@tyleretters/discography 0.0.18 → 0.0.20

This diff represents the content of publicly available package versions that have been released to one of the supported registries. The information contained in this diff is provided for informational purposes only and reflects changes between package versions as they appear in their respective public registries.
Files changed (8) hide show
  1. package/dist/discography.d.ts +35 -1
  2. package/dist/discography.js +157 -36
  3. package/dist/discography.js.map +1 -1
  4. package/dist/index.js +157 -36
  5. package/dist/index.js.map +1 -1
  6. package/package.json +1 -1
  7. package/src/discography.ts +157 -36
  8. package/src/discography.yml +18 -26
package/dist/discography.js CHANGED
@@ -8,13 +8,14 @@ export var discography = [
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  "role": "Operator",
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  "label": "Intertext",
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  "mp3": true,
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- "wav": false,
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+ "wav": true,
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  "tracks": [
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  {
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  "number": 1,
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  "title": "Tiresias",
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  "length": "00:01:49",
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  "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/01-tiresias.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/01-tiresias.wav",
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  "id": "d8e190eb5c8a7c59a6bfe3a6cccd0b64"
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  },
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  {
@@ -22,6 +23,7 @@ export var discography = [
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  "title": "In Darkness Radiant",
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  "length": "00:01:54",
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  "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/02-in-darkness-radiant.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/02-in-darkness-radiant.wav",
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  "id": "07431a76e3916159a229b4d77597dde1"
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  },
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  {
@@ -29,6 +31,7 @@ export var discography = [
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  "title": "Temporary Autonomous Zone",
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  "length": "00:04:16",
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  "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/03-temporary-autonomous-zone.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/03-temporary-autonomous-zone.wav",
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  "id": "a8751056a8a9ebcbeec39a88b53ff2c8"
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  },
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  {
@@ -36,6 +39,7 @@ export var discography = [
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  "title": "Hell Money",
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  "length": "00:01:58",
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  "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/04-hell-money.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/04-hell-money.wav",
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  "id": "166de9752fc6f68fabff27f1e4ec9164"
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  },
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  {
@@ -43,6 +47,7 @@ export var discography = [
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  "title": "Subsea Fiber Faults in the APAC Region",
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  "length": "00:05:43",
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  "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/05-subsea-fiber-faults-in-the-apac-region.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/05-subsea-fiber-faults-in-the-apac-region.wav",
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  "id": "ddabb410b3b4e9692913d1aba064638f"
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  },
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  {
@@ -50,6 +55,7 @@ export var discography = [
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  "title": "Safe Passage (Non-Functional)",
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  "length": "00:02:51",
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  "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/06-safe-passage-non-functional.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/06-safe-passage-non-functional.wav",
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  "id": "cb92de4cad418d150ca1a21b7544879c"
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  }
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  ],
@@ -96,6 +102,7 @@ export var discography = [
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  "release_slug": "in-darkness-radiant",
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  "cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/in-darkness-radiant.jpg",
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  "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/in-darkness-radiant-mp3.zip",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/in-darkness-radiant/in-darkness-radiant-wav.zip",
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  "id": "fb698f2114760946e4fd0fc2576199a9"
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  },
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  {
@@ -106,37 +113,47 @@ export var discography = [
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  "format": "Digital",
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  "role": "Operator",
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  "label": "Intertext",
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- "mp3": false,
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- "wav": false,
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+ "mp3": true,
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+ "wav": true,
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  "tracks": [
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  {
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  "number": 1,
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  "title": "Sources and Methods",
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  "length": "00:03:44",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/01-sources-and-methods.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/01-sources-and-methods.wav",
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  "id": "376c3e78f3eff2fb422e21e6dd855274"
