scenri 0.18.2 → 0.19.0

package/templates/screen-print-duotone.json

@@ -1,15 +0,0 @@
-{
-  "id": "screen-print-duotone",
-  "name": "Duotone Print",
-  "promptName": "Screen-Print Duotone",
-  "legacyNames": ["Screen-Print Duotone"],
-  "keywords": ["duotone", "screen print", "halftone", "graphic", "poster", "two ink", "risograph", "retro"],
-  "description": "The subject reduced to a true two-ink duotone screen-print, with bold halftone dot patterns standing in for tonal gradation and a deliberate registration offset at the edges. Flat, frontal, and printed on coarse poster paper rather than photographed, with unmistakable ink-to-paper contrast that reads as a genuine print, not a filtered photo.",
-  "lighting": "Flat frontal screened flash, halftone-only shading",
-  "subject": "either",
-  "collections": ["Colored backgrounds"],
-  "verticals": ["Apparel", "Sport", "Accessories", "Beauty"],
-  "prompt": "The subject rendered as a true two-ink screen-print poster in exactly two inks — deep ink-black and saturated safety-orange — shown front-on with the full print visible in a flat, frontal, poster-like composition, reduced to bold, sharply defined halftone dot patterns standing in for all tonal gradation, a deliberate two-ink registration offset visible along the print's high-contrast edges, coarse poster-paper grain texture across the surface, flat frontal screened-flash lighting with no dimensional shading beyond what the halftone dots imply, no props in frame beyond the subject itself, genuine halftone dot geometry and authentic two-ink flatness rather than a blur filter or photographic gradient.",
-  "width": 1024,
-  "height": 1280
-}

package/templates/showcase/aldergate-ice-core.json

@@ -1,29 +0,0 @@
-{
-  "id": "aldergate-ice-core",
-  "title": "Frost-proof, literally",
-  "category": "launch",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "aldergate-frost-field-watch"
-      },
-      {
-        "t": "text",
-        "v": " EXTREME MACRO — the frame filled by the watch head and strap emerging from clear glacier ice. The case sits half-embedded, the olive canvas strap frozen mid-curve into the depth, air bubbles strung like beads through the blue around it. 100mm macro at f/4, framed 1:1 life-size, level with the crown; meltwater films the crystal and one drop swells at the case's lower lug. ALDERGATE reads in small clean painted capitals under the twelve. A fractured ice edge crosses the top-right corner out of focus, refracting the cold daylight into prisms."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 72,
-  "family": "geological"
-}

package/templates/showcase/aldergate-watch-kenji-candid-crop.json

@@ -1,37 +0,0 @@
-{
-  "id": "aldergate-watch-kenji-candid-crop",
-  "title": "Field watch in fine rain",
-  "category": "catalog",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "aldergate-frost-field-watch"
-      },
-      {
-        "t": "character",
-        "id": "kenji"
-      },
-      {
-        "t": "template",
-        "id": "worn-scale-cropped-gesture"
-      },
-      {
-        "t": "text",
-        "v": " Catch his wrist at the bottom of the arm swing in fine rain, fingertips trailing a whisper of blur while the dial and soaked canvas strap stay locked sharp. Put him in a charcoal merino crew with the cuff pushed to mid-forearm, a black waxed-cotton raincoat sleeve above it, refined hands. 105mm at f/2.8, camera at hip height a stride behind, looking up the forearm. Rain beads stand on the crystal; The dial stays clean and unlettered, its painted indices and needle hands crisp, half-veiled by a sliding sky reflection across the crystal. A wet railing blurs across the bottom-left corner, cut by it."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 4,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 30,
-  "family": "human"
-}

