rlo-engine 1.0.3 → 1.1.0

package/dist/Instruments/Analog/AnalogSynthBase.js

@@ -1,30 +1,41 @@
-import { CoreSynthBase } from "../CoreSynthBase.js";
+import { CoreSynthBase, hasStrictGC } from "../CoreSynthBase.js";
 /**
- * Abstract base class for sustained analog synthesizers.
- * Handles GainNode creation, Nyquist safety limits, and ADSR volume envelopes.
+ * Synthesizer instrument implementation.
+ *
+ * @reason Acoustic Design:
+ * Encapsulates the specific Web Audio node routing and ADSR parameters
+ * required to physically model this instrument within the 13KB limit.
+ *
+ * @reason Separation of Sustained vs Decaying Physics:
+ * Synthesizers like an Organ will sustain at peak volume infinitely as long as the key is held,
+ * whereas a Piano will physically decay to silence even if the key remains held down.
+ * This base class encapsulates the mathematical ADSR envelope logic specifically for
+ * infinite-sustain physics, ensuring derived classes only need to define the timbre (Oscillators/Filters).
  */
 export class AnalogSynthBase extends CoreSynthBase {
     constructor() {
         super(...arguments);
-        this._c = { v: 0.5, a: 0.05, r: 0.1 };
+        this._envelopeConfig = { _peakVelocity: 0.5, _attackTimeSeconds: 0.05, _releaseTimeSeconds: 0.1, _maxDurationSeconds: 10.0 };
     }
     _playNote(ctx, masterGain, time, freq, duration, velocity) {
         const gain = ctx.createGain();
-        const c = this._cfg(duration);
-        const peakVol = Math.max(0.001, velocity * c.v);
-        this._set(gain.gain, 0, time);
-        this._lin(gain.gain, peakVol, time + c.a);
-        const sustainTime = Math.max(c.a, duration);
-        this._set(gain.gain, peakVol, time + sustainTime);
-        this._lin(gain.gain, 0.001, time + sustainTime + c.r);
-        const stopTime = time + sustainTime + c.r;
-        const output = this._setupSynthesis(ctx, gain, time, freq, velocity, sustainTime, c.r, stopTime);
+        const c = this._getEnvelopeConfig(duration);
+        const peakVol = Math.max(0.001, velocity * c._peakVelocity);
+        const safeDuration = c._maxDurationSeconds ? Math.min(duration, c._maxDurationSeconds) : duration;
+        this._setValueAtTime(gain.gain, 0, time);
+        this._linearRampToValue(gain.gain, peakVol, time + c._attackTimeSeconds);
+        const sustainTime = Math.max(c._attackTimeSeconds, safeDuration);
+        this._setValueAtTime(gain.gain, peakVol, time + sustainTime);
+        this._linearRampToValue(gain.gain, 0.001, time + sustainTime + c._releaseTimeSeconds);
+        const stopTime = time + sustainTime + c._releaseTimeSeconds;
+        const output = this._setupSynthesis(ctx, gain, time, freq, velocity, sustainTime, c._releaseTimeSeconds, stopTime);
         const finalNode = output || gain;
         finalNode.connect(masterGain);
-        this._gc(ctx, time, stopTime + 0.1, finalNode);
+        if (hasStrictGC)
+            this._scheduleNodeDisposal(ctx, time, stopTime + 0.1, finalNode);
     }
-    _cfg(d) {
-        return this._c;
+    _getEnvelopeConfig(_decayTimeSeconds) {
+        return this._envelopeConfig;
     }
 }
 //# sourceMappingURL=AnalogSynthBase.js.map

package/dist/Instruments/Analog/AnalogSynthBase.js.map

@@ -1 +1 @@
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package/dist/Instruments/Analog/BassSynth.d.ts

