@heyai-rules/pilo-masterkit 1.2.2 → 2.2.0

package/.agent/skills/game-development/game-audio/SKILL.md

@@ -1,190 +1,190 @@
----
-name: game-audio
-description: Game audio principles. Sound design, music integration, adaptive audio systems.
-allowed-tools: Read, Glob, Grep
----
-
-# Game Audio Principles
-
-> Sound design and music integration for immersive game experiences.
-
----
-
-## 1. Audio Category System
-
-### Category Definitions
-
-| Category | Behavior | Examples |
-|----------|----------|----------|
-| **Music** | Looping, crossfade, ducking | BGM, combat music |
-| **SFX** | One-shot, 3D positioned | Footsteps, impacts |
-| **Ambient** | Looping, background layer | Wind, crowd, forest |
-| **UI** | Immediate, non-3D | Button clicks, notifications |
-| **Voice** | Priority, ducking trigger | Dialogue, announcer |
-
-### Priority Hierarchy
-
-```
-When sounds compete for channels:
-
-1. Voice (highest - always audible)
-2. Player SFX (feedback critical)
-3. Enemy SFX (gameplay important)
-4. Music (mood, but duckable)
-5. Ambient (lowest - can drop)
-```
-
----
-
-## 2. Sound Design Decisions
-
-### SFX Creation Approach
-
-| Approach | When to Use | Trade-offs |
-|----------|-------------|------------|
-| **Recording** | Realistic needs | High quality, time intensive |
-| **Synthesis** | Sci-fi, retro, UI | Unique, requires skill |
-| **Library samples** | Fast production | Common sounds, licensing |
-| **Layering** | Complex sounds | Best results, more work |
-
-### Layering Structure
-
-| Layer | Purpose | Example: Gunshot |
-|-------|---------|------------------|
-| **Attack** | Initial transient | Click, snap |
-| **Body** | Main character | Boom, blast |
-| **Tail** | Decay, room | Reverb, echo |
-| **Sweetener** | Special sauce | Shell casing, mechanical |
-
----
-
-## 3. Music Integration
-
-### Music State System
-
-```
-Game State → Music Response
-│
-├── Menu → Calm, loopable theme
-├── Exploration → Ambient, atmospheric
-├── Combat detected → Transition to tension
-├── Combat engaged → Full battle music
-├── Victory → Stinger + calm transition
-├── Defeat → Somber stinger
-└── Boss → Unique, multi-phase track
-```
-
-### Transition Techniques
-
-| Technique | Use When | Feel |
-|-----------|----------|------|
-| **Crossfade** | Smooth mood shift | Gradual |
-| **Stinger** | Immediate event | Dramatic |
-| **Stem mixing** | Dynamic intensity | Seamless |
-| **Beat-synced** | Rhythmic gameplay | Musical |
-| **Queue point** | Next natural break | Clean |
-
----
-
-## 4. Adaptive Audio Decisions
-
-### Intensity Parameters
-
-| Parameter | Affects | Example |
-|-----------|---------|---------|
-| **Threat level** | Music intensity | Enemy count |
-| **Health** | Filter, reverb | Low health = muffled |
-| **Speed** | Tempo, energy | Racing speed |
-| **Environment** | Reverb, EQ | Cave vs outdoor |
-| **Time of day** | Mood, volume | Night = quieter |
-
-### Vertical vs Horizontal
-
-| System | What Changes | Best For |
-|--------|--------------|----------|
-| **Vertical (layers)** | Add/remove instrument layers | Intensity scaling |
-| **Horizontal (segments)** | Different music sections | State changes |
-| **Combined** | Both | AAA adaptive scores |
-
----
-
-## 5. 3D Audio Decisions
-
-### Spatialization
-
-| Element | 3D Positioned? | Reason |
-|---------|----------------|--------|
-| Player footsteps | No (or subtle) | Always audible |
-| Enemy footsteps | Yes | Directional awareness |
-| Gunfire | Yes | Combat awareness |
-| Music | No | Mood, non-diegetic |
-| Ambient zone | Yes (area) | Environmental |
-| UI sounds | No | Interface feedback |
-
-### Distance Behavior
-
-| Distance | Sound Behavior |
-|----------|----------------|
-| **Near** | Full volume, full frequency |
-| **Medium** | Volume falloff, high-freq rolloff |
