@voqalize/avatar 0.4.2 → 0.4.4

package/src/canvas/author/parts/mouth.mjs

@@ -1,741 +0,0 @@
-// ---------------------------------------------------------------------------
-// author/parts/mouth.mjs — the round idiom's mouth, as a PART, in CHANNEL SPACE.
-//
-// A PART is one feature of a face — a mouth, an eye — packaged so that the
-// avatar's build.mjs no longer holds its geometry. It has two APIs, and the
-// split between them is the whole idea:
-//
-//   CONSTRUCTION (build time, once per persona)
-//     makeMouth({ P, PALETTE, solid, group }) -> part
-//     Everything that is a constant of THIS character: proportions, the
-//     resolved palette, the persona's paint registry, the group tag. A second
-//     persona is a second `makeMouth` with a second palette; they never share.
-//
-//   DRIVING (once per control vector, so once per pose)
-//     part.draws(c, L, env) -> [ { slot, group, cmds, paint, a, ...extra }, ... ]
-//     An ORDERED array — draw order IS paint order and the part owns it. `c` is
-//     the control vector, `L` the landmarks the avatar solved for that vector,
-//     `env` anything else a caller needs to hand in (nothing, for this mouth).
-//
-//   REST BLOCKS
-//     mouthRestChannels() -> the `mouth:` sub-object THIS part implements.
-//     mouthRest()         -> the LEGACY nine-key block, kept because
-//                            `REST_CONTROLS` is shared with two avatars whose
-//                            mouths are still inline (see below).
-//
-// The fixed-opcode rule (author/path.mjs) is the part's contract with the
-// runtime: every shape here is emitted by a primitive whose opcode count
-// depends on the point COUNT and never on the point VALUES, at a point count
-// that is a literal. So a pose is a straight rebuild-and-diff (author/rig.mjs,
-// `poseHarness`) and topology can never drift — which is why a part gets its
-// poses for free and does not carry any of its own.
-//
-// ---------------------------------------------------------------------------
-// THE DRIVER BLOCK (voqalize `PoseChannel`, the 10 mouth channels)
-//
-//   channel      rest   range      meaning (voqalize params.js / avatar.d.ts)
-//   open         0.02   0..1       VISIBLE aperture height — the dark gap, not
-//                                  the lip-centreline distance
-//   width        0.42   0..1       corner-to-corner span
-//   round        0.10   0..1       pucker: rounds AND narrows the aperture
-//   press        0.15   0..1       lips thinned and pressed together
-//   tuck         0.0    0..1       lower lip drawn under the upper teeth (F/V)
-//   cornerL/R    0.0   -1.4..1.4   per-side corner lift, + = smile
-//   teeth        0.0    0..1       upper-teeth reveal
-//   tongue       0.0    0..1       tongue raised into the aperture
-//   c.jaw        0.0    0..1       chin drop — TOP-LEVEL, not in this block,
-//                                  because the avatar's own landmark solve
-//                                  reads it (the whole jaw silhouette moves).
-//                                  The mouth reads it too: the lower lip
-//                                  follows the chin by JAW_FOLLOW of the drop.
-//                                  voqalize derives it as jaw = 0.7 * open.
-//
-// PART-LOCAL EXTRAS — driver params with no counterpart in the contract, kept
-// because a shape here needs them and documented as this part's own:
-//   tongueUp   0..1  tongue POSITION, not amount: 0 behind the lower teeth,
-//                    1 up at the upper lip. voqalize has one scalar `tongue`,
-//                    so the `th` viseme (the tongue between the teeth) has
-//                    nowhere else to live. Lerped, never branched on, so it
-//                    interpolates like everything else.
-//   c.lipFull  an IDENTITY morph (`morph/lips_±100`), not a performance
-//                    channel; it stays on the control vector.
-//
-// WHAT `upRaise` AND `cornerY` BECAME. `upRaise` (px, raised the upper lip's
-// inner edge) is gone into `press`, which thins BOTH lips, flattens the bow and
-// straightens the seam — a shape change rather than a translation, because
-// A-vs-X has to be topological (see the fidelity note). `cornerY` (one px
-// value, + = down, both corners) split into `cornerL`/`cornerR` in the
-// contract's own sign and units (+ = smile = up), which is what finally lets
-// this face smirk.
-//
-// THE LEGACY BLOCK. `author/rig.mjs`'s `REST_CONTROLS` is shared by all three
-// avatars, and `avatars/{facet,ink}/build.mjs` still hold their mouths inline
-// against the OLD nine keys (`m.w`, `m.open` in px, `m.protrude`, …). So
-// `mouthRest()` still returns those, `REST_CONTROLS` is untouched, and the one
-// avatar that has adopted the part composes its own vector:
-//
-//     const ctrl = makeCtrl({ ...REST_CONTROLS, mouth: mouthRestChannels() });
-//
-// When ink grows `mouth-ink.mjs` it does the same and `mouthRest()` goes.
-//
-// ---------------------------------------------------------------------------
-// FIDELITY — where the numbers below come from
-//
-// `parts/ref/mouth/v2-high.png` is nine drawn Rhubarb visemes; its
-// `.measure.json` is those drawings as numbers, normalised by each cell's own
-// corner span. `MAP` is fitted to them (`parts/README.md` for the schema,
-// avatars/round/NOTES.md for the residuals). What the sheet taught, in order
-// of how much geometry it moved:
-//
-//  * The inner opening is NOT the corner-to-corner gap. It is its own pair of
-//    arcs, inset from the corners by an amount that is mostly a function of
-//    `round` — 0.73 of the mouth's width at B, 0.95 at D, 0.12 at F. The old
-//    mouth ran its lip edges corner to corner, so every open viseme showed an
-//    aperture the full width of the mouth and F could not pucker at all.
-//  * The upper lip has a cupid's bow with two peaks and a philtrum dip about
-//    13% of the lip's thickness deep, tapering to nothing at the corners; the
-//    lower lip is ~15% thicker than the upper at rest and stays fuller as the
-//    mouth opens (the sheet's `lip_th_ratio` is 0.86 at X and 0.70 at D).