@@ -2,12 +2,19 @@ import { DecaySynthBase } from "../Decay/DecaySynthBase.js";
 /**
  * Synthesizer strategy for deep Bass instruments using sawtooth waves.
  */
+/**
+ * Synthesizes a deep, resonant bass tone using a lowpass-filtered sawtooth wave. Perfect for foundational low-end frequencies.
+ *
+ * @reason Acoustic Design:
+ * Encapsulates the specific Web Audio node routing and ADSR parameters
+ * required to physically model this instrument within the 13KB limit.
+ */
 export declare class BassSynth extends DecaySynthBase {
-    protected _c: {
-        v: number;
-        a: number;
-        d: number;
-        m: number;
+    protected _envelopeConfig: {
+        _peakVelocity: number;
+        _attackTimeSeconds: number;
+        _decayTimeSeconds: number;
+        _maxDurationSeconds: number;
     };
     protected _setupSynthesis(ctx: AudioContext, masterGain: GainNode, gain: GainNode, time: number, freq: number, velocity: number, safeDuration: number, stopTime: number): AudioNode | void;
 }

package/dist/Instruments/Analog/BassSynth.d.ts.map

@@ -1 +1 @@
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package/dist/Instruments/Analog/BassSynth.js

@@ -2,23 +2,30 @@ import { DecaySynthBase } from "../Decay/DecaySynthBase.js";
 /**
  * Synthesizer strategy for deep Bass instruments using sawtooth waves.
  */
+/**
+ * Synthesizes a deep, resonant bass tone using a lowpass-filtered sawtooth wave. Perfect for foundational low-end frequencies.
+ *
+ * @reason Acoustic Design:
+ * Encapsulates the specific Web Audio node routing and ADSR parameters
+ * required to physically model this instrument within the 13KB limit.
+ */
 export class BassSynth extends DecaySynthBase {
     constructor() {
         super(...arguments);
-        this._c = { v: 0.8, a: 0.05, d: 0.1, m: 4.0 };
+        this._envelopeConfig = { _peakVelocity: 0.8, _attackTimeSeconds: 0.05, _decayTimeSeconds: 0.1, _maxDurationSeconds: 4.0 };
     }
     _setupSynthesis(ctx, masterGain, gain, time, freq, velocity, safeDuration, stopTime) {
         /** Deep envelope sweep for punchy, muffled bass attack. Capped safely below Nyquist. */
-        const filter = this._filterSweep(ctx, 0 /* Filter.Lowpass */, 300 + velocity * 500, 100, time, safeDuration);
-        const osc = this._osc(ctx, 2 /* Osc.Sawtooth */, 0, gain);
-        this._set(osc.frequency, freq * 0.92, time);
-        this._exp(osc.frequency, freq, time + 0.04);
-        const subGain = this._gain(ctx, 0.6, gain);
-        const subOsc = this._osc(ctx, 0 /* Osc.Sine */, 0, subGain);
-        this._set(subOsc.frequency, (freq / 2) * 0.92, time);
-        this._exp(subOsc.frequency, freq / 2, time + 0.04);
+        const filter = this._createFilterSweep(ctx, "lowpass", 300 + velocity * 500, 100, time, safeDuration);
+        const osc = this._createOscillator(ctx, "sawtooth", 0, gain);
+        this._setValueAtTime(osc.frequency, freq * 0.92, time);
+        this._exponentialRampToValue(osc.frequency, freq, time + 0.04);
+        const subGain = this._createGain(ctx, 0.6, gain);
+        const subOsc = this._createOscillator(ctx, "sine", 0, subGain);
+        this._setValueAtTime(subOsc.frequency, (freq / 2) * 0.92, time);
+        this._exponentialRampToValue(subOsc.frequency, freq / 2, time + 0.04);
         gain.connect(filter);
-        this._on(time, stopTime, osc, subOsc);
+        this._scheduleNodeStartStop(time, stopTime, osc, subOsc);
         return filter;
     }
 }

package/dist/Instruments/Analog/BassSynth.js.map

@@ -1 +1 @@
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package/dist/Instruments/Analog/ChiptuneSynth.d.ts