-| **Far** | Low volume, low-pass filter |
-| **Max** | Silent or ambient hint |
-
----
-
-## 6. Platform Considerations
-
-### Format Selection
-
-| Platform | Recommended Format | Reason |
-|----------|-------------------|--------|
-| PC | OGG Vorbis, WAV | Quality, no licensing |
-| Console | Platform-specific | Certification |
-| Mobile | MP3, AAC | Size, compatibility |
-| Web | WebM/Opus, MP3 fallback | Browser support |
-
-### Memory Budget
-
-| Game Type | Audio Budget | Strategy |
-|-----------|--------------|----------|
-| Mobile casual | 10-50 MB | Compressed, fewer variants |
-| PC indie | 100-500 MB | Quality focus |
-| AAA | 1+ GB | Full quality, many variants |
-
----
-
-## 7. Mix Hierarchy
-
-### Volume Balance Reference
-
-| Category | Relative Level | Notes |
-|----------|----------------|-------|
-| **Voice** | 0 dB (reference) | Always clear |
-| **Player SFX** | -3 to -6 dB | Prominent but not harsh |
-| **Music** | -6 to -12 dB | Foundation, ducks for voice |
-| **Enemy SFX** | -6 to -9 dB | Important but not dominant |
-| **Ambient** | -12 to -18 dB | Subtle background |
-
-### Ducking Rules
-
-| When | Duck What | Amount |
-|------|-----------|--------|
-| Voice plays | Music, Ambient | -6 to -9 dB |
-| Explosion | All except explosion | Brief duck |
-| Menu open | Gameplay audio | -3 to -6 dB |
-
----
-
-## 8. Anti-Patterns
-
-| Don't | Do |
-|-------|-----|
-| Play same sound repeatedly | Use variations (3-5 per sound) |
-| Max volume everything | Use proper mix hierarchy |
-| Ignore silence | Silence creates contrast |
-| One music track loops forever | Provide variety, transitions |
-| Skip audio in prototype | Placeholder audio matters |
-
----
-
-> **Remember:** 50% of the game experience is audio. A muted game loses half its soul.
+---
+name: game-audio
+description: Game audio principles. Sound design, music integration, adaptive audio systems.
+allowed-tools: Read, Glob, Grep
+---
+
+# Game Audio Principles
+
+> Sound design and music integration for immersive game experiences.
+
+---
+
+## 1. Audio Category System
+
+### Category Definitions
+
+| Category | Behavior | Examples |
+|----------|----------|----------|
+| **Music** | Looping, crossfade, ducking | BGM, combat music |
+| **SFX** | One-shot, 3D positioned | Footsteps, impacts |
+| **Ambient** | Looping, background layer | Wind, crowd, forest |
+| **UI** | Immediate, non-3D | Button clicks, notifications |
+| **Voice** | Priority, ducking trigger | Dialogue, announcer |
+
+### Priority Hierarchy
+
+```
+When sounds compete for channels:
+
+1. Voice (highest - always audible)
+2. Player SFX (feedback critical)
+3. Enemy SFX (gameplay important)
+4. Music (mood, but duckable)
+5. Ambient (lowest - can drop)
+```
+
+---
+
+## 2. Sound Design Decisions
+
+### SFX Creation Approach
+
+| Approach | When to Use | Trade-offs |
+|----------|-------------|------------|
+| **Recording** | Realistic needs | High quality, time intensive |
+| **Synthesis** | Sci-fi, retro, UI | Unique, requires skill |
+| **Library samples** | Fast production | Common sounds, licensing |
+| **Layering** | Complex sounds | Best results, more work |
+
+### Layering Structure
+
+| Layer | Purpose | Example: Gunshot |
+|-------|---------|------------------|
+| **Attack** | Initial transient | Click, snap |
+| **Body** | Main character | Boom, blast |
+| **Tail** | Decay, room | Reverb, echo |
+| **Sweetener** | Special sauce | Shell casing, mechanical |
+
+---
+
+## 3. Music Integration
+
+### Music State System
+
+```
+Game State → Music Response
+│
+├── Menu → Calm, loopable theme
+├── Exploration → Ambient, atmospheric
+├── Combat detected → Transition to tension
+├── Combat engaged → Full battle music
+├── Victory → Stinger + calm transition
+├── Defeat → Somber stinger
