@tyleretters/discography 0.0.18 → 0.0.20

This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
Files changed (8) hide show
  1. package/dist/discography.d.ts +35 -1
  2. package/dist/discography.js +157 -36
  3. package/dist/discography.js.map +1 -1
  4. package/dist/index.js +157 -36
  5. package/dist/index.js.map +1 -1
  6. package/package.json +1 -1
  7. package/src/discography.ts +157 -36
  8. package/src/discography.yml +18 -26
package/dist/index.js CHANGED
@@ -10,13 +10,14 @@ var discography = [
10
10
  "role": "Operator",
11
11
  "label": "Intertext",
12
12
  "mp3": true,
13
- "wav": false,
13
+ "wav": true,
14
14
  "tracks": [
15
15
  {
16
16
  "number": 1,
17
17
  "title": "Tiresias",
18
18
  "length": "00:01:49",
19
19
  "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/01-tiresias.mp3",
20
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/01-tiresias.wav",
20
21
  "id": "d8e190eb5c8a7c59a6bfe3a6cccd0b64"
21
22
  },
22
23
  {
@@ -24,6 +25,7 @@ var discography = [
24
25
  "title": "In Darkness Radiant",
25
26
  "length": "00:01:54",
26
27
  "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/02-in-darkness-radiant.mp3",
28
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/02-in-darkness-radiant.wav",
27
29
  "id": "07431a76e3916159a229b4d77597dde1"
28
30
  },
29
31
  {
@@ -31,6 +33,7 @@ var discography = [
31
33
  "title": "Temporary Autonomous Zone",
32
34
  "length": "00:04:16",
33
35
  "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/03-temporary-autonomous-zone.mp3",
36
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/03-temporary-autonomous-zone.wav",
34
37
  "id": "a8751056a8a9ebcbeec39a88b53ff2c8"
35
38
  },
36
39
  {
@@ -38,6 +41,7 @@ var discography = [
38
41
  "title": "Hell Money",
39
42
  "length": "00:01:58",
40
43
  "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/04-hell-money.mp3",
44
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/04-hell-money.wav",
41
45
  "id": "166de9752fc6f68fabff27f1e4ec9164"
42
46
  },
43
47
  {
@@ -45,6 +49,7 @@ var discography = [
45
49
  "title": "Subsea Fiber Faults in the APAC Region",
46
50
  "length": "00:05:43",
47
51
  "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/05-subsea-fiber-faults-in-the-apac-region.mp3",
52
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/05-subsea-fiber-faults-in-the-apac-region.wav",
48
53
  "id": "ddabb410b3b4e9692913d1aba064638f"
49
54
  },
50
55
  {
@@ -52,6 +57,7 @@ var discography = [
52
57
  "title": "Safe Passage (Non-Functional)",
53
58
  "length": "00:02:51",
54
59
  "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/06-safe-passage-non-functional.mp3",
60
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/06-safe-passage-non-functional.wav",
55
61
  "id": "cb92de4cad418d150ca1a21b7544879c"
56
62
  }
57
63
  ],
@@ -98,6 +104,7 @@ var discography = [
98
104
  "release_slug": "in-darkness-radiant",
99
105
  "cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/in-darkness-radiant.jpg",
100
106
  "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/in-darkness-radiant-mp3.zip",
107
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/in-darkness-radiant-wav.zip",
101
108
  "id": "fb698f2114760946e4fd0fc2576199a9"
102
109
  },
103
110
  {
@@ -108,37 +115,47 @@ var discography = [
108
115
  "format": "Digital",
109
116
  "role": "Operator",
110
117
  "label": "Intertext",
111
- "mp3": false,
112
- "wav": false,
118
+ "mp3": true,
119
+ "wav": true,
113
120
  "tracks": [
114
121
  {
115
122
  "number": 1,
116
123
  "title": "Sources and Methods",
117
124
  "length": "00:03:44",
125
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/01-sources-and-methods.mp3",
126
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/01-sources-and-methods.wav",
118
127
  "id": "376c3e78f3eff2fb422e21e6dd855274"
119
128
  },
120
129
  {
121
130
  "number": 2,
122
131
  "title": "Coyote",
123
132
  "length": "00:05:52",
133
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/02-coyote.mp3",
134
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/02-coyote.wav",
124
135
  "id": "958eab7cc3c22f4f4215bc80974c153f"
125
136
  },
126
137
  {
127
138
  "number": 3,
128
139
  "title": "Special Economic Zone",
129
140
  "length": "00:03:44",
141
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/03-special-economic-zone.mp3",
142
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/03-special-economic-zone.wav",
130
143
  "id": "b04e1d4a0065e8a519e97017876f4f0f"
131
144
  },
132
145
  {
133
146
  "number": 4,
134
147
  "title": "Border Crossing",
135
148
  "length": "00:03:28",
149
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/04-border-crossing.mp3",
150
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/04-border-crossing.wav",
136
151
  "id": "a61940bf64f3315a6b294642e1acaa8d"
137
152
  },
138
153
  {
139
154
  "number": 5,
140
155
  "title": "In Infinite Fogs",
141
156
  "length": "00:05:52",
157
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/05-in-infinite-fogs.mp3",
158
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/05-in-infinite-fogs.wav",
142
159
  "id": "3425ce3d019d9a2b4486a5b677580273"
143
160
  }
144
161
  ],
@@ -147,6 +164,8 @@ var discography = [
147
164
  "project_slug": "stuxnet",
148
165
  "release_slug": "fade-scatter-replicate",
149
166
  "cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/fade-scatter-replicate.jpg",
167
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/fade-scatter-replicate-mp3.zip",
168
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/fade-scatter-replicate-wav.zip",
150
169
  "id": "f47f6e20ac3ac2097070539354fda463"
151
170
  },
152
171
  {
@@ -293,25 +312,31 @@ var discography = [
293
312
  "format": "Digital",
294
313
  "role": "Operator",
295
314
  "label": "Intertext",
296
- "mp3": false,
297
- "wav": false,
315
+ "mp3": true,
316
+ "wav": true,
298
317
  "tracks": [
299
318
  {
300
319
  "number": 1,
301
320
  "title": "that it is a message at all",
302
321
  "length": "00:04:36",
322
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/human-interference-task-force/01-that-it-is-a-message-at-all.mp3",
323
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/human-interference-task-force/01-that-it-is-a-message-at-all.wav",
303
324
  "id": "e5b79e65e20eef11a6fdcfd49f045f10"
304
325
  },
305
326
  {
306
327
  "number": 2,
307
328
  "title": "that dangerous material is stored in a given location",
308
329
  "length": "00:32:21",
330
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/human-interference-task-force/02-that-dangerous-material-is-stored-in-a-given-location.mp3",
331
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/human-interference-task-force/02-that-dangerous-material-is-stored-in-a-given-location.wav",
309
332
  "id": "dd3c27ef99659033aaab2252f565fda5"
310
333
  },
311
334
  {
312
335
  "number": 3,
313
336
  "title": "information about the type of dangerous substances",
314
337
  "length": "00:19:16",
338
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/human-interference-task-force/03-information-about-the-type-of-dangerous-substances.mp3",
339
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/human-interference-task-force/03-information-about-the-type-of-dangerous-substances.wav",
315
340
  "id": "4bdbc9918ce2a3623da3380ad3b44386"
316
341
  }
317
342
  ],
