dsh-hyperframes 0.9.1 → 0.9.2

package/skills/embedded-captions/themes/spectrum.json

@@ -1,46 +0,0 @@
-{
-  "name": "spectrum",
-  "voice": "an oscilloscope is listening — a dark scope band hosts an always-alive waveform (speech grows it, silence flattens it, every word kicks a local burst) and body words are traced on in phosphor mono with a just-traced flash; the apex is the trace itself LEAPING off the scope to hand-write the hero word in a thin phosphor stroke, fill flicker, hum, then collapse to a flatline — and on the final word the whole trace explodes, flatlines to a single dot and stamps SIGNAL LOST.",
-  "when": "science / signal / audio / measurement / astronomy explainers, data-nerd content, retro-lab or synth aesthetics, \"示波器/波形/信号字幕\" asks. The band brings its own dark glass; bright scenes fine.",
-  "register": "tech-retro",
-  "fonts": { "body": "VT323", "tag": "VT323", "strokeFont": "HersheyScript1.svg" },
-  "palette": {
-    "body": "#4dff88",
-    "accent": "#4dff88",
-    "bright": "#d6ffe4",
-    "flash": "#eafff2",
-    "em": "#ffb347",
-    "hud": "#2f8f55",
-    "panic": "#ff5f47"
-  },
-  "body": {
-    "paradigm": "scoperail",
-    "layer": "fg",
-    "fontPx": 40,
-    "bandH": 164,
-    "waveTop": 80,
-    "waveH": 84,
-    "lineDy": 34,
-    "hudL": "SPECTRUM // CH1",
-    "siglost": "— SIGNAL LOST —",
-    "waveSeed": 7,
-    "chipSeed": 11,
-    "yield": { "dim": 0.52, "pre": 0.13, "post": 0.97 }
-  },
-  "hero": {
-    "setpiece": "scopetrace",
-    "layer": "bg",
-    "params": {
-      "targetWidth": 720,
-      "window": 0.6,
-      "flickGap": 0.12,
-      "clearGap": 0.215,
-      "coreWidth": 4,
-      "haloWidth": 14,
-      "spill": 0.55
-    }
-  },
-  "fx": {},
-  "plate": { "scrim": 0.62, "grain": 5 },
-  "linkages": []
-}

package/skills/embedded-captions/themes/stardust.json

@@ -1,29 +0,0 @@
-{
-  "name": "stardust",
-  "voice": "celestial condensation — letters condense out of drifting dust into an accumulating poem; the apex assembles from inbound star particles; on the final word the entire visible poem disperses back into dust (semantic exit).",
-  "when": "introspective, poetic, memory, science-wonder monologues. The poem column needs one clear side; a soft gradient scrim (behind the subject) handles bright skies.",
-  "register": "poetic",
-  "fonts": { "body": "Cormorant Garamond" },
-  "palette": { "body": "#f7f0dd" },
-  "body": {
-    "paradigm": "poem",
-    "layer": "fg",
-    "fontPx": 58,
-    "left": 84,
-    "stanzaTops": [110, 222, 292],
-    "entrance": "condense",
-    "exit": "drift",
-    "bigScale": 2.0,
-    "emScale": 1.38,
-    "scrim": { "side": "left", "opacity": 0.62 },
-    "seed": 777
-  },
-  "hero": {
-    "setpiece": "assembly",
-    "inline": true,
-    "params": { "particles": 22, "spread": 150 }
-  },
-  "fx": {},
-  "plate": { "pushIn": 0.01, "grain": 5 },
-  "linkages": ["disperse-on-last-word"]
-}