-//  * Both lips thin as the mouth opens (foreshortening) and thicken under
-//    `round` (the pucker bunches them).
-//  * The teeth are a row of roughly CONSTANT height — `teeth_reveal` is 0.95 at
-//    B and 0.08 at D not because the row grows but because the hole does.
-//
-// And three things the sheet could not tell us, authored by hand from the
-// channel semantics instead:
-//  * G is a second B in the drawing (the model will not draw F/V), so G is
-//    authored from the tuck: the lower lip rides up under the teeth, the row
-//    overlaps it, and there is no dark gap left at all.
-//  * A and X are one drawing. They differ here by `press` alone: thinner lips,
-//    a flatter bow, a straighter seam and a slightly narrower mouth.
-//  * The sheet's mouth WIDTH was pinned by the prompt, so width comes from the
-//    channel (voqalize's own `26 + 32·width`, normalised), not from the sheet.
-// ---------------------------------------------------------------------------
-
-import { eqp, polygon, spline, openSpline, arc, circle, shift, band, bulge, contours } from '../path.mjs';
-import { clamp, lerp, drawPusher } from '../rig.mjs';
-
-// The `mouth:` block of the control vector, at rest — voqalize's REST, verbatim,
-// plus this part's one extra. Sixteen visemes and nine Rhubarb letters are
-// patches on these ten numbers and nothing else.
-export function mouthRestChannels() {
-  return {
-    open: 0.02, width: 0.42, round: 0.10, press: 0.15, tuck: 0,
-    cornerL: 0, cornerR: 0, teeth: 0, tongue: 0,
-    tongueUp: 0,
-  };
-}
-
-// The pre-channel block. Only `author/rig.mjs`'s REST_CONTROLS calls this, and
-// only because facet and ink still read those keys out of it. See the header.
-export function mouthRest() {
-  return {
-    w: 1, open: 0, cornerY: 0, upRaise: 0, protrude: 0,
-    teeth: 0, tongue: 0, tongueUp: 0, lowTuck: 0,
-  };
-}
-
-// ---------------------------------------------------------------------------
-// THE FRONT DOOR: channel units -> design-space pixels.
-//
-// Every number that converts a 0..1 channel into a distance on this
-// character's face is here and nowhere else. The ones marked FIT were chosen
-// by least squares against the reference sheet (`parts/fit-mouth.mjs`); the
-// rest are style, and say so.
-// ---------------------------------------------------------------------------
-export const MAP = {
-  // --- corner span ---------------------------------------------------------
-  // voqalize's own width law (`w = 26 + 32·mouthWidth`, face-peep.js),
-  // normalised so that width = 0.42 is exactly this character's `P.mouthHalfW`.
-  // STYLE: the sheet pinned its corners, so it has nothing to say here.
-  WIDTH_A: 0.659, WIDTH_B: 0.811,
-  // voqalize's peep pulls the corners in by 0.36 per unit of round. The sheet
-  // disagrees and it can be checked: its F is the most puckered mouth in the
-  // set and still 0.84 of X's width. At 0.36 this face's F was 0.50 of rest,
-  // and a lower lip 21 units thick inside a 96-unit mouth stopped reading as a
-  // lip and started reading as a kite. FIT to `width_vs_rest`, F and E.
-  ROUND_NARROW: 0.18,      // pucker pulls the corners in
-  PRESS_NARROW: 0.30,      // pressed lips are a little narrower
-
-  // --- the aperture --------------------------------------------------------
-  // FIT says 147.4 — the sheet's D is 0.688 of its own corner span. STYLE CAP
-  // at 105: this face has 190 design units between the nose base and the chin,
-  // and a 125-unit hole put the mouth interior on the jawline. A deliberate
-  // -29% deviation from the sheet, and the largest one here.
-  APER_PX: 105,            // visible aperture height at open = 1
-  AH_ROUND: 0.565,         // FIT: a pucker closes the hole vertically too
-  APER_UP: 0.34,           // STYLE: share of it that opens UPWARD. The rest
-                           // goes down, and the jaw takes the corners with it.
-  APER_POW: 0.80,          // STYLE: <1 fattens the lens toward a rectangle
-  // aperture WIDTH, in units of the REST corner span. FIT.
-  AW_0: 0.685, AW_W: 0.296, AW_O: 0.138, AW_ROUND: 0.909,
-  AW_MAX: 0.94,            // never wider than this share of the corner span
-
-  // --- corners -------------------------------------------------------------
-  // STYLE: peep travels 0.61 of its half-span per unit of corner. This face
-  // carries its corners only 10 units above the opening, and 0.61 put a smile
-  // in the cheek; 0.33 keeps a +0.3 smile at the 9 px the old `cornerY` used.
-  CORNER_PX: 32,
-  CORNER_MID: 0.5,         // how much of the corner lift the centre follows
-
-  // --- lip mass ------------------------------------------------------------
-  // FIT says 0.587 / 0.504 — the sheet's D keeps 0.59 of its upper lip and 0.73
-  // of its lower. STYLE CAP at 0.35 / 0.30: the sheet's lips are twice this
-  // character's to begin with (0.166 of the corner span against round's 15/192
-  // = 0.078), so the same RATIO leaves a 6 px rim where the sheet still has a
-  // lip. Faithful to the sheet's ratio, this face's D reads as a hole in a chin.
