@mcptoolshop/ai_jam_session 0.1.0

package/songs/builtin/solace.json

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+{
+  "id": "solace",
+  "title": "Solace",
+  "genre": "ragtime",
+  "composer": "Scott Joplin",
+  "difficulty": "intermediate",
+  "key": "G major",
+  "tempo": 76,
+  "timeSignature": "4/4",
+  "durationSeconds": 25,
+  "tags": ["ragtime", "joplin", "serenade", "lyrical", "mexican"],
+  "source": "Claude arrangement — simplified interpretation",
+  "musicalLanguage": {
+    "description": "Subtitled 'A Mexican Serenade,' Solace is one of Joplin's most beautiful and unusual works. It blends ragtime syncopation with a habanera-like rhythm, creating a wistful, swaying quality unlike any other rag.",
+    "structure": "A section excerpt (8 bars) with habanera bass",
+    "keyMoments": ["Habanera rhythm established in measure 1", "Lyrical melodic peak in measure 5"],
+    "teachingGoals": ["Learn dotted-eighth-sixteenth habanera feel", "Develop smooth legato melody over rhythmic bass"],
+    "styleTips": ["Play the melody expressively with gentle rubato", "Left hand should have a gentle lilt, not a strict march"]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "D5:q B4:e A4:e G4:h",
+      "leftHand": "G2:q D4 B3:q G2:q D4 B3:q",
+      "dynamics": "mp"
+    },
+    {
+      "number": 2,
+      "rightHand": "A4:q B4:e D5:e B4:h",
+      "leftHand": "D3:q A3 F#4:q D3:q A3 F#4:q",
+      "dynamics": "mp"
+    },
+    {
+      "number": 3,
+      "rightHand": "E5:q D5:e B4:e A4:h",
+      "leftHand": "C3:q E4 G4:q C3:q E4 G4:q",
+      "dynamics": "mf"
+    },
+    {
+      "number": 4,
+      "rightHand": "G4:q F#4:e G4:e A4:h",
+      "leftHand": "D3:q A3 F#4:q D3:q A3 F#4:q",
+      "dynamics": "mp"
+    },
+    {
+      "number": 5,
+      "rightHand": "B4:e D5:e G5:q F#5:e E5:e D5:q",
+      "leftHand": "G2:q B3 D4:q E3:q G3 B3:q",
+      "dynamics": "mf"
+    },
+    {
+      "number": 6,
+      "rightHand": "E5:q D5:e C5:e B4:h",
+      "leftHand": "C3:q E4 G4:q A2:q C4 E4:q",
+      "dynamics": "mf"
+    },
+    {
+      "number": 7,
+      "rightHand": "A4:e B4:e A4:e G4:e F#4:q G4:q",
+      "leftHand": "D3:q F#3 A3:q D3:q F#3 A3:q",
+      "dynamics": "mp"
+    },
+    {
+      "number": 8,
+      "rightHand": "G4:h R:h",
+      "leftHand": "G2:q B3 D4:q G2:h",
+      "dynamics": "p"
+    }
+  ]
+}