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  },
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  {
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  "number": 2,
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  "title": "Coyote",
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  "length": "00:05:52",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/02-coyote.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/02-coyote.wav",
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  "id": "958eab7cc3c22f4f4215bc80974c153f"
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  },
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  {
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  "number": 3,
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  "title": "Special Economic Zone",
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  "length": "00:03:44",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/03-special-economic-zone.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/03-special-economic-zone.wav",
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  "id": "b04e1d4a0065e8a519e97017876f4f0f"
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  },
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  {
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  "number": 4,
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  "title": "Border Crossing",
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  "length": "00:03:28",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/04-border-crossing.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/04-border-crossing.wav",
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  "id": "a61940bf64f3315a6b294642e1acaa8d"
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  },
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  {
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  "number": 5,
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  "title": "In Infinite Fogs",
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  "length": "00:05:52",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/05-in-infinite-fogs.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/05-in-infinite-fogs.wav",
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  "id": "3425ce3d019d9a2b4486a5b677580273"
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  }
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  ],
@@ -145,6 +162,8 @@ export var discography = [
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  "project_slug": "stuxnet",
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  "release_slug": "fade-scatter-replicate",
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  "cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/fade-scatter-replicate.jpg",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/fade-scatter-replicate-mp3.zip",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/fade-scatter-replicate/fade-scatter-replicate-wav.zip",
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  "id": "f47f6e20ac3ac2097070539354fda463"
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  },
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  {
@@ -291,25 +310,31 @@ export var discography = [
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  "format": "Digital",
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  "role": "Operator",
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  "label": "Intertext",
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- "mp3": false,
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- "wav": false,
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+ "mp3": true,
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+ "wav": true,
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  "tracks": [
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  {
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  "number": 1,
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  "title": "that it is a message at all",
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  "length": "00:04:36",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/human-interference-task-force/01-that-it-is-a-message-at-all.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/human-interference-task-force/01-that-it-is-a-message-at-all.wav",
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  "id": "e5b79e65e20eef11a6fdcfd49f045f10"
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  },
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  {
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  "number": 2,
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  "title": "that dangerous material is stored in a given location",
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  "length": "00:32:21",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/human-interference-task-force/02-that-dangerous-material-is-stored-in-a-given-location.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/human-interference-task-force/02-that-dangerous-material-is-stored-in-a-given-location.wav",
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  "id": "dd3c27ef99659033aaab2252f565fda5"
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  },
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  {
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  "number": 3,
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  "title": "information about the type of dangerous substances",
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  "length": "00:19:16",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/human-interference-task-force/03-information-about-the-type-of-dangerous-substances.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/human-interference-task-force/03-information-about-the-type-of-dangerous-substances.wav",
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  "id": "4bdbc9918ce2a3623da3380ad3b44386"
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  }
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  ],
@@ -318,6 +343,8 @@ export var discography = [
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  "project_slug": "stuxnet",
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  "release_slug": "human-interference-task-force",
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  "cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/human-interference-task-force/human-interference-task-force.jpg",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/human-interference-task-force/human-interference-task-force-mp3.zip",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/human-interference-task-force/human-interference-task-force-wav.zip",
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  "id": "70d383f39cd6c320f14ae8f8112ab125"
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  },
