cerevox 4.73.0 → 4.75.0

package/dist/utils/environment-board-tpl.js

@@ -1,225 +0,0 @@
-"use strict";
-Object.defineProperty(exports, "__esModule", { value: true });
-exports.environmentBoardTemplate = environmentBoardTemplate;
-const environmentIntensityMap = {
-    balanced: `【镜头变化强度】空间展示清晰克制，优先让场景结构、出入口和动线一目了然。`,
-    strong: `【镜头变化强度】在保持空间可读性的前提下，增加景别对比和导演感。`,
-    aggressive: `【镜头变化强度】镜头角度更戏剧化，允许更强的构图张力，但不能破坏空间连续性。`,
-};
-/**
- * 生成导演级 Environment Board 提示词，用于锁定同一拍摄场景的空间一致性，
- * 并输出带导演手册说明的环境设定板。
- *
- * @param params 模板参数，包括用户场景描述、画面比例、面板数量和镜头强度。
- * @returns 适合生成单页环境设定板加导演手册的完整提示词。
- *
- * @example
- * ```ts
- * const prompt = environmentBoardTemplate({
- *   userPrompt: '废弃地铁站月台，漏水、闪烁灯管、旧广告牌、冷蓝色夜景氛围',
- *   page_aspect_ratio: '16:9',
- *   maxPanels: 6,
- * });
- * ```
- */
-function environmentBoardTemplate(params) {
-    const { userPrompt, page_aspect_ratio = '16:9', maxPanels, cinematicIntensity = 'strong', } = params;
-    const safeMaxPanels = typeof maxPanels === 'number' && Number.isFinite(maxPanels)
-        ? Math.max(5, Math.min(8, Math.floor(maxPanels)))
-        : undefined;
-    const intensityBlock = environmentIntensityMap[cinematicIntensity] ??
-        environmentIntensityMap.strong;
-    const panelCountRule = safeMaxPanels
-        ? `
-【主环境画格数量规则】
-- 主环境空间图的画格数量不多于 ${safeMaxPanels}
-- 主环境空间图至少包含 5 个核心视角：全景、俯视全景、核心中景、近景、特写
-- 若有额外主画格，只能用于补充同一空间的反打、入口、光源、功能区或关键陈设视角
-- 时序全景图、四季图和导演手册说明区不计入主环境画格数量，可作为独立条带或附加模块
-`.trim()
-        : `
-【主环境画格数量规则】
-- 自动决定为 5~8 个主环境画格
-- 必须包含 5 个核心视角：全景、俯视全景、核心中景、近景、特写
-- 额外主画格只用于补充同一空间的反打、入口、光源、功能区或关键陈设视角
-- 时序全景图、四季图和导演手册说明区不计入主环境画格数量，可作为独立条带或附加模块
-`.trim();
-    const finalOutputRule = safeMaxPanels
-        ? `
-【最终输出】
-- 一张比例为 ${page_aspect_ratio} 的导演级环境设定板 + 导演手册页
-- 主环境空间图画格数量不多于 ${safeMaxPanels}
-- 所有空间图共同描述同一个拍摄场景，不得变成多个不同地点
-- 适合作为导演、美术、置景、摄影统一空间关系、光线逻辑与氛围节奏的参考板
-`.trim()
-        : `
-【最终输出】
-- 一张比例为 ${page_aspect_ratio} 的导演级环境设定板 + 导演手册页
-- 主环境空间图画格数量自动控制在 5~8 个
-- 所有空间图共同描述同一个拍摄场景，不得变成多个不同地点
-- 适合作为导演、美术、置景、摄影统一空间关系、光线逻辑与氛围节奏的参考板
-`.trim();
-    return `You are creating a single director-level Environment Board plus light handwritten shooting notes for one continuous filming location.