-  TH_OPEN_U: 0.35, TH_OPEN_L: 0.30,    // lips thin as the mouth opens
-  TH_POW: 0.5,                         // FIT: …fast at first, then flattening
-  TH_ROUND_U: 0.084, TH_ROUND_L: 0.046, // FIT: the pucker bunches them
-  PRESS_THIN: 0.70,        // STYLE: the sheet drew A as X, so press is ours
-  PRESS_STRAIGHT: 1.9,     // STYLE: press pulls the seam onto the corner chord
-  PRESS_BOW: 0.9,          // STYLE: press flattens the cupid's bow
-  BOW: 0.14,               // FIT: bow depth as a share of upper-lip thickness
-  ROUND_RING: 0.85,        // STYLE: how far a full pucker pushes the lips' mass
-  RING_X: [-1, -0.87, -0.42, 0, 0.42, 0.87, 1],  // ...out toward these stations
-  LIPFULL_U: 0.55, LIPFULL_L: 0.60,    // the identity morph, unchanged
-
-  // --- teeth, tongue, tuck -------------------------------------------------
-  TEETH_PX: 24.7,          // FIT: height of the upper row at teeth = 1
-  TEETH_W: 0.82,           // its width, as a share of the aperture's
-  TEETH_FILL: 0.82,        // how much of a closed-ish aperture it may fill
-  TUCK_RISE: 0.85, TUCK_MIN: 6,   // lower aperture edge rides up under tuck
-  TUCK_OVER: 28,           // …and the teeth row is allowed that far past it
-  TUCK_THIN: 0.50,         // the tucked lower lip is rolled in, so thinner
-  TONGUE_RISE: 0.78,       // how far up the aperture the tongue comes at 1
-  TONGUE_W: 0.72,          // its width, as a share of the aperture's
-  // The tongue is drawn BEHIND the lips but it is not CLIPPED by them, so its
-  // ellipse has to be bounded by the aperture and not by the aperture's height:
-  // sized off `(dUp+dLo)` alone, D's disc hung ~90 px below a lower lip only 11
-  // px thick and read as a pink chin. It may reach this far past the lower arc
-  // and no further, which is just enough for the lip to cover the seam.
-  TONGUE_BOT_PAD: 2,
-  // …and its opacity floor: at `tongue` .15 (Rhubarb D) a visible tongue is a
-  // second lip, so the ramp starts at .10 and still saturates by .56 (H is .9).
-  TONGUE_A0: 0.10, TONGUE_AK: 2.2,
-
-  // --- the jaw -------------------------------------------------------------
-  JAW_FOLLOW: 0.24,        // share of P.jawDrop the lower lip takes with it
-  SEAM_FADE: [14, 10],     // the seam is gone this many px of aperture later
-
-  // --- expression: what `cornerL/R` and `press` do BESIDES moving a corner --
-  // The corner channels are the mixer's only mouth-side expression, and a
-  // corner that only translates reads as a mouth with a hinge. A real smile is
-  // a composite: the corners go up AND out, the lip line CURVES between them
-  // (flat through the middle, turning at the ends), the upper lip stretches
-  // thin over it, the lower lip rolls full, and the commissure pocket deepens.
-  // A frown is not that composite reversed — the lower lip presses IN, the
-  // corners draw slightly inward, and the pocket sharpens instead of deepening.
-  // Every one of these is written so it is EXACTLY 1 (or 0) at cornerL/R = 0:
-  // `mouthRestChannels()` still renders this character's rest pose to the byte.
-  SMILE_OUT: 0.085,        // corners travel outward, per unit of +corner
-  FROWN_IN: 0.055,         // …and inward on a frown
-  SMILE_MID: 0.40,         // the centre follows the corners LESS the harder
-                           // they pull — which is where the curvature comes from
-  SEAM_FLAT: 0.50,         // …and the lip line flattens in the middle as it does
-  SMILE_BOWFLAT: 0.55,     // the cupid's bow flattens as the upper lip stretches
-  SMILE_THIN_U: 0.22,      // …and the upper lip thins with it
-  SMILE_FULL_L: 0.16,      // the lower lip rolls full
-  SMILE_LO_BOW: 0.9,       // …and rounder: its profile stations bow out
-  FROWN_THIN_L: 0.22,      // a frown presses the lower lip in and thin
-  CM_R: 0.50,              // the commissure pocket deepens with a smile
-  CM_WIDE: 0.22,           // …and flattens, being stretched between the lips
-  CM_SHARP: 0.35,          // a frown makes it smaller
-  CM_ASP: 0.45,            // …and taller: a pinch rather than a pocket
-  CM_DX: 0.55,             // both ride further into the corner
-  SMILE_SEAM: 0.55,        // a smile is READ off the line between the lips, so
-                           // that line thickens as the corners travel: at this
-                           // size the corner displacement is already 1.7x
-                           // peep's and the thing peep beats us on is CONTRAST
-                           // — a 4.5-unit ribbon under a pink lip against a
-                           // 6-unit black stroke on white.
-  PRESS_SEAM: 0.85,        // press above REST widens the seam into a line
-  PRESS_IN: 0.07,          // …and draws the corners in
-};
-
-// The rest normalisers. Every law above is written in the contract's units and
-// then divided by its own value at REST, so `mouthRestChannels()` reproduces
-// this character's proportions exactly whatever the constants are — which is
-// what lets the fit move them without moving the rest pose.
-const R = mouthRestChannels();
-const widthFactor = (width, round, press) =>
-  (MAP.WIDTH_A + MAP.WIDTH_B * width) * (1 - MAP.ROUND_NARROW * round) * (1 - MAP.PRESS_NARROW * press);
-const upFactor = (open, round, press) =>
-  (1 - MAP.TH_OPEN_U * Math.pow(open, MAP.TH_POW)) * (1 + MAP.TH_ROUND_U * round) * (1 - MAP.PRESS_THIN * press);
-const loFactor = (open, round, press) =>
-  (1 - MAP.TH_OPEN_L * Math.pow(open, MAP.TH_POW)) * (1 + MAP.TH_ROUND_L * round) * (1 - MAP.PRESS_THIN * press);
-const REST_W = () => widthFactor(R.width, R.round, R.press);
-const REST_U = () => upFactor(R.open, R.round, R.press);
-const REST_L = () => loFactor(R.open, R.round, R.press);
-
-// ---------------------------------------------------------------------------
-// THE FRAME: one control vector's worth of mouth, as numbers and point runs.
-// `draws` paints it and `mouthMetrics` measures it, so what the fit measures
-// is exactly what the rig draws.
-//
-// P keys read: mouthHalfW, lipUpTh, lipLowTh, jawDrop.
-// L keys read: mcorL, mcorR, mth_c.
-// c keys read: mouth.*, jaw, lipFull.
