@libraz/libcantus 0.9.2 → 0.9.4

package/dist/chunk-COKTX2G5.js.map

@@ -1 +0,0 @@
-{"version":3,"sources":["../src/model/shared.ts","../src/model/note.ts","../src/model/progression.ts","../src/model/chord.ts","../src/model/interval.ts","../src/model/key.ts"],"sourcesContent":["import { midiToNote, type Note as NoteData } from '../core/pitch/index.js';\n\n/** Reduce any integer to a pitch class in [0, 11]. */\nexport function mod12(n: number): number {\n  return ((n % 12) + 12) % 12;\n}\n\n/** Spell a bare pitch class as an octave-less note with a sharp/flat preference. */\nexport function spellPitchClassBare(pc: number, spelling: 'sharp' | 'flat'): NoteData {\n  const spelled = midiToNote(60 + mod12(pc), spelling);\n  return { letter: spelled.letter, alter: spelled.alter };\n}\n","import {\n  formatNote,\n  midiToNote,\n  type Note as NoteData,\n  noteToMidi,\n  noteToPitchClass,\n  parseNote,\n  type SpelledInterval,\n  spelledInterval,\n} from '../core/pitch/index.js';\nimport { spellPitchClassBare } from './shared.js';\n\n/** Defensive copy of a plain note. */\nfunction copyNote(data: NoteData): NoteData {\n  const copy: NoteData = { letter: data.letter, alter: data.alter };\n  if (data.octave !== undefined) {\n    copy.octave = data.octave;\n  }\n  return copy;\n}\n\n/**\n * An immutable spelled note: a diatonic letter plus a chromatic alteration and\n * an optional octave. Wraps the plain note object and delegates to the pitch\n * module; every transformation returns a new instance.\n *\n * @category Class API\n * @example\n * ```ts\n * import { Note } from '@libraz/libcantus';\n * Note.of('C4').transpose(7).name; // 'G4'\n * ```\n */\nexport class Note {\n  readonly #data: NoteData;\n\n  /**\n   * Wrap a plain note object.\n   *\n   * @param data The spelled note; it is copied, never retained or mutated.\n   */\n  constructor(data: NoteData) {\n    this.#data = copyNote(data);\n  }\n\n  /**\n   * Parse scientific pitch notation (e.g. `'C#4'`, `'Bb'`, `'F##3'`).\n   *\n   * @param name The note text.\n   * @returns The parsed note.\n   * @throws If the text is not a valid note.\n   */\n  static of(name: string): Note {\n    return new Note(parseNote(name));\n  }\n\n  /**\n   * Name a MIDI number (middle C = C4 = 60) as a note.\n   *\n   * @param midi The MIDI number.\n   * @param spelling Whether to prefer sharps or flats for black keys.\n   * @returns The spelled note, with octave.\n   */\n  static fromMidi(midi: number, spelling: 'sharp' | 'flat' = 'sharp'): Note {\n    return new Note(midiToNote(midi, spelling));\n  }\n\n  /**\n   * Wrap an existing plain note object.\n   *\n   * @param data The plain note.\n   * @returns The wrapped note.\n   */\n  static fromData(data: NoteData): Note {\n    return new Note(data);\n  }\n\n  /** The note rendered as scientific pitch notation, e.g. `'G4'` or `'Bb'`. */\n  get name(): string {\n    return formatNote(this.#data);\n  }\n\n  /** The pitch class (0..11), ignoring octave. */\n  get pitchClass(): number {\n    return noteToPitchClass(this.#data);\n  }\n\n  /**\n   * The MIDI number (middle C = C4 = 60).\n   *\n   * @throws If the note has no octave and therefore no fixed pitch.\n   */\n  get midi(): number {\n    if (this.#data.octave === undefined) {\n      throw new Error(`note ${this.name} has no octave, so it has no MIDI number`);\n    }\n    return noteToMidi(this.#data);\n  }\n\n  /** The diatonic letter number: 0..6 for C..B. */\n  get letter(): number {\n    return this.#data.letter;\n  }\n\n  /** The chromatic alteration in semitones: -1 flat, 0 natural, +1 sharp, ... */\n  get alter(): number {\n    return this.#data.alter;\n  }\n\n  /** The octave (scientific pitch notation), or undefined for a bare pitch class. */\n  get octave(): number | undefined {\n    return this.#data.octave;\n  }\n\n  /** A copy of the underlying plain note object. */\n  get data(): NoteData {\n    return copyNote(this.#data);\n  }\n\n  /**\n   * Transpose by a signed number of semitones.\n   *\n   * When the note carries an octave the transposition happens in MIDI space and\n   * the result is spelled with a sharp preference. An octave-less note stays\n   * octave-less: only its pitch class is moved. Transposing by zero is the\n   * identity: the original spelling is preserved (no enharmonic respelling).\n   *\n   * @param semitones The signed semitone offset.\n   * @returns The transposed note.\n   */\n  transpose(semitones: number): Note {\n    if (semitones === 0) {\n      return new Note(this.#data);\n    }\n    if (this.#data.octave !== undefined) {\n      return Note.fromMidi(this.midi + semitones);\n    }\n    return new Note(spellPitchClassBare(this.pitchClass + semitones, 'sharp'));\n  }\n\n  /**\n   * The spelled interval from this note to another.\n   *\n   * @param other The second note.\n   * @returns The diatonic number, quality, and semitone span.\n   */\n  intervalTo(other: Note): SpelledInterval {\n    return spelledInterval(this.#data, other.#data);\n  }\n\n  /**\n   * Whether another note has the same letter, alteration, and octave.\n   *\n   * @param other The note to compare.\n   * @returns True if the spellings are identical.\n   */\n  equals(other: Note): boolean {\n    return (\n      this.#data.letter === other.#data.letter &&\n      this.#data.alter === other.#data.alter &&\n      this.#data.octave === other.#data.octave\n    );\n  }\n\n  /**\n   * The plain note data, for JSON serialization.\n   *\n   * Private class fields do not serialize, so an explicit `toJSON` keeps\n   * `JSON.stringify(note)` from collapsing to `{}`.\n   *\n   * @returns A copy of the underlying plain note object.\n   */\n  toJSON(): NoteData {\n    return this.data;\n  }\n}\n","import {\n  type Cadence,\n  type ChordAnalysis,\n  detectCadence,\n  type HarmonicFunction,\n} from '../analyze/functional/index.js';\nimport type { Note as NoteData } from '../core/pitch/index.js';\nimport type { KeyScale } from '../core/types.js';\nimport type { Chord as ChordData } from '../theory/chord/index.js';\nimport { type VoicingOptions, voiceProgression } from '../theory/voicing/index.js';\nimport type { Chord } from './chord.js';\nimport type { Key } from './key.js';\n\n/**\n * An immutable ordered sequence of chords, optionally carrying a {@link Key}\n * context shared by its analysis methods.\n *\n * @category Class API\n * @example\n * ```ts\n * import { Key } from '@libraz/libcantus';\n * const key = Key.major('C');\n * key.chord(1).progressionTo(key.chord(4), key.chord(0)).roman();\n * // ['ii', 'V', 'I']\n * ```\n */\nexport class Progression {\n  readonly #chords: readonly Chord[];\n  readonly #key: Key | undefined;\n\n  /**\n   * Wrap a chord sequence.\n   *\n   * @param chords The chords in order; the array is copied.\n   * @param key Optional key context for analysis methods.\n   */\n  constructor(chords: readonly Chord[], key?: Key) {\n    this.#chords = [...chords];\n    this.#key = key;\n  }\n\n  /** A copy of the chord sequence. */\n  get chords(): readonly Chord[] {\n    return [...this.#chords];\n  }\n\n  /** The carried key context, if any. */\n  get key(): Key | undefined {\n    return this.#key;\n  }\n\n  /** The number of chords. */\n  get length(): number {\n    return this.#chords.length;\n  }\n\n  /**\n   * A copy of this progression with a chord appended.\n   *\n   * @param chord The chord to append.\n   * @returns The new progression.\n   */\n  add(chord: Chord): Progression {\n    return new Progression([...this.#chords, chord], this.#key);\n  }\n\n  /**\n   * A copy of this progression carrying the given key context.\n   *\n   * @param key The key context to attach.\n   * @returns The new progression.\n   */\n  withKey(key: Key): Progression {\n    return new Progression(this.#chords, key);\n  }\n\n  /**\n   * Voice the progression with smooth voice leading.\n   *\n   * @param opts Voicing options; defaults to four SATB voices.\n   * @returns One ascending voicing (MIDI pitches) per chord.\n   * @throws If any chord admits no voicing within the given ranges.\n   */\n  voice(opts?: VoicingOptions): number[][] {\n    return voiceProgression(\n      this.#chords.map((chord) => chord.data),\n      opts,\n    );\n  }\n\n  /**\n   * The Roman numeral of each chord in a key.\n   *\n   * @param key Key to analyze in; falls back to the carried context.\n   * @returns One numeral per chord.\n   * @throws If no key is given and none is carried.\n   */\n  roman(key?: Key): string[] {\n    const resolved = this.#resolveKey(key);\n    return this.#chords.map((chord) => chord.roman(resolved));\n  }\n\n  /**\n   * The harmonic function of each chord in a key.\n   *\n   * @param key Key to analyze in; falls back to the carried context.\n   * @returns One function per chord.\n   * @throws If no key is given and none is carried.\n   */\n  functions(key?: Key): HarmonicFunction[] {\n    const resolved = this.#resolveKey(key);\n    return this.#chords.map((chord) => chord.function(resolved));\n  }\n\n  /**\n   * Analyze every chord and classify the closing cadence.\n   *\n   * The cadence is detected on the final chord pair and is null when the\n   * progression has fewer than two chords.\n   *\n   * @param key Key to analyze in; falls back to the carried context.\n   * @returns Per-chord analyses and the closing cadence.\n   * @throws If no key is given and none is carried.\n   */\n  analyze(key?: Key): { chords: ChordAnalysis[]; cadence: Cadence } {\n    const resolved = this.#resolveKey(key);\n    const chords = this.#chords.map((chord) => chord.analyze(resolved));\n    const from = this.#chords[this.#chords.length - 2];\n    const to = this.#chords[this.#chords.length - 1];\n    const cadence =\n      from !== undefined && to !== undefined\n        ? detectCadence(from.data, to.data, resolved.scale)\n        : null;\n    return { chords, cadence };\n  }\n\n  /**\n   * The plain progression data, for JSON serialization.\n   *\n   * Private class fields do not serialize, so an explicit `toJSON` keeps\n   * `JSON.stringify(progression)` from collapsing to `{}`. The chords are\n   * emitted as plain data and the carried key, when present, as its own data.\n   *\n   * @returns The chord data sequence and the carried key, if any.\n   */\n  toJSON(): { chords: ChordData[]; key: { scale: KeyScale; tonic: NoteData } | undefined } {\n    return {\n      chords: this.#chords.map((chord) => chord.data),\n      key: this.#key?.toJSON(),\n    };\n  }\n\n  /** Resolve the key for an analysis method: explicit first, then carried. */\n  #resolveKey(key?: Key): Key {\n    const resolved = key ?? this.#key;\n    if (resolved === undefined) {\n      throw new Error('progression has no key context; pass a Key or attach one with withKey()');\n    }\n    return resolved;\n  }\n}\n","import { detectChord, detectChordBest } from '../analyze/detect/index.js';\nimport {\n  analyzeChord,\n  type BorrowedSource,\n  borrowedSource,\n  type ChordAnalysis,\n  chordToRoman,\n  functionOf,\n  type HarmonicFunction,\n  isBorrowedChord,\n} from '../analyze/functional/index.js';\nimport { negativeHarmonyMirror } from '../generate/reharmony/index.js';\nimport {\n  type Chord as ChordData,\n  type ChordQuality,\n  chordPitchClasses,\n  makeChord,\n} from '../theory/chord/index.js';\nimport {\n  availableTensions,\n  avoidNotes,\n  type ChordScaleMatch,\n  chordScales,\n} from '../theory/chordscale/index.js';\nimport { spellChord } from '../theory/spelling/index.js';\nimport { formatChordSymbol, parseChordSymbol } from '../theory/symbol/index.js';\nimport {\n  type StyledVoicingOptions,\n  type VoicingOptions,\n  voiceChord,\n  voiceChordStyled,\n} from '../theory/voicing/index.js';\nimport type { Key } from './key.js';\nimport { Note } from './note.js';\nimport { Progression } from './progression.js';\nimport { mod12 } from './shared.js';\n\n/**\n * Defensive copy of a plain chord.\n *\n * Any enharmonic spelling hints (`rootSpelling`/`bassSpelling`, populated by\n * `parseChordSymbol`) are carried through so a flat-named chord round-trips\n * through the class API; a hint that no longer matches its pitch class is\n * simply ignored by the formatter.\n */\nfunction copyChord(data: ChordData): ChordData {\n  const copy: ChordData = {\n    rootPc: data.rootPc,\n    quality: data.quality,\n    intervals: [...data.intervals],\n  };\n  if (data.bassPc !== undefined) {\n    copy.bassPc = data.bassPc;\n  }\n  if (data.rootSpelling !== undefined) {\n    copy.rootSpelling = { letter: data.rootSpelling.letter, alter: data.rootSpelling.alter };\n  }\n  if (data.bassSpelling !== undefined) {\n    copy.bassSpelling = { letter: data.bassSpelling.letter, alter: data.bassSpelling.alter };\n  }\n  return copy;\n}\n\n/**\n * An immutable chord: a root pitch class, quality, interval template, and\n * optional slash bass, optionally carrying a {@link Key} context. Analysis\n * methods (`roman`, `function`, `analyze`, ...) use an explicitly passed key\n * first and fall back to the carried context.\n *\n * @category Class API\n * @example\n * ```ts\n * import { Chord } from '@libraz/libcantus';\n * Chord.parse('Cmaj7').invert(1).symbol(); // 'Cmaj7/E' (third in the bass)\n * ```\n */\nexport class Chord {\n  readonly #data: ChordData;\n  readonly #key: Key | undefined;\n\n  /**\n   * Wrap a plain chord object.\n   *\n   * @param data The chord; it is copied, never retained or mutated.\n   * @param key Optional key context for analysis methods.\n   */\n  constructor(data: ChordData, key?: Key) {\n    this.#data = copyChord(data);\n    this.#key = key;\n  }\n\n  /**\n   * Build a chord from a root and quality.\n   *\n   * @param root Root as a note name (e.g. `'Eb'`) or a pitch class.\n   * @param quality The chord quality.\n   * @param bass Optional slash-chord bass pitch class.\n   * @returns The chord (without key context).\n   */\n  static of(root: string | number, quality: ChordQuality, bass?: number): Chord {\n    const rootPc = typeof root === 'string' ? Note.of(root).pitchClass : root;\n    return new Chord(makeChord(rootPc, quality, bass));\n  }\n\n  /**\n   * Wrap an existing plain chord object.\n   *\n   * @param data The plain chord.\n   * @returns The wrapped chord (without key context).\n   */\n  static from(data: ChordData): Chord {\n    return new Chord(data);\n  }\n\n  /**\n   * Parse a lead-sheet chord symbol (e.g. `'Cmaj7'`, `'F#m7b5'`, `'C/G'`).\n   *\n   * @param symbol The chord symbol.\n   * @returns The chord (without key context).