package/templates/showcase/almanac-canvas-theo-billboard.json

@@ -1,37 +0,0 @@
-{
-  "id": "almanac-canvas-theo-billboard",
-  "title": "Gum soles ignite at golden hour",
-  "category": "editorial",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "almanac-supply-canvas-low-top"
-      },
-      {
-        "t": "character",
-        "id": "theo"
-      },
-      {
-        "t": "template",
-        "id": "social-fashion-campaign-billboard"
-      },
-      {
-        "t": "text",
-        "v": " Put him small in the lower third, mid-step out of deep blue shade into a hard-edged wedge of late sun, so the gum sole and toe cap ignite first while his torso sits two stops down, the torn-poster wall towering out through the top edge. 35mm at f/5.6 from pavement level, tilted up. A lifted sheet of poster paper flares out of focus in the near-right foreground, cut by the right edge. Cropped technical jacket zipped to the sternum over a white tee, wide black trousers cropped at the ankle, the low-tops fully laced. The blank poster panel holds clean above him."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "standard",
-  "width": 1024,
-  "height": 1280,
-  "order": 14,
-  "family": "human"
-}

package/templates/showcase/amble-ethiopia-bloom-pour.json

@@ -1,29 +0,0 @@
-{
-  "id": "amble-ethiopia-bloom-pour",
-  "title": "The bloom, first pour",
-  "category": "launch",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "amble-roasting-co-ethiopia-light-roast"
-      },
-      {
-        "t": "text",
-        "v": " Full-bleed photograph filling the entire frame edge to edge with no border, frame, letterbox band or matte of any kind. The pouch stands roll-top creased down at the near left, owning the left third of the frame, while the bed of fresh grounds blooms in a glass brewer just past it: a gooseneck's laminar silver thread enters from the top-left edge, cut by it, and strikes the centre of the bed so the crust domes and splits into pale tan fissures, gas lifting it visibly while crema-coloured foam crawls up the glass wall and a dark ring of liquor climbs behind it. 85mm at f/2.8 at counter height, the thread and the near crust razor-sharp, steam whipping through the raking window light and smearing at its top. AMBLE reads in large clean capitals on the wrapped matte kraft label with a hand-stamped roast date crooked beneath it, one seam corner lifted."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 82,
-  "family": "fluid"
-}

package/templates/showcase/amble-fire-tower.json

@@ -1,29 +0,0 @@
-{
-  "id": "amble-fire-tower",
-  "title": "First pour above the fog",
-  "category": "cinematic",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "amble-roasting-co-ethiopia-light-roast"
-      },
-      {
-        "t": "text",
-        "v": " The kraft pouch stands on the rail of a fire-lookout tower at sunrise beside an enamel pot mid-pour into a tin mug, steam whipping sideways in the cold while a sea of valley fog glows amber far below. 35mm at f/4 at rail height, the pour's ribbon sharp, the pouch's roll-top creased down and AMBLE reading in large clean capitals on the wrapped kraft label. The tower's weathered handrail runs out both side edges; a folded wool blanket blurs in the near-left corner, cut by the edge, and the fog sea dissolves to the horizon out the top of the frame."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 38,
-  "family": "place"
-}

package/templates/showcase/amble-roasting-doorway.json

@@ -1,33 +0,0 @@
-{
-  "id": "amble-roasting-doorway",
-  "title": "Morning coffee through the doorway",
-  "category": "lifestyle",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "amble-roasting-co-ethiopia-light-roast"
-      },
-      {
-        "t": "template",
-        "id": "lifestyle-incidental-tablescape"
-      },
-      {
-        "t": "text",
-        "v": " Shoot from the hallway through the open kitchen doorway: the dark doorframe cuts the left third and the top edge, the kitchen beyond held in a bright rectangle of window light. Stand the pouch close to the lens on the near counter so it owns the lower-right third, roll-top creased down, its wrapped matte kraft label carrying AMBLE in large clean capitals, ink sunk into the uncoated stock, one seam corner lifted. 28mm at f/8 at eye height, everything from doorframe to far tiles readably sharp. Steam ribbons off a just-boiled stovetop kettle and drifts across the light."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "standard",
-  "width": 1024,
-  "height": 1280,
-  "order": 48,
-  "family": "place"
-}