@@ -320,6 +345,8 @@ var discography = [
320
345
  "project_slug": "stuxnet",
321
346
  "release_slug": "human-interference-task-force",
322
347
  "cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/human-interference-task-force/human-interference-task-force.jpg",
348
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/human-interference-task-force/human-interference-task-force-mp3.zip",
349
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/human-interference-task-force/human-interference-task-force-wav.zip",
323
350
  "id": "70d383f39cd6c320f14ae8f8112ab125"
324
351
  },
325
352
  {
@@ -330,49 +357,63 @@ var discography = [
330
357
  "format": "Digital",
331
358
  "role": "Operator",
332
359
  "label": "Intertext",
333
- "mp3": false,
334
- "wav": false,
360
+ "mp3": true,
361
+ "wav": true,
335
362
  "tracks": [
336
363
  {
337
364
  "number": 1,
338
365
  "title": "Dazzle Camouflage (MUA)",
339
366
  "length": "00:05:16",
367
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/01-dazzle-camouflage-mua.mp3",
368
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/01-dazzle-camouflage-mua.wav",
340
369
  "id": "b3e55e82d01163b32e55719915098c3a"
341
370
  },
342
371
  {
343
372
  "number": 2,
344
373
  "title": "Countersurveillance",
345
374
  "length": "00:04:09",
375
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/02-countersurveillance.mp3",
376
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/02-countersurveillance.wav",
346
377
  "id": "6dc975e67926eeec29161acbf020d1e6"
347
378
  },
348
379
  {
349
380
  "number": 3,
350
381
  "title": "A Territory of History, Without Self",
351
382
  "length": "00:03:33",
383
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/03-a-territory-of-history-without-self.mp3",
384
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/03-a-territory-of-history-without-self.wav",
352
385
  "id": "443d85726b3da2bbcf3f1e73cb75247c"
353
386
  },
354
387
  {
355
388
  "number": 4,
356
389
  "title": "Pyrocumulus Days, Entropy Nights",
357
390
  "length": "00:02:18",
391
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/04-pyrocumulus-days-entropy-nights.mp3",
392
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/04-pyrocumulus-days-entropy-nights.wav",
358
393
  "id": "2bbf6bb6019421586f7c422490fb877f"
359
394
  },
360
395
  {
361
396
  "number": 5,
362
397
  "title": "What's Your Wifi Password?",
363
398
  "length": "00:02:18",
399
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/05-whats-your-wifi-password.mp3",
400
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/05-whats-your-wifi-password.wav",
364
401
  "id": "2bcbc1e1c036d5aececc7994b3c16ea8"
365
402
  },
366
403
  {
367
404
  "number": 6,
368
405
  "title": "I'm On Blockchain",
369
406
  "length": "00:03:02",
407
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/06-im-on-blockchain.mp3",
408
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/06-im-on-blockchain.wav",
370
409
  "id": "f28af783b6bf7c71feaf8681bd925b6a"
371
410
  },
372
411
  {
373
412
  "number": 7,
374
413
  "title": "Maybe",
375
414
  "length": "00:04:35",
415
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/07-maybe.mp3",
416
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/07-maybe.wav",
376
417
  "id": "d9b1078aadc31f8feb907ca5aa3e74bd"
377
418
  }
378
419
  ],
@@ -381,6 +422,8 @@ var discography = [
381
422
  "project_slug": "stuxnet",
382
423
  "release_slug": "countersurveillance",
383
424
  "cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/countersurveillance.jpg",
425
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/countersurveillance-mp3.zip",
426
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/countersurveillance-wav.zip",
384
427
  "id": "7339ec77045dfcc729a608f84b2cefa6"
385
428
  },
386
429
  {
@@ -391,61 +434,79 @@ var discography = [
391
434
  "format": "Digital",
392
435
  "role": "Operator",
393
436
  "label": "Intertext",
394
- "mp3": false,
395
- "wav": false,
437
+ "mp3": true,
438
+ "wav": true,
396
439
  "tracks": [
397
440
  {
398
441
  "number": 1,
399
442
  "title": "Our world was always fallen but there was always light.",
400
443
  "length": "00:03:48",
444
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/01-our-world-was-always-fallen-but-there-was-always-light.mp3",
445
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/01-our-world-was-always-fallen-but-there-was-always-light.wav",
401
446
  "id": "179b9982672f8f79ea013a5a0643c9bd"
402
447
  },
403
448
  {
404
449
  "number": 2,
405
450
  "title": "Damaged music is a metaphor for this world.",
406
451
  "length": "00:04:35",
452
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/02-damaged-music-is-a-metaphor-for-this-world.mp3",
453
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/02-damaged-music-is-a-metaphor-for-this-world.wav",
407
454
  "id": "08207b02a760518f1294c1ea693691bf"
408
455
  },
409
456
  {
410
457
  "number": 3,
411
458
  "title": "Music was always celebratory, but there was always sorrow.",
412
459
  "length": "00:02:50",
460
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/03-music-was-always-celebratory-but-there-was-always-sorrow.mp3",
461
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/03-music-was-always-celebratory-but-there-was-always-sorrow.wav",
413
462
  "id": "2c538db0c9926c8ea43af7a422aaf9a2"
414
463
  },
415
464
  {
416
465
  "number": 4,
417
466
  "title": "For liberation lies in that which is shattered.",
418
467
  "length": "00:01:15",
468
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/04-for-liberation-lies-in-that-which-is-shattered.mp3",
469
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/04-for-liberation-lies-in-that-which-is-shattered.wav",
419
470
  "id": "d5a9025184b1983352b1f8ae2ddd7d91"
420
471
  },
421
472
  {
422
473
  "number": 5,
423
474
  "title": "Designed to merge, engineered to transcend.",
424
475
  "length": "00:02:18",
476
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/05-designed-to-merge-engineered-to-transcend.mp3",
477
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/05-designed-to-merge-engineered-to-transcend.wav",
425
478
  "id": "fcd2e06c4631a2a63539dacf1b577e1b"
426
479
  },
427
480
  {
428
481
  "number": 6,
429
482
  "title": "Liberation follows that which is broken.",
430
483
  "length": "00:07:56",
484
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/06-liberation-follows-that-which-is-broken.mp3",
485
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/06-liberation-follows-that-which-is-broken.wav",
431
486
  "id": "0cdc699f61cd1b25eb74c95f1c0c7be9"
432
487
  },
433
488
  {
434
489
  "number": 7,
435
490
  "title": "Something you catch.",
436
491
  "length": "00:07:30",
492
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/07-something-you-catch.mp3",
493
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/07-something-you-catch.wav",
437
494
  "id": "bde572f3a3de478e7d74607798ff41c7"
438
495
  },
439
496
  {
440
497
  "number": 8,
441
498
  "title": "As you're scanning for distress calls.",
442
499
  "length": "00:03:53",
500
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/08-as-youre-scanning-for-distress-calls.mp3",
501
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/08-as-youre-scanning-for-distress-calls.wav",
443
502
  "id": "e7888378b887c15138b8e9be615ec012"