\n   * @throws If the root or quality is not recognized.\n   */\n  static parse(symbol: string): Chord {\n    return new Chord(parseChordSymbol(symbol));\n  }\n\n  /**\n   * Identify the chords matching a set of pitches, best interpretation first.\n   *\n   * @param pitches MIDI pitches or bare pitch classes.\n   * @returns Ranked chord interpretations (may be empty).\n   */\n  static detect(pitches: number[]): Chord[] {\n    return detectChord(pitches).map(\n      (match) => new Chord(makeChord(match.rootPc, match.quality, match.bassPc)),\n    );\n  }\n\n  /**\n   * The single best chord interpretation of a pitch set.\n   *\n   * @param pitches MIDI pitches or bare pitch classes.\n   * @returns The top-ranked chord, or null when nothing matches.\n   */\n  static detectBest(pitches: number[]): Chord | null {\n    const best = detectChordBest(pitches);\n    return best === null ? null : new Chord(best);\n  }\n\n  /** The root pitch class (0..11). */\n  get rootPc(): number {\n    return this.#data.rootPc;\n  }\n\n  /** The chord quality. */\n  get quality(): ChordQuality {\n    return this.#data.quality;\n  }\n\n  /** A copy of the semitone offsets above the root. */\n  get intervals(): number[] {\n    return [...this.#data.intervals];\n  }\n\n  /** The slash-chord bass pitch class, or undefined in root position. */\n  get bassPc(): number | undefined {\n    return this.#data.bassPc;\n  }\n\n  /** A copy of the underlying plain chord object. */\n  get data(): ChordData {\n    return copyChord(this.#data);\n  }\n\n  /** The carried key context, if any. */\n  get key(): Key | undefined {\n    return this.#key;\n  }\n\n  /**\n   * A copy of this chord carrying the given key context.\n   *\n   * @param key The key context to attach.\n   * @returns The new chord.\n   */\n  withKey(key: Key): Chord {\n    return new Chord(this.#data, key);\n  }\n\n  /**\n   * The chord's sorted, deduplicated pitch classes.\n   *\n   * @returns Pitch classes ascending in [0, 11].\n   */\n  pitchClasses(): number[] {\n    return chordPitchClasses(this.#data);\n  }\n\n  /**\n   * The chord's Roman numeral in a key.\n   *\n   * @param key Key to analyze in; falls back to the carried context.\n   * @returns The Roman numeral string.\n   * @throws If no key is given and none is carried.\n   */\n  roman(key?: Key): string {\n    return chordToRoman(this.#data, this.#resolveKey(key).scale);\n  }\n\n  /**\n   * The chord's harmonic function (tonic / subdominant / dominant) in a key.\n   *\n   * @param key Key to analyze in; falls back to the carried context.\n   * @returns The harmonic function.\n   * @throws If no key is given and none is carried.\n   */\n  function(key?: Key): HarmonicFunction {\n    return functionOf(this.#data, this.#resolveKey(key).scale);\n  }\n\n  /**\n   * Full functional analysis: function, borrowing, and Roman numeral.\n   *\n   * @param key Key to analyze in; falls back to the carried context.\n   * @returns The chord analysis.\n   * @throws If no key is given and none is carried.\n   */\n  analyze(key?: Key): ChordAnalysis {\n    return analyzeChord(this.#data, this.#resolveKey(key).scale);\n  }\n\n  /**\n   * Whether the chord is borrowed from the parallel mode (modal interchange).\n   *\n   * @param key Key to analyze in; falls back to the carried context.\n   * @returns True if the chord is borrowed.\n   * @throws If no key is given and none is carried.\n   */\n  isBorrowed(key?: Key): boolean {\n    return isBorrowedChord(this.#data, this.#resolveKey(key).scale);\n  }\n\n  /**\n   * The origin of a non-diatonic chord (parallel mode or Neapolitan), or null.\n   *\n   * @param key Key to analyze in; falls back to the carried context.\n   * @returns The borrowing source, or null.\n   * @throws If no key is given and none is carried.\n   */\n  borrowedSource(key?: Key): BorrowedSource {\n    return borrowedSource(this.#data, this.#resolveKey(key).scale);\n  }\n\n  /**\n   * The chord rendered as a lead-sheet symbol (e.g. `'Cmaj7'`, `'F#m7'`, `'C/G'`).\n   *\n   * @param opts Set `flats: true` to spell the root/bass with flats.\n   * @returns The chord symbol.\n   */\n  symbol(opts?: { flats?: boolean }): string {\n    return formatChordSymbol(this.#data, opts);\n  }\n\n  /**\n   * Realize the chord as one MIDI pitch per voice, ascending.\n   *\n   * @param opts Voicing options; defaults to four SATB voices.\n   * @returns MIDI pitches, ascending, one per voice.\n   * @throws If no voicing fits the given ranges.\n   */\n  voice(opts?: VoicingOptions): number[] {\n    return voiceChord(this.#data, opts);\n  }\n\n  /**\n   * Realize the chord as a single styled voicing (`close`, `drop2`, `drop3`,\n   * `shell`, or `rootless`), optionally constraining the top voice.\n   *\n   * @param opts Styled-voicing options; defaults to a close-position voicing.\n   * @returns MIDI pitches, ascending.\n   */\n  styledVoicing(opts?: StyledVoicingOptions): number[] {\n    return voiceChordStyled(this.#data, opts);\n  }\n\n  /**\n   * The negative-harmony mirror of the chord about the key's tonic–dominant\n   * axis (major becomes minor and vice versa).\n   *\n   * @param key Key providing the reflection axis; falls back to the carried\n   *   context.\n   * @returns The mirrored chord, keeping any key context.\n   * @throws If no key is given and none is carried.\n   */\n  negativeHarmony(key?: Key): Chord {\n    const resolved = this.#resolveKey(key);\n    // Retain the key that anchored the reflection (explicit first, then carried)\n    // so a later no-arg analysis method still has a key context.\n    return new Chord(negativeHarmonyMirror(this.#data, resolved.scale), key ?? this.#key);\n  }\n\n  /**\n   * The n-th inversion: a copy whose bass is the chord tone `n` steps above the\n   * root in the interval template (`invert(1)` puts the third in the bass).\n   * `n` wraps around the template length; negative values count backwards.\n   *\n   * `invert(0)` (and any `n` that wraps to it) is root position, so it carries\n   * no slash bass and equals the original chord.\n   *\n   * @param n The inversion number.\n   * @returns The inverted chord, keeping any key context.\n   * @throws If the chord has no intervals.\n   */\n  invert(n: number): Chord {\n    const intervals = this.#data.intervals;\n    const length = intervals.length;\n    if (length === 0) {\n      throw new Error('cannot invert a chord with no intervals');\n    }\n    const index = ((n % length) + length) % length;\n    const data = copyChord(this.#data);\n    if (index === 0) {\n      delete data.bassPc;\n    } else {\n      data.bassPc = mod12(this.#data.rootPc + (intervals[index] ?? 0));\n    }\n    return new Chord(data, this.#key);\n  }\n\n  /**\n   * The named scales that fit over this chord, best fit first, rooted on the\n   * chord root.\n   *\n   * @returns The matching scales.\n   */\n  scales(): ChordScaleMatch[] {\n    return chordScales(this.#data);\n  }\n\n  /**\n   * The available tensions (usable non-chord, non-avoid scale tones) of a\n   * scale over this chord.\n   *\n   * @param scaleName A named scale, rooted on the chord root.\n   * @returns Tension pitch classes, ascending in [0, 11].\n   */\n  tensions(scaleName: string): number[] {\n    return availableTensions(this.#data, scaleName);\n  }\n\n  /**\n   * The avoid notes (scale tones a semitone above a chord tone) of a scale\n   * over this chord.\n   *\n   * @param scaleName A named scale, rooted on the chord root.\n   * @returns Avoid-note pitch classes, ascending in [0, 11].\n   */\n  avoidNotes(scaleName: string): number[] {\n    return avoidNotes(this.#data, scaleName);\n  }\n\n  /**\n   * Spell the chord tones with letter names, root first, in the key's spelling.\n   *\n   * @param key Key providing the spelled tonic; falls back to the carried\n   *   context.\n   * @returns Spelled octave-less notes in the chord's own (tertian) order.\n   * @throws If no key is given and none is carried.\n   */\n  spell(key?: Key): Note[] {\n    const resolved = this.#resolveKey(key);\n    return spellChord(this.#data, resolved.tonic.data, resolved.scale).map(\n      (note) => new Note(note),\n    );\n  }\n\n  /**\n   * Start a progression with this chord followed by others, carrying this\n   * chord's key context (if any).\n   *\n   * @param others The chords following this one.\n   * @returns The progression.\n   */\n  progressionTo(...others: Chord[]): Progression {\n    return new Progression([this, ...others], this.#key);\n  }\n\n  /**\n   * Whether another chord has the same root, quality, intervals, and bass.\n   * Key context is not compared.\n   *\n   * @param other The chord to compare.\n   * @returns True if the chord data is identical.\n   */\n  equals(other: Chord): boolean {\n    const a = this.#data;\n    const b = other.#data;\n    return (\n      a.rootPc === b.rootPc &&\n      a.quality === b.quality &&\n      a.bassPc === b.bassPc &&\n      a.intervals.length === b.intervals.length &&\n      a.intervals.every((interval, i) => interval === b.intervals[i])\n    );\n  }\n\n  /**\n   * The plain chord data, for JSON serialization.\n   *\n   * @returns A copy of the underlying plain chord object.\n   */\n  toJSON(): ChordData {\n    return this.data;\n  }\n\n  /** Resolve the key for an analysis method: explicit first, then carried. */\n  #resolveKey(key?: Key): Key {\n    const resolved = key ?? this.#key;\n    if (resolved === undefined) {\n      throw new Error('chord has no key context; pass a Key or attach one with withKey()');\n    }\n    return resolved;\n  }\n}\n","import type { SpelledInterval } from '../core/pitch/index.js';\nimport type { Note } from './note.js';\n\n/**\n * An immutable spelled interval value: a diatonic number, a quality label, and\n * a signed semitone span. A thin convenience wrapper over the pitch module's\n * plain interval result.\n *\n * @category Class API\n * @example\n * ```ts\n * import { Interval, Note } from '@libraz/libcantus';\n * Interval.between(Note.of('C4'), Note.of('G4')).name; // 'P5'\n * ```\n */\nexport class Interval {\n  readonly #number: number;\n  readonly #quality: string;\n  readonly #semitones: number;\n\n  private constructor(numberValue: number, quality: string, semitones: number) {\n    this.#number = numberValue;\n    this.#quality = quality;\n    this.#semitones = semitones;\n  }\n\n  /**\n   * The spelled interval between two notes.\n   *\n   * @param a The first note.\n   * @param b The second note.\n   * @returns The interval from `a` to `b`.\n   */\n  static between(a: Note, b: Note): Interval {\n    const spelled = a.intervalTo(b);\n    return new Interval(spelled.number, spelled.quality, spelled.semitones);\n  }\n\n  /**\n   * Build an interval from explicit components.\n   *\n   * @param numberValue Diatonic size: 1 = unison, 2 = second, ... 8 = octave.\n   * @param quality Quality label: `'P'`, `'M'`, `'m'`, or repeated `'A'`/`'d'`.\n   * @param semitones Signed semitone span.\n   * @returns The interval.\n   */\n  static of(numberValue: number, quality: string, semitones: number): Interval {\n    return new Interval(numberValue, quality, semitones);\n  }\n\n  /** Diatonic size: 1 = unison, 2 = second, ... 8 = octave, and beyond. */\n  get number(): number {\n    return this.#number;\n  }\n\n  /** Quality label: `'P'`, `'M'`, `'m'`, or repeated `'A'`/`'d'`. */\n  get quality(): string {\n    return this.#quality;\n  }\n\n  /** Signed semitone span. */\n  get semitones(): number {\n    return this.#semitones;\n  }\n\n  /** A readable label composed of quality and number, e.g. `'P5'` or `'M3'`. */\n  get name(): string {\n    return `${this.#quality}${this.#number}`;\n  }\n\n  /**\n   * The plain interval data, for JSON serialization.\n   *\n   * Private class fields do not serialize, so an explicit `toJSON` keeps\n   * `JSON.stringify(interval)` from collapsing to `{}`.\n   *\n   * @returns The diatonic number, quality, and semitone span.\n   */\n  toJSON(): SpelledInterval {\n    return { number: this.#number, quality: this.#quality, semitones: this.#semitones };\n  }\n}\n","import { isMinorKey, romanToChord } from '../analyze/functional/index.js';\nimport type { Note as NoteData } from '../core/pitch/index.js';\nimport type { KeyScale } from '../core/types.js';\nimport {\n  type ChordQuality,\n  chordFromDegree,\n  diatonicSeventh,\n  diatonicTriad,\n} from '../theory/chord/index.js';\nimport {\n  isScaleTone,\n  majorKey,\n  minorKey,\n  scaleByName,\n  scaleTonesInDegreeOrder,\n} from '../theory/scale/index.js';\nimport { spellScale } from '../theory/spelling/index.js';\nimport { Chord } from './chord.js';\nimport { Note } from './note.js';\nimport { mod12, spellPitchClassBare } from './shared.js';\n\n/** Resolve a string or numeric key root into a spelled tonic note. */\nfunction resolveTonic(root: string | number, spelling: 'sharp' | 'flat'): Note {\n  return typeof root === 'string' ? Note.of(root) : new Note(spellPitchClassBare(root, spelling));\n}\n\n/** Total accidentals a spelled tonic produces across a key's whole scale. */\nfunction accidentalLoad(tonic: NoteData, scale: KeyScale): number {\n  return spellScale(tonic, scale).reduce((sum, note) => sum + Math.abs(note.alter), 0);\n}\n\n/**\n * Choose the tonic spelling (sharp- or flat-side) that spells `scale` with the\n * fewest accidentals, so a numeric root never yields a double-flat/double-sharp\n * scale (e.g. pitch class 6 minor spells as F# minor, not Gb minor with Bbb).\n */\nfunction bestTonicForScale(rootPc: number, scale: KeyScale): Note {\n  const sharp = spellPitchClassBare(rootPc, 'sharp');\n  const flat = spellPitchClassBare(rootPc, 'flat');\n  if (sharp.letter === flat.letter && sharp.alter === flat.alter) {\n    return new Note(sharp);\n  }\n  return accidentalLoad(flat, scale) <= accidentalLoad(sharp, scale)\n    ? new Note(flat)\n    : new Note(sharp);\n}\n\n/**\n * An immutable key/scale: a `KeyScale` (root pitch class plus mode mask) paired\n * with a spelled tonic that anchors letter-name spelling. Acts as the factory\n * for key-aware chords.\n *\n * @category Class API\n * @example\n * ```ts\n * import { Key } from '@libraz/libcantus';\n * Key.major('C').chord(4).symbol(); // 'G' (the diatonic triad on scale degree 4)\n * ```\n */\nexport class Key {\n  readonly #scale: KeyScale;\n  readonly #tonic: Note;\n\n  /**\n   * Wrap a key/scale and its spelled tonic.\n   *\n   * @param scale The key/scale; its root is normalized to a pitch class.