rlo-engine 1.0.3 → 1.1.0

package/dist/rlo-engine.min.umd.js.map

@@ -1 +1 @@
-{"version":3,"file":"rlo-engine.min.umd.js","sources":["../Instruments/Synthesizer.ts","../AudioEffects.ts","../RLO-Transpiler.ts","../RLO-Player.ts","../Instruments/CoreSynthBase.ts","../Instruments/Decay/DecaySynthBase.ts","../Instruments/Decay/PianoSynth.ts","../Instruments/Decay/ChromaticPercussionSynth.ts","../Instruments/Analog/AnalogSynthBase.ts","../Instruments/Analog/OrganSynth.ts","../Instruments/Decay/GuitarSynth.ts","../Instruments/Decay/ElectricGuitarSynth.ts","../Instruments/Analog/BassSynth.ts","../Instruments/Analog/StringSynth.ts","../Instruments/Decay/BrassSynth.ts","../Instruments/Analog/WoodwindSynth.ts","../Instruments/Analog/LeadSynth.ts","../Instruments/Analog/PadSynth.ts","../Instruments/Speciality/SoundEffectsSynth.ts","../Instruments/Decay/EthnicSynth.ts","../Instruments/Speciality/DrumSynth.ts","../Instruments/Analog/ChiptuneSynth.ts","../index.ts","../Instruments/Decay/AdditiveSynth.ts","../Instruments/Analog/FMSynth.ts","../Instruments/Analog/FormantSynth.ts","../Instruments/Decay/KarplusSynth.ts","../Instruments/Analog/ReeseBassSynth.ts","../Instruments/Decay/SlapBassSynth.ts"],"sourcesContent":["import { ISynthInstrument } from \"./ISynthInstrument.js\";\r\n\r\n/**\r\n * Handles routing and synthesis of different instrument types.\r\n */\r\nexport class Synthesizer {\r\n  private _ctx: AudioContext;\r\n  private _masterGain: GainNode;\r\n  private _instruments: ISynthInstrument[];\r\n\r\n  constructor(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    instruments: ISynthInstrument[],\r\n  ) {\r\n    this._ctx = ctx;\r\n    this._masterGain = masterGain;\r\n    this._instruments = instruments;\r\n  }\r\n\r\n  /**\r\n   * Routes the note to the correct instrument synthesis method.\r\n   */\r\n  public _playNote(\r\n    instrumentId: number,\r\n    time: number,\r\n    freq: number,\r\n    duration: number,\r\n    velocity: number,\r\n  ): void {\r\n    /** Key Tracking: High frequency waveforms carry significantly more perceived energy.\r\n     * Gently rolling off the velocity of high notes prevents them from piercing the mix and distorting.\r\n     * We also apply a 0.6 global headroom multiplier to prevent 30+ note crescendos from clipping. */\r\n    const keyTrackVel = velocity * 0.6 * Math.min(1, 1600 / freq);\r\n\r\n    const instrument = this._instruments[instrumentId] || this._instruments[0];\r\n\r\n    if ((globalThis as any).DEBUG_MIDI) {\r\n      console.log(\r\n        `[MIDI Debug] Instr ID: ${instrumentId} | Class: ${instrument?.constructor.name || \"Unknown\"} | Freq: ${freq.toFixed(2)}Hz | Vel: ${velocity.toFixed(2)} | Dur: ${duration.toFixed(2)}s | Time: ${time.toFixed(2)}s`,\r\n      );\r\n    }\r\n\r\n    if (instrument) {\r\n      instrument._playNote(\r\n        this._ctx,\r\n        this._masterGain,\r\n        time,\r\n        freq,\r\n        duration,\r\n        keyTrackVel,\r\n      );\r\n    }\r\n  }\r\n}\r\n","export type ReverbMode = \"concert\" | \"studio\";\r\n\r\n/**\r\n * Utility class for generating programmatic audio effects.\r\n */\r\nexport class AudioEffects {\r\n  private static _cachedConcert: AudioBuffer | null = null;\r\n  private static _cachedStudio: AudioBuffer | null = null;\r\n\r\n  /**\r\n   * Generates a mathematical impulse response for a Convolution Reverb node.\r\n   * @param {AudioContext} ctx - The active AudioContext.\r\n   * @param {ReverbMode} mode - The type of acoustic space to simulate.\r\n   * @returns {AudioBuffer} The synthesized reverb impulse buffer.\r\n   */\r\n  public static _generateReverb(\r\n    ctx: AudioContext,\r\n    mode: ReverbMode = \"studio\",\r\n  ): AudioBuffer {\r\n    if (mode === \"concert\" && this._cachedConcert) return this._cachedConcert;\r\n    if (mode === \"studio\" && this._cachedStudio) return this._cachedStudio;\r\n\r\n    const isStudio = mode === \"studio\";\r\n    const length =\r\n      ctx.sampleRate *\r\n      (isStudio ? 0.2 : 1.5); /** 0.2s for Studio, 1.5s for Concert */\r\n    const decay = isStudio ? 8 : 4; /** Exponential decay factor */\r\n\r\n    const impulse = ctx.createBuffer(2, length, ctx.sampleRate);\r\n    for (let i = 0; i < 2; i++) {\r\n      const channel = impulse.getChannelData(i);\r\n      let lastOut = 0;\r\n      for (let j = 0; j < length; j++) {\r\n        /** Simple lowpass filter to absorb harsh high frequencies in the tail */\r\n        const noise = Math.random() * 2 - 1;\r\n        lastOut = lastOut + 0.3 * (noise - lastOut);\r\n        /** True exponential acoustic decay multiplied by a linear fade to ensure 0 at the tail */\r\n        channel[j] =\r\n          lastOut * Math.exp(-decay * (j / length)) * (1 - j / length);\r\n      }\r\n    }\r\n\r\n    // Cache the newly generated impulse\r\n    return isStudio\r\n      ? (this._cachedStudio = impulse)\r\n      : (this._cachedConcert = impulse);\r\n  }\r\n}\r\n","import { RloData } from \"./types.js\";\r\n\r\ndeclare const __ENABLE_TRANSPILER__: boolean;\r\nconst hasTranspiler =\r\n  typeof __ENABLE_TRANSPILER__ !== \"undefined\" ? __ENABLE_TRANSPILER__ : true;\r\n\r\n/**\r\n * Universal translator for handling RLO data formats.\r\n * Converts between Human AoS (Array of Structures), Intermediate SoA (Structure of Arrays),\r\n * and highly compressed binary buffers.\r\n */\r\nexport class RLOTranspiler {\r\n  /** Converts standard interleaved JSON into Delta-Timed Structure of Arrays */\r\n  static _encodeToSoA(humanJson: RloData, fullRangeFreq: boolean = false) {\r\n    if (!hasTranspiler) return null as unknown as typeof soa;\r\n    const N = humanJson.notes.length / 5;\r\n    const f = fullRangeFreq ? new Float32Array(N) : new Uint8Array(N);\r\n    const t = new Uint16Array(N);\r\n    const d = new Uint16Array(N);\r\n    const v = new Uint8Array(N);\r\n    const i = new Uint8Array(N);\r\n\r\n    let lastRoundedTime = 0;\r\n    for (let n = 0, ptr = 0; n < N; n++, ptr += 5) {\r\n      const time = humanJson.notes[ptr + 1];\r\n      const freq = humanJson.notes[ptr];\r\n      if (fullRangeFreq) {\r\n        f[n] = freq;\r\n      } else {\r\n        // Map the frequency in Hz back down to a 1-byte 0-255 index\r\n        f[n] =\r\n          freq > 0\r\n            ? Math.max(\r\n                0,\r\n                Math.min(255, Math.round(12 * Math.log2(freq / 440) + 69)),\r\n              )\r\n            : 0;\r\n      }\r\n\r\n      const roundedTime = Math.max(0, Math.round(time * 1000));\r\n      t[n] = Math.min(65535, roundedTime - lastRoundedTime); // Clamp to Uint16 max to prevent wraparound\r\n      d[n] = Math.min(\r\n        65535,\r\n        Math.max(0, Math.round(humanJson.notes[ptr + 2] * 1000)),\r\n      );\r\n      v[n] = Math.max(\r\n        0,\r\n        Math.min(255, Math.round(humanJson.notes[ptr + 3] * 255)),\r\n      );\r\n      i[n] = humanJson.notes[ptr + 4];\r\n      lastRoundedTime += t[n]; // Add the clamped delta to accurately track absolute encoded time\r\n    }\r\n\r\n    const soa = {\r\n      durationSecs: humanJson.durationSecs,\r\n      f,\r\n      t,\r\n      d,\r\n      v,\r\n      i,\r\n    };\r\n    return soa;\r\n  }\r\n\r\n  /** Tightly packs the Delta-Timed SoA into a memory-aligned ArrayBuffer */\r\n  static _encodeToBinary(\r\n    humanJson: RloData,\r\n    fullRangeFreq: boolean = false,\r\n  ): ArrayBuffer {\r\n    if (!hasTranspiler) return new ArrayBuffer(0);\r\n    const isLittleEndian = new Uint8Array(new Uint16Array([1]).buffer)[0] === 1;\r\n    const soa = this._encodeToSoA(humanJson, fullRangeFreq);\r\n    const N = soa.f.length;\r\n\r\n    // Arrays: Time(2*N) + Dur(2*N) + Freq(1*N or 4*N) + Vel(1*N) + Inst(1*N)\r\n    const bytesPerNote = fullRangeFreq ? 10 : 7;\r\n    const buffer = new ArrayBuffer(12 + bytesPerNote * N);\r\n    const view = new DataView(buffer);\r\n\r\n    view.setUint8(0, 82);\r\n    view.setUint8(1, 76);\r\n    view.setUint8(2, 79);\r\n    view.setUint8(3, fullRangeFreq ? 70 : 50); // 'RLOF' for Float32, 'RLO2' for Uint8\r\n    view.setFloat32(4, soa.durationSecs, true);\r\n    view.setUint32(8, N, true);\r\n\r\n    if (isLittleEndian) {\r\n      new Uint16Array(buffer, 12, N).set(soa.t);\r\n      new Uint16Array(buffer, 12 + 2 * N, N).set(soa.d);\r\n      if (fullRangeFreq) {\r\n        new Float32Array(buffer, 12 + 4 * N, N).set(soa.f as Float32Array);\r\n      }\r\n    } else {\r\n      // Explicitly write multi-byte values as Little-Endian using DataView\r\n      // to ensure cross-platform compatibility (avoiding native endianness issues of TypedArrays)\r\n      for (let n = 0; n < N; n++) {\r\n        view.setUint16(12 + n * 2, soa.t[n], true);\r\n        view.setUint16(12 + 2 * N + n * 2, soa.d[n], true);\r\n        if (fullRangeFreq) {\r\n          view.setFloat32(12 + 4 * N + n * 4, (soa.f as Float32Array)[n], true);\r\n        }\r\n      }\r\n    }\r\n\r\n    if (fullRangeFreq) {\r\n      new Uint8Array(buffer, 12 + 8 * N, N).set(soa.v);\r\n      new Uint8Array(buffer, 12 + 9 * N, N).set(soa.i);\r\n    } else {\r\n      new Uint8Array(buffer, 12 + 4 * N, N).set(soa.f as Uint8Array);\r\n      new Uint8Array(buffer, 12 + 5 * N, N).set(soa.v);\r\n      new Uint8Array(buffer, 12 + 6 * N, N).set(soa.i);\r\n    }\r\n\r\n    return buffer;\r\n  }\r\n\r\n  /** Reconstructs a high-speed runtime object directly from the binary buffer */\r\n  static _decodeBinary(buffer: ArrayBuffer): RloData {\r\n    if (!hasTranspiler) return { durationSecs: 0, notes: [] };\r\n    const view = new DataView(buffer);\r\n    const magic = String.fromCharCode(\r\n      view.getUint8(0),\r\n      view.getUint8(1),\r\n      view.getUint8(2),\r\n      view.getUint8(3),\r\n    );\r\n    if (magic !== \"RLO2\" && magic !== \"RLOF\")\r\n      throw new Error(\"Invalid RLO Binary format. Please recompile tracks.\");\r\n    const isFullRange = magic === \"RLOF\";\r\n\r\n    const durationSecs = view.getFloat32(4, true);\r\n    const N = view.getUint32(8, true);\r\n\r\n    // Single-byte arrays are endian-agnostic\r\n    const f8 = isFullRange ? null : new Uint8Array(buffer, 12 + 4 * N, N);\r\n    const v = new Uint8Array(buffer, 12 + (isFullRange ? 8 : 5) * N, N);\r\n    const i = new Uint8Array(buffer, 12 + (isFullRange ? 9 : 6) * N, N);\r\n\r\n    const notes: number[] = new Array(N * 5);\r\n    let currentTime = 0;\r\n\r\n    for (let n = 0, ptr = 0; n < N; n++, ptr += 5) {\r\n      // Read multi-byte values explicitly as Little-Endian\r\n      const tn = view.getUint16(12 + n * 2, true);\r\n      const dn = view.getUint16(12 + 2 * N + n * 2, true);\r\n      const fn = isFullRange\r\n        ? view.getFloat32(12 + 4 * N + n * 4, true)\r\n        : f8![n];\r\n\r\n      currentTime += tn / 1000;\r\n      notes[ptr] = isFullRange\r\n        ? fn\r\n        : fn > 0\r\n          ? 440 * Math.pow(2, (fn - 69) / 12)\r\n          : 0;\r\n      notes[ptr + 1] = currentTime;\r\n      notes[ptr + 2] = dn / 1000;\r\n      notes[ptr + 3] = v[n] / 255;\r\n      notes[ptr + 4] = i[n];\r\n    }\r\n\r\n    return { durationSecs, notes };\r\n  }\r\n}\r\n","import { RloData } from \"./types.js\";\r\nimport { Synthesizer } from \"./Instruments/Synthesizer.js\";\r\nimport { AudioEffects, ReverbMode } from \"./AudioEffects.js\";\r\nimport { RLOTranspiler } from \"./RLO-Transpiler.js\"; // Corrected import path\r\nimport { ISynthInstrument } from \"./Instruments/ISynthInstrument.js\";\r\n\r\nexport { RLOTranspiler };\r\nexport type { ISynthInstrument };\r\n\r\n/**\r\n * A dummy synthesizer that does absolutely nothing.\r\n * Useful for completely muting specific MIDI IDs in an instrument map.\r\n */\r\nexport const SilentSynth: ISynthInstrument = {\r\n  _playNote: () => {},\r\n};\r\n\r\n/** Configuration options for playing sequences/music. */\r\nexport interface PlaySequenceOptions {\r\n  loop?: boolean;\r\n  fadeInTime?: number;\r\n  playbackRate?: number;\r\n  volume?: number;\r\n}\r\n\r\n/** Configuration options for playing single Sound Effects. */\r\nexport interface SFXOptions {\r\n  velocity?: number;\r\n  timeOffset?: number;\r\n}\r\n\r\n/** Configuration for a standard ADSR volume envelope. */\r\nexport interface ADSREnvelope {\r\n  attack?: number;\r\n  decay?: number;\r\n  sustain?: number;\r\n  release?: number;\r\n  peak?: number;\r\n}\r\n\r\n/**\r\n * Syntactic sugar for applying a standard ADSR envelope to a Web Audio GainNode.\r\n * @param gainParam The AudioParam (e.g., gainNode.gain) to animate.\r\n * @param now The physical start time of the sound.\r\n * @param duration The total held duration of the note.\r\n * @param opts ADSR configuration object.\r\n */\r\nexport function applyEnvelope(\r\n  gainParam: AudioParam,\r\n  now: number,\r\n  duration: number,\r\n  opts: ADSREnvelope,\r\n): void {\r\n  const a = opts.attack ?? 0.05;\r\n  const d = opts.decay ?? 0.1;\r\n  const s = opts.sustain ?? 0.8;\r\n  const r = opts.release ?? 0.1;\r\n  const peak = opts.peak ?? 1.0;\r\n\r\n  gainParam.setValueAtTime(0, now);\r\n  const realDur = Math.max(0, duration);\r\n\r\n  if (realDur <= a) {\r\n    const partialPeak = peak * (realDur / (a || 1));\r\n    gainParam.linearRampToValueAtTime(partialPeak, now + realDur * 0.5);\r\n    gainParam.linearRampToValueAtTime(0, now + realDur);\r\n  } else if (realDur <= a + d) {\r\n    gainParam.linearRampToValueAtTime(peak, now + a);\r\n    gainParam.linearRampToValueAtTime(0, now + realDur);\r\n  } else {\r\n    gainParam.linearRampToValueAtTime(peak, now + a);\r\n    gainParam.linearRampToValueAtTime(peak * s, now + a + d);\r\n    const releaseStart = Math.max(now + a + d, now + realDur - r);\r\n    gainParam.setValueAtTime(peak * s, releaseStart);\r\n    gainParam.linearRampToValueAtTime(0, now + realDur);\r\n  }\r\n}\r\n\r\n/** Flag injected by build tools to enable or disable string note parsing. */\r\ndeclare const __ENABLE_NOTE_PARSER__: boolean;\r\nconst hasNoteParser =\r\n  typeof __ENABLE_NOTE_PARSER__ !== \"undefined\" ? __ENABLE_NOTE_PARSER__ : true;\r\n\r\n/**\r\n * Converts a musical note string (e.g., 'C4', 'F#5') to its frequency in Hz.\r\n * If a number is provided, it is returned as-is.\r\n */\r\nexport function Note(pitch: string | number): number {\r\n  if (typeof pitch === \"number\") return pitch;\r\n  if (!hasNoteParser) return 0;\r\n  const match = pitch.match(/^([a-gA-G])([#b]?)(\\d)$/);\r\n  if (!match) return 0;\r\n  const offsets: Record<string, number> = {\r\n    C: -9,\r\n    D: -7,\r\n    E: -5,\r\n    F: -4,\r\n    G: -2,\r\n    A: 0,\r\n    B: 2,\r\n  };\r\n  const [, note, accidental, octave] = match;\r\n  let semitone = offsets[note.toUpperCase()];\r\n  if (accidental === \"#\") semitone++;\r\n  if (accidental === \"b\") semitone--;\r\n  semitone += (parseInt(octave, 10) - 4) * 12;\r\n  return Number((440 * Math.pow(2, semitone / 12)).toFixed(2));\r\n}\r\n\r\n/** A fluent, chainable builder for creating RloData sequences procedurally. */\r\nexport class RLOSequenceBuilder {\r\n  private _notes: number[] = [];\r\n  private _duration: number = 0;\r\n\r\n  public addNote(opts: {\r\n    instrument: number;\r\n    pitch: string | number;\r\n    duration: number;\r\n    time?: number;\r\n    velocity?: number;\r\n  }): this {\r\n    const time = opts.time !== undefined ? opts.time : this._duration;\r\n    const freq = Note(opts.pitch);\r\n    const vel = opts.velocity ?? 1.0;\r\n    this._notes.push(freq, time, opts.duration, vel, opts.instrument);\r\n    this._duration = Math.max(this._duration, time + opts.duration);\r\n    return this;\r\n  }\r\n  public setDuration(secs: number): this {\r\n    this._duration = secs;\r\n    return this;\r\n  }\r\n  public compile(): RloData {\r\n    return { durationSecs: this._duration, notes: this._notes };\r\n  }\r\n}\r\n\r\n/** Flag injected by build tools (e.g., Vite) to enable or disable the transpiler (dead-code elimination). */\r\ndeclare const __ENABLE_TRANSPILER__: boolean;\r\nconst hasTranspiler =\r\n  typeof __ENABLE_TRANSPILER__ !== \"undefined\" ? __ENABLE_TRANSPILER__ : true;\r\n\r\n/** Flag injected by build tools to enable or disable the RLOMusicPlayer features. */\r\ndeclare const __ENABLE_MUSIC_PLAYER__: boolean;\r\nconst hasMusicPlayer =\r\n  typeof __ENABLE_MUSIC_PLAYER__ !== \"undefined\"\r\n    ? __ENABLE_MUSIC_PLAYER__\r\n    : true;\r\n\r\n/** Flag injected by build tools to enable or disable the RLOGameEngine features. */\r\ndeclare const __ENABLE_GAME_ENGINE__: boolean;\r\nconst hasGameEngine =\r\n  typeof __ENABLE_GAME_ENGINE__ !== \"undefined\" ? __ENABLE_GAME_ENGINE__ : true;\r\n\r\n/** Flag injected by build tools to enable or disable the Web Worker metronome for background playback. */\r\ndeclare const __ENABLE_WORKER_METRONOME__: boolean;\r\nconst hasWorkerMetronome =\r\n  typeof __ENABLE_WORKER_METRONOME__ !== \"undefined\"\r\n    ? __ENABLE_WORKER_METRONOME__\r\n    : false;\r\n\r\n/**\r\n * A \"dumb\" mapping mechanism for strict JS13K size-coding.\r\n * Bypasses the closest-match algorithm and explicitly assigns synths to individual IDs.\r\n * @param assignments An array of synthesizer modules and the exact MIDI IDs they should respond to.\r\n * @returns A fully populated array of 129 elements, with unassigned slots remaining null.\r\n */\r\nexport function createDirectMap(\r\n  assignments: { synth: ISynthInstrument; ids: number[] }[],\r\n): ISynthInstrument[] {\r\n  const mapArray = new Array(129).fill(null);\r\n  assignments.forEach((a) => {\r\n    a.ids.forEach((id) => (mapArray[id] = a.synth));\r\n  });\r\n  return mapArray;\r\n}\r\n\r\n/**\r\n * Mathematically maps instruments by MIDI ID, auto-falling back to the closest available synthesizer.\r\n * @param modules An array of synthesizer module configurations to map.\r\n * @returns A fully populated array of 129 synthesizer instruments.\r\n */\r\nexport function createInstrumentMap(\r\n  modules: { synth: ISynthInstrument; start: number; end: number }[],\r\n): ISynthInstrument[] {\r\n  const mapArray = new Array(129).fill(null);\r\n  modules.forEach((m) => {\r\n    for (let i = m.start; i <= m.end; i++) mapArray[i] = m.synth;\r\n  });\r\n\r\n  for (let i = 0; i < 129; i++) {\r\n    if (mapArray[i] === null) {\r\n      let closest = null;\r\n      let minDiff = Infinity;\r\n      for (let j = 0; j < 129; j++) {\r\n        if (mapArray[j] !== null) {\r\n          const diff = Math.abs(i - j);\r\n          if (diff < minDiff) {\r\n            minDiff = diff;\r\n            closest = mapArray[j];\r\n          }\r\n        }\r\n      }\r\n      mapArray[i] = closest;\r\n    }\r\n  }\r\n  return mapArray;\r\n}\r\n\r\n/**\r\n * Creates a new instrument map by merging custom synth overrides into an existing base map.\r\n * @param baseMap The base instrument map array.\r\n * @param overrides An array of synthesizer module configurations to override in the base map.\r\n * @returns A new array of synthesizer instruments with the overrides applied.\r\n */\r\nexport function extendInstrumentMap(\r\n  baseMap: ISynthInstrument[],\r\n  overrides: { synth: ISynthInstrument; start: number; end: number }[],\r\n): ISynthInstrument[] {\r\n  const newMap = [...baseMap];\r\n  overrides.forEach((m) => {\r\n    for (let i = m.start; i <= m.end; i++) newMap[i] = m.synth;\r\n  });\r\n  return newMap;\r\n}\r\n\r\n/**\r\n * RLOCore: The bare-metal procedural sequencer.\r\n * Zero networking, zero master effects. Just pure math to audio waves.\r\n */\r\nexport class RLOCore {\r\n  /** The Web Audio API context used for all audio operations. */\r\n  protected _ctx: AudioContext;\r\n  /** Indicates whether a sequence is currently playing. */\r\n  protected _isPlaying: boolean = false;\r\n  /** Stores the timer ID for the standard JavaScript timeout metronome. */\r\n  protected _timer: ReturnType<typeof setTimeout> | null = null;\r\n  /** Stores the Web Worker instance for accurate background metronome timing. */\r\n  protected _workerTimer: Worker | null = null;\r\n  /** Incremental ID to keep track of the current playback sequence and prevent overlapping schedules. */\r\n  protected _sequenceId: number = 0;\r\n  /** The current track playback time in seconds. */\r\n  protected _trkT: number = 0;\r\n  /** The total duration of the currently playing track in seconds. */\r\n  protected _trkD: number = 0; // _currentTrackDuration\r\n  /** Array of active audio nodes that need to be cleaned up when playback stops. */\r\n  protected _activeNodes: AudioNode[] = [];\r\n  /** The current global volume level (0.0 to 1.0). */\r\n  protected _volume: number = 0.5;\r\n  /** The target time to seek to on the next scheduling tick. */\r\n  protected _seekTarget: number | null = null;\r\n\r\n  /** The playback speed multiplier (1.0 is normal speed). */\r\n  public playbackRate: number = 1.0;\r\n\r\n  /** Array of synthesizers mapped to their corresponding MIDI instrument IDs. */\r\n  protected _instrumentMap: ISynthInstrument[];\r\n  /** The object URL for the Web Worker script, used for cleanup. */\r\n  protected _workerUrl: string | null = null;\r\n\r\n  /**\r\n   * Initializes a new RLOCore instance.\r\n   * @param audioContext The Web Audio API context.\r\n   * @param instrumentMap The instrument routing map to use for synthesis.\r\n   */\r\n  constructor(\r\n    audioContext: AudioContext,\r\n    instrumentMap: ISynthInstrument[] = [],\r\n  ) {\r\n    this._ctx = audioContext;\r\n    this._instrumentMap = instrumentMap;\r\n\r\n    if (hasWorkerMetronome) {\r\n      const blob = new Blob(\r\n        [\r\n          `\r\n        let timerID = null;\r\n        self.onmessage = function(e) {\r\n          if (e.data === 'start') {\r\n            if (timerID) clearInterval(timerID);\r\n            timerID = setInterval(() => self.postMessage('tick'), 50);\r\n          } else if (e.data === 'stop' && timerID) {\r\n            clearInterval(timerID); timerID = null;\r\n          }\r\n        };\r\n      `,\r\n        ],\r\n        { type: \"application/javascript\" },\r\n      );\r\n      this._workerUrl = URL.createObjectURL(blob);\r\n      this._workerTimer = new Worker(this._workerUrl);\r\n    }\r\n  }\r\n\r\n  /** Gets the current time of the audio context. */\r\n  protected get _now(): number {\r\n    return this._ctx.currentTime;\r\n  }\r\n\r\n  /**\r\n   * Sets the global playback volume.