scenri 0.18.2 → 0.19.0

package/templates/showcase/northward-flask-melt-channel.json

@@ -1,29 +0,0 @@
-{
-  "id": "northward-flask-melt-channel",
-  "title": "First light down in the pothole",
-  "category": "launch",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "northward-vacuum-flask"
-      },
-      {
-        "t": "text",
-        "v": " Full-bleed photograph filling the entire frame edge to edge with no border, frame, letterbox band or matte of any kind. The flask lies on its side in the dry bowl of a granite pothole scoured out of a river bed left high by late summer, the whole silhouette reading across the bowl, knurled cap, taper and base band, at about half the frame height. 45mm at f/5.6 from the pothole's near rim, tilted forty degrees down into the bowl so the far wall climbs the upper third and the concentric grinding rings sweep round the flask in stacked ellipses, a collar of rounded pebbles resting against its shoulder and the gorge wall dissolving above. The sun has just cleared that wall: a hard knife of first light lies diagonally across the bowl, firing the stainless cap and the near rim while the flask's lower half stays in cold blue shade, the two halves meeting on the powder coat with no gradient between them. The near rim runs bare and sharp out of the bottom of the frame, nothing standing on it. The only mark is one unlettered ring laser-cut through the coat to bare steel at the base band."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 40,
-  "family": "geological"
-}

package/templates/showcase/orchard-oat-orchard-burst.json

@@ -1,33 +0,0 @@
-{
-  "id": "orchard-oat-orchard-burst",
-  "title": "Harvest crush, mid-air",
-  "category": "social",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "orchard-oat-cold-pressed-juice"
-      },
-      {
-        "t": "template",
-        "id": "social-beverage-launch-splash"
-      },
-      {
-        "t": "text",
-        "v": " A SINGLE carton only, alone in frame — disregard any instruction below about multiple containers. It stands firm on weathered orchard wood while halved green apples and oat stalks tumble around it mid-air, one apple half striking the boards and throwing a low crown of juice and pulp, fine mist hanging where it burst. 100mm at f/4, camera at carton height, hard backlight rimming every airborne droplet against a deep orchard-green field, the kraft board's fibre texture sharp. ORCHARD OAT reads letterpressed in large clean capitals; a blurred apple leaf crosses the top-left corner, cut by it."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 3,
-  "quality": "standard",
-  "width": 1024,
-  "height": 1280,
-  "order": 2,
-  "family": "fluid"
-}

package/templates/showcase/orchard-oat-overhead-fold-pour.json

@@ -1,29 +0,0 @@
-{
-  "id": "orchard-oat-overhead-fold-pour",
-  "title": "Everything that settled out overnight",
-  "category": "social",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "orchard-oat-cold-pressed-juice"
-      },
-      {
-        "t": "text",
-        "v": " Full-bleed photograph filling the entire frame edge to edge with no border, frame, letterbox band or matte of any kind. Nothing pours: the glass was filled a minute ago. In a tall tumbler beside the carton on wet zinc the lower two-thirds is a smooth opaque warm-tan liquid with no particles, lumps or sediment, the top third clear amber-straw; between them a soft two-centimetre gradient, not a line, one pale plume drifting up through it. The juice reads fresh and appetising, still and uncarbonated, no head and no bead. The carton stands on the glass's own plane, not behind it, gable ridge creased shut, at half the frame height; nothing comes between lens and product. 65mm at f/4 just above counter level, thirty degrees off square so front and side panels read, a hard low mid-morning window at camera-right firing through the clear amber-straw and grazing off the tan below. ORCHARD OAT is letterpressed across the front panel in large clean capitals, a pressing date hand-inked beneath, struck a few degrees off level. The zinc runs out of the bottom edge; the sides crop empty counter."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 3,
-  "quality": "standard",
-  "width": 1024,
-  "height": 1280,
-  "order": 50,
-  "family": "fluid"
-}

package/templates/showcase/orchard-oat-reeded-glass-refraction.json

@@ -1,29 +0,0 @@
-{
-  "id": "orchard-oat-reeded-glass-refraction",
-  "title": "Juice carton behind reeded glass",
-  "category": "food-drink",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "orchard-oat-cold-pressed-juice"
-      },
-      {
-        "t": "text",
-        "v": " The carton stands close, its wide front face and whole gable top square to camera, razor-sharp across the right sixty percent of the frame and filling nearly its full height. A pane of vertically fluted reeded glass, cold rain on its face, covers only the left forty percent: every flute carries the kraft body at full strength right up to the flute where the carton's left edge falls, then cuts to bare white in one flute, no gradual fade, the flute pitch identical across the whole pane. The crimped gable ridge smears into one wide amber-brown ribbon inside those flutes while the un-refracted gable stays crisply creased. 85mm at f/5.6, camera at mid-carton height dead square to the pane, cool 9am north light from behind camera-left so each flute carries its own caustic seam and the runnels drag travelling streaks across the bars. ORCHARD OAT reads letterpressed in large clean capitals across the upper front face, a crooked hand-inked date beneath, ink on the board's fibre tooth. The bottom edge crops the carton's base, the top edge clears the gable, the right edge holds pale ground."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 95,
-  "family": "optical"
-}