+└── Boss → Unique, multi-phase track
+```
+
+### Transition Techniques
+
+| Technique | Use When | Feel |
+|-----------|----------|------|
+| **Crossfade** | Smooth mood shift | Gradual |
+| **Stinger** | Immediate event | Dramatic |
+| **Stem mixing** | Dynamic intensity | Seamless |
+| **Beat-synced** | Rhythmic gameplay | Musical |
+| **Queue point** | Next natural break | Clean |
+
+---
+
+## 4. Adaptive Audio Decisions
+
+### Intensity Parameters
+
+| Parameter | Affects | Example |
+|-----------|---------|---------|
+| **Threat level** | Music intensity | Enemy count |
+| **Health** | Filter, reverb | Low health = muffled |
+| **Speed** | Tempo, energy | Racing speed |
+| **Environment** | Reverb, EQ | Cave vs outdoor |
+| **Time of day** | Mood, volume | Night = quieter |
+
+### Vertical vs Horizontal
+
+| System | What Changes | Best For |
+|--------|--------------|----------|
+| **Vertical (layers)** | Add/remove instrument layers | Intensity scaling |
+| **Horizontal (segments)** | Different music sections | State changes |
+| **Combined** | Both | AAA adaptive scores |
+
+---
+
+## 5. 3D Audio Decisions
+
+### Spatialization
+
+| Element | 3D Positioned? | Reason |
+|---------|----------------|--------|
+| Player footsteps | No (or subtle) | Always audible |
+| Enemy footsteps | Yes | Directional awareness |
+| Gunfire | Yes | Combat awareness |
+| Music | No | Mood, non-diegetic |
+| Ambient zone | Yes (area) | Environmental |
+| UI sounds | No | Interface feedback |
+
+### Distance Behavior
+
+| Distance | Sound Behavior |
+|----------|----------------|
+| **Near** | Full volume, full frequency |
+| **Medium** | Volume falloff, high-freq rolloff |
+| **Far** | Low volume, low-pass filter |
+| **Max** | Silent or ambient hint |
+
+---
+
+## 6. Platform Considerations
+
+### Format Selection
+
+| Platform | Recommended Format | Reason |
+|----------|-------------------|--------|
+| PC | OGG Vorbis, WAV | Quality, no licensing |
+| Console | Platform-specific | Certification |
+| Mobile | MP3, AAC | Size, compatibility |
+| Web | WebM/Opus, MP3 fallback | Browser support |
+
+### Memory Budget
+
+| Game Type | Audio Budget | Strategy |
+|-----------|--------------|----------|
+| Mobile casual | 10-50 MB | Compressed, fewer variants |
+| PC indie | 100-500 MB | Quality focus |
+| AAA | 1+ GB | Full quality, many variants |
+
+---
+
+## 7. Mix Hierarchy
+
+### Volume Balance Reference
+
+| Category | Relative Level | Notes |
+|----------|----------------|-------|
+| **Voice** | 0 dB (reference) | Always clear |
+| **Player SFX** | -3 to -6 dB | Prominent but not harsh |
+| **Music** | -6 to -12 dB | Foundation, ducks for voice |
+| **Enemy SFX** | -6 to -9 dB | Important but not dominant |
+| **Ambient** | -12 to -18 dB | Subtle background |
+
+### Ducking Rules
+
+| When | Duck What | Amount |
+|------|-----------|--------|
+| Voice plays | Music, Ambient | -6 to -9 dB |
+| Explosion | All except explosion | Brief duck |
+| Menu open | Gameplay audio | -3 to -6 dB |
+
+---
+
+## 8. Anti-Patterns
+
+| Don't | Do |
+|-------|-----|
+| Play same sound repeatedly | Use variations (3-5 per sound) |
+| Max volume everything | Use proper mix hierarchy |
+| Ignore silence | Silence creates contrast |
+| One music track loops forever | Provide variety, transitions |
+| Skip audio in prototype | Placeholder audio matters |
+
+---
+
+> **Remember:** 50% of the game experience is audio. A muted game loses half its soul.

package/.agent/skills/game-development/game-design/SKILL.md

@@ -1,129 +1,129 @@
----
-name: game-design
-description: Game design principles. GDD structure, balancing, player psychology, progression.
-allowed-tools: Read, Glob, Grep
----
-
-# Game Design Principles
-
-> Design thinking for engaging games.