@@ -3,11 +3,18 @@ import { AnalogSynthBase } from "./AnalogSynthBase.js";
  * Synthesizer strategy for 8-bit Chiptune sounds.
  * Uses a raw square wave with a rapid pitch-drop "blip" attack.
  */
+/**
+ * Generates retro 8-bit style square waves, ideal for recreating classic video game soundtracks.
+ *
+ * @reason Acoustic Design:
+ * Encapsulates the specific Web Audio node routing and ADSR parameters
+ * required to physically model this instrument within the 13KB limit.
+ */
 export declare class ChiptuneSynth extends AnalogSynthBase {
-    protected _c: {
-        v: number;
-        a: number;
-        r: number;
+    protected _envelopeConfig: {
+        _peakVelocity: number;
+        _attackTimeSeconds: number;
+        _releaseTimeSeconds: number;
     };
     protected _setupSynthesis(ctx: AudioContext, gain: GainNode, time: number, freq: number, velocity: number, sustainTime: number, releaseTime: number, stopTime: number): AudioNode | void;
 }

package/dist/Instruments/Analog/ChiptuneSynth.d.ts.map

@@ -1 +1 @@
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package/dist/Instruments/Analog/ChiptuneSynth.js

@@ -3,17 +3,24 @@ import { AnalogSynthBase } from "./AnalogSynthBase.js";
  * Synthesizer strategy for 8-bit Chiptune sounds.
  * Uses a raw square wave with a rapid pitch-drop "blip" attack.
  */
+/**
+ * Generates retro 8-bit style square waves, ideal for recreating classic video game soundtracks.
+ *
+ * @reason Acoustic Design:
+ * Encapsulates the specific Web Audio node routing and ADSR parameters
+ * required to physically model this instrument within the 13KB limit.
+ */
 export class ChiptuneSynth extends AnalogSynthBase {
     constructor() {
         super(...arguments);
-        this._c = { v: 0.4, a: 0.005, r: 0.05 };
+        this._envelopeConfig = { _peakVelocity: 0.4, _attackTimeSeconds: 0.005, _releaseTimeSeconds: 0.05 };
     }
     _setupSynthesis(ctx, gain, time, freq, velocity, sustainTime, releaseTime, stopTime) {
-        const osc = this._osc(ctx, 1 /* Osc.Square */, 0, gain);
+        const osc = this._createOscillator(ctx, "square", 0, gain);
         /** Classic tracker "blip" attack: starts one octave higher for a fraction of a second */
-        this._set(osc.frequency, freq * 2, time);
-        this._set(osc.frequency, freq, time + 0.02);
-        this._on(time, stopTime, osc);
+        this._setValueAtTime(osc.frequency, freq * 2, time);
+        this._setValueAtTime(osc.frequency, freq, time + 0.02);
+        this._scheduleNodeStartStop(time, stopTime, osc);
     }
 }
 //# sourceMappingURL=ChiptuneSynth.js.map

package/dist/Instruments/Analog/ChiptuneSynth.js.map

@@ -1 +1 @@
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+{"version":3,"file":"ChiptuneSynth.js","sourceRoot":"","sources":["../../../Instruments/Analog/ChiptuneSynth.ts"],"names":[],"mappings":"AAAA,OAAO,EAAE,eAAe,EAAa,MAAM,sBAAsB,CAAC;AAGlE;;;GAGG;AACH;;;;;;GAMG;AACH,MAAM,OAAO,aAAc,SAAQ,eAAe;IAAlD;;QACY,oBAAe,GAAG,EAAE,aAAa,EAAE,GAAG,EAAE,kBAAkB,EAAE,KAAK,EAAE,mBAAmB,EAAE,IAAI,EAAE,CAAC;IAoB3G,CAAC;IAlBW,eAAe,CACvB,GAAiB,EACjB,IAAc,EACd,IAAY,EACZ,IAAY,EACZ,QAAgB,EAChB,WAAmB,EACnB,WAAmB,EACnB,QAAgB;QAEhB,MAAM,GAAG,GAAG,IAAI,CAAC,iBAAiB,CAAC,GAAG,EAAE,QAAQ,EAAE,CAAC,EAAE,IAAI,CAAC,CAAC;QAE3D,yFAAyF;QACzF,IAAI,CAAC,eAAe,CAAC,GAAG,CAAC,SAAS,EAAE,IAAI,GAAG,CAAC,EAAE,IAAI,CAAC,CAAC;QACpD,IAAI,CAAC,eAAe,CAAC,GAAG,CAAC,SAAS,EAAE,IAAI,EAAE,IAAI,GAAG,IAAI,CAAC,CAAC;QAEvD,IAAI,CAAC,sBAAsB,CAAC,IAAI,EAAE,QAAQ,EAAE,GAAG,CAAC,CAAC;IACnD,CAAC;CACF"}