package/templates/showcase/orla-priya-fjord-ferry.json

@@ -1,33 +0,0 @@
-{
-  "id": "orla-priya-fjord-ferry",
-  "title": "Crossing, wind off the water",
-  "category": "editorial",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "orla-mackenzie-cashmere-turtleneck"
-      },
-      {
-        "t": "character",
-        "id": "priya"
-      },
-      {
-        "t": "text",
-        "v": " She leans on the ferry railing mid-crossing, the oatmeal turtleneck's collar folded high against the wind, loose strands pulling free of her low bun and streaking across the frame while the fjord's basalt walls slide past in soft grey-green behind. 85mm at f/2 at railing height, the rib knit sharp enough to count at the collar and cuff, her far shoulder softening into the sea haze. Dark high-waisted wool trousers, fully dressed against the cold. The white railing runs out both side edges; spray mist beads on the metal in the near foreground, cut by the bottom edge. The woven ORLA MACKENZIE label curls at the collar's inner turn."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 1,
-  "family": "human"
-}

package/templates/showcase/orla-turtleneck-fennel-dawn.json

@@ -1,29 +0,0 @@
-{
-  "id": "orla-turtleneck-fennel-dawn",
-  "title": "Cashmere on the line, first light",
-  "category": "lifestyle",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "orla-mackenzie-cashmere-turtleneck"
-      },
-      {
-        "t": "text",
-        "v": " Full-bleed photograph filling the entire frame edge to edge with no border, frame, letterbox band or matte of any kind. Dawn in an overgrown walled kitchen garden, nobody in frame, no body or hands anywhere. The turtleneck hangs by its shoulders from a line between two hazel bean-poles above the run-to-seed fennel, filling the upper two thirds of the frame, and a gust has just taken it: the body swings sideways, the sleeves smearing at the cuffs while shoulder and collar stay locked sharp. The knit is bone dry; the wet is all in the air, mist standing waist-deep in the beds and dew loading every fennel umbel and the spider silk slung between them. First sun comes low from the left through the fibre, so the shoulder line burns with a halo of loose cashmere and the rib reads column by column. 65mm at f/2.8 from just below the line, tilted up, the wall dissolving to grey-green behind, poles running out both sides and the line out the top. Nothing crosses the near field but mist. At the collar's inner turn a plain oatmeal woven satin tab flicks out, tonal and carrying no letterforms."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 37,
-  "family": "botanical"
-}

package/templates/showcase/perihelion-buds-astrid-beauty-crop.json

@@ -1,33 +0,0 @@
-{
-  "id": "perihelion-buds-astrid-beauty-crop",
-  "title": "Seating the bud, case held in the same frame",
-  "category": "beauty",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "perihelion-pebble-earbuds"
-      },
-      {
-        "t": "character",
-        "id": "astrid"
-      },
-      {
-        "t": "text",
-        "v": " Crop to the back quarter of her head, ear and jaw. Astrid is mid-40s: white-blonde cropped pixie, angular jaw, faint natural lines only, no crepe, no sun spots. The bud is already seated, its glossy charcoal touch disc flush in the ear; one hand only is in frame — her right, holding the open pebble case beside her jaw, thumb flat on the front shell, index and middle fingers curled under the base, the other two folded away, the whole hand inside the frame, one clean knuckle line. 85mm at f/4 from behind and below her shoulder; one hard bare source high at camera-left, eleven-o'clock sun, lays a bright edge along the helix and another down the case's parting line, the shadow side falling to cool graphite. Two gold-tone contacts sit on the inner shelf of each well, four in all, none on the outer sealing lip; the second bud rests in its well, lid tipped back, case a fifth of the frame wide. Bottom edge cuts hard at the collarbone — nothing below it, a black ribbed tank strap the only wardrobe; top and left edges crop the pixie mid-strand, the right holds empty backdrop."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 64,
-  "family": "human"
-}

