@mcptoolshop/ai_jam_session 0.1.0

package/songs/builtin/satin-doll.json

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+{
+  "id": "satin-doll",
+  "title": "Satin Doll",
+  "genre": "jazz",
+  "composer": "Duke Ellington / Billy Strayhorn",
+  "difficulty": "intermediate",
+  "key": "C major",
+  "tempo": 120,
+  "timeSignature": "4/4",
+  "durationSeconds": 16,
+  "tags": [
+    "swing",
+    "duke-ellington",
+    "ii-V",
+    "chromatic",
+    "big-band",
+    "jazz-standard"
+  ],
+  "source": "Claude arrangement — simplified interpretation",
+  "musicalLanguage": {
+    "description": "Duke Ellington's sophisticated swing masterpiece, co-written with Billy Strayhorn. The tune is built on a series of ii-V pairs that shift chromatically — Dm7-G7, then Em7-A7 — creating an elegant, serpentine harmonic motion. The melody is angular and hip, full of chromatic neighbor tones.",
+    "structure": "AABA — 32 bars. This excerpt: first A section (8 bars)",
+    "keyMoments": [
+      "Bar 1-2: Dm7 to G7 — first ii-V pair targeting C",
+      "Bar 3-4: Em7 to A7 — second ii-V pair targeting D. The chromatic shift is the magic.",
+      "Bar 5-8: Resolution and turnaround — the phrase lands and resets"
+    ],
+    "teachingGoals": [
+      "Chromatic ii-V pairs — the backbone of Ellington harmony",
+      "Swing rhythm — crisp, bouncy, big-band feel",
+      "Chromatic approach notes in the melody"
+    ],
+    "styleTips": [
+      "Play with swing confidence — this is Ellington, not a ballad",
+      "Short, punchy articulation on the melody — staccato where marked",
+      "Left hand comps in a relaxed swing pattern, slightly behind the beat"
+    ]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "D5:e E5:e F5:q R:q A4:q",
+      "leftHand": "D3:q F3 A3:q R:q C4:q",
+      "teachingNote": "Dm7 — the melody uses a chromatic enclosure around E. Swing the eighths!",
+      "dynamics": "mf"
+    },
+    {
+      "number": 2,
+      "rightHand": "D5:e E5:e F5:q R:h",
+      "leftHand": "G2:q F3 B3:q R:h",
+      "teachingNote": "G7 — same melodic figure repeated. The ii-V pair is a matching set."
+    },
+    {
+      "number": 3,
+      "rightHand": "E5:e F5:e G5:q R:q B4:q",
+      "leftHand": "E3:q G3 B3:q R:q D4:q",
+      "teachingNote": "Em7 — the whole pattern shifts up a step. Same shape, new key center."
+    },
+    {
+      "number": 4,
+      "rightHand": "E5:e F5:e G5:q R:h",
+      "leftHand": "A2:q E3 G3:q R:h",
+      "teachingNote": "A7 — second ii-V completes. Notice how the bass moves chromatically: D-G, E-A."
+    },
+    {
+      "number": 5,
+      "rightHand": "G5:q F5:q E5:q D5:q",
+      "leftHand": "Ab3:q Db4:q R:q G3:q",
+      "teachingNote": "AbMaj7 passing chord — a surprise! The melody descends smoothly.",
+      "dynamics": "f"
+    },
+    {
+      "number": 6,
+      "rightHand": "C5:h R:h",
+      "leftHand": "Db3:q Ab3:q G3:q F3:q",
+      "teachingNote": "DbMaj7 to C — chromatic resolution. The left hand walks down."
+    },
+    {
+      "number": 7,
+      "rightHand": "D5:e E5:e F5:q A4:q D5:q",
+      "leftHand": "D3:q F3 A3:q G2:q B2 F3:q",
+      "teachingNote": "Dm7-G7 returns for the turnaround. The A section is about to repeat.",
+      "dynamics": "mf"
+    },
+    {
+      "number": 8,
+      "rightHand": "C5:h R:h",
+      "leftHand": "C3:q E3 G3:q R:h",
+      "teachingNote": "CMaj7 — resolution. Clean and satisfying. The form resets.",
+      "dynamics": "mp"
+    }
+  ]
+}