package/dist/Instruments/Analog/FMSynth.d.ts

@@ -4,11 +4,18 @@ import { AnalogSynthBase } from "./AnalogSynthBase.js";
  * Modulates a carrier sine wave with another sine wave to create glassy,
  * metallic overtones common in 1980s Electric Pianos and Bells.
  */
+/**
+ * Uses Frequency Modulation (FM) to create complex metallic or bell-like timbres by modulating the phase of one oscillator with another.
+ *
+ * @reason Acoustic Design:
+ * Encapsulates the specific Web Audio node routing and ADSR parameters
+ * required to physically model this instrument within the 13KB limit.
+ */
 export declare class FMSynth extends AnalogSynthBase {
-    protected _c: {
-        v: number;
-        a: number;
-        r: number;
+    protected _envelopeConfig: {
+        _peakVelocity: number;
+        _attackTimeSeconds: number;
+        _releaseTimeSeconds: number;
     };
     protected _setupSynthesis(ctx: AudioContext, gain: GainNode, time: number, freq: number, velocity: number, sustainTime: number, releaseTime: number, stopTime: number): AudioNode | void;
 }

package/dist/Instruments/Analog/FMSynth.d.ts.map

@@ -1 +1 @@
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+{"version":3,"file":"FMSynth.d.ts","sourceRoot":"","sources":["../../../Instruments/Analog/FMSynth.ts"],"names":[],"mappings":"AAAA,OAAO,EAAE,eAAe,EAAa,MAAM,sBAAsB,CAAC;AAGlE;;;;GAIG;AACH;;;;;;GAMG;AACH,qBAAa,OAAQ,SAAQ,eAAe;IAC1C,SAAS,CAAC,eAAe;;;;MAA8E;IAEvG,SAAS,CAAC,eAAe,CACvB,GAAG,EAAE,YAAY,EACjB,IAAI,EAAE,QAAQ,EACd,IAAI,EAAE,MAAM,EACZ,IAAI,EAAE,MAAM,EACZ,QAAQ,EAAE,MAAM,EAChB,WAAW,EAAE,MAAM,EACnB,WAAW,EAAE,MAAM,EACnB,QAAQ,EAAE,MAAM,GACf,SAAS,GAAG,IAAI;CAcpB"}

package/dist/Instruments/Analog/FMSynth.js

@@ -4,20 +4,27 @@ import { AnalogSynthBase } from "./AnalogSynthBase.js";
  * Modulates a carrier sine wave with another sine wave to create glassy,
  * metallic overtones common in 1980s Electric Pianos and Bells.
  */
+/**
+ * Uses Frequency Modulation (FM) to create complex metallic or bell-like timbres by modulating the phase of one oscillator with another.
+ *
+ * @reason Acoustic Design:
+ * Encapsulates the specific Web Audio node routing and ADSR parameters
+ * required to physically model this instrument within the 13KB limit.
+ */
 export class FMSynth extends AnalogSynthBase {
     constructor() {
         super(...arguments);
-        this._c = { v: 0.6, a: 0.01, r: 0.1 };
+        this._envelopeConfig = { _peakVelocity: 0.6, _attackTimeSeconds: 0.01, _releaseTimeSeconds: 0.1 };
     }
     _setupSynthesis(ctx, gain, time, freq, velocity, sustainTime, releaseTime, stopTime) {
-        const carrier = this._osc(ctx, 0 /* Osc.Sine */, freq, gain);
+        const carrier = this._createOscillator(ctx, "sine", freq, gain);
         const modFreq = freq * 2; // 2:1 harmonic ratio for bell/epiano overtones
         const modDepth = modFreq * 4; // Modulation index (brightness)
-        const modGain = this._gain(ctx, 0, carrier.frequency);
-        this._set(modGain.gain, modDepth * velocity, time);
-        this._exp(modGain.gain, 0.01, time + sustainTime); // Decay the harshness over time for a plucked feel
-        const modulator = this._osc(ctx, 0 /* Osc.Sine */, modFreq, modGain);
-        this._on(time, stopTime, carrier, modulator);
+        const modGain = this._createGain(ctx, 0, carrier.frequency);
+        this._setValueAtTime(modGain.gain, modDepth * velocity, time);
+        this._exponentialRampToValue(modGain.gain, 0.01, time + sustainTime); // Decay the harshness over time for a plucked feel
+        const modulator = this._createOscillator(ctx, "sine", modFreq, modGain);
+        this._scheduleNodeStartStop(time, stopTime, carrier, modulator);
     }
 }
 //# sourceMappingURL=FMSynth.js.map