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  {
@@ -328,49 +355,63 @@ export var discography = [
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  "format": "Digital",
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  "role": "Operator",
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  "label": "Intertext",
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- "mp3": false,
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- "wav": false,
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+ "mp3": true,
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+ "wav": true,
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  "tracks": [
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  {
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  "number": 1,
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  "title": "Dazzle Camouflage (MUA)",
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  "length": "00:05:16",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/01-dazzle-camouflage-mua.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/01-dazzle-camouflage-mua.wav",
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  "id": "b3e55e82d01163b32e55719915098c3a"
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  },
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  {
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  "number": 2,
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  "title": "Countersurveillance",
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  "length": "00:04:09",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/02-countersurveillance.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/02-countersurveillance.wav",
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  "id": "6dc975e67926eeec29161acbf020d1e6"
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  },
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  {
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  "number": 3,
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  "title": "A Territory of History, Without Self",
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  "length": "00:03:33",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/03-a-territory-of-history-without-self.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/03-a-territory-of-history-without-self.wav",
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  "id": "443d85726b3da2bbcf3f1e73cb75247c"
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  },
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  {
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  "number": 4,
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  "title": "Pyrocumulus Days, Entropy Nights",
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  "length": "00:02:18",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/04-pyrocumulus-days-entropy-nights.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/04-pyrocumulus-days-entropy-nights.wav",
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  "id": "2bbf6bb6019421586f7c422490fb877f"
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  },
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  {
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  "number": 5,
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  "title": "What's Your Wifi Password?",
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  "length": "00:02:18",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/05-whats-your-wifi-password.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/05-whats-your-wifi-password.wav",
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  "id": "2bcbc1e1c036d5aececc7994b3c16ea8"
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  },
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  {
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  "number": 6,
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  "title": "I'm On Blockchain",
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  "length": "00:03:02",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/06-im-on-blockchain.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/06-im-on-blockchain.wav",
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  "id": "f28af783b6bf7c71feaf8681bd925b6a"
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  },
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  {
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  "number": 7,
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  "title": "Maybe",
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  "length": "00:04:35",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/07-maybe.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/07-maybe.wav",
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  "id": "d9b1078aadc31f8feb907ca5aa3e74bd"
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  }
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  ],
@@ -379,6 +420,8 @@ export var discography = [
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  "project_slug": "stuxnet",
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  "release_slug": "countersurveillance",
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  "cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/countersurveillance.jpg",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/countersurveillance-mp3.zip",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/countersurveillance/countersurveillance-wav.zip",
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  "id": "7339ec77045dfcc729a608f84b2cefa6"
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  },
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  {
@@ -389,61 +432,79 @@ export var discography = [
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  "format": "Digital",
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  "role": "Operator",
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  "label": "Intertext",
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- "mp3": false,
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- "wav": false,
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+ "mp3": true,
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+ "wav": true,
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  "tracks": [
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  {
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  "number": 1,
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  "title": "Our world was always fallen but there was always light.",
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  "length": "00:03:48",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/01-our-world-was-always-fallen-but-there-was-always-light.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/01-our-world-was-always-fallen-but-there-was-always-light.wav",
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  "id": "179b9982672f8f79ea013a5a0643c9bd"
