@mcptoolshop/ai_jam_session 0.1.0

package/songs/builtin/my-girl.json

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+{
+  "id": "my-girl",
+  "title": "My Girl",
+  "genre": "rnb",
+  "composer": "Smokey Robinson / Ronald White",
+  "difficulty": "beginner",
+  "key": "C major",
+  "tempo": 104,
+  "timeSignature": "4/4",
+  "durationSeconds": 18,
+  "tags": [
+    "motown",
+    "temptations",
+    "classic",
+    "feel-good",
+    "bass-line"
+  ],
+  "source": "Claude arrangement — simplified interpretation",
+  "musicalLanguage": {
+    "description": "The Temptations' Motown classic features one of the most recognizable bass lines in popular music. This beginner arrangement focuses on that iconic ascending bass figure in the left hand while the right hand plays the sweet, simple melody. The C major tonality keeps everything bright and accessible.",
+    "structure": "Verse: 4 bars with iconic bass riff, Chorus: 4 bars with fuller chords",
+    "keyMoments": [
+      "Bars 1-2: The famous bass line walk-up — this IS the song.",
+      "Bars 5-6: 'My girl' chorus — the melody lifts with sustained notes.",
+      "Bar 8: The tag ending with the characteristic rhythmic figure."
+    ],
+    "teachingGoals": [
+      "Iconic bass line — learning a recognizable left hand pattern",
+      "Independence between hands — bass walks while melody sustains",
+      "Major key brightness and upbeat feel"
+    ],
+    "styleTips": [
+      "Left hand bass line should be smooth and connected (legato)",
+      "Right hand melody is sweet and lyrical — don't rush",
+      "Keep a gentle swing feel — not straight eighths, slightly bouncy"
+    ]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "R:h E4:q G4:q",
+      "leftHand": "C3:q E3:q G3:q C4:q",
+      "dynamics": "mf",
+      "teachingNote": "The iconic bass walk-up. Right hand enters on beat 3."
+    },
+    {
+      "number": 2,
+      "rightHand": "E4:h C4:h",
+      "leftHand": "C3:q E3:q G3:q C4:q",
+      "teachingNote": "Bass repeats the walk — melody settles on C."
+    },
+    {
+      "number": 3,
+      "rightHand": "D4:q E4:q F4:q E4:q",
+      "leftHand": "F3:h C3:h",
+      "teachingNote": "F major chord underneath — melody rocks around E."
+    },
+    {
+      "number": 4,
+      "rightHand": "D4:q C4:q D4:h",
+      "leftHand": "G3:h G2:h",
+      "teachingNote": "G major — sets up the return. D is the leading tone to the chorus."
+    },
+    {
+      "number": 5,
+      "rightHand": "E4:h G4:h",
+      "leftHand": "C3:q E3:q G3:q E3:q",
+      "dynamics": "f",
+      "teachingNote": "Chorus — 'My girl.' Open and bright. Let it ring."
+    },
+    {
+      "number": 6,
+      "rightHand": "G4:q F4:q E4:h",
+      "leftHand": "F3:q A3:q C4:q A3:q",
+      "teachingNote": "F major — the melody descends gently."
+    },
+    {
+      "number": 7,
+      "rightHand": "D4:q E4:q F4:q D4:q",
+      "leftHand": "G2:q B2:q D3:q B2:q",
+      "dynamics": "mf",
+      "teachingNote": "G major — building energy for the final bar."
+    },
+    {
+      "number": 8,
+      "rightHand": "C4:q E4:q G4:q C5:q",
+      "leftHand": "C3:q G3:q C3:h",
+      "dynamics": "f",
+      "teachingNote": "Final ascending C major arpeggio — bright, happy ending."
+    }
+  ]
+}