package/dist/Instruments/Analog/FMSynth.js.map

@@ -1 +1 @@
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package/dist/Instruments/Analog/FormantSynth.d.ts

@@ -3,11 +3,18 @@ import { AnalogSynthBase } from "./AnalogSynthBase.js";
  * Synthesizer strategy for Formant Choirs (Human Vox).
  * Uses parallel bandpass filters locked to specific "vowel" resonant frequencies.
  */
+/**
+ * Mimics human vowel sounds (a, e, i, o, u) using parallel bandpass filters (formants) tuned to specific vocal tract resonant frequencies.
+ *
+ * @reason Acoustic Design:
+ * Encapsulates the specific Web Audio node routing and ADSR parameters
+ * required to physically model this instrument within the 13KB limit.
+ */
 export declare class FormantSynth extends AnalogSynthBase {
-    protected _c: {
-        v: number;
-        a: number;
-        r: number;
+    protected _envelopeConfig: {
+        _peakVelocity: number;
+        _attackTimeSeconds: number;
+        _releaseTimeSeconds: number;
     };
     protected _setupSynthesis(ctx: AudioContext, gain: GainNode, time: number, freq: number, velocity: number, sustainTime: number, releaseTime: number, stopTime: number): AudioNode | void;
 }

package/dist/Instruments/Analog/FormantSynth.d.ts.map

@@ -1 +1 @@
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+{"version":3,"file":"FormantSynth.d.ts","sourceRoot":"","sources":["../../../Instruments/Analog/FormantSynth.ts"],"names":[],"mappings":"AAAA,OAAO,EAAE,eAAe,EAAa,MAAM,sBAAsB,CAAC;AAGlE;;;GAGG;AACH;;;;;;GAMG;AACH,qBAAa,YAAa,SAAQ,eAAe;IAC/C,SAAS,CAAC,eAAe;;;;MAA6E;IAEtG,SAAS,CAAC,eAAe,CACvB,GAAG,EAAE,YAAY,EACjB,IAAI,EAAE,QAAQ,EACd,IAAI,EAAE,MAAM,EACZ,IAAI,EAAE,MAAM,EACZ,QAAQ,EAAE,MAAM,EAChB,WAAW,EAAE,MAAM,EACnB,WAAW,EAAE,MAAM,EACnB,QAAQ,EAAE,MAAM,GACf,SAAS,GAAG,IAAI;CAgBpB"}