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  },
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  {
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  "number": 2,
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  "title": "Damaged music is a metaphor for this world.",
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  "length": "00:04:35",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/02-damaged-music-is-a-metaphor-for-this-world.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/02-damaged-music-is-a-metaphor-for-this-world.wav",
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  "id": "08207b02a760518f1294c1ea693691bf"
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  },
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  {
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  "number": 3,
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  "title": "Music was always celebratory, but there was always sorrow.",
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  "length": "00:02:50",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/03-music-was-always-celebratory-but-there-was-always-sorrow.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/03-music-was-always-celebratory-but-there-was-always-sorrow.wav",
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  "id": "2c538db0c9926c8ea43af7a422aaf9a2"
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  },
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  {
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  "number": 4,
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  "title": "For liberation lies in that which is shattered.",
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  "length": "00:01:15",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/04-for-liberation-lies-in-that-which-is-shattered.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/04-for-liberation-lies-in-that-which-is-shattered.wav",
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  "id": "d5a9025184b1983352b1f8ae2ddd7d91"
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  },
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  {
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  "number": 5,
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  "title": "Designed to merge, engineered to transcend.",
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  "length": "00:02:18",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/05-designed-to-merge-engineered-to-transcend.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/05-designed-to-merge-engineered-to-transcend.wav",
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  "id": "fcd2e06c4631a2a63539dacf1b577e1b"
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  },
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  {
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  "number": 6,
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  "title": "Liberation follows that which is broken.",
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  "length": "00:07:56",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/06-liberation-follows-that-which-is-broken.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/06-liberation-follows-that-which-is-broken.wav",
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  "id": "0cdc699f61cd1b25eb74c95f1c0c7be9"
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  },
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  {
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  "number": 7,
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  "title": "Something you catch.",
434
489
  "length": "00:07:30",
490
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/07-something-you-catch.mp3",
491
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/07-something-you-catch.wav",
435
492
  "id": "bde572f3a3de478e7d74607798ff41c7"
436
493
  },
437
494
  {
438
495
  "number": 8,
439
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  "title": "As you're scanning for distress calls.",
440
497
  "length": "00:03:53",
498
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/08-as-youre-scanning-for-distress-calls.mp3",
499
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/08-as-youre-scanning-for-distress-calls.wav",
441
500
  "id": "e7888378b887c15138b8e9be615ec012"
442
501
  },
443
502
  {
444
503
  "number": 9,
445
504
  "title": "Long live the lost ones.",
446
505
  "length": "00:05:12",
506
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/09-long-live-the-lost-ones.mp3",
507
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/09-long-live-the-lost-ones.wav",
447
508
  "id": "30f9acd6b2a5762977f27468d900eecd"
448
509
  }
449
510
  ],
@@ -452,6 +513,8 @@ export var discography = [
452
513
  "project_slug": "stuxnet",
453
514
  "release_slug": "long-live-the-lost-ones",
454
515
  "cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/long-live-the-lost-ones.jpg",
516
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/long-live-the-lost-ones-mp3.zip",
517
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/long-live-the-lost-ones/long-live-the-lost-ones-wav.zip",
455
518
  "id": "7d8f67a125af6c412d1d5b08caa02412"
456
519
  },
457
520
  {
@@ -462,19 +525,23 @@ export var discography = [
462
525
  "format": "Digital",
463
526
  "role": "Operator",
464
527
  "label": "Intertext",
465
- "mp3": false,
466
- "wav": false,
528
+ "mp3": true,
529
+ "wav": true,
467
530
  "tracks": [
468
531
  {
469
532
  "number": 1,
470
533
  "title": "Time's Firewall",
471
534
  "length": "00:08:07",
535
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/times-firewall-demo/01-times-firewall.mp3",
536
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/times-firewall-demo/01-times-firewall.wav",
472
537
  "id": "4eae4205c51602b354c0523f04545abe"
473
538
  },
474
539
  {
475
540
  "number": 2,
476
541
  "title": "Fractal's Edge",
477
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  "length": "00:11:02",
543
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/times-firewall-demo/02-fractals-edge.mp3",
544
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/times-firewall-demo/02-fractals-edge.wav",
478
545
  "id": "23d10f8f4768e913d7c0fe955cc16b04"
479
546
  }
480
547
  ],
@@ -483,6 +550,8 @@ export var discography = [
483
550
  "project_slug": "stuxnet",
484
551
  "release_slug": "times-firewall-demo",
485
552
  "cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/times-firewall-demo/times-firewall-demo.jpg",
553
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/times-firewall-demo/times-firewall-demo-mp3.zip",
554
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/times-firewall-demo/times-firewall-demo-wav.zip",
486
555
  "id": "1b1c543e6914fcc678c4710c1ce600f4"
487
556
  },
488
557
  {
@@ -493,73 +562,95 @@ export var discography = [
493
562
  "format": "Digital",
494
563
  "role": "Operator",