444
503
  },
445
504
  {
446
505
  "number": 9,
447
506
  "title": "Long live the lost ones.",
448
507
  "length": "00:05:12",
508
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/09-long-live-the-lost-ones.mp3",
509
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/09-long-live-the-lost-ones.wav",
449
510
  "id": "30f9acd6b2a5762977f27468d900eecd"
450
511
  }
451
512
  ],
@@ -454,6 +515,8 @@ var discography = [
454
515
  "project_slug": "stuxnet",
455
516
  "release_slug": "long-live-the-lost-ones",
456
517
  "cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/long-live-the-lost-ones.jpg",
518
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/long-live-the-lost-ones-mp3.zip",
519
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/long-live-the-lost-ones-wav.zip",
457
520
  "id": "7d8f67a125af6c412d1d5b08caa02412"
458
521
  },
459
522
  {
@@ -464,19 +527,23 @@ var discography = [
464
527
  "format": "Digital",
465
528
  "role": "Operator",
466
529
  "label": "Intertext",
467
- "mp3": false,
468
- "wav": false,
530
+ "mp3": true,
531
+ "wav": true,
469
532
  "tracks": [
470
533
  {
471
534
  "number": 1,
472
535
  "title": "Time's Firewall",
473
536
  "length": "00:08:07",
537
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/times-firewall-demo/01-times-firewall.mp3",
538
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/times-firewall-demo/01-times-firewall.wav",
474
539
  "id": "4eae4205c51602b354c0523f04545abe"
475
540
  },
476
541
  {
477
542
  "number": 2,
478
543
  "title": "Fractal's Edge",
479
544
  "length": "00:11:02",
545
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/times-firewall-demo/02-fractals-edge.mp3",
546
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/times-firewall-demo/02-fractals-edge.wav",
480
547
  "id": "23d10f8f4768e913d7c0fe955cc16b04"
481
548
  }
482
549
  ],
@@ -485,6 +552,8 @@ var discography = [
485
552
  "project_slug": "stuxnet",
486
553
  "release_slug": "times-firewall-demo",
487
554
  "cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/times-firewall-demo/times-firewall-demo.jpg",
555
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/times-firewall-demo/times-firewall-demo-mp3.zip",
556
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/times-firewall-demo/times-firewall-demo-wav.zip",
488
557
  "id": "1b1c543e6914fcc678c4710c1ce600f4"
489
558
  },
490
559
  {
@@ -495,73 +564,95 @@ var discography = [
495
564
  "format": "Digital",
496
565
  "role": "Operator",
497
566
  "label": "Intertext",
498
- "mp3": false,
499
- "wav": false,
567
+ "mp3": true,
568
+ "wav": true,
500
569
  "tracks": [
501
570
  {
502
571
  "number": 1,
503
572
  "title": "The Payload Appeared Yesterday Due to a Zero Day Timezone Conversion Vulnerability",
504
573
  "length": "00:01:28",
574
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/01-the-payload-appeared-yesterday-due-to-a-zero-day-timezone-conversion-vulnerability.mp3",
575
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/01-the-payload-appeared-yesterday-due-to-a-zero-day-timezone-conversion-vulnerability.wav",
505
576
  "id": "faf5ef30c09d21d6a7accc7a9c8eba23"
506
577
  },
507
578
  {
508
579
  "number": 2,
509
580
  "title": "Supply Chain Attack Surface",
510
581
  "length": "00:02:14",
582
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/02-supply-chain-attack-surface.mp3",
583
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/02-supply-chain-attack-surface.wav",
511
584
  "id": "4e2e4b2e0b229bfd729e2c30c6af0c68"
512
585
  },
513
586
  {
514
587
  "number": 3,
515
588
  "title": "A White USB Drive With \"HEXAGON\" iStock Logo \\#1135496271",
516
589
  "length": "00:03:09",
590
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/03-a-white-usb-drive-with-hexagon-istock-logo-1135496271.mp3",
591
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/03-a-white-usb-drive-with-hexagon-istock-logo-1135496271.wav",
517
592
  "id": "0c64e4dd5d5bb830ed5975cc200e7793"
518
593
  },
519
594
  {
520
595
  "number": 4,
521
596
  "title": "At Least One Reseller of Microsoft Cloud Services Was Compromised",
522
597
  "length": "00:02:44",
598
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/04-at-least-one-reseller-of-microsoft-cloud-services-was-compromised.mp3",
599
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/04-at-least-one-reseller-of-microsoft-cloud-services-was-compromised.wav",
523
600
  "id": "5ca900f7ab02c2b0fbd0e77190c4beec"
524
601
  },
525
602
  {
526
603
  "number": 5,
527
604
  "title": "Matryoshka Shell 1 - Ransomware Was Discovered on the Executive\u2019s Peloton",
528
605
  "length": "00:02:13",
606
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/05-matryoshka-shell-1-ransomware-was-discovered-on-the-executives-peloton.mp3",
607
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/05-matryoshka-shell-1-ransomware-was-discovered-on-the-executives-peloton.wav",
529
608
  "id": "28065b49def591062fa9288476a564f4"
530
609
  },
531
610
  {
532
611
  "number": 6,
533
612
  "title": "Matryoshka Shell 2 - IoT Botnet DDoS",
534
613
  "length": "00:02:06",
614
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/06-matryoshka-shell-2-iot-botnet-ddos.mp3",
615
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/06-matryoshka-shell-2-iot-botnet-ddos.wav",
535
616
  "id": "4e00289da643efb2a0e135cf0c675429"
536
617
  },
537
618
  {
538
619
  "number": 7,
539
620
  "title": "Matryoshka Shell 3 - Distributed Cryptocurrency Mining Operation",
540
621
  "length": "00:01:22",
622
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/07-matryoshka-shell-3-distributed-cryptocurrency-mining-operation.mp3",
623
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/07-matryoshka-shell-3-distributed-cryptocurrency-mining-operation.wav",
541
624
  "id": "8c381f7d6ba406bf4d09b39f4b97edd2"
542
625
  },
543
626
  {
544
627
  "number": 8,
545
628
  "title": "Matryoshka Shell 4 - International Date Line",
546
629
  "length": "00:02:46",
630
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/08-matryoshka-shell-4-international-date-line.mp3",
631
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/08-matryoshka-shell-4-international-date-line.wav",
547
632
  "id": "29f3e0a0cb584e1f38a1c8e12c3dd50a"
548
633
  },
549
634
  {
550
635
  "number": 9,
551
636
  "title": "Matryoshka Shell 5 - \u7dcf\u4f1a\u5c4b (deepfake.S)",
552
637
  "length": "00:03:21",
638
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/09-matryoshka-shell-5-deepfakes.mp3",
639
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/09-matryoshka-shell-5-deepfakes.wav",
553
640
  "id": "6638a8ff34056ccfa84889decbf9e763"
554
641
  },
555
642
  {
556
643
  "number": 10,
557
644
  "title": "Matryoshka Shell 6 - Schanuel's Conjecture (Evidence of Non-Human Origin)",
558
645
  "length": "00:02:29",
646
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/10-matryoshka-shell-6-schanuels-conjecture-evidence-of-non-human-origin.mp3",
647
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/10-matryoshka-shell-6-schanuels-conjecture-evidence-of-non-human-origin.wav",
559
648
  "id": "0b394848373ec96e857293c460a07895"
560
649
  },
561
650
  {
562
651
  "number": 11,
563
652
  "title": "The Media Confused the Matter With Container Ships",
564
653
  "length": "00:02:13",
654