package/dist/Instruments/Analog/FormantSynth.js

@@ -3,24 +3,31 @@ import { AnalogSynthBase } from "./AnalogSynthBase.js";
  * Synthesizer strategy for Formant Choirs (Human Vox).
  * Uses parallel bandpass filters locked to specific "vowel" resonant frequencies.
  */
+/**
+ * Mimics human vowel sounds (a, e, i, o, u) using parallel bandpass filters (formants) tuned to specific vocal tract resonant frequencies.
+ *
+ * @reason Acoustic Design:
+ * Encapsulates the specific Web Audio node routing and ADSR parameters
+ * required to physically model this instrument within the 13KB limit.
+ */
 export class FormantSynth extends AnalogSynthBase {
     constructor() {
         super(...arguments);
-        this._c = { v: 0.8, a: 0.1, r: 0.4 };
+        this._envelopeConfig = { _peakVelocity: 0.8, _attackTimeSeconds: 0.1, _releaseTimeSeconds: 0.4 };
     }
     _setupSynthesis(ctx, gain, time, freq, velocity, sustainTime, releaseTime, stopTime) {
-        const osc = this._osc(ctx, 2 /* Osc.Sawtooth */, freq);
-        this._lfo(ctx, 5, freq * 0.015, time, 0.2, stopTime, osc.frequency);
+        const osc = this._createOscillator(ctx, "sawtooth", freq);
+        this._createLFO(ctx, 5, freq * 0.015, time, 0.2, stopTime, osc.frequency);
         // Typical 'Ah' vowel formants: 730Hz, 1090Hz, 2440Hz
         [730, 1090, 2440].forEach((f) => {
             if (f < 22000) {
-                const filter = this._filter(ctx, 2 /* Filter.Bandpass */);
+                const filter = this._createFilter(ctx, "bandpass");
                 filter.frequency.value = f;
                 filter.Q.value = 12; // High resonance to isolate the formant
                 osc.connect(filter).connect(gain);
             }
         });
-        this._on(time, stopTime, osc);
+        this._scheduleNodeStartStop(time, stopTime, osc);
     }
 }
 //# sourceMappingURL=FormantSynth.js.map

package/dist/Instruments/Analog/FormantSynth.js.map

@@ -1 +1 @@
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package/dist/Instruments/Analog/LeadSynth.d.ts

@@ -2,11 +2,18 @@ import { AnalogSynthBase } from "./AnalogSynthBase.js";
 /**
  * Synthesizer strategy for Synth Leads featuring an LFO Vibrato.
  */
+/**
+ * Produces a bright, cutting tone using layered oscillators and detuning to stand out in a mix as the primary melody.
+ *
+ * @reason Acoustic Design:
+ * Encapsulates the specific Web Audio node routing and ADSR parameters
+ * required to physically model this instrument within the 13KB limit.
+ */
 export declare class LeadSynth extends AnalogSynthBase {
-    protected _c: {
-        v: number;
-        a: number;
-        r: number;
+    protected _envelopeConfig: {
+        _peakVelocity: number;
+        _attackTimeSeconds: number;
+        _releaseTimeSeconds: number;
     };
     protected _setupSynthesis(ctx: AudioContext, gain: GainNode, time: number, freq: number, velocity: number, sustainTime: number, releaseTime: number, stopTime: number): AudioNode | void;
 }

package/dist/Instruments/Analog/LeadSynth.d.ts.map

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package/dist/Instruments/Analog/LeadSynth.js

@@ -2,20 +2,27 @@ import { AnalogSynthBase } from "./AnalogSynthBase.js";
 /**
  * Synthesizer strategy for Synth Leads featuring an LFO Vibrato.
  */
+/**
+ * Produces a bright, cutting tone using layered oscillators and detuning to stand out in a mix as the primary melody.
+ *
+ * @reason Acoustic Design:
+ * Encapsulates the specific Web Audio node routing and ADSR parameters
+ * required to physically model this instrument within the 13KB limit.
+ */
 export class LeadSynth extends AnalogSynthBase {
     constructor() {
         super(...arguments);
-        this._c = { v: 0.4, a: 0.05, r: 0.1 };
+        this._envelopeConfig = { _peakVelocity: 0.4, _attackTimeSeconds: 0.05, _releaseTimeSeconds: 0.1 };
     }
     _setupSynthesis(ctx, gain, time, freq, velocity, sustainTime, releaseTime, stopTime) {
-        const osc = this._osc(ctx, 2 /* Osc.Sawtooth */, 0);
-        this._set(osc.frequency, freq, time);
-        this._lfo(ctx, 5, freq * 0.02, time, 0.2, stopTime, osc.frequency);
-        const filter = this._filterSweep(ctx, 0 /* Filter.Lowpass */, freq, freq * 3, time, 0.05);
-        this._exp(filter.frequency, freq * 1.5, time + sustainTime);
+        const osc = this._createOscillator(ctx, "sawtooth", 0);
+        this._setValueAtTime(osc.frequency, freq, time);
+        this._createLFO(ctx, 5, freq * 0.02, time, 0.2, stopTime, osc.frequency);
+        const filter = this._createFilterSweep(ctx, "lowpass", freq, freq * 3, time, 0.05);
+        this._exponentialRampToValue(filter.frequency, freq * 1.5, time + sustainTime);
         filter.Q.value = 3; /** Squelchy resonance */
         osc.connect(filter).connect(gain);
-        this._on(time, stopTime, osc);
+        this._scheduleNodeStartStop(time, stopTime, osc);
     }
 }
 //# sourceMappingURL=LeadSynth.js.map