package/songs/builtin/schindlers-list.json

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+{
+  "id": "schindlers-list",
+  "title": "Theme from Schindler's List",
+  "genre": "film",
+  "composer": "John Williams",
+  "difficulty": "advanced",
+  "key": "A minor",
+  "tempo": 56,
+  "timeSignature": "4/4",
+  "durationSeconds": 34,
+  "tags": [
+    "john-williams",
+    "mournful",
+    "violin-transcription",
+    "emotional",
+    "minor-key"
+  ],
+  "source": "Claude arrangement — simplified interpretation",
+  "musicalLanguage": {
+    "description": "John Williams' devastating violin theme transcribed for piano. The melody, originally played by Itzhak Perlman, is one of the most emotionally powerful pieces in film music. The A minor tonality carries deep sorrow, while the melody's wide leaps and expressive intervals demand advanced phrasing and dynamic control. The left hand provides a spare, grief-laden accompaniment.",
+    "structure": "A section: the main theme with its characteristic leap (4 bars), B section: development and emotional climax (4 bars)",
+    "keyMoments": [
+      "Bar 1: The opening A — a single note that carries the weight of history.",
+      "Bars 3-4: The wide leap upward — the melody's most expressive moment.",
+      "Bar 6: The emotional climax on E5 — ff, full of grief and beauty."
+    ],
+    "teachingGoals": [
+      "Transcribing violin expressiveness to piano — singing tone, vibrato-like dynamics",
+      "Wide interval leaps with smooth connection",
+      "Advanced dynamic control from pp to ff within phrases"
+    ],
+    "styleTips": [
+      "Play as if this is the most important melody you will ever play",
+      "Each note must connect to the next, even across wide leaps — use pedal",
+      "The silences between phrases are as important as the notes"
+    ]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "A4:h B4:q C5:q",
+      "leftHand": "A2:w",
+      "dynamics": "pp",
+      "teachingNote": "Am — the opening. A single bass note anchors a melody of infinite sadness."
+    },
+    {
+      "number": 2,
+      "rightHand": "B4:q A4:q G#4:q A4:q",
+      "leftHand": "E2:h A2:h",
+      "dynamics": "p",
+      "teachingNote": "E7 to Am — the turn figure. G# is the weeping note. Linger on it."
+    },
+    {
+      "number": 3,
+      "rightHand": "A4:q C5:q E5:h",
+      "leftHand": "A2:q C3:q E3:q A3:q",
+      "dynamics": "mf",
+      "teachingNote": "Am — the great upward leap to E5. This is where the heart breaks."
+    },
+    {
+      "number": 4,
+      "rightHand": "D5:q C5:q B4:q A4:q",
+      "leftHand": "D2:h E2:h",
+      "dynamics": "mp",
+      "teachingNote": "Dm to E — descending after the peak. Each note falls with weight."
+    },
+    {
+      "number": 5,
+      "rightHand": "A4:q B4:q C5:q D5:q",
+      "leftHand": "F2:q A2:q C3:q F3:q",
+      "dynamics": "mf",
+      "teachingNote": "F major — the melody builds again. More urgency this time."
+    },
+    {
+      "number": 6,
+      "rightHand": "E5:h D5:q C5:q",
+      "leftHand": "E2:q G#2:q B2:q E3:q",
+      "dynamics": "ff",
+      "teachingNote": "E7 — the climax. E5 sustained at full volume. Pure grief."
+    },
+    {
+      "number": 7,
+      "rightHand": "B4:q A4:q G4:q A4:q",
+      "leftHand": "D2:q F2:q A2:q D3:q",
+      "dynamics": "mf",
+      "teachingNote": "Dm — receding from the climax. The melody curls inward."
+    },
+    {
+      "number": 8,
+      "rightHand": "A4:w",
+      "leftHand": "A2:q E3:q A3:h",
+      "dynamics": "ppp",
+      "teachingNote": "Am — whole note A. The softest sound you can make. Let it disappear."
+    }
+  ]
+}