package/songs/builtin/someone-like-you.json

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+{
+  "id": "someone-like-you",
+  "title": "Someone Like You",
+  "genre": "pop",
+  "composer": "Adele Adkins & Dan Wilson",
+  "difficulty": "intermediate",
+  "key": "A major",
+  "tempo": 68,
+  "timeSignature": "4/4",
+  "durationSeconds": 28,
+  "tags": [
+    "adele",
+    "ballad",
+    "emotional",
+    "arpeggiated",
+    "modern-pop"
+  ],
+  "source": "Claude arrangement — simplified interpretation",
+  "musicalLanguage": {
+    "description": "Built on a flowing arpeggiated pattern in A major, this arrangement captures the emotional weight of the original. The left hand rolls through broken chords while the right hand carries the vocal melody. The I-V-vi-IV progression drives the entire piece with understated power.",
+    "structure": "Verse pattern (8 bars) — A-E-F#m-D progression repeated twice",
+    "keyMoments": [
+      "Bars 1-2: A to E — the open, hopeful beginning",
+      "Bars 3-4: F#m to D — the emotional turn where melancholy enters",
+      "Bars 7-8: Second pass with slightly fuller texture, building intensity"
+    ],
+    "teachingGoals": [
+      "Smooth arpeggiated left-hand patterns across 4 chord shapes",
+      "Independent hand coordination — melody over flowing accompaniment",
+      "Expressive dynamics within a soft dynamic range"
+    ],
+    "styleTips": [
+      "The left hand should flow like water — even, unhurried eighth notes",
+      "Right-hand melody needs to breathe, like a singer taking breaths between phrases",
+      "Keep dynamics restrained — the power comes from the harmonic motion, not volume"
+    ]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "E4:q C#5:q B4:q A4:q",
+      "leftHand": "A2:e E3:e A3:e E3:e A2:e E3:e A3:e E3:e",
+      "teachingNote": "A major arpeggiation — establish the rolling pattern that defines this song.",
+      "dynamics": "p"
+    },
+    {
+      "number": 2,
+      "rightHand": "G#4:q A4:q B4:h",
+      "leftHand": "E2:e B2:e E3:e B2:e E2:e B2:e E3:e B2:e",
+      "teachingNote": "E major — the V chord. The melody rises to B4, opening up the phrase."
+    },
+    {
+      "number": 3,
+      "rightHand": "A4:q C#5:q B4:q A4:q",
+      "leftHand": "F#2:e C#3:e F#3:e C#3:e F#2:e C#3:e F#3:e C#3:e",
+      "teachingNote": "F# minor — the vi chord. Same melody shape but the harmony darkens beneath it.",
+      "dynamics": "mp"
+    },
+    {
+      "number": 4,
+      "rightHand": "F#4:q E4:q D4:h",
+      "leftHand": "D2:e A2:e D3:e A2:e D2:e A2:e D3:e A2:e",
+      "teachingNote": "D major — the IV chord. Melody descends to rest. Feel the sadness here."
+    },
+    {
+      "number": 5,
+      "rightHand": "E4:q C#5:q B4:q A4:q",
+      "leftHand": "A2:e E3:e A3:e E3:e A2:e E3:e A3:e E3:e",
+      "teachingNote": "Second verse pass — same chords, growing confidence."
+    },
+    {
+      "number": 6,
+      "rightHand": "G#4:q A4:q B4:q C#5:q",
+      "leftHand": "E2:e B2:e E3:e B2:e E2:e B2:e E3:e B2:e",
+      "teachingNote": "This time the melody pushes higher to C#5 — building emotional intensity.",
+      "dynamics": "mf"
+    },
+    {
+      "number": 7,
+      "rightHand": "C#5:q B4:q A4:q B4:q",
+      "leftHand": "F#2:e C#3:e F#3:e C#3:e F#2:e C#3:e F#3:e C#3:e",
+      "teachingNote": "F# minor again — the melody lingers higher, more urgent."
+    },
+    {
+      "number": 8,
+      "rightHand": "A4:h E4:h",
+      "leftHand": "D2:e A2:e D3:e A2:e A2:e E3:e A3:h",
+      "teachingNote": "D resolving to A — the melody drops to a quiet close. Let the last note fade.",
+      "dynamics": "p"
+    }
+  ]
+}