package/dist/Instruments/Analog/LeadSynth.js.map

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package/dist/Instruments/Analog/OrganSynth.d.ts

@@ -2,11 +2,18 @@ import { AnalogSynthBase } from "./AnalogSynthBase.js";
 /**
  * Synthesizer strategy for Organs using additive sine waves.
  */
+/**
+ * Simulates a tonewheel organ (like a Hammond B3) by using additive synthesis of sine waves at harmonic intervals.
+ *
+ * @reason Acoustic Design:
+ * Encapsulates the specific Web Audio node routing and ADSR parameters
+ * required to physically model this instrument within the 13KB limit.
+ */
 export declare class OrganSynth extends AnalogSynthBase {
-    protected _c: {
-        v: number;
-        a: number;
-        r: number;
+    protected _envelopeConfig: {
+        _peakVelocity: number;
+        _attackTimeSeconds: number;
+        _releaseTimeSeconds: number;
     };
     protected _setupSynthesis(ctx: AudioContext, gain: GainNode, time: number, freq: number, velocity: number, sustainTime: number, releaseTime: number, stopTime: number): AudioNode | void;
 }

package/dist/Instruments/Analog/OrganSynth.d.ts.map

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package/dist/Instruments/Analog/OrganSynth.js

@@ -2,22 +2,29 @@ import { AnalogSynthBase } from "./AnalogSynthBase.js";
 /**
  * Synthesizer strategy for Organs using additive sine waves.
  */
+/**
+ * Simulates a tonewheel organ (like a Hammond B3) by using additive synthesis of sine waves at harmonic intervals.
+ *
+ * @reason Acoustic Design:
+ * Encapsulates the specific Web Audio node routing and ADSR parameters
+ * required to physically model this instrument within the 13KB limit.
+ */
 export class OrganSynth extends AnalogSynthBase {
     constructor() {
         super(...arguments);
-        this._c = { v: 0.4, a: 0.01, r: 0.05 };
+        this._envelopeConfig = { _peakVelocity: 0.4, _attackTimeSeconds: 0.01, _releaseTimeSeconds: 0.05 };
     }
     _setupSynthesis(ctx, gain, time, freq, velocity, sustainTime, releaseTime, stopTime) {
-        const osc1 = this._osc(ctx, 0 /* Osc.Sine */, freq, gain);
-        const gain2 = this._gain(ctx, 0.5, gain);
-        const osc2 = this._osc(ctx, 0 /* Osc.Sine */, freq * 2, gain2);
-        const gain3 = this._gain(ctx, 0.25, gain);
-        const osc3 = this._osc(ctx, 0 /* Osc.Sine */, freq * 3, gain3);
-        const rotaryNode = this._gain(ctx, 0.7);
-        this._lfo(ctx, 6.5, 0.3, time, 0, stopTime, rotaryNode.gain);
+        const osc1 = this._createOscillator(ctx, "sine", freq, gain);
+        const gain2 = this._createGain(ctx, 0.5, gain);
+        const osc2 = this._createOscillator(ctx, "sine", freq * 2, gain2);
+        const gain3 = this._createGain(ctx, 0.25, gain);
+        const osc3 = this._createOscillator(ctx, "sine", freq * 3, gain3);
+        const rotaryNode = this._createGain(ctx, 0.7);
+        this._createLFO(ctx, 6.5, 0.3, time, 0, stopTime, rotaryNode.gain);
         gain.connect(rotaryNode);
-        this._transient(ctx, 1 /* Osc.Square */, 4000, rotaryNode, time, Math.max(0.001, velocity * 0.1), 0.015);
-        this._on(time, stopTime, osc1, osc2, osc3);
+        this._createTransient(ctx, "square", 4000, rotaryNode, time, Math.max(0.001, velocity * 0.1), 0.015);
+        this._scheduleNodeStartStop(time, stopTime, osc1, osc2, osc3);
         return rotaryNode;
     }
 }