package/songs/builtin/schumann-traumerei.json

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+{
+  "id": "schumann-traumerei",
+  "title": "Traumerei (Dreaming)",
+  "genre": "classical",
+  "composer": "Robert Schumann",
+  "difficulty": "intermediate",
+  "key": "F major",
+  "tempo": 56,
+  "timeSignature": "4/4",
+  "durationSeconds": 34,
+  "tags": ["classical", "schumann", "romantic", "lyrical", "dreaming"],
+  "source": "Claude arrangement — simplified interpretation",
+  "musicalLanguage": {
+    "description": "From Kinderszenen (Scenes from Childhood), Traumerei is perhaps the most famous piano miniature ever written. Its gently rising melody evokes the act of dreaming itself — each phrase reaching upward before settling back, like a sigh of contentment.",
+    "structure": "Main theme excerpt (8 bars)",
+    "keyMoments": ["Rising melody arc in measure 1-2", "Tender melodic peak in measure 5"],
+    "teachingGoals": ["Shape a long singing phrase across multiple measures", "Learn gentle, expressive rubato"],
+    "styleTips": ["Each phrase should rise and fall like a slow breath", "Take the tiniest pause at the peak of each phrase"]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "F4:q A4:q C5:q F5:q",
+      "leftHand": "F3:q C4 A3:q F3:q C4 A3:q",
+      "dynamics": "p"
+    },
+    {
+      "number": 2,
+      "rightHand": "E5:q D5:q C5:h",
+      "leftHand": "Bb3:q D4 F4:q F3:q A3 C4:q",
+      "dynamics": "p"
+    },
+    {
+      "number": 3,
+      "rightHand": "A4:q C5:q E5:q A5:q",
+      "leftHand": "F3:q C4 A3:q F3:q C4 A3:q",
+      "dynamics": "mp"
+    },
+    {
+      "number": 4,
+      "rightHand": "G5:q F5:q E5:h",
+      "leftHand": "C3:q E4 Bb3:q C3:q E4 G3:q",
+      "dynamics": "mp"
+    },
+    {
+      "number": 5,
+      "rightHand": "F5:q A5:q C6:q A5:q",
+      "leftHand": "F3:q C4 A3:q F3:q C4 A3:q",
+      "dynamics": "mf"
+    },
+    {
+      "number": 6,
+      "rightHand": "G5:q E5:q D5:q C5:q",
+      "leftHand": "Bb3:q D4 F4:q Bb3:q D4 G4:q",
+      "dynamics": "mp"
+    },
+    {
+      "number": 7,
+      "rightHand": "A4:q Bb4:q A4:q G4:q",
+      "leftHand": "F3:q C4 A3:q C3:q E4 Bb3:q",
+      "dynamics": "p"
+    },
+    {
+      "number": 8,
+      "rightHand": "F4:w",
+      "leftHand": "F3:q C4 A3:q F2:h",
+      "dynamics": "pp"
+    }
+  ]
+}

package/songs/builtin/sitting-on-the-dock.json

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+{
+  "id": "sitting-on-the-dock",
+  "title": "Sitting On the Dock of the Bay",
+  "genre": "rnb",
+  "composer": "Otis Redding / Steve Cropper",
+  "difficulty": "beginner",
+  "key": "G major",
+  "tempo": 104,
+  "timeSignature": "4/4",
+  "durationSeconds": 18,
+  "tags": [
+    "soul",
+    "otis-redding",
+    "relaxed",
+    "classic",
+    "easy-chords"
+  ],
+  "source": "Claude arrangement — simplified interpretation",
+  "musicalLanguage": {
+    "description": "Otis Redding's laid-back masterpiece captures the feeling of watching the tide roll in. Built on a simple G-B7-C-A progression, the song is accessible for beginners while sounding musically complete. The melody is conversational and unhurried, and the left hand plays simple root-position chords.",
+    "structure": "Verse: G-B7-C-A pattern (4 bars), Chorus: E-G-E-G rocking motion (4 bars)",
+    "keyMoments": [
+      "Bar 1: G major opens — relaxed, like sitting on a dock.",
+      "Bar 2: B7 — the unexpected major chord on the III. Gives it soul.",
+      "Bars 5-6: E minor to G — the rocking motion of the chorus, like waves."
+    ],
+    "teachingGoals": [
+      "Simple chord progressions with one unexpected chord (B7)",
+      "Relaxed tempo playing — resisting the urge to rush",
+      "Basic left hand chord patterns supporting melody"
+    ],
+    "styleTips": [
+      "Play like you have nowhere to be — this song is about doing nothing",
+      "The B7 chord should surprise slightly — bring it out a touch",
+      "Left hand: simple and steady. Right hand: conversational and easy"
+    ]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "B4:q A4:q G4:h",
+      "leftHand": "G2:q B2:q D3:q G3:q",
+      "dynamics": "mf",
+      "teachingNote": "G major — open and easy. The melody settles immediately."
+    },
+    {
+      "number": 2,
+      "rightHand": "B4:q A4:q G4:q F#4:q",
+      "leftHand": "B2:q D#3:q F#3:q B3:q",
+      "teachingNote": "B7 — the soulful twist. F# in the melody leans into this chord."
+    },
+    {
+      "number": 3,
+      "rightHand": "G4:q A4:q B4:q A4:q",
+      "leftHand": "C3:q E3:q G3:q C4:q",
+      "teachingNote": "C major — bright lift. Melody bounces gently."
+    },
+    {
+      "number": 4,
+      "rightHand": "G4:q E4:q D4:h",
+      "leftHand": "A2:q C#3:q E3:q A3:q",
+      "teachingNote": "A major — settling down before the chorus."
+    },
+    {
+      "number": 5,
+      "rightHand": "E4:q G4:q E4:q G4:q",
+      "leftHand": "E3:h B3:h",
+      "dynamics": "mf",
+      "teachingNote": "E minor — the rocking chorus figure. Back and forth like waves."
+    },
+    {
+      "number": 6,
+      "rightHand": "D4:q G4:q D4:q G4:q",
+      "leftHand": "G2:h D3:h",
+      "teachingNote": "G major — still rocking. Keep it effortless."
+    },
+    {
+      "number": 7,
+      "rightHand": "E4:q G4:q E4:q G4:q",
+      "leftHand": "E3:h B3:h",
+      "teachingNote": "E minor — the wave continues. Same gentle motion."
+    },
+    {
+      "number": 8,
+      "rightHand": "G4:h R:h",
+      "leftHand": "G2:q B2:q D3:h",
+      "dynamics": "p",
+      "teachingNote": "G major — fade out. The rest at the end is the sound of the ocean."
+    }
+  ]
+}