package/templates/showcase/perihelion-buds-gate-window-dawn.json

@@ -1,29 +0,0 @@
-{
-  "id": "perihelion-buds-gate-window-dawn",
-  "title": "Pebble case open on a 6am gate ledge",
-  "category": "launch",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "perihelion-pebble-earbuds"
-      },
-      {
-        "t": "text",
-        "v": " Full-bleed photograph, edge to edge, no border, frame or letterbox band. Six in the morning at a departure gate: the pebble case sits open on a pale terrazzo window ledge, lid tipped back, both buds seated in their wells, the front status light steady green, pooling faint colour on the shell. 100mm macro at f/2.8, framed 1:1 life-size and level with the parting line, the case owning roughly half the frame height so the lid, the thumb notch and the two gold contacts on the inner shelf of each well read clean at any size. First cold blue comes through the glass from the left while sodium apron lamps burn amber out of focus and a jet bridge dissolves across the upper third. A run of condensation beads stands on the pane between lens and case, cut by the left edge; the terrazzo's aggregate reads sharp beneath the case then melts within a hand's width, and the ledge runs out the bottom. The lid is one unbroken sweep of matte pale-stone soft-touch polymer, interrupted only by the single fine parting line where it meets the body — no deboss, emblem, contour, scratch or scuff on it."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 56,
-  "family": "place"
-}

package/templates/showcase/rafael-aurelia-morning.json

@@ -1,37 +0,0 @@
-{
-  "id": "rafael-aurelia-morning",
-  "title": "Two drops, morning routine",
-  "category": "beauty",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "aurelia-amber-serum"
-      },
-      {
-        "t": "character",
-        "id": "rafael"
-      },
-      {
-        "t": "template",
-        "id": "handheld-offer-crop"
-      },
-      {
-        "t": "text",
-        "v": " His hand brings the amber bottle toward the lens mid-reach, the gold pipette already lifted in his other hand with one drop necked off and falling, caught mid-air between dropper tip and the back of his wrist. 50mm at f/2.2 at chest height, warm side-window light: the bottle and the falling drop sharp, his groomed beard and easy smile softening one plane back, the short dark curls holding the top edge. A pushed-up waffle-knit sleeve in warm grey blurs across the bottom-left corner, cut by it. AURELIA reads letterpress-debossed across the cream band, large and clean, shadow pooling in the impression."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 16,
-  "family": "human"
-}

package/templates/showcase/rowan-market-bike.json

@@ -1,29 +0,0 @@
-{
-  "id": "rowan-market-bike",
-  "title": "Market run, nine a.m.",
-  "category": "lifestyle",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "rowan-ash-leather-tote"
-      },
-      {
-        "t": "text",
-        "v": " The tote rides in the wicker basket of a parked city bike on a cobbled market street, ranunculus stems and a paper-wrapped baguette leaning out of it, morning sun skimming the tan leather so the grain and the brass feet catch. 50mm at f/2 at basket height, the handlebar and bell blurring through the top-left corner, a striped market awning and moving shoppers dissolved behind. ROWAN ASH sits blind-debossed beneath the handle root, shadow pooling in the impression. A crate of lemons burns yellow out of focus in the near-right, cut by the edge."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 58,
-  "family": "place"
-}

package/templates/showcase/sasha-slate-harbor-spray-zone.json

@@ -1,33 +0,0 @@
-{
-  "id": "sasha-slate-harbor-spray-zone",
-  "title": "Cinching the hood in the spray",
-  "category": "cinematic",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "slate-harbor-tech-shell"
-      },
-      {
-        "t": "character",
-        "id": "sasha"
-      },
-      {
-        "t": "text",
-        "v": " Full-bleed photograph filling the entire frame edge to edge with no border, frame, letterbox band or matte of any kind. Her hood is UP, stiffened brim holding shape against the drift, both hands behind her crown at the rear volume adjuster. The chalk-white yoke is a hard straight-seamed panel crossing the chest and running out over the tops of both sleeves, one clean unbroken seam; the storm-slate shell holds one even matte tone beaded with discrete drops, the two-way front zip hidden under its storm flap. Water runs the sleeves only, roping off the forearms. 85mm at f/2.8 from mid-chest height looking slightly up, framed mid-thigh to crown, top edge clearing the hood brim, right edge a wet fractured gneiss rib occluding her trailing shoulder, left edge the canyon wall. A low 7am sun break at camera-right backlights the spray; one hard on-axis flash fills the near curtain. Hardshell over matte black softshell trousers and grey-and-black approach shoes, nothing else at cuff, hem or collar. Mid-20s, sprinter-shouldered, ponytail high, sleek and soaked flat, jaw set, not smiling."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 3,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 79,
-  "family": "geological"
-}