495
564
  "label": "Intertext",
496
- "mp3": false,
497
- "wav": false,
565
+ "mp3": true,
566
+ "wav": true,
498
567
  "tracks": [
499
568
  {
500
569
  "number": 1,
501
570
  "title": "The Payload Appeared Yesterday Due to a Zero Day Timezone Conversion Vulnerability",
502
571
  "length": "00:01:28",
572
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/01-the-payload-appeared-yesterday-due-to-a-zero-day-timezone-conversion-vulnerability.mp3",
573
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/01-the-payload-appeared-yesterday-due-to-a-zero-day-timezone-conversion-vulnerability.wav",
503
574
  "id": "faf5ef30c09d21d6a7accc7a9c8eba23"
504
575
  },
505
576
  {
506
577
  "number": 2,
507
578
  "title": "Supply Chain Attack Surface",
508
579
  "length": "00:02:14",
580
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/02-supply-chain-attack-surface.mp3",
581
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/02-supply-chain-attack-surface.wav",
509
582
  "id": "4e2e4b2e0b229bfd729e2c30c6af0c68"
510
583
  },
511
584
  {
512
585
  "number": 3,
513
586
  "title": "A White USB Drive With \"HEXAGON\" iStock Logo \\#1135496271",
514
587
  "length": "00:03:09",
588
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/03-a-white-usb-drive-with-hexagon-istock-logo-1135496271.mp3",
589
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/03-a-white-usb-drive-with-hexagon-istock-logo-1135496271.wav",
515
590
  "id": "0c64e4dd5d5bb830ed5975cc200e7793"
516
591
  },
517
592
  {
518
593
  "number": 4,
519
594
  "title": "At Least One Reseller of Microsoft Cloud Services Was Compromised",
520
595
  "length": "00:02:44",
596
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/04-at-least-one-reseller-of-microsoft-cloud-services-was-compromised.mp3",
597
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/04-at-least-one-reseller-of-microsoft-cloud-services-was-compromised.wav",
521
598
  "id": "5ca900f7ab02c2b0fbd0e77190c4beec"
522
599
  },
523
600
  {
524
601
  "number": 5,
525
602
  "title": "Matryoshka Shell 1 - Ransomware Was Discovered on the Executive\u2019s Peloton",
526
603
  "length": "00:02:13",
604
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/05-matryoshka-shell-1-ransomware-was-discovered-on-the-executives-peloton.mp3",
605
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/05-matryoshka-shell-1-ransomware-was-discovered-on-the-executives-peloton.wav",
527
606
  "id": "28065b49def591062fa9288476a564f4"
528
607
  },
529
608
  {
530
609
  "number": 6,
531
610
  "title": "Matryoshka Shell 2 - IoT Botnet DDoS",
532
611
  "length": "00:02:06",
612
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/06-matryoshka-shell-2-iot-botnet-ddos.mp3",
613
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/06-matryoshka-shell-2-iot-botnet-ddos.wav",
533
614
  "id": "4e00289da643efb2a0e135cf0c675429"
534
615
  },
535
616
  {
536
617
  "number": 7,
537
618
  "title": "Matryoshka Shell 3 - Distributed Cryptocurrency Mining Operation",
538
619
  "length": "00:01:22",
620
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/07-matryoshka-shell-3-distributed-cryptocurrency-mining-operation.mp3",
621
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/07-matryoshka-shell-3-distributed-cryptocurrency-mining-operation.wav",
539
622
  "id": "8c381f7d6ba406bf4d09b39f4b97edd2"
540
623
  },
541
624
  {
542
625
  "number": 8,
543
626
  "title": "Matryoshka Shell 4 - International Date Line",
544
627
  "length": "00:02:46",
628
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/08-matryoshka-shell-4-international-date-line.mp3",
629
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/08-matryoshka-shell-4-international-date-line.wav",
545
630
  "id": "29f3e0a0cb584e1f38a1c8e12c3dd50a"
546
631
  },
547
632
  {
548
633
  "number": 9,
549
634
  "title": "Matryoshka Shell 5 - \u7dcf\u4f1a\u5c4b (deepfake.S)",
550
635
  "length": "00:03:21",
636
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/09-matryoshka-shell-5-deepfakes.mp3",
637
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/09-matryoshka-shell-5-deepfakes.wav",
551
638
  "id": "6638a8ff34056ccfa84889decbf9e763"
552
639
  },
553
640
  {
554
641
  "number": 10,
555
642
  "title": "Matryoshka Shell 6 - Schanuel's Conjecture (Evidence of Non-Human Origin)",
556
643
  "length": "00:02:29",
644
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/10-matryoshka-shell-6-schanuels-conjecture-evidence-of-non-human-origin.mp3",
645
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/10-matryoshka-shell-6-schanuels-conjecture-evidence-of-non-human-origin.wav",
557
646
  "id": "0b394848373ec96e857293c460a07895"
558
647
  },
559
648
  {
560
649
  "number": 11,
561
650
  "title": "The Media Confused the Matter With Container Ships",
562
651
  "length": "00:02:13",
652
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/11-the-media-confused-the-matter-with-container-ships.mp3",
653
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/11-the-media-confused-the-matter-with-container-ships.wav",
563
654
  "id": "b9202085559832f47a042d7eabca7243"
564
655
  }
565
656
  ],
@@ -568,6 +659,8 @@ export var discography = [
568
659
  "project_slug": "stuxnet",
569
660
  "release_slug": "matryoshka-demo",
570
661
  "cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/matryoshka-demo.jpg",
662
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/matryoshka-demo-mp3.zip",
663
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/matryoshka-demo/matryoshka-demo-wav.zip",
571
664
  "id": "008f7a37d4d2668958e8df4c2e2f1f77"
572
665
  },
573
666
  {
@@ -578,63 +671,82 @@ export var discography = [
578
671
  "format": "Digital",
579
672
  "role": "Operator",
580
673
  "label": "Intertext",
581
- "mp3": false,
582
- "wav": false,
674
+ "mp3": true,
675
+ "wav": true,
583
676
  "tracks": [
584
677
  {
585
678
  "number": 1,
586
679
  "title": "Trapdoor Function",
587
680
  "length": "00:02:11",
681
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/01-trapdoor-function.mp3",
682
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/01-trapdoor-function.wav",
588
683
  "id": "c3560e910e213cf54e99ffcc624460d1"
589
684
  },
590
685
  {
591
686
  "number": 2,
592
687
  "title": "Asymmetric Encrypted Transport",
593
688
  "length": "00:01:21",
689
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/02-asymmetric-encrypted-transport.mp3",
690
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/02-asymmetric-encrypted-transport.wav",
594
691
  "id": "2349bb6f2e75db320e6c89fc2857c70c"
595
692
  },
596
693
  {
597
694
  "number": 3,
598
695
  "title": "Forced Disclosure of Encryption Keys",
599
696
  "length": "00:02:31",
697
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/03-forced-disclosure-of-encryption-keys.mp3",
698
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/03-forced-disclosure-of-encryption-keys.wav",
600
699
  "id": "2c255249ce2e536690e2b79824aa693d"
601
700
  },
602
701
  {
603
702