package/songs/builtin/slow-blues-in-bb.json

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+{
+  "id": "slow-blues-in-bb",
+  "title": "Slow Blues in Bb",
+  "genre": "blues",
+  "composer": "Traditional",
+  "difficulty": "advanced",
+  "key": "Bb major",
+  "tempo": 60,
+  "timeSignature": "4/4",
+  "durationSeconds": 32,
+  "tags": [
+    "slow-shuffle",
+    "advanced",
+    "expressive",
+    "rubato",
+    "9th-chords",
+    "ornamental"
+  ],
+  "source": "Claude arrangement",
+  "musicalLanguage": {
+    "description": "A slow, deeply expressive blues in Bb that demands advanced harmonic vocabulary and emotional phrasing. At 60 BPM, every beat is an eternity — you must fill the space with intention. Rich 9th and 13th voicings, chromatic passing tones, and gospel-influenced turnarounds make this a graduate-level blues study.",
+    "structure": "Slow 12-bar blues with substitutions. This excerpt: 8 bars",
+    "keyMoments": [
+      "Bar 1-2: Bb9 — wide voicings with the 9th and 13th. The slow tempo demands rich harmony.",
+      "Bar 3-4: Chromatic approach and grace notes — filling the slow tempo with expression",
+      "Bar 5-6: Eb9 — the IV chord with jazz-gospel color changes",
+      "Bar 7-8: Bb9 with chromatic inner movement — sophisticated voice leading"
+    ],
+    "teachingGoals": [
+      "Extended chord voicings — 9ths, 13ths, altered dominants",
+      "Filling slow tempos with expressive ornaments and grace notes",
+      "Chromatic voice leading between blues changes",
+      "Gospel turnaround influence in blues piano"
+    ],
+    "styleTips": [
+      "At 60 BPM, time stretches — fill it with intent, not filler",
+      "Grace notes and ornaments should be vocal — think of a singer bending notes",
+      "Use sustain pedal to let rich voicings ring and blend",
+      "Dynamic range matters more at slow tempos — use the full spectrum"
+    ]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "D5:q F5:q Ab5:e A5:e C6:h",
+      "leftHand": "Bb2:q F3 Ab3 D4:q Bb2:h",
+      "teachingNote": "Bb9 — rich voicing with the 9th (C) on top. The Ab-A grace note is a blue note smear into the major 3rd.",
+      "dynamics": "mp"
+    },
+    {
+      "number": 2,
+      "rightHand": "A5:q F5:q D5:q C5:q",
+      "leftHand": "Bb2:q F3 Ab3 D4:q Bb2:q F3:q",
+      "teachingNote": "Bb9 — melody descends through chord extensions. Every note sings at this tempo."
+    },
+    {
+      "number": 3,
+      "rightHand": "Db5:e D5:e F5:q Ab5:q G5:q",
+      "leftHand": "Bb2:q F3 Ab3:q D3 Ab3:q Bb2:q",
+      "teachingNote": "Bb13 — Db slides into D (blue 3rd to major 3rd). G is the 13th. Left hand moves through different voicings.",
+      "dynamics": "mf"
+    },
+    {
+      "number": 4,
+      "rightHand": "F5:h D5:q C5:q",
+      "leftHand": "Bb2:q D3 F3 Ab3:q Bb2:h",
+      "teachingNote": "Bb9 — phrase settles. Half note on F5 lets the rich harmony bloom underneath."
+    },
+    {
+      "number": 5,
+      "rightHand": "G5:q Bb5:q Db5:e D5:e F5:h",
+      "leftHand": "Eb3:q G3 Bb3 Db4:q Eb3:h",
+      "teachingNote": "Eb9 — IV chord with the same lush treatment. Db-D blue note smear appears again.",
+      "dynamics": "mf"
+    },
+    {
+      "number": 6,
+      "rightHand": "Eb5:q Db5:q Bb4:q G4:q",
+      "leftHand": "Eb3:q Bb3 Db4:q Eb3:q G3:q",
+      "teachingNote": "Eb9 — descending through the IV chord tones. Db is the b7. Let the phrase sigh.",
+      "dynamics": "mp"
+    },
+    {
+      "number": 7,
+      "rightHand": "D5:q F5:q A5:q C6:q",
+      "leftHand": "Bb2:q F3 Ab3 D4:q Bb2:q D3:q",
+      "teachingNote": "Bb9 — back to the tonic with an ascending line reaching up to C6 (the 9th above).",
+      "dynamics": "mf"
+    },
+    {
+      "number": 8,
+      "rightHand": "Bb5:q Ab5:e G5:e F5:q D5:q",
+      "leftHand": "Bb2:q F3 Ab3 D4:q Bb2:q F3:q",
+      "teachingNote": "Bb9 — ornamental descent with grace notes. The Ab-G is a chromatic passing tone. Settle into the resolution.",
+      "dynamics": "p"
+    }
+  ]
+}