\r\n   * @param vol The volume level (0.0 to 1.0).\r\n   */\r\n  public setVolume(vol: number): void {\r\n    this._volume = vol;\r\n  }\r\n\r\n  /**\r\n   * Seeks the currently playing track to the specified time in seconds.\r\n   * @param timeInSeconds The target time in seconds.\r\n   */\r\n  public seek(timeInSeconds: number): void {\r\n    if (this._trkD > 0) {\r\n      this._seekTarget = Math.max(0, timeInSeconds) % this._trkD;\r\n    }\r\n  }\r\n\r\n  /** Stops playback and clears all scheduled audio nodes and timers. */\r\n  public stop(): void {\r\n    this._isPlaying = false;\r\n    this._sequenceId++;\r\n    if (this._timer) clearTimeout(this._timer);\r\n    if (this._workerTimer) this._workerTimer.postMessage(\"stop\");\r\n\r\n    const nodesToClean = this._activeNodes;\r\n    this._activeNodes = [];\r\n\r\n    nodesToClean.forEach((node) => {\r\n      try {\r\n        node.disconnect();\r\n      } catch (e) {}\r\n    });\r\n  }\r\n\r\n  /** Destroys the core engine, releasing memory and background workers. */\r\n  public dispose(): void {\r\n    this.stop();\r\n    if (this._workerTimer) {\r\n      this._workerTimer.terminate();\r\n      this._workerTimer = null;\r\n    }\r\n    if (this._workerUrl) {\r\n      URL.revokeObjectURL(this._workerUrl);\r\n      this._workerUrl = null;\r\n    }\r\n  }\r\n\r\n  /** Creates and returns a new GainNode. */\r\n  protected _gain(): GainNode {\r\n    return this._ctx.createGain();\r\n  }\r\n\r\n  /**\r\n   * Applies a linear fade to an AudioParam over a specified duration.\r\n   * @param gain The AudioParam to fade.\r\n   * @param target The target value.\r\n   * @param time The duration of the fade in seconds.\r\n   */\r\n  protected _fade(gain: AudioParam, target: number, time: number): void {\r\n    gain.setValueAtTime(time > 0 ? 0 : target, this._now);\r\n    if (time > 0) gain.linearRampToValueAtTime(target, this._now + time);\r\n  }\r\n\r\n  /** Creates a pre-configured DynamicsCompressorNode for mastering. */\r\n  protected _comp(ctx: AudioContext = this._ctx): DynamicsCompressorNode {\r\n    const c = ctx.createDynamicsCompressor();\r\n    c.threshold.value = -24;\r\n    c.knee.value = 12;\r\n    c.ratio.value = 8;\r\n    c.attack.value = 0.001;\r\n    c.release.value = 0.25;\r\n    return c;\r\n  }\r\n\r\n  /**\r\n   * Sets up the master audio routing graph for this core.\r\n   * @param fadeInTime Optional fade-in duration in seconds.\r\n   * @returns An object containing the destination AudioNode.\r\n   */\r\n  protected _createRouting(fadeInTime: number = 0): { destination: AudioNode } {\r\n    const gain = this._gain();\r\n    this._fade(gain.gain, this._volume, fadeInTime);\r\n    gain.connect(this._ctx.destination);\r\n    this._activeNodes.push(gain);\r\n    return { destination: gain };\r\n  }\r\n\r\n  /**\r\n   * Plays a compiled RLO sequence.\r\n   * @param track The compiled RloData to play.\r\n   * @param loopOrOpts Whether the track should loop, or an Options Object.\r\n   * @param fadeInTime Optional fade-in duration in seconds (default 0).\r\n   */\r\n  public playSequence(\r\n    track: RloData,\r\n    loopOrOpts: boolean | PlaySequenceOptions = true,\r\n    oldFadeInTime: number = 0,\r\n  ): void {\r\n    let loop = true;\r\n    let fadeInTime = oldFadeInTime;\r\n    if (typeof loopOrOpts === \"object\") {\r\n      loop = loopOrOpts.loop ?? true;\r\n      fadeInTime = loopOrOpts.fadeInTime ?? 0;\r\n      if (loopOrOpts.playbackRate !== undefined)\r\n        this.playbackRate = loopOrOpts.playbackRate;\r\n      if (loopOrOpts.volume !== undefined) this.setVolume(loopOrOpts.volume);\r\n    } else {\r\n      loop = loopOrOpts;\r\n    }\r\n\r\n    this.stop();\r\n    if (this._ctx.state === \"suspended\") this._ctx.resume();\r\n\r\n    this._isPlaying = true;\r\n    const currentSequenceId = ++this._sequenceId;\r\n    this._trkD = track.durationSecs;\r\n\r\n    const { destination } = this._createRouting(fadeInTime);\r\n    const synthesizer = new Synthesizer(\r\n      this._ctx,\r\n      destination as GainNode,\r\n      this._instrumentMap,\r\n    );\r\n\r\n    const lookaheadTime = 0.5;\r\n    this._trkT = -0.05 * this.playbackRate;\r\n    let lastScheduleTime = this._now;\r\n    let loopOffsetSecs = 0;\r\n    let notePtr = 0;\r\n    const notes = track.notes;\r\n    const len = notes.length;\r\n\r\n    const schedule = () => {\r\n      if (!this._isPlaying || this._sequenceId !== currentSequenceId) return;\r\n      const currentPhysicalTime = this._now;\r\n      const deltaPhysical = currentPhysicalTime - lastScheduleTime;\r\n      lastScheduleTime = currentPhysicalTime;\r\n\r\n      if (this._seekTarget !== null) {\r\n        this._trkT = this._seekTarget;\r\n        loopOffsetSecs = 0;\r\n        notePtr = 0;\r\n        while (notePtr < len && notes[notePtr + 1] < this._seekTarget) {\r\n          notePtr += 5;\r\n        }\r\n        this._seekTarget = null;\r\n      } else {\r\n        this._trkT += deltaPhysical * this.playbackRate;\r\n      }\r\n\r\n      const loopDurationSecs = track.durationSecs;\r\n\r\n      while (notePtr < len) {\r\n        const freq = notes[notePtr];\r\n        const noteTime = notes[notePtr + 1];\r\n        const noteDur = notes[notePtr + 2];\r\n        const velocity = notes[notePtr + 3];\r\n        const instrumentId = notes[notePtr + 4];\r\n\r\n        const noteTrackTime = loopOffsetSecs + noteTime;\r\n\r\n        if (noteTrackTime < this._trkT + lookaheadTime * this.playbackRate) {\r\n          const notePhysicalTime =\r\n            currentPhysicalTime +\r\n            Math.max(0, (noteTrackTime - this._trkT) / this.playbackRate);\r\n          synthesizer._playNote(\r\n            instrumentId,\r\n            notePhysicalTime,\r\n            freq,\r\n            noteDur / this.playbackRate,\r\n            velocity,\r\n          );\r\n          notePtr += 5;\r\n        } else {\r\n          break;\r\n        }\r\n      }\r\n\r\n      if (notePtr >= len) {\r\n        if (loop) {\r\n          notePtr = 0;\r\n          loopOffsetSecs += loopDurationSecs;\r\n          schedule();\r\n        } else {\r\n          if (this._workerTimer) this._workerTimer.postMessage(\"stop\");\r\n        }\r\n        return;\r\n      }\r\n      if (!this._workerTimer) {\r\n        this._timer = setTimeout(schedule, 50);\r\n      }\r\n    };\r\n    if (this._workerTimer) {\r\n      this._workerTimer.onmessage = () => schedule();\r\n      this._workerTimer.postMessage(\"start\");\r\n    }\r\n    schedule();\r\n  }\r\n}\r\n\r\n/**\r\n * RLOMusicPlayer: The standard music player.\r\n * Includes network fetching, gzip decoding, convolution reverb, compression, and UI playback controls.\r\n */\r\nexport class RLOMusicPlayer extends RLOCore {\r\n  /** The master volume control node. */\r\n  private _masterGain: GainNode | null = null;\r\n  /** The convolver node used for reverb effects. */\r\n  private _reverb: ConvolverNode | null = null;\r\n  /** The gain node controlling the wet/dry mix of the reverb effect. */\r\n  private _fxGain: GainNode | null = null;\r\n  /** A cache of recently loaded tracks to prevent redundant network requests. */\r\n  private _trackCache: Map<string, RloData> = new Map();\r\n  /** Event handler for pausing/resuming audio when the document visibility changes. */\r\n  private _visibilityHandler!: () => void;\r\n  /** The maximum number of tracks to store in the cache. */\r\n  private _maxCacheSize: number = 20;\r\n  /** The current acoustic space simulation mode. */\r\n  private _reverbMode: ReverbMode = \"concert\";\r\n\r\n  /**\r\n   * Initializes a new RLOMusicPlayer instance with advanced effects and network capabilities.\r\n   * @param audioContext The Web Audio API context.\r\n   * @param instrumentMap Optional custom instrument map.\r\n   */\r\n  constructor(\r\n    audioContext: AudioContext,\r\n    instrumentMap: ISynthInstrument[] = [],\r\n  ) {\r\n    super(audioContext, instrumentMap);\r\n    if (!hasMusicPlayer) return;\r\n\r\n    AudioEffects._generateReverb(this._ctx, \"concert\");\r\n    AudioEffects._generateReverb(this._ctx, \"studio\");\r\n\r\n    this._visibilityHandler = () => {\r\n      if (document.hidden) {\r\n        this._ctx.suspend();\r\n      } else if (this._isPlaying) {\r\n        this._ctx.resume();\r\n      }\r\n    };\r\n\r\n    // Only pause the AudioContext on tab hide if we AREN'T explicitly running in the background\r\n    if (typeof document !== \"undefined\" && !hasWorkerMetronome) {\r\n      document.addEventListener(\"visibilitychange\", this._visibilityHandler);\r\n    }\r\n  }\r\n\r\n  /**\r\n   * Changes the acoustic space simulation for the reverb effect.\r\n   * @param mode 'concert' (large hall) or 'studio' (small room).\r\n   */\r\n  public setReverbMode(mode: ReverbMode): void {\r\n    if (!hasMusicPlayer) return;\r\n    this._reverbMode = mode;\r\n    if (this._reverb && this._fxGain) {\r\n      this._reverb.buffer = AudioEffects._generateReverb(this._ctx, mode);\r\n      this._fxGain.gain.setTargetAtTime(\r\n        mode === \"studio\" ? 0.05 : 0.2,\r\n        this._now,\r\n        0.1,\r\n      );\r\n    }\r\n  }\r\n\r\n  /** Disposes the player, clearing caches and removing event listeners. */\r\n  public dispose(): void {\r\n    if (!hasMusicPlayer) return super.dispose();\r\n    super.dispose();\r\n\r\n    if (typeof document !== \"undefined\" && !hasWorkerMetronome) {\r\n      document.removeEventListener(\"visibilitychange\", this._visibilityHandler);\r\n    }\r\n    this._trackCache.clear();\r\n  }\r\n\r\n  /**\r\n   * Sets the playback volume, smoothly ramping to the target value.\r\n   * @param vol The volume level (0.0 to 1.0).\r\n   */\r\n  public setVolume(vol: number): void {\r\n    super.setVolume(vol);\r\n    if (!hasMusicPlayer) return;\r\n    if (this._masterGain) {\r\n      this._masterGain.gain.setTargetAtTime(vol, this._now, 0.1);\r\n    }\r\n  }\r\n\r\n  /** Returns the current playback time of the track in seconds. */\r\n  public getCurrentTime(): number {\r\n    if (!hasMusicPlayer) return 0;\r\n    if (this._trkD === 0 || !this._isPlaying) return 0;\r\n    return Math.max(0, this._trkT) % this._trkD;\r\n  }\r\n\r\n  /** Returns the total duration of the currently loaded track in seconds. */\r\n  public getTotalDuration(): number {\r\n    if (!hasMusicPlayer) return 0;\r\n    return this._trkD;\r\n  }\r\n\r\n  /**\r\n   * Overrides the core routing to include reverb, filtering, and mastering compression.\r\n   * @param fadeInTime Optional fade-in duration in seconds.\r\n   * @returns An object containing the destination AudioNode.\r\n   */\r\n  protected _createRouting(fadeInTime: number = 0): { destination: AudioNode } {\r\n    if (!hasMusicPlayer) return super._createRouting(fadeInTime);\r\n    this._reverb = this._ctx.createConvolver();\r\n    this._reverb.buffer = AudioEffects._generateReverb(\r\n      this._ctx,\r\n      this._reverbMode,\r\n    );\r\n    this._masterGain = this._gain();\r\n    this._activeNodes.push(this._reverb, this._masterGain);\r\n\r\n    this._fade(this._masterGain.gain, this._volume, fadeInTime);\r\n\r\n    this._fxGain = this._gain();\r\n    this._fxGain.gain.value = this._reverbMode === \"studio\" ? 0.05 : 0.2;\r\n    this._activeNodes.push(this._fxGain);\r\n\r\n    const masterFilter = this._ctx.createBiquadFilter();\r\n    masterFilter.type = \"lowpass\";\r\n    masterFilter.frequency.value = Math.min(this._ctx.sampleRate / 2 - 1, 6500);\r\n    this._activeNodes.push(masterFilter);\r\n\r\n    const compressor = this._comp();\r\n    this._activeNodes.push(compressor);\r\n\r\n    this._masterGain\r\n      .connect(masterFilter)\r\n      .connect(compressor)\r\n      .connect(this._ctx.destination);\r\n    this._masterGain\r\n      .connect(this._reverb)\r\n      .connect(this._fxGain)\r\n      .connect(masterFilter);\r\n\r\n    return { destination: this._masterGain };\r\n  }\r\n\r\n  /**\r\n   * Loads and plays a track from a URL, a JSON object, or an existing RloData object.\r\n   * @param trackUrlOrData The URL to fetch, or the raw track data.\r\n   * @param fadeInOrOpts Optional fade-in duration in seconds, or an Options Object.\r\n   * @param oldLoop Whether to loop the track (default true).\r\n   */\r\n  public async play(\r\n    trackUrlOrData: string | RloData,\r\n    fadeInOrOpts: number | PlaySequenceOptions = 0,\r\n    oldLoop: boolean = true,\r\n  ): Promise<void> {\r\n    if (!hasMusicPlayer) return;\r\n    let track: RloData;\r\n\r\n    let fadeInTime = 0;\r\n    let optionsObj: PlaySequenceOptions = {};\r\n    if (typeof fadeInOrOpts === \"object\") {\r\n      fadeInTime = fadeInOrOpts.fadeInTime ?? 0;\r\n      optionsObj = fadeInOrOpts;\r\n    } else {\r\n      fadeInTime = fadeInOrOpts;\r\n      optionsObj = { fadeInTime, loop: oldLoop };\r\n    }\r\n\r\n    if (typeof trackUrlOrData === \"string\") {\r\n      if (this._trackCache.has(trackUrlOrData)) {\r\n        track = this._trackCache.get(trackUrlOrData)!;\r\n      } else {\r\n        const response = await fetch(trackUrlOrData);\r\n\r\n        if (!hasTranspiler || trackUrlOrData.toLowerCase().endsWith(\".json\")) {\r\n          const text = await response.text();\r\n          track = JSON.parse(text);\r\n        } else {\r\n          const rawBuffer = await response.arrayBuffer();\r\n          const view = new DataView(rawBuffer);\r\n          // Check for 'RLO' magic bytes to see if the browser natively decompressed it\r\n          const isDecompressed =\r\n            view.byteLength >= 3 &&\r\n            view.getUint8(0) === 82 &&\r\n            view.getUint8(1) === 76 &&\r\n            view.getUint8(2) === 79;\r\n\r\n          if (isDecompressed) {\r\n            track = RLOTranspiler._decodeBinary(rawBuffer);\r\n          } else {\r\n            const ds = new (window as any).DecompressionStream(\"gzip\");\r\n            const writer = ds.writable.getWriter();\r\n            writer.write(rawBuffer);\r\n            writer.close();\r\n            track = RLOTranspiler._decodeBinary(\r\n              await new Response(ds.readable).arrayBuffer(),\r\n            );\r\n          }\r\n        }\r\n        this._trackCache.set(trackUrlOrData, track);\r\n\r\n        if (this._trackCache.size > this._maxCacheSize) {\r\n          const firstKey = this._trackCache.keys().next().value;\r\n          if (firstKey) this._trackCache.delete(firstKey);\r\n        }\r\n      }\r\n    } else {\r\n      track = trackUrlOrData;\r\n    }\r\n\r\n    this.playSequence(track, optionsObj);\r\n  }\r\n\r\n  /** Stops playback and gently resets the master gain nodes. */\r\n  public stop(): void {\r\n    if (!hasMusicPlayer) return super.stop();\r\n    if (this._masterGain) {\r\n      const now = this._now;\r\n      this._masterGain.gain.cancelScheduledValues(now);\r\n      this._masterGain.gain.setValueAtTime(0, now);\r\n\r\n      this._masterGain = null;\r\n      this._fxGain = null;\r\n      this._reverb = null;\r\n    }\r\n    super.stop();\r\n  }\r\n}\r\n\r\n/**\r\n * RLOGameEngine: Built for instant action.\r\n * Features a persistent master routing bus so SFX can play over background music\r\n * without interrupting each other or causing clipping.\r\n */\r\nexport class RLOGameEngine extends RLOCore {\r\n  /** The persistent master routing bus volume node. */\r\n  private _masterGain!: GainNode;\r\n  /** The dedicated routing bus for Sound Effects. */\r\n  private _sfxGain!: GainNode;\r\n  /** The dedicated routing bus for Background Music. */\r\n  private _musicGain!: GainNode;\r\n  /** A separate synthesizer instance strictly for playing non-blocking sound effects. */\r\n  private _sfxSynthesizer!: Synthesizer;\r\n\r\n  /**\r\n   * Initializes a new RLOGameEngine instance tailored for dynamic real-time audio.\r\n   * @param audioContext The Web Audio API context.\r\n   * @param instrumentMap Optional custom instrument map.\r\n   */\r\n  constructor(\r\n    audioContext: AudioContext,\r\n    instrumentMap: ISynthInstrument[] = [],\r\n  ) {\r\n    super(audioContext, instrumentMap);\r\n    if (!hasGameEngine) return;\r\n\r\n    this._masterGain = this._gain();\r\n    this._masterGain.gain.value = this._volume;\r\n\r\n    const compressor = this._comp();\r\n\r\n    this._masterGain.connect(compressor).connect(this._ctx.destination);\r\n\r\n    this._musicGain = this._gain();\r\n    this._musicGain.connect(this._masterGain);\r\n\r\n    this._sfxGain = this._gain();\r\n    this._sfxGain.connect(this._masterGain);\r\n    this._sfxSynthesizer = new Synthesizer(\r\n      this._ctx,\r\n      this._sfxGain,\r\n      this._instrumentMap,\r\n    );\r\n  }\r\n\r\n  /**\r\n   * Smoothly changes the master volume for all game audio.\r\n   * @param vol The volume level (0.0 to 1.0).\r\n   */\r\n  public setVolume(vol: number): void {\r\n    super.setVolume(vol);\r\n    if (!hasGameEngine) return;\r\n    this._masterGain.gain.setTargetAtTime(vol, this._now, 0.1);\r\n  }\r\n\r\n  /**\r\n   * Smoothly changes the volume strictly for the background music routing bus.\r\n   * @param vol The volume level (0.0 to 1.0).\r\n   */\r\n  public setMusicVolume(vol: number): void {\r\n    if (!hasGameEngine) return;\r\n    this._musicGain.gain.setTargetAtTime(vol, this._now, 0.1);\r\n  }\r\n\r\n  /**\r\n   * Smoothly changes the volume strictly for the sound effects routing bus.\r\n   * @param vol The volume level (0.0 to 1.0).\r\n   */\r\n  public setSFXVolume(vol: number): void {\r\n    if (!hasGameEngine) return;\r\n    this._sfxGain.gain.setTargetAtTime(vol, this._now, 0.1);\r\n  }\r\n\r\n  /**\r\n   * Overrides the core routing to tap into the persistent master game bus.\r\n   * @param fadeInTime Optional fade-in duration in seconds.\r\n   * @returns An object containing the destination AudioNode.\r\n   */\r\n  protected _createRouting(fadeInTime: number = 0): { destination: AudioNode } {\r\n    if (!hasGameEngine) return super._createRouting(fadeInTime);\r\n    const musicGain = this._gain();\r\n    musicGain.connect(this._musicGain);\r\n    this._activeNodes.push(musicGain);\r\n\r\n    this._fade(musicGain.gain, 1, fadeInTime);\r\n\r\n    return { destination: musicGain };\r\n  }\r\n\r\n  /**\r\n   * Plays a fire-and-forget sound effect dynamically at runtime.\r\n   * @param instrumentId The General MIDI ID of the instrument to use (e.g., 128 for percussion).\r\n   * @param freqOrNote The frequency in Hz, or a Note String (e.g. 'E4').\r\n   * @param duration The duration of the sound effect in seconds.\r\n   * @param velocityOrOpts The velocity (0.0 to 1.0), or an Options Object.\r\n   * @param oldTimeOffset Optional delay in seconds before the sound effect plays.\r\n   */\r\n  public playSFX(\r\n    instrumentId: number,\r\n    freqOrNote: number | string,\r\n    duration: number,\r\n    velocityOrOpts: number | SFXOptions = 1.0,\r\n    oldTimeOffset: number = 0,\r\n  ) {\r\n    if (!hasGameEngine) return;\r\n    if (this._ctx.state === \"suspended\") this._ctx.resume();\r\n\r\n    let velocity = 1.0;\r\n    let timeOffset = oldTimeOffset;\r\n    if (typeof velocityOrOpts === \"object\") {\r\n      velocity = velocityOrOpts.velocity ?? 1.0;\r\n      timeOffset = velocityOrOpts.timeOffset ?? 0;\r\n    } else {\r\n      velocity = velocityOrOpts;\r\n    }\r\n    this._sfxSynthesizer._playNote(\r\n      instrumentId,\r\n      this._now + timeOffset,\r\n      Note(freqOrNote),\r\n      duration,\r\n      velocity,\r\n    );\r\n  }\r\n\r\n  /**\r\n   * Plays an entire compiled RLO sequence as a fire-and-forget sound effect.\r\n   * Note: This bypasses the sequencer and schedules all notes instantly. Ideal for short, complex jingles.\r\n   * @param track The compiled RloData to play.\r\n   * @param timeOffset Optional delay in seconds before the sequence starts.\r\n   */\r\n  public playSFXSequence(track: RloData, timeOffset: number = 0): void {\r\n    if (!hasGameEngine) return;\r\n    if (this._ctx.state === \"suspended\") this._ctx.resume();\r\n\r\n    const start = this._now + timeOffset;\r\n    const n = track.notes;\r\n    const len = n.length;\r\n\r\n    for (let i = 0; i < len; i += 5) {\r\n      this._sfxSynthesizer._playNote(\r\n        n[i + 4],\r\n        start + n[i + 1],\r\n        n[i],\r\n        n[i + 2],\r\n        n[i + 3],\r\n      );\r\n    }\r\n  }\r\n\r\n  /**\r\n   * Plays a background music track, routing it through the master game bus.\r\n   * @param track The compiled RloData to play.\r\n   * @param loopOrOpts Whether the track should loop indefinitely (default true), or an Options Object.\r\n   * @param fadeInTime Optional fade-in duration in seconds (default 0).\r\n   */\r\n  public playMusic(\r\n    track: RloData,\r\n    loopOrOpts: boolean | PlaySequenceOptions = true,\r\n    oldFadeInTime: number = 0,\r\n  ): void {\r\n    if (!hasGameEngine) return;\r\n    let opts: boolean | PlaySequenceOptions = loopOrOpts;\r\n    if (typeof loopOrOpts === \"object\" && loopOrOpts.volume !== undefined) {\r\n      this.setMusicVolume(loopOrOpts.volume);\r\n      opts = { ...loopOrOpts };\r\n      delete (opts as PlaySequenceOptions).volume;\r\n    }\r\n    this.playSequence(track, opts, oldFadeInTime);\r\n  }\r\n\r\n  /** Stops the currently playing background music. SFX will continue to function. */\r\n  public stopMusic(): void {\r\n    super.stop();\r\n  }\r\n}\r\n","import { ISynthInstrument } from \"./ISynthInstrument.js\";\r\n\r\ndeclare const __ENABLE_STRICT_GC__: boolean;\r\nconst hasStrictGC =\r\n  typeof __ENABLE_STRICT_GC__ !