package/templates/showcase/ashwell-kin-lamp-elin-lamplight.json

@@ -1,37 +0,0 @@
-{
-  "id": "ashwell-kin-lamp-elin-lamplight",
-  "title": "Lamplight hour, someone home",
-  "category": "lifestyle",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "ashwell-kin-ribbed-table-lamp"
-      },
-      {
-        "t": "character",
-        "id": "elin"
-      },
-      {
-        "t": "template",
-        "id": "furniture-lamplight-hours"
-      },
-      {
-        "t": "text",
-        "v": " She sits curled in the wingback just past the lamp, a book folded over her knee, face turned into the warm pool so the ribbed ceramic base and her profile share the same light while the window behind holds its last cold blue. 50mm at f/1.8 at seated eye height, the lamp in the near third razor sharp, her softened one plane back. Cream wool socks, soft grey knit trousers, an oat cardigan — fully dressed for a cold evening. A draught pushes the half-drawn curtain into the room, hem smeared with movement. A cooling mug and two face-down books catch the light's edge on the floor; the chair arm blurs across the bottom-right corner."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 7,
-  "family": "human"
-}

package/templates/showcase/aurelia-serum-succulent-dew.json

@@ -1,33 +0,0 @@
-{
-  "id": "aurelia-serum-succulent-dew",
-  "title": "Serum on the dew bed",
-  "category": "beauty",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "aurelia-amber-serum"
-      },
-      {
-        "t": "template",
-        "id": "succulent-dew-bed"
-      },
-      {
-        "t": "text",
-        "v": " Set it small and low in the lower third, tipped between two blades while the bed rises and recedes behind into cool emerald depth, blade overlapping blade until they give up focus. A fat droplet has just let go of a tip above and is falling; one that landed a beat earlier still spreads its ring of satellite beads on the leaf below. 35mm at f/2.8, camera down at bed level among the leaves: the glass and two nearest blades crisp, the far bank dissolving. A near blade crosses the bottom-right corner, cut by both edges, and the band faces the lens carrying AURELIA screen-printed across it in large clean capitals, the type spanning most of the label width and sharply formed, its glued seam just catching the light. The printed band is deliberate art direction: disregard both the later Avoid clause forbidding text on the band and the later preservation note describing the band as blank or unprinted."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 3,
-  "family": "botanical"
-}

package/templates/showcase/basalt-bloom-water-bell.json

@@ -1,29 +0,0 @@
-{
-  "id": "basalt-bloom-water-bell",
-  "title": "Water bell off the shoulder",
-  "category": "campaign",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "basalt-bloom-sparkling-mineral-water"
-      },
-      {
-        "t": "text",
-        "v": " A column of clear, colourless spring water with a fine bead threading it falls from out of frame and strikes the bottle's glass shoulder off-centre, blowing outward into a thin circular sheet — a true water bell — that flares silver around the neck and tears at its rim into a ring of unevenly sized beads, every one frozen. 100mm at f/8 from just above cap height, the bottle standing on a wet black basalt slab and holding about half the frame height, one hard rim key from behind so the bell's membrane glows against black while the very pale green-tinted mineral water inside stays quiet and readable, slow carbonation threading up through it in fine strings. At this framing the crown cap is far too small to resolve lettering, so it carries none: a single struck concentric ring pressed into the cap's face, unlettered, flaring bright where the water film thins over it. Spent water races off the slab's near edge, cut by the bottom of the frame."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 66,
-  "family": "fluid"
-}