package/skills/embedded-captions/themes/stomp.json

@@ -1,43 +0,0 @@
-{
-  "name": "stomp",
-  "voice": "full-frame typographic takeover — every beat is a hard-cut center card over a dimmed plate; a long-held card creeps with tension into a true VOID, then the apex detonates in the accent color; the final word dissolves to blur.",
-  "when": "hooks, manifestos, ads, hype openers. The plate runs dimmed throughout — content where the words ARE the show. Body stays bg (text behind the subject is the identity).",
-  "register": "takeover",
-  "fonts": { "body": "Anton" },
-  "palette": { "body": "#F5F1E8", "accent": "#FF5C39" },
-  "body": {
-    "paradigm": "takeover",
-    "layer": "bg",
-    "anchors": [
-      [640, 330],
-      [612, 302],
-      [668, 358],
-      [640, 388],
-      [618, 336]
-    ],
-    "baseDim": 0.42,
-    "entrance": "cut",
-    "creepScale": 1.1,
-    "hotSnap": 1.18,
-    "sizes": { "function": 150, "content": 200, "minor": 230 }
-  },
-  "hero": {
-    "setpiece": "colorflip",
-    "inline": true,
-    "fontPx": 196,
-    "params": { "crushFrom": 2.6, "dimKick": 0.62, "flash": 0.9, "dissolveLast": true }
-  },
-  "fx": { "flash": 0.9 },
-  "plate": {
-    "punch": 0.05,
-    "punchDecay": 9,
-    "shakeAmpX": 8,
-    "shakeAmpY": 5,
-    "shakeHz": 12,
-    "shakeDecay": 7,
-    "shakeWindow": 0.6,
-    "grain": 7,
-    "minorPunch": 0.02
-  },
-  "linkages": []
-}

package/skills/embedded-captions/themes/terminal.json

@@ -1,49 +0,0 @@
-{
-  "name": "terminal",
-  "voice": "console session — the transcript is a signal log typed into a docked glass panel; the apex decodes out of noise as slot-machine glyph reels, and the log REDACTS the apex words (█████) until the decode locks. The feed corrupts on the final word.",
-  "when": "tech, data, AI, engineering, investigative explainers. Cool scenes preferred (the cyan is scene-motivated on cool/dusk palettes).",
-  "register": "creator-tech",
-  "fonts": { "body": "VT323", "hero": "Orbitron", "tag": "VT323" },
-  "palette": {
-    "body": "#bfeefe",
-    "accent": "#66e0ff",
-    "magenta": "#ff5fd6",
-    "panelBg": "rgba(2,14,22,0.62)",
-    "prompt": "#4d7f93"
-  },
-  "body": {
-    "paradigm": "panel",
-    "layer": "fg",
-    "fontPx": 34,
-    "panel": { "left": 36, "bottom": 30, "width": 470, "header": "SIGNAL LOG_" },
-    "entrance": "type",
-    "exit": "hold",
-    "caret": true,
-    "yield": { "dim": 0.68 }
-  },
-  "hero": {
-    "setpiece": "decode",
-    "layer": "bg",
-    "x": 660,
-    "y": 255,
-    "fontPx": 112,
-    "params": {
-      "glyphs": "X017#%/<>+=*KZR",
-      "brackets": true,
-      "lockStagger": 0.045,
-      "exit": "crt-off",
-      "seed": 99
-    }
-  },
-  "fx": { "scanband": true, "lockflash": 0.55 },
-  "plate": {
-    "dim": 0.22,
-    "punch": 0.016,
-    "punchDecay": 10,
-    "shakeAmpX": 0,
-    "shakeAmpY": 0,
-    "rgbashift": 4,
-    "grain": 6
-  },
-  "linkages": ["redact-until-hero", "corrupt-on-last-word"]
-}