== \"undefined\" ? __ENABLE_STRICT_GC__ : true;\r\n\r\nexport const enum Osc {\r\n  Sine = 0,\r\n  Square = 1,\r\n  Sawtooth = 2,\r\n  Triangle = 3,\r\n}\r\nexport const enum Filter {\r\n  Lowpass = 0,\r\n  Highpass = 1,\r\n  Bandpass = 2,\r\n}\r\n\r\nexport abstract class CoreSynthBase implements ISynthInstrument {\r\n  public abstract _playNote(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    duration: number,\r\n    velocity: number,\r\n  ): void;\r\n\r\n  public _osc(\r\n    ctx: AudioContext,\r\n    type: Osc,\r\n    freq: number,\r\n    dest?: AudioNode | AudioParam,\r\n  ): OscillatorNode {\r\n    const o = ctx.createOscillator();\r\n    o.type = [\"sine\", \"square\", \"sawtooth\", \"triangle\"][type] as OscillatorType;\r\n    if (freq) o.frequency.value = Math.min(22000, freq);\r\n    if (dest) o.connect(dest as any);\r\n    return o;\r\n  }\r\n  public _gain(\r\n    ctx: AudioContext,\r\n    val: number,\r\n    dest?: AudioNode | AudioParam,\r\n  ): GainNode {\r\n    const g = ctx.createGain();\r\n    g.gain.value = val;\r\n    if (dest) g.connect(dest as any);\r\n    return g;\r\n  }\r\n  public _filter(ctx: AudioContext, type: Filter): BiquadFilterNode {\r\n    const f = ctx.createBiquadFilter();\r\n    f.type = [\"lowpass\", \"highpass\", \"bandpass\"][type] as BiquadFilterType;\r\n    return f;\r\n  }\r\n  public _pan(\r\n    ctx: AudioContext,\r\n    val: number,\r\n    dest?: AudioNode,\r\n  ): StereoPannerNode {\r\n    const p = ctx.createStereoPanner();\r\n    p.pan.value = val;\r\n    if (dest) p.connect(dest);\r\n    return p;\r\n  }\r\n  public _on(t: number, s: number, ...n: AudioScheduledSourceNode[]): void {\r\n    n.forEach((x) => {\r\n      x.start(t);\r\n      x.stop(s);\r\n    });\r\n  }\r\n  public _set(p: AudioParam, v: number, t: number): void {\r\n    p.setValueAtTime(Math.min(22000, v), t);\r\n  }\r\n  public _lin(p: AudioParam, v: number, t: number): void {\r\n    p.linearRampToValueAtTime(Math.min(22000, v), t);\r\n  }\r\n  public _exp(p: AudioParam, v: number, t: number): void {\r\n    p.exponentialRampToValueAtTime(Math.min(22000, v), t);\r\n  }\r\n\r\n  public _transient(\r\n    ctx: AudioContext,\r\n    type: Osc,\r\n    freq: number,\r\n    dest: AudioNode,\r\n    time: number,\r\n    peak: number,\r\n    dur: number,\r\n    atk: number = 0,\r\n  ): void {\r\n    const g = this._gain(ctx, 0, dest);\r\n    this._set(g.gain, atk > 0 ? 0 : peak, time);\r\n    if (atk > 0) this._lin(g.gain, peak, time + atk);\r\n    this._exp(g.gain, 0.001, time + dur);\r\n    this._on(time, time + dur, this._osc(ctx, type, freq, g));\r\n  }\r\n  public _filterSweep(\r\n    ctx: AudioContext,\r\n    type: Filter,\r\n    f1: number,\r\n    f2: number,\r\n    t1: number,\r\n    dur: number,\r\n  ): BiquadFilterNode {\r\n    const f = this._filter(ctx, type);\r\n    this._set(f.frequency, f1, t1);\r\n    this._exp(f.frequency, f2, t1 + dur);\r\n    return f;\r\n  }\r\n  public _stereoOsc(\r\n    ctx: AudioContext,\r\n    type: Osc,\r\n    freq: number,\r\n    detune: number,\r\n    pan: number,\r\n    dest: AudioNode,\r\n  ): [OscillatorNode, OscillatorNode] {\r\n    return [\r\n      this._osc(ctx, type, freq, this._pan(ctx, -pan, dest)),\r\n      this._osc(ctx, type, freq * detune, this._pan(ctx, pan, dest)),\r\n    ];\r\n  }\r\n  public _lfo(\r\n    ctx: AudioContext,\r\n    freq: number,\r\n    depth: number,\r\n    time: number,\r\n    fadeIn: number,\r\n    stopTime: number,\r\n    dest: AudioNode | AudioParam,\r\n    delay: number = 0,\r\n  ): GainNode {\r\n    const g = this._gain(ctx, 0, dest);\r\n    this._set(g.gain, 0, time);\r\n    if (delay > 0) this._set(g.gain, 0, time + delay);\r\n    this._lin(g.gain, depth, time + delay + fadeIn);\r\n    this._on(time, stopTime, this._osc(ctx, Osc.Sine, freq, g));\r\n    return g;\r\n  }\r\n\r\n  public _gc(\r\n    ctx: AudioContext,\r\n    time: number,\r\n    stopTime: number,\r\n    ...nodes: AudioNode[]\r\n  ): void {\r\n    if (hasStrictGC) {\r\n      const gcOsc = ctx.createOscillator();\r\n      gcOsc.onended = () => {\r\n        nodes.forEach((n) => {\r\n          try {\r\n            n.disconnect();\r\n          } catch (e) {}\r\n        });\r\n      };\r\n      gcOsc.start(time);\r\n      gcOsc.stop(stopTime);\r\n    }\r\n  }\r\n}\r\n","import { CoreSynthBase } from \"../CoreSynthBase.js\";\r\n\r\nexport type DecayCfg = { v: number; a: number; d: number; m: number };\r\n\r\n/**\r\n * Abstract base class for plucked, struck, and decaying synthesizers.\r\n * Handles GainNode creation, Nyquist safety limits, and decay volume envelopes.\r\n */\r\nexport abstract class DecaySynthBase extends CoreSynthBase {\r\n  protected _c: DecayCfg = { v: 0.5, a: 0.02, d: 0.2, m: 4.0 };\r\n\r\n  public _playNote(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    duration: number,\r\n    velocity: number,\r\n  ): void {\r\n    const gain = ctx.createGain();\r\n\r\n    const c = this._cfg();\r\n    const peakVol = Math.max(0.001, velocity * c.v);\r\n\r\n    /** Physical strings/mallets stop vibrating quickly. Protects against stuck MIDI notes. */\r\n    const safeDuration = Math.max(0.02, Math.min(duration, c.m));\r\n\r\n    this._set(gain.gain, 0, time);\r\n    this._lin(gain.gain, peakVol, time + c.a);\r\n\r\n    this._applyDecay(gain.gain, peakVol, time, c.a, safeDuration, c.d);\r\n\r\n    /** Pad the oscillator stop time slightly past the volume decay to prevent digital clicking */\r\n    const stopTime = time + safeDuration + c.d + 0.1;\r\n\r\n    const output = this._setupSynthesis(\r\n      ctx,\r\n      masterGain,\r\n      gain,\r\n      time,\r\n      freq,\r\n      velocity,\r\n      safeDuration,\r\n      stopTime,\r\n    );\r\n\r\n    const finalNode = output || gain;\r\n    finalNode.connect(masterGain);\r\n    this._gc(ctx, time, stopTime + 2.0, finalNode);\r\n  }\r\n\r\n  protected _cfg(): DecayCfg {\r\n    return this._c;\r\n  }\r\n\r\n  /** Override this for complex envelopes (like electric guitar compression) */\r\n  protected _applyDecay(\r\n    gainParam: AudioParam,\r\n    peakVol: number,\r\n    time: number,\r\n    attack: number,\r\n    safeDuration: number,\r\n    decayTail: number,\r\n  ): void {\r\n    this._exp(gainParam, 0.001, time + safeDuration + decayTail);\r\n  }\r\n\r\n  /**\r\n   * Set up the specific oscillators and filters for this instrument.\r\n   */\r\n  protected abstract _setupSynthesis(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    safeDuration: number,\r\n    stopTime: number,\r\n  ): AudioNode | void;\r\n}\r\n","import { DecaySynthBase } from \"./DecaySynthBase.js\";\r\nimport { Osc, Filter } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Piano and similar percussive-melodic instruments.\r\n */\r\nexport class PianoSynth extends DecaySynthBase {\r\n  protected _c = { v: 0.8, a: 0.015, d: 0.1, m: 5.0 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    safeDuration: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    /** Key-tracking the filter ensures high notes aren't artificially muffled or phase-distorted. Capped at Nyquist. */\r\n    const filter = this._filterSweep(\r\n      ctx,\r\n      Filter.Lowpass,\r\n      freq + 800 + velocity * 1000,\r\n      freq + 200,\r\n      time,\r\n      Math.min(safeDuration, 1.0),\r\n    );\r\n    const osc1 = this._osc(ctx, Osc.Triangle, freq, gain);\r\n\r\n    /** Slight inharmonicity stretching, strictly capped below Nyquist to prevent digital aliasing */\r\n    const overtoneGain = this._gain(ctx, 0);\r\n    const osc2 = this._osc(ctx, Osc.Sine, freq * 2.003, overtoneGain);\r\n    const osc3 = this._osc(ctx, Osc.Sine, freq * 3.007, overtoneGain);\r\n\r\n    /** Dynamically pan lower keys to the left ear, and higher keys to the right ear */\r\n    const panner = this._pan(\r\n      ctx,\r\n      Math.max(-0.8, Math.min(0.8, (freq - 261.6) / 800)),\r\n    );\r\n\r\n    /** Sympathetic string resonance: metallic clangs decay much faster than the fundamental */\r\n    this._set(overtoneGain.gain, 0, time);\r\n    this._lin(overtoneGain.gain, Math.max(0.001, velocity * 0.15), time + 0.01);\r\n    this._exp(overtoneGain.gain, 0.001, time + Math.min(safeDuration, 0.5));\r\n    overtoneGain.connect(panner);\r\n\r\n    /** Mechanical Hammer Thump: the physical impact of the wooden hammer on the strings */\r\n    this._transient(\r\n      ctx,\r\n      Osc.Sine,\r\n      60,\r\n      panner,\r\n      time,\r\n      Math.max(0.001, velocity * 0.4),\r\n      0.05,\r\n      0.005,\r\n    );\r\n\r\n    gain.connect(panner).connect(filter);\r\n\r\n    this._on(time, stopTime, osc1, osc2, osc3);\r\n\r\n    return filter;\r\n  }\r\n}\r\n","import { DecaySynthBase } from \"./DecaySynthBase.js\";\r\nimport { Osc } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Chromatic Percussion (Bells, Marimba, Vibraphone).\r\n * Characterized by a pure tone with a very fast attack and immediate decay.\r\n */\r\nexport class ChromaticPercussionSynth extends DecaySynthBase {\r\n  protected _c = { v: 0.7, a: 0.005, d: 0.5, m: 6.0 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    safeDuration: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const osc = this._osc(ctx, Osc.Sine, 0, gain);\r\n    this._set(osc.frequency, freq * 1.1, time);\r\n    this._exp(osc.frequency, freq, time + 0.02);\r\n\r\n    const overtoneGain = this._gain(ctx, 0, masterGain);\r\n    this._set(overtoneGain.gain, Math.max(0.001, velocity * 0.25), time);\r\n    this._exp(overtoneGain.gain, 0.001, time + safeDuration);\r\n    const overtone = this._osc(ctx, Osc.Sine, freq * 2.76, overtoneGain);\r\n\r\n    overtoneGain.connect(masterGain);\r\n\r\n    this._on(time, stopTime, osc, overtone);\r\n  }\r\n}\r\n","import { CoreSynthBase } from \"../CoreSynthBase.js\";\r\n\r\nexport type AnalogCfg = { v: number; a: number; r: number };\r\n\r\n/**\r\n * Abstract base class for sustained analog synthesizers.\r\n * Handles GainNode creation, Nyquist safety limits, and ADSR volume envelopes.\r\n */\r\nexport abstract class AnalogSynthBase extends CoreSynthBase {\r\n  protected _c: AnalogCfg = { v: 0.5, a: 0.05, r: 0.1 };\r\n\r\n  public _playNote(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    duration: number,\r\n    velocity: number,\r\n  ): void {\r\n    const gain = ctx.createGain();\r\n\r\n    const c = this._cfg(duration);\r\n    const peakVol = Math.max(0.001, velocity * c.v);\r\n\r\n    this._set(gain.gain, 0, time);\r\n    this._lin(gain.gain, peakVol, time + c.a);\r\n\r\n    const sustainTime = Math.max(c.a, duration);\r\n    this._set(gain.gain, peakVol, time + sustainTime);\r\n    this._lin(gain.gain, 0.001, time + sustainTime + c.r);\r\n\r\n    const stopTime = time + sustainTime + c.r;\r\n\r\n    const output = this._setupSynthesis(\r\n      ctx,\r\n      gain,\r\n      time,\r\n      freq,\r\n      velocity,\r\n      sustainTime,\r\n      c.r,\r\n      stopTime,\r\n    );\r\n\r\n    const finalNode = output || gain;\r\n    finalNode.connect(masterGain);\r\n    this._gc(ctx, time, stopTime + 0.1, finalNode);\r\n  }\r\n\r\n  protected _cfg(d: number): AnalogCfg {\r\n    return this._c;\r\n  }\r\n\r\n  /**\r\n   * Set up the specific oscillators and filters for this instrument.\r\n   * You must start() and stop() your own oscillators.\r\n   * @returns The final audio node in the chain to connect to the master mix. If omitted, the base envelope gain is used.\r\n   */\r\n  protected abstract _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void;\r\n}\r\n","import { AnalogSynthBase, AnalogCfg } from \"./AnalogSynthBase.js\";\r\nimport { Osc } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Organs using additive sine waves.\r\n */\r\nexport class OrganSynth extends AnalogSynthBase {\r\n  protected _c = { v: 0.4, a: 0.01, r: 0.05 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const osc1 = this._osc(ctx, Osc.Sine, freq, gain);\r\n    const gain2 = this._gain(ctx, 0.5, gain);\r\n    const osc2 = this._osc(ctx, Osc.Sine, freq * 2, gain2);\r\n    const gain3 = this._gain(ctx, 0.25, gain);\r\n    const osc3 = this._osc(ctx, Osc.Sine, freq * 3, gain3);\r\n\r\n    const rotaryNode = this._gain(ctx, 0.7);\r\n    this._lfo(ctx, 6.5, 0.3, time, 0, stopTime, rotaryNode.gain);\r\n\r\n    gain.connect(rotaryNode);\r\n\r\n    this._transient(\r\n      ctx,\r\n      Osc.Square,\r\n      4000,\r\n      rotaryNode,\r\n      time,\r\n      Math.max(0.001, velocity * 0.1),\r\n      0.015,\r\n    );\r\n\r\n    this._on(time, stopTime, osc1, osc2, osc3);\r\n\r\n    return rotaryNode;\r\n  }\r\n}\r\n","import { DecaySynthBase } from \"./DecaySynthBase.js\";\r\nimport { Osc, Filter } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Acoustic Guitars using a plucked sawtooth.\r\n */\r\nexport class GuitarSynth extends DecaySynthBase {\r\n  protected _c = { v: 0.6, a: 0.02, d: 0.2, m: 4.0 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    safeDuration: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    /** Bright attack that quickly muffles as the acoustic string loses kinetic energy */\r\n    const filter = this._filterSweep(\r\n      ctx,\r\n      Filter.Lowpass,\r\n      2000 + velocity * 1000,\r\n      200,\r\n      time,\r\n      safeDuration,\r\n    );\r\n\r\n    const osc = this._osc(ctx, Osc.Sawtooth, 0, gain);\r\n    this._set(osc.frequency, freq * 1.02, time);\r\n    this._exp(osc.frequency, freq, time + 0.05);\r\n\r\n    gain.connect(filter);\r\n\r\n    /** Plectrum Pluck: the sharp, plastic click of a pick striking a steel string */\r\n    this._transient(\r\n      ctx,\r\n      Osc.Square,\r\n      3500,\r\n      masterGain,\r\n      time,\r\n      Math.max(0.001, velocity * 0.25),\r\n      0.015,\r\n    );\r\n\r\n    this._on(time, stopTime, osc);\r\n\r\n    return filter;\r\n  }\r\n}\r\n","import { DecaySynthBase } from \"./DecaySynthBase.js\";\r\nimport { Osc, Filter } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Electric and Distorted Guitars.\r\n */\r\nexport class ElectricGuitarSynth extends DecaySynthBase {\r\n  protected _c = { v: 0.5, a: 0.02, d: 0.2, m: 4.0 };\r\n\r\n  protected _applyDecay(\r\n    gainParam: AudioParam,\r\n    peakVol: number,\r\n    time: number,\r\n    attack: number,\r\n    safeDuration: number,\r\n    decayTail: number,\r\n  ): void {\r\n    /** Compressed sustain mimicking an electric guitar amp */\r\n    this._exp(\r\n      gainParam,\r\n      Math.max(0.001, peakVol * 0.4),\r\n      time + Math.min(0.5, safeDuration),\r\n    );\r\n    this._exp(gainParam, 0.001, time + safeDuration + decayTail);\r\n  }\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    safeDuration: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const filter = this._filterSweep(\r\n      ctx,\r\n      Filter.Lowpass,\r\n      2500 + velocity * 1500,\r\n      600,\r\n      time,\r\n      safeDuration,\r\n    );\r\n\r\n    const [osc, osc2] = this._stereoOsc(ctx, Osc.Sawtooth, 0, 1, 0, gain);\r\n    this._set(osc.frequency, freq * 1.02, time);\r\n    this._exp(osc.frequency, freq, time + 0.05);\r\n    this._set(osc2.frequency, freq * 1.022, time);\r\n    this._exp(osc2.frequency, freq * 1.002, time + 0.05);\r\n\r\n    const vibrato = this._lfo(\r\n      ctx,\r\n      5.0,\r\n      freq * 0.015,\r\n      time,\r\n      0.2,\r\n      stopTime,\r\n      osc.frequency,\r\n      0.4,\r\n    );\r\n    vibrato.connect(osc2.frequency);\r\n\r\n    gain.connect(filter);\r\n\r\n    /** Heavy plectrum attack */\r\n    this._transient(\r\n      ctx,\r\n      Osc.Square,\r\n      3500,\r\n      masterGain,\r\n      time,\r\n      Math.max(0.001, velocity * 0.25),\r\n      0.015,\r\n    );\r\n\r\n    this._on(time, stopTime, osc, osc2);\r\n\r\n    return filter;\r\n  }\r\n}\r\n","import { DecaySynthBase } from \"../Decay/DecaySynthBase.js\";\r\nimport { Osc, Filter } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for deep Bass instruments using sawtooth waves.\r\n */\r\nexport class BassSynth extends DecaySynthBase {\r\n  protected _c = { v: 0.8, a: 0.05, d: 0.1, m: 4.0 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    safeDuration: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    /** Deep envelope sweep for punchy, muffled bass attack. Capped safely below Nyquist. */\r\n    const filter = this._filterSweep(\r\n      ctx,\r\n      Filter.Lowpass,\r\n      300 + velocity * 500,\r\n      100,\r\n      time,\r\n      safeDuration,\r\n    );\r\n\r\n    const osc = this._osc(ctx, Osc.Sawtooth, 0, gain);\r\n    this._set(osc.frequency, freq * 0.92, time);\r\n    this._exp(osc.frequency, freq, time + 0.04);\r\n\r\n    const subGain = this._gain(ctx, 0.6, gain);\r\n    const subOsc = this._osc(ctx, Osc.Sine, 0, subGain);\r\n    this._set(subOsc.frequency, (freq / 2) * 0.92, time);\r\n    this._exp(subOsc.frequency, freq / 2, time + 0.04);\r\n\r\n    gain.connect(filter);\r\n\r\n    this._on(time, stopTime, osc, subOsc);\r\n\r\n    return filter;\r\n  }\r\n}\r\n","import { AnalogSynthBase } from \"./AnalogSynthBase.js\";\r\nimport { Osc, Filter } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for String and Pad instruments using detuned oscillators.\r\n */\r\nexport class StringSynth extends AnalogSynthBase {\r\n  protected _cfg(d: number): { v: number; a: number; r: number } {\r\n    return { v: 0.3, a: d < 0.4 ? 0.05 : 0.2, r: d < 0.4 ? 0.1 : 0.5 };\r\n  }\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const [osc1, osc2] = this._stereoOsc(\r\n      ctx,\r\n      Osc.Sawtooth,\r\n      freq,\r\n      1.005,\r\n      0.6,\r\n      gain,\r\n    );\r\n\r\n    const lfo = this._lfo(\r\n      ctx,\r\n      4.5,\r\n      freq * 0.012,\r\n      time,\r\n      0.3,\r\n      stopTime,\r\n      osc1.frequency,\r\n    );\r\n    lfo.connect(osc2.frequency);\r\n\r\n    const filter = this._filterSweep(\r\n      ctx,\r\n      Filter.Lowpass,\r\n      freq + 1200 + velocity * 1000,\r\n      freq + 800,\r\n      time,\r\n      sustainTime + releaseTime,\r\n    );\r\n\r\n    gain.connect(filter);\r\n\r\n    this._on(time, stopTime, osc1, osc2);\r\n\r\n    return filter;\r\n  }\r\n}\r\n","import { AnalogSynthBase } from \"../Analog/AnalogSynthBase.js\";\r\nimport { Osc, Filter } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Brass and Wind instruments with a slow filter envelope.\r\n */\r\nexport class BrassSynth extends AnalogSynthBase {\r\n  protected _c = { v: 0.5, a: 0.1, r: 0.1 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const osc = this._osc(ctx, Osc.Square, 0, gain);\r\n    this._set(osc.frequency, freq * 0.95, time);\r\n    this._exp(osc.frequency, freq, time + 0.05);\r\n\r\n    const blareGain = this._gain(ctx, 0, gain);\r\n    this._set(blareGain.gain, 0, time);\r\n    this._lin(blareGain.gain, Math.max(0.001, velocity * 0.25), time + 0.05);\r\n    this._exp(blareGain.gain, 0.001, time + 0.2);\r\n    const blare = this._osc(ctx, Osc.Sawtooth, freq * 2, blareGain);\r\n\r\n    const filter = this._filter(ctx, Filter.Lowpass);\r\n    this._set(filter.frequency, freq + 400, time);\r\n    this._lin(filter.frequency, freq + 1500 + velocity * 1000, time + 0.1);\r\n    this._exp(filter.frequency, freq + 400, time + sustainTime + releaseTime);\r\n\r\n    gain.connect(filter);\r\n    this._on(time, stopTime, osc);\r\n    this._on(time, time + 0.2, blare);\r\n\r\n    return filter;\r\n  }\r\n}\r\n","import { AnalogSynthBase } from \"./AnalogSynthBase.js\";\r\nimport { Osc, Filter } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Woodwinds and Pipes (Flute, Piccolo, Recorder, Ocarina).\r\n * Characterized by a pure, hollow, and breathy tone using sine and triangle waves.\r\n */\r\nexport class WoodwindSynth extends AnalogSynthBase {\r\n  protected _c = { v: 0.7, a: 0.05, r: 0.1 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    /** Flutes are mostly a fundamental sine wave with a tiny bit of triangle for the \"chiff\" sound */\r\n    const osc1 = this._osc(ctx, Osc.Sine, freq, gain);\r\n\r\n    /** Triangle is mixed much lower just to provide a bit of upper harmonic texture */\r\n    const triGain = this._gain(ctx, 0, gain);\r\n    /** Breath transient: louder at attack, decaying to a whisper during sustain */\r\n    this._set(triGain.gain, 0.3, time);\r\n    this._exp(triGain.gain, 0.05, time + 0.2);\r\n    const osc2 = this._osc(ctx, Osc.Triangle, freq, triGain);\r\n\r\n    /** Lowpass filter to keep it extremely smooth and remove any digital sharpness */\r\n    const filter = this._filter(ctx, Filter.Lowpass);\r\n    this._set(filter.frequency, freq + 800, time);\r\n\r\n    /** Diaphragm vibrato: blooms slowly after the initial breath attack */\r\n    const vibrato = this._lfo(\r\n      ctx,\r\n      5.5,\r\n      freq * 0.015,\r\n      time,\r\n      0.4,\r\n      stopTime,\r\n      osc1.frequency,\r\n    );\r\n    vibrato.connect(osc2.frequency);\r\n\r\n    /** True Amplitude Modulation (Tremolo) pipelined from the diaphragm vibrato */\r\n    const tremoloNode = this._gain(ctx, 1.0);\r\n    const tremoloDepth = this._gain(ctx, 0.15, tremoloNode.gain);\r\n    vibrato.connect(tremoloDepth);\r\n\r\n    gain.connect(tremoloNode).connect(filter);\r\n\r\n    this._on(time, stopTime, osc1, osc2);\r\n\r\n    return filter;\r\n  }\r\n}\r\n","import { AnalogSynthBase } from \"./AnalogSynthBase.js\";\r\nimport { Osc, Filter } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Synth Leads featuring an LFO Vibrato.\r\n */\r\nexport class LeadSynth extends AnalogSynthBase {\r\n  protected _c = { v: 0.4, a: 0.05, r: 0.1 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const osc = this._osc(ctx, Osc.Sawtooth, 0);\r\n    this._set(osc.frequency, freq, time);\r\n\r\n    this._lfo(ctx, 5, freq * 0.02, time, 0.2, stopTime, osc.frequency);\r\n\r\n    const filter = this._filterSweep(\r\n      ctx,\r\n      Filter.Lowpass,\r\n      freq,\r\n      freq * 3,\r\n      time,\r\n      0.05,\r\n    );\r\n    this._exp(filter.frequency, freq * 1.5, time + sustainTime);\r\n    filter.Q.value = 3; /** Squelchy resonance */\r\n\r\n    osc.connect(filter).connect(gain);\r\n\r\n    this._on(time, stopTime, osc);\r\n  }\r\n}\r\n","import { AnalogSynthBase } from \"./AnalogSynthBase.js\";\r\nimport { Osc, Filter } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Synth Pads (Warm, Choir, Halo, Bowed).\r\n * Characterized by slow attacks, slow releases, and evolving filter sweeps.\r\n */\r\nexport class PadSynth extends AnalogSynthBase {\r\n  protected _cfg(d: number): { v: number; a: number; r: number } {\r\n    return { v: 0.4, a: d < 0.4 ? 0.05 : 0.3, r: d < 0.4 ? 