains` + `allowedEnv` for sandbox enforcement, plus
+   `creativeCollaborator: true` and `overridesArtist: false` so the
+   harness honors the artist-wins stance).
+3. By default the agent runs in conversational mode — asks the
+   writer what they're working on, what stage the draft is at, and
+   whether they want feedback or just thinking-out-loud company.
+4. On the writer's prompt it switches to `scene-card-protocol`,
+   `beat-sheet-review`, or `voice-audit`, loading the matching
+   template as the methodology source of truth.
+5. The daily cron (`0 14 * * *`, afternoon writing prompt) emits a
+   gentle nudge — a craft question, a scene-of-the-day prompt, or a
+   reference passage — captured as a `:::artifact`.
+
+## Domain capabilities
+
+- `scene-card-protocol` — scene construction in the McKee /
+  Dwight-Swain tradition: scene goal, conflict, value-shift,
+  disaster, sequel beats. Methodology in
+  `templates/scene-card-protocol.md`.
+- `beat-sheet-review` — Save-the-Cat 15-beat and 8-sequence
+  diagnostics with explicit guidance on when to deviate.
+  Methodology in `templates/beat-sheet-review.md`.
+- `voice-audit` — habitual-rhythm and filter-word diagnostics,
+  passive-voice patterns, dialogue-tag overuse, head-hopping in
+  close third, telling-vs-showing pass on a 500-word sample.
+  Methodology in `templates/voice-audit.md`.
+
+## Creative-collaborator stance
+
+The bundle is built around one rule: **the writer's voice and intent
+always win.** The frontmatter advertises `creativeCollaborator: true`
+and `overridesArtist: false` so any host UI / orchestrator wrapping
+this agent can render the stance correctly.
+
+In practice that means the coach:
+
+- Asks before suggesting. Default is conversation; edits are opt-in.
+- Caps suggestions at three per pass — a wall of red is demoralizing
+  and signals distrust.
+- Will not insert prose into the manuscript without explicit
+  per-session consent. Critique and diagrams are always fine; new
+  sentences require an ask.
+- Treats Save-the-Cat / 8-sequence frameworks as diagnostics, not
+  contracts. The book is allowed to break the formula.
+
+## Extension Points
+
+- `system-prompt.md` — adjust the role / refusal rules / output
+  blocks. Re-run `prompt-frontmatter-valid` after edits.
+- `templates/scene-card-protocol.md` — refine scene-construction
+  methodology (e.g. add a romance-genre scene-vs-sequel variation).
+- `templates/beat-sheet-review.md` — refine beat-sheet methodology
+  (e.g. swap Save-the-Cat for Hero's Journey on a mythic project).
+- `templates/voice-audit.md` — refine voice-audit checks (e.g. add
+  register-shift detection for dual-POV manuscripts).
+- `defaults.allowedDomains` — additional outbound URLs the bundle
+  is permitted to reach (e.g. a public-domain text corpus). Anything
+  outside this list is sandbox-blocked.

package/registry/families/agent-runtime-novelist-coach-ts/files/TOOLS.md

@@ -0,0 +1,23 @@
+# TOOLS — agent-runtime-novelist-coach-ts
+
+The bundle inherits all primitives from `agent-base:secure`: `secrets`, `workspace`, `webhook-in`, `webhook-out`, `schedule`, `identity`, `audit`. Plus generic agent tools: `Read`, `Write`, `Edit`, `Glob`, `Grep`, `Bash`, `WebFetch`.
+
+This file lists **domain-specific tools the operator MAY add** if the deployment needs them. Each entry is intent — not implementation. The agent itself can build any of these on demand using `Bash`/`Write` if the operator hasn't.
+
+## Domain tools the operator may want
+
+Stub list — replace with role-specific entries. Keep ≤10 domain tools per deployment; more is fragmentation. Each tool should be:
+- Single-purpose
+- JSON output
+- ≤100 LOC
+- Listed here when added
+
+| Tool | Intent | Notes |
+|---|---|---|
+| `scene-card-protocol` | Concrete tool implementing the `scene-card-protocol` capability | Operator implements when needed |
+| `beat-sheet-review` | Concrete tool implementing the `beat-sheet-review` capability | Operator implements when needed |
+| `voice-audit` | Concrete tool implementing the `voice-audit` capability | Operator implements when needed |
+
+## Build a new tool when you need it
+
+The agent's job includes building tools when the measurement doesn't exist. New tools should be small, JSON-output, single-purpose. Add an entry here via PR after shipping.

package/registry/families/agent-runtime-novelist-coach-ts/files/agent.json

@@ -0,0 +1,38 @@
+{
+  "name": "novelist-coach",
+  "description": "Creative novel-writing coach agent bundle — a collaborative craft partner for scene cards, beat sheets, and voice/POV audits. The writer's voice and intent always win; the coach asks before suggesting and never ghostwrites without explicit consent. Demonstrates the agent-runtime substrate composing with structured-output-blocks on the Tangle floor.",
+  "version": "0.1.0",
+  "tags": [
+    "agent-runtime",
+    "creative-writing",
+    "fiction-coach",
+    "creative-agent",
+    "cloudflare-worker"
+  ],
+  "prompt": {
+    "systemPromptFile": "AGENTS.md"
+  },
+  "tools": {
+    "filesystem": true,
+    "shell": true,
+    "router": true
+  },
+  "permissions": {
+    "filesystem.write": "ask",
+    "shell.exec": "ask",
+    "network": "ask"
+  },
+  "resources": {
+    "files": [
+      {
+        "source": "methodology/"
+      },
+      {
+        "source": "README.md"
+      },
+      {
+        "source": "TOOLS.md"
+      }
+    ]
+  }
+}