-
----
-
-## 1. Core Loop Design
-
-### The 30-Second Test
-
-```
-Every game needs a fun 30-second loop:
-1. ACTION → Player does something
-2. FEEDBACK → Game responds
-3. REWARD → Player feels good
-4. REPEAT
-```
-
-### Loop Examples
-
-| Genre | Core Loop |
-|-------|-----------|
-| Platformer | Run → Jump → Land → Collect |
-| Shooter | Aim → Shoot → Kill → Loot |
-| Puzzle | Observe → Think → Solve → Advance |
-| RPG | Explore → Fight → Level → Gear |
-
----
-
-## 2. Game Design Document (GDD)
-
-### Essential Sections
-
-| Section | Content |
-|---------|---------|
-| **Pitch** | One-sentence description |
-| **Core Loop** | 30-second gameplay |
-| **Mechanics** | How systems work |
-| **Progression** | How player advances |
-| **Art Style** | Visual direction |
-| **Audio** | Sound direction |
-
-### Principles
-
-- Keep it living (update regularly)
-- Visuals help communicate
-- Less is more (start small)
-
----
-
-## 3. Player Psychology
-
-### Motivation Types
-
-| Type | Driven By |
-|------|-----------|
-| **Achiever** | Goals, completion |
-| **Explorer** | Discovery, secrets |
-| **Socializer** | Interaction, community |
-| **Killer** | Competition, dominance |
-
-### Reward Schedules
-
-| Schedule | Effect | Use |
-|----------|--------|-----|
-| **Fixed** | Predictable | Milestone rewards |
-| **Variable** | Addictive | Loot drops |
-| **Ratio** | Effort-based | Grind games |
-
----
-
-## 4. Difficulty Balancing
-
-### Flow State
-
-```
-Too Hard → Frustration → Quit
-Too Easy → Boredom → Quit
-Just Right → Flow → Engagement
-```
-
-### Balancing Strategies
-
-| Strategy | How |
-|----------|-----|
-| **Dynamic** | Adjust to player skill |
-| **Selection** | Let player choose |
-| **Accessibility** | Options for all |
-
----
-
-## 5. Progression Design
-
-### Progression Types
-
-| Type | Example |
-|------|---------|
-| **Skill** | Player gets better |
-| **Power** | Character gets stronger |
-| **Content** | New areas unlock |
-| **Story** | Narrative advances |
-
-### Pacing Principles
-
-- Early wins (hook quickly)
-- Gradually increase challenge
-- Rest beats between intensity
-- Meaningful choices
-
----
-
-## 6. Anti-Patterns
-
-| ❌ Don't | ✅ Do |
-|----------|-------|
-| Design in isolation | Playtest constantly |
-| Polish before fun | Prototype first |
-| Force one way to play | Allow player expression |
-| Punish excessively | Reward progress |
-
----
-
-> **Remember:** Fun is discovered through iteration, not designed on paper.
+---
+name: game-design
+description: Game design principles. GDD structure, balancing, player psychology, progression.
+allowed-tools: Read, Glob, Grep
+---
+
+# Game Design Principles
+
+> Design thinking for engaging games.
+
+---
+
+## 1. Core Loop Design
+
+### The 30-Second Test
+
+```
+Every game needs a fun 30-second loop:
+1. ACTION → Player does something
+2. FEEDBACK → Game responds
+3. REWARD → Player feels good
+4. REPEAT
+```
+
+### Loop Examples
+
+| Genre | Core Loop |
+|-------|-----------|
+| Platformer | Run → Jump → Land → Collect |
+| Shooter | Aim → Shoot → Kill → Loot |
+| Puzzle | Observe → Think → Solve → Advance |
+| RPG | Explore → Fight → Level → Gear |
+
+---
+
+## 2. Game Design Document (GDD)
+
+### Essential Sections
+
+| Section | Content |
+|---------|---------|
+| **Pitch** | One-sentence description |
+| **Core Loop** | 30-second gameplay |
+| **Mechanics** | How systems work |
+| **Progression** | How player advances |
+| **Art Style** | Visual direction |
+| **Audio** | Sound direction |
+
+### Principles
+
+- Keep it living (update regularly)
+- Visuals help communicate
+- Less is more (start small)
+
+---
+
+## 3. Player Psychology
+
+### Motivation Types
+
+| Type | Driven By |
+|------|-----------|
+| **Achiever** | Goals, completion |
+| **Explorer** | Discovery, secrets |
+| **Socializer** | Interaction, community |
+| **Killer** | Competition, dominance |
+
+### Reward Schedules
+
+| Schedule | Effect | Use |
+|----------|--------|-----|
+| **Fixed** | Predictable | Milestone rewards |
+| **Variable** | Addictive | Loot drops |
+| **Ratio** | Effort-based | Grind games |
+
+---
+
+## 4. Difficulty Balancing
+
+### Flow State
+
+```
+Too Hard → Frustration → Quit
+Too Easy → Boredom → Quit
+Just Right → Flow → Engagement
+```
+
+### Balancing Strategies
+
+| Strategy | How |
+|----------|-----|
+| **Dynamic** | Adjust to player skill |
+| **Selection** | Let player choose |
+| **Accessibility** | Options for all |
+
+---
+
+## 5. Progression Design
+
+### Progression Types
+
+| Type | Example |
+|------|---------|
+| **Skill** | Player gets better |
+| **Power** | Character gets stronger |
+| **Content** | New areas unlock |
+| **Story** | Narrative advances |
+
+### Pacing Principles
+
+- Early wins (hook quickly)
+- Gradually increase challenge
+- Rest beats between intensity
+- Meaningful choices
+
+---
+
+## 6. Anti-Patterns
+
+| ❌ Don't | ✅ Do |
+|----------|-------|
+| Design in isolation | Playtest constantly |
+| Polish before fun | Prototype first |
+| Force one way to play | Allow player expression |
+| Punish excessively | Reward progress |
+
+---
+
+> **Remember:** Fun is discovered through iteration, not designed on paper.