  "number": 4,
604
703
  "title": "Chinese Remainder Theorem",
605
704
  "length": "00:02:11",
705
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/04-chinese-remainder-theorem.mp3",
706
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/04-chinese-remainder-theorem.wav",
606
707
  "id": "567e1a5978db9ffd4f2e0be22bea39b7"
607
708
  },
608
709
  {
609
710
  "number": 5,
610
711
  "title": "Hash Collision",
611
712
  "length": "00:04:52",
713
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/05-hash-collision.mp3",
714
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/05-hash-collision.wav",
612
715
  "id": "9079406ca53ef6f354fa6bcdc112e66c"
613
716
  },
614
717
  {
615
718
  "number": 6,
616
719
  "title": "Something You Have",
617
720
  "length": "00:10:05",
721
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/06-something-you-have.mp3",
722
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/06-something-you-have.wav",
618
723
  "id": "25da8b21911fc20cb1b0dc2cb7f56d4b"
619
724
  },
620
725
  {
621
726
  "number": 7,
622
727
  "title": "Something You Know",
623
728
  "length": "00:03:25",
729
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/07-something-you-know.mp3",
730
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/07-something-you-know.wav",
624
731
  "id": "461384034f3ea6d780e9f82f352f8dea"
625
732
  },
626
733
  {
627
734
  "number": 8,
628
735
  "title": "Something You Are",
629
736
  "length": "00:05:40",
737
+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/08-something-you-are.mp3",
738
+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/08-something-you-are.wav",
630
739
  "id": "c791ffc28c2b9337919f730df6899e77"
631
740
  }
632
741
  ],
633
- "notes": "<p>% ssh-keygen -t ed25519</p><p>Generating public/private ed25519 key pair.</p><p>Enter file in which to save the key (/Users/mbp/.ssh/id_ed25519):</p><p>Enter passphrase (empty for no passphrase):</p><p>Enter same passphrase again:</p><p>Your identification has been saved in /Users/mbp/.ssh/id_ed25519.</p><p>Your public key has been saved in /Users/mbp/.ssh/id_ed25519.pub.</p><p>The key fingerprint is:</p><p>SHA256:0kv7znEhupmnDG+eyQAwWNgt8kwKzosGi4hpAmtf7HY mbp@mbp</p><p>The key's randomart image is:</p><p>+--[ED25519 256]--+</p><p>| o.. |</p><p>|+o+ . |</p><p>|=*o. |</p><p>|+ooo . |</p><p>|B+. o . S . . |</p><p>|X= + o + . . |</p><p>|= . o o + . . |</p><p>| . o E.O.o |</p><p>| . .o%++ |</p><p>+----[SHA256]-----+</p><p>% cat /Users/mbp/.ssh/id_ed25519</p><p>-----BEGIN OPENSSH PRIVATE KEY-----</p><p>b3BlbnNzaC1rZXktdjEAAAAABG5vbmUAAAAEbm9uZQAAAAAAAAABAAAAMwAAAAtzc2gtZW</p><p>QyNTUxOQAAACDIR6QeH9ppP9f9xexpPOx0xAmGzWcU3SwBjSl7OZh1zgAAAJB79qzIe/as</p><p>yAAAAAtzc2gtZWQyNTUxOQAAACDIR6QeH9ppP9f9xexpPOx0xAmGzWcU3SwBjSl7OZh1zg</p><p>AAAEA1ic72mxJXRvpnU74JYkpnyQ+RhVHBnNLmuSpq4YcQY8hHpB4f2mk/1/3F7Gk87HTE</p><p>CYbNZxTdLAGNKXs5mHXOAAAAB21icEBtYnABAgMEBQY=</p><p>-----END OPENSSH PRIVATE KEY-----</p><p>watch the recording of CIPHER SUITE (demo) at: https://www.twitch.tv/videos/964445530</p>",
742
+ "monospaceNotes": true,
743
+ "notes": "<pre>% ssh-keygen -t ed25519\nGenerating public/private ed25519 key pair.\nEnter file in which to save the key (/Users/mbp/.ssh/id_ed25519):\nEnter passphrase (empty for no passphrase):\nEnter same passphrase again:\nYour identification has been saved in /Users/mbp/.ssh/id_ed25519.\nYour public key has been saved in /Users/mbp/.ssh/id_ed25519.pub.\nThe key fingerprint is:\nSHA256:0kv7znEhupmnDG+eyQAwWNgt8kwKzosGi4hpAmtf7HY mbp@mbp\nThe key's randomart image is:\n+--[ED25519 256]--+\n| o.. |\n|+o+ . |\n|=*o. |\n|+ooo . |\n|B+. o . S . . |\n|X= + o + . . |\n|= . o o + . . |\n| . o E.O.o |\n| . .o%++ |\n+----[SHA256]-----+\n% cat /Users/mbp/.ssh/id_ed25519\n-----BEGIN OPENSSH PRIVATE KEY-----\nb3BlbnNzaC1rZXktdjEAAAAABG5vbmUAAAAEbm9uZQAAAAAAAAABAAAAMwAAAAtzc2gtZW\nQyNTUxOQAAACDIR6QeH9ppP9f9xexpPOx0xAmGzWcU3SwBjSl7OZh1zgAAAJB79qzIe/as\nyAAAAAtzc2gtZWQyNTUxOQAAACDIR6QeH9ppP9f9xexpPOx0xAmGzWcU3SwBjSl7OZh1zg\nAAAEA1ic72mxJXRvpnU74JYkpnyQ+RhVHBnNLmuSpq4YcQY8hHpB4f2mk/1/3F7Gk87HTE\nCYbNZxTdLAGNKXs5mHXOAAAAB21icEBtYnABAgMEBQY=\n-----END OPENSSH PRIVATE KEY-----\nwatch the recording of CIPHER SUITE (demo) at: https://www.twitch.tv/videos/964445530\n</pre>",
634
744
  "credits": "<p>STUXNET is Tyler Etters.</p>",
635
745
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/cipher-suite-demo/cipher-suite-demo-mp3.zip",
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  "title": "fcore",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/05-fcore.wav",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/06-lecture.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/06-lecture.wav",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/07-abeyance.mp3",
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  "title": "registry",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/08-registry.mp3",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/08-registry.wav",
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  "id": "245d5a39e4a966bd7a7368253beaf668"
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@@ -702,6 +830,8 @@ export var discography = [
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  "project_slug": "stuxnet",
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  "release_slug": "carrier-demo",
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  "cover_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/carrier-demo.jpg",
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+ "mp3_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/carrier-demo-mp3.zip",
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+ "wav_url": "https://intertext.s3.us-west-1.amazonaws.com/stuxnet/carrier-demo/carrier-demo-wav.zip",
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  {
@@ -886,8 +1016,7 @@ export var discography = [
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  "id": "688324cd8182b77da8097a91a8fa4cf1"
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  }
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  ],
889
- "monospaceNotes": true,
890
