@mytechtoday/augment-extensions 0.2.0 → 0.5.0

package/augment-extensions/writing-standards/screenplay/examples/character-profile-example.yaml

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+# Character Profile Example
+# Demonstrates the character-profile.json schema usage
+
+name: "Sarah Mitchell"
+role: "protagonist"
+age: 32
+gender: "Female"
+
+physicalDescription:
+  height: "5'6\""
+  build: "Athletic, runner's physique"
+  hairColor: "Dark brown, shoulder-length"
+  eyeColor: "Green"
+  distinguishingFeatures:
+    - "Small scar above left eyebrow from childhood accident"
+    - "Wears her grandmother's silver locket"
+  appearance: "Professional but approachable. Often wears practical clothing - jeans, comfortable shoes. Minimal makeup. Carries herself with quiet confidence that masks deep insecurity."
+
+personality:
+  traits:
+    - "Intelligent and analytical"
+    - "Compassionate but guarded"
+    - "Perfectionist"
+    - "Self-sacrificing"
+    - "Struggles with vulnerability"
+  strengths:
+    - "Problem-solving ability"
+    - "Empathy for others"
+    - "Determination and resilience"
+    - "Loyalty to those she cares about"
+  weaknesses:
+    - "Difficulty trusting others"
+    - "Tendency to isolate when stressed"
+    - "Fear of failure"
+    - "Puts others' needs before her own to a fault"
+  fears:
+    - "Abandonment"
+    - "Being a burden to others"
+    - "Losing control"
+    - "Repeating her mother's mistakes"
+  desires:
+    - "To build meaningful connections"
+    - "To prove her worth"
+    - "To break free from her past"
+    - "To find a place where she belongs"
+
+backstory:
+  summary: "Raised by a single mother who struggled with addiction, Sarah learned early to be self-reliant. She put herself through college, became a social worker, and dedicated her life to helping others - perhaps as a way to save the mother she couldn't save as a child."
+  formativeEvents:
+    - event: "Mother's first overdose"
+      age: 8
+      impact: "Learned she couldn't rely on adults to take care of her. Became hyper-responsible and self-sufficient."
+    - event: "Placed in foster care temporarily"
+      age: 12
+      impact: "Developed deep fear of abandonment and loss of control. Vowed never to be helpless again."
+    - event: "Mother's death from overdose"
+      age: 19
+      impact: "Reinforced belief that she failed to save someone she loved. Drives her work as a social worker but also her inability to accept help."
+    - event: "Failed engagement at 28"
+      age: 28
+      impact: "Confirmed her fear that she's incapable of maintaining close relationships. Withdrew further emotionally."
+  family: "Only child. Mother deceased. Father unknown. No extended family connections."
+  education: "Bachelor's in Social Work from state university. Graduated with honors while working two jobs."
+  occupation: "Social worker specializing in addiction and family services"
+
+motivations:
+  externalGoal: "To save a troubled family from the same fate as her own"
+  internalGoal: "To learn that she's worthy of love and doesn't have to earn her place in the world"
+  stakes: "If she fails, she'll confirm her deepest fear - that she's fundamentally broken and incapable of saving anyone, including herself"
+  conflictingMotivations:
+    - "Wants to help others but fears getting too close"
+    - "Desires connection but pushes people away"
+    - "Needs to be in control but must learn to trust"
+
+characterArc:
+  arcType: "positive"
+  startingState: "Emotionally isolated, believes she must handle everything alone, defines her worth by her ability to save others"
+  endingState: "Learns to accept help, builds genuine connections, understands that her worth isn't dependent on being perfect or saving everyone"
+  transformation: "From self-reliant isolation to vulnerable connection. Learns that asking for help isn't weakness and that she deserves love not because of what she does, but because of who she is."
+
+relationships:
+  - character: "Marcus Thompson"
+    relationship: "Colleague and potential love interest"
+    description: "Fellow social worker who sees through Sarah's walls. Patient, kind, but won't let her push him away completely."
+    conflictPoints:
+      - "Sarah's inability to accept his help or support"
+      - "Her tendency to prioritize work over personal connection"
+      - "His frustration with her self-destructive patterns"
+  
+  - character: "Elena Rodriguez"
+    relationship: "Client/Mirror character"
+    description: "Young mother struggling with addiction. Reminds Sarah of her own mother. Their relationship becomes the catalyst for Sarah's transformation."