-// ---------------------------------------------------------------------------
-export function mouthFrame(P, c, L) {
-  const m = c.mouth;
-  const open = clamp(m.open, 0, 1), width = clamp(m.width, 0, 1);
-  const round = clamp(m.round, 0, 1), press = clamp(m.press, 0, 1);
-  const tuck = clamp(m.tuck, 0, 1), teeth = clamp(m.teeth, 0, 1);
-  const tongue = clamp(m.tongue, 0, 1);
-  const cL = clamp(m.cornerL, -1.4, 1.4), cR = clamp(m.cornerR, -1.4, 1.4);
-  const jaw = clamp(c.jaw, 0, 1);
-
-  const ml = L.mcorL, mr = L.mcorR;
-  const mcx = (ml[0] + mr[0]) / 2;
-  const restHW = (mr[0] - ml[0]) / 2;
-  const hw = restHW * (widthFactor(width, round, press) / REST_W());
-
-  // --- the expression axis, split into the four numbers the shape wants ----
-  // Per side for everything that has a side (the asymmetry is the smirk), and
-  // averaged for everything the whole lip line shares. `pAbs` is press ABOVE
-  // its rest value, so a pressed mouth is a DEPARTURE from this face rather
-  // than a state this face is already in.
-  const cPosL = Math.max(0, cL), cPosR = Math.max(0, cR);
-  const cNegL = Math.max(0, -cL), cNegR = Math.max(0, -cR);
-  const cAvg = (cL + cR) / 2;
-  const cPos = Math.max(0, cAvg), cNeg = Math.max(0, -cAvg), cMag = Math.abs(cAvg);
-  const pAbs = Math.max(0, press - R.press);
-
-  // The corner span, now per side: a smile widens the mouth as it lifts, a
-  // frown narrows it, and a press draws both corners in. Each factor is
-  // exactly 1 at rest, so `hwL === hwR === hw` there.
-  const hwL = hw * (1 + MAP.SMILE_OUT * cPosL - MAP.FROWN_IN * cNegL - MAP.PRESS_IN * pAbs);
-  const hwR = hw * (1 + MAP.SMILE_OUT * cPosR - MAP.FROWN_IN * cNegR - MAP.PRESS_IN * pAbs);
-  // …so the normalised run coordinate is per side too.
-  const fx = (x) => (x < mcx ? (x - mcx) / hwL : (x - mcx) / hwR);
-
-  // Corners, one per side: + is a lift, and screen y grows downward.
-  const cyL = ml[1] - cL * MAP.CORNER_PX;
-  const cyR = mr[1] - cR * MAP.CORNER_PX;
-  const chordMid = (cyL + cyR) / 2;
-  const chord = (x) => chordMid + fx(x) * (cyR - cyL) / 2;
-
-  // The closed-lip line. It runs corner to corner through a centre that sits
-  // BELOW the corners — which is this character's resting smile — and `press`
-  // pulls it back onto the straight chord between them.
-  // The centre follows the corners only PART of the way, and the harder they
-  // pull the less of it it follows: at CORNER_MID flat the whole lip line just
-  // translates, which is the hinge. Backing the follow off with `cMag` is what
-  // opens the curve — the corners are 32 px up and the centre 5, so the line
-  // between them has to bend.
-  const myc = L.mth_c[1] - cAvg * MAP.CORNER_PX * (MAP.CORNER_MID - MAP.SMILE_MID * cMag)
-    + jaw * P.jawDrop * MAP.JAW_FOLLOW * 0.5;
-  const seamMid = myc + (chordMid - myc) * MAP.PRESS_STRAIGHT * press;
-  const dip = seamMid - chordMid;
-  // …and the PROFILE of that bend changes with it. A parabola peaks at the
-  // centre and is the shape a hinge makes; a smile is flat through the middle
-  // and turns in the last third. `(1-f^2)^p` with p < 1 is exactly that, and
-  // p = 1 is the parabola we had, to the bit.
-  const seamFlat = MAP.SEAM_FLAT * cPos;
-  const seamY = (x) => {
-    const f = fx(x), q = Math.max(0, 1 - f * f);
-    return chord(x) + dip * (seamFlat > 0 ? Math.pow(q, 1 - seamFlat) : q);
-  };
-
-  // The aperture. Its width is a law of its own — the sheet's whole point.
-  const awRel = (MAP.AW_0 + MAP.AW_W * width + MAP.AW_O * open) * (1 - MAP.AW_ROUND * round);
-  const ahw = Math.max(2, Math.min(P.mouthHalfW * awRel, hw * MAP.AW_MAX));
-  const h = MAP.APER_PX * open * (1 - MAP.AH_ROUND * round);
-  const dUp = h * MAP.APER_UP;
-  // Tuck pulls the lower edge up under the teeth, and may take it past the
-  // upper one — a tucked lip leaves no dark gap at all, which is the whole
-  // difference between G and B.
-  const dLo = Math.max(2 - dUp, h * (1 - MAP.APER_UP) - tuck * (h * MAP.TUCK_RISE + MAP.TUCK_MIN))
-    + jaw * P.jawDrop * MAP.JAW_FOLLOW * 0.5;
-
-  // The lens profile: 1 at the centre, 0 at ±ahw, fattened by APER_POW.
-  const lens = (x) => {
-    const f = clamp((x - mcx) / ahw, -1, 1);
-    return Math.pow(Math.max(0, 1 - f * f), MAP.APER_POW);
-  };
-  const innerUp = (x) => seamY(x) - dUp * lens(x);
-  const innerLo = (x) => seamY(x) + dLo * lens(x);
-
-  // The nine x stations every corner-to-corner run is sampled at: the corner,
-  // the midpoint of the closed run, the aperture's own five, and back. A
-  // literal count, at every control value, which is the fixed-opcode rule.