package/songs/builtin/night-train.json

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+{
+  "id": "night-train",
+  "title": "Night Train",
+  "genre": "jazz",
+  "composer": "Oscar Peterson / Jimmy Forrest",
+  "difficulty": "intermediate",
+  "key": "G major",
+  "tempo": 140,
+  "timeSignature": "4/4",
+  "durationSeconds": 14,
+  "tags": [
+    "blues-jazz",
+    "oscar-peterson",
+    "swing",
+    "shuffle",
+    "riff-based",
+    "groove"
+  ],
+  "source": "Claude arrangement — simplified interpretation",
+  "musicalLanguage": {
+    "description": "A hard-swinging blues-jazz riff tune popularized by Oscar Peterson. Built on a simple, infectious riff over a 12-bar blues form, Night Train is pure energy and groove. The left hand drives with a walking bass feel while the right hand punches out the iconic riff pattern.",
+    "structure": "12-bar blues riff form. This excerpt: first 8 bars (I and IV)",
+    "keyMoments": [
+      "Bar 1-2: The main riff — punchy, rhythmic, impossible not to tap your foot",
+      "Bar 5-6: Riff transposes to the IV chord (C7) — same energy, new pitch",
+      "Bar 7-8: Return to G7 with the riff building momentum"
+    ],
+    "teachingGoals": [
+      "Riff-based playing — repeat a short phrase with conviction",
+      "Walking bass in the left hand — steady quarter note motion",
+      "Blues-jazz crossover style — harder swing than cool jazz"
+    ],
+    "styleTips": [
+      "Swing HARD — this is Oscar Peterson, not a ballad. Dig in.",
+      "The riff should be short and punchy — staccato quarter notes",
+      "Left hand walks confidently — each note leading to the next"
+    ]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "B4:q D5:q B4:q G4:q",
+      "leftHand": "G2:q B2:q D3:q E3:q",
+      "teachingNote": "G7 — the main riff begins. Short, punchy notes. Left hand walks up.",
+      "dynamics": "f"
+    },
+    {
+      "number": 2,
+      "rightHand": "F5:q D5:q B4:h",
+      "leftHand": "F3:q D3:q B2:q G2:q",
+      "teachingNote": "G7 continues. The riff adds the b7 (F5) for blues flavor. Left hand walks back down."
+    },
+    {
+      "number": 3,
+      "rightHand": "B4:q D5:q B4:q G4:q",
+      "leftHand": "G2:q B2:q D3:q E3:q",
+      "teachingNote": "Riff repeats — build confidence through repetition. Same energy."
+    },
+    {
+      "number": 4,
+      "rightHand": "F5:q D5:q B4:h",
+      "leftHand": "F3:q D3:q B2:q A2:q",
+      "teachingNote": "G7 — last bar before the IV chord. Left hand walks down to A2, approaching C."
+    },
+    {
+      "number": 5,
+      "rightHand": "E5:q G5:q E5:q C5:q",
+      "leftHand": "C3:q E3:q G3:q A3:q",
+      "teachingNote": "C7 — the riff transposes up to the IV chord. Same shape, new key center!",
+      "dynamics": "f"
+    },
+    {
+      "number": 6,
+      "rightHand": "Bb4:q G4:q E4:h",
+      "leftHand": "Bb3:q G3:q E3:q C3:q",
+      "teachingNote": "C7 continues. Bb is the b7 of C. Left hand walks back down."
+    },
+    {
+      "number": 7,
+      "rightHand": "B4:q D5:q B4:q G4:q",
+      "leftHand": "G2:q B2:q D3:q E3:q",
+      "teachingNote": "Back to G7 — home riff returns. Feels like an arrival.",
+      "dynamics": "mf"
+    },
+    {
+      "number": 8,
+      "rightHand": "F5:e D5:e B4:q G4:q R:q",
+      "leftHand": "F3:q D3:q B2:q G2:q",
+      "teachingNote": "G7 — the riff compresses to eighth notes then rests. Building anticipation for the V chord."
+    }
+  ]
+}