\n   * @param tonic The spelled tonic anchoring letter-name spelling.\n   */\n  constructor(scale: KeyScale, tonic: Note) {\n    this.#scale = { rootPc: mod12(scale.rootPc), modeMask12: scale.modeMask12 };\n    this.#tonic = tonic;\n  }\n\n  /**\n   * A major key.\n   *\n   * @param root Tonic as a note name (e.g. `'Eb'`) or a pitch class; a numeric\n   *   root is spelled with whichever accidental side yields the fewest\n   *   accidentals across the scale.\n   * @returns The major key.\n   */\n  static major(root: string | number): Key {\n    if (typeof root === 'string') {\n      const tonic = Note.of(root);\n      return new Key(majorKey(tonic.pitchClass), tonic);\n    }\n    const scale = majorKey(root);\n    return new Key(scale, bestTonicForScale(root, scale));\n  }\n\n  /**\n   * A natural-minor key.\n   *\n   * @param root Tonic as a note name or a pitch class; a numeric root is\n   *   spelled with whichever accidental side yields the fewest accidentals\n   *   across the scale.\n   * @returns The minor key.\n   */\n  static minor(root: string | number): Key {\n    if (typeof root === 'string') {\n      const tonic = Note.of(root);\n      return new Key(minorKey(tonic.pitchClass), tonic);\n    }\n    const scale = minorKey(root);\n    return new Key(scale, bestTonicForScale(root, scale));\n  }\n\n  /**\n   * A key on a named scale (e.g. `'dorian'`, `'harmonicMinor'`).\n   *\n   * @param name The scale name, a key of the scale module's named-scale table.\n   * @param root Tonic as a note name or a pitch class.\n   * @returns The key.\n   * @throws If the name is not a known scale.\n   */\n  static named(name: string, root: string | number): Key {\n    const tonic = resolveTonic(root, 'sharp');\n    return new Key(scaleByName(name, tonic.pitchClass), tonic);\n  }\n\n  /**\n   * Wrap an existing `KeyScale`, synthesizing a spelled tonic when none is\n   * given (flat-preferred for minor-third scales, sharp-preferred otherwise).\n   *\n   * @param scale The key/scale to wrap.\n   * @param tonic Optional spelled tonic.\n   * @returns The key.\n   */\n  static of(scale: KeyScale, tonic?: Note): Key {\n    const spelled =\n      tonic ?? new Note(spellPitchClassBare(scale.rootPc, isMinorKey(scale) ? 'flat' : 'sharp'));\n    return new Key(scale, spelled);\n  }\n\n  /** A copy of the underlying plain `KeyScale`. */\n  get scale(): KeyScale {\n    return { rootPc: this.#scale.rootPc, modeMask12: this.#scale.modeMask12 };\n  }\n\n  /** The spelled tonic. */\n  get tonic(): Note {\n    return this.#tonic;\n  }\n\n  /** The tonic pitch class (0..11). */\n  get rootPc(): number {\n    return this.#scale.rootPc;\n  }\n\n  /** Whether the scale has a minor third and no major third. */\n  get isMinor(): boolean {\n    return isMinorKey(this.#scale);\n  }\n\n  /**\n   * The scale's pitch classes in ascending scale-degree order (degree 0 first).\n   *\n   * @returns One pitch class per scale degree.\n   */\n  pitchClasses(): number[] {\n    return scaleTonesInDegreeOrder(this.#scale);\n  }\n\n  /**\n   * The spelled scale, one note per degree (e.g. C D E F G A B for C major).\n   *\n   * @returns Spelled octave-less notes in scale-degree order.\n   */\n  notes(): Note[] {\n    return spellScale(this.#tonic.data, this.#scale).map((note) => new Note(note));\n  }\n\n  /**\n   * Alias of {@link Key.notes}.\n   *\n   * @returns Spelled octave-less notes in scale-degree order.\n   */\n  spell(): Note[] {\n    return this.notes();\n  }\n\n  /**\n   * The spelled scale as letter-name strings.\n   *\n   * @returns One name per scale degree.\n   */\n  noteNames(): string[] {\n    return this.notes().map((note) => note.name);\n  }\n\n  /**\n   * Build a chord on a scale degree, carrying this key as context.\n   *\n   * With an explicit quality the quality's interval template is attached to the\n   * degree's diatonic root; without one the scale-correct diatonic triad is\n   * stacked (e.g. a diminished triad on the leading tone of a major key).\n   *\n   * @param degree 0-based scale degree of the chord root.\n   * @param quality Optional chord quality.\n   * @returns The chord, with this key attached.\n   */\n  chord(degree: number, quality?: ChordQuality): Chord {\n    const data =\n      quality === undefined\n        ? diatonicTriad(degree, this.#scale)\n        : chordFromDegree(degree, quality, this.#scale);\n    return new Chord(data, this);\n  }\n\n  /**\n   * The diatonic triad on a scale degree, carrying this key as context.\n   *\n   * @param degree 0-based scale degree of the chord root.\n   * @returns The triad, with this key attached.\n   */\n  diatonicTriad(degree: number): Chord {\n    return new Chord(diatonicTriad(degree, this.#scale), this);\n  }\n\n  /**\n   * The diatonic seventh chord on a scale degree, carrying this key as context.\n   *\n   * @param degree 0-based scale degree of the chord root.\n   * @returns The seventh chord, with this key attached.\n   */\n  diatonicSeventh(degree: number): Chord {\n    return new Chord(diatonicSeventh(degree, this.#scale), this);\n  }\n\n  /**\n   * Build the chord denoted by a Roman numeral in this key (including applied\n   * chords such as `'V7/V'`), carrying this key as context.\n   *\n   * @param text The Roman numeral.\n   * @returns The chord, with this key attached.\n   * @throws If the numeral is not valid.\n   */\n  roman(text: string): Chord {\n    return new Chord(romanToChord(text, this.#scale), this);\n  }\n\n  /**\n   * Whether a pitch belongs to the scale.\n   *\n   * @param x A MIDI pitch, bare pitch class, or note.\n   * @returns True if the pitch class is a scale tone.\n   */\n  contains(x: number | Note): boolean {\n    return isScaleTone(typeof x === 'number' ? x : x.pitchClass, this.#scale);\n  }\n\n  /**\n   * The plain key data, for JSON serialization.\n   *\n   * Private class fields do not serialize, so an explicit `toJSON` keeps\n   * `JSON.stringify(key)` from collapsing to `{}`. 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package/dist/chunk-DYWFNC4A.js

@@ -1,152 +0,0 @@
-// src/core/pitch/index.ts
-var LETTER_SEMITONES = [0, 2, 4, 5, 7, 9, 11];
-var LETTER_NAMES = ["C", "D", "E", "F", "G", "A", "B"];
-function mod12(n) {
-  return (n % 12 + 12) % 12;
-}
-function mod7(n) {
-  return (n % 7 + 7) % 7;
-}
-function parseNote(text) {
-  const match = /^([A-Ga-g])([#x]*|b*)(-?\d+)?$/.exec(text.trim());
-  if (!match) {
-    throw new Error(`Invalid note: ${text}`);
-  }
-  const letterGlyph = (match[1] ?? "").toUpperCase();
-  const letter = LETTER_NAMES.indexOf(letterGlyph);
-  let alter = 0;
-  for (const ch of match[2] ?? "") {
-    if (ch === "#") {
-      alter += 1;
-    } else if (ch === "x") {
-      alter += 2;
-    } else if (ch === "b") {
-      alter -= 1;
-    }
-  }
-  const note = { letter, alter };
-  if (match[3] !== void 0) {
-    note.octave = Number.parseInt(match[3], 10);
-  }
-  return note;
-}
-function formatAlter(alter) {
-  if (alter > 0) {
-    return "#".repeat(alter);
-  }
-  if (alter < 0) {
-    return "b".repeat(-alter);
-  }
-  return "";
-}
-function formatNote(note) {
-  const glyph = LETTER_NAMES[mod7(note.letter)] ?? "C";
-  const octave = note.octave === void 0 ? "" : String(note.octave);
-  return `${glyph}${formatAlter(note.alter)}${octave}`;
-}
-function noteToPitchClass(note) {
-  const natural = LETTER_SEMITONES[mod7(note.letter)] ?? 0;
-  return mod12(natural + note.alter);
-}
-function noteToMidi(note) {
-  if (note.octave === void 0) {
-    throw new Error("noteToMidi requires an octave");
-  }
-  const natural = LETTER_SEMITONES[mod7(note.letter)] ?? 0;
-  return (note.octave + 1) * 12 + natural + note.alter;
-}
-var SHARP_SPELLING = [
-  [0, 0],
-  [0, 1],
-  [1, 0],
-  [1, 1],
-  [2, 0],
-  [3, 0],
-  [3, 1],
-  [4, 0],
-  [4, 1],
-  [5, 0],
-  [5, 1],
-  [6, 0]
-];
-var FLAT_SPELLING = [
-  [0, 0],
-  [1, -1],
-  [1, 0],
-  [2, -1],
-  [2, 0],
-  [3, 0],
-  [4, -1],
-  [4, 0],
-  [5, -1],
-  [5, 0],
-  [6, -1],
-  [6, 0]
-];
-function midiToNote(midi, spelling = "sharp") {
-  const rounded = Math.round(midi);
-  const pc = mod12(rounded);
-  const octave = Math.floor(rounded / 12) - 1;
-  const table = spelling === "sharp" ? SHARP_SPELLING : FLAT_SPELLING;
-  const entry = table[pc] ?? [0, 0];
-  return { letter: entry[0], alter: entry[1], octave };
-}
-var SIMPLE_REFERENCE = [0, 0, 2, 4, 5, 7, 9, 11];
-function isPerfectNumber(simpleNumber) {
-  return simpleNumber === 1 || simpleNumber === 4 || simpleNumber === 5;
-}
-function qualityFromSpan(numberValue, semitones) {
-  const octaves = Math.floor((numberValue - 1) / 7);
-  const simple = numberValue - 7 * octaves;
-  const reference = (SIMPLE_REFERENCE[simple] ?? 0) + 12 * octaves;
-  const delta = semitones - reference;
-  if (isPerfectNumber(simple)) {
-    if (delta === 0) {
-      return "P";
-    }
-    return delta > 0 ? "A".repeat(delta) : "d".repeat(-delta);
-  }
-  if (delta === 0) {
-    return "M";
-  }
-  if (delta === -1) {
-    return "m";
-  }
-  return delta > 0 ? "A".repeat(delta) : "d".repeat(-delta - 1);
-}
-function diatonicIndex(note) {
-  return mod7(note.letter) + 7 * (note.octave ?? 0);
-}
-function spelledInterval(a, b) {
-  const octaved = a.octave !== void 0 && b.octave !== void 0;
-  let letterSteps;
-  let semitones;
-  if (octaved) {
-    letterSteps = diatonicIndex(b) - diatonicIndex(a);
-    semitones = noteToMidi(b) - noteToMidi(a);
-  } else {
-    letterSteps = mod7(b.letter - a.letter);
-    let rawSemis = mod12(noteToPitchClass(b) - noteToPitchClass(a));
-    const reference = SIMPLE_REFERENCE[letterSteps + 1] ?? 0;
-    if (reference - rawSemis > 6) {
-      rawSemis += 12;
-    } else if (rawSemis - reference > 6) {
-      rawSemis -= 12;
-    }
-    semitones = rawSemis;
-  }
-  const absSteps = Math.abs(letterSteps);
-  const number = absSteps + 1;
-  const quality = qualityFromSpan(number, Math.abs(semitones));
-  return { number, quality, semitones };
-}
-
-export {
-  parseNote,
-  formatNote,
-  noteToPitchClass,
-  noteToMidi,
-  midiToNote,
-  spelledInterval
-};
-//# sourceMappingURL=chunk-DYWFNC4A.js.map

package/dist/chunk-DYWFNC4A.js.map

@@ -1 +0,0 @@
-{"version":3,"sources":["../src/core/pitch/index.ts"],"sourcesContent":["/**\n * Pitch spelling: letter-name notes, enharmonic-aware conversion, and spelled\n * intervals.\n *\n * The rest of the library works in pitch classes (0..11), which cannot tell a\n * G# from an Ab or an augmented fourth from a diminished fifth. This module adds\n * an explicit spelling layer — a note is a diatonic letter plus a chromatic\n * alteration — so interval quality (P/M/m/A/d) and enharmonic identity are\n * preserved.\n */\n\n/** Semitone offset of each natural letter above C: C D E F G A B. */\nconst LETTER_SEMITONES = [0, 2, 4, 5, 7, 9, 11] as const;\n\n/** Letter glyphs indexed by letter number (0 = C .. 6 = B). */\nconst LETTER_NAMES = ['C', 'D', 'E', 'F', 'G', 'A', 'B'] as const;\n\n/**\n * A spelled note: a diatonic letter, a chromatic alteration, and an optional\n * octave.\n *\n * - `letter` is 0..6 for C..B.\n * - `alter` is the number of semitones of alteration: -2 double-flat, -1 flat,\n *   0 natural, +1 sharp, +2 double-sharp.\n * - `octave` follows scientific pitch notation (middle C = C4 = MIDI 60). When\n *   absent, the note denotes a bare pitch class.\n *\n * @category Pitch & Intervals\n */\nexport type Note = {\n  letter: number;\n  alter: number;\n  octave?: number;\n};\n\n/**\n * A spelled interval: a diatonic number, a quality label, and its semitone span.\n *\n * @category Pitch & Intervals\n */\nexport type SpelledInterval = {\n  /** Diatonic size: 1 = unison, 2 = second, ... 8 = octave, and beyond. */\n  number: number;\n  /** Quality label: 'P', 'M', 'm', or repeated 'A'/'d' for (multiply) aug/dim. */\n  quality: string;\n  /** Signed semitone distance from the first note to the second. */\n  semitones: number;\n};\n\n/** Reduce any integer to a pitch class in [0, 11]. */\nfunction mod12(n: number): number {\n  return ((n % 12) + 12) % 12;\n}\n\n/** Reduce any integer to [0, 7). */\nfunction mod7(n: number): number {\n  return ((n % 7) + 7) % 7;\n}\n\n/**\n * Parse scientific pitch notation into a {@link Note}.\n *\n * Accepts a letter (case-insensitive) followed by any number of same-direction\n * accidentals and an optional octave, e.g. `\"C\"`, `\"C#4\"`, `\"Bb\"`, `\"F##3\"`,\n * `\"Ebb2\"`. Both `#` and `x` (double-sharp) are accepted for sharps; `b` for\n * flats. Mixing sharps and flats (e.g. `\"C#b\"`) is rejected.\n *\n * @param text The note text.\n * @returns The parsed note.\n * @throws If the text is not a valid note.\n * @example\n * ```ts\n * import { parseNote, noteToMidi } from '@libraz/libcantus';\n * const n = parseNote('C#4');\n * noteToMidi(n); // 61\n * ```\n * @category Pitch & Intervals\n */\nexport function parseNote(text: string): Note {\n  const match = /^([A-Ga-g])([#x]*|b*)(-?\\d+)?$/.exec(text.trim());\n  if (!match) {\n    throw new Error(`Invalid note: ${text}`);\n  }\n  const letterGlyph = (match[1] ?? '').toUpperCase();\n  const letter = LETTER_NAMES.indexOf(letterGlyph as (typeof LETTER_NAMES)[number]);\n  let alter = 0;\n  for (const ch of match[2] ?? '') {\n    if (ch === '#') {\n      alter += 1;\n    } else if (ch === 'x') {\n      alter += 2;\n    } else if (ch === 'b') {\n      alter -= 1;\n    }\n  }\n  const note: Note = { letter, alter };\n  if (match[3] !== undefined) {\n    note.octave = Number.parseInt(match[3], 10);\n  }\n  return note;\n}\n\n/** Render an alteration as accidental glyphs (`##`, `b`, empty for natural). */\nfunction formatAlter(alter: number): string {\n  if (alter > 0) {\n    return '#'.repeat(alter);\n  }\n  if (alter < 0) {\n    return 'b'.repeat(-alter);\n  }\n  return '';\n}\n\n/**\n * Render a {@link Note} as scientific pitch notation.\n *\n * @param note The note to format.\n * @returns The note text, including the octave when present.\n * @example\n * ```ts\n * import { formatNote, parseNote } from '@libraz/libcantus';\n * formatNote(parseNote('C#4')); // 'C#4'\n * ```\n * @category Pitch & Intervals\n */\nexport function formatNote(note: Note): string {\n  const glyph = LETTER_NAMES[mod7(note.letter)] ?? 'C';\n  const octave = note.octave === undefined ? '' : String(note.octave);\n  return `${glyph}${formatAlter(note.alter)}${octave}`;\n}\n\n/**\n * Pitch class (0..11) of a note, ignoring octave.\n *\n * @param note The note.\n * @returns The pitch class.