-  const XS = [-1, -0.5, 0, 0.5, 1].map((f) => mcx + f * ahw);
-  const RUN = [mcx - hwL, mcx - (hwL + ahw) / 2, ...XS, mcx + (hwR + ahw) / 2, mcx + hwR];
-  const upperInner = RUN.map((x) => [x, innerUp(x)]);
-  const lowerInner = RUN.map((x) => [x, innerLo(x)]);
-  const apUpper = XS.map((x) => [x, innerUp(x)]);
-  const apLower = XS.map((x) => [x, innerLo(x)]);
-
-  // Lip mass. Thickness is measured at the centre line, exactly as the sheet
-  // measures it, and both lips ride on the aperture's arcs.
-  // A smile STRETCHES the upper lip over the teeth (thinner) and rolls the
-  // lower one out (fuller); a frown presses the lower lip in against them.
-  const thUp = P.lipUpTh * (1 + MAP.LIPFULL_U * c.lipFull)
-    * (upFactor(open, round, press) / REST_U()) * (1 - MAP.SMILE_THIN_U * cPos);
-  const thLo = P.lipLowTh * (1 + MAP.LIPFULL_L * c.lipFull)
-    * (loFactor(open, round, press) / REST_L()) * (1 - MAP.TUCK_THIN * tuck)
-    * (1 + MAP.SMILE_FULL_L * cPos - MAP.FROWN_THIN_L * cNeg);
-
-  // The cupid's bow: two peaks BOW deeper than the philtrum dip, tapering to
-  // nothing at the corners. `press` flattens it toward a plain arc.
-  const bowAmp = MAP.BOW * (1 - MAP.PRESS_BOW * press) * (1 - MAP.SMILE_BOWFLAT * cPos);
-
-  // A pucker is not just a narrow mouth: the lips BUNCH, so their mass sits out
-  // near the commissures instead of tapering away from the centre. Without this
-  // the sheet's F comes out a WEDGE — a flat bar over a V — because a 20 px lip
-  // hung on a 60 px half-width has no room to arc, and a wedge does not read as
-  // lips at 1x. `ring` slides the profile STATIONS outward as `round` climbs, so
-  // the mass rounds out while both ends still close to a point at the corner —
-  // raising the corner FACTOR instead grows fins there, which is worse. It moves
-  // x only, never the centre-line thickness the sheet measures, so the fit is
-  // untouched.
-  const ring = MAP.ROUND_RING * round;
-  const stations = (xs) => xs.map((f, i) =>
-    mcx + (f + (MAP.RING_X[i] - f) * ring) * (i < 3 ? hwL : i > 3 ? hwR : hw));
-
-  const UP_F = [0, 0.74, 1 + bowAmp, 1, 1 + bowAmp, 0.74, 0];
-  const UP_X = stations([-1, -0.62, -0.23, 0, 0.23, 0.62, 1]);
-  const upperOuter = UP_X.map((x, i) => [x, innerUp(x) - thUp * UP_F[i]]);
-
-  // …and the lower lip's own profile rounds out with the smile, which is the
-  // difference between a full lip and a thicker one.
-  const loB = clamp(MAP.SMILE_LO_BOW * cPos, 0, 1);
-  const LO_F = [0, 0.62 + 0.16 * loB, 0.94 + 0.05 * loB, 1, 0.94 + 0.05 * loB, 0.62 + 0.16 * loB, 0];
-  const LO_X = stations([-1, -0.62, -0.28, 0, 0.28, 0.62, 1]);
-  const lowerOuter = LO_X.map((x, i) => [x, innerLo(x) + thLo * LO_F[i]]);
-
-  // The teeth row: a near-constant height hanging off the upper arc. What
-  // changes with the viseme is the hole it hangs in, not the row.
-  const tw = ahw * MAP.TEETH_W;
-  const tH = Math.min(MAP.TEETH_PX * teeth,
-    Math.max(3, (dUp + dLo) * MAP.TEETH_FILL + tuck * MAP.TUCK_OVER));
-  const TX = [-1, -0.55, 0, 0.55, 1].map((f) => mcx + f * tw);
-  const teethTop = TX.map((x) => [x, innerUp(x) + 1.5]);
-  const teethBot = TX.map((x, i) => [x, innerUp(x) + 1.5 + tH * [0.25, 0.88, 1, 0.88, 0.25][i]]);
-
-  // The tongue: one rounded mass, rising out of the lower arc — or up at the
-  // upper lip when `tongueUp` says so (the `th` viseme).
-  const tgLow = innerLo(mcx) - MAP.TONGUE_RISE * (dUp + dLo) * tongue;
-  const tgUp = innerUp(mcx) + 6;
-  const tgTop = lerp(tgLow, tgUp, clamp(m.tongueUp, 0, 1));
-  const tgRx = Math.max(8, ahw * MAP.TONGUE_W);
-  // Bounded by the hole, not by the hole's height: the natural radius is
-  // `(dUp+dLo)·0.55 + 8`, but the ellipse's BOTTOM is then pinned to the lower
-  // arc (plus TONGUE_BOT_PAD) whenever that is nearer, so no viseme can hang a
-  // pink disc below the lower lip.
-  const tgBot = innerLo(mcx) + MAP.TONGUE_BOT_PAD;
-  const tgRy = Math.max(6,
-    (Math.min(tgBot, tgTop + 2 * ((dUp + dLo) * 0.55 + 8)) - tgTop) / 2);
-
-  return {
-    m, open, width, round, press, tuck, teeth, tongue, jaw,
-    mcx, hw, hwL, hwR, ahw, h, dUp, dLo, cyL, cyR, seamY, restHW,
-    cPosL, cPosR, cNegL, cNegR, pAbs,
-    upperInner, lowerInner, apUpper, apLower, upperOuter, lowerOuter,
-    thUp, thLo, tw, tH, teethTop, teethBot, tgTop, tgRx, tgRy,
-    cornerL: [mcx - hwL, cyL], cornerR: [mcx + hwR, cyR],
-  };
-}
-
-// The sheet's own measurements, taken off the frame instead of off a drawing.
-// Lengths are in units of the REST corner span (`2 · P.mouthHalfW`), which is
-// what makes them comparable with the sheet's numbers once those are
-// un-normalised by each cell's `width_vs_rest` — the sheet's per-cell width is
-// framing discipline, not anatomy (parts/README.md).