-
-【Core Goal】
-- Create one single composed environment board, not multiple separate images
-- The board must lock the spatial continuity of one location across multiple shot sizes
-- This is an environment board with a minimal director handbook feel, not a character sheet and not a story sequence
-- Show only the environment and static set dressing, with no actors, no people, and no living subjects
-- The page must primarily emphasize environment, atmosphere, color, lighting, and spatial continuity
-- Text must be minimal and secondary, only serving as small handwritten Chinese annotations
-
-【Environment Locking Rules】
-- All panels must depict the exact same location
-- Keep architecture, terrain, entrances, exits, windows, pathways, stairs, props, furniture, signage, and light sources spatially consistent
-- Time of day, weather, lighting direction, color temperature, atmosphere, and material language must remain consistent across all panels
-- If the user mentions multiple beats or actions, extract only the environment and spatial information, not human performance
-- If the user mentions people, treat them only as context for scale or usage of the space, but do not render any person, silhouette, reflection, shadow figure, hand, or body part
-
-【Mandatory Spatial Shot Language】
-- The board must contain these core views of the same environment:
-  - 全景: the master establishing view of the whole location
-  - 俯视全景: a top-down or high-angle spatial overview clarifying layout and movement paths
-  - 核心中景: the most important functional camera-facing area of the set
-  - 近景: a nearer view focusing on a key zone within the environment
-  - 特写: a close-up of a critical environmental detail, texture, prop cluster, signage, mechanism, or atmospheric cue anchored in the same space
-- If extra panels are available, use them for reverse angle, entrance axis, light-source direction, depth layering, or another supporting view of the same environment
-
-【Time Sequence Panorama Rules】
-- In addition to the main spatial shot panels, include a dedicated time-sequence panorama strip
-- If the location is clearly exterior, the time-sequence strip must contain 4 labeled panoramic views of the same location:
-  - 清晨
-  - 昼间
-  - 黄昏
-  - 夜间
-- These 4 exterior time panels must show the same viewpoint or a closely matched panoramic framing so the time-of-day change is easy to compare
-- If there are obvious seasonal differences, add a dedicated four-season strip showing the same exterior location in:
-  - 春
-  - 夏
-  - 秋
-  - 冬
-- The seasonal strip should only appear when seasonal variation is visually meaningful and clearly changes vegetation, weather, ground state, costume requirements of the set, or atmosphere
-- If the location is clearly interior, instead of the 4 exterior time panels, include 3 labeled interior lighting-state views of the same location:
-  - 昼间
-  - 夜晚灯下
-  - 夜晚无灯
-- These interior lighting-state panels must clearly demonstrate how practical lights, spill, darkness, and atmosphere change while the space itself stays identical
-- All time-sequence and seasonal panels must have visible Chinese labels
-
-【Director Handbook Requirements】
-- The page must include a light director-handbook layer in addition to the environment images
-- This handbook layer must be minimal, concise, and visually quiet
-- It should explain in Chinese what kind of condition should use which shot size
-- It should also briefly indicate professional lighting setup and intended environmental mood
-- The handbook layer should feel like handwritten director or cinematography notes, not dense printed documentation
-
-【Shot Size Usage Notes】
-- Include a concise Chinese handwritten note block explaining when to use:
-  - 全景: used when the audience must understand overall geography, scale, isolation, crowding, or full environmental relationship
-  - 俯视全景: used when the audience must understand layout, routes, spatial hierarchy, entrances, exits, or tactical overview
-  - 核心中景: used when the audience must focus on the main performance zone, key blocking area, or functional center of the set
-  - 近景: used when the audience must notice a specific area, object cluster, lighting pocket, or emotional environmental detail
-  - 特写: used when the audience must read a decisive prop, material, mechanism, weather trace, or atmosphere cue
-- These usage notes must be written in very short professional Chinese phrases
-- Use only brief labels or short note fragments, not paragraph explanations
-- These notes must be visually separated as light annotations and must never overpower the environment imagery
-
-【Professional Lighting Handbook】
-- Include a small professional lighting note block
-- The lighting note block should briefly indicate likely key light logic, fill strategy, rim light or backlight logic, practical light sources, ambient bounce, haze or volumetric conditions, and contrast tendencies
-- Use professional but concise Chinese terminology such as:
-  - 主光
-  - 辅光
-  - 轮廓光
-  - 逆光
-  - 实景灯源
-  - 环境反射
-  - 冷暖对比
-  - 氛围雾
-  - 体积光
-- The lighting plan must stay consistent with whether the scene is interior or exterior, and with each time-of-day panel
-- The board should visually demonstrate professional lighting more through color, value, shadow shape, and atmosphere than through text explanation
-
-【Environmental Atmosphere Handbook】
-- Include a small environmental mood block