\n * @example\n * ```ts\n * import { noteToPitchClass, parseNote } from '@libraz/libcantus';\n * noteToPitchClass(parseNote('Db')); // 1\n * ```\n * @category Pitch & Intervals\n */\nexport function noteToPitchClass(note: Note): number {\n  const natural = LETTER_SEMITONES[mod7(note.letter)] ?? 0;\n  return mod12(natural + note.alter);\n}\n\n/**\n * MIDI number of a note (middle C = C4 = 60).\n *\n * @param note The note; must carry an octave.\n * @returns The MIDI number.\n * @throws If the note has no octave.\n * @example\n * ```ts\n * import { noteToMidi, parseNote } from '@libraz/libcantus';\n * noteToMidi(parseNote('A4')); // 69\n * ```\n * @category Pitch & Intervals\n */\nexport function noteToMidi(note: Note): number {\n  if (note.octave === undefined) {\n    throw new Error('noteToMidi requires an octave');\n  }\n  const natural = LETTER_SEMITONES[mod7(note.letter)] ?? 0;\n  return (note.octave + 1) * 12 + natural + note.alter;\n}\n\n/** Preferred spelling when naming a black key from a bare MIDI number. */\nconst SHARP_SPELLING: readonly [number, number][] = [\n  [0, 0],\n  [0, 1],\n  [1, 0],\n  [1, 1],\n  [2, 0],\n  [3, 0],\n  [3, 1],\n  [4, 0],\n  [4, 1],\n  [5, 0],\n  [5, 1],\n  [6, 0],\n];\n\nconst FLAT_SPELLING: readonly [number, number][] = [\n  [0, 0],\n  [1, -1],\n  [1, 0],\n  [2, -1],\n  [2, 0],\n  [3, 0],\n  [4, -1],\n  [4, 0],\n  [5, -1],\n  [5, 0],\n  [6, -1],\n  [6, 0],\n];\n\n/**\n * Name a MIDI number as a {@link Note}, choosing sharp or flat spelling.\n *\n * The input is rounded to the nearest integer but is not clamped to the MIDI\n * range 0..127: out-of-range values extrapolate linearly (e.g. `-1` -> `B-2`,\n * `128` -> `G#9`) and remain an exact inverse of {@link noteToMidi}.\n *\n * @param midi The MIDI number.\n * @param spelling Whether to prefer sharps or flats for black keys.\n * @returns The spelled note, with octave.\n * @example\n * ```ts\n * import { midiToNote, formatNote } from '@libraz/libcantus';\n * formatNote(midiToNote(61)); // 'C#4'\n * formatNote(midiToNote(61, 'flat')); // 'Db4'\n * ```\n * @category Pitch & Intervals\n */\nexport function midiToNote(midi: number, spelling: 'sharp' | 'flat' = 'sharp'): Note {\n  const rounded = Math.round(midi);\n  const pc = mod12(rounded);\n  const octave = Math.floor(rounded / 12) - 1;\n  const table = spelling === 'sharp' ? SHARP_SPELLING : FLAT_SPELLING;\n  const entry = table[pc] ?? [0, 0];\n  return { letter: entry[0], alter: entry[1], octave };\n}\n\n/** Reference semitone span of a perfect/major simple interval by diatonic number. */\nconst SIMPLE_REFERENCE = [0, 0, 2, 4, 5, 7, 9, 11] as const;\n\n/** Whether a simple diatonic number (1..7 within an octave) is a perfect kind. */\nfunction isPerfectNumber(simpleNumber: number): boolean {\n  return simpleNumber === 1 || simpleNumber === 4 || simpleNumber === 5;\n}\n\n/** Quality label from a diatonic number and its actual semitone span. */\nfunction qualityFromSpan(numberValue: number, semitones: number): string {\n  const octaves = Math.floor((numberValue - 1) / 7);\n  const simple = numberValue - 7 * octaves;\n  const reference = (SIMPLE_REFERENCE[simple] ?? 0) + 12 * octaves;\n  const delta = semitones - reference;\n  if (isPerfectNumber(simple)) {\n    if (delta === 0) {\n      return 'P';\n    }\n    return delta > 0 ? 'A'.repeat(delta) : 'd'.repeat(-delta);\n  }\n  if (delta === 0) {\n    return 'M';\n  }\n  if (delta === -1) {\n    return 'm';\n  }\n  return delta > 0 ? 'A'.repeat(delta) : 'd'.repeat(-delta - 1);\n}\n\n/** Diatonic ladder index of a note (letter + 7 * octave when octave-bearing). */\nfunction diatonicIndex(note: Note): number {\n  return mod7(note.letter) + 7 * (note.octave ?? 0);\n}\n\n/**\n * The spelled interval from one note to another.\n *\n * When both notes carry octaves, the interval reflects their full signed\n * distance (so `C4 -> C5` is a perfect octave). When either lacks an octave the\n * interval is measured within a single ascending octave from `a` to `b`.\n *\n * @param a The lower/first note.\n * @param b The upper/second note.\n * @returns The diatonic number, quality, and semitone span.\n * @example\n * ```ts\n * import { spelledInterval, parseNote } from '@libraz/libcantus';\n * spelledInterval(parseNote('C4'), parseNote('G4'));\n * // { number: 5, quality: 'P', semitones: 7 }\n * ```\n * @category Pitch & Intervals\n */\nexport function spelledInterval(a: Note, b: Note): SpelledInterval {\n  const octaved = a.octave !== undefined && b.octave !== undefined;\n  let letterSteps: number;\n  let semitones: number;\n  if (octaved) {\n    letterSteps = diatonicIndex(b) - diatonicIndex(a);\n    // Signed pitch distance from a to b, so a note below a yields a negative span.\n    semitones = noteToMidi(b) - noteToMidi(a);\n  } else {\n    letterSteps = mod7(b.letter - a.letter);\n    let rawSemis = mod12(noteToPitchClass(b) - noteToPitchClass(a));\n    // Lift the chromatic span into the octave nearest the diatonic reference so\n    // wraparound intervals stay consistent with the diatonic number instead of\n    // collapsing modulo 12. 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package/dist/chunk-GQKN5KDT.js.map

@@ -1 +0,0 @@
-{"version":3,"sources":["../src/generate/reharmony/index.ts"],"sourcesContent":["/**\n * Reharmonization: chord substitution, modal-interchange palettes, and negative\n * harmony. These transforms take an existing chord (or a key) and propose\n * alternative harmonies that preserve a chosen relationship — a shared function,\n * a common tone, a tonicizing dominant, or a reflection across the key axis.\n *\n * Roots are pitch classes (0..11); no spelled key signature is required.\n */\n\nimport { detectChordBest } from '../../analyze/detect/index.js';\nimport {\n  type BorrowedSource,\n  borrowedSource,\n  chordToRoman,\n  functionOf,\n  type HarmonicFunction,\n  isDiatonic,\n  parallelKey,\n} from '../../analyze/functional/index.js';\nimport type { KeyScale } from '../../core/types.js';\nimport {\n  type Chord,\n  type ChordQuality,\n  chordPitchClasses,\n  diatonicTriad,\n  makeChord,\n} from '../../theory/chord/index.js';\nimport { scaleTonesInDegreeOrder } from '../../theory/scale/index.js';\n\n/** Reduce a value to a pitch class in [0, 11]. */\nfunction mod12(n: number): number {\n  return ((n % 12) + 12) % 12;\n}\n\n/**\n * The kind of substitution relationship a candidate realizes.\n *\n * @category Reharmonization\n */\nexport type SubstitutionType =\n  | 'tritone'\n  | 'relative'\n  | 'borrowed'\n  | 'chromatic-mediant'\n  | 'secondary-dominant';\n\n/**\n * A proposed chord substitution with its relationship, numeral, and function.\n *\n * @category Reharmonization\n */\nexport type Substitution = {\n  chord: Chord;\n  type: SubstitutionType;\n  roman: string;\n  function: HarmonicFunction;\n};\n\n/**\n * Options controlling which substitutions {@link substituteChord} returns.\n *\n * @category Reharmonization\n */\nexport type SubstituteOptions = {\n  /**\n   * Melody pitch classes that must remain chord tones. When given, only\n   * substitutions whose pitch classes contain every listed pitch class are\n   * kept, so the melody stays consonant against the new harmony.\n   */\n  melodyPcs?: number[];\n};\n\n/** Whether the chord's template carries a given interval (mod 12). */\nfunction hasInterval(chord: Chord, semitone: number): boolean {\n  return chord.intervals.some((iv) => mod12(iv) === semitone);\n}\n\n/** Whether a chord is a dominant type: a major third with a minor seventh. */\nfunction isDominantType(chord: Chord): boolean {\n  return hasInterval(chord, 4) && hasInterval(chord, 10);\n}\n\n/**\n * A chord that can be tonicized: it has a perfect fifth and a third but is not\n * itself a dominant seventh (which is an unstable, tonicizing sonority rather\n * than a stable target).\n */\nfunction isStableTarget(chord: Chord): boolean {\n  const hasFifth = hasInterval(chord, 7);\n  const hasThird = hasInterval(chord, 3) || hasInterval(chord, 4);\n  return hasFifth && hasThird && !isDominantType(chord);\n}\n\n/** The triad pitch classes (root, third, fifth) implied by a chord's template. */\nfunction triadPitchClasses(chord: Chord): number[] {\n  const third = hasInterval(chord, 4) ? 4 : hasInterval(chord, 3) ? 3 : 4;\n  const fifth = hasInterval(chord, 8) ? 8 : hasInterval(chord, 6) ? 6 : 7;\n  return [mod12(chord.rootPc), mod12(chord.rootPc + third), mod12(chord.rootPc + fifth)];\n}\n\n/** Count the pitch classes shared between two pitch-class sets. */\nfunction commonToneCount(a: number[], b: number[]): number {\n  const set = new Set(b);\n  return a.filter((pc) => set.has(pc)).length;\n}\n\n/** The diatonic triads of a key, one per scale degree. */\nfunction diatonicTriadsOf(key: KeyScale): Chord[] {\n  const degrees = scaleTonesInDegreeOrder(key).length;\n  const triads: Chord[] = [];\n  for (let degree = 0; degree < degrees; degree += 1) {\n    triads.push(diatonicTriad(degree, key));\n  }\n  return triads;\n}\n\n/** Whether two chords share the same root pitch class and quality. */\nfunction sameChord(a: Chord, b: Chord): boolean {\n  return mod12(a.rootPc) === mod12(b.rootPc) && a.quality === b.quality;\n}\n\n/** Root offsets (semitones) that form a third above or below a root. */\nconst THIRD_OFFSETS = [3, 4, 8, 9] as const;\n\n/**\n * Propose substitutions for a chord within a key.\n *\n * Candidates are generated by several relationships and deduplicated against the\n * original chord and each other:\n *\n * - `tritone`: for a dominant-type chord, the dominant seventh a tritone away.\n * - `secondary-dominant`: for a stable target, the dominant seventh a fifth\n *   above its root (tonicizing it).\n * - `relative`: a diatonic triad a third away that shares two common tones.\n * - `borrowed`: a triad from the parallel mode with the same harmonic function.\n * - `chromatic-mediant`: a major/minor triad a third away sharing one common\n *   tone.\n *\n * Each result carries its Roman numeral and harmonic function in `key`. When\n * `opts.melodyPcs` is given, only substitutions whose pitch classes contain all\n * of those pitch classes are returned.\n *\n * @param chord The chord to reharmonize.\n * @param key The prevailing key.\n * @param opts Optional melody-preservation constraint.\n * @returns The deduplicated substitution candidates.\n * @example\n * ```ts\n * import { substituteChord, makeChord, majorKey } from '@libraz/libcantus';\n * const subs = substituteChord(makeChord(7, 'dom7'), majorKey(0));\n * // includes the tritone sub Db7 (rootPc 1, quality 'dom7')\n * ```\n * @category Reharmonization\n */\nexport function substituteChord(\n  chord: Chord,\n  key: KeyScale,\n  opts?: SubstituteOptions,\n): Substitution[] {\n  const original = triadPitchClasses(chord);\n  const candidates: { chord: Chord; type: SubstitutionType }[] = [];\n\n  // Tritone substitution: only for dominant-type chords.\n  if (isDominantType(chord)) {\n    candidates.push({ chord: makeChord(mod12(chord.rootPc + 6), 'dom7'), type: 'tritone' });\n  }\n\n  // Secondary dominant: the V7 tonicizing a stable target.\n  if (isStableTarget(chord)) {\n    candidates.push({\n      chord: makeChord(mod12(chord.rootPc + 7), 'dom7'),\n      type: 'secondary-dominant',\n    });\n  }\n\n  // Relative: a diatonic triad a third away sharing two common tones.\n  for (const triad of diatonicTriadsOf(key)) {\n    const offset = mod12(triad.rootPc - chord.rootPc);\n    if (\n      (THIRD_OFFSETS as readonly number[]).includes(offset) &&\n      commonToneCount(original, chordPitchClasses(triad)) === 2\n    ) {\n      candidates.push({ chord: triad, type: 'relative' });\n    }\n  }\n\n  // Borrowed: a parallel-mode triad sharing the original's harmonic function.\n  const targetFunction = functionOf(chord, key);\n  for (const triad of diatonicTriadsOf(parallelKey(key))) {\n    if (functionOf(triad, key) === targetFunction && !isDiatonic(triad, key)) {\n      candidates.push({ chord: triad, type: 'borrowed' });\n    }\n  }\n\n  // Chromatic mediants: major/minor triads a third away sharing one common tone.\n  for (const offset of THIRD_OFFSETS) {\n    for (const quality of ['maj', 'min'] as const) {\n      const mediant = makeChord(mod12(chord.rootPc + offset), quality);\n      if (\n        commonToneCount(original, chordPitchClasses(mediant)) === 1 &&\n        !isDiatonic(mediant, key)\n      ) {\n        candidates.push({ chord: mediant, type: 'chromatic-mediant' });\n      }\n    }\n  }\n\n  const melodyPcs = opts?.melodyPcs?.map(mod12);\n  const seen = new Set<string>();\n  const results: Substitution[] = [];\n  for (const candidate of candidates) {\n    if (sameChord(candidate.chord, chord)) {\n      continue;\n    }\n    const dedupeKey = `${mod12(candidate.chord.rootPc)}:${candidate.chord.quality}`;\n    if (seen.has(dedupeKey)) {\n      continue;\n    }\n    seen.add(dedupeKey);\n    if (melodyPcs !== undefined) {\n      const pcs = new Set(chordPitchClasses(candidate.chord));\n      if (!melodyPcs.every((pc) => pcs.has(pc))) {\n        continue;\n      }\n    }\n    results.push({\n      chord: candidate.chord,\n      type: candidate.type,\n      roman: chordToRoman(candidate.chord, key),\n      function: functionOf(candidate.chord, key),\n    });\n  }\n  return results;\n}\n\n/**\n * A borrowed chord in the modal-interchange palette of a key.\n *\n * @category Reharmonization\n */\nexport type BorrowedChord = {\n  chord: Chord;\n  roman: string;\n  source: BorrowedSource;\n};\n\n/**\n * The modal-interchange palette of a key.\n *\n * Lists the diatonic triads of the {@link parallelKey} that are not diatonic to\n * `key` (the classic borrowed chords such as `iv`, `bVI`, and `bVII` in a major\n * key), plus the Neapolitan (a major triad on the flat second degree). Each\n * carries its Roman numeral and {@link borrowedSource} relative to `key`.\n *\n * @param key The prevailing key.\n * @returns The borrowed-chord palette.\n * @category Reharmonization\n */\nexport function modalInterchangePalette(key: KeyScale): BorrowedChord[] {\n  const palette: BorrowedChord[] = [];\n  const seen = new Set<string>();\n  const add = (chord: Chord) => {\n    const dedupeKey = `${mod12(chord.rootPc)}:${chord.quality}`;\n    if (seen.has(dedupeKey)) {\n      return;\n    }\n    seen.add(dedupeKey);\n    palette.push({\n      chord,\n      roman: chordToRoman(chord, key),\n      source: borrowedSource(chord, key),\n    });\n  };\n\n  for (const triad of diatonicTriadsOf(parallelKey(key))) {\n    if (!isDiatonic(triad, key)) {\n      add(triad);\n    }\n  }\n  // The Neapolitan (major triad on b2) sits outside both parallel modes, so it\n  // is added explicitly — unless b2 is already diatonic (e.g. in a Phrygian key,\n  // where it is a native chord rather than a borrowing).