package/skills/embedded-captions/themes/thunder.json

@@ -1,44 +0,0 @@
-{
-  "name": "thunder",
-  "voice": "the storm is the editor — slate storm mood on the room, ambient slanted rain in front of the subject, and the sky 'kisses' (1-frame brighten) on every body word. Body words arrive on a rain-scrimmed lower third with a lit-bright lightning pop; emphasis words get a sheet-lightning double flash mirrored by a double sky-kiss. The apex is THE STRIKE: a hand-authored branched bolt flashes two frames before the word, then the word slams in lit HARD with its shadow flipped toward the bolt, ozone under-glow breathing through the hold while the rain doubles; everything washes downward with the rain.",
-  "when": "dramatic reveals, storm/weather content, epic hype beats, trailer-toned monologues, anything that should land like a thunderclap. Loud register; the charge-dim + word scrim make their own contrast on any plate (bright skies included).",
-  "register": "loud",
-  "fonts": { "body": "Sora", "hero": "Anton", "tag": "Sora" },
-  "palette": {
-    "body": "#EEF4FB",
-    "hero": "#F2F7FF",
-    "accent": "#9FD0FF",
-    "glow": "#CFE8FF",
-    "core": "#FFFFFF"
-  },
-  "body": {
-    "paradigm": "stormrail",
-    "layer": "fg",
-    "fontPx": 44,
-    "bottomPx": 98,
-    "letterSpacing": "0.015em",
-    "rain": { "count": 18, "opacity": 0.08, "seed": 9021, "seed2": 4477 },
-    "yield": { "dim": 0.5, "pre": 0.15, "post": 0.29 }
-  },
-  "hero": {
-    "setpiece": "boltstrike",
-    "layer": "bg",
-    "fontPx": 145,
-    "params": { "mood": 0.1, "side": "left", "hold": 2.05 }
-  },
-  "fx": { "strikeflash": 0.55 },
-  "plate": {
-    "charge": 0.3,
-    "dim": 0.22,
-    "punch": 0.04,
-    "punchDecay": 9,
-    "punchOffset": 0.02,
-    "shakeAmpX": 5,
-    "shakeAmpY": 4,
-    "shakeHz": 12,
-    "shakeDecay": 7,
-    "shakeWindow": 0.5,
-    "grain": 5
-  },
-  "linkages": []
-}

package/skills/embedded-captions/themes/transit.json

@@ -1,44 +0,0 @@
-{
-  "name": "transit",
-  "voice": "amber LED departure board — the whole video is a station PA system. Body words light column-by-column (L→R LED wipe + 1-frame arrival flicker) on a docked departure strip whose lines page in/out by scroll-snap; furniture: green platform tag, ticking seconds clock, a ⚠ DELAYED → ● ON TIME swap gag after the apex. The apex is a board takeover behind the subject: a big LED panel expands upward inside a chasing marquee border, the word illuminates column-by-column under a PA flash + two brightness 'ding' pulses, glow breathes with LED dropouts, then the word pages up and the panel collapses.",
-  "when": "travel/transit, announcements, schedules, countdowns, retro-terminal or arcade registers — anything that should read as an amber dot-matrix station board. Mid-loud register; needs a lower third that tolerates a dark LED strip.",
-  "register": "loud",
-  "fonts": { "body": "VT323", "hero": "VT323", "tag": "VT323" },
-  "palette": {
-    "body": "#FFB000",
-    "hot": "#FFE9B8",
-    "accent": "#FFB000",
-    "green": "#36E57A",
-    "warn": "#FF9E3D"
-  },
-  "body": {
-    "paradigm": "ledboard",
-    "layer": "fg",
-    "fontPx": 46,
-    "letterSpacing": "0.05em",
-    "board": { "left": 140, "width": 1000, "h": 116, "bottom": 30 },
-    "header": {
-      "plt": "PLT 4",
-      "clockPrefix": "19:42:0",
-      "statusWait": "⚠ DELAYED",
-      "statusOk": "● ON TIME"
-    },
-    "yield": { "dim": 0.5, "pre": 0.2, "post": 0.9 }
-  },
-  "hero": {
-    "setpiece": "ledwipe",
-    "layer": "bg",
-    "x": 620,
-    "y": 444,
-    "fontPx": 120,
-    "params": {
-      "panelW": 1080,
-      "wipeDur": 0.3,
-      "headerLeft": "NOW ARRIVING ▸ 19:42",
-      "headerRight": "GATE A4"
-    }
-  },
-  "fx": { "paflash": 0.5 },
-  "plate": { "charge": 0.5, "dim": 0.2, "grain": 5 },
-  "linkages": []
-}