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/11-the-media-confused-the-matter-with-container-ships.mp3",
655
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/11-the-media-confused-the-matter-with-container-ships.wav",
565
656
  "id": "b9202085559832f47a042d7eabca7243"
566
657
  }
567
658
  ],
@@ -570,6 +661,8 @@ var discography = [
570
661
  "project_slug": "stuxnet",
571
662
  "release_slug": "matryoshka-demo",
572
663
  "cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/matryoshka-demo.jpg",
664
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/matryoshka-demo-mp3.zip",
665
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/matryoshka-demo-wav.zip",
573
666
  "id": "008f7a37d4d2668958e8df4c2e2f1f77"
574
667
  },
575
668
  {
@@ -580,63 +673,82 @@ var discography = [
580
673
  "format": "Digital",
581
674
  "role": "Operator",
582
675
  "label": "Intertext",
583
- "mp3": false,
584
- "wav": false,
676
+ "mp3": true,
677
+ "wav": true,
585
678
  "tracks": [
586
679
  {
587
680
  "number": 1,
588
681
  "title": "Trapdoor Function",
589
682
  "length": "00:02:11",
683
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/01-trapdoor-function.mp3",
684
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/01-trapdoor-function.wav",
590
685
  "id": "c3560e910e213cf54e99ffcc624460d1"
591
686
  },
592
687
  {
593
688
  "number": 2,
594
689
  "title": "Asymmetric Encrypted Transport",
595
690
  "length": "00:01:21",
691
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/02-asymmetric-encrypted-transport.mp3",
692
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/02-asymmetric-encrypted-transport.wav",
596
693
  "id": "2349bb6f2e75db320e6c89fc2857c70c"
597
694
  },
598
695
  {
599
696
  "number": 3,
600
697
  "title": "Forced Disclosure of Encryption Keys",
601
698
  "length": "00:02:31",
699
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/03-forced-disclosure-of-encryption-keys.mp3",
700
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/03-forced-disclosure-of-encryption-keys.wav",
602
701
  "id": "2c255249ce2e536690e2b79824aa693d"
603
702
  },
604
703
  {
605
704
  "number": 4,
606
705
  "title": "Chinese Remainder Theorem",
607
706
  "length": "00:02:11",
707
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/04-chinese-remainder-theorem.mp3",
708
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/04-chinese-remainder-theorem.wav",
608
709
  "id": "567e1a5978db9ffd4f2e0be22bea39b7"
609
710
  },
610
711
  {
611
712
  "number": 5,
612
713
  "title": "Hash Collision",
613
714
  "length": "00:04:52",
715
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/05-hash-collision.mp3",
716
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/05-hash-collision.wav",
614
717
  "id": "9079406ca53ef6f354fa6bcdc112e66c"
615
718
  },
616
719
  {
617
720
  "number": 6,
618
721
  "title": "Something You Have",
619
722
  "length": "00:10:05",
723
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/06-something-you-have.mp3",
724
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/06-something-you-have.wav",
620
725
  "id": "25da8b21911fc20cb1b0dc2cb7f56d4b"
621
726
  },
622
727
  {
623
728
  "number": 7,
624
729
  "title": "Something You Know",
625
730
  "length": "00:03:25",
731
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/07-something-you-know.mp3",
732
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/07-something-you-know.wav",
626
733
  "id": "461384034f3ea6d780e9f82f352f8dea"
627
734
  },
628
735
  {
629
736
  "number": 8,
630
737
  "title": "Something You Are",
631
738
  "length": "00:05:40",
739
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/08-something-you-are.mp3",
740
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/08-something-you-are.wav",
632
741
  "id": "c791ffc28c2b9337919f730df6899e77"
633
742
  }
634
743
  ],
635
- "notes": "<p>% ssh-keygen -t ed25519</p><p>Generating public/private ed25519 key pair.</p><p>Enter file in which to save the key (/Users/mbp/.ssh/id_ed25519):</p><p>Enter passphrase (empty for no passphrase):</p><p>Enter same passphrase again:</p><p>Your identification has been saved in /Users/mbp/.ssh/id_ed25519.</p><p>Your public key has been saved in /Users/mbp/.ssh/id_ed25519.pub.</p><p>The key fingerprint is:</p><p>SHA256:0kv7znEhupmnDG+eyQAwWNgt8kwKzosGi4hpAmtf7HY mbp@mbp</p><p>The key's randomart image is:</p><p>+--[ED25519 256]--+</p><p>| o.. |</p><p>|+o+ . |</p><p>|=*o. |</p><p>|+ooo . |</p><p>|B+. o . S . . |</p><p>|X= + o + . . |</p><p>|= . o o + . . |</p><p>| . o E.O.o |</p><p>| . .o%++ |</p><p>+----[SHA256]-----+</p><p>% cat /Users/mbp/.ssh/id_ed25519</p><p>-----BEGIN OPENSSH PRIVATE KEY-----</p><p>b3BlbnNzaC1rZXktdjEAAAAABG5vbmUAAAAEbm9uZQAAAAAAAAABAAAAMwAAAAtzc2gtZW</p><p>QyNTUxOQAAACDIR6QeH9ppP9f9xexpPOx0xAmGzWcU3SwBjSl7OZh1zgAAAJB79qzIe/as</p><p>yAAAAAtzc2gtZWQyNTUxOQAAACDIR6QeH9ppP9f9xexpPOx0xAmGzWcU3SwBjSl7OZh1zg</p><p>AAAEA1ic72mxJXRvpnU74JYkpnyQ+RhVHBnNLmuSpq4YcQY8hHpB4f2mk/1/3F7Gk87HTE</p><p>CYbNZxTdLAGNKXs5mHXOAAAAB21icEBtYnABAgMEBQY=</p><p>-----END OPENSSH PRIVATE KEY-----</p><p>watch the recording of CIPHER SUITE (demo) at: https://www.twitch.tv/videos/964445530</p>",
744
+ "monospaceNotes": true,
745
+ "notes": "<pre>% ssh-keygen -t ed25519\nGenerating public/private ed25519 key pair.\nEnter file in which to save the key (/Users/mbp/.ssh/id_ed25519):\nEnter passphrase (empty for no passphrase):\nEnter same passphrase again:\nYour identification has been saved in /Users/mbp/.ssh/id_ed25519.\nYour public key has been saved in /Users/mbp/.ssh/id_ed25519.pub.\nThe key fingerprint is:\nSHA256:0kv7znEhupmnDG+eyQAwWNgt8kwKzosGi4hpAmtf7HY mbp@mbp\nThe key's randomart image is:\n+--[ED25519 256]--+\n| o.. |\n|+o+ . |\n|=*o. |\n|+ooo . |\n|B+. o . S . . |\n|X= + o + . . |\n|= . o o + . . |\n| . o E.O.o |\n| . .o%++ |\n+----[SHA256]-----+\n% cat /Users/mbp/.ssh/id_ed25519\n-----BEGIN OPENSSH PRIVATE KEY-----\nb3BlbnNzaC1rZXktdjEAAAAABG5vbmUAAAAEbm9uZQAAAAAAAAABAAAAMwAAAAtzc2gtZW\nQyNTUxOQAAACDIR6QeH9ppP9f9xexpPOx0xAmGzWcU3SwBjSl7OZh1zgAAAJB79qzIe/as\nyAAAAAtzc2gtZWQyNTUxOQAAACDIR6QeH9ppP9f9xexpPOx0xAmGzWcU3SwBjSl7OZh1zg\nAAAEA1ic72mxJXRvpnU74JYkpnyQ+RhVHBnNLmuSpq4YcQY8hHpB4f2mk/1/3F7Gk87HTE\nCYbNZxTdLAGNKXs5mHXOAAAAB21icEBtYnABAgMEBQY=\n-----END OPENSSH PRIVATE KEY-----\nwatch the recording of CIPHER SUITE (demo) at: https://www.twitch.tv/videos/964445530\n</pre>",
636
746
  "credits": "<p>STUXNET is Tyler Etters.</p>",
637
747
  "project_slug": "stuxnet",
638
748
  "release_slug": "cipher-suite-demo",
639
749
  "cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/cipher-suite-demo.jpg",
750
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/cipher-suite-demo-mp3.zip",
751
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/cipher-suite-demo-wav.zip",
640
752
  "id": "2324c584cb2ca86fba128a8e05d8fdd2"
641
753
  },
642
754
  {
@@ -647,55 +759,71 @@ var discography = [
647
759
  "format": "Digital",
648
760
  "role": "Operator",
649
761
  "label": "Intertext",
650
- "mp3": false,
651
- "wav": false,
762
+ "mp3": true,
763
+ "wav": true,
652
764
  "tracks": [
653
765
  {
654
766
  "number": 1,
655
767
  "title": "plateau",
656
768
  "length": "00:09:04",
769
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/01-plateau.mp3",
770
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/01-plateau.wav",
657
771
  "id": "a53fcc99b810157b4435a23a37ddeecd"