+    conflictPoints:
+      - "Sarah's over-identification with Elena's situation"
+      - "Professional boundaries vs. personal investment"
+      - "Elena's resistance to help mirrors Sarah's own patterns"
+  
+  - character: "Dr. Patricia Hayes"
+    relationship: "Mentor/Supervisor"
+    description: "Sarah's supervisor who recognizes Sarah's talent but worries about her burnout and emotional isolation."
+    conflictPoints:
+      - "Patricia pushes Sarah to take care of herself"
+      - "Challenges Sarah's belief that she must save everyone"
+      - "Forces Sarah to confront her own trauma"
+
+voice:
+  speechPattern: "Measured and professional in work settings. More hesitant and uncertain in personal conversations. Uses humor as deflection."
+  vocabulary: "Professional social work terminology when discussing cases. Simpler, more vulnerable language when discussing personal matters (though she rarely does)."
+  catchphrases:
+    - "I'm fine" (when she's clearly not)
+    - "I've got it handled" (when she's overwhelmed)
+    - "It's not about me" (deflecting from her own needs)
+  accent: "Neutral American, slight working-class inflections that emerge when stressed"
+
+notes: "Sarah's journey is about learning that vulnerability is strength, not weakness. Her arc parallels Elena's - as Sarah helps Elena, she must confront her own need for help. The key is that Sarah can't save Elena (or anyone) until she learns to save herself by accepting that she doesn't have to do it alone."
+

package/augment-extensions/writing-standards/screenplay/examples/commercial-30sec.fountain

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+Title: MOUNTAIN PEAK COFFEE - 30 SECOND SPOT
+Credit: Written by
+Author: Example Commercial Script
+Draft date: 01/31/2026
+Format: Commercial
+
+===
+
+COMMERCIAL: MOUNTAIN PEAK COFFEE
+LENGTH: :30
+CLIENT: Mountain Peak Coffee Co.
+PRODUCT: Premium Organic Coffee
+TARGET: Adults 25-45, coffee enthusiasts
+
+---
+
+FADE IN:
+
+EXT. MOUNTAIN SUMMIT - DAWN
+
+Golden sunlight breaks over a snow-capped mountain peak. Breathtaking vista.
+
+SUPER: "5:47 AM"
+
+:00-:03
+
+A HIKER (30s) reaches the summit, removes backpack, pulls out a thermos.
+
+:03-:06
+
+CLOSE ON: Steam rising from the thermos as she pours coffee into a cup.
+
+:06-:08
+
+She takes a sip. Eyes close. Moment of pure satisfaction.
+
+:08-:10
+
+WIDE SHOT: Hiker silhouetted against the sunrise, coffee in hand.
+
+:10-:12
+
+VOICEOVER (V.O.)
+(warm, authentic)
+Some moments deserve exceptional coffee.
+
+:12-:15
+
+QUICK CUTS:
+- Coffee beans being roasted
+- Hands carefully packaging coffee
+- Mountain Peak Coffee logo on bag
+
+:15-:18
+
+VOICEOVER (V.O.)
+Mountain Peak Coffee. Organically grown at high altitude. Roasted in small batches. Crafted for moments that matter.
+
+:18-:24
+
+BACK TO: Hiker on summit, taking another sip, smiling at the view.
+
+:24-:26
+
+PRODUCT SHOT: Mountain Peak Coffee bag against mountain backdrop.
+
+SUPER: "MOUNTAIN PEAK COFFEE"
+SUPER: "Elevate Your Morning"
+
+:26-:28
+
+VOICEOVER (V.O.)
+Mountain Peak Coffee. Elevate your morning.
+
+:28-:30
+
+FADE OUT.