package/templates/showcase/basalt-hot-spring.json

@@ -1,29 +0,0 @@
-{
-  "id": "basalt-hot-spring",
-  "title": "Cold glass, hot spring",
-  "category": "food-drink",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "basalt-bloom-sparkling-mineral-water"
-      },
-      {
-        "t": "text",
-        "v": " The bottle stands in two centimetres of steaming mineral water on a white geothermal terrace at dawn, crusted travertine rims stepping away behind it into rising steam, the first pink light flaring through the vapor. 85mm at f/2.8 just above the waterline, condensation streaming down the glass while hot mist curls around it, cold bottle against hot spring, both textures sharp at the neck. The crown cap is plain brushed aluminium, its crimped skirt catching the dawn light, carrying an unlettered pressed dome. Mineral crust blurs across the extreme foreground, cut by the bottom corners; a distant bather's silhouette dissolves in the steam out the top-left."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 35,
-  "family": "geological"
-}

package/templates/showcase/basalt-snells-window.json

@@ -1,33 +0,0 @@
-{
-  "id": "basalt-snells-window",
-  "title": "Under the surface, looking up",
-  "category": "food-drink",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "basalt-bloom-sparkling-mineral-water"
-      },
-      {
-        "t": "template",
-        "id": "studio-submerged-bloom-drift"
-      },
-      {
-        "t": "text",
-        "v": " Full-bleed photograph filling the entire frame edge to edge. The bottle stands submerged on pale sand, shot from below its shoulder looking up so Snell's window opens above it — the sky compressed into a bright circle rimmed by mirrored blue, a caustic net raking down the glass and dancing on the sand. 35mm at f/5.6 underwater, fine bubbles streaming off the crown cap toward the surface with a faint upward smear, the water column glowing turquoise to deep blue at the edges. BASALT BLOOM reads lithographed on the cap where a caustic band crosses it; a drifting seagrass blade blurs through the bottom-right corner, cut by the edge."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 9,
-  "family": "optical"
-}

package/templates/showcase/birch-hollow-vase-blossom-counter.json

@@ -1,33 +0,0 @@
-{
-  "id": "birch-hollow-vase-blossom-counter",
-  "title": "Blossom branches, morning counter",
-  "category": "lifestyle",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "birch-hollow-stoneware-vase"
-      },
-      {
-        "t": "template",
-        "id": "interiors-marble-kitchen-counter"
-      },
-      {
-        "t": "text",
-        "v": " Full-bleed photograph filling the entire frame edge to edge with no border, frame, letterbox band or matte of any kind. Read the glass jar that follows as this speckled stoneware vase instead: there is no glass jar here. The garden has just come in, so read the counter as a spring cutting bench and the branches as ordinary kitchen work, not styling props. The vase fills the middle third of the frame height, crammed with quince and apple blossom that reaches far wider and runs out through the top-left and right edges, one branch still swinging so its blossom carries a whisper of blur while the vase sits dead still. Petals have dropped on the honed marble, one lying flat in a spreading water ring. 50mm at f/2.5 at counter height and close in, the speckled glaze and wet unglazed footring sharp, the nearest blossom crisp, the far branches and room behind dissolving. Low morning window light rakes from the left, the matte glaze soft and grainy against the marble's hard specular. Nothing crosses the near foreground; bare marble runs empty to the bottom edge. The piece stays unmarked."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "standard",
-  "width": 1024,
-  "height": 1280,
-  "order": 92,
-  "family": "place"
-}

package/templates/showcase/birch-hollow-vase-greenhouse-nook.json

@@ -1,33 +0,0 @@
-{
-  "id": "birch-hollow-vase-greenhouse-nook",
-  "title": "Stoneware vase in the potting nook",
-  "category": "lifestyle",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "birch-hollow-stoneware-vase"
-      },
-      {
-        "t": "template",
-        "id": "interiors-greenhouse-potting-nook"
-      },
-      {
-        "t": "text",
-        "v": " Overfilled a moment ago: water still sheeting over the rim and running the full curve of the body, the matte glaze turning dark and slick below the waterline while it stays chalk-dry above, one bead hanging at the lowest point about to fall. A galvanised watering can stands behind, its rose still dripping onto the soaked bench. 90mm at f/2.8, camera at bench height, tight on the body from just off-centre. A fern frond crosses the top-left well out of focus and is cut by the top edge; grit and dark water spots pit the bench through the near foreground."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 68,
-  "family": "botanical"
-}