0.1 : 0.8 };\r\n  }\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const [osc1, osc2] = this._stereoOsc(\r\n      ctx,\r\n      Osc.Triangle,\r\n      freq,\r\n      1.01,\r\n      0.7,\r\n      gain,\r\n    );\r\n\r\n    const filter = this._filter(ctx, Filter.Lowpass);\r\n    this._set(filter.frequency, freq + 400, time);\r\n    this._lin(\r\n      filter.frequency,\r\n      freq + 1000 + velocity * 500,\r\n      time + sustainTime,\r\n    );\r\n\r\n    this._lfo(ctx, 0.5, 10, time, 0, stopTime, osc2.frequency);\r\n    this._lfo(ctx, 0.1, 400, time, 0, stopTime, filter.frequency);\r\n\r\n    gain.connect(filter);\r\n\r\n    this._on(time, stopTime, osc1, osc2);\r\n\r\n    return filter;\r\n  }\r\n}\r\n","import { CoreSynthBase, Osc } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Sound Effects and Sci-Fi Synths.\r\n * Features extreme frequency sweeping over the duration of the note.\r\n */\r\nexport class SoundEffectsSynth extends CoreSynthBase {\r\n  /**\r\n   * Plays an automated sweeping sci-fi sound effect.\r\n   */\r\n  public _playNote(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    duration: number,\r\n    velocity: number,\r\n  ): void {\r\n    const gain = this._gain(ctx, 0);\r\n    const osc = this._osc(ctx, Osc.Sawtooth, 0, gain);\r\n\r\n    /** Extreme pitch dive from fundamental down one full octave over the note's duration */\r\n    this._set(osc.frequency, freq, time);\r\n    this._exp(\r\n      osc.frequency,\r\n      Math.max(1, freq / 2),\r\n      time + Math.max(0.05, duration),\r\n    );\r\n\r\n    /** Sci-Fi \"Laser Wobble\": fast sine-wave amplitude modulation (avoids scratchy clicking of square wave) */\r\n    const stutterNode = this._gain(ctx, 0.5, masterGain);\r\n    this._lfo(ctx, 15, 0.5, time, 0, time + duration + 0.2, stutterNode.gain);\r\n\r\n    gain.connect(stutterNode);\r\n\r\n    this._set(gain.gain, 0, time);\r\n    this._lin(gain.gain, Math.max(0.001, velocity * 0.5), time + 0.05);\r\n    this._exp(gain.gain, 0.001, time + duration + 0.2);\r\n\r\n    this._on(time, time + duration + 0.2, osc);\r\n\r\n    this._gc(ctx, time, time + duration + 0.3, gain, stutterNode);\r\n  }\r\n}\r\n","import { DecaySynthBase } from \"./DecaySynthBase.js\";\r\nimport { Osc, Filter } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Ethnic instruments (Sitar, Shamisen, Koto).\r\n * Uses a bandpass filter over a square wave to emulate a hollow, plucked resonator.\r\n */\r\nexport class EthnicSynth extends DecaySynthBase {\r\n  protected _c = { v: 0.6, a: 0.02, d: 0.1, m: 4.0 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    safeDuration: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const osc = this._osc(ctx, Osc.Square, 0, gain);\r\n    this._set(osc.frequency, freq * 1.05, time);\r\n    this._exp(osc.frequency, freq, time + 0.08);\r\n\r\n    const filter = this._filterSweep(\r\n      ctx,\r\n      Filter.Bandpass,\r\n      freq * 2.5,\r\n      freq,\r\n      time,\r\n      safeDuration,\r\n    );\r\n    filter.Q.value = 2;\r\n\r\n    filter.connect(gain);\r\n\r\n    this._on(time, stopTime, osc);\r\n  }\r\n}\r\n","import { CoreSynthBase, Osc, Filter } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Percussion and Drum kits.\r\n */\r\nexport class DrumSynth extends CoreSynthBase {\r\n  /** Cached white noise buffer to prevent massive memory allocations and GC spikes. */\r\n  private static _cachedNoiseBuffer: AudioBuffer | null = null;\r\n\r\n  private static _getNoiseBuffer(ctx: AudioContext): AudioBuffer {\r\n    if (\r\n      !DrumSynth._cachedNoiseBuffer ||\r\n      DrumSynth._cachedNoiseBuffer.sampleRate !== ctx.sampleRate\r\n    ) {\r\n      const bufferSize = ctx.sampleRate * 1.0;\r\n      const buffer = ctx.createBuffer(1, bufferSize, ctx.sampleRate);\r\n      const data = buffer.getChannelData(0);\r\n      for (let i = 0; i < bufferSize; i++) data[i] = Math.random() * 2 - 1;\r\n      DrumSynth._cachedNoiseBuffer = buffer;\r\n    }\r\n    return DrumSynth._cachedNoiseBuffer;\r\n  }\r\n\r\n  public _playNote(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    duration: number,\r\n    velocity: number,\r\n  ): void {\r\n    /** Standard MIDI maps specific frequencies to specific drum kit pieces */\r\n    if (freq < 70) {\r\n      const gain = this._gain(ctx, 0, masterGain);\r\n      const osc = this._osc(ctx, Osc.Sine, 0, gain);\r\n\r\n      this._set(osc.frequency, 150, time);\r\n      this._exp(osc.frequency, 30, time + 0.1);\r\n      this._set(gain.gain, Math.max(0.001, velocity * 1.5), time);\r\n      this._exp(gain.gain, 0.001, time + 0.5);\r\n\r\n      this._on(time, time + 0.5, osc);\r\n\r\n      this._gc(ctx, time, time + 0.6, gain);\r\n    } else {\r\n      /** HI-HAT / SNARE (White Noise generation) */\r\n      const isSnare = freq < 90;\r\n\r\n      const noise = ctx.createBufferSource();\r\n      noise.buffer = DrumSynth._getNoiseBuffer(ctx);\r\n      const gain = this._gain(ctx, 0, masterGain);\r\n      const filter = this._filter(\r\n        ctx,\r\n        isSnare ? Filter.Bandpass : Filter.Highpass,\r\n      );\r\n      const panner = this._pan(ctx, isSnare ? 0 : Math.random() * 0.6 - 0.3);\r\n\r\n      filter.frequency.value = isSnare ? 1500 : 5000;\r\n\r\n      this._set(gain.gain, Math.max(0.001, velocity), time);\r\n      this._exp(gain.gain, 0.001, time + (isSnare ? 0.2 : 0.05));\r\n\r\n      noise.connect(filter).connect(gain).connect(panner);\r\n      this._on(time, time + (isSnare ? 0.2 : 0.05), noise);\r\n\r\n      /** Add an extra body thwack tone if it is a snare */\r\n      if (isSnare) {\r\n        const snareOsc = this._osc(ctx, Osc.Triangle, 0, gain);\r\n        /** Snare drum head tension: quick pitch drop when the stick hits the skin */\r\n        this._set(snareOsc.frequency, 300, time);\r\n        this._exp(snareOsc.frequency, 100, time + 0.1);\r\n        this._on(time, time + 0.2, snareOsc);\r\n      } else {\r\n        /** 808 Cymbal Metallic Ring: TR-808 hi-hats contain high-pitched ringing square waves */\r\n        this._transient(\r\n          ctx,\r\n          Osc.Square,\r\n          7000,\r\n          panner,\r\n          time,\r\n          Math.max(0.001, velocity * 0.2),\r\n          0.05,\r\n        );\r\n      }\r\n\r\n      this._gc(ctx, time, time + 0.4, filter, gain, panner);\r\n    }\r\n  }\r\n}\r\n","import { AnalogSynthBase, AnalogCfg } from \"./AnalogSynthBase.js\";\r\nimport { Osc } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for 8-bit Chiptune sounds.\r\n * Uses a raw square wave with a rapid pitch-drop \"blip\" attack.\r\n */\r\nexport class ChiptuneSynth extends AnalogSynthBase {\r\n  protected _c = { v: 0.4, a: 0.005, r: 0.05 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const osc = this._osc(ctx, Osc.Square, 0, gain);\r\n\r\n    /** Classic tracker \"blip\" attack: starts one octave higher for a fraction of a second */\r\n    this._set(osc.frequency, freq * 2, time);\r\n    this._set(osc.frequency, freq, time + 0.02);\r\n\r\n    this._on(time, stopTime, osc);\r\n  }\r\n}\r\n","// AUTO-GENERATED BY VITE CONFIG\nimport { RLOCore as BaseCore, RLOMusicPlayer as BaseMusicPlayer, RLOGameEngine as BaseGameEngine, RLOTranspiler, createInstrumentMap, extendInstrumentMap, createDirectMap, SilentSynth, type ISynthInstrument } from './RLO-Player.js';\nimport { PianoSynth } from './Instruments/Decay/PianoSynth.js';\nimport { ChromaticPercussionSynth } from './Instruments/Decay/ChromaticPercussionSynth.js';\nimport { OrganSynth } from './Instruments/Analog/OrganSynth.js';\nimport { GuitarSynth } from './Instruments/Decay/GuitarSynth.js';\nimport { ElectricGuitarSynth } from './Instruments/Decay/ElectricGuitarSynth.js';\nimport { BassSynth } from './Instruments/Analog/BassSynth.js';\nimport { StringSynth } from './Instruments/Analog/StringSynth.js';\nimport { BrassSynth } from './Instruments/Decay/BrassSynth.js';\nimport { WoodwindSynth } from './Instruments/Analog/WoodwindSynth.js';\nimport { LeadSynth } from './Instruments/Analog/LeadSynth.js';\nimport { PadSynth } from './Instruments/Analog/PadSynth.js';\nimport { SoundEffectsSynth } from './Instruments/Speciality/SoundEffectsSynth.js';\nimport { EthnicSynth } from './Instruments/Decay/EthnicSynth.js';\nimport { DrumSynth } from './Instruments/Speciality/DrumSynth.js';\nimport { FMSynth } from './Instruments/Analog/FMSynth.js';\nimport { AdditiveSynth } from './Instruments/Decay/AdditiveSynth.js';\nimport { KarplusSynth } from './Instruments/Decay/KarplusSynth.js';\nimport { ReeseBassSynth } from './Instruments/Analog/ReeseBassSynth.js';\nimport { FormantSynth } from './Instruments/Analog/FormantSynth.js';\nimport { ChiptuneSynth } from './Instruments/Analog/ChiptuneSynth.js';\nimport { SlapBassSynth } from './Instruments/Decay/SlapBassSynth.js';\n\n// Export all synthesizers (including optional ones) for NPM users\nexport { PianoSynth, ChromaticPercussionSynth, OrganSynth, GuitarSynth, ElectricGuitarSynth, BassSynth, StringSynth, BrassSynth, WoodwindSynth, LeadSynth, PadSynth, SoundEffectsSynth, EthnicSynth, DrumSynth, FMSynth, AdditiveSynth, KarplusSynth, ReeseBassSynth, FormantSynth, ChiptuneSynth, SlapBassSynth };\n\nconst defaultMapModules = [\n  { synth: new PianoSynth(), start: 0, end: 7 },\n  { synth: new ChromaticPercussionSynth(), start: 8, end: 15 },\n  { synth: new OrganSynth(), start: 16, end: 23 },\n  { synth: new GuitarSynth(), start: 24, end: 26 },\n  { synth: new ElectricGuitarSynth(), start: 27, end: 31 },\n  { synth: new BassSynth(), start: 32, end: 39 },\n  { synth: new StringSynth(), start: 40, end: 55 },\n  { synth: new BrassSynth(), start: 56, end: 71 },\n  { synth: new WoodwindSynth(), start: 72, end: 79 },\n  { synth: new LeadSynth(), start: 83, end: 87 },\n  { synth: new PadSynth(), start: 88, end: 95 },\n  { synth: new SoundEffectsSynth(), start: 96, end: 103 },\n  { synth: new SoundEffectsSynth(), start: 120, end: 127 },\n  { synth: new EthnicSynth(), start: 104, end: 111 },\n  { synth: new DrumSynth(), start: 112, end: 119 },\n  { synth: new DrumSynth(), start: 128, end: 128 },\n];\nconst defaultMap = createInstrumentMap(defaultMapModules);\n\nconst retroMap = createInstrumentMap([\n  { synth: new ChiptuneSynth(), start: 0, end: 127 },\n  { synth: new DrumSynth(), start: 128, end: 128 }\n]);\n\nexport { RLOTranspiler, createInstrumentMap, extendInstrumentMap, createDirectMap, SilentSynth, defaultMap as MasterInstrumentMap, defaultMap as StandardInstrumentMap, retroMap as RetroInstrumentMap };\nexport class RLOCore extends BaseCore { constructor(ctx: AudioContext, customMap?: ISynthInstrument[]) { super(ctx, customMap || defaultMap); } }\nexport class RLOMusicPlayer extends BaseMusicPlayer { constructor(ctx: AudioContext, customMap?: ISynthInstrument[]) { super(ctx, customMap || defaultMap); } }\nexport class RLOGameEngine extends BaseGameEngine { constructor(ctx: AudioContext, customMap?: ISynthInstrument[]) { super(ctx, customMap || defaultMap); } }\n","import { DecaySynthBase, DecayCfg } from \"./DecaySynthBase.js\";\r\nimport { Osc } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Inharmonic Additive bells/glass.\r\n * Stacks sine waves at non-integer multiples to create metallic, clanging overtones.\r\n */\r\nexport class AdditiveSynth extends DecaySynthBase {\r\n  protected _c = { v: 0.6, a: 0.005, d: 0.5, m: 5.0 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    safeDuration: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const ratios = [1.0, 2.76, 5.4, 8.9, 13.3];\r\n    const decays = [1.0, 0.6, 0.4, 0.2, 0.1]; // Higher frequencies die out much faster\r\n\r\n    ratios.forEach((ratio, i) => {\r\n      const hFreq = freq * ratio;\r\n      if (hFreq < 22000) {\r\n        const peak = Math.max(0.001, velocity * (1 / (i + 1.5)));\r\n        const dur = Math.max(0.1, safeDuration * decays[i]);\r\n        this._transient(ctx, Osc.Sine, hFreq, gain, time, peak, dur, 0.005);\r\n      }\r\n    });\r\n  }\r\n}\r\n","import { AnalogSynthBase, AnalogCfg } from \"./AnalogSynthBase.js\";\r\nimport { Osc } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for FM (Frequency Modulation).\r\n * Modulates a carrier sine wave with another sine wave to create glassy,\r\n * metallic overtones common in 1980s Electric Pianos and Bells.\r\n */\r\nexport class FMSynth extends AnalogSynthBase {\r\n  protected _c = { v: 0.6, a: 0.01, r: 0.1 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const carrier = this._osc(ctx, Osc.Sine, freq, gain);\r\n\r\n    const modFreq = freq * 2; // 2:1 harmonic ratio for bell/epiano overtones\r\n    const modDepth = modFreq * 4; // Modulation index (brightness)\r\n\r\n    const modGain = this._gain(ctx, 0, carrier.frequency);\r\n    this._set(modGain.gain, modDepth * velocity, time);\r\n    this._exp(modGain.gain, 0.01, time + sustainTime); // Decay the harshness over time for a plucked feel\r\n\r\n    const modulator = this._osc(ctx, Osc.Sine, modFreq, modGain);\r\n\r\n    this._on(time, stopTime, carrier, modulator);\r\n  }\r\n}\r\n","import { AnalogSynthBase, AnalogCfg } from \"./AnalogSynthBase.js\";\r\nimport { Osc, Filter } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Formant Choirs (Human Vox).\r\n * Uses parallel bandpass filters locked to specific \"vowel\" resonant frequencies.\r\n */\r\nexport class FormantSynth extends AnalogSynthBase {\r\n  protected _c = { v: 0.8, a: 0.1, r: 0.4 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const osc = this._osc(ctx, Osc.Sawtooth, freq);\r\n    this._lfo(ctx, 5, freq * 0.015, time, 0.2, stopTime, osc.frequency);\r\n\r\n    // Typical 'Ah' vowel formants: 730Hz, 1090Hz, 2440Hz\r\n    [730, 1090, 2440].forEach((f) => {\r\n      if (f < 22000) {\r\n        const filter = this._filter(ctx, Filter.Bandpass);\r\n        filter.frequency.value = f;\r\n        filter.Q.value = 12; // High resonance to isolate the formant\r\n        osc.connect(filter).connect(gain);\r\n      }\r\n    });\r\n\r\n    this._on(time, stopTime, osc);\r\n  }\r\n}\r\n","import { CoreSynthBase, Filter } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Karplus-Strong physical modeling.\r\n * Uses a noise burst fed into a tuned delay line with a feedback filter\r\n * to accurately simulate the physics of plucked strings (Acoustic Guitar, Harp).\r\n */\r\nexport class KarplusSynth extends CoreSynthBase {\r\n  public _playNote(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    duration: number,\r\n    velocity: number,\r\n  ): void {\r\n    const delayTime = 1 / freq;\r\n\r\n    // 1. The Plectrum (A microscopic burst of white noise)\r\n    const burstBuffer = ctx.createBuffer(\r\n      1,\r\n      Math.max(1, ctx.sampleRate * delayTime),\r\n      ctx.sampleRate,\r\n    );\r\n    const data = burstBuffer.getChannelData(0);\r\n    for (let i = 0; i < data.length; i++)\r\n      data[i] = (Math.random() * 2 - 1) * velocity;\r\n\r\n    const burst = ctx.createBufferSource();\r\n    burst.buffer = burstBuffer;\r\n\r\n    // 2. The String (A delay node exactly the length of the frequency)\r\n    const delay = ctx.createDelay(delayTime);\r\n    delay.delayTime.value = delayTime;\r\n\r\n    // 3. The Body Damping (Lowpass filter inside the feedback loop to absorb high frequencies)\r\n    const filter = this._filter(ctx, Filter.Lowpass);\r\n    filter.frequency.value = Math.min(22000, freq * 6);\r\n\r\n    // 4. The Tension (Feedback gain)\r\n    const feedback = this._gain(ctx, 0.98); // Higher value = longer ring time\r\n\r\n    burst.connect(delay).connect(filter).connect(feedback).connect(delay);\r\n\r\n    const output = this._gain(ctx, 0, masterGain);\r\n    this._set(output.gain, 1, time);\r\n    this._exp(output.gain, 0.001, time + duration);\r\n\r\n    delay.connect(output);\r\n    this._on(time, time + duration, burst);\r\n\r\n    this._gc(ctx, time, time + duration + 3.0, output, delay, filter, feedback);\r\n  }\r\n}\r\n","import { AnalogSynthBase, AnalogCfg } from \"./AnalogSynthBase.js\";\r\nimport { Osc, Filter } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Reese/Wobble Bass.\r\n * Uses heavily detuned sawtooths and an LFO-driven lowpass filter.\r\n */\r\nexport class ReeseBassSynth extends AnalogSynthBase {\r\n  protected _c = { v: 0.7, a: 0.05, r: 0.2 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const filter = this._filter(ctx, Filter.Lowpass);\r\n    this._set(filter.frequency, freq * 2, time);\r\n\r\n    // Wobble LFO: syncs roughly to tempo (e.g. 1/8th notes ~4-8 Hz)\r\n    this._lfo(ctx, 6, freq * 3, time, 0, stopTime, filter.frequency);\r\n\r\n    // Deep, phasing detune\r\n    const [osc1, osc2] = this._stereoOsc(\r\n      ctx,\r\n      Osc.Sawtooth,\r\n      freq / 2,\r\n      1.015,\r\n      0.4,\r\n      filter,\r\n    );\r\n    filter.connect(gain);\r\n    this._on(time, stopTime, osc1, osc2);\r\n  }\r\n}\r\n","import { DecaySynthBase } from \"./DecaySynthBase.js\";\r\nimport { Osc, Filter } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for 80s Slap Bass (DX7/Seinfeld style).\r\n * Characterized by a very snappy filter envelope and a metallic transient \"pop\".\r\n */\r\nexport class SlapBassSynth extends DecaySynthBase {\r\n  protected _c = { v: 0.9, a: 0.005, d: 0.15, m: 3.0 }; // Ultra-fast attack for the slap\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    safeDuration: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    /** The \"Pop\" - An aggressive lowpass filter sweep that opens bright and snaps shut */\r\n    const filter = this._filterSweep(\r\n      ctx,\r\n      Filter.Lowpass,\r\n      freq * 8 + velocity * 3000, // Very bright on hard velocities\r\n      freq + 100, // Quickly muffles down to the fundamental\r\n      time,\r\n      0.1, // Snap duration\r\n    );\r\n    filter.Q.value = 3; // Adds a \"quack\" resonance to the slap\r\n\r\n    /** The Body - Sawtooth for rich harmonics */\r\n    const osc = this._osc(ctx, Osc.Sawtooth, freq, gain);\r\n\r\n    /** The Sub - Deep sine wave an octave down to anchor the low end */\r\n    const subOsc = this._osc(ctx, Osc.Sine, freq / 2, gain);\r\n\r\n    /** The \"Thumb Slap\" - A quick, inharmonic metallic burst simulating the string hitting the fretboard */\r\n    this._transient(\r\n      ctx,\r\n      Osc.Square,\r\n      freq * 3.5,\r\n      filter,\r\n      time,\r\n      Math.max(0.001, velocity * 0.4),\r\n      0.04,\r\n    );\r\n\r\n    gain.connect(filter);\r\n    this._on(time, stopTime, osc, subOsc);\r\n\r\n    return filter;\r\n  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For example, if a \r\n * hi-hat plays on the exact same instrument ID and velocity for 50 notes, SoA groups those 50\r\n * identical bytes contiguously in memory, allowing gzip to compress them down to literally 1 or 2 bytes.\r\n * Converting absolute time to delta-time serves the same purpose: instead of constantly increasing \r\n * time signatures, rhythmic music will yield contiguous identical delta-time bytes which gzip dominates.\r\n */\r\n/** \r\n * Converts standard interleaved JSON into Delta-Timed Structure of Arrays.\r\n * @param humanJson The flat-packed JSON array.\r\n * @param fullRangeFreq If true, writes raw 32-bit floats. If false, aggressively quantizes to 8-bit MIDI scale.\r\n */\r\nexport function encodeToSoA(humanJson: RloData, fullRangeFreq: boolean = false) {\r\n  if (!hasTranspiler) return null as unknown as typeof soa;\r\n    const N = humanJson.notes.length / 5;\r\n    const f = fullRangeFreq ? new Float32Array(N) : new Uint8Array(N);\r\n    const t = new Uint16Array(N);\r\n    const d = new Uint16Array(N);\r\n    const v = new Uint8Array(N);\r\n    const i = new Uint8Array(N);\r\n\r\n    let lastRoundedTime = 0;\r\n    for (let n = 0, ptr = 0; n < N; n++, ptr += 5) {\r\n      const time = humanJson.notes[ptr + 1];\r\n      const freq = humanJson.notes[ptr];\r\n      if (fullRangeFreq) {\r\n        f[n] = freq;\r\n      } else {\r\n        // Map the frequency in Hz back down to a 1-byte 0-255 index\r\n        f[n] =\r\n          freq > 0\r\n            ? Math.max(\r\n                0,\r\n                Math.min(255, Math.round(12 * Math.log2(freq / 440) + 69)),\r\n              )\r\n            : 0;\r\n      }\r\n\r\n      const roundedTime = Math.max(0, Math.round(time * 1000));\r\n      t[n] = Math.min(65535, roundedTime - lastRoundedTime); // Clamp to Uint16 max to prevent wraparound\r\n      d[n] = Math.min(\r\n        65535,\r\n        Math.max(0, Math.round(humanJson.notes[ptr + 2] * 1000)),\r\n      );\r\n      v[n] = Math.max(\r\n        0,\r\n        Math.min(255, Math.round(humanJson.notes[ptr + 3] * 255)),\r\n      );\r\n      i[n] = humanJson.notes[ptr + 4];\r\n      lastRoundedTime += t[n]; // Add the clamped delta to accurately track absolute encoded time\r\n    }\r\n\r\n    const soa = {\r\n      durationSecs: humanJson.durationSecs,\r\n      f,\r\n      t,\r\n      d,\r\n      v,\r\n      i,\r\n    };\r\n    return soa;\r\n  }\r\n\r\n/** \r\n * Tightly packs the Delta-Timed SoA into a memory-aligned ArrayBuffer.\r\n * \r\n * @reason We explicitly manage endianness via DataView for the 16-bit and 32-bit arrays\r\n * to ensure that a `.rlo` file compiled on an x86 machine (Little Endian) plays flawlessly\r\n * on an ARM or obscure Big-Endian web client. \r\n */\r\nexport function encodeToBinary(\r\n  humanJson: RloData,\r\n  fullRangeFreq: boolean = false,\r\n): ArrayBuffer {\r\n  if (!hasTranspiler) return new ArrayBuffer(0);\r\n  const isLittleEndian = new Uint8Array(new Uint16Array([1]).buffer)[0] === 1;\r\n  const soa = encodeToSoA(humanJson, fullRangeFreq);\r\n    const N = soa.f.length;\r\n\r\n    // Arrays: Time(2*N) + Dur(2*N) + Freq(1*N or 4*N) + Vel(1*N) + Inst(1*N)\r\n    const bytesPerNote = fullRangeFreq ? 10 : 7;\r\n    const buffer = new ArrayBuffer(12 + bytesPerNote * N);\r\n    const view = new DataView(buffer);\r\n\r\n    view.setUint8(0, 82);\r\n    view.setUint8(1, 76);\r\n    view.setUint8(2, 79);\r\n    view.setUint8(3, fullRangeFreq ? 