+
+---
+
+PRODUCTION NOTES:
+
+VISUAL STYLE:
+- Natural lighting, golden hour cinematography
+- Authentic, documentary feel
+- Emphasis on natural beauty and craftsmanship
+
+MUSIC:
+- Gentle acoustic guitar
+- Builds subtly with sunrise
+- Warm, inviting tone
+
+SOUND DESIGN:
+- Mountain wind (subtle)
+- Coffee pouring
+- Thermos opening
+- Natural ambiance
+
+TALENT:
+- 1 principal (hiker)
+- Authentic, relatable, diverse casting
+
+LOCATIONS:
+- Mountain summit (sunrise shoot)
+- Coffee roasting facility (B-roll)
+
+PROPS:
+- Hiking gear (backpack, thermos)
+- Mountain Peak Coffee products
+- Coffee brewing equipment
+
+CALL TO ACTION:
+- Brand name and tagline
+- Emphasis on quality and experience
+- Emotional connection to product
+
+BRAND MESSAGING:
+- Premium quality
+- Organic/sustainable
+- Craftsmanship
+- Moments that matter
+- Authentic experience
+
+TARGET EMOTION:
+- Aspiration
+- Satisfaction
+- Connection to nature
+- Quality of life
+
+---
+
+SHOT LIST:
+
+1. Wide: Mountain peak at dawn (:00-:03)
+2. Medium: Hiker reaching summit (:03-:06)
+3. Close: Coffee pouring from thermos (:06-:08)
+4. Close: Hiker's face, eyes closed, sipping (:08-:10)
+5. Wide: Silhouette against sunrise (:10-:12)
+6. Close: Coffee beans roasting (:15-:16)
+7. Close: Hands packaging coffee (:16-:17)
+8. Close: Mountain Peak logo (:17-:18)
+9. Medium: Hiker enjoying view (:24-:26)
+10. Product shot: Coffee bag (:26-:28)
+
+TIMING BREAKDOWN:
+- Opening visual: 12 seconds
+- VO + product shots: 12 seconds
+- Closing visual + CTA: 6 seconds
+
+END COMMERCIAL
+

package/augment-extensions/writing-standards/screenplay/examples/independent-monologue.fountain

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+Title: The Weight of Silence
+Credit: Written by
+Author: Example Screenplay
+Draft date: 01/31/2026
+Contact:
+    Example Productions
+    example@screenplay.com
+
+===
+
+INT. SMALL APARTMENT - NIGHT
+
+A cramped studio apartment. Peeling wallpaper. A single window overlooks a fire escape. SARAH (32), disheveled, sits on the edge of a worn couch, staring at a photograph in her hands.
+
+The room is silent except for the distant hum of traffic.
+
+She sets the photo down gently on the coffee table - it shows a younger version of herself with a man, both smiling.
+
+SARAH
+(quietly, to herself)
+You know what the hardest part is?
+
+She stands, walks to the window. Her reflection stares back at her.
+
+SARAH (CONT'D)
+It's not the big moments. Not the funeral, not the condolences, not even the empty side of the bed.
+
+She touches the glass, her fingers leaving prints.
+
+SARAH (CONT'D)
+It's the small things. The way you'd leave your coffee cup on the counter, half-finished. How you'd hum that stupid song in the shower - what was it? Something from the eighties.
+
+A bitter laugh escapes her.
+
+SARAH (CONT'D)
+I used to hate that. The humming. The half-finished coffee. The way you'd leave your shoes right in the middle of the hallway where I'd trip over them every single morning.
+
+She turns away from the window, her voice breaking.
+
+SARAH (CONT'D)
+And now... now I'd give anything to trip over those shoes one more time. To hear that off-key humming. To pour out that cold coffee and complain about the waste.
+
+She sinks back onto the couch, picking up the photograph again.
+
+SARAH (CONT'D)
+Everyone keeps telling me it gets easier. That time heals. But they don't understand - I don't want it to get easier. Because easier means forgetting. And forgetting means losing you all over again.
+
+Tears stream down her face now.
+
+SARAH (CONT'D)
+So I keep your coffee cup on the counter. I play that eighties song every morning. I leave your shoes in the hallway.
+
+She clutches the photograph to her chest.
+
+SARAH (CONT'D)
+Because if I can't have you here... at least I can keep you close. Even if it hurts. Especially because it hurts.
+
+She closes her eyes, rocking slightly.
+
+SARAH (CONT'D)
+(whispered)
+I'm not ready to let go. I don't know if I ever will be.
+
+The room falls silent again. Sarah sits motionless, the photograph pressed against her heart.
+
+FADE OUT.