package/songs/builtin/spirited-away.json

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+{
+  "id": "spirited-away",
+  "title": "One Summer's Day (Spirited Away)",
+  "genre": "film",
+  "composer": "Joe Hisaishi",
+  "difficulty": "intermediate",
+  "key": "D major",
+  "tempo": 72,
+  "timeSignature": "4/4",
+  "durationSeconds": 27,
+  "tags": [
+    "hisaishi",
+    "studio-ghibli",
+    "wistful",
+    "japanese",
+    "lyrical"
+  ],
+  "source": "Claude arrangement — simplified interpretation",
+  "musicalLanguage": {
+    "description": "Joe Hisaishi's wistful piano piece from Spirited Away captures the innocence and wonder of Chihiro's journey. The D major key gives it a warm, golden tone, while the melody moves with a gentle, searching quality that mirrors the film's themes of growing up and finding courage. The left hand plays broken chord patterns that create a flowing, water-like accompaniment beneath the singing melody.",
+    "structure": "A section: the gentle searching melody (4 bars), B section: the melody opens up and resolves (4 bars)",
+    "keyMoments": [
+      "Bar 1: D major — the opening melody, gentle and curious like Chihiro.",
+      "Bars 3-4: The melody reaches upward — wonder and discovery.",
+      "Bars 7-8: The resolution — wistful acceptance and beauty."
+    ],
+    "teachingGoals": [
+      "Singing right hand melody over broken chord left hand",
+      "Japanese classical-pop piano style — clean, lyrical, unadorned",
+      "Creating emotional depth with simple means"
+    ],
+    "styleTips": [
+      "Pure and clear — Hisaishi's style has no ornament, only emotion",
+      "The melody should sound like a child humming to herself",
+      "Left hand broken chords should flow like a stream — continuous and gentle"
+    ]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "F#4:q A4:q D5:q C#5:q",
+      "leftHand": "D3:e A3:e D4:e A3:e D3:e A3:e D4:e A3:e",
+      "dynamics": "p",
+      "teachingNote": "D major — the gentle opening. Melody ascends with innocent curiosity."
+    },
+    {
+      "number": 2,
+      "rightHand": "B4:q A4:q F#4:h",
+      "leftHand": "G3:e D4:e G4:e D4:e G3:e D4:e G4:e D4:e",
+      "teachingNote": "G major — melody descends. The flowing left hand never stops."
+    },
+    {
+      "number": 3,
+      "rightHand": "E4:q F#4:q A4:q B4:q",
+      "leftHand": "A2:e E3:e A3:e E3:e A2:e E3:e A3:e E3:e",
+      "dynamics": "mp",
+      "teachingNote": "A major — climbing again, reaching higher this time."
+    },
+    {
+      "number": 4,
+      "rightHand": "A4:q G4:q F#4:h",
+      "leftHand": "D3:e A3:e D4:e A3:e D3:e A3:e D4:e A3:e",
+      "teachingNote": "D major — gentle landing. The phrase ends with a sigh."
+    },
+    {
+      "number": 5,
+      "rightHand": "D5:q C#5:q B4:q A4:q",
+      "leftHand": "B2:e F#3:e B3:e F#3:e B2:e F#3:e B3:e F#3:e",
+      "dynamics": "mf",
+      "teachingNote": "Bm — the B section opens up. Melody starts high and descends."
+    },
+    {
+      "number": 6,
+      "rightHand": "B4:q C#5:q D5:h",
+      "leftHand": "G3:e D4:e G4:e D4:e A3:e E4:e A4:e E4:e",
+      "dynamics": "f",
+      "teachingNote": "G to A — the emotional peak. D5 sustained at the loudest point."
+    },
+    {
+      "number": 7,
+      "rightHand": "C#5:q B4:q A4:q G4:q",
+      "leftHand": "F#3:e C#4:e F#4:e C#4:e E3:e B3:e E4:e B3:e",
+      "dynamics": "mp",
+      "teachingNote": "F#m to Em — gently retreating. The wistfulness deepens."
+    },
+    {
+      "number": 8,
+      "rightHand": "F#4:h D4:h",
+      "leftHand": "D3:e A3:e D4:e A3:e D3:q R:q",
+      "dynamics": "pp",
+      "teachingNote": "D major — the melody settles to rest. One summer's day, remembered."
+    }
+  ]
+}