package/songs/builtin/november-rain.json

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+{
+  "id": "november-rain",
+  "title": "November Rain",
+  "genre": "rock",
+  "composer": "Axl Rose",
+  "difficulty": "intermediate",
+  "key": "C major",
+  "tempo": 80,
+  "timeSignature": "4/4",
+  "durationSeconds": 24,
+  "tags": [
+    "guns-n-roses",
+    "ballad",
+    "epic",
+    "piano-intro",
+    "rock-ballad"
+  ],
+  "source": "Claude arrangement — simplified interpretation",
+  "musicalLanguage": {
+    "description": "The epic piano ballad that proved hard rock bands could be deeply emotional. The intro uses arpeggiated chords in C major with a soaring melodic line that builds from quiet contemplation to dramatic intensity. This arrangement focuses on the iconic piano introduction.",
+    "structure": "Intro-Verse (8 bars) — C-Csus4-C-Dm-G-C progression with arpeggiated accompaniment",
+    "keyMoments": [
+      "Bars 1-2: C major with suspended 4th — the signature rocking between C and Csus4",
+      "Bars 5-6: Dm to G — the dramatic harmonic lift that signals the verse is arriving",
+      "Bars 7-8: Full chordal resolution — the arrangement opens up to its grandest texture"
+    ],
+    "teachingGoals": [
+      "Arpeggiated accompaniment patterns in C major",
+      "Suspended chord resolution — Csus4 to C",
+      "Building dynamics across a phrase from p to f"
+    ],
+    "styleTips": [
+      "The arpeggiation should be fluid and romantic, not mechanical",
+      "Build the dynamics gradually — this is an epic, and epics need a slow burn",
+      "The sus4 to major resolution is the emotional heart — give it space"
+    ]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "G4:e C5:e E5:e C5:e G4:e C5:e E5:e C5:e",
+      "leftHand": "C3:h E3:h",
+      "teachingNote": "C major arpeggiation — the gentle opening. Let it shimmer.",
+      "dynamics": "p"
+    },
+    {
+      "number": 2,
+      "rightHand": "G4:e C5:e F5:e C5:e G4:e C5:e E5:e C5:e",
+      "leftHand": "C3:h C3:h",
+      "teachingNote": "Csus4 to C — F5 resolves to E5. This tiny movement is the emotional hook of the intro."
+    },
+    {
+      "number": 3,
+      "rightHand": "G4:e C5:e E5:e C5:e G4:e C5:e E5:e C5:e",
+      "leftHand": "C3:h E3:h",
+      "teachingNote": "C major again — repetition builds the hypnotic quality.",
+      "dynamics": "mp"
+    },
+    {
+      "number": 4,
+      "rightHand": "G4:e C5:e F5:e C5:e G4:e C5:e E5:e C5:e",
+      "leftHand": "C3:h C3:h",
+      "teachingNote": "Csus4 to C again — the rocking motion is now established. Like breathing."
+    },
+    {
+      "number": 5,
+      "rightHand": "F4:e A4:e D5:e A4:e F4:e A4:e D5:e A4:e",
+      "leftHand": "D3:h A2:h",
+      "teachingNote": "D minor — the harmony shifts and the mood darkens slightly. A new color.",
+      "dynamics": "mf"
+    },
+    {
+      "number": 6,
+      "rightHand": "D4:e G4:e B4:e G4:e D4:e G4:e B4:e G4:e",
+      "leftHand": "G2:h B2:h",
+      "teachingNote": "G major — the dominant chord. Building toward the climactic return to C."
+    },
+    {
+      "number": 7,
+      "rightHand": "E4 G4 C5:q D4 G4 B4:q C4 E4 A4:q D4 F4 B4:q",
+      "leftHand": "C3:q G2:q A2:q G2:q",
+      "teachingNote": "Full chords — C-G-Am-G. The arrangement fills out to its grandest moment.",
+      "dynamics": "f"
+    },
+    {
+      "number": 8,
+      "rightHand": "C4 E4 G4:h E5:h",
+      "leftHand": "C3:h C2:h",
+      "teachingNote": "C major finale — a rich chord followed by a soaring E5. The intro resolves with grandeur.",
+      "dynamics": "mf"
+    }
+  ]
+}