70 : 50); // 'RLOF' for Float32, 'RLO2' for Uint8\r\n    view.setFloat32(4, soa.durationSecs, true);\r\n    view.setUint32(8, N, true);\r\n\r\n    if (isLittleEndian) {\r\n      new Uint16Array(buffer, 12, N).set(soa.t);\r\n      new Uint16Array(buffer, 12 + 2 * N, N).set(soa.d);\r\n      if (fullRangeFreq) {\r\n        new Float32Array(buffer, 12 + 4 * N, N).set(soa.f as Float32Array);\r\n      }\r\n    } else {\r\n      // Explicitly write multi-byte values as Little-Endian using DataView\r\n      // to ensure cross-platform compatibility (avoiding native endianness issues of TypedArrays)\r\n      for (let n = 0; n < N; n++) {\r\n        view.setUint16(12 + n * 2, soa.t[n], true);\r\n        view.setUint16(12 + 2 * N + n * 2, soa.d[n], true);\r\n        if (fullRangeFreq) {\r\n          view.setFloat32(12 + 4 * N + n * 4, (soa.f as Float32Array)[n], true);\r\n        }\r\n      }\r\n    }\r\n\r\n    if (fullRangeFreq) {\r\n      new Uint8Array(buffer, 12 + 8 * N, N).set(soa.v);\r\n      new Uint8Array(buffer, 12 + 9 * N, N).set(soa.i);\r\n    } else {\r\n      new Uint8Array(buffer, 12 + 4 * N, N).set(soa.f as Uint8Array);\r\n      new Uint8Array(buffer, 12 + 5 * N, N).set(soa.v);\r\n      new Uint8Array(buffer, 12 + 6 * N, N).set(soa.i);\r\n    }\r\n\r\n    return buffer;\r\n  }\r\n\r\n/** \r\n * Reconstructs a high-speed runtime object directly from the binary buffer.\r\n * \r\n * @reason During decode, we pre-allocate the exact flat array size `new Array(N * 5)`.\r\n * This guarantees that the V8 engine allocates contiguous memory without dynamic resizing overhead.\r\n * It reconstructs absolute time by accumulating the delta-time ticks to prevent floating-point drift.\r\n */\r\nexport function decodeBinary(buffer: ArrayBuffer): RloData {\r\n  if (!hasTranspiler) return { durationSecs: 0, notes: new Float32Array(0) };\r\n    const view = new DataView(buffer);\r\n    const magic = String.fromCharCode(\r\n      view.getUint8(0),\r\n      view.getUint8(1),\r\n      view.getUint8(2),\r\n      view.getUint8(3),\r\n    );\r\n    if (magic !== \"RLO2\" && magic !== \"RLOF\")\r\n      throw new Error(\"Invalid RLO Binary format. Please recompile tracks.\");\r\n    const isFullRange = magic === \"RLOF\";\r\n\r\n    const durationSecs = view.getFloat32(4, true);\r\n    const N = view.getUint32(8, true);\r\n\r\n    // Single-byte arrays are endian-agnostic\r\n    const f8 = isFullRange ? null : new Uint8Array(buffer, 12 + 4 * N, N);\r\n    const v = new Uint8Array(buffer, 12 + (isFullRange ? 8 : 5) * N, N);\r\n    const i = new Uint8Array(buffer, 12 + (isFullRange ? 9 : 6) * N, N);\r\n\r\n    const notes = new Float32Array(N * 5);\r\n    let currentTime = 0;\r\n\r\n    for (let n = 0, ptr = 0; n < N; n++, ptr += 5) {\r\n      // Read multi-byte values explicitly as Little-Endian\r\n      const tn = view.getUint16(12 + n * 2, true);\r\n      const dn = view.getUint16(12 + 2 * N + n * 2, true);\r\n      const fn = isFullRange\r\n        ? view.getFloat32(12 + 4 * N + n * 4, true)\r\n        : f8![n];\r\n\r\n      currentTime += tn / 1000;\r\n      notes[ptr] = isFullRange\r\n        ? fn\r\n        : fn > 0\r\n          ? 440 * Math.pow(2, (fn - 69) / 12)\r\n          : 0;\r\n      notes[ptr + 1] = currentTime;\r\n      notes[ptr + 2] = dn / 1000;\r\n      notes[ptr + 3] = v[n] / 255;\r\n      notes[ptr + 4] = i[n];\r\n    }\r\n\r\n  return { durationSecs, notes };\r\n}\r\n","import { ISynthInstrument } from \"./ISynthInstrument.js\";\r\n\r\ndeclare const __ENABLE_MIDI_DEBUG__: boolean;\r\nconst hasMidiDebug = typeof __ENABLE_MIDI_DEBUG__ !== \"undefined\" ? __ENABLE_MIDI_DEBUG__ : false;\r\n\r\n/**\r\n * Handles routing and synthesis of different instrument types.\r\n * \r\n * @reason Separation of Concerns:\r\n * The `RLOCore` is strictly responsible for timing and track decoding.\r\n * This class is strictly responsible for mapping Instrument IDs to their specific\r\n * synthesis classes, applying Key Tracking math, and managing the polyphonic fan-out.\r\n */\r\nexport class Synthesizer {\r\n  private _ctx: AudioContext;\r\n  private _masterGain: GainNode;\r\n  private _instruments: ISynthInstrument[];\r\n\r\n  constructor(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    instruments: ISynthInstrument[],\r\n  ) {\r\n    this._ctx = ctx;\r\n    this._masterGain = masterGain;\r\n    this._instruments = instruments;\r\n  }\r\n\r\n  /**\r\n   * Routes the note to the correct instrument synthesis method.\r\n   */\r\n  public _playNote(\r\n    instrumentId: number,\r\n    time: number,\r\n    freq: number,\r\n    duration: number,\r\n    velocity: number,\r\n  ): void {\r\n    /** Key Tracking: High frequency waveforms carry significantly more perceived energy.\r\n     * Gently rolling off the velocity of high notes prevents them from piercing the mix and distorting.\r\n     * We also apply a 0.6 global headroom multiplier to prevent 30+ note crescendos from clipping. */\r\n    const keyTrackVel = velocity * 0.6 * Math.min(1, 1600 / freq);\r\n\r\n    const instrument = this._instruments[instrumentId] || this._instruments[0];\r\n\r\n    if (hasMidiDebug) {\r\n      console.log(\r\n        `[MIDI Debug] Instr ID: ${instrumentId} | Class: ${instrument?.constructor.name || \"Unknown\"} | Freq: ${freq.toFixed(2)}Hz | Vel: ${velocity.toFixed(2)} | Dur: ${duration.toFixed(2)}s | Time: ${time.toFixed(2)}s`,\r\n      );\r\n    }\r\n\r\n    if (instrument) {\r\n      instrument._playNote(\r\n        this._ctx,\r\n        this._masterGain,\r\n        time,\r\n        freq,\r\n        duration,\r\n        keyTrackVel,\r\n      );\r\n    }\r\n  }\r\n}\r\n","import { RloData } from \"../types.js\";\r\nimport { ISynthInstrument } from \"../Instruments/ISynthInstrument.js\";\r\nimport { Synthesizer } from \"../Instruments/Synthesizer.js\";\r\n\r\n/**\r\n * Options for playing a compiled RLO sequence.\r\n */\r\nexport interface PlaySequenceOptions {\r\n  loop?: boolean;\r\n  fadeInTime?: number;\r\n  playbackRate?: number;\r\n  volume?: number;\r\n}\r\n\r\ndeclare const __ENABLE_WORKER_METRONOME__: boolean;\r\nconst hasWorkerMetronome = typeof __ENABLE_WORKER_METRONOME__ !== \"undefined\" ? __ENABLE_WORKER_METRONOME__ : false;\r\n\r\n/**\r\n * Base Engine Core responsible for the precise scheduling and timing of Web Audio nodes.\r\n * \r\n * @reason Why we use a Worker for the metronome:\r\n * In modern browsers, `setTimeout` or `setInterval` on the main thread is throttled \r\n * to ~1000ms if the user switches browser tabs (to save battery). \r\n * By offloading the timing loop to a Web Worker, we guarantee that background tabs\r\n * continue to schedule audio nodes perfectly at 50ms intervals without skipping a beat.\r\n */\r\nexport class RLOCore {\r\n  protected _ctx: AudioContext;\r\n  protected _isPlaying: boolean = false;\r\n  protected _timer: ReturnType<typeof setTimeout> | null = null;\r\n  protected _workerTimer: Worker | null = null;\r\n  protected _sequenceId: number = 0;\r\n  protected _trkT: number = 0;\r\n  protected _trkD: number = 0;\r\n  protected _activeNodes: AudioNode[] = [];\r\n  protected _volume: number = 0.5;\r\n  protected _seekTarget: number | null = null;\r\n\r\n  public playbackRate: number = 1.0;\r\n\r\n  protected _instrumentMap: ISynthInstrument[];\r\n  protected _workerUrl: string | null = null;\r\n\r\n  constructor(audioContext: AudioContext, instrumentMap: ISynthInstrument[] = []) {\r\n    this._ctx = audioContext;\r\n    this._instrumentMap = instrumentMap;\r\n\r\n    if (hasWorkerMetronome) {\r\n      const blob = new Blob(\r\n        [\r\n          \"let t=null;self.onmessage=e=>{let d=e.data;if(d=='start'){if(t)clearInterval(t);t=setInterval(()=>self.postMessage('tick'),50)}else if(d=='stop'&&t){clearInterval(t);t=null}};\"\r\n        ],\r\n        { type: \"application/javascript\" },\r\n      );\r\n      this._workerUrl = URL.createObjectURL(blob);\r\n      this._workerTimer = new Worker(this._workerUrl);\r\n    }\r\n  }\r\n\r\n  protected get _now(): number {\r\n    return this._ctx.currentTime;\r\n  }\r\n\r\n  public setVolume(vol: number): void {\r\n    this._volume = vol;\r\n  }\r\n\r\n  public seek(timeInSeconds: number): void {\r\n    if (this._trkD > 0) {\r\n      this._seekTarget = Math.max(0, timeInSeconds) % this._trkD;\r\n    }\r\n  }\r\n\r\n  public stop(): void {\r\n    this._isPlaying = false;\r\n    this._sequenceId++;\r\n    if (this._timer) clearTimeout(this._timer);\r\n    if (hasWorkerMetronome && this._workerTimer) this._workerTimer.postMessage(\"stop\");\r\n\r\n    const nodesToClean = this._activeNodes;\r\n    this._activeNodes = [];\r\n\r\n    while (nodesToClean.length) {\r\n      try { nodesToClean.pop()!.disconnect(); } catch (e) {}\r\n    }\r\n  }\r\n\r\n  public dispose(): void {\r\n    this.stop();\r\n    if (hasWorkerMetronome && this._workerTimer) {\r\n      this._workerTimer.terminate();\r\n      this._workerTimer = null;\r\n    }\r\n    if (hasWorkerMetronome && this._workerUrl) {\r\n      URL.revokeObjectURL(this._workerUrl);\r\n      this._workerUrl = null;\r\n    }\r\n  }\r\n\r\n  protected _createGain(): GainNode {\r\n    return this._ctx.createGain();\r\n  }\r\n\r\n  protected _applyLinearFade(gain: AudioParam, target: number, time: number): void {\r\n    gain.setValueAtTime(time > 0 ? 0 : target, this._now);\r\n    if (time > 0) gain.linearRampToValueAtTime(target, this._now + time);\r\n  }\r\n\r\n  protected _createCompressor(ctx: AudioContext = this._ctx): DynamicsCompressorNode {\r\n    const c = ctx.createDynamicsCompressor();\r\n    c.threshold.value = -24;\r\n    c.knee.value = 12;\r\n    c.ratio.value = 8;\r\n    c.attack.value = 0.001;\r\n    c.release.value = 0.25;\r\n    return c;\r\n  }\r\n\r\n  protected _createRouting(fadeInTime: number = 0): { destination: AudioNode } {\r\n    const gain = this._createGain();\r\n    this._applyLinearFade(gain.gain, this._volume, fadeInTime);\r\n    gain.connect(this._ctx.destination);\r\n    this._activeNodes.push(gain);\r\n    return { destination: gain };\r\n  }\r\n\r\n  public playSequence(track: RloData, loopOrOpts: boolean | PlaySequenceOptions = true, oldFadeInTime: number = 0): void {\r\n    let loop = true;\r\n    let fadeInTime = oldFadeInTime;\r\n    if (typeof loopOrOpts === \"object\") {\r\n      loop = loopOrOpts.loop ?? true;\r\n      fadeInTime = loopOrOpts.fadeInTime ?? 0;\r\n      this.playbackRate = loopOrOpts.playbackRate ?? this.playbackRate;\r\n      if (loopOrOpts.volume !== undefined) this.setVolume(loopOrOpts.volume);\r\n    } else {\r\n      loop = loopOrOpts;\r\n    }\r\n\r\n    this.stop();\r\n    if (this._ctx.state === \"suspended\") this._ctx.resume();\r\n\r\n    this._isPlaying = true;\r\n    const currentSequenceId = ++this._sequenceId;\r\n    this._trkD = track.durationSecs;\r\n\r\n    const { destination } = this._createRouting(fadeInTime);\r\n    const synthesizer = new Synthesizer(\r\n      this._ctx,\r\n      destination as GainNode,\r\n      this._instrumentMap,\r\n    );\r\n\r\n    const lookaheadTime = 0.5;\r\n    this._trkT = -0.05 * this.playbackRate;\r\n    let lastScheduleTime = this._now;\r\n    let loopOffsetSecs = 0;\r\n    let notePtr = 0;\r\n    const notes = track.notes;\r\n    const len = notes.length;\r\n\r\n    const schedule = () => {\r\n      if (!this._isPlaying || this._sequenceId !== currentSequenceId) return;\r\n      if (len === 0) return; // Prevent infinite loop on empty tracks\r\n\r\n      const currentPhysicalTime = this._now;\r\n      const deltaPhysical = currentPhysicalTime - lastScheduleTime;\r\n      lastScheduleTime = currentPhysicalTime;\r\n\r\n      if (this._seekTarget !== null) {\r\n        this._trkT = this._seekTarget;\r\n        loopOffsetSecs = 0;\r\n        notePtr = 0;\r\n        while (notePtr < len && notes[notePtr + 1] < this._seekTarget) {\r\n          notePtr += 5;\r\n        }\r\n        this._seekTarget = null;\r\n        \r\n        // Duck the volume briefly to hide the 0.5s lookahead buffer overlap\r\n        const duckGain = destination as GainNode;\r\n        if (duckGain.gain) {\r\n           duckGain.gain.cancelScheduledValues(currentPhysicalTime);\r\n           duckGain.gain.setValueAtTime(0.001, currentPhysicalTime);\r\n           duckGain.gain.exponentialRampToValueAtTime(this._volume, currentPhysicalTime + 0.5);\r\n        }\r\n      } else {\r\n        this._trkT += deltaPhysical * this.playbackRate;\r\n      }\r\n\r\n      const loopDurationSecs = track.durationSecs;\r\n\r\n      while (notePtr < len) {\r\n        const noteTrackTime = loopOffsetSecs + notes[notePtr + 1];\r\n\r\n        if (noteTrackTime >= this._trkT + lookaheadTime * this.playbackRate) break;\r\n\r\n        // The \"Lag Chord\" drop threshold:\r\n        // If a thread freeze occurred, drop notes that are more than 150ms in the past\r\n        if (this._trkT - noteTrackTime <= 0.15 * this.playbackRate) {\r\n          const notePhysicalTime = currentPhysicalTime + Math.max(0, (noteTrackTime - this._trkT) / this.playbackRate);\r\n          synthesizer._playNote(notes[notePtr + 4], notePhysicalTime, notes[notePtr], notes[notePtr + 2] / this.playbackRate, notes[notePtr + 3]);\r\n        }\r\n        notePtr += 5;\r\n      }\r\n\r\n      if (notePtr >= len) {\r\n        if (loop) {\r\n          notePtr = 0;\r\n          loopOffsetSecs += loopDurationSecs;\r\n          schedule();\r\n        } else {\r\n          if (hasWorkerMetronome && this._workerTimer) this._workerTimer.postMessage(\"stop\");\r\n        }\r\n        return;\r\n      }\r\n      if (!hasWorkerMetronome || !this._workerTimer) {\r\n        this._timer = setTimeout(schedule, 50);\r\n      }\r\n    };\r\n    if (hasWorkerMetronome && this._workerTimer) {\r\n      this._workerTimer.onmessage = () => schedule();\r\n      this._workerTimer.postMessage(\"start\");\r\n    }\r\n    schedule();\r\n  }\r\n}\r\n","export type ReverbMode = \"concert\" | \"studio\";\r\n\r\n/**\r\n * Utility class for generating programmatic audio effects.\r\n */\r\nexport class AudioEffects {\r\n  private static _cachedConcert: AudioBuffer | null = null;\r\n  private static _cachedStudio: AudioBuffer | null = null;\r\n\r\n  /**\r\n   * Generates a mathematical impulse response for a Convolution Reverb node.\r\n   * @param {AudioContext} ctx - The active AudioContext.\r\n   * @param {ReverbMode} mode - The type of acoustic space to simulate.\r\n   * @returns {AudioBuffer} The synthesized reverb impulse buffer.\r\n   */\r\n  public static _generateReverb(\r\n    ctx: AudioContext,\r\n    mode: ReverbMode = \"studio\",\r\n  ): AudioBuffer {\r\n    if (mode === \"concert\" && this._cachedConcert) return this._cachedConcert;\r\n    if (mode === \"studio\" && this._cachedStudio) return this._cachedStudio;\r\n\r\n    const isStudio = mode === \"studio\";\r\n    const length =\r\n      ctx.sampleRate *\r\n      (isStudio ? 0.2 : 1.5); /** 0.2s for Studio, 1.5s for Concert */\r\n    const decay = isStudio ? 8 : 4; /** Exponential decay factor */\r\n\r\n    const impulse = ctx.createBuffer(2, length, ctx.sampleRate);\r\n    for (let i = 0; i < 2; i++) {\r\n      const channel = impulse.getChannelData(i);\r\n      let lastOut = 0;\r\n      for (let j = 0; j < length; j++) {\r\n        /** Simple lowpass filter to absorb harsh high frequencies in the tail */\r\n        const noise = Math.random() * 2 - 1;\r\n        lastOut = lastOut + 0.3 * (noise - lastOut);\r\n        /** True exponential acoustic decay multiplied by a linear fade to ensure 0 at the tail */\r\n        channel[j] =\r\n          lastOut * Math.exp(-decay * (j / length)) * (1 - j / length);\r\n      }\r\n    }\r\n\r\n    // Cache the newly generated impulse\r\n    return isStudio\r\n      ? (this._cachedStudio = impulse)\r\n      : (this._cachedConcert = impulse);\r\n  }\r\n}\r\n","import { RLOCore, PlaySequenceOptions } from \"../Core/RLOCore.js\";\r\nimport { RloData } from \"../types.js\";\r\nimport { ISynthInstrument } from \"../Instruments/ISynthInstrument.js\";\r\nimport { AudioEffects, ReverbMode } from \"../AudioEffects.js\";\r\nimport { decodeBinary } from \"../RLO-Transpiler.js\";\r\n\r\ndeclare const __ENABLE_MUSIC_PLAYER__: boolean;\r\nconst hasMusicPlayer = typeof __ENABLE_MUSIC_PLAYER__ !== \"undefined\" ? __ENABLE_MUSIC_PLAYER__ : true;\r\n\r\ndeclare const __ENABLE_WORKER_METRONOME__: boolean;\r\nconst hasWorkerMetronome = typeof __ENABLE_WORKER_METRONOME__ !== \"undefined\" ? __ENABLE_WORKER_METRONOME__ : false;\r\n\r\ndeclare const window: any;\r\ndeclare const document: any;\r\n\r\n/**\r\n * A specialized extension of `RLOCore` designed for standalone music playback.\r\n * \r\n * @reason Architecture Separation:\r\n * The base `RLOCore` is extremely lightweight and purely handles scheduling logic.\r\n * `RLOMusicPlayer` adds heavy features like Convolution Reverb routing, URL fetching,\r\n * binary decompression streams, and track caching. By separating these into a derived class,\r\n * JS13k game developers who just want to play simple 1-channel blips don't have to bundle\r\n * the gzip DecompressionStream or Convolution Reverb code.\r\n */\r\nexport class RLOMusicPlayer extends RLOCore {\r\n  private _masterGainNode: GainNode | null = null;\r\n  private _reverbNode: ConvolverNode | null = null;\r\n  private _fxGainNode: GainNode | null = null;\r\n  private _trackCacheMap: Map<string, RloData> = new Map();\r\n  private _visibilityEventHandler!: () => void;\r\n  private _maxCacheSizeLimit: number = 20;\r\n  private _currentReverbMode: ReverbMode = \"concert\";\r\n\r\n  constructor(audioContext: AudioContext, instrumentMap: ISynthInstrument[] = []) {\r\n    super(audioContext, instrumentMap);\r\n    if (!hasMusicPlayer) return;\r\n\r\n    AudioEffects._generateReverb(this._ctx, \"concert\");\r\n    AudioEffects._generateReverb(this._ctx, \"studio\");\r\n\r\n    this._visibilityEventHandler = () => {\r\n      if (document.hidden) {\r\n        this._ctx.suspend();\r\n      } else if (this._isPlaying) {\r\n        this._ctx.resume();\r\n      }\r\n    };\r\n\r\n    if (typeof document !== \"undefined\" && !hasWorkerMetronome) {\r\n      document.addEventListener(\"visibilitychange\", this._visibilityEventHandler);\r\n    }\r\n  }\r\n\r\n  public setReverbMode(mode: ReverbMode): void {\r\n    if (!hasMusicPlayer) return;\r\n    this._currentReverbMode = mode;\r\n    if (this._reverbNode && this._fxGainNode) {\r\n      this._reverbNode.buffer = AudioEffects._generateReverb(this._ctx, mode);\r\n      this._fxGainNode.gain.setTargetAtTime(mode === \"studio\" ? 0.05 : 0.2, this._now, 0.1);\r\n    }\r\n  }\r\n\r\n  public dispose(): void {\r\n    if (!hasMusicPlayer) return super.dispose();\r\n    super.dispose();\r\n    if (typeof document !== \"undefined\" && !hasWorkerMetronome) {\r\n      document.removeEventListener(\"visibilitychange\", this._visibilityEventHandler);\r\n    }\r\n    this._trackCacheMap.clear();\r\n  }\r\n\r\n  public setVolume(vol: number): void {\r\n    super.setVolume(vol);\r\n    if (!hasMusicPlayer) return;\r\n    if (this._masterGainNode) {\r\n      this._masterGainNode.gain.setTargetAtTime(vol, this._now, 0.1);\r\n    }\r\n  }\r\n\r\n  public getCurrentTime(): number {\r\n    if (!hasMusicPlayer) return 0;\r\n    if (this._trkD === 0 || !this._isPlaying) return 0;\r\n    return Math.max(0, this._trkT) % this._trkD;\r\n  }\r\n\r\n  public getTotalDuration(): number {\r\n    if (!hasMusicPlayer) return 0;\r\n    return this._trkD;\r\n  }\r\n\r\n  protected _createRouting(fadeInTime: number = 0): { destination: AudioNode } {\r\n    if (!hasMusicPlayer) return super._createRouting(fadeInTime);\r\n    this._reverbNode = this._ctx.createConvolver();\r\n    this._reverbNode.buffer = AudioEffects._generateReverb(this._ctx, this._currentReverbMode);\r\n    this._masterGainNode = this._createGain();\r\n    this._activeNodes.push(this._reverbNode, this._masterGainNode);\r\n\r\n    this._applyLinearFade(this._masterGainNode.gain, this._volume, fadeInTime);\r\n\r\n    this._fxGainNode = this._createGain();\r\n    this._fxGainNode.gain.value = this._currentReverbMode === \"studio\" ? 0.05 : 0.2;\r\n    this._activeNodes.push(this._fxGainNode);\r\n\r\n    const masterFilter = this._ctx.createBiquadFilter();\r\n    masterFilter.type = \"lowpass\";\r\n    masterFilter.frequency.value = Math.min(this._ctx.sampleRate / 2 - 1, 6500);\r\n    this._activeNodes.push(masterFilter);\r\n\r\n    const compressor = this._createCompressor();\r\n    this._activeNodes.push(compressor);\r\n\r\n    this._masterGainNode.connect(masterFilter).connect(compressor).connect(this._ctx.destination);\r\n    this._masterGainNode.connect(this._reverbNode).connect(this._fxGainNode).connect(masterFilter);\r\n\r\n    return { destination: this._masterGainNode };\r\n  }\r\n\r\n  public async play(trackUrlOrData: string | RloData, fadeInOrOpts: number | PlaySequenceOptions = 0, oldLoop: boolean = true): Promise<void> {\r\n    if (!hasMusicPlayer) return;\r\n    let track: RloData;\r\n    let fadeInTime = 0;\r\n    let optionsObj: PlaySequenceOptions = {};\r\n    if (typeof fadeInOrOpts === \"object\") {\r\n      fadeInTime = fadeInOrOpts.fadeInTime ?? 0;\r\n      optionsObj = fadeInOrOpts;\r\n    } else {\r\n      fadeInTime = fadeInOrOpts;\r\n      optionsObj = { fadeInTime, loop: oldLoop };\r\n    }\r\n\r\n    if (typeof trackUrlOrData === \"string\") {\r\n      if (this._trackCacheMap.has(trackUrlOrData)) {\r\n        track = this._trackCacheMap.get(trackUrlOrData)!;\r\n      } else {\r\n        const response = await fetch(trackUrlOrData);\r\n        const hasTranspiler = typeof (window as any).__ENABLE_TRANSPILER__ !== \"undefined\" ? (window as any).