\n  const neapolitan = makeChord(mod12(key.rootPc + 1), 'maj');\n  if (!isDiatonic(neapolitan, key)) {\n    add(neapolitan);\n  }\n  return palette;\n}\n\n/**\n * Reflect a chord across the tonic–dominant axis of a key (negative harmony).\n *\n * Every pitch class `p` maps to `(2*T + 7 - p) mod 12`, where `T` is the key\n * tonic — the reflection that swaps the tonic with the dominant. The mirrored\n * pitch classes (including the bass, if set) are reassembled into a chord by\n * {@link detectChordBest}; when no chord is recognized, the mirrored root and\n * the original quality are used as a fallback.\n *\n * @param chord The chord to reflect.\n * @param key The prevailing key.\n * @returns The negative-harmony counterpart of the chord.\n * @example\n * ```ts\n * import { negativeHarmonyMirror, makeChord, majorKey } from '@libraz/libcantus';\n * negativeHarmonyMirror(makeChord(7, 'maj'), majorKey(0));\n * // G major reflected across C's axis => F minor (rootPc 5, quality 'min')\n * ```\n * @category Reharmonization\n */\nexport function negativeHarmonyMirror(chord: Chord, key: KeyScale): Chord {\n  const tonic = mod12(key.rootPc);\n  const mirror = (p: number) => mod12(2 * tonic + 7 - p);\n  const pcs = chordPitchClasses(chord).map(mirror);\n  const bassPc = chord.bassPc !== undefined ? mirror(chord.bassPc) : undefined;\n  // Place the mirrored bass an octave below so it is recognized as the lowest\n  // note and preserved through detection.\n  const pitches = bassPc !== undefined ? 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Restore the recognized chord to root position in that case.\n    if (bassPc === undefined && detected.bassPc !== undefined) {\n      return makeChord(detected.rootPc, detected.quality);\n    }\n    return detected;\n  }\n  const quality: ChordQuality = chord.quality;\n  return makeChord(mirror(chord.rootPc), quality, bassPc);\n}\n"],"mappings":";;;;;;;;;;;;;;;;AA8BA,SAAS,MAAM,GAAmB;AAChC,UAAS,IAAI,KAAM,MAAM;AAC3B;AAyCA,SAAS,YAAY,OAAc,UAA2B;AAC5D,SAAO,MAAM,UAAU,KAAK,CAAC,OAAO,MAAM,EAAE,MAAM,QAAQ;AAC5D;AAGA,SAAS,eAAe,OAAuB;AAC7C,SAAO,YAAY,OAAO,CAAC,KAAK,YAAY,OAAO,EAAE;AACvD;AAOA,SAAS,eAAe,OAAuB;AAC7C,QAAM,WAAW,YAAY,OAAO,CAAC;AACrC,QAAM,WAAW,YAAY,OAAO,CAAC,KAAK,YAAY,OAAO,CAAC;AAC9D,SAAO,YAAY,YAAY,CAAC,eAAe,KAAK;AACtD;AAGA,SAAS,kBAAkB,OAAwB;AACjD,QAAM,QAAQ,YAAY,OAAO,CAAC,IAAI,IAAI,YAAY,OAAO,CAAC,IAAI,IAAI;AACtE,QAAM,QAAQ,YAAY,OAAO,CAAC,IAAI,IAAI,YAAY,OAAO,CAAC,IAAI,IAAI;AACtE,SAAO,CAAC,MAAM,MAAM,MAAM,GAAG,MAAM,MAAM,SAAS,KAAK,GAAG,MAAM,MAAM,SAAS,KAAK,CAAC;AACvF;AAGA,SAAS,gBAAgB,GAAa,GAAqB;AACzD,QAAM,MAAM,IAAI,IAAI,CAAC;AACrB,SAAO,EAAE,OAAO,CAAC,OAAO,IAAI,IAAI,EAAE,CAAC,EAAE;AACvC;AAGA,SAAS,iBAAiB,KAAwB;AAChD,QAAM,UAAU,wBAAwB,GAAG,EAAE;AAC7C,QAAM,SAAkB,CAAC;AACzB,WAAS,SAAS,GAAG,SAAS,SAAS,UAAU,GAAG;AAClD,WAAO,KAAK,cAAc,QAAQ,GAAG,CAAC;AAAA,EACxC;AACA,SAAO;AACT;AAGA,SAAS,UAAU,GAAU,GAAmB;AAC9C,SAAO,MAAM,EAAE,MAAM,MAAM,MAAM,EAAE,MAAM,KAAK,EAAE,YAAY,EAAE;AAChE;AAGA,IAAM,gBAAgB,CAAC,GAAG,GAAG,GAAG,CAAC;AAgC1B,SAAS,gBACd,OACA,KACA,MACgB;AAChB,QAAM,WAAW,kBAAkB,KAAK;AACxC,QAAM,aAAyD,CAAC;AAGhE,MAAI,eAAe,KAAK,GAAG;AACzB,eAAW,KAAK,EAAE,OAAO,UAAU,MAAM,MAAM,SAAS,CAAC,GAAG,MAAM,GAAG,MAAM,UAAU,CAAC;AAAA,EACxF;AAGA,MAAI,eAAe,KAAK,GAAG;AACzB,eAAW,KAAK;AAAA,MACd,OAAO,UAAU,MAAM,MAAM,SAAS,CAAC,GAAG,MAAM;AAAA,MAChD,MAAM;AAAA,IACR,CAAC;AAAA,EACH;AAGA,aAAW,SAAS,iBAAiB,GAAG,GAAG;AACzC,UAAM,SAAS,MAAM,MAAM,SAAS,MAAM,MAAM;AAChD,QACG,cAAoC,SAAS,MAAM,KACpD,gBAAgB,UAAU,kBAAkB,KAAK,CAAC,MAAM,GACxD;AACA,iBAAW,KAAK,EAAE,OAAO,OAAO,MAAM,WAAW,CAAC;AAAA,IACpD;AAAA,EACF;AAGA,QAAM,iBAAiB,WAAW,OAAO,GAAG;AAC5C,aAAW,SAAS,iBAAiB,YAAY,GAAG,CAAC,GAAG;AACtD,QAAI,WAAW,OAAO,GAAG,MAAM,kBAAkB,CAAC,WAAW,OAAO,GAAG,GAAG;AACxE,iBAAW,KAAK,EAAE,OAAO,OAAO,MAAM,WAAW,CAAC;AAAA,IACpD;AAAA,EACF;AAGA,aAAW,UAAU,eAAe;AAClC,eAAW,WAAW,CAAC,OAAO,KAAK,GAAY;AAC7C,YAAM,UAAU,UAAU,MAAM,MAAM,SAAS,MAAM,GAAG,OAAO;AAC/D,UACE,gBAAgB,UAAU,kBAAkB,OAAO,CAAC,MAAM,KAC1D,CAAC,WAAW,SAAS,GAAG,GACxB;AACA,mBAAW,KAAK,EAAE,OAAO,SAAS,MAAM,oBAAoB,CAAC;AAAA,MAC/D;AAAA,IACF;AAAA,EACF;AAEA,QAAM,YAAY,MAAM,WAAW,IAAI,KAAK;AAC5C,QAAM,OAAO,oBAAI,IAAY;AAC7B,QAAM,UAA0B,CAAC;AACjC,aAAW,aAAa,YAAY;AAClC,QAAI,UAAU,UAAU,OAAO,KAAK,GAAG;AACrC;AAAA,IACF;AACA,UAAM,YAAY,GAAG,MAAM,UAAU,MAAM,MAAM,CAAC,IAAI,UAAU,MAAM,OAAO;AAC7E,QAAI,KAAK,IAAI,SAAS,GAAG;AACvB;AAAA,IACF;AACA,SAAK,IAAI,SAAS;AAClB,QAAI,cAAc,QAAW;AAC3B,YAAM,MAAM,IAAI,IAAI,kBAAkB,UAAU,KAAK,CAAC;AACtD,UAAI,CAAC,UAAU,MAAM,CAAC,OAAO,IAAI,IAAI,EAAE,CAAC,GAAG;AACzC;AAAA,MACF;AAAA,IACF;AACA,YAAQ,KAAK;AAAA,MACX,OAAO,UAAU;AAAA,MACjB,MAAM,UAAU;AAAA,MAChB,OAAO,aAAa,UAAU,OAAO,GAAG;AAAA,MACxC,UAAU,WAAW,UAAU,OAAO,GAAG;AAAA,IAC3C,CAAC;AAAA,EACH;AACA,SAAO;AACT;AAyBO,SAAS,wBAAwB,KAAgC;AACtE,QAAM,UAA2B,CAAC;AAClC,QAAM,OAAO,oBAAI,IAAY;AAC7B,QAAM,MAAM,CAAC,UAAiB;AAC5B,UAAM,YAAY,GAAG,MAAM,MAAM,MAAM,CAAC,IAAI,MAAM,OAAO;AACzD,QAAI,KAAK,IAAI,SAAS,GAAG;AACvB;AAAA,IACF;AACA,SAAK,IAAI,SAAS;AAClB,YAAQ,KAAK;AAAA,MACX;AAAA,MACA,OAAO,aAAa,OAAO,GAAG;AAAA,MAC9B,QAAQ,eAAe,OAAO,GAAG;AAAA,IACnC,CAAC;AAAA,EACH;AAEA,aAAW,SAAS,iBAAiB,YAAY,GAAG,CAAC,GAAG;AACtD,QAAI,CAAC,WAAW,OAAO,GAAG,GAAG;AAC3B,UAAI,KAAK;AAAA,IACX;AAAA,EACF;AAIA,QAAM,aAAa,UAAU,MAAM,IAAI,SAAS,CAAC,GAAG,KAAK;AACzD,MAAI,CAAC,WAAW,YAAY,GAAG,GAAG;AAChC,QAAI,UAAU;AAAA,EAChB;AACA,SAAO;AACT;AAsBO,SAAS,sBAAsB,OAAc,KAAsB;AACxE,QAAM,QAAQ,MAAM,IAAI,MAAM;AAC9B,QAAM,SAAS,CAAC,MAAc,MAAM,IAAI,QAAQ,IAAI,CAAC;AACrD,QAAM,MAAM,kBAAkB,KAAK,EAAE,IAAI,MAAM;AAC/C,QAAM,SAAS,MAAM,WAAW,SAAY,OAAO,MAAM,MAAM,IAAI;AAGnE,QAAM,UAAU,WAAW,SAAY,CAAC,SAAS,IAAI,GAAG,GAAG,IAAI;AAC/D,QAAM,WAAW,gBAAgB,OAAO;AACxC,MAAI,UAAU;AAIZ,QAAI,WAAW,UAAa,SAAS,WAAW,QAAW;AACzD,aAAO,UAAU,SAAS,QAAQ,SAAS,OAAO;AAAA,IACpD;AACA,WAAO;AAAA,EACT;AACA,QAAM,UAAwB,MAAM;AACpC,SAAO,UAAU,OAAO,MAAM,MAAM,GAAG,SAAS,MAAM;AACxD;","names":[]}

package/dist/chunk-LN7ZZMD2.js.map

@@ -1 +0,0 @@
-{"version":3,"sources":["../src/analyze/functional/internal.ts","../src/analyze/functional/roman.ts","../src/analyze/functional/borrowed.ts","../src/analyze/functional/function.ts","../src/analyze/functional/cadence.ts","../src/analyze/detect/index.ts"],"sourcesContent":["/**\n * Shared helpers for the functional-harmony modules.\n *\n * Roots are pitch classes measured against the key tonic, so borrowed and\n * chromatic chords are handled by their semitone offset rather than requiring a\n * spelled key signature.\n */\n\nimport type { KeyScale } from '../../core/types.js';\nimport type { Chord } from '../../theory/chord/index.js';\nimport { scaleTonesInDegreeOrder } from '../../theory/scale/index.js';\n\nexport function mod12(n: number): number {\n  return ((n % 12) + 12) % 12;\n}\n\n/** Diatonic pitch class of a 1-based scale degree in a key. */\nexport function degreeRootPc(degreeNumber: number, key: KeyScale): number {\n  const tones = scaleTonesInDegreeOrder(key);\n  if (tones.length === 0) {\n    return mod12(key.rootPc);\n  }\n  return tones[(degreeNumber - 1) % tones.length] ?? mod12(key.rootPc);\n}\n\n/** Whether a chord is the Neapolitan: a major triad on the flat second degree. */\nexport function isNeapolitan(chord: Chord, key: KeyScale): boolean {\n  return mod12(chord.rootPc - key.rootPc) === 1 && chord.quality === 'maj';\n}\n","/**\n * Roman-numeral parsing and formatting.\n *\n * The {@link ROMAN_STYLE} table is the single source of truth for both\n * directions, so {@link chordToRoman} and {@link romanToChord} stay mutual\n * inverses by construction.\n */\n\nimport type { KeyScale } from '../../core/types.js';\nimport type { Chord, ChordQuality } from '../../theory/chord/index.js';\nimport { makeChord } from '../../theory/chord/index.js';\nimport { majorKey, scaleTonesInDegreeOrder } from '../../theory/scale/index.js';\nimport { degreeRootPc, mod12 } from './internal.js';\n\n/** Roman numeral glyphs indexed by degree number - 1. */\nconst ROMAN = ['I', 'II', 'III', 'IV', 'V', 'VI', 'VII'] as const;\n\n/** Roman glyph -> degree number (1..7). */\nconst ROMAN_TO_DEGREE: Record<string, number> = {\n  I: 1,\n  II: 2,\n  III: 3,\n  IV: 4,\n  V: 5,\n  VI: 6,\n  VII: 7,\n};\n\n/** Major-key Roman spelling for each semitone offset above the tonic. */\nconst OFFSET_SPELLING: readonly [number, string][] = [\n  [1, ''],\n  [2, 'b'],\n  [2, ''],\n  [3, 'b'],\n  [3, ''],\n  [4, ''],\n  [4, '#'],\n  [5, ''],\n  [6, 'b'],\n  [6, ''],\n  [7, 'b'],\n  [7, ''],\n];\n\n/** Choose a seventh-chord quality from a triad label and the numeral case. */\nfunction seventhQuality(base: 'maj' | 'min' | 'dim' | 'aug', halfDim: boolean): ChordQuality {\n  if (halfDim) {\n    return 'm7b5';\n  }\n  if (base === 'dim') {\n    return 'dim7';\n  }\n  if (base === 'aug') {\n    return 'aug7';\n  }\n  return base === 'maj' ? 'dom7' : 'min7';\n}\n\n/** Figure strings that denote a recognized figured-bass inversion. */\nconst INVERSION_FIGURES = new Set(['6', '64', '65', '43', '42', '2', '7']);\n\n/**\n * Canonical Roman-numeral rendering (numeral case and quality suffix) for every\n * supported chord quality. The table is the single source of truth for both\n * directions: {@link chordToRoman} renders from it and {@link romanToChord}\n * recognizes its exact case-sensitive suffixes, so the two stay mutual\n * inverses by construction. Suffixes are chosen to never collide with\n * figured-bass inversion digits (`6`, `64`, `65`, `43`, `42`, `2`) — the added\n * sixth is `add6`, the six-nine chord is `69` — and each (case, suffix) pair is\n * unique.\n */\nconst ROMAN_STYLE: Record<ChordQuality, { lower: boolean; suffix: string }> = {\n  maj: { lower: false, suffix: '' },\n  min: { lower: true, suffix: '' },\n  dim: { lower: true, suffix: 'o' },\n  aug: { lower: false, suffix: '+' },\n  maj7: { lower: false, suffix: 'maj7' },\n  min7: { lower: true, suffix: '7' },\n  dom7: { lower: false, suffix: '7' },\n  dim7: { lower: true, suffix: 'o7' },\n  m7b5: { lower: true, suffix: 'ø7' },\n  minMaj7: { lower: true, suffix: 'maj7' },\n  aug7: { lower: false, suffix: '+7' },\n  augMaj7: { lower: false, suffix: '+maj7' },\n  majb5: { lower: false, suffix: 'b5' },\n  '6': { lower: false, suffix: 'add6' },\n  min6: { lower: true, suffix: 'add6' },\n  '6/9': { lower: false, suffix: '69' },\n  sus2: { lower: false, suffix: 'sus2' },\n  sus4: { lower: false, suffix: 'sus4' },\n  add9: { lower: false, suffix: 'add9' },\n  add11: { lower: false, suffix: 'add11' },\n  maj9: { lower: false, suffix: 'maj9' },\n  min9: { lower: true, suffix: '9' },\n  dom9: { lower: false, suffix: '9' },\n  '7b9': { lower: false, suffix: '7b9' },\n  '7#9': { lower: false, suffix: '7#9' },\n  '7#11': { lower: false, suffix: '7#11' },\n  '7b13': { lower: false, suffix: '7b13' },\n  '11': { lower: false, suffix: '11' },\n  '13': { lower: false, suffix: '13' },\n  '5': { lower: false, suffix: '5' },\n};\n\n/** Reverse lookup of {@link ROMAN_STYLE}: `(case, exact suffix) -> quality`. */\nconst SUFFIX_QUALITY: ReadonlyMap<string, ChordQuality> = new Map(\n  (Object.entries(ROMAN_STYLE) as [ChordQuality, { lower: boolean; suffix: string }][]).map(\n    ([quality, style]) => [`${style.lower ? 'l' : 'u'}:${style.suffix}`, quality],\n  ),\n);\n\n/** Read figured-bass digits into a chord inversion and whether a seventh is implied. */\nfunction parseInversion(figures: string): { inversion: number; seventh: boolean } {\n  if (figures === '65') {\n    return { inversion: 1, seventh: true };\n  }\n  if (figures === '43') {\n    return { inversion: 2, seventh: true };\n  }\n  if (figures === '42' || figures === '2') {\n    return { inversion: 3, seventh: true };\n  }\n  if (figures === '7') {\n    return { inversion: 0, seventh: true };\n  }\n  if (figures === '64') {\n    return { inversion: 2, seventh: false };\n  }\n  if (figures === '6') {\n    return { inversion: 1, seventh: false };\n  }\n  return { inversion: 0, seventh: false };\n}\n\n/** Parse a Roman numeral (no secondary '/') into a root, quality, and inversion. */\nfunction parseSimpleRoman(\n  text: string,\n  key: KeyScale,\n): { rootPc: number; quality: ChordQuality; inversion: number } {\n  const match = /^([b#]?)([iIvV]+)(.*)$/.exec(text.trim());\n  if (!match) {\n    throw new Error(`Invalid Roman numeral: ${text}`);\n  }\n  const accidental = match[1] === 'b' ? -1 : match[1] === '#' ? 1 : 0;\n  const glyph = (match[2] ?? '').toUpperCase();\n  const degreeNumber = ROMAN_TO_DEGREE[glyph];\n  if (degreeNumber === undefined) {\n    throw new Error(`Invalid Roman numeral: ${text}`);\n  }\n  const isUpper = (match[2] ?? '')[0] === (match[2] ?? '')[0]?.toUpperCase();\n  const suffix = match[3] ?? '';\n  const rootPc = mod12(degreeRootPc(degreeNumber, key) + accidental);\n\n  // Canonical quality suffixes (exact match, case-sensitive on the numeral)\n  // come first so every chordToRoman rendering re-parses to the same quality:\n  // `V9` -> dom9 but `ii9` -> min9 and `Imaj9` -> maj9, and added-tone suffixes\n  // whose digits would otherwise be misread as figured bass (`Iadd6`, `I69`,\n  // `Isus2`, `Iadd11`) resolve to their qualities in root position.\n  const canonical = SUFFIX_QUALITY.get(`${isUpper ? 'u' : 'l'}:${suffix}`);\n  if (canonical !== undefined) {\n    return { rootPc, quality: canonical, inversion: 0 };\n  }\n\n  const isDim = /o|°|dim/.test(suffix);\n  const isAug = /\\+|aug/.test(suffix);\n  const isHalfDim = /ø/.test(suffix);\n  const explicitMaj7 = /maj7|M7/.test(suffix);\n  const figures = suffix.replace(/maj7|M7/g, '').replace(/[^0-9]/g, '');\n\n  // Reject figure strings that are neither a known figured-bass inversion nor a\n  // canonical quality suffix rather than silently degrading to a root triad.\n  if (figures !== '' && !INVERSION_FIGURES.has(figures)) {\n    throw new Error(`Unsupported figured-bass or extension \"${figures}\" in Roman numeral: ${text}`);\n  }\n\n  const { inversion, seventh } = parseInversion(figures);\n  // The ø glyph is the half-diminished seventh by definition (there is no\n  // half-diminished triad), so it always implies a seventh.\n  const hasSeventh = explicitMaj7 || seventh || isHalfDim;\n\n  let base: 'maj' | 'min' | 'dim' | 'aug';\n  if (isDim || isHalfDim) {\n    base = 'dim';\n  } else if (isAug) {\n    base = 'aug';\n  } else {\n    base = isUpper ? 'maj' : 'min';\n  }\n\n  let quality: ChordQuality;\n  if (explicitMaj7) {\n    quality = base === 'min' ? 