658
772
  },
659
773
  {
660
774
  "number": 2,
661
775
  "title": "angel",
662
776
  "length": "00:05:11",
777
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/02-angel.mp3",
778
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/02-angel.wav",
663
779
  "id": "c5839f7dbaf891f6e11d8f2f31cb9755"
664
780
  },
665
781
  {
666
782
  "number": 3,
667
783
  "title": "mod3046",
668
784
  "length": "00:03:38",
785
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/03-mod3046.mp3",
786
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/03-mod3046.wav",
669
787
  "id": "13c37dcb5935d2b6abdac26510ca08d4"
670
788
  },
671
789
  {
672
790
  "number": 4,
673
791
  "title": "rave",
674
792
  "length": "00:01:46",
793
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/04-rave.mp3",
794
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/04-rave.wav",
675
795
  "id": "8c096eb17603847f5e7d699d67eaae27"
676
796
  },
677
797
  {
678
798
  "number": 5,
679
799
  "title": "fcore",
680
800
  "length": "00:02:39",
801
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/05-fcore.mp3",
802
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/05-fcore.wav",
681
803
  "id": "43d53188bf27c7626f98edb294f866aa"
682
804
  },
683
805
  {
684
806
  "number": 6,
685
807
  "title": "lecture",
686
808
  "length": "00:10:17",
809
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/06-lecture.mp3",
810
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/06-lecture.wav",
687
811
  "id": "7791b846ae7842b295d72daa55cfb95e"
688
812
  },
689
813
  {
690
814
  "number": 7,
691
815
  "title": "abeyance",
692
816
  "length": "00:06:07",
817
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/07-abeyance.mp3",
818
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/07-abeyance.wav",
693
819
  "id": "6c05d836e163b77bb4dd35bc0105fe8e"
694
820
  },
695
821
  {
696
822
  "number": 8,
697
823
  "title": "registry",
698
824
  "length": "00:01:26",
825
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/08-registry.mp3",
826
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/08-registry.wav",
699
827
  "id": "245d5a39e4a966bd7a7368253beaf668"
700
828
  }
701
829
  ],
@@ -704,6 +832,8 @@ var discography = [
704
832
  "project_slug": "stuxnet",
705
833
  "release_slug": "carrier-demo",
706
834
  "cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/carrier-demo.jpg",
835
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/carrier-demo-mp3.zip",
836
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/carrier-demo-wav.zip",
707
837
  "id": "e745f9e7855fd65dcdb2b682897def45"
708
838
  },
709
839
  {
@@ -888,8 +1018,7 @@ var discography = [
888
1018
  "id": "688324cd8182b77da8097a91a8fa4cf1"
889
1019
  }
890
1020
  ],
891
- "monospaceNotes": true,
892
- "notes": "<pre>- - - - - - - - - -\nchapter ix\n- - - - - - - - - -\nsummer. morning. warmth and green. saturday. children meet at the end of the street to play. nature preserve. silent agreement. no games today. just be. creeks. white oaks. a crayfish somehow. power lines on the horizon. cumulus clouds and prairies forever. then one of them finds it beneath a domed castle of dark briar. the snail shell graveyard. calls to the others. huddled around the edge in silence. dozens of bone-white spirals encrusted in black mud. today they can only stare but the questions will come decades later: what force caused it to happen? was the ossuary exclusive to a single family? did some apex predator hunt each snail and return them to her voracious brood? did the snails all migrate together on their own volition? only to die in some great cataclysm? the annual prairie burn? the children know better than to take any shells. dusk. winter. the ice breaks. yelling for help. they scramble to get long branches. he is ok but his boot is claimed by the mud. summer again. they age. they don't play anymore. they hang out now. they go back the forest preserve past curfew. instead of running from imaginary monsters they run from the police. they still know all the hiding places and it is almost unfair. they keep aging. they lose touch. they sometimes remember. before it is over, each returns to the forest preserve in turn. always alone. always unknown by the others. not secret. just private. none of them can ever find it again.\n- - - - - - - - - -\n1. the snail shell graveyard (w/ david)\n2. fiddler\u2019s green\n3. yes, these paths were promised\n4. cometary\n5. unnamed seasons (w/ sage)\n6. this is hallowed ground\n7. hope on the western sky\n8. in standstill destiny\n9. fireflies & fields\n10. beacons of light\n11. where the grass is uncut by blades of men\n- - - - - - - - - - \n</pre>",
1021
+ "notes": "<p>- - - - - - - - - -</p><p>chapter ix</p><p>- - - - - - - - - -</p><p>summer. morning. warmth and green. saturday. children meet at the end of the street to play. nature preserve. silent agreement. no games today. just be. creeks. white oaks. a crayfish somehow. power lines on the horizon. cumulus clouds and prairies forever. then one of them finds it beneath a domed castle of dark briar. the snail shell graveyard. calls to the others. huddled around the edge in silence. dozens of bone-white spirals encrusted in black mud. today they can only stare but the questions will come decades later: what force caused it to happen? was the ossuary exclusive to a single family? did some apex predator hunt each snail and return them to her voracious brood? did the snails all migrate together on their own volition? only to die in some great cataclysm? the annual prairie burn? the children know better than to take any shells. dusk. winter. the ice breaks. yelling for help. they scramble to get long branches. he is ok but his boot is claimed by the mud. summer again. they age. they don't play anymore. they hang out now. they go back the forest preserve past curfew. instead of running from imaginary monsters they run from the police. they still know all the hiding places and it is almost unfair. they keep aging. they lose touch. they sometimes remember. before it is over, each returns to the forest preserve in turn. always alone. always unknown by the others. not secret. just private. none of them can ever find it again.</p><p>- - - - - - - - - -</p><p>1. the snail shell graveyard (w/ david)</p><p>2. fiddler\u2019s green</p><p>3. yes, these paths were promised</p><p>4. cometary</p><p>5. unnamed seasons (w/ sage)</p><p>6. this is hallowed ground</p><p>7. hope on the western sky</p><p>8. in standstill destiny</p><p>9. fireflies & fields</p><p>10. beacons of light</p><p>11. where the grass is uncut by blades of men</p><p>- - - - - - - - - - </p>",
893
1022
  "credits": "<p>released the day after the winter solstice, when the light begins her steady march to summer.</p><p>written and recorded by tyler etters from an indeterminate point in the past through december 2017. featuring guitar by david kvistad on the snail shell graveyard and field recordings by sage etters on unnamed seasons. painting of cornfields in illinois (1994) by lynda wallis (tyler etters\u2019s mom) with additional treatment by tyler etters.</p>",
894
1023
  "project_slug": "tyler-etters-and-the-northern-information-movement",
895
1024
  "release_slug": "reverence",
@@ -962,8 +1091,7 @@ var discography = [
962
1091
  "id": "71ec5270c5ce9efd50213085cbaeddf4"
