@libraz/libcantus 0.9.2 → 0.9.4

package/dist/chunk-XTC3X6MS.js.map

@@ -1 +0,0 @@
-{"version":3,"sources":["../src/theory/chordscale/index.ts","../src/theory/spelling/index.ts","../src/theory/symbol/index.ts","../src/theory/voicing/internal.ts","../src/theory/voicing/leading.ts","../src/theory/voicing/satb.ts","../src/theory/voicing/styled.ts"],"sourcesContent":["import type { Chord } from '../chord/index.js';\nimport { chordPitchClasses } from '../chord/index.js';\nimport { NAMED_SCALES } from '../scale/index.js';\n\n/** Reduce a value to a pitch class in [0, 11]. */\nfunction pitchClass(value: number): number {\n  return ((Math.trunc(value) % 12) + 12) % 12;\n}\n\n/** Count the set bits (scale tones) in a 12-bit mode mask. */\nfunction popcount12(mask: number): number {\n  let count = 0;\n  for (let n = 0; n < 12; n += 1) {\n    count += (mask >> n) & 1;\n  }\n  return count;\n}\n\n/** Test whether a pitch class belongs to a mode mask rooted on `scaleRootPc`. */\nfunction maskHasPitchClass(mask: number, scaleRootPc: number, pc: number): boolean {\n  const offset = pitchClass(pc - scaleRootPc);\n  return ((mask >> offset) & 1) === 1;\n}\n\n/**\n * Test whether every chord pitch class is contained in a scale.\n *\n * @param chordPcs The chord's pitch classes (0..11).\n * @param scaleMask The scale's 12-bit mode mask.\n * @param scaleRootPc The pitch class the mask is rooted on.\n * @returns True if the scale is a superset of the chord.\n *\n * @category Scales\n */\nexport function scaleMatchesChord(\n  chordPcs: number[],\n  scaleMask: number,\n  scaleRootPc: number,\n): boolean {\n  for (const pc of chordPcs) {\n    if (!maskHasPitchClass(scaleMask, scaleRootPc, pc)) {\n      return false;\n    }\n  }\n  return true;\n}\n\n/**\n * A named scale rooted on a pitch class that fits over a chord.\n *\n * @category Scales\n */\nexport type ChordScaleMatch = {\n  name: string;\n  rootPc: number;\n};\n\n/**\n * Scale names whose mask duplicates another {@link NAMED_SCALES} entry\n * (major/ionian, naturalMinor/aeolian). Chord-scale analysis conventionally\n * speaks in mode names, so these aliases are skipped and only the modal name\n * is reported.\n */\nconst ALIASED_SCALE_NAMES = new Set(['major', 'naturalMinor']);\n\n/** Number of tones in a heptatonic (seven-note) scale. */\nconst HEPTATONIC_SIZE = 7;\n\n/**\n * List the scales that fit over a chord, best fit first.\n *\n * Only the chord root is considered as the scale root, matching the\n * conventional chord-scale relationship. Every entry of {@link NAMED_SCALES}\n * whose pitch-class set is a superset of the chord's is returned once per\n * distinct pitch-class set (aliased masks such as major/ionian report only the\n * modal name), ranked by fewest extra scale tones beyond the chord, then by\n * scale size (heptatonic before larger scales), then by scale name. For bare\n * triads and smaller chords, heptatonic scales rank before pentatonics and\n * other sizes: a pentatonic adds no modal color over a triad, so the seven-note\n * modes are the more useful answer. The chromatic scale is only returned as a\n * fallback when no other scale contains the chord.\n *\n * @param chord The chord to fit scales over.\n * @returns The matching scales rooted on the chord root, best fit first.\n *\n * @example\n * ```ts\n * import { makeChord, chordScales } from '@libraz/libcantus';\n * const scales = chordScales(makeChord(0, 'maj7'));\n * // scales for Cmaj7, best fit first; each is { name, rootPc: 0 }\n * ```\n *\n * @category Scales\n */\nexport function chordScales(chord: Chord): ChordScaleMatch[] {\n  const chordPcs = chordPitchClasses(chord);\n  const rootPc = pitchClass(chord.rootPc);\n  const ranked: { name: string; extra: number; size: number }[] = [];\n  const seenMasks = new Set<number>();\n  for (const name of Object.keys(NAMED_SCALES)) {\n    if (name === 'chromatic' || ALIASED_SCALE_NAMES.has(name)) {\n      continue;\n    }\n    const mask = NAMED_SCALES[name];\n    if (mask === undefined || seenMasks.has(mask)) {\n      continue;\n    }\n    seenMasks.add(mask);\n    if (scaleMatchesChord(chordPcs, mask, rootPc)) {\n      const size = popcount12(mask);\n      ranked.push({ name, extra: size - chordPcs.length, size });\n    }\n  }\n  if (ranked.length === 0) {\n    // No diatonic-style scale contains the chord; fall back to the chromatic\n    // scale, which trivially contains every pitch class.\n    if (NAMED_SCALES.chromatic !== undefined) {\n      return [{ name: 'chromatic', rootPc }];\n    }\n    return [];\n  }\n  const preferHeptatonic = chordPcs.length <= 3;\n  ranked.sort((a, b) => {\n    if (preferHeptatonic && (a.size === HEPTATONIC_SIZE) !== (b.size === HEPTATONIC_SIZE)) {\n      return a.size === HEPTATONIC_SIZE ? -1 : 1;\n    }\n    if (a.extra !== b.extra) {\n      return a.extra - b.extra;\n    }\n    if (a.size !== b.size) {\n      return a.size - b.size;\n    }\n    return a.name < b.name ? -1 : a.name > b.name ? 1 : 0;\n  });\n  return ranked.map((entry) => ({ name: entry.name, rootPc }));\n}\n\n/**\n * List a scale's avoid notes over a chord.\n *\n * An avoid note is a non-chord scale tone that lies a semitone directly above a\n * chord tone; sounding it against the chord clashes. The scale is rooted on the\n * chord root. If the scale does not contain the chord, no avoid notes exist.\n *\n * @param chord The chord providing the chord tones.\n * @param scaleName A key of {@link NAMED_SCALES}.\n * @returns The avoid-note pitch classes, sorted ascending in [0, 11].\n *\n * @category Scales\n */\nexport function avoidNotes(chord: Chord, scaleName: string): number[] {\n  const mask = NAMED_SCALES[scaleName];\n  if (mask === undefined) {\n    return [];\n  }\n  const rootPc = pitchClass(chord.rootPc);\n  const chordPcs = chordPitchClasses(chord);\n  if (!scaleMatchesChord(chordPcs, mask, rootPc)) {\n    return [];\n  }\n  const chordSet = new Set(chordPcs);\n  const avoid: number[] = [];\n  for (let pc = 0; pc < 12; pc += 1) {\n    if (!maskHasPitchClass(mask, rootPc, pc) || chordSet.has(pc)) {\n      continue;\n    }\n    if (chordSet.has(pitchClass(pc - 1))) {\n      avoid.push(pc);\n    }\n  }\n  return avoid.sort((a, b) => a - b);\n}\n\n/**\n * List a scale's available tensions over a chord.\n *\n * Available tensions are scale tones that are neither chord tones nor avoid\n * notes, i.e. the usable color tones (typically the 9/11/13 region). The scale\n * is rooted on the chord root. If the scale does not contain the chord, there\n * are no available tensions.\n *\n * @param chord The chord providing the chord tones.\n * @param scaleName A key of {@link NAMED_SCALES}.\n * @returns The available-tension pitch classes, sorted ascending in [0, 11].\n *\n * @example\n * ```ts\n * import { makeChord, availableTensions } from '@libraz/libcantus';\n * availableTensions(makeChord(0, 'maj7'), 'ionian'); // [2, 9] — color tones over Cmaj7\n * ```\n *\n * @category Scales\n */\nexport function availableTensions(chord: Chord, scaleName: string): number[] {\n  const mask = NAMED_SCALES[scaleName];\n  if (mask === undefined) {\n    return [];\n  }\n  const rootPc = pitchClass(chord.rootPc);\n  const chordPcs = chordPitchClasses(chord);\n  if (!scaleMatchesChord(chordPcs, mask, rootPc)) {\n    return [];\n  }\n  const chordSet = new Set(chordPcs);\n  const avoidSet = new Set(avoidNotes(chord, scaleName));\n  const tensions: number[] = [];\n  for (let pc = 0; pc < 12; pc += 1) {\n    if (!maskHasPitchClass(mask, rootPc, pc) || chordSet.has(pc) || avoidSet.has(pc)) {\n      continue;\n    }\n    tensions.push(pc);\n  }\n  return tensions.sort((a, b) => a - b);\n}\n\n/**\n * A scale fit over a chord together with its avoid notes and tensions.\n *\n * @category Scales\n */\nexport type ChordScaleReportEntry = {\n  name: string;\n  rootPc: number;\n  avoid: number[];\n  tensions: number[];\n};\n\n/**\n * Report the best-fitting scales for a chord with their avoid notes and tensions.\n *\n * Combines {@link chordScales}, {@link avoidNotes}, and {@link availableTensions}\n * into a single ergonomic result, ordered best fit first.\n *\n * @param chord The chord to analyze.\n * @param limit Optional maximum number of scales to report; all by default.\n * @returns One entry per reported scale, best fit first.