'minMaj7' : base === 'aug' ? 'augMaj7' : 'maj7';\n  } else if (hasSeventh) {\n    quality = seventhQuality(base, isHalfDim);\n  } else if (base === 'dim') {\n    quality = 'dim';\n  } else if (base === 'aug') {\n    quality = 'aug';\n  } else {\n    quality = base;\n  }\n  return { rootPc, quality, inversion };\n}\n\n/** Build a chord from a parsed Roman numeral, attaching a bass for inversions. */\nfunction chordFromParsed(parsed: {\n  rootPc: number;\n  quality: ChordQuality;\n  inversion: number;\n}): Chord {\n  const chord = makeChord(parsed.rootPc, parsed.quality);\n  if (parsed.inversion > 0 && parsed.inversion < chord.intervals.length) {\n    chord.bassPc = mod12(parsed.rootPc + (chord.intervals[parsed.inversion] ?? 0));\n  }\n  return chord;\n}\n\n/**\n * Build the chord denoted by a Roman numeral in a key.\n *\n * Supports accidentals (`bVII`, `#iv`), case-based triad quality, the `o`/`ø`/`+`\n * suffixes, sevenths (`V7`, `viio7`, `Imaj7`), figured-bass inversions\n * (`V6`, `V64`, `V65`, `V43`, `V42`), and applied/secondary chords via a slash\n * (`V7/V`, `viio/ii`). The target after the slash is read as a scale degree\n * whose root becomes a local major tonic for the applied chord. Inverted chords\n * carry a `bassPc`.\n *\n * The `ø` glyph always denotes the half-diminished seventh (`iiø` == `iiø7` ==\n * `m7b5`), since no half-diminished triad exists. Extension and added-tone\n * suffixes are the canonical case-sensitive forms emitted by\n * {@link chordToRoman} and honor the numeral case: `V9` -> `dom9`, `ii9` ->\n * `min9`, `Imaj9` -> `maj9`, `V11` -> `11`, `V13` -> `13`, `Iadd6`/`iadd6` ->\n * `6`/`min6`, `I69` -> `6/9`, `Isus2`/`Isus4`, `Iadd9`/`Iadd11`, `Ib5` ->\n * `majb5`, `I5` -> `5`, and the altered dominants `V7b9`/`V7#9`/`V7#11`/`V7b13`.\n * A figure string that is neither a recognized inversion nor a supported\n * quality suffix throws rather than silently degrading to a triad.\n *\n * @param text The Roman numeral.\n * @param key The prevailing key.\n * @returns The chord.\n * @example\n * ```ts\n * import { romanToChord, majorKey } from '@libraz/libcantus';\n * romanToChord('V7', majorKey(0)); // G7 in C major: { rootPc: 7, quality: 'dom7', ... }\n * ```\n * @category Functional Harmony\n */\nexport function romanToChord(text: string, key: KeyScale): Chord {\n  const trimmed = text.trim();\n  const slash = trimmed.indexOf('/');\n  if (slash >= 0) {\n    const applied = trimmed.slice(0, slash);\n    const target = trimmed.slice(slash + 1);\n    const targetRoot = parseSimpleRoman(target, key).rootPc;\n    const localKey = majorKey(targetRoot);\n    return chordFromParsed(parseSimpleRoman(applied, localKey));\n  }\n  return chordFromParsed(parseSimpleRoman(trimmed, key));\n}\n\n/** Case and suffix for rendering a chord quality as a Roman numeral. */\nfunction romanStyle(quality: ChordQuality): { lower: boolean; suffix: string } {\n  return ROMAN_STYLE[quality];\n}\n\n/** Choose the degree number and accidental to spell a root as a Roman numeral. */\nfunction romanSpelling(\n  rootPc: number,\n  key: KeyScale,\n): { degreeNumber: number; accidental: string } {\n  const tones = scaleTonesInDegreeOrder(key);\n  const diatonic = tones.indexOf(mod12(rootPc));\n  if (diatonic >= 0) {\n    return { degreeNumber: diatonic + 1, accidental: '' };\n  }\n  // Chromatic root: prefer a flat of the diatonic degree a semitone above it,\n  // then a sharp of the degree a semitone below. Degree 1 (the tonic) and\n  // degree 5 (the dominant) are skipped in the flat pass, so a raised leading\n  // tone spells as `#vii` rather than a flat tonic `bI`, and the tritone above\n  // the tonic spells as `#iv` rather than a flat fifth `bV` (matching the\n  // conventional `OFFSET_SPELLING` for offset 6).\n  for (let i = 0; i < tones.length; i += 1) {\n    const degreeNumber = i + 1;\n    if (degreeNumber === 1 || degreeNumber === 5) {\n      continue;\n    }\n    if (mod12((tones[i] ?? 0) - 1) === mod12(rootPc)) {\n      return { degreeNumber, accidental: 'b' };\n    }\n  }\n  for (let i = 0; i < tones.length; i += 1) {\n    if (mod12((tones[i] ?? 0) + 1) === mod12(rootPc)) {\n      return { degreeNumber: i + 1, accidental: '#' };\n    }\n  }\n  const [degreeNumber, accidental] = OFFSET_SPELLING[mod12(rootPc - key.rootPc)] ?? [1, ''];\n  return { degreeNumber, accidental };\n}\n\n/** Quality marker (without the seventh digit) used when a figure carries the 7. */\nfunction baseMarker(quality: ChordQuality): string {\n  if (quality === 'dim' || quality === 'dim7') {\n    return 'o';\n  }\n  if (quality === 'm7b5') {\n    return 'ø';\n  }\n  if (quality === 'aug' || quality === 'aug7') {\n    return '+';\n  }\n  if (quality === 'augMaj7') {\n    return '+maj7';\n  }\n  if (quality === 'maj7' || quality === 'minMaj7') {\n    return 'maj7';\n  }\n  return '';\n}\n\nconst TRIAD_FIGURES: Record<number, string> = { 1: '6', 2: '64' };\nconst SEVENTH_FIGURES: Record<number, string> = { 1: '65', 2: '43', 3: '42' };\n\n/** Qualities whose inversions render as lossless triad figures (6, 64). */\nconst TRIAD_FIGURE_QUALITIES: ReadonlySet<ChordQuality> = new Set(['maj', 'min', 'dim', 'aug']);\n\n/**\n * Qualities carrying a chordal seventh, whose inversions render as seventh\n * figures (65, 43, 42). Membership is decided by the quality itself — a 7th\n * above the root (10 or 11 semitones, or the diminished 7th of `dim7`) — never\n * by interval count, which would turn added-tone chords into false sevenths.\n */\nconst SEVENTH_FIGURE_QUALITIES: ReadonlySet<ChordQuality> = new Set([\n  'maj7',\n  'min7',\n  'dom7',\n  'dim7',\n  'm7b5',\n  'minMaj7',\n  'aug7',\n  'augMaj7',\n]);\n\n/**\n * Render a chord as a Roman numeral relative to a key.\n *\n * Diatonic roots take their scale-degree numeral directly, so numerals are\n * correct in both major and minor keys (and any custom scale). The quality\n * selects the case and suffix; chromatic roots receive a flat/sharp spelling by\n * convention. When the chord carries a `bassPc` on a chord tone, a figured-bass\n * inversion (`6`, `64`, `65`, `43`, `42`) is emitted for plain triads and true\n * seventh chords; added-tone and extended qualities have no lossless figure and\n * render in root position instead (the bass is dropped, pitch classes are\n * preserved).\n *\n * @param chord The chord to name.\n * @param key The prevailing key.\n * @returns The Roman numeral string.\n * @example\n * ```ts\n * import { chordToRoman, makeChord, majorKey } from '@libraz/libcantus';\n * chordToRoman(makeChord(7, 'dom7'), majorKey(0)); // => 'V7' (G7 in C major)\n * ```\n * @category Functional Harmony\n */\nexport function chordToRoman(chord: Chord, key: KeyScale): string {\n  const { degreeNumber, accidental } = romanSpelling(chord.rootPc, key);\n  const { lower, suffix } = romanStyle(chord.quality);\n  const numeral: string = ROMAN[degreeNumber - 1] ?? 'I';\n  const cased = lower ? numeral.toLowerCase() : numeral;\n\n  let inversion = 0;\n  if (chord.bassPc !== undefined) {\n    const idx = chord.intervals.findIndex((iv) => mod12(chord.rootPc + iv) === chord.bassPc);\n    if (idx > 0) {\n      inversion = idx;\n    }\n  }\n  if (inversion > 0) {\n    const figure = SEVENTH_FIGURE_QUALITIES.has(chord.quality)\n      ? SEVENTH_FIGURES[inversion]\n      : TRIAD_FIGURE_QUALITIES.has(chord.quality)\n        ? TRIAD_FIGURES[inversion]\n        : undefined;\n    if (figure !== undefined) {\n      return `${accidental}${cased}${baseMarker(chord.quality)}${figure}`;\n    }\n    // No lossless figured-bass symbol exists — the quality is an added-tone or\n    // extended chord, or the bass falls on a tension beyond the seventh — so\n    // fall back to root-position rendering with the quality suffix rather than\n    // emitting a figure that would re-parse as a different chord.\n  }\n  return `${accidental}${cased}${suffix}`;\n}\n","/**\n * Borrowed chords (modal interchange) and the Neapolitan.\n *\n * Roots are pitch classes measured against the key tonic, so borrowed and\n * chromatic chords are handled by their semitone offset rather than requiring a\n * spelled key signature.\n */\n\nimport type { KeyScale } from '../../core/types.js';\nimport type { Chord } from '../../theory/chord/index.js';\nimport { HARMONIC_MINOR_MASK } from '../../theory/scale/index.js';\nimport { isDiatonic, isMinorKey, parallelKey } from './function.js';\nimport { isNeapolitan, mod12 } from './internal.js';\n\n/**\n * The origin of a recognized non-diatonic chord, or null when none applies.\n *\n * @category Functional Harmony\n */\nexport type BorrowedSource = 'parallel-minor' | 'parallel-major' | 'neapolitan' | null;\n\n/**\n * In a minor key, whether a non-diatonic chord is explained by the harmonic\n * minor scale on the same tonic (major V, V7, the raised-leading-tone viio).\n * Such chords are in-key chromatic alterations, not modal interchange.\n */\nfunction isHarmonicMinorAlteration(chord: Chord, key: KeyScale): boolean {\n  return (\n    isMinorKey(key) &&\n    isDiatonic(chord, { rootPc: mod12(key.rootPc), modeMask12: HARMONIC_MINOR_MASK })\n  );\n}\n\n/**\n * Whether a chord is borrowed from the parallel mode (modal interchange).\n *\n * True when the chord is not diatonic to `key` but is diatonic to its\n * {@link parallelKey} — e.g. iv, bVI, or bVII in a major key, or the Picardy\n * tonic and major IV in a minor key. Two non-diatonic families are excluded:\n * chords diatonic to neither mode (they are chromatic, not borrowed), and, in\n * a minor key, chords explained by the harmonic minor scale (the major\n * dominant and raised-leading-tone chords), which are in-key alterations\n * rather than interchange even though they happen to fit the parallel major.\n *\n * @param chord The chord to test.\n * @param key The prevailing key.\n * @returns True if the chord is borrowed from the parallel mode.\n * @category Functional Harmony\n */\nexport function isBorrowedChord(chord: Chord, key: KeyScale): boolean {\n  if (isDiatonic(chord, key)) {\n    return false;\n  }\n  if (isHarmonicMinorAlteration(chord, key)) {\n    return false;\n  }\n  return isDiatonic(chord, parallelKey(key));\n}\n\n/**\n * Identify where a non-diatonic chord comes from.\n *\n * The Neapolitan (major triad on b2) is recognized first, since it sits\n * outside both parallel modes; parallel-mode borrowing follows the\n * {@link isBorrowedChord} rules. Diatonic chords, harmonic-minor alterations,\n * and unrecognized chromatic chords all yield null.\n *\n * @param chord The chord to classify.\n * @param key The prevailing key.\n * @returns The borrowing source, or null.\n * @category Functional Harmony\n */\nexport function borrowedSource(chord: Chord, key: KeyScale): BorrowedSource {\n  if (isDiatonic(chord, key)) {\n    return null;\n  }\n  if (isNeapolitan(chord, key)) {\n    return 'neapolitan';\n  }\n  if (isBorrowedChord(chord, key)) {\n    return isMinorKey(key) ? 'parallel-major' : 'parallel-minor';\n  }\n  return null;\n}\n","/**\n * Harmonic function (tonic / subdominant / dominant), diatonicity, parallel-key\n * mirroring, and full chord analysis.\n *\n * Roots are pitch classes measured against the key tonic, so borrowed and\n * chromatic chords are handled by their semitone offset rather than requiring a\n * spelled key signature.\n */\n\nimport type { KeyScale } from '../../core/types.js';\nimport type { Chord, ChordQuality } from '../../theory/chord/index.js';\nimport { chordPitchClasses, makeChord } from '../../theory/chord/index.js';\nimport { isScaleTone, MAJOR_MASK, NATURAL_MINOR_MASK } from '../../theory/scale/index.js';\nimport { type BorrowedSource, borrowedSource } from './borrowed.js';\nimport { degreeRootPc, isNeapolitan, mod12 } from './internal.js';\nimport { chordToRoman } from './roman.js';\n\n/**\n * The three broad harmonic functions of tonal music.\n *\n * @category Functional Harmony\n */\nexport type HarmonicFunction = 'tonic' | 'subdominant' | 'dominant';\n\n/** Harmonic function of each semitone offset above the tonic (major context). */\nconst FUNCTION_BY_OFFSET: readonly HarmonicFunction[] = [\n  'tonic', // 0  I\n  'subdominant', // 1  bII (Neapolitan)\n  'subdominant', // 2  ii\n  'tonic', // 3  bIII\n  'tonic', // 4  iii\n  'subdominant', // 5  IV\n  'dominant', // 6  #IV / bV\n  'dominant', // 7  V\n  'subdominant', // 8  bVI\n  'tonic', // 9  vi\n  'subdominant', // 10 bVII\n  'dominant', // 11 vii\n];\n\n/**\n * Whether a key's scale has a minor third and no major third (a minor key).\n *\n * @category Functional Harmony\n */\nexport function isMinorKey(key: KeyScale): boolean {\n  const hasMinorThird = (key.modeMask12 >> 3) & 1;\n  const hasMajorThird = (key.modeMask12 >> 4) & 1;\n  return Boolean(hasMinorThird) && !hasMajorThird;\n}\n\n/**\n * The harmonic function of a chord in a key, from its root's offset above the\n * tonic. The mapping follows common-practice major-key function and is a useful\n * approximation in minor and for borrowed chords.\n *\n * @param chord The chord.\n * @param key The prevailing key.\n * @returns The harmonic function.\n * @category Functional Harmony\n */\nexport function functionOf(chord: Chord, key: KeyScale): HarmonicFunction {\n  return FUNCTION_BY_OFFSET[mod12(chord.rootPc - key.rootPc)] ?? 'tonic';\n}\n\n/**\n * The result of {@link analyzeChord}: function, borrowing, and Roman numeral.\n *\n * @category Functional Harmony\n */\nexport type ChordAnalysis = {\n  function: HarmonicFunction;\n  borrowed: boolean;\n  source: BorrowedSource;\n  roman: string;\n};\n\n/**\n * Whether every pitch class of a chord belongs to the key's scale.\n *\n * The test is strict against the key's own mode mask: in a natural-minor key\n * the harmonic-minor dominant (major V) is *not* diatonic, since the raised\n * leading tone lies outside the mask. Borrowing predicates treat that case as\n * an in-key alteration separately (see {@link isBorrowedChord}).\n *\n * @param chord The chord to test.\n * @param key The prevailing key.\n * @returns True if all chord pitch classes are scale tones.\n * @category Functional Harmony\n */\nexport function isDiatonic(chord: Chord, key: KeyScale): boolean {\n  return chordPitchClasses(chord).every((pc) => isScaleTone(pc, key));\n}\n\n/**\n * The parallel key: same tonic, opposite mode.\n *\n * A key with a minor third (natural/harmonic/melodic minor, dorian, phrygian)\n * maps to the parallel major; any other key maps to the parallel natural minor.