963
1092
  }
964
1093
  ],
965
- "monospaceNotes": true,
966
- "notes": "<pre>- - - - - - - - - -\nchapter viii\n- - - - - - - - - -\nwinter - city - neon dusk - service economies - capitalist realism - the hinge upon which the world turns - unexpected password reset - borrowed anxiety medication - ritual scarification of the mind - ego death - a thousand faces - monomyth - megalith - emergency motorcycle repair - sargasso sea - aggregate browser histories - anonymous cookies - london bridge is falling down - traffic rerouted through eastern europe - all roads lead to rome - the empire never ended - golgothan solstice - eclipse - ellipsism - algorithm - the flash crash of 2010 - the jackpot - universal coordinated time - quick response code - boarding pass - light pollution - the people's republic of the great pacific garbage patch - skeleton music - voodoo technology - hypothetical histories - satellites - orbital sovereignty - metalaws - the singularity already happened - death is the only way out of the information age - metadata reincarnation - the second unix epoch - as above so below - as below so beyond - at dusk there is no wind\n- - - - - - - - - -\n1. surveillance industrial complex\n2. twilight in shape\n3. a cyan destiny\n4. some more dreams from the hive\n5. apophenia\n6. later heaven\n7. future shock\n8. olympus mons\n9. the path of many returns\n- - - - - - - - - - \n</pre>",
1094
+ "notes": "<p>- - - - - - - - - -</p><p>chapter viii</p><p>- - - - - - - - - -</p><p>winter - city - neon dusk - service economies - capitalist realism - the hinge upon which the world turns - unexpected password reset - borrowed anxiety medication - ritual scarification of the mind - ego death - a thousand faces - monomyth - megalith - emergency motorcycle repair - sargasso sea - aggregate browser histories - anonymous cookies - london bridge is falling down - traffic rerouted through eastern europe - all roads lead to rome - the empire never ended - golgothan solstice - eclipse - ellipsism - algorithm - the flash crash of 2010 - the jackpot - universal coordinated time - quick response code - boarding pass - light pollution - the people's republic of the great pacific garbage patch - skeleton music - voodoo technology - hypothetical histories - satellites - orbital sovereignty - metalaws - the singularity already happened - death is the only way out of the information age - metadata reincarnation - the second unix epoch - as above so below - as below so beyond - at dusk there is no wind</p><p>- - - - - - - - - -</p><p>1. surveillance industrial complex</p><p>2. twilight in shape</p><p>3. a cyan destiny</p><p>4. some more dreams from the hive</p><p>5. apophenia</p><p>6. later heaven</p><p>7. future shock</p><p>8. olympus mons</p><p>9. the path of many returns</p><p>- - - - - - - - - - </p>",
967
1095
  "credits": "<p>released on the winter solstice, when both darkness and light hang in a wary balance.</p><p>written and recorded by tyler etters from an indeterminate point in the past through december 2017. featuring pasha petrosyan on surveillance industrial complex, later heaven, and the path of many returns. numerous samples, videos, storyline components and album title by cory salveson. album cover polaroid of stone henge on the summer solstice (2017) by cory salveson with additional treatment by tyler etters.</p>",
968
1096
  "project_slug": "tyler-etters-and-the-northern-information-movement",
969
1097
  "release_slug": "dispatches-from-the-prime-meridian",
@@ -1036,8 +1164,7 @@ var discography = [
1036
1164
  "id": "81ef786d7f6c2b8d460fe6461e79cb7e"
1037
1165
  }
1038
1166
  ],
1039
- "monospaceNotes": true,
1040
- "notes": "<pre>- - - - - - - - - -\nchapter vii\n- - - - - - - - - -\nwe built the forest acropolis in a single day. that night we reveled at our achievement. we drank wine and played flutes and made merry. drunk and giddy with the possibility of the future, we fell asleep long after the sun rose. when we finally awoke, kudzu had inexplicably grown over everything. the columns began to crumble. confused, we cut it down and repaired what we could. the next day, the vines were back. again we cut them down, but again they grew back. our leaders proclaimed the land cursed. no one could remember why we built here in the first place anyway. so we left to build a new acropolis by the sea. some of our children remained. they climbed the vines and went on adventures in the woods, heirs of a ghost kingdom.\n- - - - - - - - - -\n1. arcadian nights\n2. leaving home\n3. the emptiness will always follow you\n4. shanzhai (gueriila fortress)\n5. full steam\n6. holy mountain hymn\n7. reaver, yggdrasil, the thing at the end of the woods\n8. bridges of terabithia\n9. unscarred land\n- - - - - - - - - - \n</pre>",
1167
+ "notes": "<p>- - - - - - - - - -</p><p>chapter vii</p><p>- - - - - - - - - -</p><p>we built the forest acropolis in a single day. that night we reveled at our achievement. we drank wine and played flutes and made merry. drunk and giddy with the possibility of the future, we fell asleep long after the sun rose. when we finally awoke, kudzu had inexplicably grown over everything. the columns began to crumble. confused, we cut it down and repaired what we could. the next day, the vines were back. again we cut them down, but again they grew back. our leaders proclaimed the land cursed. no one could remember why we built here in the first place anyway. so we left to build a new acropolis by the sea. some of our children remained. they climbed the vines and went on adventures in the woods, heirs of a ghost kingdom.</p><p>- - - - - - - - - -</p><p>1. arcadian nights</p><p>2. leaving home</p><p>3. the emptiness will always follow you</p><p>4. shanzhai (gueriila fortress)</p><p>5. full steam</p><p>6. holy mountain hymn</p><p>7. reaver, yggdrasil, the thing at the end of the woods</p><p>8. bridges of terabithia</p><p>9. unscarred land</p><p>- - - - - - - - - - </p>",
1041
1168
  "credits": "<p>written & recorded by tyler etters from an indeterminate point in the past through december 2016 at endless field studios. featuring adam j. moore on full steam, holy mountain hymn, and reaver, yggdsrasil, the thing at the end of the woods. featuring arthur zdrinc on holy mountain hymn. featuring cory salveson on videos, images, and storyline.</p>",
1042
1169
  "project_slug": "tyler-etters-and-the-northern-information-movement",
1043
1170
  "release_slug": "the-legacy-of-our-lost-cause",
@@ -1140,8 +1267,7 @@ var discography = [
1140
1267
  "id": "8462abe4c9ac439d9ef424a805f06681"
1141
1268
  }
1142
1269
  ],
1143
- "monospaceNotes": true,
1144