\n *\n * @category Scales\n */\nexport function chordScaleReport(chord: Chord, limit?: number): ChordScaleReportEntry[] {\n  const matches = chordScales(chord);\n  const chosen = limit === undefined ? matches : matches.slice(0, Math.max(0, limit));\n  return chosen.map((match) => ({\n    name: match.name,\n    rootPc: match.rootPc,\n    avoid: avoidNotes(chord, match.name),\n    tensions: availableTensions(chord, match.name),\n  }));\n}\n\n/**\n * A chord paired with the scale chosen for it by {@link scalesForChanges}.\n *\n * @category Scales\n */\nexport type ScaleChoice = {\n  chord: Chord;\n  scale: ChordScaleMatch;\n};\n\n/**\n * Small per-candidate penalty added in {@link scalesForChanges} so that, among\n * choices of otherwise-equal transition cost, the tighter best-fit scale wins.\n */\nconst RANK_PENALTY = 0.01;\n\n/** Build the pitch-class set of a named scale rooted on `rootPc`. */\nfunction scalePitchClassSet(name: string, rootPc: number): Set<number> {\n  const mask = NAMED_SCALES[name];\n  const pcs = new Set<number>();\n  if (mask === undefined) {\n    return pcs;\n  }\n  for (let n = 0; n < 12; n += 1) {\n    if (((mask >> n) & 1) === 1) {\n      pcs.add(pitchClass(rootPc + n));\n    }\n  }\n  return pcs;\n}\n\n/** Count pitch classes that belong to exactly one of two sets. */\nfunction symmetricDifferenceSize(a: Set<number>, b: Set<number>): number {\n  let count = 0;\n  for (const pc of a) {\n    if (!b.has(pc)) {\n      count += 1;\n    }\n  }\n  for (const pc of b) {\n    if (!a.has(pc)) {\n      count += 1;\n    }\n  }\n  return count;\n}\n\n/**\n * Choose one scale per chord across a progression, favoring continuity.\n *\n * Each chord's {@link chordScales} candidates form a stage in a Viterbi-style\n * dynamic program. The transition cost between adjacent choices is the number\n * of pitch classes that differ between their pitch-class sets (the symmetric\n * difference), plus a small penalty for straying from a chord's best-fit scale\n * so that ties break toward the tighter fit. The minimum-total-cost path is\n * returned, one {@link ScaleChoice} per input chord in the original order.\n *\n * @param chords The chord sequence to choose scales for.\n * @returns One scale choice per chord, in input order.\n *\n * @category Scales\n */\nexport function scalesForChanges(chords: Chord[]): ScaleChoice[] {\n  if (chords.length === 0) {\n    return [];\n  }\n  const candidateLists = chords.map((chord) => chordScales(chord));\n  const pcSets = candidateLists.map((candidates) =>\n    candidates.map((match) => scalePitchClassSet(match.name, match.rootPc)),\n  );\n\n  const first = candidateLists[0] ?? [];\n  const dp: number[][] = [first.map((_, j) => j * RANK_PENALTY)];\n  const back: number[][] = [first.map(() => -1)];\n\n  for (let i = 1; i < candidateLists.length; i += 1) {\n    const candidates = candidateLists[i] ?? [];\n    const prevCosts = dp[i - 1] ?? [];\n    const prevSets = pcSets[i - 1] ?? [];\n    const curSets = pcSets[i] ?? [];\n    const stageCosts: number[] = [];\n    const stageBack: number[] = [];\n    for (let j = 0; j < candidates.length; j += 1) {\n      let bestCost = Number.POSITIVE_INFINITY;\n      let bestPrev = -1;\n      for (let k = 0; k < prevCosts.length; k += 1) {\n        const transition = symmetricDifferenceSize(\n          prevSets[k] ?? new Set(),\n          curSets[j] ?? new Set(),\n        );\n        const cost = (prevCosts[k] ?? 0) + transition;\n        if (cost < bestCost) {\n          bestCost = cost;\n          bestPrev = k;\n        }\n      }\n      stageCosts.push(bestCost + j * RANK_PENALTY);\n      stageBack.push(bestPrev);\n    }\n    dp.push(stageCosts);\n    back.push(stageBack);\n  }\n\n  const lastCosts = dp[dp.length - 1] ?? [];\n  let bestFinal = 0;\n  for (let j = 1; j < lastCosts.length; j += 1) {\n    if ((lastCosts[j] ?? Number.POSITIVE_INFINITY) < (lastCosts[bestFinal] ?? 0)) {\n      bestFinal = j;\n    }\n  }\n\n  const chosenIndices: number[] = new Array(candidateLists.length);\n  let current = bestFinal;\n  for (let i = candidateLists.length - 1; i >= 0; i -= 1) {\n    chosenIndices[i] = current;\n    current = back[i]?.[current] ?? -1;\n  }\n\n  return chords.map((chord, i) => {\n    const candidates = candidateLists[i] ?? [];\n    const scale = candidates[chosenIndices[i] ?? 0] ?? { name: 'chromatic', rootPc: chord.rootPc };\n    return { chord, scale };\n  });\n}\n","/**\n * Spelling: derive letter-name notes for scales and chords from a spelled tonic.\n *\n * The theory core works in pitch classes, which cannot choose between (say) a\n * G# and an Ab. Given a spelled tonic, this module assigns diatonic letters to\n * scale degrees and chord tones so a C major scale spells as C D E F G A B and\n * A harmonic minor spells its seventh as G#.\n */\n\nimport type { Note } from '../../core/pitch/index.js';\nimport { formatNote } from '../../core/pitch/index.js';\nimport type { KeyScale } from '../../core/types.js';\nimport type { Chord } from '../chord/index.js';\nimport { scaleTonesInDegreeOrder } from '../scale/index.js';\n\n/** Semitone offset of each natural letter above C: C D E F G A B. */\nconst LETTER_SEMITONES = [0, 2, 4, 5, 7, 9, 11] as const;\n\n/**\n * Conventional degree assignment for each chromatic offset above the tonic.\n *\n * The letter is derived from the tonic's letter plus `degreeOffset` (so the\n * spelling follows the key's diatonic letters), and the accidental is recomputed\n * for that letter. This covers the flat-side alterations (b2, b3, b6, b7), the\n * raised fourth (#4), and the raised degrees of a minor key: the raised sixth\n * (#6) and the raised leading tone (#7). The latter two keep sharp-side minor\n * keys spelling their raised degrees with the key-correct letter (e.g. F# minor\n * spells its leading tone E#, not F).\n *\n * The `alter` field is illustrative only; `spellPitchClass` recomputes the\n * accidental from the chosen letter.\n */\nconst CHROMATIC_SPELLING: Record<number, { degreeOffset: number; alter: number }> = {\n  1: { degreeOffset: 1, alter: -1 }, // b2\n  3: { degreeOffset: 2, alter: -1 }, // b3\n  6: { degreeOffset: 3, alter: 1 }, // #4\n  8: { degreeOffset: 5, alter: -1 }, // b6\n  9: { degreeOffset: 5, alter: 1 }, // #6 (raised sixth of a minor key)\n  10: { degreeOffset: 6, alter: -1 }, // b7\n  11: { degreeOffset: 6, alter: 1 }, // #7 (raised leading tone of a minor key)\n};\n\nfunction mod12(n: number): number {\n  return ((n % 12) + 12) % 12;\n}\n\nfunction mod7(n: number): number {\n  return ((n % 7) + 7) % 7;\n}\n\n/** Natural pitch class of a letter (0 = C .. 6 = B). */\nfunction naturalPc(letter: number): number {\n  return LETTER_SEMITONES[mod7(letter)] ?? 0;\n}\n\n/** Shortest signed alteration (in [-6, 6]) taking a letter's natural pc to `pc`. */\nfunction alterFor(letter: number, pc: number): number {\n  let d = mod12(pc - naturalPc(letter));\n  if (d > 6) {\n    d -= 12;\n  }\n  return d;\n}\n\n/** Whether the key's scale is a seven-note (heptatonic) scale. */\nfunction isHeptatonic(key: KeyScale): boolean {\n  return scaleTonesInDegreeOrder(key).length === 7;\n}\n\n/**\n * Spell a single pitch class relative to a spelled tonic and key.\n *\n * Diatonic pitch classes take the scale's letter for their degree; the common\n * chromatic tones (b2, b3, #4, b6, b7) and a minor key's raised degrees (#6, #7)\n * take their conventional, key-correct accidental spelling; anything else falls\n * back to a sharp spelling of the nearest natural.\n *\n * @param pc The pitch class to spell.\n * @param tonic The spelled tonic (its letter anchors the spelling).\n * @param key The key/scale.\n * @returns The spelled note (without octave).\n * @category Pitch & Intervals\n */\nexport function spellPitchClass(pc: number, tonic: Note, key: KeyScale): Note {\n  const tonicPc = mod12(naturalPc(tonic.letter) + tonic.alter);\n  const offset = mod12(pc - tonicPc);\n  const tones = scaleTonesInDegreeOrder(key);\n\n  if (isHeptatonic(key)) {\n    const degree = tones.indexOf(mod12(pc));\n    if (degree >= 0) {\n      const letter = mod7(tonic.letter + degree);\n      return { letter, alter: alterFor(letter, pc) };\n    }\n    const chromatic = CHROMATIC_SPELLING[offset];\n    if (chromatic) {\n      const letter = mod7(tonic.letter + chromatic.degreeOffset);\n      return { letter, alter: alterFor(letter, pc) };\n    }\n  }\n\n  // Fallback: name the pitch class from the nearest natural, preferring a sharp.\n  for (let letter = 0; letter < 7; letter += 1) {\n    if (naturalPc(letter) === mod12(pc)) {\n      return { letter, alter: 0 };\n    }\n  }\n  const belowLetter = mod7([0, 0, 1, 1, 2, 3, 3, 4, 4, 5, 5, 6][mod12(pc)] ?? 