package/templates/showcase/slate-harbor-shell-itai-neon-corridor.json

@@ -1,37 +0,0 @@
-{
-  "id": "slate-harbor-shell-itai-neon-corridor",
-  "title": "Hardshell walking the neon corridor",
-  "category": "editorial",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "slate-harbor-tech-shell"
-      },
-      {
-        "t": "character",
-        "id": "itai"
-      },
-      {
-        "t": "template",
-        "id": "neon-tube-corridor"
-      },
-      {
-        "t": "text",
-        "v": " Full-bleed, edge to edge, no border or letterbox. The corridor tubes are the only light — no fill, no studio key: cyan skims the chalk-white yoke from the left, magenta wraps the storm-slate shell from the right, his front two stops down. Past midnight he walks at the lens down the corridor, hood up, brim over the heavy brows, zip run to the chin under its storm flap, collar standing at the jaw. His left hand is buried in a trouser pocket to the wrist, his right at the hood brim, two fingers and thumb on the stiffened edge — no hand hangs free. 35mm at f/2.8 from just above the wet floor, axis tilted up twenty degrees so the floor streaks run at the viewer and his silhouette breaks the vanishing point; the jacket owns half the frame, side edges cut the tube walls, sneakers clear the bottom. A crisp three-layer hardshell — flat matte ripstop, hard seams, no loft, hard yoke seam. Black technical trousers, black trail sneakers. The corridor's no-wordmarks clause holds — one unlettered bonded reflective transfer at the left chest, flat grey until a tube swings near-axis and burns white."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 26,
-  "family": "human"
-}

package/templates/showcase/slate-harbor-yoke-on-wet-slate.json

@@ -1,29 +0,0 @@
-{
-  "id": "slate-harbor-yoke-on-wet-slate",
-  "title": "Taped seam on cleaved slate",
-  "category": "seasonal",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "slate-harbor-tech-shell"
-      },
-      {
-        "t": "text",
-        "v": " EXTREME MACRO — the frame filled by a hand's width of the jacket's shoulder laid over a freshly cleaved slate face after a late-autumn downpour; no body anywhere in frame, so no wardrobe reads at this crop. The hard seam where the chalk-white yoke meets storm-slate runs a diagonal corner to corner, welded tape reading proud under the face fabric, rain runnels crossing the slate's fracture steps beneath it. 100mm macro at f/5.6, framed 1:1 life-size, camera square to the shoulder plane: the ripstop grid legible, beads standing tall and round on the treated face, one pinned in the channel of the seam, the slate's mica firing cold points at the edges. A wet slate flake crosses the top-left corner out of focus. SLATE HARBOR is a bonded reflective transfer on the white yoke just above the seam, a hair proud of the fabric and dead flat grey in the ambient — a small hard source sitting right beside the lens goes near-axis on it and the letters burn pure white while the storm-slate around them stays matte and unlit, beads sliding off the sealed film to gather along its lower edge."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 46,
-  "family": "geological"
-}

package/templates/showcase/solenne-cream-bree-closeup.json

@@ -1,37 +0,0 @@
-{
-  "id": "solenne-cream-bree-closeup",
-  "title": "Cream peak, fingertip lift",
-  "category": "beauty",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "solenne-mineral-pressed-cream"
-      },
-      {
-        "t": "character",
-        "id": "bree"
-      },
-      {
-        "t": "template",
-        "id": "closeup-face-product-interaction"
-      },
-      {
-        "t": "text",
-        "v": " Catch two fingertips just lifting off the surface of the dense cream, a soft peak drawn up and already slumping under its own weight, a first sheer smear warming across the top of her freckled cheekbone as the jar's cold rim rests a centimetre from that skin. 100mm macro at f/3.5, camera level with the cheekbone: the drag mark in the cream and the pore texture beside it sharp in one plane, the brass lid a warm blur behind. Her lower lashline cuts the top edge, the jar's shoulder cuts the right, and a soft strand of strawberry-blonde hair crosses the bottom edge out of focus."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 84,
-  "family": "human"
-}