-export function mouthMetrics(P, F) {
-  const W = 2 * P.mouthHalfW;
-  const area = (pts) => {
-    let a = 0;
-    for (let i = 0; i < pts.length; i++) {
-      const [x0, y0] = pts[i], [x1, y1] = pts[(i + 1) % pts.length];
-      a += x0 * y1 - x1 * y0;
-    }
-    return Math.abs(a) / 2;
-  };
-  const apRing = [...F.apUpper, ...F.apLower.slice().reverse()];
-  const apArea = area(apRing);
-  const teethRing = [...F.teethTop, ...F.teethBot.slice().reverse()];
-  // The row is clipped by the hole it hangs in, so what shows is the overlap.
-  const shown = Math.min(area(teethRing), apArea + F.tuck * area(teethRing));
-  const oh = F.dUp + F.dLo, ow = 2 * F.ahw;
-  return {
-    open_h: oh / W,
-    open_w: oh > 3 ? ow / W : 0,
-    round_ratio: oh > 3 && ow > 0 ? oh / ow : 0,
-    upper_lip_th: F.thUp / W,
-    lower_lip_th: F.thLo / W,
-    lip_th_ratio: F.thUp / F.thLo,
-    teeth_reveal: apArea > 1 ? clamp(shown / apArea, 0, 1) : 0,
-    corner_span: 2 * F.hw / W,
-  };
-}
-
-
-// ---------------------------------------------------------------------------
-// The mouth has the same two idioms the eye does (parts/README.md § Two idioms):
-// a flat-fill face models with shapes, an outlined one models with shapes AND a
-// pen over them. `pen` is the whole of the second idiom — omit it and nothing
-// below changes — and `marks` turns the individual features on and off.
-//
-//   pen   { paint, lip, aper, sep, cap, join }   null = no outline anywhere
-//           `lip`  the outer lip contour, one closed ring over both fills
-//           `aper` the inner lip line round the aperture, alpha-ramped with
-//                  `open` because a stroke width is not a pose channel
-//           `sep`  the tooth separators, drawn as strokes instead of quads
-//   marks { bow, gum, lipHiFade, lipHiAlpha, bowAlpha, lipCastAlpha,
-//           toothSep, toothSepA, toothSh, seam, seamAlpha, commiss,
-//           commissAlpha }
-// ---------------------------------------------------------------------------
-
-/** Which of the mouth's marks exist, and at what strength. */
-export const MOUTH_MARKS = {
-  bow: true,                  // the cupid's-bow highlight over the upper lip
-  gum: false,                 // a gum arc over the top of the teeth row
-  lipHiFade: 0,               // how much `round` fades the lower-lip highlight
-  lipHiAlpha: 1,              // material strength; geometry and timing stay fixed
-  bowAlpha: 1,
-  lipCastAlpha: 0,            // a soft lower-lip shadow, disabled for legacy rigs
-  toothSep: [-0.36, 0.05, 0.42],  // separator stations, in units of the row's half-width
-  toothSepA: 0.9,             // …and their share of the row's alpha
-  toothSh: { depth: 5, a: 0.55, blend: 'multiply' },   // the upper lip's cast shadow
-  seam: [-1.5, 3.0],          // the seam ribbon's two offsets off its own run
-  seamAlpha: 1,
-  commiss: { r: 0.028, dx: 0.030, blend: 'multiply' }, // the corner pockets
-  commissAlpha: 1,
-  philtrum: null,             // an optional quiet two-plane neutral-mouth cue
-};
-
-export function makeMouth({ P, PALETTE, solid, group = 'head', marks = {}, pen = null }) {
-  const HEAD = group;
-  const M = { ...MOUTH_MARKS, ...marks };
-  const nib = (w) => ({ w, cap: (pen && pen.cap) || 'round', join: (pen && pen.join) || 'round' });
-  const INK = pen ? solid(pen.paint) : null;
-
-  // PALETTE keys read: mouthIn, teeth, toothSep, toothSh, tongue, lipLow,
-  //                    lipHi, lipUp, lipBow, lipCast, seam, commiss, philtrum.
-  function draws(c, L, env = {}) {
-    const out = [];
-    const push = drawPusher(out);
-    const F = mouthFrame(P, c, L);
-    const { mcx, ahw, tw } = F;
-
-    // ---- the hole ----------------------------------------------------------
-    // Its own two arcs now, not a diamond between the corners: the lips close
-    // over it OUTSIDE ±ahw, so the aperture's width is a channel and not an
-    // accident of where the corners are.
-    push('mouthIn', HEAD, spline([
-      ...F.apUpper, ...F.apLower.slice().reverse().slice(1, -1),
-    ], 0.8), solid(PALETTE.mouthIn));
-
-    // ---- the tongue, behind the teeth and behind the lower lip -------------
-    push('tongue', HEAD, spline(circle(mcx, F.tgTop + F.tgRy, F.tgRx, 8, F.tgRy / F.tgRx), 1),
-      solid(PALETTE.tongue), clamp((F.tongue - MAP.TONGUE_A0) * MAP.TONGUE_AK, 0, 1));
-
-    // A broad, quiet cast shadow makes the lower lip belong to the muzzle
-    // rather than float as a coloured symbol. It follows the live lower-lip
-    // curve, so speech keeps the same topology, closure and timing.
-    if (M.lipCastAlpha > 0) {
-      const castTop = F.lowerOuter.slice(1, 6).map(([x, y]) => [x, y + 3]);
-      push('lipCast', HEAD, band(
-        castTop,
-        bulge(castTop, 8, { floor: 2, power: 0.8, pin: true }),
-        0.86,
-      ), solid(PALETTE.lipCast), M.lipCastAlpha);
-    }
-
-    // ---- the lower lip -----------------------------------------------------
-    // Fuller than the upper, and it rides on the aperture's lower arc, so it
-    // travels with every viseme without a number of its own.