0);\n  return { letter: belowLetter, alter: alterFor(belowLetter, pc) };\n}\n\n/**\n * Spell every pitch class of a scale, in ascending scale-degree order.\n *\n * Correct for heptatonic scales (each degree gets the next letter). Non-standard\n * scales are spelled tone-by-tone with a sharp preference.\n *\n * @param tonic The spelled tonic.\n * @param key The key/scale.\n * @returns Spelled notes, one per scale degree.\n * @example\n * ```ts\n * import { spellScale, noteNames, parseNote, majorKey } from '@libraz/libcantus';\n * noteNames(spellScale(parseNote('C'), majorKey(0)));\n * // ['C', 'D', 'E', 'F', 'G', 'A', 'B']\n * ```\n * @category Pitch & Intervals\n */\nexport function spellScale(tonic: Note, key: KeyScale): Note[] {\n  return scaleTonesInDegreeOrder(key).map((pc) => spellPitchClass(pc, tonic, key));\n}\n\n/**\n * Spell an arbitrary list of pitch classes relative to a key.\n *\n * @param pcs The pitch classes.\n * @param tonic The spelled tonic.\n * @param key The key/scale.\n * @returns Spelled notes, in input order.\n * @category Pitch & Intervals\n */\nexport function spellPitchClasses(pcs: number[], tonic: Note, key: KeyScale): Note[] {\n  return pcs.map((pc) => spellPitchClass(pc, tonic, key));\n}\n\n/**\n * Spell a chord's tones, in the chord's own (tertian) order, relative to a key.\n *\n * Diatonic chords spell exactly (e.g. G7 in C major -> G B D F). Chromatic chord\n * tones take their conventional spelling; enharmonically ambiguous altered\n * tensions may be spelled by the general convention rather than by chord\n * function.\n *\n * @param chord The chord.\n * @param tonic The spelled tonic of the key.\n * @param key The key/scale.\n * @returns Spelled chord tones, root first.\n * @example\n * ```ts\n * import { spellChord, noteNames, parseNote, majorKey, makeChord } from '@libraz/libcantus';\n * // G7 in C major\n * noteNames(spellChord(makeChord(7, 'dom7'), parseNote('C'), majorKey(0)));\n * // ['G', 'B', 'D', 'F']\n * ```\n * @category Pitch & Intervals\n */\nexport function spellChord(chord: Chord, tonic: Note, key: KeyScale): Note[] {\n  return chord.intervals.map((interval) =>\n    spellPitchClass(mod12(chord.rootPc + interval), tonic, key),\n  );\n}\n\n/**\n * Convenience: render spelled notes as letter-name strings.\n *\n * @param notes The notes.\n * @returns Their formatted names.\n * @category Pitch & Intervals\n */\nexport function noteNames(notes: Note[]): string[] {\n  return notes.map(formatNote);\n}\n","/**\n * Lead-sheet chord symbol parsing and formatting.\n *\n * Bridges the informal `<root><quality>[/<bass>]` notation musicians write\n * (`Cmaj7`, `F#m7b5`, `Bb7`, `C/G`) and the library's structured {@link Chord}\n * type, so callers can accept/emit plain text at the edges of the API.\n */\n\nimport {\n  formatNote,\n  midiToNote,\n  type Note,\n  noteToPitchClass,\n  parseNote,\n} from '../../core/pitch/index.js';\nimport { type Chord, type ChordQuality, makeChord, type PitchSpelling } from '../chord/index.js';\n\n/**\n * Matches a chord root: a letter A-G (case-insensitive, like {@link parseNote})\n * with an optional single-direction accidental.\n */\nconst ROOT_RE = /^[A-Ga-g](?:#{1,2}|b{1,2})?/;\n\n/** Matches a bare note usable as a slash-chord bass (no octave). */\nconst BASS_RE = /^[A-Ga-g](?:#{1,2}|b{1,2})?$/;\n\n/** Recognized quality suffixes, keyed by their exact lead-sheet spelling. */\nconst QUALITY_MAP: Record<string, ChordQuality> = {\n  '': 'maj',\n  m: 'min',\n  min: 'min',\n  '-': 'min',\n  dim: 'dim',\n  '°': 'dim',\n  aug: 'aug',\n  '+': 'aug',\n  maj7: 'maj7',\n  M7: 'maj7',\n  Δ: 'maj7',\n  Δ7: 'maj7',\n  m7: 'min7',\n  min7: 'min7',\n  '-7': 'min7',\n  '7': 'dom7',\n  dim7: 'dim7',\n  '°7': 'dim7',\n  m7b5: 'm7b5',\n  ø: 'm7b5',\n  ø7: 'm7b5',\n  min7b5: 'm7b5',\n  mMaj7: 'minMaj7',\n  mM7: 'minMaj7',\n  minMaj7: 'minMaj7',\n  aug7: 'aug7',\n  '+7': 'aug7',\n  '7#5': 'aug7',\n  augMaj7: 'augMaj7',\n  augM7: 'augMaj7',\n  '+maj7': 'augMaj7',\n  '+M7': 'augMaj7',\n  majb5: 'majb5',\n  'maj(b5)': 'majb5',\n  '(b5)': 'majb5',\n  '6': '6',\n  m6: 'min6',\n  min6: 'min6',\n  '6/9': '6/9',\n  '69': '6/9',\n  sus2: 'sus2',\n  sus: 'sus4',\n  sus4: 'sus4',\n  add9: 'add9',\n  add11: 'add11',\n  maj9: 'maj9',\n  M9: 'maj9',\n  m9: 'min9',\n  min9: 'min9',\n  '9': 'dom9',\n  '7b9': '7b9',\n  '7#9': '7#9',\n  '7#11': '7#11',\n  '7b13': '7b13',\n  '11': '11',\n  '13': '13',\n  '5': '5',\n};\n\n/** Canonical lead-sheet suffix emitted for each chord quality when formatting. */\nconst CANONICAL_SUFFIX: Record<ChordQuality, string> = {\n  maj: '',\n  min: 'm',\n  dim: 'dim',\n  aug: 'aug',\n  maj7: 'maj7',\n  min7: 'm7',\n  dom7: '7',\n  dim7: 'dim7',\n  m7b5: 'm7b5',\n  minMaj7: 'mMaj7',\n  aug7: 'aug7',\n  augMaj7: 'augMaj7',\n  majb5: 'maj(b5)',\n  '6': '6',\n  min6: 'm6',\n  '6/9': '6/9',\n  sus2: 'sus2',\n  sus4: 'sus4',\n  add9: 'add9',\n  add11: 'add11',\n  maj9: 'maj9',\n  min9: 'm9',\n  dom9: '9',\n  '7b9': '7b9',\n  '7#9': '7#9',\n  '7#11': '7#11',\n  '7b13': '7b13',\n  '11': '11',\n  '13': '13',\n  '5': '5',\n};\n\n/** Reduce a value to a pitch class in [0, 11]. */\nfunction pitchClass(value: number): number {\n  return ((Math.trunc(value) % 12) + 12) % 12;\n}\n\n/** Build a chord and record the parsed spellings as enharmonic hints. */\nfunction makeSpelledChord(root: Note, quality: ChordQuality, bass?: Note): Chord {\n  const chord = makeChord(\n    noteToPitchClass(root),\n    quality,\n    bass === undefined ? undefined : noteToPitchClass(bass),\n  );\n  chord.rootSpelling = { letter: root.letter, alter: root.alter };\n  if (bass !== undefined) {\n    chord.bassSpelling = { letter: bass.letter, alter: bass.alter };\n  }\n  return chord;\n}\n\n/**\n * Parse a lead-sheet chord symbol into a {@link Chord}.\n *\n * Accepts `<root><quality>[/<bass>]`, e.g. `Cmaj7`, `F#m7b5`, `Bb7`, `C/G`,\n * `C6/9`, `C6/9/E`. Root and bass letters are case-insensitive, matching\n * {@link parseNote}. A `/` is ambiguous between a slash bass and the `6/9`\n * quality; the text splits at the last `/` whose right-hand side is a valid\n * bare note preceded by a recognized quality, so `6/9` (with or without a\n * further slash bass) parses as a quality.\n *\n * The parsed chord carries the root/bass spellings as enharmonic hints\n * (`rootSpelling`/`bassSpelling`) so {@link formatChordSymbol} can reproduce\n * flat spellings such as `Bbmaj7` instead of respelling them with sharps.\n *\n * @param text The chord symbol text.\n * @returns The parsed chord.\n * @throws If the root or quality is not recognized.\n * @example\n * ```ts\n * import { parseChordSymbol, formatChordSymbol } from '@libraz/libcantus';\n * const c = parseChordSymbol('Bbmaj7');\n * formatChordSymbol(c); // 'Bbmaj7' — flat spelling is preserved on round-trip\n * ```\n * @category Chords\n */\nexport function parseChordSymbol(text: string): Chord {\n  const trimmed = text.trim();\n  const rootMatch = ROOT_RE.exec(trimmed);\n  if (!rootMatch) {\n    throw new Error(`Invalid chord symbol: ${text}`);\n  }\n  const rootToken = rootMatch[0];\n  const rootNote = parseNote(rootToken);\n  const rest = trimmed.slice(rootToken.length);\n\n  // Split at the last '/' so the '6/9' quality's own slash never masks a\n  // trailing slash bass (e.g. 'C6/9/E').\n  const slashIndex = rest.lastIndexOf('/');\n  if (slashIndex !== -1) {\n    const before = rest.slice(0, slashIndex);\n    const after = rest.slice(slashIndex + 1);\n    const beforeQuality = QUALITY_MAP[before];\n    if (beforeQuality !== undefined && BASS_RE.test(after)) {\n      return makeSpelledChord(rootNote, beforeQuality, parseNote(after));\n    }\n  }\n\n  const quality = QUALITY_MAP[rest];\n  if (quality === undefined) {\n    throw new Error(`Unrecognized chord quality: ${text}`);\n  }\n  return makeSpelledChord(rootNote, quality);\n}\n\n/**\n * Name a pitch class, preferring a spelling hint when it is still valid.\n *\n * A hint is used only when no explicit sharp/flat preference was given and the\n * hint still resolves to `pc` (a stale hint left over after transposition is\n * ignored). Otherwise the pitch class is respelled from the requested table.\n */\nfunction pitchClassName(pc: number, hint: PitchSpelling | undefined, flats?: boolean): string {\n  if (flats === undefined && hint !== undefined && noteToPitchClass(hint) === pc) {\n    return formatNote(hint);\n  }\n  const note = midiToNote(60 + pc, flats ? 