-- Describe atmosphere in terms of weather, humidity, dust, haze, smoke, air density, temperature impression, material aging, soundless tension, liveliness, loneliness, sacredness, danger, decay, comfort, or grandeur
-- These atmosphere notes must feel cinematic and production-relevant, not literary or vague
-- Atmosphere notes must support both the static environment design and how it should be photographed
-- The environment itself must carry the mood visually through cinematic color design, tonal control, contrast structure, and light behavior
-
-【Composition Rules】
-- Output one complete board with a clean, readable, production-friendly layout
-- Overall page aspect ratio: ${page_aspect_ratio}
-- The board should read like a director + production designer + cinematographer environment continuity sheet
-- The upper or central main area should contain the main spatial shot panels
-- The lower or side handbook area should be lighter and smaller than before, containing only concise shot-size notes, lighting notes, atmosphere notes, and time-sequence strips
-- Each spatial panel must feel like a real camera angle from the same set
-- Vary shot size and angle, but do not break spatial logic
-- Make the viewer immediately understand where the camera is placed in relation to the space
-- The page must feel like one unified professional environment board, not a collage of unrelated concept sketches
-- The visual focus must remain on environment images, not on text blocks
-
-${panelCountRule}
-
-【Visual Rules】
-- No actors
-- No people
-- No crowd
-- No silhouette figures
-- No mannequins
-- No portraits
-- No floating character references
-- Static environmental objects are allowed only if they belong to the set and stay spatially grounded
-- Prioritize readable architecture, staging zones, object placement, atmosphere, lighting, and material continuity
-- The environment should feel cinematic, professional, and directly useful for production planning
-- The time-sequence and seasonal strips should still look like part of the same production document, not separate postcards
-- Use professional photography aesthetics that match the user-specified style
-- Push color palette, exposure control, shadow layering, practical light glow, atmospheric perspective, and cinematic contrast to a more advanced level
-- Make the board feel visually premium, with stronger cinematography and production-design sensibility
-- The handwritten notes should stay small, light, and unobtrusive
-
-【Style Rules】
-- If the user specifies a style, medium, era, architecture type, or visual mood, follow it strictly
-- If the user does not specify a style, default to: cinematic production design board, realistic environment concept art, strong photography aesthetics, controlled color script, refined shadow design, professional film set presentation
-- Maintain one unified visual language across the full board
-- The final image should feel closer to a high-end cinematography environment pitch board than a technical annotation sheet
-
-【Text Rules】
-- Any visible text inside the generated image must be Chinese only
-- Each main spatial panel should have only one small Chinese handwritten shot-size label, such as 全景, 俯视全景, 核心中景, 近景, 特写
-- Main spatial panels must not contain any other symbols, arrows, numbers, annotations, labels, notes, callouts, or extra text beyond the shot-size label itself
-- Do not place any handwritten notes inside the main spatial panels except the shot-size label
-- Time-sequence panels must have visible Chinese labels such as 清晨、昼间、黄昏、夜间
-- Four-season panels must have visible Chinese labels such as 春、夏、秋、冬
-- Interior lighting-state panels must have visible Chinese labels such as 昼间、夜晚灯下、夜晚无灯
-- All labels and notes should look like concise Chinese handwritten annotations
-- Simulate natural handwritten Chinese note style, clean and readable, not printed paragraph text
-- Labels must be concise, professional, and unobtrusive
-- Handbook note blocks must also be in Chinese and must stay very brief
-- Do not generate dialogue balloons or subtitles
-- Avoid large text blocks, long sentences, tables, and document-heavy layouts
-- Prefer tiny handwritten labels, short callouts, and brief note fragments
-
-【Spatial Continuity Requirements】
-- Camera angles may change, but the environment cannot drift
-- Preserve the same world orientation, same structural anchors, and same core prop positions
-- The top-down or high-angle overview must help explain how the other views belong to the same place
-- Near and close-up views must clearly feel extracted from the previously established environment, not from a new location
-- Time-sequence and seasonal panels must also preserve the same spatial anchors, even as light, weather, season, or practical lighting changes
-
-${intensityBlock}
-
-【Document Realism Rules】
-- Use a clean presentation layout, but keep it visually elegant and image-led rather than document-heavy
-- The page should look useful to directing, cinematography, lighting, art department, and VFX continuity teams
-- Do not make it look like a poster
-- Do not make it look like a text-dense manual sheet
-- Do not make it look like random environment thumbnails without explanation
-- It should look like a premium preproduction environment board with a few handwritten Chinese notes
-
-【User Input】
-${userPrompt}
-
-${finalOutputRule}`.trim();
-}
-//# sourceMappingURL=environment-board-tpl.js.map

package/dist/utils/environment-board-tpl.js.map

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