- "notes": "<pre>- - - - - - - - - -\nchapter vi\n- - - - - - - - - -\ni have been having dreams about the apocalypse lately. firefighters swarming like ants on a smoldering sears tower, lake michigan simply exploding, the laws of physics deteriorating, heat death, psychological collapses. ever since i was a little boy the topic of eschatology intrigued me. i have always found the the snafus and close calls to be especially interesting: y2k, 12-21-2012, the return of nibiru... these overly hyped events stir up the fears and emotions of certain circles and then awkwardly fizzle out. contrast these to real-world atrocities, cold wars, personal and familial crises, and you realize the apocalypse is happening everyday for someone. ours is an age of false prophets and fear mongering. we make the apocalypse real in our minds. between the actual and perceived doomsdays there is enough to keep anyone worried and anxious for the rest of their lives. this album is about living in a world where anything can happen, where the soft apocalypse may yet overtake at any momemnt. it is a collage; a story; a sonic journey of found sounds and field recordings. it's rawer and rougher than anything i've released before. from anonymous protests in chicago to some particularly terrifying flood sirens, from emergency broadcasts to gin-drunk conversations with old timers about the wars of the 20th century. the singularity already happened. it is not yet over. be kind and generous, always. create something beautiful today and we'll be just fine.\n- - - - - - - - - -\n1. and though the soft apocalypse may yet overtake\n2. unreliable narrator\n3. entropy\n4. palm beach\n5. owl\n6. boodle man\n7. steady progress (deeper into the dark tangent)\n8. in this spiraling darkness\n9. heat death\n10. armageddon rager\n11. suburban gutter trash\n12. flood sirens\n13. requiem, tunnels between worlds\n14. and then the crickets came\n- - - - - - - - - - \n</pre>",
1270
+ "notes": "<p>- - - - - - - - - -</p><p>chapter vi</p><p>- - - - - - - - - -</p><p>i have been having dreams about the apocalypse lately. firefighters swarming like ants on a smoldering sears tower, lake michigan simply exploding, the laws of physics deteriorating, heat death, psychological collapses. ever since i was a little boy the topic of eschatology intrigued me. i have always found the the snafus and close calls to be especially interesting: y2k, 12-21-2012, the return of nibiru... these overly hyped events stir up the fears and emotions of certain circles and then awkwardly fizzle out. contrast these to real-world atrocities, cold wars, personal and familial crises, and you realize the apocalypse is happening everyday for someone. ours is an age of false prophets and fear mongering. we make the apocalypse real in our minds. between the actual and perceived doomsdays there is enough to keep anyone worried and anxious for the rest of their lives. this album is about living in a world where anything can happen, where the soft apocalypse may yet overtake at any momemnt. it is a collage; a story; a sonic journey of found sounds and field recordings. it's rawer and rougher than anything i've released before. from anonymous protests in chicago to some particularly terrifying flood sirens, from emergency broadcasts to gin-drunk conversations with old timers about the wars of the 20th century. the singularity already happened. it is not yet over. be kind and generous, always. create something beautiful today and we'll be just fine.</p><p>- - - - - - - - - -</p><p>1. and though the soft apocalypse may yet overtake</p><p>2. unreliable narrator</p><p>3. entropy</p><p>4. palm beach</p><p>5. owl</p><p>6. boodle man</p><p>7. steady progress (deeper into the dark tangent)</p><p>8. in this spiraling darkness</p><p>9. heat death</p><p>10. armageddon rager</p><p>11. suburban gutter trash</p><p>12. flood sirens</p><p>13. requiem, tunnels between worlds</p><p>14. and then the crickets came</p><p>- - - - - - - - - - </p>",
1145
1271
  "credits": "<p>written & recorded by tyler etters from january 2015 through june 2015 at endless field studios. featuring adam j. moore on palm beach and suburban gutter trash.</p>",
1146
1272
  "project_slug": "tyler-etters-and-the-northern-information-movement",
1147
1273
  "release_slug": "and-though-the-soft-apocalypse-may-yet-overtake",
@@ -1184,8 +1310,7 @@ var discography = [
1184
1310
  "id": "8c9ce93a6646e77e0e252cc27a7ed824"
1185
1311
  }
1186
1312
  ],
1187
- "monospaceNotes": true,
1188
- "notes": "<pre>- - - - - - - - - -\nchapter v\n- - - - - - - - - -\n1. OS1\n2. OS2\n3. OS3\n4. OS4\n- - - - - - - - - -\n</pre>",
1313
+ "notes": "<p>- - - - - - - - - -</p><p>chapter v</p><p>- - - - - - - - - -</p><p>1. OS1</p><p>2. OS2</p><p>3. OS3</p><p>4. OS4</p><p>- - - - - - - - - -</p>",
1189
1314
  "credits": "<p>written & recorded by tyler etters and adam j. moore on march 28 2015 at endless field studios. album cover artwork by adam j. moore with additional treatment by tyler etters.</p>",
1190
1315
  "project_slug": "tyler-etters-and-the-northern-information-movement",
1191
1316
  "release_slug": "zulu",
@@ -1282,8 +1407,7 @@ var discography = [
1282
1407
  "id": "1160e90e2541dcf7cc311f1892a3c963"
1283
1408
  }
1284
1409
  ],
1285
- "monospaceNotes": true,
1286
- "notes": "<pre>- - - - - - - - - -\nchapter iv\n- - - - - - - - - -\nthese are the phantoms of our lost cause. this album is my shroud of ghosts, the remnants, the lingering possibilities from timelines tangential. but make no mistake, dear listener: this is no album of b-sides. writing 'the geometrie of our lost cause' was something of a creative renaissance for me. more wavs, samples, beats and guitar drones filled my drives than i knew what to do with (and certainly more than would be appropriate for 'immemorial'). much of that remaining phantasmal material is now presented here. but there are songs from other times, too. 'there is no death, only reorganization' dates back to the 'terraforms' age; 'the secret symmetries of oakwood hills' was almost released on 'blue, the most celestial color'; 'nausica\u00e4' holds the seeds of 'northern illinois'; the 'mainframe' movement in 'getageese' emerged from the 'serial index of unclaimed memories' sessions. once all of this music was sourced, exhumed, and resampled i loaded it up into my rig and rehearsed the album as though i were performing live. later, one of those hazey sessions would be promoted to the final mix in a largely unedited form. and thus begins the second trilogy...\n- - - - - - - - - -\n1. the secret symmetries of oakwood hills\n2. there is no death, only reorganization\n3. second chance\n4. ch((e)i)m(er)ical\n5. forest (R1-07348-0017.jpg)\n6. 2am, rte 53, northbound\n7. jacurutu\n8. radio haces arrib{a} tu cowboy espacio\n9. getageese\n i. we're going to getageese\n ii. mainframe (salvaged from failing ecicefis computer)\n iii. getageese is gone\n10. samsara (w/ adam)\n11. the sound of her wings\n12. infinite return of the same\n13. nausica\u00e4\n- - - - - - - - - - \n</pre>",
1410
+ "notes": "<p>- - - - - - - - - -</p><p>chapter iv</p><p>- - - - - - - - - -</p><p>these are the phantoms of our lost cause. this album is my shroud of ghosts, the remnants, the lingering possibilities from timelines tangential. but make no mistake, dear listener: this is no album of b-sides. writing 'the geometrie of our lost cause' was something of a creative renaissance for me. more wavs, samples, beats and guitar drones filled my drives than i knew what to do with (and certainly more than would be appropriate for 'immemorial'). much of that remaining phantasmal material is now presented here. but there are songs from other times, too. 'there is no death, only reorganization' dates back to the 'terraforms' age; 'the secret symmetries of oakwood hills' was almost released on 'blue, the most celestial color'; 'nausica\u00e4' holds the seeds of 'northern illinois'; the 'mainframe' movement in 'getageese' emerged from the 'serial index of unclaimed memories' sessions. once all of this music was sourced, exhumed, and resampled i loaded it up into my rig and rehearsed the album as though i were performing live. later, one of those hazey sessions would be promoted to the final mix in a largely unedited form. and thus begins the second trilogy...</p><p>- - - - - - - - - -</p><p>1. the secret symmetries of oakwood hills</p><p>2. there is no death, only reorganization</p><p>3. second chance</p><p>4. ch((e)i)m(er)ical</p><p>5. forest (R1-07348-0017.jpg)</p><p>6. 2am, rte 53, northbound</p><p>7. jacurutu</p><p>8. radio haces arrib{a} tu cowboy espacio</p><p>9. getageese</p><p> i. we're going to getageese</p><p> ii. mainframe (salvaged from failing ecicefis computer)</p><p> iii. getageese is gone</p><p>10. samsara (w/ adam)</p><p>11. the sound of her wings</p><p>12. infinite return of the same</p><p>13. nausica\u00e4</p><p>- - - - - - - - - - </p>",