package/dist/Instruments/Analog/OrganSynth.js.map

@@ -1 +1 @@
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package/dist/Instruments/Analog/PadSynth.js

@@ -8,14 +8,14 @@ export class PadSynth extends AnalogSynthBase {
         return { v: 0.4, a: d < 0.4 ? 0.05 : 0.3, r: d < 0.4 ? 0.1 : 0.8 };
     }
     _setupSynthesis(ctx, gain, time, freq, velocity, sustainTime, releaseTime, stopTime) {
-        const [osc1, osc2] = this._stereoOsc(ctx, 3 /* Osc.Triangle */, freq, 1.01, 0.7, gain);
-        const filter = this._filter(ctx, 0 /* Filter.Lowpass */);
-        this._set(filter.frequency, freq + 400, time);
-        this._lin(filter.frequency, freq + 1000 + velocity * 500, time + sustainTime);
-        this._lfo(ctx, 0.5, 10, time, 0, stopTime, osc2.frequency);
-        this._lfo(ctx, 0.1, 400, time, 0, stopTime, filter.frequency);
+        const [osc1, osc2] = this._createStereoOscillator(ctx, "triangle", freq, 1.01, 0.7, gain);
+        const filter = this._createFilter(ctx, "lowpass");
+        this._setValueAtTime(filter.frequency, freq + 400, time);
+        this._linearRampToValue(filter.frequency, freq + 1000 + velocity * 500, time + sustainTime);
+        this._createLFO(ctx, 0.5, 10, time, 0, stopTime, osc2.frequency);
+        this._createLFO(ctx, 0.1, 400, time, 0, stopTime, filter.frequency);
         gain.connect(filter);
-        this._on(time, stopTime, osc1, osc2);
+        this._scheduleNodeStartStop(time, stopTime, osc1, osc2);
         return filter;
     }
 }

package/dist/Instruments/Analog/PadSynth.js.map

@@ -1 +1 @@
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package/dist/Instruments/Analog/ReeseBassSynth.d.ts

@@ -3,11 +3,18 @@ import { AnalogSynthBase } from "./AnalogSynthBase.js";
  * Synthesizer strategy for Reese/Wobble Bass.
  * Uses heavily detuned sawtooths and an LFO-driven lowpass filter.
  */
+/**
+ * A staple of Drum & Bass music, this uses two heavily detuned sawtooth waves to create a thick, phasing, and wide bass tone.
+ *
+ * @reason Acoustic Design:
+ * Encapsulates the specific Web Audio node routing and ADSR parameters
+ * required to physically model this instrument within the 13KB limit.
+ */
 export declare class ReeseBassSynth extends AnalogSynthBase {
-    protected _c: {
-        v: number;
-        a: number;
-        r: number;
+    protected _envelopeConfig: {
+        _peakVelocity: number;
+        _attackTimeSeconds: number;
+        _releaseTimeSeconds: number;
     };
     protected _setupSynthesis(ctx: AudioContext, gain: GainNode, time: number, freq: number, velocity: number, sustainTime: number, releaseTime: number, stopTime: number): AudioNode | void;
 }

package/dist/Instruments/Analog/ReeseBassSynth.d.ts.map

@@ -1 +1 @@
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