'flat' : 'sharp');\n  return formatNote({ letter: note.letter, alter: note.alter });\n}\n\n/**\n * Format a {@link Chord} as a lead-sheet chord symbol.\n *\n * The inverse of {@link parseChordSymbol}: each quality maps to one canonical\n * suffix spelling, and a slash bass is appended only when it differs from the\n * root. When the chord carries `rootSpelling`/`bassSpelling` hints (as chords\n * from {@link parseChordSymbol} do) and no explicit `flats` preference is\n * given, the hints are reused so flat symbols round-trip unchanged.\n *\n * @param chord The chord to format.\n * @param opts Formatting options.\n * @param opts.flats Prefer flat spellings over sharps for altered roots/basses;\n *   passing either `true` or `false` overrides any spelling hints.\n * @returns The chord symbol text.\n * @example\n * ```ts\n * import { makeChord, formatChordSymbol } from '@libraz/libcantus';\n * formatChordSymbol(makeChord(0, 'min7')); // 'Cm7'\n * ```\n * @category Chords\n */\nexport function formatChordSymbol(chord: Chord, opts?: { flats?: boolean }): string {\n  const rootPc = pitchClass(chord.rootPc);\n  const rootName = pitchClassName(rootPc, chord.rootSpelling, opts?.flats);\n  const suffix = CANONICAL_SUFFIX[chord.quality];\n  let symbol = `${rootName}${suffix}`;\n  if (chord.bassPc !== undefined && pitchClass(chord.bassPc) !== rootPc) {\n    symbol += `/${pitchClassName(pitchClass(chord.bassPc), chord.bassSpelling, opts?.flats)}`;\n  }\n  return symbol;\n}\n\n/**\n * Transpose a chord symbol by a number of semitones.\n *\n * @param text The chord symbol text.\n * @param semitones Signed semitone offset to apply to the root and bass.\n * @param opts Formatting options for the result; see {@link formatChordSymbol}.\n * @returns The transposed chord symbol text.\n * @throws If `text` does not parse as a chord symbol.\n * @example\n * ```ts\n * import { transposeChordSymbol } from '@libraz/libcantus';\n * transposeChordSymbol('C/G', 2); // 'D/A'\n * ```\n * @category Chords\n */\nexport function transposeChordSymbol(\n  text: string,\n  semitones: number,\n  opts?: { flats?: boolean },\n): string {\n  const chord = parseChordSymbol(text);\n  const transposed: Chord = { ...chord, rootPc: pitchClass(chord.rootPc + semitones) };\n  if (chord.bassPc !== undefined) {\n    transposed.bassPc = pitchClass(chord.bassPc + semitones);\n  }\n  return formatChordSymbol(transposed, opts);\n}\n","import type { Chord } from '../chord/index.js';\nimport { chordPitchClasses } from '../chord/index.js';\nimport {\n  createsParallelPerfect,\n  createsVoiceCrossing,\n  createsVoiceOverlap,\n  exceedsSpacing,\n} from '../counterpoint/index.js';\nimport type { VoiceRange } from './satb.js';\n\n/** Default maximum spacing between adjacent upper voices (one octave). */\nexport const DEFAULT_MAX_SPACING = 12;\n\n/** Score penalty per counterpoint violation between consecutive voicings. */\nexport const VIOLATION_PENALTY = 1000;\n/** Score penalty per chord tone absent from a voicing. */\nconst MISSING_TONE_PENALTY = 500;\n/** Score penalty per doubled tone that is neither the root nor the fifth. */\nconst POOR_DOUBLING_PENALTY = 4;\n/** Hard cap on candidate voicings evaluated per chord, keeping the search bounded. */\nconst MAX_CANDIDATES = 4000;\n\n/** Reduce a value to a pitch class in [0, 11]. */\nexport function pitchClass(value: number): number {\n  return ((Math.trunc(value) % 12) + 12) % 12;\n}\n\n/**\n * All MIDI pitches of a pitch class inside an inclusive range, ordered from the\n * centre of the range outward (ties break toward the lower pitch). Enumerating\n * centre-outward keeps the candidate set balanced around the register when it\n * is truncated at {@link MAX_CANDIDATES}, instead of skewing to the low octaves\n * that a plain ascending scan would visit first.\n */\nfunction pitchesForPc(pc: number, range: VoiceRange): number[] {\n  const result: number[] = [];\n  for (let midi = Math.ceil(range.min); midi <= range.max; midi += 1) {\n    if (pitchClass(midi) === pc) {\n      result.push(midi);\n    }\n  }\n  const center = (range.min + range.max) / 2;\n  return result.sort((a, b) => {\n    const da = Math.abs(a - center);\n    const db = Math.abs(b - center);\n    return da === db ? a - b : da - db;\n  });\n}\n\n/**\n * Enumerate candidate voicings for a chord: the bass takes the chord's bass\n * (or root) pitch class at each available octave, and each upper voice takes\n * any chord pitch class within its range. Candidates are built in ascending\n * voice order and pruned to exclude voice crossings and over-wide adjacent\n * spacing (the bass–tenor pair is allowed an extra octave, per convention).\n * Enumeration is deterministic and capped at {@link MAX_CANDIDATES}.\n */\nexport function enumerateVoicings(\n  chord: Chord,\n  ranges: VoiceRange[],\n  maxSpacing: number,\n): number[][] {\n  const chordPcs = chordPitchClasses(chord);\n  const bassPc = pitchClass(chord.bassPc ?? chord.rootPc);\n  const results: number[][] = [];\n  const current: number[] = [];\n  const build = (voice: number): void => {\n    if (results.length >= MAX_CANDIDATES) {\n      return;\n    }\n    if (voice === ranges.length) {\n      results.push([...current]);\n      return;\n    }\n    const range = ranges[voice];\n    if (range === undefined) {\n      return;\n    }\n    const pcs = voice === 0 ? [bassPc] : chordPcs;\n    const prev = current[voice - 1];\n    for (const pc of pcs) {\n      for (const pitch of pitchesForPc(pc, range)) {\n        if (prev !== undefined) {\n          if (pitch < prev) {\n            continue; // would cross below the next lower voice\n          }\n          const spacingLimit = voice === 1 ? maxSpacing + 12 : maxSpacing;\n          if (pitch - prev > spacingLimit) {\n            continue;\n          }\n        }\n        current.push(pitch);\n        build(voice + 1);\n        current.pop();\n      }\n    }\n  };\n  build(0);\n  return results;\n}\n\n/**\n * Structural quality penalty of a single voicing: heavily penalize missing\n * chord tones, mildly penalize doubling anything other than the root or fifth.\n */\nexport function structuralPenalty(pitches: number[], chord: Chord): number {\n  const counts = new Map<number, number>();\n  for (const pitch of pitches) {\n    const pc = pitchClass(pitch);\n    counts.set(pc, (counts.get(pc) ?? 0) + 1);\n  }\n  let penalty = 0;\n  for (const pc of chordPitchClasses(chord)) {\n    if (!counts.has(pc)) {\n      penalty += MISSING_TONE_PENALTY;\n    }\n  }\n  const rootPc = pitchClass(chord.rootPc);\n  const fifthPc = pitchClass(chord.rootPc + 7);\n  for (const [pc, count] of counts) {\n    if (count > 1 && pc !== rootPc && pc !== fifthPc) {\n      penalty += (count - 1) * POOR_DOUBLING_PENALTY;\n    }\n  }\n  return penalty;\n}\n\n/**\n * Count counterpoint violations between two consecutive voicings of equal\n * length: parallel perfects (fifths and octaves alike, since octaves are the\n * perfect-class-zero case of {@link createsParallelPerfect}) on every voice\n * pair, voice crossings in the new voicing, and — on adjacent pairs — voice\n * overlaps and over-wide spacing between upper voices.\n */\nexport function violationCount(prev: number[], cur: number[], maxSpacing: number): number {\n  let count = 0;\n  for (let lower = 0; lower < cur.length; lower += 1) {\n    for (let upper = lower + 1; upper < cur.length; upper += 1) {\n      const prevLower = prev[lower];\n      const prevUpper = prev[upper];\n      const curLower = cur[lower];\n      const curUpper = cur[upper];\n      if (\n        prevLower === undefined ||\n        prevUpper === undefined ||\n        curLower === undefined ||\n        curUpper === undefined\n      ) {\n        continue;\n      }\n      if (createsParallelPerfect(prevUpper, curUpper, prevLower, curLower)) {\n        count += 1;\n      }\n      if (createsVoiceCrossing(curUpper, curLower)) {\n        count += 1;\n      }\n      if (upper === lower + 1) {\n        if (createsVoiceOverlap(prevUpper, curUpper, prevLower, curLower)) {\n          count += 1;\n        }\n        if (lower > 0 && exceedsSpacing(curUpper, curLower, maxSpacing)) {\n          count += 1;\n        }\n      }\n    }\n  }\n  return count;\n}\n","import type { Chord } from '../chord/index.js';\nimport { createsHiddenParallelPerfect } from '../counterpoint/index.js';\nimport {\n  DEFAULT_MAX_SPACING,\n  enumerateVoicings,\n  structuralPenalty,\n  VIOLATION_PENALTY,\n  violationCount,\n} from './internal.js';\nimport type { VoicingOptions } from './satb.js';\nimport { resolveRanges } from './satb.js';\n\n/**\n * Moderate penalty for a hidden/direct perfect fifth or octave reached on the\n * outer-voice (bass–soprano) pair. Unlike a true parallel perfect it is\n * discouraged rather than forbidden, so the weight sits alongside voice-leading\n * motion rather than the hard {@link VIOLATION_PENALTY}.