package/songs/builtin/ocean-waves.json

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+{
+  "id": "ocean-waves",
+  "title": "Ocean Waves",
+  "genre": "new-age",
+  "composer": "Claude (original)",
+  "difficulty": "beginner",
+  "key": "C major",
+  "tempo": 58,
+  "timeSignature": "4/4",
+  "durationSeconds": 33,
+  "tags": ["new-age", "ocean", "rolling", "beginner", "peaceful"],
+  "source": "Claude arrangement",
+  "musicalLanguage": {
+    "description": "A peaceful, rolling piece that mimics the rhythm of ocean waves. The left hand provides a steady rocking arpeggio pattern while the right hand plays a simple, singing melody. The effect is hypnotic and calming.",
+    "structure": "Through-composed wave-pattern piece (8 bars)",
+    "keyMoments": ["Wave pattern established in measure 1", "Melody crests gently in measure 5"],
+    "teachingGoals": ["Develop a smooth, rocking accompaniment pattern", "Learn to shape a melody over a repeating ostinato"],
+    "styleTips": ["The left hand is the waves — keep it perfectly even and hypnotic", "The melody should float above like a seabird"]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "E5:h G5:h",
+      "leftHand": "C3:e G3:e C4:e G3:e C3:e G3:e C4:e G3:e",
+      "dynamics": "p"
+    },
+    {
+      "number": 2,
+      "rightHand": "F5:h E5:h",
+      "leftHand": "F3:e C4:e F4:e C4:e F3:e C4:e F4:e C4:e",
+      "dynamics": "p"
+    },
+    {
+      "number": 3,
+      "rightHand": "D5:q E5:q F5:q E5:q",
+      "leftHand": "G3:e D4:e G4:e D4:e G3:e D4:e G4:e D4:e",
+      "dynamics": "mp"
+    },
+    {
+      "number": 4,
+      "rightHand": "C5:h R:h",
+      "leftHand": "C3:e G3:e C4:e G3:e C3:e G3:e C4:e G3:e",
+      "dynamics": "p"
+    },
+    {
+      "number": 5,
+      "rightHand": "G5:q A5:q G5:q E5:q",
+      "leftHand": "A3:e E4:e A4:e E4:e A3:e E4:e A4:e E4:e",
+      "dynamics": "mf"
+    },
+    {
+      "number": 6,
+      "rightHand": "F5:q E5:q D5:q C5:q",
+      "leftHand": "F3:e C4:e F4:e C4:e G3:e D4:e G4:e D4:e",
+      "dynamics": "mp"
+    },
+    {
+      "number": 7,
+      "rightHand": "D5:q E5:q C5:h",
+      "leftHand": "G3:e D4:e G4:e D4:e C3:e G3:e C4:e G3:e",
+      "dynamics": "mp"
+    },
+    {
+      "number": 8,
+      "rightHand": "C5:w",
+      "leftHand": "C3:e G3:e C4:e G3:e C3:h",
+      "dynamics": "pp"
+    }
+  ]
+}

package/songs/builtin/over-the-rainbow.json

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+{
+  "id": "over-the-rainbow",
+  "title": "Over the Rainbow",
+  "genre": "film",
+  "composer": "Harold Arlen / E.Y. Harburg",
+  "difficulty": "beginner",
+  "key": "C major",
+  "tempo": 84,
+  "timeSignature": "4/4",
+  "durationSeconds": 23,
+  "tags": [
+    "wizard-of-oz",
+    "hopeful",
+    "classic",
+    "standard",
+    "octave-leap"
+  ],
+  "source": "Claude arrangement — simplified interpretation",
+  "musicalLanguage": {
+    "description": "The most famous song from The Wizard of Oz opens with one of music's most recognizable intervals — an octave leap. This beginner arrangement in C major captures the song's hopeful, dreaming quality with simple chord voicings. The melody is tuneful and singable, moving mostly by step after the dramatic opening jump.",
+    "structure": "A section: the octave leap and descent (4 bars), B section: bridge with stepwise melody (4 bars)",
+    "keyMoments": [
+      "Bar 1: The octave leap from C4 to C5 — 'Somewhere, over the rainbow.'",
+      "Bars 3-4: The melody settles into stepwise motion — dreaming of a better place.",
+      "Bars 7-8: The hopeful return — quiet confidence that dreams come true."
+    ],
+    "teachingGoals": [
+      "Octave leap — confident, accurate, and musical",
+      "Contrasting intervallic and stepwise melody",
+      "Simple but effective accompaniment patterns"
+    ],
+    "styleTips": [
+      "The octave leap should feel like a wish — hopeful, not forceful",
+      "After the leap, the melody should settle gently like landing on a cloud",
+      "Keep the left hand simple and supportive — this is about the melody"
+    ]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "C4:h C5:h",
+      "leftHand": "C3:q E3:q G3:q E3:q",
+      "dynamics": "mp",
+      "teachingNote": "C major — THE octave leap. This is the most famous interval in songwriting."
+    },
+    {
+      "number": 2,
+      "rightHand": "B4:q A4:q G4:h",
+      "leftHand": "A2:q C3:q E3:q C3:q",
+      "teachingNote": "Am — melody cascades down stepwise. Gentle and dreamy."
+    },
+    {
+      "number": 3,
+      "rightHand": "A4:h B4:q C5:q",
+      "leftHand": "F2:q A2:q C3:q A2:q",
+      "dynamics": "mf",
+      "teachingNote": "F major — climbing again, more gently this time."
+    },
+    {
+      "number": 4,
+      "rightHand": "B4:q A4:q G4:h",
+      "leftHand": "G2:q B2:q D3:q B2:q",
+      "teachingNote": "G major — settling down. The phrase completes its arc."
+    },
+    {
+      "number": 5,
+      "rightHand": "E4:q F4:q G4:q A4:q",
+      "leftHand": "C3:q E3:q G3:q E3:q",
+      "dynamics": "mf",
+      "teachingNote": "C major — the bridge. Stepwise motion, building hope."
+    },
+    {
+      "number": 6,
+      "rightHand": "G4:q F4:q E4:q D4:q",
+      "leftHand": "F2:q A2:q C3:q A2:q",
+      "teachingNote": "F major — gentle descent. The dream is peaceful."
+    },
+    {
+      "number": 7,
+      "rightHand": "E4:q F4:q G4:h",
+      "leftHand": "G2:q B2:q D3:q G3:q",
+      "dynamics": "mp",
+      "teachingNote": "G major — one last rise. Hopeful and quiet."
+    },
+    {
+      "number": 8,
+      "rightHand": "C4:w",
+      "leftHand": "C3:q E3:q G3:h",
+      "dynamics": "p",
+      "teachingNote": "C major — home. Whole note C. Dreams can come true."
+    }
+  ]
+}