package/songs/builtin/snowfall.json

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+{
+  "id": "snowfall",
+  "title": "Snowfall",
+  "genre": "new-age",
+  "composer": "Claude (original)",
+  "difficulty": "beginner",
+  "key": "A minor",
+  "tempo": 60,
+  "timeSignature": "4/4",
+  "durationSeconds": 32,
+  "tags": ["new-age", "gentle", "winter", "beginner", "meditative"],
+  "source": "Claude arrangement",
+  "musicalLanguage": {
+    "description": "A gentle, contemplative piece that evokes snowflakes drifting slowly downward. Simple descending patterns in the right hand mimic falling snow, while the left hand provides a warm harmonic cushion beneath.",
+    "structure": "Through-composed descending pattern piece (8 bars)",
+    "keyMoments": ["First snowflake pattern in measure 1", "Warm major resolution in measure 7"],
+    "teachingGoals": ["Practice gentle descending scale patterns", "Learn to create atmosphere with simple notes and pedal"],
+    "styleTips": ["Imagine each note is a snowflake landing softly", "Use pedal to connect the falling notes into a continuous texture"]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "E5:q D5:q C5:q B4:q",
+      "leftHand": "A2:h E3:h",
+      "dynamics": "pp"
+    },
+    {
+      "number": 2,
+      "rightHand": "A4:q G4:q F4:q E4:q",
+      "leftHand": "A2:h F3:h",
+      "dynamics": "pp"
+    },
+    {
+      "number": 3,
+      "rightHand": "E5:q D5:q C5:q A4:q",
+      "leftHand": "D3:h A3:h",
+      "dynamics": "p"
+    },
+    {
+      "number": 4,
+      "rightHand": "B4:q G4:q E4:h",
+      "leftHand": "E3:h B3:h",
+      "dynamics": "p"
+    },
+    {
+      "number": 5,
+      "rightHand": "F5:q E5:q D5:q C5:q",
+      "leftHand": "F3:h C4:h",
+      "dynamics": "mp"
+    },
+    {
+      "number": 6,
+      "rightHand": "B4:q A4:q G4:q F4:q",
+      "leftHand": "G3:h D4:h",
+      "dynamics": "mp"
+    },
+    {
+      "number": 7,
+      "rightHand": "E4:q F4:q G4:q A4:q",
+      "leftHand": "C3:h G3:h",
+      "dynamics": "p"
+    },
+    {
+      "number": 8,
+      "rightHand": "A4:w",
+      "leftHand": "A2:w",
+      "dynamics": "pp"
+    }
+  ]
+}