package/skills/embedded-captions/themes/vhs.json

@@ -1,47 +0,0 @@
-{
-  "name": "vhs",
-  "voice": "camcorder tape playback — the whole frame is a VHS deck. A permanent lens vignette and OSD furniture (▶ PLAY, ● REC, green blinking timestamp) frame the clip; body words are an OSD lower third with a permanent 1px red+cyan misregistration fringe, arriving by tracking glitch (instant on + 2-frame y-shake + 1-frame band-slice shift) and exiting as REWIND streaks with flat-white echoes + scrub lines; the deck flips PLAY→REW in dead air. The apex is REC FREEZE: a 1-frame white tear band + head-switching noise bar, then the word slams in as a huge OSD readout behind the subject — three tracking-sliced bands shear in and SNAP into register, heavy red/cyan misregistration cools and keeps breathing through the hold under tape-weave jitter and an auto-iris pump, then the whole readout REWINDS off left.",
-  "when": "retro / nostalgia / found-footage / home-video registers, music and lifestyle edits, '90s tech content, '录像带/VHS/复古/DV' asks — anything that should read as a tape being played back. Mid-loud register; the backlight-comp scrim makes its own contrast on bright skies.",
-  "register": "retro-analog",
-  "fonts": { "body": "VT323", "hero": "VT323", "tag": "VT323" },
-  "palette": {
-    "body": "#F2F2EE",
-    "hot": "#FFFFFF",
-    "accent": "#D9F7D2",
-    "red": "#FF2E2E",
-    "cyan": "#3FE8E8",
-    "green": "#B9FFB0"
-  },
-  "body": {
-    "paradigm": "vhsrail",
-    "layer": "fg",
-    "fontPx": 44,
-    "bottomPx": 108,
-    "letterSpacing": "0.04em",
-    "osd": { "ts": ["JUN.11 2026 PM 7", "42"] },
-    "yield": { "dim": 0.55, "pre": 0.02, "post": 0.9 }
-  },
-  "hero": {
-    "setpiece": "vhsosd",
-    "layer": "bg",
-    "x": 640,
-    "y": 268,
-    "fontPx": 150,
-    "params": {
-      "bandClips": [
-        [0, 64],
-        [36, 30],
-        [70, 0]
-      ],
-      "bandShear": [-46, 40, -34],
-      "misregIn": 11,
-      "misreg": 3,
-      "weave": [-2, 1, -1, 2, -1, 1, -2, 0],
-      "vignette": 0.34,
-      "crush": 0.1,
-      "hold": 1.69
-    }
-  },
-  "plate": { "charge": 0.55, "dim": 0.12, "grain": 5 },
-  "linkages": []
-}