\n */\nconst HIDDEN_PERFECT_PENALTY = 6;\n\n/**\n * Total voice-leading cost between two voicings: the sum of absolute semitone\n * motion across voices, plus a moderate {@link HIDDEN_PERFECT_PENALTY} when the\n * outer-voice (bass–soprano) pair reaches a hidden/direct perfect fifth or\n * octave by similar motion. The arrays must be the same length; when they\n * differ the voicings are not comparable and the cost is `Infinity`.\n *\n * @param from The previous voicing, one MIDI pitch per voice.\n * @param to The next voicing, one MIDI pitch per voice.\n * @returns The summed absolute motion (plus any hidden-perfect penalty), or\n *   `Infinity` when lengths differ.\n * @category Voicing & Counterpoint\n */\nexport function voiceLeadingCost(from: number[], to: number[]): number {\n  if (from.length !== to.length) {\n    return Number.POSITIVE_INFINITY;\n  }\n  let total = 0;\n  for (let i = 0; i < from.length; i += 1) {\n    const a = from[i];\n    const b = to[i];\n    if (a === undefined || b === undefined) {\n      continue;\n    }\n    total += Math.abs(b - a);\n  }\n  // Discourage hidden/direct perfects between the outermost voices, where they\n  // are most audible. True parallels are handled (and forbidden) elsewhere.\n  if (from.length >= 2) {\n    const bassPrev = from[0];\n    const bassCur = to[0];\n    const sopPrev = from[from.length - 1];\n    const sopCur = to[to.length - 1];\n    if (\n      bassPrev !== undefined &&\n      bassCur !== undefined &&\n      sopPrev !== undefined &&\n      sopCur !== undefined &&\n      createsHiddenParallelPerfect(bassPrev, bassCur, sopPrev, sopCur)\n    ) {\n      total += HIDDEN_PERFECT_PENALTY;\n    }\n  }\n  return total;\n}\n\n/**\n * Voice a single chord to follow smoothly from an arbitrary current voicing.\n *\n * Candidate voicings of `chord` are enumerated within ranges taken from `opts`,\n * or — when neither `voices` nor `ranges` is given — from a one-octave window\n * around each pitch of `current` (so the result matches `current`'s voice\n * count). Each candidate is scored by structural quality, voice-leading motion\n * from `current`, and a large penalty per counterpoint violation; the lowest\n * scoring candidate is returned, ascending.\n *\n * @param current The current voicing to lead from, ascending (index 0 = lowest).\n * @param chord The next chord to voice.\n * @param opts Voicing options; when omitted, ranges follow `current`'s span.\n * @returns The chosen voicing, ascending with one MIDI pitch per voice.\n * @throws If no voicing fits the derived ranges.\n * @category Voicing & Counterpoint\n */\nexport function nextVoicing(current: number[], chord: Chord, opts?: VoicingOptions): number[] {\n  const ranges =\n    opts?.ranges !== undefined || opts?.voices !== undefined\n      ? resolveRanges(opts)\n      : current.map((pitch) => {\n          // Window one octave around each current pitch, clamped so extreme-low\n          // or extreme-high input can never yield MIDI outside [0, 127].\n          const centre = Math.min(127, Math.max(0, pitch));\n          return { min: Math.max(0, centre - 12), max: Math.min(127, centre + 12) };\n        });\n  const maxSpacing = opts?.maxSpacing ?? DEFAULT_MAX_SPACING;\n  const candidates = enumerateVoicings(chord, ranges, maxSpacing);\n  let best: number[] | undefined;\n  let bestScore = Number.POSITIVE_INFINITY;\n  for (const candidate of candidates) {\n    const score =\n      structuralPenalty(candidate, chord) +\n      voiceLeadingCost(current, candidate) +\n      VIOLATION_PENALTY * violationCount(current, candidate, maxSpacing);\n    if (score < bestScore) {\n      bestScore = score;\n      best = candidate;\n    }\n  }\n  if (best === undefined) {\n    throw new Error('no voicing satisfies the given ranges');\n  }\n  return best;\n}\n","import type { Chord } from '../chord/index.js';\nimport {\n  DEFAULT_MAX_SPACING,\n  enumerateVoicings,\n  structuralPenalty,\n  VIOLATION_PENALTY,\n  violationCount,\n} from './internal.js';\nimport { voiceLeadingCost } from './leading.js';\n\n/**\n * An inclusive MIDI pitch range for a single voice.\n *\n * @category Voicing & Counterpoint\n */\nexport type VoiceRange = {\n  min: number;\n  max: number;\n};\n\n/**\n * Default four-voice SATB ranges, ascending (index 0 = lowest):\n * bass E2–C4 (40–60), tenor C3–G4 (48–67), alto G3–D5 (55–74),\n * soprano C4–G5 (60–79).\n *\n * @category Voicing & Counterpoint\n */\nexport const SATB_RANGES: readonly VoiceRange[] = [\n  { min: 40, max: 60 },\n  { min: 48, max: 67 },\n  { min: 55, max: 74 },\n  { min: 60, max: 79 },\n];\n\n/**\n * Options controlling {@link voiceChord} and {@link voiceProgression}.\n *\n * @category Voicing & Counterpoint\n */\nexport type VoicingOptions = {\n  /**\n   * Number of voices to realize. Ignored when `ranges` is given.\n   *\n   * @defaultValue 4\n   */\n  voices?: number;\n  /** Explicit per-voice ranges, ascending (index 0 = lowest). Takes precedence over `voices`. */\n  ranges?: VoiceRange[];\n  /**\n   * Maximum spacing in semitones between adjacent upper voices.\n   *\n   * @defaultValue 12\n   */\n  maxSpacing?: number;\n};\n\n/** Overall pitch floor/ceiling used when deriving ranges for arbitrary voice counts. */\nconst DERIVED_LOW = 40;\nconst DERIVED_HIGH = 79;\n/** Span of each derived per-voice range in semitones. */\nconst DERIVED_SPAN = 19;\n\n/**\n * Resolve the per-voice ranges implied by the options: explicit `ranges` win,\n * four voices use {@link SATB_RANGES}, and other counts get evenly spaced\n * ranges spanning roughly the bass-to-soprano compass.\n */\nexport function resolveRanges(opts?: VoicingOptions): VoiceRange[] {\n  if (opts?.ranges !== undefined) {\n    if (opts.ranges.length === 0) {\n      throw new Error('ranges must contain at least one voice range');\n    }\n    return opts.ranges.map((range) => ({ ...range }));\n  }\n  const voices = opts?.voices ?? 4;\n  if (voices < 1) {\n    throw new Error('voices must be at least 1');\n  }\n  if (voices === 4) {\n    return SATB_RANGES.map((range) => ({ ...range }));\n  }\n  if (voices === 1) {\n    return [{ min: DERIVED_LOW, max: DERIVED_HIGH }];\n  }\n  const ranges: VoiceRange[] = [];\n  for (let i = 0; i < voices; i += 1) {\n    const min = Math.round(\n      DERIVED_LOW + (i * (DERIVED_HIGH - DERIVED_SPAN - DERIVED_LOW)) / (voices - 1),\n    );\n    ranges.push({ min, max: min + DERIVED_SPAN });\n  }\n  return ranges;\n}\n\n/**\n * Realize a single chord as one MIDI pitch per voice, ascending (index 0 =\n * lowest). The bass voice takes the chord's `bassPc` when set, otherwise the\n * root; upper voices take chord pitch classes, doubling the root or fifth as\n * needed to fill all voices. The result stays inside each voice's range, keeps\n * adjacent upper voices within `maxSpacing`, avoids voice crossing, and is\n * deterministic: a compact close-position voicing centered in the ranges.\n *\n * @param chord The chord to voice.\n * @param opts Voicing options; defaults to four voices in {@link SATB_RANGES}.\n * @returns MIDI pitches, ascending, one per voice.\n * @throws If no voicing fits the given ranges.\n * @example\n * ```ts\n * import { parseChordSymbol, voiceChord } from '@libraz/libcantus';\n * const chord = parseChordSymbol('Cmaj7');\n * voiceChord(chord); // four ascending MIDI pitches within the SATB ranges\n * ```\n * @category Voicing & Counterpoint\n */\nexport function voiceChord(chord: Chord, opts?: VoicingOptions): number[] {\n  const ranges = resolveRanges(opts);\n  const maxSpacing = opts?.maxSpacing ?? DEFAULT_MAX_SPACING;\n  const candidates = enumerateVoicings(chord, ranges, maxSpacing);\n  let best: number[] | undefined;\n  let bestScore = Number.POSITIVE_INFINITY;\n  for (const candidate of candidates) {\n    let score = structuralPenalty(candidate, chord);\n    for (let i = 0; i < candidate.length; i += 1) {\n      const pitch = candidate[i];\n      const range = ranges[i];\n      if (pitch === undefined || range === undefined) {\n        continue;\n      }\n      // Prefer pitches near the middle of each voice's range for a centered,\n      // compact default voicing.