package/songs/builtin/oye-como-va.json

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+{
+  "id": "oye-como-va",
+  "title": "Oye Como Va",
+  "genre": "latin",
+  "composer": "Tito Puente",
+  "difficulty": "beginner",
+  "key": "A minor",
+  "tempo": 120,
+  "timeSignature": "4/4",
+  "durationSeconds": 16,
+  "tags": [
+    "latin-rock",
+    "tito-puente",
+    "santana",
+    "groove",
+    "two-chord"
+  ],
+  "source": "Claude arrangement — simplified interpretation",
+  "musicalLanguage": {
+    "description": "Tito Puente's Latin groove, made famous by Santana, is built on just two chords: Am7 and D7. This simplicity makes it perfect for beginners while the infectious Latin rhythm keeps it exciting. The left hand drives a montuno-style pattern while the right hand plays the catchy organ riff that everyone knows.",
+    "structure": "Two-chord vamp throughout: Am7-D7 (8 bars with building intensity)",
+    "keyMoments": [
+      "Bar 1: The Am7 riff — instant recognition. This is the hook.",
+      "Bar 2: D7 — the only chord change. Simple but the groove is everything.",
+      "Bars 5-8: The riff opens up with more rhythmic energy and fills."
+    ],
+    "teachingGoals": [
+      "Two-chord vamp — mastering a groove with minimal harmony",
+      "Latin rhythm feel — the montuno pattern",
+      "Building intensity through rhythm and dynamics, not chord changes"
+    ],
+    "styleTips": [
+      "It's all about the groove — lock in the rhythm before worrying about notes",
+      "Left hand should be percussive and rhythmic",
+      "Think organ, not piano — keep the touch light and bouncy"
+    ]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "A4:e C5:e A4:e R:e A4:e C5:e A4:e R:e",
+      "leftHand": "A2:q E3 A3 C4:q A2:q E3 A3 C4:q",
+      "dynamics": "mf",
+      "teachingNote": "Am7 — the riff. Staccato and bouncy. This IS the song."
+    },
+    {
+      "number": 2,
+      "rightHand": "A4:e B4:e A4:e R:e G4:e A4:e G4:e R:e",
+      "leftHand": "D3:q F#3 A3 C4:q D3:q F#3 A3 C4:q",
+      "teachingNote": "D7 — the riff shifts down. Keep the same rhythmic energy."
+    },
+    {
+      "number": 3,
+      "rightHand": "A4:e C5:e A4:e R:e A4:e C5:e A4:e R:e",
+      "leftHand": "A2:q E3 A3 C4:q A2:q E3 A3 C4:q",
+      "teachingNote": "Am7 — back to the main riff. Consistency is groove."
+    },
+    {
+      "number": 4,
+      "rightHand": "A4:e B4:e A4:e R:e G4:e A4:e G4:e R:e",
+      "leftHand": "D3:q F#3 A3 C4:q D3:q F#3 A3 C4:q",
+      "dynamics": "f",
+      "teachingNote": "D7 — push the dynamics up slightly. Building energy."
+    },
+    {
+      "number": 5,
+      "rightHand": "A4:e C5:e D5:e C5:e A4:e C5:e A4:e R:e",
+      "leftHand": "A2:q E3 A3 C4:q A2:q E3 A3 C4:q",
+      "dynamics": "f",
+      "teachingNote": "Am7 — melody reaches higher to D5. The riff is evolving."
+    },
+    {
+      "number": 6,
+      "rightHand": "B4:e D5:e B4:e A4:e G4:e A4:e B4:e R:e",
+      "leftHand": "D3:q F#3 A3 C4:q D3:q F#3 A3 C4:q",
+      "teachingNote": "D7 — more active melody. Let the energy build naturally."
+    },
+    {
+      "number": 7,
+      "rightHand": "E5:e C5:e A4:e C5:e E5:e C5:e A4:e R:e",
+      "leftHand": "A2:q E3 A3 C4:q A2:q E3 A3 C4:q",
+      "dynamics": "ff",
+      "teachingNote": "Am7 — peak energy. E5 at the top of the riff. Full excitement."
+    },
+    {
+      "number": 8,
+      "rightHand": "A4:e B4:e A4:e G4:e A4:q R:h",
+      "leftHand": "D3:q F#3 A3 C4:q A2:h",
+      "dynamics": "f",
+      "teachingNote": "D7 to Am — the ending tag. The rest lets the groove echo in your head."
+    }
+  ]
+}