+

package/augment-extensions/writing-standards/screenplay/examples/news-segment.fountain

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+Title: EVENING NEWS - TECH INNOVATION SEGMENT
+Credit: Written by
+Author: Example Broadcast Script
+Draft date: 01/31/2026
+Format: News Broadcast
+
+===
+
+SEGMENT: TECH INNOVATION SPOTLIGHT
+RUNTIME: 2:30
+AIRDATE: January 31, 2026
+
+---
+
+INT. NEWS STUDIO - EVENING
+
+ANCHOR DESK. JESSICA MARTINEZ (38), professional, warm demeanor, sits at the news desk. Graphics display behind her: "TECH INNOVATION SPOTLIGHT"
+
+JESSICA
+(to camera)
+Good evening. In tonight's Tech Innovation Spotlight, we're looking at a breakthrough that could change how we think about renewable energy.
+
+[B-ROLL: Solar panels, wind turbines, scientists in lab]
+
+JESSICA (V.O.)
+For years, the biggest challenge with renewable energy has been storage. Solar and wind power are great when the sun is shining and the wind is blowing - but what about at night, or on calm days?
+
+[B-ROLL: Battery facilities, power grids]
+
+JESSICA (V.O.) (CONT'D)
+Now, researchers at MIT say they've developed a new type of battery that could solve this problem.
+
+CUT TO:
+
+INT. MIT LABORATORY - DAY
+
+DR. SARAH CHEN (42), lead researcher, stands next to a prototype battery unit.
+
+DR. CHEN
+(to camera)
+What makes this battery different is the material we're using. Instead of lithium, we're using a compound derived from seawater - something that's abundant, cheap, and environmentally friendly.
+
+[B-ROLL: Close-up of battery components, chemical processes]
+
+DR. CHEN (V.O.)
+Our tests show this battery can store three times more energy than current lithium-ion batteries, and it can hold that charge for up to six months without significant degradation.
+
+CUT TO:
+
+INT. NEWS STUDIO - EVENING
+
+JESSICA
+(to camera)
+Three times more energy storage - that's significant. But Dr. Chen says the real breakthrough is in the cost.
+
+CUT TO:
+
+INT. MIT LABORATORY - DAY
+
+DR. CHEN
+Because we're using materials that are readily available, we estimate these batteries could be produced at about one-fifth the cost of current technology. That means renewable energy storage becomes economically viable for developing nations, not just wealthy countries.
+
+[B-ROLL: Solar installations in developing countries, rural communities]
+
+CUT TO:
+
+INT. NEWS STUDIO - EVENING
+
+JESSICA
+(to camera)
+The technology is still in the testing phase, but Dr. Chen's team hopes to have a commercial prototype ready within two years.
+
+[GRAPHIC: Timeline showing development phases]
+
+JESSICA (CONT'D)
+Of course, not everyone is convinced. Some energy experts point out that new battery technologies have promised big breakthroughs before, only to face unexpected challenges in real-world applications.
+
+[B-ROLL: Previous battery technology announcements, failed prototypes]
+
+CUT TO:
+
+INT. ENERGY POLICY INSTITUTE - DAY
+
+MICHAEL TORRES (55), energy policy analyst, sits in his office.
+
+MICHAEL
+(to camera)
+I'm cautiously optimistic. The science looks sound, but we've seen promising lab results before that didn't scale up to industrial production. The real test will be whether they can manufacture these batteries at scale while maintaining performance and cost targets.
+
+CUT TO:
+
+INT. NEWS STUDIO - EVENING
+
+JESSICA
+(to camera)
+Dr. Chen acknowledges those concerns but says her team is already working with manufacturing partners to address scalability issues.
+
+[B-ROLL: Factory floor, manufacturing equipment]
+
+JESSICA (V.O.)
+If successful, this technology could be a game-changer for the renewable energy sector - making clean energy not just environmentally sustainable, but economically sustainable as well.
+
+[B-ROLL: Wind farms, solar installations, happy families with solar panels]
+
+CUT TO:
+
+INT. NEWS STUDIO - EVENING
+
+JESSICA
+(to camera)
+We'll continue to follow this story as it develops. You can find more information about Dr. Chen's research on our website.
+
+[GRAPHIC: Website URL appears on screen]
+
+JESSICA (CONT'D)
+Coming up after the break: A local high school's robotics team heads to nationals. That story and more, when we return.