\n      score += Math.abs(pitch - (range.min + range.max) / 2);\n    }\n    if (score < bestScore) {\n      bestScore = score;\n      best = candidate;\n    }\n  }\n  if (best === undefined) {\n    throw new Error('no voicing satisfies the given ranges');\n  }\n  return best;\n}\n\n/**\n * Voice a chord progression with smooth voice leading. The first chord is\n * voiced with {@link voiceChord}; each subsequent chord picks, from a bounded\n * deterministic candidate set, the voicing minimizing the voice-leading cost\n * from the previous voicing plus a large penalty per counterpoint violation\n * (parallel perfects/octaves, voice crossing, voice overlap, and over-wide\n * upper-voice spacing).\n *\n * @param chords The chords to voice in order.\n * @param opts Voicing options; defaults to four voices in {@link SATB_RANGES}.\n * @returns One voicing per chord, each ascending with one MIDI pitch per voice.\n * @throws If any chord admits no voicing within the given ranges.\n * @example\n * ```ts\n * import { parseChordSymbol, voiceProgression } from '@libraz/libcantus';\n * const chords = ['C', 'Am', 'F', 'G'].map((s) => parseChordSymbol(s));\n * voiceProgression(chords); // one four-voice voicing per chord, smoothly led\n * ```\n * @category Voicing & Counterpoint\n */\nexport function voiceProgression(chords: Chord[], opts?: VoicingOptions): number[][] {\n  const ranges = resolveRanges(opts);\n  const maxSpacing = opts?.maxSpacing ?? DEFAULT_MAX_SPACING;\n  const result: number[][] = [];\n  let prev: number[] | undefined;\n  for (const chord of chords) {\n    if (prev === undefined) {\n      prev = voiceChord(chord, opts);\n      result.push(prev);\n      continue;\n    }\n    const candidates = enumerateVoicings(chord, ranges, maxSpacing);\n    let best: number[] | undefined;\n    let bestScore = Number.POSITIVE_INFINITY;\n    for (const candidate of candidates) {\n      const score =\n        structuralPenalty(candidate, chord) +\n        voiceLeadingCost(prev, candidate) +\n        VIOLATION_PENALTY * violationCount(prev, candidate, maxSpacing);\n      if (score < bestScore) {\n        bestScore = score;\n        best = candidate;\n      }\n    }\n    if (best === undefined) {\n      throw new Error('no voicing satisfies the given ranges');\n    }\n    result.push(best);\n    prev = best;\n  }\n  return result;\n}\n","import type { Chord } from '../chord/index.js';\nimport { chordToneRole } from '../chord/index.js';\nimport { pitchClass } from './internal.js';\n\n/**\n * A tertian voicing style for {@link voiceChordStyled}.\n *\n * - `close`: the plain close-position tertian stack.\n * - `drop2`: the second voice from the top dropped an octave (drop-2 voicing).\n * - `drop3`: the third voice from the top dropped an octave (drop-3 voicing).\n * - `shell`: root plus guide tones (third and seventh) for seventh chords, or\n *   root/third/fifth for triads; the fifth and tensions are omitted.\n * - `rootless`: the root omitted, keeping third/fifth/seventh and tensions\n *   (a typical left-hand jazz voicing).\n *\n * @category Voicing & Counterpoint\n */\nexport type VoicingStyle = 'close' | 'drop2' | 'drop3' | 'shell' | 'rootless';\n\n/**\n * Options controlling {@link voiceChordStyled}.\n *\n * @category Voicing & Counterpoint\n */\nexport type StyledVoicingOptions = {\n  /**\n   * Voicing style to build.\n   *\n   * @defaultValue 'close'\n   */\n  style?: VoicingStyle;\n  /** Constrain the highest voice to this pitch class (0..11) when given. */\n  topNote?: number;\n  /**\n   * Base octave for the close stack; the stack begins near `12 * octave`.\n   *\n   * @defaultValue 4\n   */\n  octave?: number;\n  /**\n   * Omit the root regardless of style (relevant for jazz voicings).\n   *\n   * @defaultValue false\n   */\n  rootless?: boolean;\n};\n\n/** Default base octave for a styled close-position stack. */\nconst DEFAULT_STYLE_OCTAVE = 4;\n\n/** Return the pitch classes of a list in order, without duplicates. */\nfunction dedupePcs(pcs: number[]): number[] {\n  const seen = new Set<number>();\n  const result: number[] = [];\n  for (const pc of pcs) {\n    if (!seen.has(pc)) {\n      seen.add(pc);\n      result.push(pc);\n    }\n  }\n  return result;\n}\n\n/** The lowest MIDI pitch of a pitch class at or above a floor. */\nfunction lowestPitchAtOrAbove(pc: number, floor: number): number {\n  return floor + ((((pc - pitchClass(floor)) % 12) + 12) % 12);\n}\n\n/** The pitch class in `pcs` whose circular distance to `target` is smallest. */\nfunction nearestPc(target: number, pcs: number[]): number {\n  let best = pcs[0] ?? target;\n  let bestDist = 12;\n  for (const pc of pcs) {\n    const dist = Math.min((((pc - target) % 12) + 12) % 12, (((target - pc) % 12) + 12) % 12);\n    if (dist < bestDist) {\n      bestDist = dist;\n      best = pc;\n    }\n  }\n  return best;\n}\n\n/**\n * Realize a single chord as an explicit tertian voicing in a chosen style,\n * independent of the SATB range search used by {@link voiceChord}.\n *\n * The chord tones are stacked in close position from the bass (`bassPc`, else\n * `rootPc`) in the given scientific-pitch `octave` upward (octave 4 starts the\n * bass near C4 = MIDI 60, matching {@link midiToNote} and the bass module).\n * When `topNote` is given the stack is rotated so the highest voice's pitch\n * class equals that note (or the nearest chord tone). The chosen\n * {@link VoicingStyle} then transforms the stack, and the result is returned as\n * ascending MIDI pitches (index 0 = lowest).\n *\n * @param chord The chord to voice.\n * @param opts Styled voicing options; defaults to a close voicing at octave 4.\n * @returns MIDI pitches, ascending, one per retained voice.\n * @example\n * ```ts\n * import { parseChordSymbol, voiceChordStyled } from '@libraz/libcantus';\n * const chord = parseChordSymbol('Dm7');\n * voiceChordStyled(chord, { style: 'drop2' }); // ascending MIDI pitches, drop-2 voicing\n * ```\n * @category Voicing & Counterpoint\n */\nexport function voiceChordStyled(chord: Chord, opts?: StyledVoicingOptions): number[] {\n  const style = opts?.style ?? 'close';\n  const base = 12 * ((opts?.octave ?? DEFAULT_STYLE_OCTAVE) + 1);\n  const rootPc = pitchClass(chord.rootPc);\n  const bassPc = pitchClass(chord.bassPc ?? chord.rootPc);\n  const omitRoot = style === 'rootless' || opts?.rootless === true;\n\n  // Tertian chord tones in order, with the bass tone rotated to the bottom.\n  let order = dedupePcs(chord.intervals.map((interval) => pitchClass(chord.rootPc + interval)));\n  const bassIndex = order.indexOf(bassPc);\n  if (bassIndex > 0) {\n    order = [...order.slice(bassIndex), ...order.slice(0, bassIndex)];\n  } else if (bassIndex < 0) {\n    order = [bassPc, ...order];\n  }\n\n  if (style === 'shell') {\n    const roles = order.map((pc) => chordToneRole(pc, chord));\n    // The guide tone is the seventh when present; on a sixth chord the sixth\n    // stands in for it, and otherwise the voicing falls back to the fifth.\n    const guide = roles.includes('seventh')\n      ? 'seventh'\n      : roles.includes('sixth')\n        ? 'sixth'\n        : 'fifth';\n    order = order.filter((_pc, i) => {\n      const role = roles[i];\n      return role === 'root' || role === 'third' || role === guide;\n    });\n  }\n\n  if (omitRoot) {\n    order = order.filter((pc) => pc !== rootPc);\n  }\n\n  if (order.length === 0) {\n    return [];\n  }\n\n  if (opts?.topNote !== undefined) {\n    const target = order.includes(pitchClass(opts.topNote))\n      ? pitchClass(opts.topNote)\n      : nearestPc(pitchClass(opts.topNote), order);\n    const targetIndex = order.indexOf(target);\n    order = [...order.slice(targetIndex + 1), ...order.slice(0, targetIndex + 1)];\n  }\n\n  // Stack the ordered pitch classes upward in close position.\n  const stack: number[] = [];\n  let prev: number | undefined;\n  for (const pc of order) {\n    if (prev === undefined) {\n      prev = lowestPitchAtOrAbove(pc, base);\n    } else {\n      let delta = (((pc - pitchClass(prev)) % 12) + 12) % 12;\n      if (delta === 0) {\n        delta = 12;\n      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package/dist/chunk-ZXW5YIWK.js

@@ -1,55 +0,0 @@
-// src/core/tuning/index.ts
-var TWELVE_TET = { refStep: 69, refFreq: 440, divisions: 12 };
-function edo(n, refFreq = 440, refStep = 69) {