package/songs/builtin/st-louis-blues.json

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+{
+  "id": "st-louis-blues",
+  "title": "St. Louis Blues",
+  "genre": "blues",
+  "composer": "W.C. Handy",
+  "difficulty": "intermediate",
+  "key": "G major",
+  "tempo": 96,
+  "timeSignature": "4/4",
+  "durationSeconds": 20,
+  "tags": [
+    "classic-blues",
+    "wc-handy",
+    "tango-section",
+    "12-bar",
+    "historical",
+    "swing"
+  ],
+  "source": "Claude arrangement — simplified interpretation",
+  "musicalLanguage": {
+    "description": "The 'Father of the Blues' wrote this in 1914, and it became one of the most recorded songs in history. The first section uses a habanera/tango rhythm that distinguishes it from standard 12-bar blues. The melody mixes blues notes with a sophisticated, almost orchestral sensibility.",
+    "structure": "12-bar blues form. This excerpt: 8 bars of the opening section",
+    "keyMoments": [
+      "Bar 1-2: The habanera-flavored opening — NOT a standard shuffle. Feel the dotted rhythm.",
+      "Bar 3-4: G7 with blue notes — the melody bends between major and minor thirds",
+      "Bar 5-6: C7 (IV chord) — the harmony opens up while the habanera continues",
+      "Bar 7-8: Return to G7 with a classic blues turnaround feel"
+    ],
+    "teachingGoals": [
+      "Habanera rhythm — dotted-quarter + eighth + two quarters",
+      "Blue notes — the ambiguity between major and minor 3rd (B vs Bb)",
+      "Historical blues form — understanding the roots of American music"
+    ],
+    "styleTips": [
+      "The habanera feel is the key — do not play this as a straight shuffle",
+      "Blue notes should be slightly hesitant, not clean — they live between the cracks",
+      "Left hand is steady and rhythmic — it anchors the exotic rhythm"
+    ]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "D5:q. B4:e Bb4:q G4:q",
+      "leftHand": "G2:q B2:q D3:q G3:q",
+      "teachingNote": "G7 — the dotted rhythm gives the habanera feel. Bb is the blue note — let it growl.",
+      "dynamics": "mf"
+    },
+    {
+      "number": 2,
+      "rightHand": "A4:q Bb4:e B4:e D5:h",
+      "leftHand": "G2:q B2:q D3:q G3:q",
+      "teachingNote": "G7 — the melody slides from Bb to B natural. That major/minor ambiguity IS the blues."
+    },
+    {
+      "number": 3,
+      "rightHand": "D5:q. B4:e G4:h",
+      "leftHand": "G2:q B2:q D3:q B2:q",
+      "teachingNote": "G7 continues. The melody repeats its signature dotted figure."
+    },
+    {
+      "number": 4,
+      "rightHand": "A4:q G4:q F#4:h",
+      "leftHand": "D3:q A2:q D3:q A2:q",
+      "teachingNote": "D7 — moving to the V chord briefly. F#4 is the major 3rd of D7."
+    },
+    {
+      "number": 5,
+      "rightHand": "G5:q. E5:e Eb5:q C5:q",
+      "leftHand": "C3:q E3:q G3:q C4:q",
+      "teachingNote": "C7 — the IV chord. Same melodic contour transposed up. Eb is the blue note over C.",
+      "dynamics": "f"
+    },
+    {
+      "number": 6,
+      "rightHand": "D5:q Eb5:e E5:e G5:h",
+      "leftHand": "C3:q E3:q G3:q C4:q",
+      "teachingNote": "C7 continues. The chromatic slide Eb-E is pure blues expression."
+    },
+    {
+      "number": 7,
+      "rightHand": "D5:q. B4:e Bb4:q G4:q",
+      "leftHand": "G2:q B2:q D3:q G3:q",
+      "teachingNote": "Back to G7 — the opening riff returns. Familiarity feels good.",
+      "dynamics": "mf"
+    },
+    {
+      "number": 8,
+      "rightHand": "A4:q B4:q D5:q F#4:q",
+      "leftHand": "D3:q F#3:q A3:q D3:q",
+      "teachingNote": "D7 turnaround. The melody leaps down to F#4, setting up the repeat."
+    }
+  ]
+}