- "notes": "<pre>- - - - - - - - - -\nchapter ix\n- - - - - - - - - -\nsummer. morning. warmth and green. saturday. children meet at the end of the street to play. nature preserve. silent agreement. no games today. just be. creeks. white oaks. a crayfish somehow. power lines on the horizon. cumulus clouds and prairies forever. then one of them finds it beneath a domed castle of dark briar. the snail shell graveyard. calls to the others. huddled around the edge in silence. dozens of bone-white spirals encrusted in black mud. today they can only stare but the questions will come decades later: what force caused it to happen? was the ossuary exclusive to a single family? did some apex predator hunt each snail and return them to her voracious brood? did the snails all migrate together on their own volition? only to die in some great cataclysm? the annual prairie burn? the children know better than to take any shells. dusk. winter. the ice breaks. yelling for help. they scramble to get long branches. he is ok but his boot is claimed by the mud. summer again. they age. they don't play anymore. they hang out now. they go back the forest preserve past curfew. instead of running from imaginary monsters they run from the police. they still know all the hiding places and it is almost unfair. they keep aging. they lose touch. they sometimes remember. before it is over, each returns to the forest preserve in turn. always alone. always unknown by the others. not secret. just private. none of them can ever find it again.\n- - - - - - - - - -\n1. the snail shell graveyard (w/ david)\n2. fiddler\u2019s green\n3. yes, these paths were promised\n4. cometary\n5. unnamed seasons (w/ sage)\n6. this is hallowed ground\n7. hope on the western sky\n8. in standstill destiny\n9. fireflies & fields\n10. beacons of light\n11. where the grass is uncut by blades of men\n- - - - - - - - - - \n</pre>",
1019
+ "notes": "<p>- - - - - - - - - -</p><p>chapter ix</p><p>- - - - - - - - - -</p><p>summer. morning. warmth and green. saturday. children meet at the end of the street to play. nature preserve. silent agreement. no games today. just be. creeks. white oaks. a crayfish somehow. power lines on the horizon. cumulus clouds and prairies forever. then one of them finds it beneath a domed castle of dark briar. the snail shell graveyard. calls to the others. huddled around the edge in silence. dozens of bone-white spirals encrusted in black mud. today they can only stare but the questions will come decades later: what force caused it to happen? was the ossuary exclusive to a single family? did some apex predator hunt each snail and return them to her voracious brood? did the snails all migrate together on their own volition? only to die in some great cataclysm? the annual prairie burn? the children know better than to take any shells. dusk. winter. the ice breaks. yelling for help. they scramble to get long branches. he is ok but his boot is claimed by the mud. summer again. they age. they don't play anymore. they hang out now. they go back the forest preserve past curfew. instead of running from imaginary monsters they run from the police. they still know all the hiding places and it is almost unfair. they keep aging. they lose touch. they sometimes remember. before it is over, each returns to the forest preserve in turn. always alone. always unknown by the others. not secret. just private. none of them can ever find it again.</p><p>- - - - - - - - - -</p><p>1. the snail shell graveyard (w/ david)</p><p>2. fiddler\u2019s green</p><p>3. yes, these paths were promised</p><p>4. cometary</p><p>5. unnamed seasons (w/ sage)</p><p>6. this is hallowed ground</p><p>7. hope on the western sky</p><p>8. in standstill destiny</p><p>9. fireflies & fields</p><p>10. beacons of light</p><p>11. where the grass is uncut by blades of men</p><p>- - - - - - - - - - </p>",
891
1020
  "credits": "<p>released the day after the winter solstice, when the light begins her steady march to summer.</p><p>written and recorded by tyler etters from an indeterminate point in the past through december 2017. featuring guitar by david kvistad on the snail shell graveyard and field recordings by sage etters on unnamed seasons. painting of cornfields in illinois (1994) by lynda wallis (tyler etters\u2019s mom) with additional treatment by tyler etters.</p>",
892
1021
  "project_slug": "tyler-etters-and-the-northern-information-movement",
893
1022
  "release_slug": "reverence",
@@ -960,8 +1089,7 @@ export var discography = [
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  "id": "71ec5270c5ce9efd50213085cbaeddf4"
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1090
  }
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1091
  ],
963
- "monospaceNotes": true,
964
- "notes": "<pre>- - - - - - - - - -\nchapter viii\n- - - - - - - - - -\nwinter - city - neon dusk - service economies - capitalist realism - the hinge upon which the world turns - unexpected password reset - borrowed anxiety medication - ritual scarification of the mind - ego death - a thousand faces - monomyth - megalith - emergency motorcycle repair - sargasso sea - aggregate browser histories - anonymous cookies - london bridge is falling down - traffic rerouted through eastern europe - all roads lead to rome - the empire never ended - golgothan solstice - eclipse - ellipsism - algorithm - the flash crash of 2010 - the jackpot - universal coordinated time - quick response code - boarding pass - light pollution - the people's republic of the great pacific garbage patch - skeleton music - voodoo technology - hypothetical histories - satellites - orbital sovereignty - metalaws - the singularity already happened - death is the only way out of the information age - metadata reincarnation - the second unix epoch - as above so below - as below so beyond - at dusk there is no wind\n- - - - - - - - - -\n1. surveillance industrial complex\n2. twilight in shape\n3. a cyan destiny\n4. some more dreams from the hive\n5. apophenia\n6. later heaven\n7. future shock\n8. olympus mons\n9. the path of many returns\n- - - - - - - - - - \n</pre>",
1092
+ "notes": "<p>- - - - - - - - - -</p><p>chapter viii</p><p>- - - - - - - - - -</p><p>winter - city - neon dusk - service economies - capitalist realism - the hinge upon which the world turns - unexpected password reset - borrowed anxiety medication - ritual scarification of the mind - ego death - a thousand faces - monomyth - megalith - emergency motorcycle repair - sargasso sea - aggregate browser histories - anonymous cookies - london bridge is falling down - traffic rerouted through eastern europe - all roads lead to rome - the empire never ended - golgothan solstice - eclipse - ellipsism - algorithm - the flash crash of 2010 - the jackpot - universal coordinated time - quick response code - boarding pass - light pollution - the people's republic of the great pacific garbage patch - skeleton music - voodoo technology - hypothetical histories - satellites - orbital sovereignty - metalaws - the singularity already happened - death is the only way out of the information age - metadata reincarnation - the second unix epoch - as above so below - as below so beyond - at dusk there is no wind</p><p>- - - - - - - - - -</p><p>1. surveillance industrial complex</p><p>2. twilight in shape</p><p>3. a cyan destiny</p><p>4. some more dreams from the hive</p><p>5. apophenia</p><p>6. later heaven</p><p>7. future shock</p><p>8. olympus mons</p><p>9. the path of many returns</p><p>- - - - - - - - - - </p>",
965
1093
  "credits": "<p>released on the winter solstice, when both darkness and light hang in a wary balance.</p><p>written and recorded by tyler etters from an indeterminate point in the past through december 2017. featuring pasha petrosyan on surveillance industrial complex, later heaven, and the path of many returns. numerous samples, videos, storyline components and album title by cory salveson. album cover polaroid of stone henge on the summer solstice (2017) by cory salveson with additional treatment by tyler etters.</p>",