-  return { refStep, refFreq, divisions: n };
-}
-function frequencyOf(step, tuning = TWELVE_TET) {
-  return tuning.refFreq * 2 ** ((step - tuning.refStep) / tuning.divisions);
-}
-function nearestStep(freq, tuning = TWELVE_TET) {
-  return Math.round(tuning.refStep + tuning.divisions * Math.log2(freq / tuning.refFreq));
-}
-function centsBetweenFreq(a, b) {
-  return 1200 * Math.log2(b / a);
-}
-function centsOfSteps(steps, tuning = TWELVE_TET) {
-  return steps * 1200 / tuning.divisions;
-}
-function ratioToCents(numerator, denominator) {
-  return 1200 * Math.log2(numerator / denominator);
-}
-var JUST_RATIOS = {
-  0: [1, 1],
-  1: [16, 15],
-  2: [9, 8],
-  3: [6, 5],
-  4: [5, 4],
-  5: [4, 3],
-  6: [45, 32],
-  7: [3, 2],
-  8: [8, 5],
-  9: [5, 3],
-  10: [9, 5],
-  11: [15, 8],
-  12: [2, 1]
-};
-function justDeviationCents(semitoneClass) {
-  const ratio = JUST_RATIOS[semitoneClass];
-  if (!ratio) {
-    return Number.NaN;
-  }
-  return ratioToCents(ratio[0], ratio[1]) - semitoneClass * 100;
-}
-
-export {
-  TWELVE_TET,
-  edo,
-  frequencyOf,
-  nearestStep,
-  centsBetweenFreq,
-  centsOfSteps,
-  ratioToCents,
-  JUST_RATIOS,
-  justDeviationCents
-};
-//# sourceMappingURL=chunk-ZXW5YIWK.js.map

package/dist/chunk-ZXW5YIWK.js.map

@@ -1 +0,0 @@
-{"version":3,"sources":["../src/core/tuning/index.ts"],"sourcesContent":["/**\n * Tuning and microtonality: frequency conversion, cents, arbitrary equal\n * temperaments (EDO), and just-intonation ratios.\n *\n * The rest of the library reasons in twelve-tone pitch classes, which is a\n * deliberate scope choice for tonal theory. This module is the escape hatch for\n * anyone who needs actual frequencies, cents, non-12 equal temperaments, or the\n * acoustic (just) tuning behind the tempered intervals.\n */\n\n/**\n * An equal-tempered tuning: a reference pitch and a number of equal divisions of\n * the octave. With `divisions === 12` a step index is an ordinary MIDI number.\n *\n * @category Pitch & Intervals\n */\nexport type Tuning = {\n  /** Step index (MIDI number when `divisions` is 12) whose frequency is `refFreq`. */\n  refStep: number;\n  /** Frequency in Hz of `refStep`. */\n  refFreq: number;\n  /** Equal divisions of the octave (12 standard; e.g. 19 or 31 for microtonal). */\n  divisions: number;\n};\n\n/**\n * Standard twelve-tone equal temperament, A4 (MIDI 69) = 440 Hz.\n *\n * @category Pitch & Intervals\n */\nexport const TWELVE_TET: Tuning = { refStep: 69, refFreq: 440, divisions: 12 };\n\n/**\n * Build an equal temperament with `n` divisions of the octave.\n *\n * @param n Divisions of the octave (e.g. 19, 24, 31).\n * @param refFreq Reference frequency in Hz (default 440).\n * @param refStep Step index of the reference (default 69).\n * @returns The tuning.\n * @example\n * ```ts\n * import { edo, frequencyOf } from '@libraz/libcantus';\n * const et19 = edo(19); // { refStep: 69, refFreq: 440, divisions: 19 }\n * frequencyOf(70, et19); // one 19-EDO step above A4\n * ```\n * @category Pitch & Intervals\n */\nexport function edo(n: number, refFreq = 440, refStep = 69): Tuning {\n  return { refStep, refFreq, divisions: n };\n}\n\n/**\n * Frequency in Hz of a step index under a tuning.\n *\n * @param step Step index (a MIDI number under 12-EDO).\n * @param tuning The tuning (default 12-TET).\n * @returns The frequency in Hz.\n * @example\n * ```ts\n * import { frequencyOf } from '@libraz/libcantus';\n * frequencyOf(69); // 440 (A4 in 12-TET)\n * frequencyOf(60); // middle C in Hz\n * ```\n * @category Pitch & Intervals\n */\nexport function frequencyOf(step: number, tuning: Tuning = TWELVE_TET): number {\n  return tuning.refFreq * 2 ** ((step - tuning.refStep) / tuning.divisions);\n}\n\n/**\n * Nearest step index to a frequency under a tuning (the inverse of\n * {@link frequencyOf}, rounded).\n *\n * @param freq Frequency in Hz.\n * @param tuning The tuning (default 12-TET).\n * @returns The nearest step index.\n * @category Pitch & Intervals\n */\nexport function nearestStep(freq: number, tuning: Tuning = TWELVE_TET): number {\n  return Math.round(tuning.refStep + tuning.divisions * Math.log2(freq / tuning.refFreq));\n}\n\n/**\n * Interval in cents between two frequencies.\n *\n * @param a Lower/first frequency in Hz.\n * @param b Upper/second frequency in Hz.\n * @returns Cents from `a` to `b` (negative if `b` is lower).\n * @category Pitch & Intervals\n */\nexport function centsBetweenFreq(a: number, b: number): number {\n  return 1200 * Math.log2(b / a);\n}\n\n/**\n * Cents spanned by a number of equal-temperament steps.\n *\n * @param steps Number of steps.\n * @param tuning The tuning (default 12-TET).\n * @returns The cents.\n * @category Pitch & Intervals\n */\nexport function centsOfSteps(steps: number, tuning: Tuning = TWELVE_TET): number {\n  return (steps * 1200) / tuning.divisions;\n}\n\n/**\n * Cents of a frequency ratio, e.g. `ratioToCents(3, 2)` ≈ 701.955 for the just\n * perfect fifth.\n *\n * @param numerator Ratio numerator.\n * @param denominator Ratio denominator.\n * @returns The interval in cents.\n * @category Pitch & Intervals\n */\nexport function ratioToCents(numerator: number, denominator: number): number {\n  return 1200 * Math.log2(numerator / denominator);\n}\n\n/**\n * Five-limit just-intonation ratios for the twelve interval classes above a\n * unison, indexed by semitone class (0..12).\n *\n * @category Pitch & Intervals\n */\nexport const JUST_RATIOS: Record<number, [number, number]> = {\n  0: [1, 1],\n  1: [16, 15],\n  2: [9, 8],\n  3: [6, 5],\n  4: [5, 4],\n  5: [4, 3],\n  6: [45, 32],\n  7: [3, 2],\n  8: [8, 5],\n  9: [5, 3],\n  10: [9, 5],\n  11: [15, 8],\n  12: [2, 1],\n};\n\n/**\n * Cents by which a five-limit just interval departs from its 12-TET tempering\n * (positive means the just interval is wider).\n *\n * @param semitoneClass Semitone class in [0, 12].\n * @returns The deviation in cents, or NaN if the class has no listed ratio.\n * @category Pitch & Intervals\n */\nexport function justDeviationCents(semitoneClass: number): number {\n  const ratio = JUST_RATIOS[semitoneClass];\n  if (!ratio) {\n    return Number.NaN;\n  }\n  return ratioToCents(ratio[0], ratio[1]) - semitoneClass * 100;\n}\n"],"mappings":";AA8BO,IAAM,aAAqB,EAAE,SAAS,IAAI,SAAS,KAAK,WAAW,GAAG;AAiBtE,SAAS,IAAI,GAAW,UAAU,KAAK,UAAU,IAAY;AAClE,SAAO,EAAE,SAAS,SAAS,WAAW,EAAE;AAC1C;AAgBO,SAAS,YAAY,MAAc,SAAiB,YAAoB;AAC7E,SAAO,OAAO,UAAU,OAAO,OAAO,OAAO,WAAW,OAAO;AACjE;AAWO,SAAS,YAAY,MAAc,SAAiB,YAAoB;AAC7E,SAAO,KAAK,MAAM,OAAO,UAAU,OAAO,YAAY,KAAK,KAAK,OAAO,OAAO,OAAO,CAAC;AACxF;AAUO,SAAS,iBAAiB,GAAW,GAAmB;AAC7D,SAAO,OAAO,KAAK,KAAK,IAAI,CAAC;AAC/B;AAUO,SAAS,aAAa,OAAe,SAAiB,YAAoB;AAC/E,SAAQ,QAAQ,OAAQ,OAAO;AACjC;AAWO,SAAS,aAAa,WAAmB,aAA6B;AAC3E,SAAO,OAAO,KAAK,KAAK,YAAY,WAAW;AACjD;AAQO,IAAM,cAAgD;AAAA,EAC3D,GAAG,CAAC,GAAG,CAAC;AAAA,EACR,GAAG,CAAC,IAAI,EAAE;AAAA,EACV,GAAG,CAAC,GAAG,CAAC;AAAA,EACR,GAAG,CAAC,GAAG,CAAC;AAAA,EACR,GAAG,CAAC,GAAG,CAAC;AAAA,EACR,GAAG,CAAC,GAAG,CAAC;AAAA,EACR,GAAG,CAAC,IAAI,EAAE;AAAA,EACV,GAAG,CAAC,GAAG,CAAC;AAAA,EACR,GAAG,CAAC,GAAG,CAAC;AAAA,EACR,GAAG,CAAC,GAAG,CAAC;AAAA,EACR,IAAI,CAAC,GAAG,CAAC;AAAA,EACT,IAAI,CAAC,IAAI,CAAC;AAAA,EACV,IAAI,CAAC,GAAG,CAAC;AACX;AAUO,SAAS,mBAAmB,eAA+B;AAChE,QAAM,QAAQ,YAAY,aAAa;AACvC,MAAI,CAAC,OAAO;AACV,WAAO,OAAO;AAAA,EAChB;AACA,SAAO,aAAa,MAAM,CAAC,GAAG,MAAM,CAAC,CAAC,IAAI,gBAAgB;AAC5D;","names":[]}

package/dist/index-CGMZNCx6.d.cts

@@ -1,140 +0,0 @@
-/**
- * Pitch spelling: letter-name notes, enharmonic-aware conversion, and spelled
- * intervals.
- *
- * The rest of the library works in pitch classes (0..11), which cannot tell a
- * G# from an Ab or an augmented fourth from a diminished fifth. This module adds
- * an explicit spelling layer — a note is a diatonic letter plus a chromatic
- * alteration — so interval quality (P/M/m/A/d) and enharmonic identity are
- * preserved.
- */
-/**
- * A spelled note: a diatonic letter, a chromatic alteration, and an optional
- * octave.
- *
- * - `letter` is 0..6 for C..B.
- * - `alter` is the number of semitones of alteration: -2 double-flat, -1 flat,
- *   0 natural, +1 sharp, +2 double-sharp.
- * - `octave` follows scientific pitch notation (middle C = C4 = MIDI 60). When
- *   absent, the note denotes a bare pitch class.
- *
- * @category Pitch & Intervals
- */
-type Note = {
-    letter: number;
-    alter: number;
-    octave?: number;
-};
-/**
- * A spelled interval: a diatonic number, a quality label, and its semitone span.