package/skills/faceless-explainer/references/cut-catalog.md

@@ -1,215 +0,0 @@
-# Cut catalog — within-frame seams (worker-built)
-
-> **A worker build-recipe (Step 5) — the sibling of `../hyperframes-animation/rules/`, not a second motion doc.** These are within-frame cuts the **frame worker builds INSIDE its own composition** (Z-scale + blur + opacity tweens, or per-word x-staggers, all on the frame's own paused GSAP timeline). They are **not** the between-frame transition: story owns that via `transition_in`, which the harness's injector stamps from a **separate registry vocabulary** (`crossfade` / `blur-crossfade` / `push-slide` / `zoom-through` / `squeeze`) — the catalog names here (**cut-the-curve / inverse-zoom / waterfall**) are **not** valid `transition_in` values. Use this catalog when a frame's shot sequence has an internal seam — a within-scene text/element swap, a **Scene-to-Scene** cut (a `Scene` is a time window WITHIN one frame, **not** a frame-to-frame boundary), or a text-to-text line change — and you want it to read as one continuous move instead of a hard slideshow cut. (`zoom-through` lives in both worlds: a whole-frame wrapper transition in the registry, an element-level Z-cut here — same idea, different scope.)
-
-Four techniques that create depth and continuity:
-
-1. **Zoom-Through** — within-scene text swaps, Z-axis, moving TOWARD the viewer
-2. **Inverse Zoom-Through** — Z-axis swaps moving AWAY from the viewer
-3. **Cut the Curve** — between-scene transitions on x/y
-4. **Waterfall Cut** — word-by-word cut-the-curve with staggered exits and entries
-
-All four are the same underlying principle: **cut at peak velocity, match direction and
-speed on both sides of the cut.** The differences are axis, scope, and granularity.
-
-**Choosing which at a seam:** for an UNFINISHED phrase (building one larger idea across
-several visually distinct scenes that still approach the same point — multi-line text, a
-run of consecutive cards) use **cut-the-curve** / **waterfall**. For a STATE CHANGE (turning
-to a NEW part of the video — most often hook → context, between two distinct chapters) use
-**zoom-through**, and **inverse zoom-through** for an arrival / payoff beat. Chain these so
-the frame's internal seams feel like one camera moving through the content.
-
----
-
-## Blur Logic (applies to all Z-axis variants)
-
-Blur sells the speed at the cut, but it must scale with the SUBJECT SIZE:
-
-| Subject                                                | Peak blur   | Why                                                                                                                                                                                      |
-| ------------------------------------------------------ | ----------- | ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- |
-| Text-scale (headline, line, word group)                | **10px**    | At 20px text smears into illegibility — the eye loses the word it was tracking and the cut reads as a glitch, not speed. At 20px letterforms go mushy mid-cut; 10px keeps them readable. |
-| Full-frame surface (terminal window, card, screenshot) | **18–20px** | Big surfaces have edges and texture that survive heavy blur; lighter blur on a full-frame move reads as a rendering hiccup instead of motion.                                            |
-
-Both sides of a cut use the SAME peak blur — the value must match at the swap frame.
-Apply blur to the WRAPPER, never to individual children.
-
----
-
-## 1. Zoom-Through (forward)
-
-### The Problem
-
-Text enters, holds, exits. Then next text enters, holds, exits. Each text block is
-independent — no depth, no continuity. The video feels like a slideshow.
-
-### The Principle
-
-A velocity-matched cut on the Z-axis. You **never see both texts at the same time.** The
-outgoing text scales toward the viewer (accelerating), blur and opacity peak at the cut
-point hiding a hard swap, and the incoming text continues scaling up from behind
-(decelerating into the focal plane). One continuous forward motion, two different texts.
-
-### The Three Phases
-
-**Phase 1: Exit** — text accelerates forward (toward viewer)
-
-- Scale: `1.0 -> 1.2`, Blur: `0px -> 10px` (text-scale; see Blur Logic), Opacity: `1.0 -> 0.15`