\n *\n * @param key The key to mirror.\n * @returns The parallel major or natural-minor key on the same tonic.\n * @category Functional Harmony\n */\nexport function parallelKey(key: KeyScale): KeyScale {\n  return {\n    rootPc: mod12(key.rootPc),\n    modeMask12: isMinorKey(key) ? MAJOR_MASK : NATURAL_MINOR_MASK,\n  };\n}\n\n/** Diminished-family qualities: diminished triad, dim7, half-diminished. */\nfunction isDiminishedQuality(quality: ChordQuality): boolean {\n  return quality === 'dim' || quality === 'dim7' || quality === 'm7b5';\n}\n\n/** Whether the chord's interval template carries a major third above the root. */\nfunction hasMajorThird(chord: Chord): boolean {\n  return chord.intervals.some((interval) => mod12(interval) === 4);\n}\n\n/**\n * Quality-aware harmonic function, refining the offset table where chord\n * quality disambiguates: diminished chords on the leading tone or the raised\n * subdominant resolve by semitone and act as dominants; the Neapolitan and the\n * major-third chords on bVI/bVII borrowed from the parallel minor act as\n * subdominant (predominant) harmony. All other chords keep {@link functionOf}.\n */\nfunction qualityAwareFunction(chord: Chord, key: KeyScale): HarmonicFunction {\n  const offset = mod12(chord.rootPc - key.rootPc);\n  if (isDiminishedQuality(chord.quality) && (offset === 11 || offset === 6)) {\n    return 'dominant';\n  }\n  if (isNeapolitan(chord, key)) {\n    return 'subdominant';\n  }\n  if (!isMinorKey(key) && hasMajorThird(chord) && (offset === 8 || offset === 10)) {\n    return 'subdominant';\n  }\n  return functionOf(chord, key);\n}\n\n/**\n * Analyze a chord in a key: harmonic function, borrowing, and Roman numeral.\n *\n * The function is quality-aware (see the predicates behind it), the source\n * follows {@link borrowedSource}, and the numeral comes from\n * {@link chordToRoman}. `borrowed` is true whenever a source is identified —\n * including the Neapolitan, which the stricter parallel-mode predicate\n * {@link isBorrowedChord} does not count.\n *\n * @param chord The chord to analyze.\n * @param key The prevailing key.\n * @returns The chord analysis.\n * @example\n * ```ts\n * import { analyzeChord, makeChord, majorKey } from '@libraz/libcantus';\n * analyzeChord(makeChord(7, 'dom7'), majorKey(0));\n * // { function: 'dominant', borrowed: false, source: null, roman: 'V7' }\n * ```\n * @category Functional Harmony\n */\nexport function analyzeChord(chord: Chord, key: KeyScale): ChordAnalysis {\n  const source = borrowedSource(chord, key);\n  return {\n    function: qualityAwareFunction(chord, key),\n    borrowed: source !== null,\n    source,\n    roman: chordToRoman(chord, key),\n  };\n}\n\n/**\n * The secondary dominant (V7) that tonicizes a scale degree.\n *\n * @param targetDegree 0-based scale degree to tonicize.\n * @param key The prevailing key.\n * @returns A dominant-seventh chord a fifth above the target's root.\n * @category Functional Harmony\n */\nexport function secondaryDominant(targetDegree: number, key: KeyScale): Chord {\n  const targetRoot = degreeRootPc(targetDegree + 1, key);\n  return makeChord(mod12(targetRoot + 7), 'dom7');\n}\n","/**\n * Cadence detection between two successive chords.\n *\n * Roots are pitch classes measured against the key tonic, so borrowed and\n * chromatic chords are handled by their semitone offset rather than requiring a\n * spelled key signature.\n */\n\nimport type { KeyScale } from '../../core/types.js';\nimport type { Chord } from '../../theory/chord/index.js';\nimport { isMinorKey } from './function.js';\nimport { mod12 } from './internal.js';\n\n/**\n * A recognized cadence type, or null when a chord pair forms none.\n *\n * @category Functional Harmony\n */\nexport type Cadence = 'authentic' | 'plagal' | 'half' | 'deceptive' | null;\n\n/**\n * Classify the cadence formed by moving from one chord to the next.\n *\n * - authentic: V (dominant a fifth above the tonic) to I\n * - plagal: IV (a fourth above the tonic) to I\n * - deceptive: V to the submediant (diatonic vi or borrowed bVI in major, VI in\n *   minor)\n * - half: any chord other than the dominant itself to V\n *\n * A static V-to-V repeat with no root motion is not a cadence and yields null.\n *\n * @param from The penultimate chord.\n * @param to The final chord.\n * @param key The prevailing key.\n * @returns The cadence type, or null.\n * @example\n * ```ts\n * import { detectCadence, makeChord, majorKey } from '@libraz/libcantus';\n * detectCadence(makeChord(7, 'maj'), makeChord(0, 'maj'), majorKey(0)); // => 'authentic'\n * ```\n * @category Functional Harmony\n */\nexport function detectCadence(from: Chord, to: Chord, key: KeyScale): Cadence {\n  const tonic = mod12(key.rootPc);\n  const fromOffset = mod12(from.rootPc - tonic);\n  const toOffset = mod12(to.rootPc - tonic);\n  // Deceptive targets: the diatonic submediant (vi at offset 9 in major, VI at\n  // offset 8 in minor) plus, in a major key, the borrowed flat-submediant bVI\n  // at offset 8.\n  const deceptiveTargets = isMinorKey(key) ? [8] : [8, 9];\n  if (fromOffset === 7 && toOffset === 0) {\n    return 'authentic';\n  }\n  if (fromOffset === 5 && toOffset === 0) {\n    return 'plagal';\n  }\n  if (fromOffset === 7 && deceptiveTargets.includes(toOffset)) {\n    return 'deceptive';\n  }\n  // A move to the dominant is a half cadence, but a no-root-motion V-to-V repeat\n  // is not a cadence at all.\n  if (toOffset === 7 && fromOffset !== 7) {\n    return 'half';\n  }\n  return null;\n}\n","/**\n * Recognition: infer a chord name from a set of pitches, or a key from a set of\n * pitch classes. This is the inverse direction of the chord/scale builders,\n * which only go name -> notes.\n */\n\nimport type { KeyScale } from '../../core/types.js';\nimport type { Chord, ChordQuality } from '../../theory/chord/index.js';\nimport { chordPitchClasses, chordQualities, makeChord } from '../../theory/chord/index.js';\nimport {\n  HARMONIC_MINOR_MASK,\n  MAJOR_MASK,\n  MELODIC_MINOR_MASK,\n  majorKey,\n  minorKey,\n  NATURAL_MINOR_MASK,\n} from '../../theory/scale/index.js';\n\n/**\n * A candidate chord interpretation of a pitch set.\n *\n * @category Recognition\n */\nexport type ChordMatch = {\n  rootPc: number;\n  quality: ChordQuality;\n  /** Chord tones absent from the input (an incomplete voicing). */\n  missingPcs: number[];\n  /** Input pitch classes not belonging to the chord. */\n  extraPcs: number[];\n  /** True when the input pitch-class set equals the chord exactly. */\n  exact: boolean;\n  /** Inversion implied by the lowest note: 0 root position, 1 first, ... */\n  inversion: number;\n  /** Bass pitch class when inverted (the lowest note is not the root). */\n  bassPc?: number;\n};\n\n/**\n * A candidate key interpretation of a pitch-class set.\n *\n * @category Recognition\n */\nexport type KeyMatch = {\n  key: KeyScale;\n  mode: 'major' | 'minor';\n  /** Fraction of input pitch classes that are in the scale, in [0, 1]. */\n  fit: number;\n};\n\n/** Reduce any integer to a pitch class in [0, 11]. */\nfunction pitchClass(value: number): number {\n  return ((Math.trunc(value) % 12) + 12) % 12;\n}\n\n/** Unique pitch classes of the input, sorted ascending. */\nfunction uniquePitchClasses(pitches: number[]): number[] {\n  return [...new Set(pitches.map(pitchClass))].sort((a, b) => a - b);\n}\n\n/**\n * Identify chords matching a set of pitches.\n *\n * Every input pitch class is tried as a root against every known chord quality.\n * A match is reported when all of the chord's tones are present in the input, or\n * when the only absent tone is the perfect fifth (a common omission in shell\n * voicings); matches are ranked best-first by fewest extra notes, then fewest\n * missing notes, then most specific (largest) chord. An exact match (no extras,\n * no missing) is flagged and ranked first.\n *\n * @param pitches MIDI pitches or bare pitch classes (octave-agnostic).\n * @returns Ranked chord interpretations (may be empty).\n * @example\n * ```ts\n * import { detectChord } from '@libraz/libcantus';\n * const matches = detectChord([60, 64, 67]); // C E G\n * matches[0]; // { rootPc: 0, quality: 'maj', exact: true, ... }\n * ```\n * @category Recognition\n */\nexport function detectChord(pitches: number[]): ChordMatch[] {\n  const input = uniquePitchClasses(pitches);\n  if (input.length === 0) {\n    return [];\n  }\n  const bassPc = pitchClass(Math.min(...pitches));\n  const inputSet = new Set(input);\n  const matches: ChordMatch[] = [];\n  const qualities = chordQualities();\n  for (const rootPc of input) {\n    for (const quality of qualities) {\n      const chord = makeChord(rootPc, quality);\n      const tones = chordPitchClasses(chord);\n      const toneSet = new Set(tones);\n      const missingPcs = tones.filter((pc) => !inputSet.has(pc));\n      // Accept an exact-tone match, or one whose only absent tone is the perfect\n      // fifth; any other missing tone (third, sus tone, seventh, ...) rejects.\n      const fifthPc = pitchClass(rootPc + 7);\n      if (missingPcs.length > 1 || (missingPcs.length === 1 && missingPcs[0] !== fifthPc)) {\n        continue;\n      }\n      const extraPcs = input.filter((pc) => !toneSet.has(pc));\n      const bassIndex = chord.intervals.findIndex((iv) => pitchClass(rootPc + iv) === bassPc);\n      const inversion = bassIndex > 0 ? bassIndex : 0;\n      const match: ChordMatch = {\n        rootPc,\n        quality,\n        missingPcs,\n        extraPcs,\n        exact: extraPcs.length === 0 && missingPcs.length === 0,\n        inversion,\n      };\n      if (inversion > 0) {\n        match.bassPc = bassPc;\n      }\n      matches.push(match);\n    }\n  }\n  matches.sort((a, b) => {\n    if (a.extraPcs.length !== b.extraPcs.length) {\n      return a.extraPcs.length - b.extraPcs.length;\n    }\n    if (a.missingPcs.length !== b.missingPcs.length) {\n      return a.missingPcs.length - b.missingPcs.length;\n    }\n    // Prefer root position (the bass is the chord root) on a tie.\n    if ((a.inversion === 0) !== (b.inversion === 0)) {\n      return a.inversion === 0 ? -1 : 1;\n    }\n    const aSize = chordPitchClasses(makeChord(a.rootPc, a.quality)).length;\n    const bSize = chordPitchClasses(makeChord(b.rootPc, b.quality)).length;\n    return bSize - aSize;\n  });\n  return matches;\n}\n\n/**\n * The single best chord interpretation of a pitch set, or null if none.\n *\n * @param pitches MIDI pitches or bare pitch classes.\n * @returns The top-ranked chord, or null when nothing matches.\n * @example\n * ```ts\n * import { detectChordBest } from '@libraz/libcantus';\n * detectChordBest([60, 64, 67]); // C major triad: { rootPc: 0, quality: 'maj', ... }\n * ```\n * @category Recognition\n */\nexport function detectChordBest(pitches: number[]): Chord | null {\n  const best = detectChord(pitches)[0];\n  if (!best) {\n    return null;\n  }\n  return makeChord(best.rootPc, best.quality, best.bassPc);\n}\n\n/**\n * Minor-scale variants scored for each minor-key candidate. Scoring against all\n * three lets the raised sixth and seventh (e.g. the leading tone G# in A minor)\n * count toward their own tonic instead of only penalizing it.\n */\nconst MINOR_MASK_VARIANTS = [NATURAL_MINOR_MASK, HARMONIC_MINOR_MASK, MELODIC_MINOR_MASK];\n\n/**\n * Rank major and minor keys by how well they contain a set of pitch classes.\n *\n * The tonic is weighted so that, among equally-fitting keys, the one whose root\n * appears in the input is preferred. Minor candidates are scored against the\n * natural, harmonic, and melodic minor variants and keep the best of the three,\n * so a minor cadence containing the leading tone still resolves to its own\n * tonic; the returned key is always the natural-minor scale. Returns all 24\n * keys ranked best-first, or an empty array for an empty input (mirroring\n * {@link detectChord}).\n *\n * @param pitches MIDI pitches or bare pitch classes.\n * @returns Ranked key interpretations (empty for an empty input).\n * @example\n * ```ts\n * import { detectKey } from '@libraz/libcantus';\n * const keys = detectKey([60, 62, 64, 65, 67, 69, 71]); // C major scale\n * keys[0].mode; // 'major', with keys[0].key.rootPc === 0\n * ```\n * @category Recognition\n */\nexport function detectKey(pitches: number[]): KeyMatch[] {\n  const input = uniquePitchClasses(pitches);\n  if (input.length === 0) {\n    return [];\n  }\n  const counts = new Map<number, number>();\n  for (const pc of pitches.map(pitchClass)) {\n    counts.set(pc, (counts.get(pc) ?? 0) + 1);\n  }\n  const total = pitches.length;\n  const results: (KeyMatch & { score: number })[] = [];\n  for (let tonic = 0; tonic < 12; tonic += 1) {\n    for (const mode of ['major', 'minor'] as const) {\n      const key = mode === 'major' ? majorKey(tonic) : minorKey(tonic);\n      const masks = mode === 'major' ? [MAJOR_MASK] : MINOR_MASK_VARIANTS;\n      // Score each scale variant and keep the best; ties keep the earlier\n      // (more diatonic) variant.\n      let inScale = 0;\n      let weighted = Number.NEGATIVE_INFINITY;\n      for (const mask of masks) {\n        let variantInScale = 0;\n        let variantWeighted = 0;\n        for (const pc of input) {\n          const offset = (pc - tonic + 12) % 12;\n          if ((mask >> offset) & 1) {\n            variantInScale += 1;\n          }\n        }\n        for (const [pc, count] of counts) {\n          const offset = (pc - tonic + 12) % 12;\n          if ((mask >> offset) & 1) {\n            variantWeighted += count;\n          }\n        }\n        if (variantWeighted > weighted) {\n          weighted = variantWeighted;\n          inScale = variantInScale;\n        }\n      }\n      weighted += (counts.get(tonic) ?? 0) * 0.5;\n      results.push({\n        key,\n        mode,\n        fit: inScale / input.length,\n        score: 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package/dist/chunk-MSWFZF7J.js

@@ -1,118 +0,0 @@
-// src/core/meter/index.ts
-var EPS = 1e-9;
-function isMultiple(value, unit) {
-  if (unit === 0) {
-    return false;
-  }
-  const ratio = value / unit;
-  return Math.abs(ratio - Math.round(ratio)) < EPS;
-}
-function parseTimeSignature(text) {
-  const match = /^\s*(\d+)\s*\/\s*(\d+)\s*$/.exec(text);
-  if (!match) {
-    throw new Error(`Invalid time signature: ${text}`);
-  }
-  const numerator = Number.parseInt(match[1] ?? "", 10);