__ENABLE_TRANSPILER__ : true;\r\n\r\n        if (!hasTranspiler || trackUrlOrData.toLowerCase().endsWith(\".json\")) {\r\n          const text = await response.text();\r\n          track = JSON.parse(text);\r\n        } else {\r\n          const rawBuffer = await response.arrayBuffer();\r\n          const view = new DataView(rawBuffer);\r\n          const isDecompressed = view.byteLength >= 3 && view.getUint8(0) === 82 && view.getUint8(1) === 76 && view.getUint8(2) === 79;\r\n\r\n          if (isDecompressed) {\r\n            track = decodeBinary(rawBuffer);\r\n          } else {\r\n            const ds = new (window as any).DecompressionStream(\"gzip\");\r\n            const writer = ds.writable.getWriter();\r\n            writer.write(rawBuffer);\r\n            writer.close();\r\n            track = decodeBinary(await new Response(ds.readable).arrayBuffer());\r\n          }\r\n        }\r\n        this._trackCacheMap.set(trackUrlOrData, track);\r\n        if (this._trackCacheMap.size > this._maxCacheSizeLimit) {\r\n          const firstKey = this._trackCacheMap.keys().next().value;\r\n          if (firstKey) this._trackCacheMap.delete(firstKey);\r\n        }\r\n      }\r\n    } else {\r\n      track = trackUrlOrData;\r\n    }\r\n    this.playSequence(track, optionsObj);\r\n  }\r\n\r\n  public stop(): void {\r\n    if (!hasMusicPlayer) return super.stop();\r\n    if (this._masterGainNode) {\r\n      const now = this._now;\r\n      this._masterGainNode.gain.cancelScheduledValues(now);\r\n      this._masterGainNode.gain.setValueAtTime(0, now);\r\n      this._masterGainNode = null;\r\n      this._fxGainNode = null;\r\n      this._reverbNode = null;\r\n    }\r\n    super.stop();\r\n  }\r\n}\r\n","import { RLOCore, PlaySequenceOptions } from \"../Core/RLOCore.js\";\r\nimport { Note } from \"../Core/AudioMath.js\";\r\nimport { RloData } from \"../types.js\";\r\nimport { ISynthInstrument } from \"../Instruments/ISynthInstrument.js\";\r\nimport { Synthesizer } from \"../Instruments/Synthesizer.js\";\r\n\r\ndeclare const __ENABLE_GAME_ENGINE__: boolean;\r\nconst hasGameEngine = typeof __ENABLE_GAME_ENGINE__ !== \"undefined\" ? __ENABLE_GAME_ENGINE__ : true;\r\n\r\nexport interface SFXOptions {\r\n  velocity?: number;\r\n  timeOffset?: number;\r\n}\r\n\r\n/**\r\n * Advanced audio engine designed specifically for video games (like JS13k entries).\r\n * \r\n * @reason Architectural Separation:\r\n * This class completely isolates the Music bus from the SFX (Sound Effects) bus.\r\n * Games require distinct volume sliders for Music vs SFX. By instantiating a dedicated\r\n * internal `Synthesizer` explicitly for SFX, we can route all UI clicks, explosions, \r\n * and jump sounds through the `_sfxRoutingGain` without disrupting the background \r\n * music's master volume or looping sequence logic.\r\n */\r\nexport class RLOGameEngine extends RLOCore {\r\n  private _gameMasterGain!: GainNode;\r\n  private _sfxRoutingGain!: GainNode;\r\n  private _musicRoutingGain!: GainNode;\r\n  private _sfxInternalSynthesizer!: Synthesizer;\r\n\r\n  constructor(audioContext: AudioContext, instrumentMap: ISynthInstrument[] = []) {\r\n    super(audioContext, instrumentMap);\r\n    if (!hasGameEngine) return;\r\n\r\n    this._gameMasterGain = this._createGain();\r\n    this._gameMasterGain.gain.value = this._volume;\r\n\r\n    const compressor = this._createCompressor();\r\n\r\n    this._gameMasterGain.connect(compressor).connect(this._ctx.destination);\r\n\r\n    this._musicRoutingGain = this._createGain();\r\n    this._musicRoutingGain.connect(this._gameMasterGain);\r\n\r\n    this._sfxRoutingGain = this._createGain();\r\n    this._sfxRoutingGain.connect(this._gameMasterGain);\r\n    this._sfxInternalSynthesizer = new Synthesizer(this._ctx, this._sfxRoutingGain, this._instrumentMap);\r\n  }\r\n\r\n  public setVolume(vol: number): void {\r\n    super.setVolume(vol);\r\n    if (!hasGameEngine) return;\r\n    this._gameMasterGain.gain.setTargetAtTime(vol, this._now, 0.1);\r\n  }\r\n\r\n  public setMusicVolume(vol: number): void {\r\n    if (!hasGameEngine) return;\r\n    this._musicRoutingGain.gain.setTargetAtTime(vol, this._now, 0.1);\r\n  }\r\n\r\n  public setSFXVolume(vol: number): void {\r\n    if (!hasGameEngine) return;\r\n    this._sfxRoutingGain.gain.setTargetAtTime(vol, this._now, 0.1);\r\n  }\r\n\r\n  protected _createRouting(fadeInTime: number = 0): { destination: AudioNode } {\r\n    if (!hasGameEngine) return super._createRouting(fadeInTime);\r\n    const musicGain = this._createGain();\r\n    musicGain.connect(this._musicRoutingGain);\r\n    this._activeNodes.push(musicGain);\r\n\r\n    this._applyLinearFade(musicGain.gain, 1, fadeInTime);\r\n\r\n    return { destination: musicGain };\r\n  }\r\n\r\n  public playSFX(instrumentId: number, freqOrNote: number | string, duration: number, velocityOrOpts: number | SFXOptions = 1.0, oldTimeOffset: number = 0) {\r\n    if (!hasGameEngine) return;\r\n    if (this._ctx.state === \"suspended\") this._ctx.resume();\r\n\r\n    let velocity = 1.0;\r\n    let timeOffset = oldTimeOffset;\r\n    if (typeof velocityOrOpts === \"object\") {\r\n      velocity = velocityOrOpts.velocity ?? 1.0;\r\n      timeOffset = velocityOrOpts.timeOffset ?? 0;\r\n    } else {\r\n      velocity = velocityOrOpts;\r\n    }\r\n    this._sfxInternalSynthesizer._playNote(instrumentId, this._now + timeOffset, Note(freqOrNote), duration, velocity);\r\n  }\r\n\r\n  public playSFXSequence(track: RloData, timeOffset: number = 0): void {\r\n    if (!hasGameEngine) return;\r\n    if (this._ctx.state === \"suspended\") this._ctx.resume();\r\n\r\n    const start = this._now + timeOffset;\r\n    const n = track.notes;\r\n    const len = n.length;\r\n\r\n    for (let i = 0; i < len; i += 5) {\r\n      this._sfxInternalSynthesizer._playNote(n[i + 4], start + n[i + 1], n[i], n[i + 2], n[i + 3]);\r\n    }\r\n  }\r\n\r\n  public playMusic(track: RloData, loopOrOpts: boolean | PlaySequenceOptions = true, oldFadeInTime: number = 0): void {\r\n    if (!hasGameEngine) return;\r\n    let opts: boolean | PlaySequenceOptions = loopOrOpts;\r\n    if (typeof loopOrOpts === \"object\" && loopOrOpts.volume !== undefined) {\r\n      this.setMusicVolume(loopOrOpts.volume);\r\n      opts = { ...loopOrOpts };\r\n      delete (opts as PlaySequenceOptions).volume;\r\n    }\r\n    this.playSequence(track, opts, oldFadeInTime);\r\n  }\r\n\r\n  public stopMusic(): void {\r\n    super.stop();\r\n  }\r\n}\r\n","export interface ADSREnvelope {\r\n  attack?: number;\r\n  decay?: number;\r\n  sustain?: number;\r\n  release?: number;\r\n  peak?: number;\r\n}\r\n\r\n/**\r\n * Mathematically applies an Attack-Decay-Sustain-Release (ADSR) volume envelope to an AudioParam.\r\n * \r\n * @reason Why we use explicit `setValueAtTime` and `linearRampToValueAtTime`:\r\n * Web Audio nodes often suffer from clicking/popping if values jump instantaneously.\r\n * By using linear ramps, we ensure smooth zero-crossing transitions. Furthermore, \r\n * the logic elegantly handles edge-cases where the note duration is shorter than \r\n * the Attack or Decay phase by dynamically calculating partial peaks and \r\n * preemptively jumping to the Release phase, preventing sustained hanging notes.\r\n */\r\nexport function applyEnvelope(\r\n  gainParam: AudioParam,\r\n  now: number,\r\n  duration: number,\r\n  opts: ADSREnvelope,\r\n): void {\r\n  const a = opts.attack ?? 0.05;\r\n  const d = opts.decay ?? 0.1;\r\n  const s = opts.sustain ?? 0.8;\r\n  const r = opts.release ?? 0.1;\r\n  const peak = opts.peak ?? 1.0;\r\n\r\n  gainParam.setValueAtTime(0, now);\r\n  const realDur = Math.max(0, duration);\r\n\r\n  if (realDur <= a) {\r\n    const partialPeak = peak * (realDur / (a || 1));\r\n    gainParam.linearRampToValueAtTime(partialPeak, now + realDur * 0.5);\r\n    gainParam.linearRampToValueAtTime(0, now + realDur);\r\n  } else if (realDur <= a + d) {\r\n    gainParam.linearRampToValueAtTime(peak, now + a);\r\n    gainParam.linearRampToValueAtTime(0, now + realDur);\r\n  } else {\r\n    gainParam.linearRampToValueAtTime(peak, now + a);\r\n    gainParam.linearRampToValueAtTime(peak * s, now + a + d);\r\n    const releaseStart = Math.max(now + a + d, now + realDur - r);\r\n    gainParam.setValueAtTime(peak * s, releaseStart);\r\n    gainParam.linearRampToValueAtTime(0, now + realDur);\r\n  }\r\n}\r\n\r\ndeclare const __ENABLE_NOTE_PARSER__: boolean;\r\nconst hasNoteParser = typeof __ENABLE_NOTE_PARSER__ !== \"undefined\" ? __ENABLE_NOTE_PARSER__ : true;\r\n\r\n/**\r\n * Converts a scientific pitch notation string (e.g., \"C4\", \"F#3\") to frequency in Hz.\r\n * \r\n * @reason Why this is included but conditionally compiled:\r\n * This parser is highly convenient for developers writing sequences manually via the API,\r\n * allowing `Note(\"C4\")` instead of `261.63`. However, the transpiler strips string notes \r\n * during binary compilation, so we wrap this in `__ENABLE_NOTE_PARSER__` to allow Rollup \r\n * to entirely remove the Regex from the JS13K build if unused.\r\n */\r\nexport function Note(pitch: string | number): number {\r\n  if (typeof pitch === \"number\") return pitch;\r\n  if (!hasNoteParser) return 0;\r\n  const match = pitch.match(/^([a-gA-G])([#b]?)(\\d)$/);\r\n  if (!match) return 0;\r\n  const offsets: Record<string, number> = { C: -9, D: -7, E: -5, F: -4, G: -2, A: 0, B: 2 };\r\n  const [, note, accidental, octave] = match;\r\n  let semitone = offsets[note.toUpperCase()];\r\n  if (accidental === \"#\") semitone++;\r\n  if (accidental === \"b\") semitone--;\r\n  semitone += (parseInt(octave, 10) - 4) * 12;\r\n  return Number((440 * Math.pow(2, semitone / 12)).toFixed(2));\r\n}\r\n","import { ISynthInstrument } from \"../Instruments/ISynthInstrument.js\";\r\n\r\n/**\r\n * Helper synth that produces zero sound, used as a fallback or placeholder.\r\n */\r\nexport const SilentSynth: ISynthInstrument = {\r\n  _playNote: () => {},\r\n};\r\n\r\n/**\r\n * Creates a raw mapping between explicit MIDI Program IDs (0-128) and Synthesizer instances.\r\n * \r\n * @reason Used primarily by the `crush` JS13k build where only 2 or 3 synths are bundled,\r\n * avoiding the need for complex fuzzy-matching loops.\r\n */\r\nexport function createDirectMap(assignments: { synth: ISynthInstrument; ids: number[] }[]): ISynthInstrument[] {\r\n  const mapArray = new Array(129).fill(null);\r\n  assignments.forEach((a) => {\r\n    a.ids.forEach((id) => (mapArray[id] = a.synth));\r\n  });\r\n  return mapArray;\r\n}\r\n\r\n/**\r\n * Populates a 128-slot Array mapping MIDI Program IDs to Synthesizer instances.\r\n * \r\n * @reason The NPM library comes with 16 default synths. Standard MIDI files might\r\n * request Program ID 44 (Contrabass), but we only have `StringSynth` mapped to 40-55.\r\n * This function uses a fuzzy \"closest neighbor\" algorithm to automatically fill\r\n * any missing gaps (e.g. mapping ID 44 to the nearest available synth ID). This guarantees\r\n * that imported MIDI files will always produce sound, even if the user hasn't explicitly\r\n * instantiated all 128 GM instruments.\r\n */\r\nexport function createInstrumentMap(modules: { synth: ISynthInstrument; start: number; end: number }[]): ISynthInstrument[] {\r\n  const mapArray = new Array(129).fill(null);\r\n  modules.forEach((m) => {\r\n    for (let i = m.start; i <= m.end; i++) mapArray[i] = m.synth;\r\n  });\r\n\r\n  for (let i = 0; i < 129; i++) {\r\n    if (mapArray[i] === null) {\r\n      let closest = null;\r\n      let minDiff = Infinity;\r\n      for (let j = 0; j < 129; j++) {\r\n        if (mapArray[j] !== null) {\r\n          const diff = Math.abs(i - j);\r\n          if (diff < minDiff) {\r\n            minDiff = diff;\r\n            closest = mapArray[j];\r\n          }\r\n        }\r\n      }\r\n      mapArray[i] = closest;\r\n    }\r\n  }\r\n  return mapArray;\r\n}\r\n\r\nexport function extendInstrumentMap(baseMap: ISynthInstrument[], overrides: { synth: ISynthInstrument; start: number; end: number }[]): ISynthInstrument[] {\r\n  const newMap = [...baseMap];\r\n  overrides.forEach((m) => {\r\n    for (let i = m.start; i <= m.end; i++) newMap[i] = m.synth;\r\n  });\r\n  return newMap;\r\n}\r\n","import { ISynthInstrument } from \"./ISynthInstrument.js\";\r\n\r\ndeclare const __ENABLE_STRICT_GC__: boolean;\r\nexport const hasStrictGC =\r\n  typeof __ENABLE_STRICT_GC__ !== \"undefined\" ? __ENABLE_STRICT_GC__ : true;\r\n\r\nexport type Osc = \"sine\" | \"square\" | \"sawtooth\" | \"triangle\";\r\nexport type Filter = \"lowpass\" | \"highpass\" | \"bandpass\";\r\n\r\nexport abstract class CoreSynthBase implements ISynthInstrument {\r\n  public abstract _playNote(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    duration: number,\r\n    velocity: number,\r\n  ): void;\r\n\r\n  public _createOscillator(\r\n    ctx: AudioContext,\r\n    type: Osc,\r\n    freq: number,\r\n    dest?: AudioNode | AudioParam,\r\n  ): OscillatorNode {\r\n    const o = ctx.createOscillator();\r\n    o.type = type;\r\n    if (freq) o.frequency.value = Math.min(22000, freq);\r\n    if (dest) o.connect(dest as any);\r\n    return o;\r\n  }\r\n  public _createGain(\r\n    ctx: AudioContext,\r\n    val: number,\r\n    dest?: AudioNode | AudioParam,\r\n  ): GainNode {\r\n    const g = ctx.createGain();\r\n    g.gain.value = val;\r\n    if (dest) g.connect(dest as any);\r\n    return g;\r\n  }\r\n  public _createFilter(ctx: AudioContext, type: Filter): BiquadFilterNode {\r\n    const f = ctx.createBiquadFilter();\r\n    f.type = type;\r\n    return f;\r\n  }\r\n  public _createStereoPanner(\r\n    ctx: AudioContext,\r\n    val: number,\r\n    dest?: AudioNode,\r\n  ): StereoPannerNode {\r\n    const p = ctx.createStereoPanner();\r\n    p.pan.value = val;\r\n    if (dest) p.connect(dest);\r\n    return p;\r\n  }\r\n  public _scheduleNodeStartStop(t: number, s: number, ...n: AudioScheduledSourceNode[]): void {\r\n    n.forEach((x) => {\r\n      x.start(t);\r\n      x.stop(s);\r\n    });\r\n  }\r\n  public _setValueAtTime(p: AudioParam, v: number, t: number): void {\r\n    p.setValueAtTime(Math.min(22000, v), t);\r\n  }\r\n  public _linearRampToValue(p: AudioParam, v: number, t: number): void {\r\n    p.linearRampToValueAtTime(Math.min(22000, v), t);\r\n  }\r\n  public _exponentialRampToValue(p: AudioParam, v: number, t: number): void {\r\n    p.exponentialRampToValueAtTime(Math.min(22000, v), t);\r\n  }\r\n\r\n  public _createTransient(\r\n    ctx: AudioContext,\r\n    type: Osc,\r\n    freq: number,\r\n    dest: AudioNode,\r\n    time: number,\r\n    peak: number,\r\n    dur: number,\r\n    atk: number = 0,\r\n  ): void {\r\n    const g = this._createGain(ctx, 0, dest);\r\n    this._setValueAtTime(g.gain, atk > 0 ? 0 : peak, time);\r\n    if (atk > 0) this._linearRampToValue(g.gain, peak, time + atk);\r\n    this._exponentialRampToValue(g.gain, 0.001, time + dur);\r\n    this._scheduleNodeStartStop(time, time + dur, this._createOscillator(ctx, type, freq, g));\r\n  }\r\n  public _createFilterSweep(\r\n    ctx: AudioContext,\r\n    type: Filter,\r\n    f1: number,\r\n    f2: number,\r\n    t1: number,\r\n    dur: number,\r\n  ): BiquadFilterNode {\r\n    const f = this._createFilter(ctx, type);\r\n    this._setValueAtTime(f.frequency, f1, t1);\r\n    this._exponentialRampToValue(f.frequency, f2, t1 + dur);\r\n    return f;\r\n  }\r\n  public _createStereoOscillator(\r\n    ctx: AudioContext,\r\n    type: Osc,\r\n    freq: number,\r\n    detune: number,\r\n    pan: number,\r\n    dest: AudioNode,\r\n  ): [OscillatorNode, OscillatorNode] {\r\n    return [\r\n      this._createOscillator(ctx, type, freq, this._createStereoPanner(ctx, -pan, dest)),\r\n      this._createOscillator(ctx, type, freq * detune, this._createStereoPanner(ctx, pan, dest)),\r\n    ];\r\n  }\r\n  public _createLFO(\r\n    ctx: AudioContext,\r\n    freq: number,\r\n    depth: number,\r\n    time: number,\r\n    fadeIn: number,\r\n    stopTime: number,\r\n    dest: AudioNode | AudioParam,\r\n    delay: number = 0,\r\n  ): GainNode {\r\n    const g = this._createGain(ctx, 0, dest);\r\n    this._setValueAtTime(g.gain, 0, time);\r\n    if (delay > 0) this._setValueAtTime(g.gain, 0, time + delay);\r\n    this._linearRampToValue(g.gain, depth, time + delay + fadeIn);\r\n    this._scheduleNodeStartStop(time, stopTime, this._createOscillator(ctx, \"sine\", freq, g));\r\n    return g;\r\n  }\r\n\r\n  /**\r\n   * Schedules a delayed garbage collection using a native C++ audio thread.\r\n   * \r\n   * @reason Why we use a dummy OscillatorNode instead of setTimeout:\r\n   * The JS event loop is inherently jittery and subject to GC pauses and tab throttling.\r\n   * By scheduling a silent OscillatorNode with a precise `.stop(stopTime)`, we leverage\r\n   * the Web Audio API's C++ audio thread to trigger the `onended` callback precisely at the sample\r\n   * boundary. This guarantees that `disconnect()` is called on exhausted nodes exactly when\r\n   * they finish decaying, preventing memory leaks (stray disconnected nodes) without any JS timing overhead.\r\n   * \r\n   * @param ctx The AudioContext.\r\n   * @param time The start time of the GC lifecycle.\r\n   * @param stopTime The exact time when the audio nodes should be completely unlinked from the graph.\r\n   * @param nodes The nodes to disconnect.\r\n   */\r\n  public _scheduleNodeDisposal(\r\n    ctx: AudioContext,\r\n    time: number,\r\n    stopTime: number,\r\n    ...nodes: AudioNode[]\r\n  ): void {\r\n    if (hasStrictGC) {\r\n      const gcOsc = this._createOscillator(ctx, \"sine\", 0);\r\n      gcOsc.onended = () => {\r\n        nodes.forEach((n) => {\r\n          try {\r\n            if (n && typeof n.disconnect === \"function\") {\r\n              n.disconnect();\r\n            }\r\n          } catch (e) {\r\n            // Safe swallow: Node may have been externally disconnected by Game Engine routing.\r\n          }\r\n        });\r\n      };\r\n      gcOsc.start(time);\r\n      gcOsc.stop(stopTime);\r\n    }\r\n  }\r\n}","import { CoreSynthBase, hasStrictGC } from \"../CoreSynthBase.js\";\r\n\r\nexport type DecayCfg = { _peakVelocity: number; _attackTimeSeconds: number; _decayTimeSeconds: number; _maxDurationSeconds: number };\r\n\r\n/**\r\n * Abstract base class for plucked, struck, and decaying synthesizers (e.g. Pianos, Guitars, Marimbas).\r\n * \r\n * @reason Physics Simulation:\r\n * Unlike Analog instruments that hold their peak volume as long as a key is pressed,\r\n * physical instruments like Guitars or Pianos immediately begin decaying the moment they are struck.\r\n * This class abstracts the mathematical envelope necessary to simulate that physical decay, \r\n * including a hard `maxDurationSeconds` limit to prevent infinite resonance loops from \r\n * leaking memory if a MIDI file passes a malformed 60-second note duration.\r\n */\r\nexport abstract class DecaySynthBase extends CoreSynthBase {\r\n  protected _envelopeConfig: DecayCfg = { _peakVelocity: 0.5, _attackTimeSeconds: 0.02, _decayTimeSeconds: 0.2, _maxDurationSeconds: 4.0 };\r\n\r\n  public _playNote(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    duration: number,\r\n    velocity: number,\r\n  ): void {\r\n    const gain = ctx.createGain();\r\n\r\n    const c = this._getEnvelopeConfig();\r\n    const peakVol = Math.max(0.001, velocity * c._peakVelocity);\r\n\r\n    /** Physical strings/mallets stop vibrating quickly. Protects against stuck MIDI notes. */\r\n    const safeDuration = Math.max(0.02, Math.min(duration, c._maxDurationSeconds));\r\n\r\n    this._setValueAtTime(gain.gain, 0, time);\r\n    this._linearRampToValue(gain.gain, peakVol, time + c._attackTimeSeconds);\r\n\r\n    this._applyDecay(gain.gain, peakVol, time, c._attackTimeSeconds, safeDuration, c._decayTimeSeconds);\r\n\r\n    /** Pad the oscillator stop time slightly past the volume decay to prevent digital clicking */\r\n    const stopTime = time + safeDuration + c._decayTimeSeconds + 0.1;\r\n\r\n    const output = this._setupSynthesis(\r\n      ctx,\r\n      masterGain,\r\n      gain,\r\n      time,\r\n      freq,\r\n      velocity,\r\n      safeDuration,\r\n      stopTime,\r\n    );\r\n\r\n    const finalNode = output || gain;\r\n    finalNode.connect(masterGain);\r\n    if (hasStrictGC) this._scheduleNodeDisposal(ctx, time, stopTime + 2.0, finalNode);\r\n  }\r\n\r\n  protected _getEnvelopeConfig(): DecayCfg {\r\n    return this._envelopeConfig;\r\n  }\r\n\r\n  /** Override this for complex envelopes (like electric guitar compression) */\r\n  protected _applyDecay(\r\n    gainParam: AudioParam,\r\n    peakVol: number,\r\n    time: number,\r\n    attack: number,\r\n    safeDuration: number,\r\n    decayTail: number,\r\n  ): void {\r\n    this._exponentialRampToValue(gainParam, 0.001, time + safeDuration + decayTail);\r\n  }\r\n\r\n  /**\r\n   * Set up the specific oscillators and filters for this instrument.\r\n   */\r\n  protected abstract _setupSynthesis(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    safeDuration: number,\r\n    stopTime: number,\r\n  ): AudioNode | void;\r\n}\r\n","import { DecaySynthBase } from \"./DecaySynthBase.js\";\r\nimport {} from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Piano and similar percussive-melodic instruments.\r\n */\r\n/**\r\n * Simulates a piano using a complex decay envelope, subtle detuning for string realism, and a lowpass filter that closes over time.\r\n * \r\n * @reason Acoustic Design:\r\n * Encapsulates the specific Web Audio node routing and ADSR parameters\r\n * required to physically model this instrument within the 13KB limit.