-- Scale/blur easing: `power3.in` (steep acceleration)
-- Opacity easing: `none` (linear — even dimming, separated from scale)
-- Duration: 0.2s
-
-**Phase 2: Hard cut** at peak velocity + peak blur
-
-- Outgoing: `opacity: 0` (instant via `tl.set`)
-- Incoming: `opacity: 0.15, scale: 0.75, blur: 10px` (instant via `tl.set`)
-- All properties match at the cut: blur, opacity, and scale DIRECTION (both scaling up)
-
-**Phase 3: Entry** — text continues forward (growing into focal plane)
-
-- Scale: `0.75 -> 1.0`, Blur: `10px -> 0px`, Opacity: `0.15 -> 1.0`
-- Easing: `expo.out` (steep initial burst matching exit velocity, long settle)
-- Duration: 0.5s
-
-### Why Opacity Must Be Separate on Exit
-
-Scale uses `power3.in` but that keeps opacity near 1.0 for most of the tween. Splitting
-opacity to its own tween with linear ease makes the dimming even. On entry, all properties
-can share `expo.out`.
-
----
-
-## 2. Inverse Zoom-Through (backward)
-
-The mirror: the camera "pulls back" instead of pushing through. The outgoing element
-RECEDES away from the viewer; the incoming element arrives OVERSIZED (as if it had been
-just behind the camera) and retracts into the focal plane. Both move in the shrinking
-direction — same-direction rule preserved, just reversed.
-
-**When to use over the forward variant:** arrival beats. The incoming element lands with
-presence because it comes from larger-than-frame — right for a payoff line ("That changes
-today."), a giant reply, or a held end-state. Forward zoom-through reads as _progressing
-through_ content; inverse reads as _arriving at_ content.
-
-### The Three Phases
-
-**Phase 1: Exit** — element recedes (away from viewer)
-
-- Scale: `1.0 -> 0.8`, Blur: `0px -> 10px` (text-scale)
-- Scale/blur easing: `power3.in`; Opacity: `1.0 -> 0.15` on `none` (separate tween)
-- Duration: 0.2s
-
-**Phase 2: Hard cut**
-
-- Outgoing: `opacity: 0` via `tl.set`
-- Incoming: `opacity: 0.15, scale: 1.25, blur: 10px` via `tl.set`
-
-**Phase 3: Entry** — incoming retracts into place
-
-- Scale: `1.25 -> 1.0`, Blur: `10px -> 0px`, Opacity: `0.15 -> 1.0`
-- Easing: `expo.out`, Duration: 0.5s
-
----
-
-## 3. Cut the Curve (Scene Transitions)
-
-### The Principle
-
-Use cut-the-curve for **all scene-to-scene transitions** on x and y axes. The outgoing
-scene's hero element accelerates in one direction, the cut lands mid-motion, and the
-incoming scene's hero element continues moving in the **same direction** and decelerates.
-Nothing exits fully off-screen and nothing enters from fully off-screen — **speed plus
-opacity fading trick the eye**; the partial moves are enough.
-
-### Same Path, Same Direction
-
-If Scene A's hero slides left, Scene B's hero enters from the right and continues sliding
-left. Both move leftward. One continuous motion.
-
-| Direction | Scene A exit   | Scene B entry start | Scene B entry end |
-| --------- | -------------- | ------------------- | ----------------- |
-| Leftward  | `x: 0 -> -230` | `x: +230`           | `x: 0`            |
-| Rightward | `x: 0 -> +230` | `x: -230`           | `x: 0`            |
-| Upward    | `y: 0 -> -230` | `y: +230`           | `y: 0`            |
-| Downward  | `y: 0 -> +230` | `y: -230`           | `y: 0`            |
-
-### Velocity matching via mirrored eases
-
-The cleanest match: exit `power4.in` and entry `power4.out` with the SAME distance and
-duration — mathematically the two halves of one `power4.inOut` composite, so the entering
-element picks up at exactly the 50% point of the notional path at identical velocity
-(e.g. 230px / 0.3s ≈ 3,070 px/s at the cut on both sides).
-
-The fade trick: the exit's opacity completes at ~25–30% of its travel (fade duration
-≈ 0.18–0.3s vs motion 0.3–0.34s) — the element vanishes while still visibly accelerating,
-and nothing has to reach the frame edge. Entry fades IN fast from ~0.35 under its
-deceleration. Time the LAST fading element to die right at the hard cut — gaps where
-nothing is moving read as awkward dead air.
-
-### Rules
-
-- Use cut-the-curve for all scene transitions — it's the default, not an accent
-- Same direction on both sides; mirrored `.in`/`.out` eases, same distance + duration
-- Exit duration short (0.2–0.4s), entry duration >= exit duration