package/songs/builtin/so-what.json

@@ -0,0 +1,92 @@
+{
+  "id": "so-what",
+  "title": "So What",
+  "genre": "jazz",
+  "composer": "Miles Davis",
+  "difficulty": "intermediate",
+  "key": "D dorian",
+  "tempo": 136,
+  "timeSignature": "4/4",
+  "durationSeconds": 14,
+  "tags": [
+    "modal-jazz",
+    "miles-davis",
+    "kind-of-blue",
+    "dorian",
+    "cool",
+    "quartal"
+  ],
+  "source": "Claude arrangement — simplified interpretation",
+  "musicalLanguage": {
+    "description": "The opening track from Kind of Blue — the best-selling jazz album in history. Built on just two scales (D dorian and Eb dorian), So What is the gateway to modal jazz. The famous two-chord piano voicing (stacked fourths answered by bass) defines the sound.",
+    "structure": "AABA — 32 bars. This excerpt: first A section (8 bars in D dorian)",
+    "keyMoments": [
+      "Bar 1-2: The iconic bass call — ascending answer from the piano in quartal voicings",
+      "Bar 3-4: Melody floats over D dorian with cool detachment",
+      "Bar 7-8: Phrase resolves gently — space and silence are part of the music"
+    ],
+    "teachingGoals": [
+      "Quartal voicings — chords built in fourths instead of thirds",
+      "D dorian mode — D E F G A B C D — the 'jazz minor' sound",
+      "Less is more — Miles played fewer notes, not more"
+    ],
+    "styleTips": [
+      "Leave space — the rests are as important as the notes",
+      "The quartal voicing is E-A-D-G-B, not a traditional Dm chord",
+      "Swing lightly — this is cool jazz, not hard bop. Stay relaxed."
+    ]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "R:h D5:q E5:q",
+      "leftHand": "D2:q A2:q D3:q A2:q",
+      "teachingNote": "Bass establishes D. Right hand enters on beat 3 — the classic 'call' gesture.",
+      "dynamics": "mp"
+    },
+    {
+      "number": 2,
+      "rightHand": "E4 A4 D5 G5:h R:h",
+      "leftHand": "D2:q A2:q D3:h",
+      "teachingNote": "The quartal 'answer' voicing — E-A-D-G stacked in fourths. Let it ring."
+    },
+    {
+      "number": 3,
+      "rightHand": "A4:q F4:q D4:h",
+      "leftHand": "D2:q A2:q D3:q A2:q",
+      "teachingNote": "Melody descends through D dorian. Simple, vocal, space between phrases."
+    },
+    {
+      "number": 4,
+      "rightHand": "E4:q F4:q A4:q G4:q",
+      "leftHand": "D2:q A2:q D3:q A2:q",
+      "teachingNote": "Melody moves stepwise. Every note is a chord tone of D dorian."
+    },
+    {
+      "number": 5,
+      "rightHand": "A4:h R:q D5:q",
+      "leftHand": "D2:q A2:q D3:h",
+      "teachingNote": "A4 sustains, then silence, then D5 — Miles-style phrasing with breath.",
+      "dynamics": "mf"
+    },
+    {
+      "number": 6,
+      "rightHand": "E5:q D5:q A4:q F4:q",
+      "leftHand": "D2:q A2:q D3:q A2:q",
+      "teachingNote": "Descending line from E5. Keep it smooth and connected."
+    },
+    {
+      "number": 7,
+      "rightHand": "G4:h A4:h",
+      "leftHand": "D2:q A2:q D3:q A2:q",
+      "teachingNote": "Two half notes — simplicity. The G resolves up to A, the dorian fifth."
+    },
+    {
+      "number": 8,
+      "rightHand": "D4:w",
+      "leftHand": "D2:h A2:h",
+      "teachingNote": "Rest on the tonic. Let the sound decay naturally. This is where the next section would begin.",
+      "dynamics": "p"
+    }
+  ]
+}