\r\n */\r\nexport class PianoSynth extends DecaySynthBase {\r\n  protected _envelopeConfig = { _peakVelocity: 0.8, _attackTimeSeconds: 0.015, _decayTimeSeconds: 0.1, _maxDurationSeconds: 5.0 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    safeDuration: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    /** Key-tracking the filter ensures high notes aren't artificially muffled or phase-distorted. Capped at Nyquist. */\r\n    const filter = this._createFilterSweep(\r\n      ctx,\r\n      \"lowpass\",\r\n      freq + 800 + velocity * 1000,\r\n      freq + 200,\r\n      time,\r\n      Math.min(safeDuration, 1.0),\r\n    );\r\n    const osc1 = this._createOscillator(ctx, \"triangle\", freq, gain);\r\n\r\n    /** Slight inharmonicity stretching, strictly capped below Nyquist to prevent digital aliasing */\r\n    const overtoneGain = this._createGain(ctx, 0);\r\n    const osc2 = this._createOscillator(ctx, \"sine\", freq * 2.003, overtoneGain);\r\n    const osc3 = this._createOscillator(ctx, \"sine\", freq * 3.007, overtoneGain);\r\n\r\n    /** Dynamically pan lower keys to the left ear, and higher keys to the right ear */\r\n    const panner = this._createStereoPanner(\r\n      ctx,\r\n      Math.max(-0.8, Math.min(0.8, (freq - 261.6) / 800)),\r\n    );\r\n\r\n    /** Sympathetic string resonance: metallic clangs decay much faster than the fundamental */\r\n    this._setValueAtTime(overtoneGain.gain, 0, time);\r\n    this._linearRampToValue(overtoneGain.gain, Math.max(0.001, velocity * 0.15), time + 0.01);\r\n    this._exponentialRampToValue(overtoneGain.gain, 0.001, time + Math.min(safeDuration, 0.5));\r\n    overtoneGain.connect(panner);\r\n\r\n    /** Mechanical Hammer Thump: the physical impact of the wooden hammer on the strings */\r\n    this._createTransient(\r\n      ctx,\r\n      \"sine\",\r\n      60,\r\n      panner,\r\n      time,\r\n      Math.max(0.001, velocity * 0.4),\r\n      0.05,\r\n      0.005,\r\n    );\r\n\r\n    gain.connect(panner).connect(filter);\r\n\r\n    this._scheduleNodeStartStop(time, stopTime, osc1, osc2, osc3);\r\n\r\n    return filter;\r\n  }\r\n}\r\n","import { DecaySynthBase } from \"./DecaySynthBase.js\";\r\nimport { Osc } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Chromatic Percussion (Bells, Marimba, Vibraphone).\r\n * Characterized by a pure tone with a very fast attack and immediate decay.\r\n */\r\n/**\r\n * Emulates struck melodic instruments like a Glockenspiel or Marimba using rapid decay envelopes and metallic overtones.\r\n * \r\n * @reason Acoustic Design:\r\n * Encapsulates the specific Web Audio node routing and ADSR parameters\r\n * required to physically model this instrument within the 13KB limit.\r\n */\r\nexport class ChromaticPercussionSynth extends DecaySynthBase {\r\n  protected _envelopeConfig = { _peakVelocity: 0.7, _attackTimeSeconds: 0.005, _decayTimeSeconds: 0.5, _maxDurationSeconds: 6.0 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    safeDuration: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const osc = this._createOscillator(ctx, \"sine\", 0, gain);\r\n    this._setValueAtTime(osc.frequency, freq * 1.1, time);\r\n    this._exponentialRampToValue(osc.frequency, freq, time + 0.02);\r\n\r\n    const overtoneGain = this._createGain(ctx, 0, masterGain);\r\n    this._setValueAtTime(overtoneGain.gain, Math.max(0.001, velocity * 0.25), time);\r\n    this._exponentialRampToValue(overtoneGain.gain, 0.001, time + safeDuration);\r\n    const overtone = this._createOscillator(ctx, \"sine\", freq * 2.76, overtoneGain);\r\n\r\n    overtoneGain.connect(masterGain);\r\n\r\n    this._scheduleNodeStartStop(time, stopTime, osc, overtone);\r\n  }\r\n}\r\n","import { CoreSynthBase, hasStrictGC } from \"../CoreSynthBase.js\";\r\n\r\nexport type AnalogCfg = { _peakVelocity: number; _attackTimeSeconds: number; _releaseTimeSeconds: number; _maxDurationSeconds?: number };\r\n\r\n/**\r\n * Synthesizer instrument implementation.\r\n * \r\n * @reason Acoustic Design:\r\n * Encapsulates the specific Web Audio node routing and ADSR parameters\r\n * required to physically model this instrument within the 13KB limit.\r\n * \r\n * @reason Separation of Sustained vs Decaying Physics:\r\n * Synthesizers like an Organ will sustain at peak volume infinitely as long as the key is held,\r\n * whereas a Piano will physically decay to silence even if the key remains held down. \r\n * This base class encapsulates the mathematical ADSR envelope logic specifically for \r\n * infinite-sustain physics, ensuring derived classes only need to define the timbre (Oscillators/Filters).\r\n */\r\nexport abstract class AnalogSynthBase extends CoreSynthBase {\r\n  protected _envelopeConfig: AnalogCfg = { _peakVelocity: 0.5, _attackTimeSeconds: 0.05, _releaseTimeSeconds: 0.1, _maxDurationSeconds: 10.0 };\r\n\r\n  public _playNote(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    duration: number,\r\n    velocity: number,\r\n  ): void {\r\n    const gain = ctx.createGain();\r\n\r\n    const c = this._getEnvelopeConfig(duration);\r\n    const peakVol = Math.max(0.001, velocity * c._peakVelocity);\r\n    const safeDuration = c._maxDurationSeconds ? Math.min(duration, c._maxDurationSeconds) : duration;\r\n\r\n    this._setValueAtTime(gain.gain, 0, time);\r\n    this._linearRampToValue(gain.gain, peakVol, time + c._attackTimeSeconds);\r\n\r\n    const sustainTime = Math.max(c._attackTimeSeconds, safeDuration);\r\n    this._setValueAtTime(gain.gain, peakVol, time + sustainTime);\r\n    this._linearRampToValue(gain.gain, 0.001, time + sustainTime + c._releaseTimeSeconds);\r\n\r\n    const stopTime = time + sustainTime + c._releaseTimeSeconds;\r\n\r\n    const output = this._setupSynthesis(\r\n      ctx,\r\n      gain,\r\n      time,\r\n      freq,\r\n      velocity,\r\n      sustainTime,\r\n      c._releaseTimeSeconds,\r\n      stopTime,\r\n    );\r\n\r\n    const finalNode = output || gain;\r\n    finalNode.connect(masterGain);\r\n    if (hasStrictGC) this._scheduleNodeDisposal(ctx, time, stopTime + 0.1, finalNode);\r\n  }\r\n\r\n  protected _getEnvelopeConfig(_decayTimeSeconds: number): AnalogCfg {\r\n    return this._envelopeConfig;\r\n  }\r\n\r\n  /**\r\n   * Set up the specific oscillators and filters for this instrument.\r\n   * You must start() and stop() your own oscillators.\r\n   * @returns The final audio node in the chain to connect to the master mix. If omitted, the base envelope gain is used.\r\n   */\r\n  protected abstract _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void;\r\n}\r\n","import { AnalogSynthBase, AnalogCfg } from \"./AnalogSynthBase.js\";\r\nimport { Osc } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Organs using additive sine waves.\r\n */\r\n/**\r\n * Simulates a tonewheel organ (like a Hammond B3) by using additive synthesis of sine waves at harmonic intervals.\r\n * \r\n * @reason Acoustic Design:\r\n * Encapsulates the specific Web Audio node routing and ADSR parameters\r\n * required to physically model this instrument within the 13KB limit.\r\n */\r\nexport class OrganSynth extends AnalogSynthBase {\r\n  protected _envelopeConfig = { _peakVelocity: 0.4, _attackTimeSeconds: 0.01, _releaseTimeSeconds: 0.05 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const osc1 = this._createOscillator(ctx, \"sine\", freq, gain);\r\n    const gain2 = this._createGain(ctx, 0.5, gain);\r\n    const osc2 = this._createOscillator(ctx, \"sine\", freq * 2, gain2);\r\n    const gain3 = this._createGain(ctx, 0.25, gain);\r\n    const osc3 = this._createOscillator(ctx, \"sine\", freq * 3, gain3);\r\n\r\n    const rotaryNode = this._createGain(ctx, 0.7);\r\n    this._createLFO(ctx, 6.5, 0.3, time, 0, stopTime, rotaryNode.gain);\r\n\r\n    gain.connect(rotaryNode);\r\n\r\n    this._createTransient(\r\n      ctx,\r\n      \"square\",\r\n      4000,\r\n      rotaryNode,\r\n      time,\r\n      Math.max(0.001, velocity * 0.1),\r\n      0.015,\r\n    );\r\n\r\n    this._scheduleNodeStartStop(time, stopTime, osc1, osc2, osc3);\r\n\r\n    return rotaryNode;\r\n  }\r\n}\r\n","import { DecaySynthBase } from \"./DecaySynthBase.js\";\r\nimport {} from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Acoustic Guitars using a plucked sawtooth.\r\n */\r\n/**\r\n * Simulates an acoustic guitar pluck using the Karplus-Strong algorithm or filtered sawtooth impulses.\r\n * \r\n * @reason Acoustic Design:\r\n * Encapsulates the specific Web Audio node routing and ADSR parameters\r\n * required to physically model this instrument within the 13KB limit.\r\n */\r\nexport class GuitarSynth extends DecaySynthBase {\r\n  protected _envelopeConfig = { _peakVelocity: 0.6, _attackTimeSeconds: 0.02, _decayTimeSeconds: 0.2, _maxDurationSeconds: 4.0 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    safeDuration: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    /** Bright attack that quickly muffles as the acoustic string loses kinetic energy */\r\n    const filter = this._createFilterSweep(\r\n      ctx,\r\n      \"lowpass\",\r\n      2000 + velocity * 1000,\r\n      200,\r\n      time,\r\n      safeDuration,\r\n    );\r\n\r\n    const osc = this._createOscillator(ctx, \"sawtooth\", 0, gain);\r\n    this._setValueAtTime(osc.frequency, freq * 1.02, time);\r\n    this._exponentialRampToValue(osc.frequency, freq, time + 0.05);\r\n\r\n    gain.connect(filter);\r\n\r\n    /** Plectrum Pluck: the sharp, plastic click of a pick striking a steel string */\r\n    this._createTransient(\r\n      ctx,\r\n      \"square\",\r\n      3500,\r\n      masterGain,\r\n      time,\r\n      Math.max(0.001, velocity * 0.25),\r\n      0.015,\r\n    );\r\n\r\n    this._scheduleNodeStartStop(time, stopTime, osc);\r\n\r\n    return filter;\r\n  }\r\n}\r\n","import { DecaySynthBase } from \"./DecaySynthBase.js\";\r\nimport {} from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Electric and Distorted Guitars.\r\n */\r\n/**\r\n * Simulates a distorted electric guitar using a sawtooth wave run through heavy overdrive and bandpass filtering.\r\n * \r\n * @reason Acoustic Design:\r\n * Encapsulates the specific Web Audio node routing and ADSR parameters\r\n * required to physically model this instrument within the 13KB limit.\r\n */\r\nexport class ElectricGuitarSynth extends DecaySynthBase {\r\n  protected _envelopeConfig = { _peakVelocity: 0.5, _attackTimeSeconds: 0.02, _decayTimeSeconds: 0.2, _maxDurationSeconds: 4.0 };\r\n\r\n  protected _applyDecay(\r\n    gainParam: AudioParam,\r\n    peakVol: number,\r\n    time: number,\r\n    attack: number,\r\n    safeDuration: number,\r\n    decayTail: number,\r\n  ): void {\r\n    /** Compressed sustain mimicking an electric guitar amp */\r\n    this._exponentialRampToValue(\r\n      gainParam,\r\n      Math.max(0.001, peakVol * 0.4),\r\n      time + Math.min(0.5, safeDuration),\r\n    );\r\n    this._exponentialRampToValue(gainParam, 0.001, time + safeDuration + decayTail);\r\n  }\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    safeDuration: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const filter = this._createFilterSweep(\r\n      ctx,\r\n      \"lowpass\",\r\n      2500 + velocity * 1500,\r\n      600,\r\n      time,\r\n      safeDuration,\r\n    );\r\n\r\n    const [osc, osc2] = this._createStereoOscillator(ctx, \"sawtooth\", 0, 1, 0, gain);\r\n    this._setValueAtTime(osc.frequency, freq * 1.02, time);\r\n    this._exponentialRampToValue(osc.frequency, freq, time + 0.05);\r\n    this._setValueAtTime(osc2.frequency, freq * 1.022, time);\r\n    this._exponentialRampToValue(osc2.frequency, freq * 1.002, time + 0.05);\r\n\r\n    const vibrato = this._createLFO(\r\n      ctx,\r\n      5.0,\r\n      freq * 0.015,\r\n      time,\r\n      0.2,\r\n      stopTime,\r\n      osc.frequency,\r\n      0.4,\r\n    );\r\n    vibrato.connect(osc2.frequency);\r\n\r\n    gain.connect(filter);\r\n\r\n    /** Heavy plectrum attack */\r\n    this._createTransient(\r\n      ctx,\r\n      \"square\",\r\n      3500,\r\n      masterGain,\r\n      time,\r\n      Math.max(0.001, velocity * 0.25),\r\n      0.015,\r\n    );\r\n\r\n    this._scheduleNodeStartStop(time, stopTime, osc, osc2);\r\n\r\n    return filter;\r\n  }\r\n}\r\n","import { DecaySynthBase } from \"../Decay/DecaySynthBase.js\";\r\nimport {} from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for deep Bass instruments using sawtooth waves.\r\n */\r\n/**\r\n * Synthesizes a deep, resonant bass tone using a lowpass-filtered sawtooth wave. Perfect for foundational low-end frequencies.\r\n * \r\n * @reason Acoustic Design:\r\n * Encapsulates the specific Web Audio node routing and ADSR parameters\r\n * required to physically model this instrument within the 13KB limit.\r\n */\r\nexport class BassSynth extends DecaySynthBase {\r\n  protected _envelopeConfig = { _peakVelocity: 0.8, _attackTimeSeconds: 0.05, _decayTimeSeconds: 0.1, _maxDurationSeconds: 4.0 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    safeDuration: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    /** Deep envelope sweep for punchy, muffled bass attack. Capped safely below Nyquist. */\r\n    const filter = this._createFilterSweep(\r\n      ctx,\r\n      \"lowpass\",\r\n      300 + velocity * 500,\r\n      100,\r\n      time,\r\n      safeDuration,\r\n    );\r\n\r\n    const osc = this._createOscillator(ctx, \"sawtooth\", 0, gain);\r\n    this._setValueAtTime(osc.frequency, freq * 0.92, time);\r\n    this._exponentialRampToValue(osc.frequency, freq, time + 0.04);\r\n\r\n    const subGain = this._createGain(ctx, 0.6, gain);\r\n    const subOsc = this._createOscillator(ctx, \"sine\", 0, subGain);\r\n    this._setValueAtTime(subOsc.frequency, (freq / 2) * 0.92, time);\r\n    this._exponentialRampToValue(subOsc.frequency, freq / 2, time + 0.04);\r\n\r\n    gain.connect(filter);\r\n\r\n    this._scheduleNodeStartStop(time, stopTime, osc, subOsc);\r\n\r\n    return filter;\r\n  }\r\n}\r\n","import { AnalogSynthBase } from \"./AnalogSynthBase.js\";\r\nimport {} from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for String and Pad instruments using detuned oscillators.\r\n */\r\nexport class StringSynth extends AnalogSynthBase {\r\n  protected _cfg(d: number): { v: number; a: number; r: number } {\r\n    return { v: 0.3, a: d < 0.4 ? 0.05 : 0.2, r: d < 0.4 ? 0.1 : 0.5 };\r\n  }\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const [osc1, osc2] = this._createStereoOscillator(\r\n      ctx,\r\n      \"sawtooth\",\r\n      freq,\r\n      1.005,\r\n      0.6,\r\n      gain,\r\n    );\r\n\r\n    const lfo = this._createLFO(\r\n      ctx,\r\n      4.5,\r\n      freq * 0.012,\r\n      time,\r\n      0.3,\r\n      stopTime,\r\n      osc1.frequency,\r\n    );\r\n    lfo.connect(osc2.frequency);\r\n\r\n    const filter = this._createFilterSweep(\r\n      ctx,\r\n      \"lowpass\",\r\n      freq + 1200 + velocity * 1000,\r\n      freq + 800,\r\n      time,\r\n      sustainTime + releaseTime,\r\n    );\r\n\r\n    gain.connect(filter);\r\n\r\n    this._scheduleNodeStartStop(time, stopTime, osc1, osc2);\r\n\r\n    return filter;\r\n  }\r\n}\r\n","import { AnalogSynthBase } from \"../Analog/AnalogSynthBase.js\";\r\nimport {} from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Brass and Wind instruments with a slow filter envelope.\r\n */\r\n/**\r\n * Simulates a brass instrument (e.g. Trumpet/Trombone) using a sawtooth wave and an envelope-driven lowpass filter to mimic breath pressure.\r\n * \r\n * @reason Acoustic Design:\r\n * Encapsulates the specific Web Audio node routing and ADSR parameters\r\n * required to physically model this instrument within the 13KB limit.\r\n */\r\nexport class BrassSynth extends AnalogSynthBase {\r\n  protected _envelopeConfig = { _peakVelocity: 0.5, _attackTimeSeconds: 0.1, _releaseTimeSeconds: 0.1 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const osc = this._createOscillator(ctx, \"square\", 0, gain);\r\n    this._setValueAtTime(osc.frequency, freq * 0.95, time);\r\n    this._exponentialRampToValue(osc.frequency, freq, time + 0.05);\r\n\r\n    const blareGain = this._createGain(ctx, 0, gain);\r\n    this._setValueAtTime(blareGain.gain, 0, time);\r\n    this._linearRampToValue(blareGain.gain, Math.max(0.001, velocity * 0.25), time + 0.05);\r\n    this._exponentialRampToValue(blareGain.gain, 0.001, time + 0.2);\r\n    const blare = this._createOscillator(ctx, \"sawtooth\", freq * 2, blareGain);\r\n\r\n    const filter = this._createFilter(ctx, \"lowpass\");\r\n    this._setValueAtTime(filter.frequency, freq + 400, time);\r\n    this._linearRampToValue(filter.frequency, freq + 1500 + velocity * 1000, time + 0.1);\r\n    this._exponentialRampToValue(filter.frequency, freq + 400, time + sustainTime + releaseTime);\r\n\r\n    gain.connect(filter);\r\n    this._scheduleNodeStartStop(time, stopTime, osc);\r\n    this._scheduleNodeStartStop(time, time + 0.2, blare);\r\n\r\n    return filter;\r\n  }\r\n}\r\n","import { AnalogSynthBase } from \"./AnalogSynthBase.js\";\r\nimport {} from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Woodwinds and Pipes (Flute, Piccolo, Recorder, Ocarina).\r\n * Characterized by a pure, hollow, and breathy tone using sine and triangle waves.\r\n */\r\n/**\r\n * Emulates a flute or clarinet using a pure sine or triangle wave with gentle vibrato and a breathy noise layer.\r\n * \r\n * @reason Acoustic Design:\r\n * Encapsulates the specific Web Audio node routing and ADSR parameters\r\n * required to physically model this instrument within the 13KB limit.\r\n */\r\nexport class WoodwindSynth extends AnalogSynthBase {\r\n  protected _envelopeConfig = { _peakVelocity: 0.7, _attackTimeSeconds: 0.05, _releaseTimeSeconds: 0.1 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    /** Flutes are mostly a fundamental sine wave with a tiny bit of triangle for the \"chiff\" sound */\r\n    const osc1 = this._createOscillator(ctx, \"sine\", freq, gain);\r\n\r\n    /** Triangle is mixed much lower just to provide a bit of upper harmonic texture */\r\n    const triGain = this._createGain(ctx, 0, gain);\r\n    /** Breath transient: louder at attack, decaying to a whisper during sustain */\r\n    this._setValueAtTime(triGain.gain, 0.3, time);\r\n    this._exponentialRampToValue(triGain.gain, 0.05, time + 0.2);\r\n    const osc2 = this._createOscillator(ctx, \"triangle\", freq, triGain);\r\n\r\n    /** Lowpass filter to keep it extremely smooth and remove any digital sharpness */\r\n    const filter = this._createFilter(ctx, \"lowpass\");\r\n    this._setValueAtTime(filter.frequency, freq + 800, time);\r\n\r\n    /** Diaphragm vibrato: blooms slowly after the initial breath attack */\r\n    const vibrato = this._createLFO(\r\n      ctx,\r\n      5.5,\r\n      freq * 0.015,\r\n      time,\r\n      0.4,\r\n      stopTime,\r\n      osc1.frequency,\r\n    );\r\n    vibrato.connect(osc2.frequency);\r\n\r\n    /** True Amplitude Modulation (Tremolo) pipelined from the diaphragm vibrato */\r\n    const tremoloNode = this._createGain(ctx, 1.0);\r\n    const tremoloDepth = this._createGain(ctx, 0.15, tremoloNode.gain);\r\n    vibrato.connect(tremoloDepth);\r\n\r\n    gain.connect(tremoloNode).connect(filter);\r\n\r\n    this._scheduleNodeStartStop(time, stopTime, osc1, osc2);\r\n\r\n    return filter;\r\n  }\r\n}\r\n","import { AnalogSynthBase } from \"./AnalogSynthBase.js\";\r\nimport {} from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Synth Leads featuring an LFO Vibrato.\r\n */\r\n/**\r\n * Produces a bright, cutting tone using layered oscillators and detuning to stand out in a mix as the primary melody.\r\n * \r\n * @reason Acoustic Design:\r\n * Encapsulates the specific Web Audio node routing and ADSR parameters\r\n * required to physically model this instrument within the 13KB limit.\r\n */\r\nexport class LeadSynth extends AnalogSynthBase {\r\n  protected _envelopeConfig = { _peakVelocity: 0.4, _attackTimeSeconds: 0.05, _releaseTimeSeconds: 0.1 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const osc = this._createOscillator(ctx, \"sawtooth\", 0);\r\n    this._setValueAtTime(osc.frequency, freq, time);\r\n\r\n    this._createLFO(ctx, 5, freq * 0.02, time, 0.2, stopTime, osc.frequency);\r\n\r\n    const filter = this._createFilterSweep(\r\n      ctx,\r\n      \"lowpass\",\r\n      freq,\r\n      freq * 3,\r\n      time,\r\n      0.05,\r\n    );\r\n    this._exponentialRampToValue(filter.frequency, freq * 1.5, time + sustainTime);\r\n    filter.Q.value = 3; /** Squelchy resonance */\r\n\r\n    osc.connect(filter).connect(gain);\r\n\r\n    this._scheduleNodeStartStop(time, stopTime, osc);\r\n  }\r\n}\r\n","import { AnalogSynthBase } from \"./AnalogSynthBase.js\";\r\nimport {} from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Synth Pads (Warm, Choir, Halo, Bowed).\r\n * Characterized by slow attacks, slow releases, and evolving filter sweeps.\r\n */\r\nexport class PadSynth extends AnalogSynthBase {\r\n  protected _cfg(d: number): { v: number; a: number; r: number } {\r\n    return { v: 0.4, a: d < 0.4 ? 0.05 : 0.3, r: d < 0.4 ? 0.1 : 0.8 };\r\n  }\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const [osc1, osc2] = this._createStereoOscillator(\r\n      ctx,\r\n      \"triangle\",\r\n      freq,\r\n      1.01,\r\n      0.7,\r\n      gain,\r\n    );\r\n\r\n    const filter = this._createFilter(ctx, \"lowpass\");\r\n    this._setValueAtTime(filter.frequency, freq + 400, time);\r\n    this._linearRampToValue(\r\n      filter.frequency,\r\n      freq + 1000 + velocity * 500,\r\n      time + sustainTime,\r\n    );\r\n\r\n    this._createLFO(ctx, 0.5, 10, time, 0, stopTime, osc2.frequency);\r\n    this._createLFO(ctx, 0.1, 400, time, 0, stopTime, filter.frequency);\r\n\r\n    gain.connect(filter);\r\n\r\n    this._scheduleNodeStartStop(time, stopTime, osc1, osc2);\r\n\r\n    return filter;\r\n  }\r\n}\r\n","import { CoreSynthBase, hasStrictGC } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Sound Effects and Sci-Fi Synths.\r\n * Features extreme frequency sweeping over the duration of the note.\r\n */\r\n/**\r\n * Synthesizes various game-related sound effects (lasers, explosions, jumps) using noise bursts and rapid pitch sweeps.\r\n * \r\n * @reason Acoustic Design:\r\n * Encapsulates the specific Web Audio node routing and ADSR parameters\r\n * required to physically model this instrument within the 13KB limit.\r\n */\r\nexport class SoundEffectsSynth extends CoreSynthBase {\r\n  /**\r\n   * Plays an automated sweeping sci-fi sound effect.