+
+[MUSIC: News theme]
+
+FADE TO COMMERCIAL
+
+---
+
+PRODUCTION NOTES:
+- Total runtime: 2:30
+- B-roll needed: 45 seconds total
+- Graphics: 3 (title card, timeline, website URL)
+- Interviews: 2 (Dr. Chen, Michael Torres)
+- Studio time: 30 seconds
+- Music cues: Open and close
+
+TIMING MARKS:
+:00 - :15 | Anchor intro
+:15 - :45 | B-roll with VO
+:45 - 1:15 | Dr. Chen interview
+1:15 - 1:30 | Anchor transition
+1:30 - 1:50 | Michael Torres interview
+1:50 - 2:20 | B-roll with VO
+2:20 - 2:30 | Anchor close
+
+END SEGMENT
+

package/augment-extensions/writing-standards/screenplay/examples/plot-outline-example.yaml

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+# Plot Outline Example - Three-Act Structure
+# Demonstrates the plot-outline.json schema usage
+
+title: "The Weight We Carry"
+logline: "A dedicated social worker must confront her own traumatic past when a case mirrors the addiction that destroyed her family."
+genre: "Psychological Drama"
+targetLength: 110
+
+acts:
+  - actNumber: 1
+    title: "Setup - The Savior Complex"
+    pageRange:
+      start: 1
+      end: 25
+    summary: "Introduce Sarah's world: a dedicated social worker who lives for her job because she has nothing else. When she takes on Elena's case, she sees a chance to rewrite her own tragic history."
+    
+    turningPoints:
+      - page: 12
+        description: "Sarah meets Elena and her daughter Sofia for the first time. Elena reminds Sarah of her own mother."
+        type: "inciting-incident"
+      
+      - page: 25
+        description: "Despite warnings, Sarah commits to Elena's case and promises Sofia she'll keep the family together."
+        type: "plot-point-1"
+    
+    sequences:
+      - sequenceNumber: 1
+        title: "Sarah's World"
+        pageRange:
+          start: 1
+          end: 12
+        summary: "Establish Sarah's isolated life, her dedication to work, and her inability to form personal connections."
+        purpose: "Show who Sarah is before the story begins - competent professionally but emotionally shut down."
+        
+        scenes:
+          - sceneNumber: 1
+            heading: "INT. SARAH'S CAR - NIGHT"
+            location: "Outside rundown apartment"
+            timeOfDay: "NIGHT"
+            intExt: "INT"
+            pageNumber: 1
+            summary: "Sarah conducts late-night surveillance on a client's apartment, alone."
+            characters: ["Sarah"]
+            purpose: "Opening image - establish Sarah's isolation and obsessive dedication"
+            conflict: "Sarah vs. her own inability to disconnect from work"
+            outcome: "She stays watching until dawn"
+            emotionalBeat: "Loneliness masked as dedication"
+          
+          - sceneNumber: 2
+            heading: "INT. SOCIAL SERVICES OFFICE - DAY"
+            location: "Sarah's office"
+            timeOfDay: "DAY"
+            intExt: "INT"
+            pageNumber: 3
+            summary: "Sarah meets with Dr. Hayes for her quarterly review. Hayes expresses concern about Sarah's work-life balance."
+            characters: ["Sarah", "Dr. Hayes"]
+            purpose: "Theme stated - 'You can't save everyone'"
+            conflict: "Sarah's resistance to acknowledging her own needs"
+            outcome: "Sarah deflects and changes subject"
+            emotionalBeat: "Defensive, guarded"
+            notes: "Theme stated on page 5"
+
+      - sequenceNumber: 2
+        title: "The Catalyst"
+        pageRange:
+          start: 12
+          end: 25
+        summary: "Sarah is assigned Elena's case and becomes obsessed with saving this family."
+        purpose: "Inciting incident and commitment to the journey"
+
+        scenes:
+          - sceneNumber: 3
+            heading: "INT. RUNDOWN APARTMENT - DAY"
+            location: "Elena's apartment"
+            timeOfDay: "DAY"
+            intExt: "INT"
+            pageNumber: 12
+            summary: "Sarah meets Elena and Sofia for the first time. The resemblance to her own past is striking."