package/songs/builtin/stairway-intro.json

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+{
+  "id": "stairway-intro",
+  "title": "Stairway to Heaven (Intro)",
+  "genre": "rock",
+  "composer": "Jimmy Page & Robert Plant",
+  "difficulty": "intermediate",
+  "key": "A minor",
+  "tempo": 72,
+  "timeSignature": "4/4",
+  "durationSeconds": 27,
+  "tags": [
+    "led-zeppelin",
+    "fingerpicking",
+    "arpeggiated",
+    "iconic-intro",
+    "classic-rock"
+  ],
+  "source": "Claude arrangement — simplified interpretation",
+  "musicalLanguage": {
+    "description": "An adaptation of the legendary guitar fingerpicking intro for piano. The original features a chromatic descending bass line under arpeggiated chords, creating one of the most recognizable openings in rock history. This piano arrangement preserves the descending bass motion and the delicate arpeggiated texture.",
+    "structure": "Intro (8 bars) — Am descending bass line: A-G#-G-F#-F-E with arpeggiated chords above",
+    "keyMoments": [
+      "Bars 1-4: The chromatic descent from A to F — each bass note drops a half step while the upper voices sustain",
+      "Bars 5-6: The arrival at F major and the mood shift",
+      "Bars 7-8: G to Am resolution — the descent completes its cycle"
+    ],
+    "teachingGoals": [
+      "Chromatic bass line movement — half-step descents",
+      "Arpeggiated patterns adapted from guitar fingerpicking",
+      "Independent voice control — bass moves while upper notes sustain"
+    ],
+    "styleTips": [
+      "Play delicately — this is fingerpicking, not strumming",
+      "The bass line descent should be smooth and connected, like a slow walk downstairs",
+      "Let the upper notes ring while the bass moves — use pedal carefully"
+    ]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "E4:e A4:e C5:e A4:e E4:e A4:e C5:e A4:e",
+      "leftHand": "A2:h G#2:h",
+      "teachingNote": "Am — the iconic opening. The right hand arpeggiates while the bass begins its chromatic descent.",
+      "dynamics": "p"
+    },
+    {
+      "number": 2,
+      "rightHand": "E4:e A4:e C5:e A4:e E4:e B4:e C5:e B4:e",
+      "leftHand": "G2:h F#2:h",
+      "teachingNote": "The bass continues descending G-F# while the arpeggiation pattern subtly varies."
+    },
+    {
+      "number": 3,
+      "rightHand": "E4:e A4:e C5:e A4:e E4:e A4:e C5:e A4:e",
+      "leftHand": "F2:h E2:h",
+      "teachingNote": "F to E — the bass descent continues. We are moving through the chromatic scale step by step.",
+      "dynamics": "mp"
+    },
+    {
+      "number": 4,
+      "rightHand": "E4:e G4:e B4:e G4:e E4:e G4:e B4:e G4:e",
+      "leftHand": "E2:h D2:h",
+      "teachingNote": "E minor arpeggiation — the harmony opens up as the bass reaches D. A moment of clarity."
+    },
+    {
+      "number": 5,
+      "rightHand": "C4:e F4:e A4:e F4:e C4:e F4:e A4:e F4:e",
+      "leftHand": "F2:h F3:h",
+      "teachingNote": "F major — a warm, bright contrast after the chromatic descent. The mood shifts.",
+      "dynamics": "mp"
+    },
+    {
+      "number": 6,
+      "rightHand": "D4:e G4:e B4:e G4:e D4:e G4:e B4:e G4:e",
+      "leftHand": "G2:h G3:h",
+      "teachingNote": "G major — building energy. The arpeggio pattern is becoming natural now."
+    },
+    {
+      "number": 7,
+      "rightHand": "E4:e A4:e C5:e A4:e E4:e A4:e C5:e A4:e",
+      "leftHand": "A2:h E2:h",
+      "teachingNote": "Back to Am — the cycle returns home. The descent was a journey, and here we arrive.",
+      "dynamics": "mf"
+    },
+    {
+      "number": 8,
+      "rightHand": "E4:e A4:e C5:e A4:e E4:h",
+      "leftHand": "A2:h A2:h",
+      "teachingNote": "A minor settles — the arpeggio slows to a held E. The intro is complete.",
+      "dynamics": "p"
+    }
+  ]
+}

package/songs/builtin/starlight-waltz.json

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+{
+  "id": "starlight-waltz",
+  "title": "Starlight Waltz",
+  "genre": "new-age",
+  "composer": "Claude (original)",
+  "difficulty": "intermediate",
+  "key": "A major",
+  "tempo": 108,
+  "timeSignature": "3/4",
+  "durationSeconds": 13,
+  "tags": ["new-age", "waltz", "stars", "intermediate", "elegant"],
+  "source": "Claude arrangement",
+  "musicalLanguage": {
+    "description": "A graceful waltz set against a starlit sky. The 3/4 time signature gives it a gentle swaying quality, while the melody sparkles in the upper register like distant stars. The left hand provides a classic waltz bass-chord-chord pattern softened into something dreamlike.",
+    "structure": "Through-composed waltz (8 bars in 3/4)",
+    "keyMoments": ["Sparkling high register melody in measure 1", "Waltz pattern transformation in measure 5"],
+    "teachingGoals": ["Practice 3/4 waltz accompaniment patterns", "Develop light, sparkling touch in upper register"],
+    "styleTips": ["Keep the waltz pattern gentle, not heavy", "The high notes should shimmer like starlight"]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "A5:q E5:q C#5:q",
+      "leftHand": "A2:q E3 A3:q E3 A3:q",
+      "dynamics": "p"
+    },
+    {
+      "number": 2,
+      "rightHand": "D5:q E5:q F#5:q",
+      "leftHand": "D3:q F#3 A3:q F#3 A3:q",
+      "dynamics": "p"
+    },
+    {
+      "number": 3,
+      "rightHand": "E5:q C#5:q A4:q",
+      "leftHand": "A2:q E3 A3:q E3 A3:q",
+      "dynamics": "mp"
+    },
+    {
+      "number": 4,
+      "rightHand": "B4:q A4:q G#4:q",
+      "leftHand": "E3:q G#3 B3:q G#3 B3:q",
+      "dynamics": "mp"
+    },
+    {
+      "number": 5,
+      "rightHand": "A5:q B5:q C#6:q",
+      "leftHand": "F#3:q A3 C#4:q A3 C#4:q",
+      "dynamics": "mf"
+    },
+    {
+      "number": 6,
+      "rightHand": "D6:q C#6:q B5:q",
+      "leftHand": "D3:q F#3 A3:q F#3 A3:q",
+      "dynamics": "mf"
+    },
+    {
+      "number": 7,
+      "rightHand": "A5:q G#5:q E5:q",
+      "leftHand": "E3:q G#3 B3:q A2:q E3 A3:q",
+      "dynamics": "mp"
+    },
+    {
+      "number": 8,
+      "rightHand": "A5:h.",
+      "leftHand": "A2:q E3 A3:h",
+      "dynamics": "p"
+    }
+  ]
+}