\r\n   */\r\n  public _playNote(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    duration: number,\r\n    velocity: number,\r\n  ): void {\r\n    const gain = this._createGain(ctx, 0);\r\n    const osc = this._createOscillator(ctx, \"sawtooth\", 0, gain);\r\n\r\n    /** Extreme pitch dive from fundamental down one full octave over the note's duration */\r\n    this._setValueAtTime(osc.frequency, freq, time);\r\n    this._exponentialRampToValue(\r\n      osc.frequency,\r\n      Math.max(1, freq / 2),\r\n      time + Math.max(0.05, duration),\r\n    );\r\n\r\n    /** Sci-Fi \"Laser Wobble\": fast sine-wave amplitude modulation (avoids scratchy clicking of square wave) */\r\n    const stutterNode = this._createGain(ctx, 0.5, masterGain);\r\n    this._createLFO(ctx, 15, 0.5, time, 0, time + duration + 0.2, stutterNode.gain);\r\n\r\n    gain.connect(stutterNode);\r\n\r\n    this._setValueAtTime(gain.gain, 0, time);\r\n    this._linearRampToValue(gain.gain, Math.max(0.001, velocity * 0.5), time + 0.05);\r\n    this._exponentialRampToValue(gain.gain, 0.001, time + duration + 0.2);\r\n\r\n    this._scheduleNodeStartStop(time, time + duration + 0.2, osc);\r\n\r\n    if (hasStrictGC) this._scheduleNodeDisposal(ctx, time, time + duration + 0.3, gain, stutterNode);\r\n  }\r\n}\r\n","import { DecaySynthBase } from \"./DecaySynthBase.js\";\r\nimport {} from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Ethnic instruments (Sitar, Shamisen, Koto).\r\n * Uses a bandpass filter over a square wave to emulate a hollow, plucked resonator.\r\n */\r\n/**\r\n * A generalized plucked/struck string synthesizer meant to emulate instruments like a Sitar or Koto.\r\n * \r\n * @reason Acoustic Design:\r\n * Encapsulates the specific Web Audio node routing and ADSR parameters\r\n * required to physically model this instrument within the 13KB limit.\r\n */\r\nexport class EthnicSynth extends DecaySynthBase {\r\n  protected _envelopeConfig = { _peakVelocity: 0.6, _attackTimeSeconds: 0.02, _decayTimeSeconds: 0.1, _maxDurationSeconds: 4.0 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    safeDuration: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const osc = this._createOscillator(ctx, \"square\", 0, gain);\r\n    this._setValueAtTime(osc.frequency, freq * 1.05, time);\r\n    this._exponentialRampToValue(osc.frequency, freq, time + 0.08);\r\n\r\n    const filter = this._createFilterSweep(\r\n      ctx,\r\n      \"bandpass\",\r\n      freq * 2.5,\r\n      freq,\r\n      time,\r\n      safeDuration,\r\n    );\r\n    filter.Q.value = 2;\r\n\r\n    filter.connect(gain);\r\n\r\n    this._scheduleNodeStartStop(time, stopTime, osc);\r\n  }\r\n}\r\n","import { CoreSynthBase, hasStrictGC } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Percussion and Drum kits.\r\n */\r\n/**\r\n * A specialized routing class that uses note frequency as a trigger map to synthesize distinct drum kit pieces (Kick, Snare, Hi-Hat, etc.).\r\n * \r\n * @reason Acoustic Design:\r\n * Encapsulates the specific Web Audio node routing and ADSR parameters\r\n * required to physically model this instrument within the 13KB limit.\r\n */\r\nexport class DrumSynth extends CoreSynthBase {\r\n  /** Cached white noise buffer to prevent massive memory allocations and GC spikes. */\r\n  private static _cachedNoiseBuffer: AudioBuffer | null = null;\r\n\r\n  private static _getNoiseBuffer(ctx: AudioContext): AudioBuffer {\r\n    if (\r\n      !DrumSynth._cachedNoiseBuffer ||\r\n      DrumSynth._cachedNoiseBuffer.sampleRate !== ctx.sampleRate\r\n    ) {\r\n      const bufferSize = ctx.sampleRate * 1.0;\r\n      const buffer = ctx.createBuffer(1, bufferSize, ctx.sampleRate);\r\n      const data = buffer.getChannelData(0);\r\n      for (let i = 0; i < bufferSize; i++) data[i] = Math.random() * 2 - 1;\r\n      DrumSynth._cachedNoiseBuffer = buffer;\r\n    }\r\n    return DrumSynth._cachedNoiseBuffer;\r\n  }\r\n\r\n  public _playNote(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    duration: number,\r\n    velocity: number,\r\n  ): void {\r\n    /** Standard MIDI maps specific frequencies to specific drum kit pieces */\r\n    if (freq < 70) {\r\n      const gain = this._createGain(ctx, 0, masterGain);\r\n      const osc = this._createOscillator(ctx, \"sine\", 0, gain);\r\n\r\n      this._setValueAtTime(osc.frequency, 150, time);\r\n      this._exponentialRampToValue(osc.frequency, 30, time + 0.1);\r\n      this._setValueAtTime(gain.gain, Math.max(0.001, velocity * 1.5), time);\r\n      this._exponentialRampToValue(gain.gain, 0.001, time + 0.5);\r\n\r\n      this._scheduleNodeStartStop(time, time + 0.5, osc);\r\n\r\n      if (hasStrictGC) this._scheduleNodeDisposal(ctx, time, time + 0.6, gain);\r\n    } else {\r\n      /** HI-HAT / SNARE (White Noise generation) */\r\n      const isSnare = freq < 90;\r\n\r\n      const noise = ctx.createBufferSource();\r\n      noise.buffer = DrumSynth._getNoiseBuffer(ctx);\r\n      const gain = this._createGain(ctx, 0, masterGain);\r\n      const filter = this._createFilter(\r\n        ctx,\r\n        isSnare ? \"bandpass\" : \"highpass\",\r\n      );\r\n      const panner = this._createStereoPanner(ctx, isSnare ? 0 : Math.random() * 0.6 - 0.3);\r\n\r\n      filter.frequency.value = isSnare ? 1500 : 5000;\r\n\r\n      this._setValueAtTime(gain.gain, Math.max(0.001, velocity), time);\r\n      this._exponentialRampToValue(gain.gain, 0.001, time + (isSnare ? 0.2 : 0.05));\r\n\r\n      noise.connect(filter).connect(gain).connect(panner);\r\n      this._scheduleNodeStartStop(time, time + (isSnare ? 0.2 : 0.05), noise);\r\n\r\n      /** Add an extra body thwack tone if it is a snare */\r\n      if (isSnare) {\r\n        const snareOsc = this._createOscillator(ctx, \"triangle\", 0, gain);\r\n        /** Snare drum head tension: quick pitch drop when the stick hits the skin */\r\n        this._setValueAtTime(snareOsc.frequency, 300, time);\r\n        this._exponentialRampToValue(snareOsc.frequency, 100, time + 0.1);\r\n        this._scheduleNodeStartStop(time, time + 0.2, snareOsc);\r\n      } else {\r\n        /** 808 Cymbal Metallic Ring: TR-808 hi-hats contain high-pitched ringing square waves */\r\n        this._createTransient(\r\n          ctx,\r\n          \"square\",\r\n          7000,\r\n          panner,\r\n          time,\r\n          Math.max(0.001, velocity * 0.2),\r\n          0.05,\r\n        );\r\n      }\r\n\r\n      if (hasStrictGC) this._scheduleNodeDisposal(ctx, time, time + 0.4, filter, gain, panner);\r\n    }\r\n  }\r\n}\r\n","import { AnalogSynthBase, AnalogCfg } from \"./AnalogSynthBase.js\";\r\nimport { Osc } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for 8-bit Chiptune sounds.\r\n * Uses a raw square wave with a rapid pitch-drop \"blip\" attack.\r\n */\r\n/**\r\n * Generates retro 8-bit style square waves, ideal for recreating classic video game soundtracks.\r\n * \r\n * @reason Acoustic Design:\r\n * Encapsulates the specific Web Audio node routing and ADSR parameters\r\n * required to physically model this instrument within the 13KB limit.\r\n */\r\nexport class ChiptuneSynth extends AnalogSynthBase {\r\n  protected _envelopeConfig = { _peakVelocity: 0.4, _attackTimeSeconds: 0.005, _releaseTimeSeconds: 0.05 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const osc = this._createOscillator(ctx, \"square\", 0, gain);\r\n\r\n    /** Classic tracker \"blip\" attack: starts one octave higher for a fraction of a second */\r\n    this._setValueAtTime(osc.frequency, freq * 2, time);\r\n    this._setValueAtTime(osc.frequency, freq, time + 0.02);\r\n\r\n    this._scheduleNodeStartStop(time, stopTime, osc);\r\n  }\r\n}\r\n","/**\n * @fileoverview AUTO-GENERATED BY VITE CONFIG\n * \n * @reason Central Registry & Export Hub.\n * This file is automatically generated by `vite.config.ts` to ensure that \n * the `MasterInstrumentMap` correctly initializes all 16 default GM synthesizers \n * at the correct index ranges. It acts as the primary NPM package entry point.\n */\nimport { decodeBinary, encodeToBinary, encodeToSoA } from './RLO-Transpiler.js';\nimport { RLOCore as BaseCore } from './Core/RLOCore.js';\nimport { RLOMusicPlayer as BaseMusicPlayer } from './Players/RLOMusicPlayer.js';\nimport { RLOGameEngine as BaseGameEngine } from './Players/RLOGameEngine.js';\nimport { createInstrumentMap, extendInstrumentMap, createDirectMap, SilentSynth } from './Core/InstrumentMap.js';\nimport type { ISynthInstrument } from './Instruments/ISynthInstrument.js';\nimport { PianoSynth } from './Instruments/Decay/PianoSynth.js';\nimport { ChromaticPercussionSynth } from './Instruments/Decay/ChromaticPercussionSynth.js';\nimport { OrganSynth } from './Instruments/Analog/OrganSynth.js';\nimport { GuitarSynth } from './Instruments/Decay/GuitarSynth.js';\nimport { ElectricGuitarSynth } from './Instruments/Decay/ElectricGuitarSynth.js';\nimport { BassSynth } from './Instruments/Analog/BassSynth.js';\nimport { StringSynth } from './Instruments/Analog/StringSynth.js';\nimport { BrassSynth } from './Instruments/Decay/BrassSynth.js';\nimport { WoodwindSynth } from './Instruments/Analog/WoodwindSynth.js';\nimport { LeadSynth } from './Instruments/Analog/LeadSynth.js';\nimport { PadSynth } from './Instruments/Analog/PadSynth.js';\nimport { SoundEffectsSynth } from './Instruments/Speciality/SoundEffectsSynth.js';\nimport { EthnicSynth } from './Instruments/Decay/EthnicSynth.js';\nimport { DrumSynth } from './Instruments/Speciality/DrumSynth.js';\nimport { FMSynth } from './Instruments/Analog/FMSynth.js';\nimport { AdditiveSynth } from './Instruments/Decay/AdditiveSynth.js';\nimport { KarplusSynth } from './Instruments/Decay/KarplusSynth.js';\nimport { ReeseBassSynth } from './Instruments/Analog/ReeseBassSynth.js';\nimport { FormantSynth } from './Instruments/Analog/FormantSynth.js';\nimport { ChiptuneSynth } from './Instruments/Analog/ChiptuneSynth.js';\nimport { SlapBassSynth } from './Instruments/Decay/SlapBassSynth.js';\n\n// Export all synthesizers (including optional ones) for NPM users\nexport { PianoSynth, ChromaticPercussionSynth, OrganSynth, GuitarSynth, ElectricGuitarSynth, BassSynth, StringSynth, BrassSynth, WoodwindSynth, LeadSynth, PadSynth, SoundEffectsSynth, EthnicSynth, DrumSynth, FMSynth, AdditiveSynth, KarplusSynth, ReeseBassSynth, FormantSynth, ChiptuneSynth, SlapBassSynth };\n\nconst defaultMapModules = [\n  { synth: new PianoSynth(), start: 0, end: 7 },\n  { synth: new ChromaticPercussionSynth(), start: 8, end: 15 },\n  { synth: new OrganSynth(), start: 16, end: 23 },\n  { synth: new GuitarSynth(), start: 24, end: 26 },\n  { synth: new ElectricGuitarSynth(), start: 27, end: 31 },\n  { synth: new BassSynth(), start: 32, end: 39 },\n  { synth: new StringSynth(), start: 40, end: 55 },\n  { synth: new BrassSynth(), start: 56, end: 71 },\n  { synth: new WoodwindSynth(), start: 72, end: 79 },\n  { synth: new LeadSynth(), start: 83, end: 87 },\n  { synth: new PadSynth(), start: 88, end: 95 },\n  { synth: new SoundEffectsSynth(), start: 96, end: 103 },\n  { synth: new SoundEffectsSynth(), start: 120, end: 127 },\n  { synth: new EthnicSynth(), start: 104, end: 111 },\n  { synth: new DrumSynth(), start: 112, end: 119 },\n  { synth: new DrumSynth(), start: 128, end: 128 },\n];\nconst defaultMap = createInstrumentMap(defaultMapModules);\n\nconst retroMap = createInstrumentMap([\n  { synth: new ChiptuneSynth(), start: 0, end: 127 },\n  { synth: new DrumSynth(), start: 128, end: 128 }\n]);\n\nexport { decodeBinary, encodeToBinary, encodeToSoA, createInstrumentMap, extendInstrumentMap, createDirectMap, SilentSynth, defaultMap as MasterInstrumentMap, defaultMap as StandardInstrumentMap, retroMap as RetroInstrumentMap };\nexport class RLOCore extends BaseCore { constructor(ctx: AudioContext, customMap?: ISynthInstrument[]) { super(ctx, customMap || defaultMap); } }\nexport class RLOMusicPlayer extends BaseMusicPlayer { constructor(ctx: AudioContext, customMap?: ISynthInstrument[]) { super(ctx, customMap || defaultMap); } }\nexport class RLOGameEngine extends BaseGameEngine { constructor(ctx: AudioContext, customMap?: ISynthInstrument[]) { super(ctx, customMap || defaultMap); } }\n","import { DecaySynthBase, DecayCfg } from \"./DecaySynthBase.js\";\r\nimport { Osc } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Inharmonic Additive bells/glass.\r\n * Stacks sine waves at non-integer multiples to create metallic, clanging overtones.\r\n */\r\n/**\r\n * Creates complex timbres by summing together multiple sine waves at mathematically calculated harmonic ratios.\r\n * \r\n * @reason Acoustic Design:\r\n * Encapsulates the specific Web Audio node routing and ADSR parameters\r\n * required to physically model this instrument within the 13KB limit.\r\n */\r\nexport class AdditiveSynth extends DecaySynthBase {\r\n  protected _envelopeConfig = { _peakVelocity: 0.6, _attackTimeSeconds: 0.005, _decayTimeSeconds: 0.5, _maxDurationSeconds: 5.0 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    safeDuration: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const ratios = [1.0, 2.76, 5.4, 8.9, 13.3];\r\n    const decays = [1.0, 0.6, 0.4, 0.2, 0.1]; // Higher frequencies die out much faster\r\n\r\n    ratios.forEach((ratio, i) => {\r\n      const hFreq = freq * ratio;\r\n      if (hFreq < 22000) {\r\n        const peak = Math.max(0.001, velocity * (1 / (i + 1.5)));\r\n        const dur = Math.max(0.1, safeDuration * decays[i]);\r\n        this._createTransient(ctx, \"sine\", hFreq, gain, time, peak, dur, 0.005);\r\n      }\r\n    });\r\n  }\r\n}\r\n","import { AnalogSynthBase, AnalogCfg } from \"./AnalogSynthBase.js\";\r\nimport { Osc } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for FM (Frequency Modulation).\r\n * Modulates a carrier sine wave with another sine wave to create glassy,\r\n * metallic overtones common in 1980s Electric Pianos and Bells.\r\n */\r\n/**\r\n * Uses Frequency Modulation (FM) to create complex metallic or bell-like timbres by modulating the phase of one oscillator with another.\r\n * \r\n * @reason Acoustic Design:\r\n * Encapsulates the specific Web Audio node routing and ADSR parameters\r\n * required to physically model this instrument within the 13KB limit.\r\n */\r\nexport class FMSynth extends AnalogSynthBase {\r\n  protected _envelopeConfig = { _peakVelocity: 0.6, _attackTimeSeconds: 0.01, _releaseTimeSeconds: 0.1 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const carrier = this._createOscillator(ctx, \"sine\", freq, gain);\r\n\r\n    const modFreq = freq * 2; // 2:1 harmonic ratio for bell/epiano overtones\r\n    const modDepth = modFreq * 4; // Modulation index (brightness)\r\n\r\n    const modGain = this._createGain(ctx, 0, carrier.frequency);\r\n    this._setValueAtTime(modGain.gain, modDepth * velocity, time);\r\n    this._exponentialRampToValue(modGain.gain, 0.01, time + sustainTime); // Decay the harshness over time for a plucked feel\r\n\r\n    const modulator = this._createOscillator(ctx, \"sine\", modFreq, modGain);\r\n\r\n    this._scheduleNodeStartStop(time, stopTime, carrier, modulator);\r\n  }\r\n}\r\n","import { AnalogSynthBase, AnalogCfg } from \"./AnalogSynthBase.js\";\r\nimport {} from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Formant Choirs (Human Vox).\r\n * Uses parallel bandpass filters locked to specific \"vowel\" resonant frequencies.\r\n */\r\n/**\r\n * Mimics human vowel sounds (a, e, i, o, u) using parallel bandpass filters (formants) tuned to specific vocal tract resonant frequencies.\r\n * \r\n * @reason Acoustic Design:\r\n * Encapsulates the specific Web Audio node routing and ADSR parameters\r\n * required to physically model this instrument within the 13KB limit.\r\n */\r\nexport class FormantSynth extends AnalogSynthBase {\r\n  protected _envelopeConfig = { _peakVelocity: 0.8, _attackTimeSeconds: 0.1, _releaseTimeSeconds: 0.4 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const osc = this._createOscillator(ctx, \"sawtooth\", freq);\r\n    this._createLFO(ctx, 5, freq * 0.015, time, 0.2, stopTime, osc.frequency);\r\n\r\n    // Typical 'Ah' vowel formants: 730Hz, 1090Hz, 2440Hz\r\n    [730, 1090, 2440].forEach((f) => {\r\n      if (f < 22000) {\r\n        const filter = this._createFilter(ctx, \"bandpass\");\r\n        filter.frequency.value = f;\r\n        filter.Q.value = 12; // High resonance to isolate the formant\r\n        osc.connect(filter).connect(gain);\r\n      }\r\n    });\r\n\r\n    this._scheduleNodeStartStop(time, stopTime, osc);\r\n  }\r\n}\r\n","import { CoreSynthBase, Filter, hasStrictGC } from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Karplus-Strong physical modeling.\r\n * Uses a noise burst fed into a tuned delay line with a feedback filter\r\n * to accurately simulate the physics of plucked strings (Acoustic Guitar, Harp).\r\n */\r\n/**\r\n * Implements the Karplus-Strong string synthesis algorithm using a short noise burst fed through a tightly tuned feedback delay line.\r\n * \r\n * @reason Acoustic Design:\r\n * Encapsulates the specific Web Audio node routing and ADSR parameters\r\n * required to physically model this instrument within the 13KB limit.\r\n */\r\nexport class KarplusSynth extends CoreSynthBase {\r\n  public _playNote(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    duration: number,\r\n    velocity: number,\r\n  ): void {\r\n    const delayTime = 1 / freq;\r\n\r\n    // 1. The Plectrum (A microscopic burst of white noise)\r\n    const burstBuffer = ctx.createBuffer(\r\n      1,\r\n      Math.max(1, ctx.sampleRate * delayTime),\r\n      ctx.sampleRate,\r\n    );\r\n    const data = burstBuffer.getChannelData(0);\r\n    for (let i = 0; i < data.length; i++)\r\n      data[i] = (Math.random() * 2 - 1) * velocity;\r\n\r\n    const burst = ctx.createBufferSource();\r\n    burst.buffer = burstBuffer;\r\n\r\n    // 2. The String (A delay node exactly the length of the frequency)\r\n    const delay = ctx.createDelay(delayTime);\r\n    delay.delayTime.value = delayTime;\r\n\r\n    // 3. The Body Damping (Lowpass filter inside the feedback loop to absorb high frequencies)\r\n    const filter = this._createFilter(ctx, \"lowpass\");\r\n    filter.frequency.value = Math.min(22000, freq * 6);\r\n\r\n    // 4. The Tension (Feedback gain)\r\n    const feedback = this._createGain(ctx, 0.98); // Higher value = longer ring time\r\n\r\n    burst.connect(delay).connect(filter).connect(feedback).connect(delay);\r\n\r\n    const output = this._createGain(ctx, 0, masterGain);\r\n    this._setValueAtTime(output.gain, 1, time);\r\n    this._exponentialRampToValue(output.gain, 0.001, time + duration);\r\n\r\n    delay.connect(output);\r\n    this._scheduleNodeStartStop(time, time + duration, burst);\r\n\r\n    if (hasStrictGC) this._scheduleNodeDisposal(ctx, time, time + duration + 3.0, output, delay, filter, feedback);\r\n  }\r\n}\r\n","import { AnalogSynthBase, AnalogCfg } from \"./AnalogSynthBase.js\";\r\nimport {} from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for Reese/Wobble Bass.\r\n * Uses heavily detuned sawtooths and an LFO-driven lowpass filter.\r\n */\r\n/**\r\n * A staple of Drum & Bass music, this uses two heavily detuned sawtooth waves to create a thick, phasing, and wide bass tone.\r\n * \r\n * @reason Acoustic Design:\r\n * Encapsulates the specific Web Audio node routing and ADSR parameters\r\n * required to physically model this instrument within the 13KB limit.\r\n */\r\nexport class ReeseBassSynth extends AnalogSynthBase {\r\n  protected _envelopeConfig = { _peakVelocity: 0.7, _attackTimeSeconds: 0.05, _releaseTimeSeconds: 0.2 };\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    sustainTime: number,\r\n    releaseTime: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    const filter = this._createFilter(ctx, \"lowpass\");\r\n    this._setValueAtTime(filter.frequency, freq * 2, time);\r\n\r\n    // Wobble LFO: syncs roughly to tempo (e.g. 1/8th notes ~4-8 Hz)\r\n    this._createLFO(ctx, 6, freq * 3, time, 0, stopTime, filter.frequency);\r\n\r\n    // Deep, phasing detune\r\n    const [osc1, osc2] = this._createStereoOscillator(\r\n      ctx,\r\n      \"sawtooth\",\r\n      freq / 2,\r\n      1.015,\r\n      0.4,\r\n      filter,\r\n    );\r\n    filter.connect(gain);\r\n    this._scheduleNodeStartStop(time, stopTime, osc1, osc2);\r\n  }\r\n}\r\n","import { DecaySynthBase } from \"./DecaySynthBase.js\";\r\nimport {} from \"../CoreSynthBase.js\";\r\n\r\n/**\r\n * Synthesizer strategy for 80s Slap Bass (DX7/Seinfeld style).\r\n * Characterized by a very snappy filter envelope and a metallic transient \"pop\".\r\n */\r\n/**\r\n * Emulates a slapped bass guitar with a sharp, percussive attack phase and a rapidly decaying low-pass filter.\r\n * \r\n * @reason Acoustic Design:\r\n * Encapsulates the specific Web Audio node routing and ADSR parameters\r\n * required to physically model this instrument within the 13KB limit.\r\n */\r\nexport class SlapBassSynth extends DecaySynthBase {\r\n  protected _envelopeConfig = { _peakVelocity: 0.9, _attackTimeSeconds: 0.005, _decayTimeSeconds: 0.15, _maxDurationSeconds: 3.0 }; // Ultra-fast attack for the slap\r\n\r\n  protected _setupSynthesis(\r\n    ctx: AudioContext,\r\n    masterGain: GainNode,\r\n    gain: GainNode,\r\n    time: number,\r\n    freq: number,\r\n    velocity: number,\r\n    safeDuration: number,\r\n    stopTime: number,\r\n  ): AudioNode | void {\r\n    /** The \"Pop\" - An aggressive lowpass filter sweep that opens bright and snaps shut */\r\n    const filter = this._createFilterSweep(\r\n      ctx,\r\n      \"lowpass\",\r\n      freq * 8 + velocity * 3000, // Very bright on hard velocities\r\n      freq + 100, // Quickly muffles down to the fundamental\r\n      time,\r\n      0.1, // Snap duration\r\n    );\r\n    filter.Q.value = 3; // Adds a \"quack\" resonance to the slap\r\n\r\n    /** The Body - Sawtooth for rich harmonics */\r\n    const osc = this._createOscillator(ctx, \"sawtooth\", freq, gain);\r\n\r\n    /** The Sub - Deep sine wave an octave down to anchor the low end */\r\n    const subOsc = this._createOscillator(ctx, \"sine\", freq / 2, gain);\r\n\r\n    /** The \"Thumb Slap\" - A quick, inharmonic metallic burst simulating the string hitting the fretboard */\r\n    this._createTransient(\r\n      ctx,\r\n      \"square\",\r\n      freq * 3.5,\r\n      filter,\r\n      time,\r\n      Math.max(0.001, velocity * 0.4),\r\n      0.04,\r\n    );\r\n\r\n    gain.connect(filter);\r\n    this._scheduleNodeStartStop(time, stopTime, osc, subOsc);\r\n\r\n    return filter;\r\n  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