package/templates/showcase/birch-hollow-vase-rosehip-frost.json

@@ -1,29 +0,0 @@
-{
-  "id": "birch-hollow-vase-rosehip-frost",
-  "title": "Rosehip, from inside the hedge",
-  "category": "seasonal",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "birch-hollow-stoneware-vase"
-      },
-      {
-        "t": "text",
-        "v": " Full-bleed photograph filling the entire frame edge to edge with no border, frame, letterbox band or matte of any kind. Late October, an hour after rain, flat overcast, no sun at all. The camera is pushed into a hedgerow, shooting out through wet dog-rose and hawthorn, so every thorn and wet stem in the near field, the heavy branch top-left and the low bottom-left diagonal included, is held hard in focus. A metre back, dead centre at a third of the frame height, the vase stands in the cleared hollow at the hedge foot: a smooth warm-grey matte glaze with fine dense oatmeal speckle, never a rough or crawling crust, its short straight cylindrical neck standing clear of the rounded shoulder over an unglazed tan footring. The glaze is visibly wet, darkened a shade by the rain, beads standing on the smooth surface, sitting in the speckle, one dark track to the foot. Packed with cut rosehip, hawthorn and old-man's-beard, hips wet scarlet against olive and grey, a drop gathering at one hip. 35mm at f/5.6 at ground level. Stems cut every edge; leaf litter fills the bottom corners."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 83,
-  "family": "botanical"
-}

package/templates/showcase/birchwood-derby-night-train.json

@@ -1,29 +0,0 @@
-{
-  "id": "birchwood-derby-night-train",
-  "title": "Sleeper train, lights passing",
-  "category": "cinematic",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "birchwood-page-leather-derby"
-      },
-      {
-        "t": "text",
-        "v": " The pair sits on the polished brass luggage rack of a sleeper-train compartment, toes toward the window, laces swaying with the carriage while the world outside streaks into long amber and teal light trails. 50mm at f/1.8 level with the rack, the window filling the frame behind, a warm cabin lamp on mahogany panelling below, a folded wool coat blurring in the lower-right corner cut by both edges. Leather grain and welt stitching sharp in the lamp light; a shallow unlettered maker's deboss in the sole sidewall catches the passing lights."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 88,
-  "family": "place"
-}

package/templates/showcase/birchwood-salt-flat.json

@@ -1,33 +0,0 @@
-{
-  "id": "birchwood-salt-flat",
-  "title": "Standing on the sky",
-  "category": "cinematic",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "birchwood-page-leather-derby"
-      },
-      {
-        "t": "template",
-        "id": "studio-soft-horizon"
-      },
-      {
-        "t": "text",
-        "v": " The pair stands on a millimetre of still water over white salt flat at dusk, a perfect mirror doubling them against a sky running peach to violet, the horizon line dissolving so shoes and reflection float in one continuous gradient. 85mm at f/5.6 from ankle height thirty steps back, both derbies razor sharp, their mirrored twins barely softer, concentric ripple rings spreading from the toe of the near shoe where a drop just fell. Salt crust texture reads through the shallows in the near foreground, cut by the bottom corners; the gradient runs out every other edge unbroken."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 4,
-  "family": "optical"
-}