-- Partial travel + fade, never full off-screen moves
-
----
-
-## 4. Waterfall Cut (word-by-word cut-the-curve)
-
-Cut-the-curve at WORD granularity — the strongest version of the leftward cut for
-text-to-text seams. Each word of the outgoing line ramps out on its own pronounced curve;
-each word of the incoming line cascades in mid-flight. The stagger turns the cut into a
-wave the eye rides across the seam.
-
-### Exit (per word)
-
-- Motion: `x: 0 -> -230` over 0.34s on **power4.in** — a much more pronounced ramp than
-  the usual power2: the word barely creeps, then RIPS
-- Fade: `opacity -> 0` over 0.18s (separate tween, `power1.in`) — completes when the word
-  is only ~25–30% into its travel
-- Stagger: reading order, ~0.022s per word, timed so the LAST word finishes fading right
-  at the hard cut
-
-### Entry (per word)
-
-- `fromTo x: +230 -> 0, opacity: 0.35 -> 1` over 0.3s on **power4.out** — the mirrored
-  back half of the composite; every word ignites already moving at matched velocity
-- Waterfall stagger with SHRINKING gaps (start 0.05s, multiply by ~0.84 per word) so the
-  cascade accelerates across the line — the cascade should speed up word over word, not run
-  at a flat per-word delay
-- Pre-set all words to `x: +230, opacity: 0` at build time — `immediateRender: false`
-  alone leaves un-started words sitting visible at rest during the stagger window
-
-### Whole-line variant
-
-A single-line beat (e.g. a big intro line) exits as one group with the same pronounced
-ramp, but stretch its fade to ~0.3s ending ~0.02s before the cut — a lone element that
-fades early leaves dead air that a word cascade would have covered.
-
----
-
-## Choosing a Variant
-
-|                | Zoom-Through                | Inverse Zoom                | Cut the Curve     | Waterfall Cut             |
-| -------------- | --------------------------- | --------------------------- | ----------------- | ------------------------- |
-| Scope          | Within-scene text swap      | Arrival/payoff beat         | Between scenes    | Text-to-text seam         |
-| Axis           | Z, toward viewer            | Z, away from viewer         | X / Y             | X, per-word               |
-| Peak blur      | 10px text / 20px full-frame | 10px text / 20px full-frame | none required     | none (fade does the work) |
-| Opacity at cut | 0.15                        | 0.15                        | exit faded by cut | last word dies at cut     |
-| Feel           | progressing through         | arriving at                 | carried sideways  | a wave across the seam    |
-
----
-
-## Anti-Patterns
-
-| Don't                                    | Why                                         | Instead                                                |
-| ---------------------------------------- | ------------------------------------------- | ------------------------------------------------------ |
-| Two texts visible during a zoom-through  | Overlapping text breaks the Z-axis illusion | Hard cut at blur peak, one text at a time              |
-| 20px blur on text-scale subjects         | Letterforms smear; reads as a glitch        | 10px for text, 18–20px only full-frame                 |
-| Elements on different paths across a cut | Eye tracks one direction, cut goes another  | Same property, same direction                          |
-| Mismatched blur/opacity at the swap      | Visible flash or brightness jump            | Identical values at the cut frame                      |
-| Gentle easing on entry (`power2.out`)    | Entry velocity feels slower than exit       | Mirror the exit: `power4.out` / `expo.out`             |
-| Full off-screen exits / entries          | Wastes time and breaks the speed illusion   | Partial travel + early fade                            |
-| Lone element fading long before its cut  | Dead air at the seam                        | Fade ends ~0.02s before the cut, or use a word cascade |
-| Zoom-through on body text                | Small text at 0.75 scale is unreadable      | Only headlines and short phrases                       |
-| Scene cuts without cut-the-curve         | Static cuts feel like a slideshow           | Cut-the-curve is the default                           |