+            characters: ["Sarah", "Elena", "Sofia"]
+            purpose: "Catalyst - Sarah sees her mother in Elena"
+            conflict: "Professional distance vs. personal connection"
+            outcome: "Sarah is deeply affected, can't remain objective"
+            emotionalBeat: "Triggered, determined"
+
+          - sceneNumber: 4
+            heading: "INT. SARAH'S APARTMENT - NIGHT"
+            location: "Sarah's apartment"
+            timeOfDay: "NIGHT"
+            intExt: "INT"
+            pageNumber: 20
+            summary: "Sarah looks at old photos of her mother, sees the parallels to Elena. She makes a decision."
+            characters: ["Sarah"]
+            purpose: "Show Sarah's internal commitment"
+            conflict: "Past trauma vs. present opportunity"
+            outcome: "Sarah decides she will save this family"
+            emotionalBeat: "Resolved, driven"
+
+  - actNumber: 2
+    title: "Confrontation - The Unraveling"
+    pageRange:
+      start: 26
+      end: 85
+    summary: "Sarah's attempts to save Elena initially succeed, but her personal investment and unresolved trauma lead to increasingly desperate behavior. When Elena relapses, Sarah's world collapses."
+
+    turningPoints:
+      - page: 55
+        description: "Elena celebrates 60 days sober. Sarah feels victorious. Then Elena's abusive ex is released from prison."
+        type: "midpoint"
+
+      - page: 75
+        description: "Elena overdoses. Sarah has failed, just like she failed her mother."
+        type: "plot-point-2"
+
+    sequences:
+      - sequenceNumber: 3
+        title: "Progress and Connection"
+        pageRange:
+          start: 26
+          end: 55
+        summary: "Sarah helps Elena enter recovery. Things improve. Sarah also begins opening up to Marcus."
+        purpose: "False hope - show what Sarah wants before taking it away"
+
+        scenes:
+          - sceneNumber: 5
+            heading: "INT. REHAB FACILITY - DAY"
+            location: "Intake office"
+            timeOfDay: "DAY"
+            intExt: "INT"
+            pageNumber: 30
+            summary: "Sarah helps Elena check into rehab. Elena is scared but hopeful."
+            characters: ["Sarah", "Elena"]
+            purpose: "Show Sarah's methods working"
+            conflict: "Elena's fear vs. Sarah's determination"
+            outcome: "Elena commits to treatment"
+            emotionalBeat: "Hopeful"
+
+  - actNumber: 3
+    title: "Resolution - Letting Go"
+    pageRange:
+      start: 86
+      end: 110
+    summary: "Sarah confronts her own trauma and learns that she can't save everyone - but she can save herself. Elena makes her own choice about recovery."
+
+    turningPoints:
+      - page: 90
+        description: "Sarah asks for help for the first time in her life."
+        type: "climax"
+
+    sequences:
+      - sequenceNumber: 4
+        title: "Healing"
+        pageRange:
+          start: 86
+          end: 110
+        summary: "Sarah begins her own recovery journey and learns to build genuine connections."
+        purpose: "Resolution and transformation"
+
+        scenes:
+          - sceneNumber: 6
+            heading: "INT. SARAH'S APARTMENT - NIGHT"
+            location: "Sarah's apartment"
+            timeOfDay: "NIGHT"
+            intExt: "INT"
+            pageNumber: 90
+            summary: "Sarah calls Marcus and admits she needs help."
+            characters: ["Sarah", "Marcus (phone)"]
+            purpose: "Sarah's breakthrough moment"
+            conflict: "Pride vs. need for connection"
+            outcome: "Sarah chooses vulnerability"
+            emotionalBeat: "Scared but hopeful"
+
+subplots:
+  - title: "Sarah and Marcus Romance"
+    description: "Sarah's growing relationship with Marcus mirrors her journey toward vulnerability and connection."
+    characters: ["Sarah", "Marcus"]
+    resolution: "Sarah learns to accept love and support, allowing Marcus into her life."
+
+  - title: "Dr. Hayes as Mentor"
+    description: "Dr. Hayes tries to guide Sarah toward healthier boundaries and self-care."
+    characters: ["Sarah", "Dr. Hayes"]
+    resolution: "Sarah finally hears Hayes's wisdom and begins therapy."
+
+notes: "This outline demonstrates the three-act structure with sequences and scenes. Each scene serves the overall arc while maintaining its own conflict and resolution. The plot (saving Elena) drives the character arc (Sarah saving herself)."
+