package/songs/builtin/stay-with-me.json

@@ -0,0 +1,93 @@
+{
+  "id": "stay-with-me",
+  "title": "Stay With Me",
+  "genre": "pop",
+  "composer": "Sam Smith, James Napier & William Phillips",
+  "difficulty": "beginner",
+  "key": "C major",
+  "tempo": 84,
+  "timeSignature": "4/4",
+  "durationSeconds": 23,
+  "tags": [
+    "sam-smith",
+    "gospel-pop",
+    "soulful",
+    "beginner-friendly",
+    "modern"
+  ],
+  "source": "Claude arrangement — simplified interpretation",
+  "musicalLanguage": {
+    "description": "A gospel-tinged pop song built on just three chords: Am, F, and C. The simplicity is its power — the emotional weight comes from the vocal melody and the gospel-soul harmonic flavor. This beginner arrangement uses block chords in the left hand with a straightforward vocal melody in the right.",
+    "structure": "Verse-Chorus feel (8 bars) — Am-F-C repeated with subtle melodic variation",
+    "keyMoments": [
+      "Bars 1-2: Am to F — the minor-to-major shift gives the gospel flavor",
+      "Bars 3-4: C major — the resolution that the ear craves",
+      "Bars 5-8: The same progression with the melody reaching higher — building to an emotional peak"
+    ],
+    "teachingGoals": [
+      "Three-chord song — Am, F, C in root position",
+      "Playing with a soulful, slightly behind-the-beat feel",
+      "Connecting simple chords to create emotional impact"
+    ],
+    "styleTips": [
+      "Play with a relaxed, soulful feel — slightly behind the beat, never ahead",
+      "The left hand chords should have a soft, warm attack",
+      "Think gospel choir — there is weight and warmth in every chord change"
+    ]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "E4:q E4:q E4:q D4:q",
+      "leftHand": "A2:q C3:q E3:q C3:q",
+      "teachingNote": "A minor — the melody repeats E before stepping down. Soulful and direct.",
+      "dynamics": "mp"
+    },
+    {
+      "number": 2,
+      "rightHand": "C4:q D4:q C4:h",
+      "leftHand": "F2:q A2:q C3:q A2:q",
+      "teachingNote": "F major — the melody relaxes to C. Feel the gospel warmth in the F chord."
+    },
+    {
+      "number": 3,
+      "rightHand": "E4:q E4:q D4:q C4:q",
+      "leftHand": "C3:q E3:q G3:q E3:q",
+      "teachingNote": "C major — the melody descends E-D-C. The resolution feels like a deep breath."
+    },
+    {
+      "number": 4,
+      "rightHand": "C4:h R:h",
+      "leftHand": "C3:q E3:q G3:h",
+      "teachingNote": "Hold and rest — give the phrase space to breathe. Silence is part of the music.",
+      "dynamics": "p"
+    },
+    {
+      "number": 5,
+      "rightHand": "E4:q G4:q A4:q G4:q",
+      "leftHand": "A2:q C3:q E3:q C3:q",
+      "teachingNote": "A minor — the melody reaches higher this time, up to A4. Building intensity.",
+      "dynamics": "mf"
+    },
+    {
+      "number": 6,
+      "rightHand": "F4:q G4:q F4:h",
+      "leftHand": "F2:q A2:q C3:q A2:q",
+      "teachingNote": "F major — melody peaks and settles. The gospel feel intensifies."
+    },
+    {
+      "number": 7,
+      "rightHand": "E4:q D4:q C4:q D4:q",
+      "leftHand": "C3:q E3:q G3:q E3:q",
+      "teachingNote": "C major — the melody winds down with a gentle ornamental turn.",
+      "dynamics": "mp"
+    },
+    {
+      "number": 8,
+      "rightHand": "C4:w",
+      "leftHand": "A2:q C3:q E3:h",
+      "teachingNote": "Landing on C over Am — a bittersweet ending. The minor chord under a major melody note.",
+      "dynamics": "p"
+    }
+  ]
+}