-    push('lipLow', HEAD, spline([
-      ...F.lowerOuter, ...F.lowerInner.slice().reverse().slice(1, -1),
-    ], 0.9), solid(PALETTE.lipLow));
-
-    // The lower lip carries the brightest value in a portrait: it is the one
-    // surface here that tilts up into the light. ~34% of the mouth's width,
-    // centred, sitting between the lip's inner and outer edges so it travels
-    // with every viseme.
-    const loIn0 = F.lowerInner[4][1], loOut0 = F.lowerOuter[3][1];
-    const hiY = loIn0 + (loOut0 - loIn0) * 0.50;
-    const hiRx = F.hw * 0.34, hiRy = Math.max(2, (loOut0 - loIn0) * 0.26);
-    // A rounded viseme both NARROWS the mouth and thickens the lip, which turns
-    // a 2:1 highlight band into a disc floating in a tall keyhole — the pink
-    // pill an outlined face's `viseme/U` was reviewed for. `lipHiFade` takes it
-    // out as the mouth rounds, which is also the physics: a specular lives on a
-    // lip pointing AT the light, and a protruded one does not.
-    push('lipHi', HEAD, spline(circle(mcx, hiY, hiRx, 7, hiRy / hiRx), 1), solid(PALETTE.lipHi),
-      M.lipHiAlpha * clamp(1 - M.lipHiFade * F.round, 0, 1));
-
-    // ---- teeth: ONE band, never individual teeth ---------------------------
-    // Painted AFTER the lower lip and BEFORE the upper one, which is the whole
-    // of the F/V tuck: at tuck = 1 the row is allowed past the aperture's lower
-    // edge and lands ON the lower lip, so G shows teeth resting on a lip and B
-    // shows teeth over a dark sliver. Two topologies, not two amplitudes.
-    // Reaching full opacity by teeth = 0.4 matters: at 0.8 over the near-black
-    // mouth interior the band renders grey and the smile reads as a grimace.
-    // …and the row all but goes out when the tongue is UP against it: `108 - L`
-    // and `116 - th` are the same channels except for `tongueUp`, and with a
-    // full-strength band in front of it the raised tongue is invisible, so the
-    // two visemes were one drawing. The tongue is BEHIND the teeth in the paint
-    // order and stays there; what changes is how much of the band is left.
-    const tA = clamp(F.teeth * 2.6, 0, 1) * (1 - 0.75 * clamp(F.m.tongueUp, 0, 1));
-    push('teeth', HEAD, band(F.teethTop, F.teethBot, 1), solid(PALETTE.teeth), tA);
-
-    // The gum arc, for a style that wants one. It rides the row's own top edge
-    // and is deliberately a hair OUTSIDE it — an inner edge leaves a 1-2 unit
-    // rim of bare enamel tracing the top of the band and the inner upper lip,
-    // the brightest, sharpest mark in the mouth, and the whole of why a white
-    // row reads as a glow at 1x. Deeper than the cast shadow below, or it reads
-    // as grey rather than as gum.
-    if (M.gum) {
-      const gTop = shift(F.teethTop, -1.2);
-      push('gum', HEAD, band(gTop, gTop.map(([x, y]) => [x, y + 1.2 + F.tH * 0.34]), 1),
-        solid(PALETTE.gum), tA);
-    }
-
-    // Three separators, spaced non-uniformly so the band does not read as a
-    // barcode, and stopping short of the lower edge. One draw, three contours,
-    // and `polygon` rather than a near-straight spline: each is a 3px-wide quad
-    // that is ~2 device px at 1x, so four beziers per corner bought nothing but
-    // 57 opcodes in every one of the 21 mouth poses.
-    const sepRun = (f) => {
-      const x = mcx + tw * f;
-      const y0 = F.seamY(x) - F.dUp * Math.pow(Math.max(0, 1 - ((x - mcx) / ahw) ** 2), MAP.APER_POW) + 3;
-      return [x, y0, y0 + F.tH * 0.88];
-    };
-    if (pen && pen.sep) {
-      // An outlined face draws its gaps with the same pen as everything else;
-      // three ticks, mid-point included so the run is a fixed 3 points.
-      push('toothSep', HEAD, contours(
-        ...M.toothSep.map((f) => {
-          const [x, y0, y1] = sepRun(f);
-          return openSpline([[x, y0], [x, (y0 + y1) / 2], [x, y1]], 0.9);
-        }),
-      ), INK, tA * M.toothSepA, { stroke: nib(pen.sep) });
-    } else {
-      push('toothSep', HEAD, contours(
-        ...M.toothSep.map((f) => {
-          const [x, y0, y1] = sepRun(f);
-          return polygon([[x - 1.6, y0], [x + 1.6, y0], [x + 1.3, y1], [x - 1.3, y1]]);
-        }),
-      ), solid(PALETTE.toothSep), tA * M.toothSepA);
-    }
-
-    // The upper lip's cast shadow across the top of the band, doing the gum
-    // line's job too (see PALETTE.toothSh).
-    push('toothSh', HEAD, band(F.teethTop, F.teethTop.map(([x, y]) => [x, y + M.toothSh.depth]), 1),
-      solid(PALETTE.toothSh), tA * M.toothSh.a,
-      M.toothSh.blend ? { blend: M.toothSh.blend } : undefined);
-
-    // ---- the upper lip, with a bow ----------------------------------------
-    push('lipUp', HEAD, spline([
-      ...F.upperOuter, ...F.upperInner.slice().reverse().slice(1, -1),
-    ], 0.85), solid(PALETTE.lipUp));
-
-    // cupid's bow: the ridge over the two peaks, as a highlight rather than a
-    // line. The dip at the centre is already in `upperOuter`.
-    if (M.bow) {
-      const bowTop = F.upperOuter.slice(1, 6);
-      push('lipBow', HEAD, band(bowTop, bowTop.map(([x, y]) => [x, y + 4.5]), 1),
-        solid(PALETTE.lipBow), M.bowAlpha);
-    }
-
-    // The philtrum is not a pair of drawn-on lines. It is two very shallow
-    // planes that narrow into the cupid's-bow dip: enough material change to
-    // connect nose and mouth in a neutral listening frame, quiet enough to
-    // disappear into every speech shape. `L.philt` is face-space while the
-    // lower endpoint comes from this frame's live upper lip, so the cue never
-    // hangs across an opened or smiling mouth.