- *
- * @category Pitch & Intervals
- */
-type SpelledInterval = {
-    /** Diatonic size: 1 = unison, 2 = second, ... 8 = octave, and beyond. */
-    number: number;
-    /** Quality label: 'P', 'M', 'm', or repeated 'A'/'d' for (multiply) aug/dim. */
-    quality: string;
-    /** Signed semitone distance from the first note to the second. */
-    semitones: number;
-};
-/**
- * Parse scientific pitch notation into a {@link Note}.
- *
- * Accepts a letter (case-insensitive) followed by any number of same-direction
- * accidentals and an optional octave, e.g. `"C"`, `"C#4"`, `"Bb"`, `"F##3"`,
- * `"Ebb2"`. Both `#` and `x` (double-sharp) are accepted for sharps; `b` for
- * flats. Mixing sharps and flats (e.g. `"C#b"`) is rejected.
- *
- * @param text The note text.
- * @returns The parsed note.
- * @throws If the text is not a valid note.
- * @example
- * ```ts
- * import { parseNote, noteToMidi } from '@libraz/libcantus';
- * const n = parseNote('C#4');
- * noteToMidi(n); // 61
- * ```
- * @category Pitch & Intervals
- */
-declare function parseNote(text: string): Note;
-/**
- * Render a {@link Note} as scientific pitch notation.
- *
- * @param note The note to format.
- * @returns The note text, including the octave when present.
- * @example
- * ```ts
- * import { formatNote, parseNote } from '@libraz/libcantus';
- * formatNote(parseNote('C#4')); // 'C#4'
- * ```
- * @category Pitch & Intervals
- */
-declare function formatNote(note: Note): string;
-/**
- * Pitch class (0..11) of a note, ignoring octave.
- *
- * @param note The note.
- * @returns The pitch class.
- * @example
- * ```ts
- * import { noteToPitchClass, parseNote } from '@libraz/libcantus';
- * noteToPitchClass(parseNote('Db')); // 1
- * ```
- * @category Pitch & Intervals
- */
-declare function noteToPitchClass(note: Note): number;
-/**
- * MIDI number of a note (middle C = C4 = 60).
- *
- * @param note The note; must carry an octave.
- * @returns The MIDI number.
- * @throws If the note has no octave.
- * @example
- * ```ts
- * import { noteToMidi, parseNote } from '@libraz/libcantus';
- * noteToMidi(parseNote('A4')); // 69
- * ```
- * @category Pitch & Intervals
- */
-declare function noteToMidi(note: Note): number;
-/**
- * Name a MIDI number as a {@link Note}, choosing sharp or flat spelling.
- *
- * The input is rounded to the nearest integer but is not clamped to the MIDI
- * range 0..127: out-of-range values extrapolate linearly (e.g. `-1` -> `B-2`,
- * `128` -> `G#9`) and remain an exact inverse of {@link noteToMidi}.
- *
- * @param midi The MIDI number.
- * @param spelling Whether to prefer sharps or flats for black keys.
- * @returns The spelled note, with octave.
- * @example
- * ```ts
- * import { midiToNote, formatNote } from '@libraz/libcantus';
- * formatNote(midiToNote(61)); // 'C#4'
- * formatNote(midiToNote(61, 'flat')); // 'Db4'
- * ```
- * @category Pitch & Intervals
- */
-declare function midiToNote(midi: number, spelling?: 'sharp' | 'flat'): Note;
-/**
- * The spelled interval from one note to another.
- *
- * When both notes carry octaves, the interval reflects their full signed
- * distance (so `C4 -> C5` is a perfect octave). When either lacks an octave the
- * interval is measured within a single ascending octave from `a` to `b`.
- *
- * @param a The lower/first note.
- * @param b The upper/second note.
- * @returns The diatonic number, quality, and semitone span.
- * @example
- * ```ts
- * import { spelledInterval, parseNote } from '@libraz/libcantus';
- * spelledInterval(parseNote('C4'), parseNote('G4'));
- * // { number: 5, quality: 'P', semitones: 7 }
- * ```
- * @category Pitch & Intervals
- */
-declare function spelledInterval(a: Note, b: Note): SpelledInterval;
-
-export { type Note as N, type SpelledInterval as S, noteToPitchClass as a, formatNote as f, midiToNote as m, noteToMidi as n, parseNote as p, spelledInterval as s };

package/dist/index-CGMZNCx6.d.ts

@@ -1,140 +0,0 @@
-/**
- * Pitch spelling: letter-name notes, enharmonic-aware conversion, and spelled
- * intervals.
- *
- * The rest of the library works in pitch classes (0..11), which cannot tell a
- * G# from an Ab or an augmented fourth from a diminished fifth. This module adds
- * an explicit spelling layer — a note is a diatonic letter plus a chromatic
- * alteration — so interval quality (P/M/m/A/d) and enharmonic identity are
- * preserved.
- */
-/**
- * A spelled note: a diatonic letter, a chromatic alteration, and an optional
- * octave.
- *
- * - `letter` is 0..6 for C..B.
- * - `alter` is the number of semitones of alteration: -2 double-flat, -1 flat,
- *   0 natural, +1 sharp, +2 double-sharp.
- * - `octave` follows scientific pitch notation (middle C = C4 = MIDI 60). When
- *   absent, the note denotes a bare pitch class.
- *
- * @category Pitch & Intervals
- */
-type Note = {
-    letter: number;
-    alter: number;
-    octave?: number;
-};
-/**
- * A spelled interval: a diatonic number, a quality label, and its semitone span.
- *
- * @category Pitch & Intervals
- */
-type SpelledInterval = {
-    /** Diatonic size: 1 = unison, 2 = second, ... 8 = octave, and beyond. */
-    number: number;
-    /** Quality label: 'P', 'M', 'm', or repeated 'A'/'d' for (multiply) aug/dim. */
-    quality: string;
-    /** Signed semitone distance from the first note to the second. */
-    semitones: number;
-};
-/**
- * Parse scientific pitch notation into a {@link Note}.
- *
- * Accepts a letter (case-insensitive) followed by any number of same-direction
- * accidentals and an optional octave, e.g. `"C"`, `"C#4"`, `"Bb"`, `"F##3"`,
- * `"Ebb2"`. Both `#` and `x` (double-sharp) are accepted for sharps; `b` for
- * flats. Mixing sharps and flats (e.g. `"C#b"`) is rejected.
- *
- * @param text The note text.
- * @returns The parsed note.
- * @throws If the text is not a valid note.
- * @example
- * ```ts
- * import { parseNote, noteToMidi } from '@libraz/libcantus';
- * const n = parseNote('C#4');
- * noteToMidi(n); // 61
- * ```
- * @category Pitch & Intervals
- */
-declare function parseNote(text: string): Note;
-/**
- * Render a {@link Note} as scientific pitch notation.
- *
- * @param note The note to format.
- * @returns The note text, including the octave when present.
- * @example
- * ```ts
- * import { formatNote, parseNote } from '@libraz/libcantus';
- * formatNote(parseNote('C#4')); // 'C#4'
- * ```
- * @category Pitch & Intervals
- */
-declare function formatNote(note: Note): string;
-/**
- * Pitch class (0..11) of a note, ignoring octave.
- *
- * @param note The note.
- * @returns The pitch class.
- * @example
- * ```ts
- * import { noteToPitchClass, parseNote } from '@libraz/libcantus';
- * noteToPitchClass(parseNote('Db')); // 1
- * ```
- * @category Pitch & Intervals
- */
-declare function noteToPitchClass(note: Note): number;
-/**
- * MIDI number of a note (middle C = C4 = 60).
- *
- * @param note The note; must carry an octave.
- * @returns The MIDI number.
- * @throws If the note has no octave.
- * @example
- * ```ts
- * import { noteToMidi, parseNote } from '@libraz/libcantus';
- * noteToMidi(parseNote('A4')); // 69
- * ```
- * @category Pitch & Intervals
- */
-declare function noteToMidi(note: Note): number;
-/**
- * Name a MIDI number as a {@link Note}, choosing sharp or flat spelling.
- *
- * The input is rounded to the nearest integer but is not clamped to the MIDI
- * range 0..127: out-of-range values extrapolate linearly (e.g. `-1` -> `B-2`,
- * `128` -> `G#9`) and remain an exact inverse of {@link noteToMidi}.
- *
- * @param midi The MIDI number.
- * @param spelling Whether to prefer sharps or flats for black keys.
- * @returns The spelled note, with octave.
- * @example
- * ```ts
- * import { midiToNote, formatNote } from '@libraz/libcantus';
- * formatNote(midiToNote(61)); // 'C#4'
- * formatNote(midiToNote(61, 'flat')); // 'Db4'
- * ```
- * @category Pitch & Intervals
- */
-declare function midiToNote(midi: number, spelling?: 'sharp' | 'flat'): Note;
-/**
- * The spelled interval from one note to another.
- *
- * When both notes carry octaves, the interval reflects their full signed
- * distance (so `C4 -> C5` is a perfect octave). When either lacks an octave the
- * interval is measured within a single ascending octave from `a` to `b`.
- *
- * @param a The lower/first note.
- * @param b The upper/second note.
- * @returns The diatonic number, quality, and semitone span.
- * @example
- * ```ts
- * import { spelledInterval, parseNote } from '@libraz/libcantus';
- * spelledInterval(parseNote('C4'), parseNote('G4'));
- * // { number: 5, quality: 'P', semitones: 7 }
- * ```
- * @category Pitch & Intervals
- */
-declare function spelledInterval(a: Note, b: Note): SpelledInterval;
-
-export { type Note as N, type SpelledInterval as S, noteToPitchClass as a, formatNote as f, midiToNote as m, noteToMidi as n, parseNote as p, spelledInterval as s };