package/songs/builtin/peacherine-rag.json

@@ -0,0 +1,70 @@
+{
+  "id": "peacherine-rag",
+  "title": "Peacherine Rag",
+  "genre": "ragtime",
+  "composer": "Scott Joplin",
+  "difficulty": "intermediate",
+  "key": "C major",
+  "tempo": 112,
+  "timeSignature": "4/4",
+  "durationSeconds": 17,
+  "tags": ["ragtime", "joplin", "lively", "syncopated"],
+  "source": "Claude arrangement — simplified interpretation",
+  "musicalLanguage": {
+    "description": "A lively and bright rag published in 1901, Peacherine Rag showcases Joplin's gift for infectious melody. The right hand carries a bouncy syncopated tune over a steady oom-pah bass.",
+    "structure": "A section excerpt (8 bars)",
+    "keyMoments": ["Syncopated opening motif in measure 1", "Chromatic passing tone in measure 5"],
+    "teachingGoals": ["Practice steady oom-pah bass pattern", "Develop right-hand syncopation independence"],
+    "styleTips": ["Keep left hand strictly rhythmic and even", "Right hand should bounce lightly on syncopated notes"]
+  },
+  "measures": [
+    {
+      "number": 1,
+      "rightHand": "R:e C5:e E5:e G5:e C6:q R:q",
+      "leftHand": "C3:q E4 G4:q C3:q E4 G4:q",
+      "dynamics": "f"
+    },
+    {
+      "number": 2,
+      "rightHand": "E5:e C5:e D5:e E5:e G5:q E5:q",
+      "leftHand": "G2:q B3 D4:q G2:q B3 D4:q",
+      "dynamics": "mf"
+    },
+    {
+      "number": 3,
+      "rightHand": "C5:e D5:e E5:e G5:e A5:q G5:q",
+      "leftHand": "C3:q E4 G4:q C3:q E4 G4:q",
+      "dynamics": "mf"
+    },
+    {
+      "number": 4,
+      "rightHand": "F5:e E5:e D5:e C5:e D5:h",
+      "leftHand": "F2:q A3 C4:q G2:q B3 D4:q",
+      "dynamics": "mf"
+    },
+    {
+      "number": 5,
+      "rightHand": "R:e C5:e E5:e G5:e C6:q R:q",
+      "leftHand": "C3:q E4 G4:q C3:q E4 G4:q",
+      "dynamics": "f"
+    },
+    {
+      "number": 6,
+      "rightHand": "E5:e C5:e D5:e Eb5:e E5:q G5:q",
+      "leftHand": "A2:q C4 E4:q A2:q C4 E4:q",
+      "dynamics": "mf"
+    },
+    {
+      "number": 7,
+      "rightHand": "A5:e G5:e F5:e E5:e D5:q C5:q",
+      "leftHand": "F2:q A3 C4:q G2:q B3 D4:q",
+      "dynamics": "mf"
+    },
+    {
+      "number": 8,
+      "rightHand": "C5:h R:h",
+      "leftHand": "C3:q E4 G4:q C3:q R:q",
+      "dynamics": "f"
+    }
+  ]
+}