-    if (M.philtrum) {
-      const { a = 0.5, w = 14 } = M.philtrum;
-      const [px, py] = L.philt;
-      const bottom = Math.max(py + 6, F.upperOuter[3][1] - 3);
-      const plane = (side) => polygon([
-        [px + side * w * 0.50, py], [px + side * w * 0.16, py + 2],
-        [px + side * w * 0.22, bottom], [px + side * w * 0.52, bottom - 2],
-      ]);
-      push('philtrum', HEAD, contours(plane(-1), plane(1)), solid(PALETTE.philtrum), a);
-    }
-
-    // ---- the pen, over both fills -----------------------------------------
-    // The outer lip contour: ONE closed ring round the whole mouth rather than
-    // an outline per lip, so the two lips do not each get a line where they
-    // meet — the seam below is what says that, tapered, and a pair of full-
-    // weight strokes there is the "even-weight line running over the tapered
-    // wedge" an outlined mouth gets reviewed for.
-    if (pen && pen.lip) {
-      push('lipInk', HEAD, spline([
-        ...F.upperOuter, ...F.lowerOuter.slice().reverse().slice(1, -1),
-      ], 0.85), INK, 1, { stroke: nib(pen.lip) });
-    }
-
-    // The inner lip line. It exists to run round an OPENING, and it is only
-    // that once there is one: as the mouth shuts the ring's two sides walk into
-    // each other and a round-capped stroke collapses into a blunt black lens
-    // heavier than the silhouette. Width is not a pose channel, so alpha is the
-    // only way to say "this line is not there" — off at a closed aperture, full
-    // by APER_PX·0.55, crossfading against the seam's own fade-out.
-    if (pen && pen.aper) {
-      push('aperInk', HEAD, spline([
-        ...F.apUpper, ...F.apLower.slice().reverse().slice(1, -1),
-      ], 0.8), INK, clamp((F.dUp + F.dLo - 4) / (MAP.APER_PX * 0.55), 0, 1),
-      { stroke: nib(pen.aper) });
-    }
-
-    // ---- the seam ----------------------------------------------------------
-    // The line between the lips: thickest dead centre, tapering to nothing at
-    // both corners. The taper is the whole point — a uniform line reads as a
-    // cut. It fades out as the aperture opens, because past a few px of gap the
-    // thing between the lips is the mouth, not a seam.
-    // It also has a job the taper does not advertise: `lipUp`'s lower edge and
-    // `lipLow`'s upper edge are two Catmull-Rom curves through nearly the same
-    // points at different tensions, and they bow apart by a px or two either
-    // side of centre, showing a hairline of FACE colour between the lips. The
-    // seam straddles that hairline instead of sitting on it.
-    // 4.5 units wide, biased downward (-1.5 / +3.0) so it sits mostly in the
-    // shadow under the upper lip; `power` 0.9 makes the taper toward the
-    // corners a real taper instead of a step up to full width in the first
-    // tenth of the run.
-    // `press` above REST widens the ribbon: a pressed mouth is a LINE, and the
-    // thinning the press already does to both lips leaves nothing between them
-    // to say so. Keyed on `press - REST.press` so this face at rest is not a
-    // face already pressing its lips, and so the closed visemes (A at 0.55, G
-    // at 0.40) get it too — which is the same shape for the same reason.
-    const seamRun = arc(eqp(F.cornerL), [mcx, F.seamY(mcx) + 1], eqp(F.cornerR), 4);
-    const seamAt = (dy) => bulge(seamRun, dy, { power: 0.9 });
-    const [s0, s1] = MAP.SEAM_FADE;
-    const seamW = 1 + MAP.PRESS_SEAM * F.pAbs + MAP.SMILE_SEAM * Math.max(0, (F.cPosL + F.cPosR) / 2);
-    push('seam', HEAD, band(seamAt(M.seam[0] * seamW), seamAt(M.seam[1] * seamW), 0.9),
-      solid(PALETTE.seam), M.seamAlpha * clamp((s0 - (F.dUp + F.dLo)) / s1, 0, 1));
-
-    // Commissures: the shadow pockets the corners of a real mouth pinch into.
-    // Without them the mouth stays flat however well the lips are shaded.
-    // Two dots of radius ~2.7 units — under 2 device px at 1x — so they are
-    // polygons: a 7-point closed spline apiece was 106 opcodes / 639 bytes in
-    // every one of the 21 mouth poses to draw something smaller than the
-    // rounding of its own coordinates.
-    // …and they are where the corner channel finishes its sentence. A smile
-    // DEEPENS the pocket and stretches it flat between the lips; a frown makes
-    // it small and tall — a pinch, not a pocket. Both ride further into the
-    // corner as the corner travels. It is geometry and not alpha because the
-    // two pockets are ONE draw (one alpha for both sides would kill the
-    // asymmetry that is the whole point of having cornerL and cornerR) and
-    // because this mark is already opaque at rest: there is no headroom above
-    // 1 to deepen into. Radius, aspect and offset have headroom both ways.
-    const pocket = [[F.cornerL, 1, F.cPosL, F.cNegL], [F.cornerR, -1, F.cPosR, F.cNegR]];
-    push('commiss', HEAD, contours(
-      ...pocket.map(([p, d, cp, cn]) =>
-        polygon(circle(
-          p[0] + d * F.hw * M.commiss.dx * (1 + MAP.CM_DX * (cp + cn)),
-          p[1] + 1,
-          F.hw * M.commiss.r * (1 + MAP.CM_R * cp - MAP.CM_SHARP * cn),
-          5,
-          0.9 * (1 - MAP.CM_WIDE * cp + MAP.CM_ASP * cn)))),
-    ), solid(PALETTE.commiss), M.commissAlpha,
-    M.commiss.blend ? { blend: M.commiss.blend } : undefined);
-
-    return out;
-  }
-
-  return { rest: mouthRestChannels(), draws, frame: (c, L) => mouthFrame(P, c, L) };
-}