package/templates/showcase/solenne-spa-ledge.json

@@ -1,29 +0,0 @@
-{
-  "id": "solenne-spa-ledge",
-  "title": "Morning at the spa ledge",
-  "category": "beauty",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "solenne-mineral-pressed-cream"
-      },
-      {
-        "t": "text",
-        "v": " The jar sits at the edge of a travertine spa ledge beside a stack of folded ivory linen towels, steam drifting slowly off thermal water just behind, morning sun entering low and raking the stone so its pores throw grain-level shadows. 85mm at f/2.5 level with the lid, the brushed-brass catching one soft window of light, the frosted glass going luminous where the steam crosses behind it. SOLENNE reads screen-printed matte white on the band, clean and legible. A wet stone lip blurs across the bottom-left corner, cut by both edges; the pool's turquoise falls out of focus above."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 71,
-  "family": "place"
-}

package/templates/showcase/solstice-aviators-screen-print.json

@@ -1,33 +0,0 @@
-{
-  "id": "solstice-aviators-screen-print",
-  "title": "Halftone aviators, off-register orange",
-  "category": "social",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "solstice-titanium-aviators"
-      },
-      {
-        "t": "template",
-        "id": "screen-print-duotone"
-      },
-      {
-        "t": "text",
-        "v": " Disregard the hoodie and its printed wordmark — the subject is the eyewear. Blow it to poster scale: crop to the double bridge and near lens until each halftone dot stands a centimetre across, the temple arm running out through the right edge, the gradient lens dissolving into dot-field below. Safety-orange sits a dot off register along the lens rim, ink proud on the paper tooth, fibre nap lifting through it. SOLSTICE reverses out of the black at the lens corner, letters standing large and clean at this poster magnification, same slip. 50mm at f/8 square to the sheet; a lifted paper corner curls soft through the bottom-right, cut by it."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 3,
-  "quality": "standard",
-  "width": 1024,
-  "height": 1280,
-  "order": 5,
-  "family": "studio"
-}

package/templates/showcase/solstice-cracked-clay.json

@@ -1,33 +0,0 @@
-{
-  "id": "solstice-cracked-clay",
-  "title": "Titanium on fired earth",
-  "category": "catalog",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "solstice-titanium-aviators"
-      },
-      {
-        "t": "template",
-        "id": "confetti-burst-freeze"
-      },
-      {
-        "t": "text",
-        "v": " The aviators rest half-open on a plate of sun-cracked clay, one temple arm dropped into a fissure so the frame sits at a casual tilt, hard afternoon light driving the crack network's shadows into sharp relief. 85mm at f/4 from just above the clay plane, the amber gradient lenses throwing two warm pools of light into the fissures beneath, the brushed titanium rims firing one clean specular each. Curled clay flakes stand along the cracks through the near foreground, cut by the bottom edge; the plate's fractured horizon dissolves out of focus at the top."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 3,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 81,
-  "family": "geological"
-}

package/templates/showcase/soraya-taxi-hoops.json

@@ -1,33 +0,0 @@
-{
-  "id": "soraya-taxi-hoops",
-  "title": "Fastening the second hoop",
-  "category": "editorial",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "verity-stone-gold-hoop-earrings"
-      },
-      {
-        "t": "character",
-        "id": "soraya"
-      },
-      {
-        "t": "text",
-        "v": " Inside a taxi at night: she leans toward the window fastening the second hoop, chin tilted, the hammered gold catching a passing storefront's light as one bright arc against her jaw while the city smears into bokeh ribbons behind the glass. 85mm at f/1.8 from the seat beside her, her hands and the near hoop razor sharp, rain beads on the window doubling the neon. A black silk slip dress and a wool coat over her shoulders, fully dressed for the evening. Her far shoulder and the seat leather fall into deep shadow, cut by the right edge."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 43,
-  "family": "human"
-}

package/templates/showcase/tallulah-ferro-story-motion.json

@@ -1,37 +0,0 @@
-{
-  "id": "tallulah-ferro-story-motion",
-  "title": "Yuzu can, mid-spin",
-  "category": "social",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "ferro-sons-yuzu-soda"
-      },
-      {
-        "t": "character",
-        "id": "tallulah"
-      },
-      {
-        "t": "template",
-        "id": "social-vertical-story-motion"
-      },
-      {
-        "t": "text",
-        "v": " Catch her mid-pivot with the can held high and loose, condensation flicking off it in an arc of droplets that carries the motion while she and the can stay sharp. 35mm at f/4 from waist height, tilted up so she breaks the top edge, hard light cutting her shadow long across the ground through the bottom-left corner. Boxy cream tee tucked into straight indigo denim, white leather sneakers, fully dressed. The pale-yellow body and green stripe read clean against the saturated field; FERRO & SONS sits small in the stripe, specular breaking across it. Her trailing hand blurs through the right edge."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 3,
-  "quality": "standard",
-  "width": 1024,
-  "height": 1280,
-  "order": 18,
-  "family": "human"
-}