1287
1411
  "credits": "<p>written & recorded by tyler etters from an indeterminate point in the past through december 2014 at endless field studios. featuring adam moore on samsara. album cover artwork by paul petrosyan with additional treatment by tyler etters.</p>",
1288
1412
  "project_slug": "tyler-etters-and-the-northern-information-movement",
1289
1413
  "release_slug": "the-phantoms-of-our-lost-cause",
@@ -1320,8 +1444,7 @@ var discography = [
1320
1444
  "id": "1062f9765aaed497888b4036af0fc485"
1321
1445
  }
1322
1446
  ],
1323
- "monospaceNotes": true,
1324
- "notes": "<pre>- - - - - - - - - -\nchapter iii\n- - - - - - - - - -\nthere was a time before these experiences shaped us. do you remember? years before we scaled all those unforgiving mountain ranges, before the codes were counted, and before the firmament fell. melting. wavering. corporeal. now our minds are increasingly augmented by technology and time's passage becomes difficult for our hearts to feel. do you remember! before your phone vibrated in your pocket every fifteen minutes to remind you of minutia that is neither here nor there? do you remember! before we lived in fear of the police ticketing us for being at the park after sunset? do you remember!!! here i am again. alone late at night and drowning in drones. i have finished the last songs, bounced them to cassette to engineer some lo-fi glory, and i now present them to you, dear listener, in the utmost humility - for i walked away from too many projects and i have turned down too many friends to fold now.\n- - - - - - - - - -\n1. northern illinois\n i. wastes of the north\n ii. procession of the hauntologists\n iii. deed of the drones\n iv. tears of the space cowboy (w/ kevin, dorian & arthur)\n v. song of the cicada\n2. we failed\n3. january 1st, 1970 + zero gmt\n- - - - - - - - - - \n</pre>",
1447
+ "notes": "<p>- - - - - - - - - -</p><p>chapter iii</p><p>- - - - - - - - - -</p><p>there was a time before these experiences shaped us. do you remember? years before we scaled all those unforgiving mountain ranges, before the codes were counted, and before the firmament fell. melting. wavering. corporeal. now our minds are increasingly augmented by technology and time's passage becomes difficult for our hearts to feel. do you remember! before your phone vibrated in your pocket every fifteen minutes to remind you of minutia that is neither here nor there? do you remember! before we lived in fear of the police ticketing us for being at the park after sunset? do you remember!!! here i am again. alone late at night and drowning in drones. i have finished the last songs, bounced them to cassette to engineer some lo-fi glory, and i now present them to you, dear listener, in the utmost humility - for i walked away from too many projects and i have turned down too many friends to fold now.</p><p>- - - - - - - - - -</p><p>1. northern illinois</p><p> i. wastes of the north</p><p> ii. procession of the hauntologists</p><p> iii. deed of the drones</p><p> iv. tears of the space cowboy (w/ kevin, dorian & arthur)</p><p> v. song of the cicada</p><p>2. we failed</p><p>3. january 1st, 1970 + zero gmt</p><p>- - - - - - - - - - </p>",
1325
1448
  "credits": "<p>written & recorded by tyler etters from june 2013 through september 2013 at endless field studios except for 'tears of the space cowboy' which was also written by kevin clark, dorian zdrinc and arthur zdrinc sometime back in 2011.</p>",
1326
1449
  "project_slug": "tyler-etters-and-the-northern-information-movement",
1327
1450
  "release_slug": "senescence",
@@ -1388,8 +1511,7 @@ var discography = [
1388
1511
  "id": "242b05fcfc8f25e3ed56615e1be314a2"
1389
1512
  }
1390
1513
  ],
1391
- "monospaceNotes": true,
1392
- "notes": "<pre>- - - - - - - - - -\nchapter ii\n- - - - - - - - - -\nyou are in medias res - i know your time is brief so here is what you need to know: i have just released a new album entitled 'blue, the most celestial color'. you can listen and download it above.\n- - - - - - - - - -\n1. music for forests of childhood\n2. rainbow table\n i. textbook sql injection\n ii. don quixote\n iii. icebreaker / rave\n3. \u0391\u0399\u0393\u0391\u0399\u0399\u03a3\n4. zombie poison\n5. intermission\n6. the cicada must sing (sleepy brit)\n7. four mile crib\n8. ICD-10 Z73.0\n- - - - - - - - - -\n</pre>",
1514
+ "notes": "<p>- - - - - - - - - -</p><p>chapter ii</p><p>- - - - - - - - - -</p><p>you are in medias res - i know your time is brief so here is what you need to know: i have just released a new album entitled 'blue, the most celestial color'. you can listen and download it above.</p><p>- - - - - - - - - -</p><p>1. music for forests of childhood</p><p>2. rainbow table</p><p> i. textbook sql injection</p><p> ii. don quixote</p><p> iii. icebreaker / rave</p><p>3. \u0391\u0399\u0393\u0391\u0399\u0399\u03a3</p><p>4. zombie poison</p><p>5. intermission</p><p>6. the cicada must sing (sleepy brit)</p><p>7. four mile crib</p><p>8. ICD-10 Z73.0</p><p>- - - - - - - - - -</p>",
1393
1515
  "credits": "<p>written & recorded by tyler etters from december 2012 through june 2013 at endless field studios. featuring arthur zdrinc on rainbow table.</p>",
1394
1516
  "project_slug": "tyler-etters-and-the-northern-information-movement",
1395
1517
  "release_slug": "blue-the-most-celestial-color",
@@ -1420,8 +1542,7 @@ var discography = [
1420
1542
  "id": "cc4bdc3448778ebd3a2bd2cd9fe1800d"
1421
1543
  }
1422
1544
  ],
1423
- "monospaceNotes": true,
1424
- "notes": "<pre>- - - - - - - - - -\nchapter i\n- - - - - - - - - -\n1. immemorial\n i. the forgotten distance\n ii. time slopes\n iii. by the train tracks (w/ arthur)\n iv. hazey power plant, 1001 drones (for paul)\n v. at another working gate\n2. generative\n- - - - - - - - - -\n</pre>",
1545
+ "notes": "<p>- - - - - - - - - -</p><p>chapter i</p><p>- - - - - - - - - -</p><p>1. immemorial</p><p> i. the forgotten distance</p><p> ii. time slopes</p><p> iii. by the train tracks (w/ arthur)</p><p> iv. hazey power plant, 1001 drones (for paul)</p><p> v. at another working gate</p><p>2. generative</p><p>- - - - - - - - - -</p>",
1425
1546
  "credits": "<p>written & recorded by tyler etters from october 2012 through december 2012 at endless field studios.</p>",
1426
1547
  "project_slug": "tyler-etters-and-the-northern-information-movement",
1427
1548
  "release_slug": "the-geometrie-of-our-lost-cause",