package/templates/showcase/cairn-balm-drag-wet-slate.json

@@ -1,29 +0,0 @@
-{
-  "id": "cairn-balm-drag-wet-slate",
-  "title": "Mineral balm dragged over wet slate",
-  "category": "beauty",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "cairn-mineral-sun-stick"
-      },
-      {
-        "t": "text",
-        "v": " Full-bleed photograph filling the entire frame edge to edge with no border, frame, letterbox band or matte of any kind. EXTREME MACRO, no body or hands anywhere in frame: one thick chalk-white swipe of the mineral balm dragged the full width of a rain-wet split slate tile, its leading edge ploughed into a standing ridge with fine combing behind where the oval rim cut it, the balm dense and matte against stone that stays black and mirror-wet either side. The tube lies on its side at the end of the drag, cap off and out of frame, the balm dome shaved flat where it did the work. 100mm macro at f/5.6, framed 1:1 life-size, camera twenty degrees off the slate plane, one hard raking key from the left so the ridge throws a long shadow and the wet stone fires a single specular band across the bottom third. CAIRN stands embossed in relief along the flank, struck up out of the aluminium and left inkless, the raking key lighting the top edge of every letter and pooling shadow below it. The near slate is left bare and empty to the bottom edge."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 3,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 36,
-  "family": "material"
-}

package/templates/showcase/cairn-sun-stick-agave-noon.json

@@ -1,29 +0,0 @@
-{
-  "id": "cairn-sun-stick-agave-noon",
-  "title": "Down the throat of the agave",
-  "category": "beauty",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "cairn-mineral-sun-stick"
-      },
-      {
-        "t": "text",
-        "v": " Full-bleed photograph filling the entire frame edge to edge with no border, frame, letterbox band or matte of any kind. Hard noon over a coastal agave, shot straight down from a metre above the rosette so the plant reads as a flat blue-grey spiral, blade over blade over blade, each still carrying the pale bud-print stripes its neighbour pressed into it before it opened. The capped stick lies in the tightest turn of that spiral, dead centre and following the curve, taking about a fifth of the frame width. 135mm at f/8, the rosette flattened into a single plane so the spiral holds sharp corner to corner and the ground never appears. Sun high and a little to camera-left, laying one blade's hard shadow bar across the tube's waist where it stops dead at the bone-white cap. Dried salt has bloomed white along every keel and dusts the matte anodising. Palette held to blue-green, bone and slate, nothing warm anywhere. Nothing stands between lens and plant, the near field is empty air, and the outermost spines run out all four corners. Let the tube read unmarked."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 2,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 11,
-  "family": "botanical"
-}

package/templates/showcase/cairn-sun-stick-aloe-flesh.json

@@ -1,33 +0,0 @@
-{
-  "id": "cairn-sun-stick-aloe-flesh",
-  "title": "Sun stick in cut aloe",
-  "category": "beauty",
-  "brief": {
-    "tokens": [
-      {
-        "t": "product",
-        "id": "cairn-mineral-sun-stick"
-      },
-      {
-        "t": "template",
-        "id": "studio-aloe-flesh-macro"
-      },
-      {
-        "t": "text",
-        "v": " Read the translucent pale-green glass jar and its matte screw cap that follow as this flat-oval anodised sun-stick tube instead: there is no jar and no screw cap here. Cap off and out of shot, the tube stands broad-face to the lens in the trough between two freshly sliced leaves and owns about half the frame height, the chalk-white balm dome proud of the crisp oval rim. A thick string of mucilage has necked off the upper cut face and sags across the tube's shoulder, about to part. 100mm macro at f/3.5, framed 1:1 life-size, camera level with the rim so the dome and the nearest gel core sit in one plane and everything behind gives up focus; no hands or body in frame. Condensation greys the slate-graphite anodising and beads stand in the knurled base dial. CAIRN is struck up out of the aluminium as inkless embossed relief across the broad face, capitals large enough to read at a glance, the low backlight catching their top edges and pooling shadow beneath. Nothing stands between lens and tube; the trough runs empty to the bottom edge."
-      },
-      {
-        "t": "format",
-        "id": "portrait",
-        "w": 1024,
-        "h": 1280
-      }
-    ]
-  },
-  "variants": 3,
-  "quality": "high",
-  "width": 1024,
-  "height": 1280,
-  "order": 55,
-  "family": "botanical"
-}