-  const denominator = Number.parseInt(match[2] ?? "", 10);
-  if (numerator <= 0 || denominator <= 0) {
-    throw new Error(`Invalid time signature: ${text}`);
-  }
-  return { numerator, denominator };
-}
-function formatTimeSignature(ts) {
-  return `${ts.numerator}/${ts.denominator}`;
-}
-function isCompound(ts) {
-  return ts.numerator % 3 === 0 && ts.numerator > 3;
-}
-function unitBeats(ts) {
-  return 4 / ts.denominator;
-}
-function beatsPerBar(ts) {
-  return ts.numerator * unitBeats(ts);
-}
-function pulseBeats(ts) {
-  return isCompound(ts) ? 3 * unitBeats(ts) : unitBeats(ts);
-}
-function pulsesPerBar(ts) {
-  return beatsPerBar(ts) / pulseBeats(ts);
-}
-function isValidGrouping(grouping, pulses) {
-  if (grouping.length === 0) {
-    return false;
-  }
-  let sum = 0;
-  for (const g of grouping) {
-    if (!Number.isInteger(g) || g <= 0) {
-      return false;
-    }
-    sum += g;
-  }
-  return sum === pulses;
-}
-function isGroupHead(grouping, pulseIndex) {
-  let acc = 0;
-  for (const g of grouping) {
-    if (acc === pulseIndex) {
-      return true;
-    }
-    acc += g;
-  }
-  return false;
-}
-function beatToBarPosition(beatInQuarters, ts) {
-  const barLen = beatsPerBar(ts);
-  const bar = Math.floor(beatInQuarters / barLen);
-  return { bar, beat: beatInQuarters - bar * barLen };
-}
-function barPositionToBeat(pos, ts) {
-  return pos.bar * beatsPerBar(ts) + pos.beat;
-}
-function metricWeight(beatInQuarters, ts) {
-  const { beat } = beatToBarPosition(beatInQuarters, ts);
-  const pulse = pulseBeats(ts);
-  if (!isMultiple(beat, pulse)) {
-    return 0;
-  }
-  const pulses = pulsesPerBar(ts);
-  const pulseIndex = Math.round(beat / pulse) % pulses;
-  if (pulseIndex === 0) {
-    return 3;
-  }
-  const grouping = ts.grouping;
-  if (grouping !== void 0) {
-    if (!isValidGrouping(grouping, pulses)) {
-      throw new Error(
-        `Invalid grouping [${grouping.join(", ")}] for ${formatTimeSignature(ts)}: entries must be positive integers summing to ${pulses}`
-      );
-    }
-    return isGroupHead(grouping, pulseIndex) ? 2 : 1;
-  }
-  if (pulses % 2 === 0 && pulseIndex === pulses / 2) {
-    return 2;
-  }
-  return 1;
-}
-function isStrongBeat(beatInQuarters, ts) {
-  return metricWeight(beatInQuarters, ts) >= 2;
-}
-function tuplet(totalBeats, count) {
-  if (!Number.isInteger(count) || count <= 0) {
-    throw new Error(`Invalid tuplet count: ${count}`);
-  }
-  return new Array(count).fill(totalBeats / count);
-}
-
-export {
-  parseTimeSignature,
-  formatTimeSignature,
-  isCompound,
-  beatsPerBar,
-  pulsesPerBar,
-  beatToBarPosition,
-  barPositionToBeat,
-  metricWeight,
-  isStrongBeat,
-  tuplet
-};
-//# sourceMappingURL=chunk-MSWFZF7J.js.map

package/dist/chunk-MSWFZF7J.js.map

@@ -1 +0,0 @@
-{"version":3,"sources":["../src/core/meter/index.ts"],"sourcesContent":["/**\n * Meter and time signatures: bar/beat arithmetic, simple vs. compound meters,\n * metric-accent hierarchy, and tuplet subdivision.\n *\n * Positions and durations are measured in quarter-note beats, matching the rest\n * of the library's beat convention (four quarter-note beats per bar in 4/4).\n */\n\n/**\n * A time signature as a numerator over a note-value denominator.\n *\n * @category Rhythm & Meter\n */\nexport type TimeSignature = {\n  numerator: number;\n  denominator: number;\n  /**\n   * Optional additive grouping of the bar's main pulses, as the felt-beat\n   * lengths in pulses — e.g. `[2, 2, 3]` for a 2+2+3 reading of 7/8, or\n   * `[3, 2]` for 5/8. The entries must be positive integers summing to\n   * {@link pulsesPerBar}. When present, the head pulse of each group (other\n   * than the downbeat) is treated as a secondary strong pulse by\n   * {@link metricWeight}/{@link isStrongBeat}; when absent, all main pulses\n   * are weighted equally as flat, evenly divided pulses.\n   */\n  grouping?: number[];\n};\n\n/**\n * A position expressed as a bar index and a quarter-note offset within the bar.\n *\n * @category Rhythm & Meter\n */\nexport type BarPosition = {\n  bar: number;\n  /** Quarter-note offset from the start of the bar. */\n  beat: number;\n};\n\nconst EPS = 1e-9;\n\n/** Whether `value` is an integer multiple of `unit` (within a float tolerance). */\nfunction isMultiple(value: number, unit: number): boolean {\n  if (unit === 0) {\n    return false;\n  }\n  const ratio = value / unit;\n  return Math.abs(ratio - Math.round(ratio)) < EPS;\n}\n\n/**\n * Parse a time signature such as `\"4/4\"` or `\"6/8\"`.\n *\n * @param text The signature text.\n * @returns The parsed time signature.\n * @throws If the text is not `n/d` with positive integers.\n * @example\n * ```ts\n * import { parseTimeSignature } from '@libraz/libcantus';\n * parseTimeSignature('6/8'); // { numerator: 6, denominator: 8 }\n * ```\n * @category Rhythm & Meter\n */\nexport function parseTimeSignature(text: string): TimeSignature {\n  const match = /^\\s*(\\d+)\\s*\\/\\s*(\\d+)\\s*$/.exec(text);\n  if (!match) {\n    throw new Error(`Invalid time signature: ${text}`);\n  }\n  const numerator = Number.parseInt(match[1] ?? '', 10);\n  const denominator = Number.parseInt(match[2] ?? '', 10);\n  if (numerator <= 0 || denominator <= 0) {\n    throw new Error(`Invalid time signature: ${text}`);\n  }\n  return { numerator, denominator };\n}\n\n/**\n * Render a time signature as `\"n/d\"`.\n *\n * @category Rhythm & Meter\n */\nexport function formatTimeSignature(ts: TimeSignature): string {\n  return `${ts.numerator}/${ts.denominator}`;\n}\n\n/**\n * Whether a meter is compound: its main pulses each divide into three, as in\n * 6/8, 9/8, 12/8, or 6/4. Compound meters are those whose numerator is a\n * multiple of three greater than three, independent of the denominator. Meters\n * like 3/8 and 3/4 (simple triples, numerator 3) are not compound.\n *\n * @param ts The time signature.\n * @returns True for compound meters.\n * @category Rhythm & Meter\n */\nexport function isCompound(ts: TimeSignature): boolean {\n  return ts.numerator % 3 === 0 && ts.numerator > 3;\n}\n\n/** Length of one denominator unit in quarter-note beats. */\nfunction unitBeats(ts: TimeSignature): number {\n  return 4 / ts.denominator;\n}\n\n/**\n * Length of a bar in quarter-note beats.\n *\n * @param ts The time signature.\n * @returns The bar length in quarter notes.\n * @category Rhythm & Meter\n */\nexport function beatsPerBar(ts: TimeSignature): number {\n  return ts.numerator * unitBeats(ts);\n}\n\n/** Length of one main pulse (a dotted value in compound meters) in quarter notes. */\nfunction pulseBeats(ts: TimeSignature): number {\n  return isCompound(ts) ? 3 * unitBeats(ts) : unitBeats(ts);\n}\n\n/**\n * Number of main pulses (felt beats) per bar: the numerator for simple meters,\n * a third of it for compound meters.\n *\n * For additive/irregular meters such as 7/8 or 5/8 this counts the raw pulses\n * (7 and 5 respectively), which are otherwise felt as flat, evenly divided and\n * equally accented pulses. To recover a 2+2+3 or 3+2 felt-beat grouping, set\n * {@link TimeSignature.grouping}; {@link metricWeight} then accents each\n * group's head pulse.\n *\n * @param ts The time signature.\n * @returns The pulse count per bar.\n * @category Rhythm & Meter\n */\nexport function pulsesPerBar(ts: TimeSignature): number {\n  return beatsPerBar(ts) / pulseBeats(ts);\n}\n\n/**\n * Whether `grouping` is a valid additive grouping for a bar of `pulses` main\n * pulses: a non-empty list of positive integers summing to `pulses`.\n */\nfunction isValidGrouping(grouping: number[], pulses: number): boolean {\n  if (grouping.length === 0) {\n    return false;\n  }\n  let sum = 0;\n  for (const g of grouping) {\n    if (!Number.isInteger(g) || g <= 0) {\n      return false;\n    }\n    sum += g;\n  }\n  return sum === pulses;\n}\n\n/** Whether `pulseIndex` is the head pulse of one of the additive groups. */\nfunction isGroupHead(grouping: number[], pulseIndex: number): boolean {\n  let acc = 0;\n  for (const g of grouping) {\n    if (acc === pulseIndex) {\n      return true;\n    }\n    acc += g;\n  }\n  return false;\n}\n\n/**\n * Convert an absolute quarter-note position to a bar index and in-bar offset.\n *\n * @param beatInQuarters Absolute position in quarter-note beats.\n * @param ts The time signature.\n * @returns The bar and in-bar quarter-note offset.\n * @example\n * ```ts\n * import { parseTimeSignature, beatToBarPosition } from '@libraz/libcantus';\n * const ts = parseTimeSignature('4/4');\n * beatToBarPosition(5, ts); // { bar: 1, beat: 1 }\n * ```\n * @category Rhythm & Meter\n */\nexport function beatToBarPosition(beatInQuarters: number, ts: TimeSignature): BarPosition {\n  const barLen = beatsPerBar(ts);\n  const bar = Math.floor(beatInQuarters / barLen);\n  return { bar, beat: beatInQuarters - bar * barLen };\n}\n\n/**\n * Convert a bar index and in-bar offset back to an absolute quarter-note\n * position.\n *\n * @param pos The bar position.\n * @param ts The time signature.\n * @returns The absolute position in quarter-note beats.\n * @category Rhythm & Meter\n */\nexport function barPositionToBeat(pos: BarPosition, ts: TimeSignature): number {\n  return pos.bar * beatsPerBar(ts) + pos.beat;\n}\n\n/**\n * Metric weight of a position within its bar, on a 0–3 scale:\n * 3 the downbeat, 2 a secondary strong pulse, 1 any other main pulse, and 0 an\n * off-pulse subdivision.\n *\n * The secondary strong pulse is the bar's midpoint in even simple/compound\n * meters. For an additive/irregular meter with {@link TimeSignature.grouping}\n * set (e.g. `[2, 2, 3]` for 7/8), each group's head pulse other than the\n * downbeat is the secondary strong pulse instead; without a grouping every\n * non-downbeat main pulse of such a meter weighs 1 (flat, evenly divided\n * pulses).\n *\n * @param beatInQuarters Absolute or in-bar quarter-note position.\n * @param ts The time signature.\n * @returns The metric weight (0–3).\n * @throws If `ts.grouping` is present but is not a positive-integer list\n *   summing to {@link pulsesPerBar}.\n * @example\n * ```ts\n * import { parseTimeSignature, metricWeight } from '@libraz/libcantus';\n * const ts = parseTimeSignature('4/4');\n * metricWeight(0, ts); // 3 (the downbeat)\n * ```\n * @category Rhythm & Meter\n */\nexport function metricWeight(beatInQuarters: number, ts: TimeSignature): number {\n  const { beat } = beatToBarPosition(beatInQuarters, ts);\n  const pulse = pulseBeats(ts);\n  if (!isMultiple(beat, pulse)) {\n    return 0;\n  }\n  const pulses = pulsesPerBar(ts);\n  const pulseIndex = Math.round(beat / pulse) % pulses;\n  if (pulseIndex === 0) {\n    return 3;\n  }\n  const grouping = ts.grouping;\n  if (grouping !== undefined) {\n    if (!isValidGrouping(grouping, pulses)) {\n      throw new Error(\n        `Invalid grouping [${grouping.join(', ')}] for ${formatTimeSignature(ts)}: ` +\n          `entries must be positive integers summing to ${pulses}`,\n      );\n    }\n    return isGroupHead(grouping, pulseIndex) ? 2 : 1;\n  }\n  if (pulses % 2 === 0 && pulseIndex === pulses / 2) {\n    return 2;\n  }\n  return 1;\n}\n\n/**\n * Whether a position is metrically accented (weight 2 or more — a downbeat or a\n * secondary strong pulse).\n *\n * @param beatInQuarters Absolute or in-bar quarter-note position.\n * @param ts The time signature.\n * @returns True on strong beats.\n * @category Rhythm & Meter\n */\nexport function isStrongBeat(beatInQuarters: number, ts: TimeSignature): boolean {\n  return metricWeight(beatInQuarters, ts) >= 2;\n}\n\n/**\n * Subdivide a span into `count` equal tuplet durations (e.g. an eighth-note\n * triplet is `tuplet(1, 3)`).\n *\n * @param totalBeats Total span in quarter-note beats.\n * @param count Number of equal parts.\n * @returns `count` equal durations summing to `totalBeats`.\n * @throws If `count` is not a positive integer.\n * @category Rhythm & Meter\n */\nexport function tuplet(totalBeats: number, count: number): number[] {\n  if (!Number.isInteger(count) || count <= 0) {\n    throw new Error(`Invalid tuplet count: ${count}`);\n  }\n  return new Array<number>(count).fill(totalBeats / count);\n}\n"],"mappings":";AAuCA,IAAM,MAAM;AAGZ,SAAS,WAAW,OAAe,MAAuB;AACxD,MAAI,SAAS,GAAG;AACd,WAAO;AAAA,EACT;AACA,QAAM,QAAQ,QAAQ;AACtB,SAAO,KAAK,IAAI,QAAQ,KAAK,MAAM,KAAK,CAAC,IAAI;AAC/C;AAeO,SAAS,mBAAmB,MAA6B;AAC9D,QAAM,QAAQ,6BAA6B,KAAK,IAAI;AACpD,MAAI,CAAC,OAAO;AACV,UAAM,IAAI,MAAM,2BAA2B,IAAI,EAAE;AAAA,EACnD;AACA,QAAM,YAAY,OAAO,SAAS,MAAM,CAAC,KAAK,IAAI,EAAE;AACpD,QAAM,cAAc,OAAO,SAAS,MAAM,CAAC,KAAK,IAAI,EAAE;AACtD,MAAI,aAAa,KAAK,eAAe,GAAG;AACtC,UAAM,IAAI,MAAM,2BAA2B,IAAI,EAAE;AAAA,EACnD;AACA,SAAO,EAAE,WAAW,YAAY;AAClC;AAOO,SAAS,oBAAoB,IAA2B;AAC7D,SAAO,GAAG,GAAG,SAAS,IAAI,GAAG,WAAW;AAC1C;AAYO,SAAS,WAAW,IAA4B;AACrD,SAAO,GAAG,YAAY,MAAM,KAAK,GAAG,YAAY;AAClD;AAGA,SAAS,UAAU,IAA2B;AAC5C,SAAO,IAAI,GAAG;AAChB;AASO,SAAS,YAAY,IAA2B;AACrD,SAAO,GAAG,YAAY,UAAU,EAAE;AACpC;AAGA,SAAS,WAAW,IAA2B;AAC7C,SAAO,WAAW,EAAE,IAAI,IAAI,UAAU,EAAE,IAAI,UAAU,EAAE;AAC1D;AAgBO,SAAS,aAAa,IAA2B;AACtD,SAAO,YAAY,EAAE,IAAI,WAAW,EAAE;AACxC;AAMA,SAAS,gBAAgB,UAAoB,QAAyB;AACpE,MAAI,SAAS,WAAW,GAAG;AACzB,WAAO;AAAA,EACT;AACA,MAAI,MAAM;AACV,aAAW,KAAK,UAAU;AACxB,QAAI,CAAC,OAAO,UAAU,CAAC,KAAK,KAAK,GAAG;AAClC,aAAO;AAAA,IACT;AACA,WAAO;AAAA,EACT;AACA,SAAO,QAAQ;AACjB;AAGA,SAAS,YAAY,UAAoB,YAA6B;AACpE,MAAI,MAAM;AACV,aAAW,KAAK,UAAU;AACxB,QAAI,QAAQ,YAAY;AACtB,aAAO;AAAA,IACT;AACA,WAAO;AAAA,EACT;AACA,SAAO;AACT;AAgBO,SAAS,kBAAkB,gBAAwB,IAAgC;AACxF,QAAM,SAAS,YAAY,EAAE;AAC7B,QAAM,MAAM,KAAK,MAAM,iBAAiB,MAAM;AAC9C,SAAO,EAAE,KAAK,MAAM,iBAAiB,MAAM,OAAO;AACpD;AAWO,SAAS,kBAAkB,KAAkB,IAA2B;AAC7E,SAAO,IAAI,MAAM,YAAY,EAAE,IAAI,IAAI;AACzC;AA2BO,SAAS,aAAa,gBAAwB,IAA2B;AAC9E,QAAM,EAAE,KAAK,IAAI,kBAAkB,gBAAgB,EAAE;AACrD,QAAM,QAAQ,WAAW,EAAE;AAC3B,MAAI,CAAC,WAAW,MAAM,KAAK,GAAG;AAC5B,WAAO;AAAA,EACT;AACA,QAAM,SAAS,aAAa,EAAE;AAC9B,QAAM,aAAa,KAAK,MAAM,OAAO,KAAK,IAAI;AAC9C,MAAI,eAAe,GAAG;AACpB,WAAO;AAAA,EACT;AACA,QAAM,WAAW,GAAG;AACpB,MAAI,aAAa,QAAW;AAC1B,QAAI,CAAC,gBAAgB,UAAU,MAAM,GAAG;AACtC,YAAM,IAAI;AAAA,QACR,qBAAqB,SAAS,KAAK,IAAI,CAAC,SAAS,oBAAoB,EAAE,CAAC,kDACtB,MAAM;AAAA,MAC1D;AAAA,IACF;AACA,WAAO,YAAY,UAAU,UAAU,IAAI,IAAI;AAAA,EACjD;AACA,MAAI,SAAS,MAAM,KAAK,eAAe,SAAS,GAAG;AACjD,WAAO;AAAA,EACT;AACA,SAAO;AACT;AAWO,SAAS,aAAa,gBAAwB,IAA4B;AAC/E,SAAO,aAAa,gBAAgB,EAAE,KAAK;AAC7C;AAYO,SAAS,OAAO,YAAoB,OAAyB;AAClE,MAAI,CAAC,OAAO,UAAU,KAAK,KAAK,SAAS,GAAG;AAC1C,UAAM,IAAI,MAAM,yBAAyB,KAAK,EAAE;AAAA,EAClD;AACA,SAAO,IAAI,MAAc,KAAK,EAAE,KAAK,aAAa,KAAK;AACzD;","names":[]}