966
1094
  "project_slug": "tyler-etters-and-the-northern-information-movement",
967
1095
  "release_slug": "dispatches-from-the-prime-meridian",
@@ -1034,8 +1162,7 @@ export var discography = [
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- "monospaceNotes": true,
1038
- "notes": "<pre>- - - - - - - - - -\nchapter vii\n- - - - - - - - - -\nwe built the forest acropolis in a single day. that night we reveled at our achievement. we drank wine and played flutes and made merry. drunk and giddy with the possibility of the future, we fell asleep long after the sun rose. when we finally awoke, kudzu had inexplicably grown over everything. the columns began to crumble. confused, we cut it down and repaired what we could. the next day, the vines were back. again we cut them down, but again they grew back. our leaders proclaimed the land cursed. no one could remember why we built here in the first place anyway. so we left to build a new acropolis by the sea. some of our children remained. they climbed the vines and went on adventures in the woods, heirs of a ghost kingdom.\n- - - - - - - - - -\n1. arcadian nights\n2. leaving home\n3. the emptiness will always follow you\n4. shanzhai (gueriila fortress)\n5. full steam\n6. holy mountain hymn\n7. reaver, yggdrasil, the thing at the end of the woods\n8. bridges of terabithia\n9. unscarred land\n- - - - - - - - - - \n</pre>",
1165
+ "notes": "<p>- - - - - - - - - -</p><p>chapter vii</p><p>- - - - - - - - - -</p><p>we built the forest acropolis in a single day. that night we reveled at our achievement. we drank wine and played flutes and made merry. drunk and giddy with the possibility of the future, we fell asleep long after the sun rose. when we finally awoke, kudzu had inexplicably grown over everything. the columns began to crumble. confused, we cut it down and repaired what we could. the next day, the vines were back. again we cut them down, but again they grew back. our leaders proclaimed the land cursed. no one could remember why we built here in the first place anyway. so we left to build a new acropolis by the sea. some of our children remained. they climbed the vines and went on adventures in the woods, heirs of a ghost kingdom.</p><p>- - - - - - - - - -</p><p>1. arcadian nights</p><p>2. leaving home</p><p>3. the emptiness will always follow you</p><p>4. shanzhai (gueriila fortress)</p><p>5. full steam</p><p>6. holy mountain hymn</p><p>7. reaver, yggdrasil, the thing at the end of the woods</p><p>8. bridges of terabithia</p><p>9. unscarred land</p><p>- - - - - - - - - - </p>",
1039
1166
  "credits": "<p>written & recorded by tyler etters from an indeterminate point in the past through december 2016 at endless field studios. featuring adam j. moore on full steam, holy mountain hymn, and reaver, yggdsrasil, the thing at the end of the woods. featuring arthur zdrinc on holy mountain hymn. featuring cory salveson on videos, images, and storyline.</p>",
1040
1167
  "project_slug": "tyler-etters-and-the-northern-information-movement",
1041
1168
  "release_slug": "the-legacy-of-our-lost-cause",
@@ -1138,8 +1265,7 @@ export var discography = [
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  }
1140
1267
  ],
1141
- "monospaceNotes": true,
1142
- "notes": "<pre>- - - - - - - - - -\nchapter vi\n- - - - - - - - - -\ni have been having dreams about the apocalypse lately. firefighters swarming like ants on a smoldering sears tower, lake michigan simply exploding, the laws of physics deteriorating, heat death, psychological collapses. ever since i was a little boy the topic of eschatology intrigued me. i have always found the the snafus and close calls to be especially interesting: y2k, 12-21-2012, the return of nibiru... these overly hyped events stir up the fears and emotions of certain circles and then awkwardly fizzle out. contrast these to real-world atrocities, cold wars, personal and familial crises, and you realize the apocalypse is happening everyday for someone. ours is an age of false prophets and fear mongering. we make the apocalypse real in our minds. between the actual and perceived doomsdays there is enough to keep anyone worried and anxious for the rest of their lives. this album is about living in a world where anything can happen, where the soft apocalypse may yet overtake at any momemnt. it is a collage; a story; a sonic journey of found sounds and field recordings. it's rawer and rougher than anything i've released before. from anonymous protests in chicago to some particularly terrifying flood sirens, from emergency broadcasts to gin-drunk conversations with old timers about the wars of the 20th century. the singularity already happened. it is not yet over. be kind and generous, always. create something beautiful today and we'll be just fine.\n- - - - - - - - - -\n1. and though the soft apocalypse may yet overtake\n2. unreliable narrator\n3. entropy\n4. palm beach\n5. owl\n6. boodle man\n7. steady progress (deeper into the dark tangent)\n8. in this spiraling darkness\n9. heat death\n10. armageddon rager\n11. suburban gutter trash\n12. flood sirens\n13. requiem, tunnels between worlds\n14. and then the crickets came\n- - - - - - - - - - \n</pre>",
1268
+ "notes": "<p>- - - - - - - - - -</p><p>chapter vi</p><p>- - - - - - - - - -</p><p>i have been having dreams about the apocalypse lately. firefighters swarming like ants on a smoldering sears tower, lake michigan simply exploding, the laws of physics deteriorating, heat death, psychological collapses. ever since i was a little boy the topic of eschatology intrigued me. i have always found the the snafus and close calls to be especially interesting: y2k, 12-21-2012, the return of nibiru... these overly hyped events stir up the fears and emotions of certain circles and then awkwardly fizzle out. contrast these to real-world atrocities, cold wars, personal and familial crises, and you realize the apocalypse is happening everyday for someone. ours is an age of false prophets and fear mongering. we make the apocalypse real in our minds. between the actual and perceived doomsdays there is enough to keep anyone worried and anxious for the rest of their lives. this album is about living in a world where anything can happen, where the soft apocalypse may yet overtake at any momemnt. it is a collage; a story; a sonic journey of found sounds and field recordings. it's rawer and rougher than anything i've released before. from anonymous protests in chicago to some particularly terrifying flood sirens, from emergency broadcasts to gin-drunk conversations with old timers about the wars of the 20th century. the singularity already happened. it is not yet over. be kind and generous, always. create something beautiful today and we'll be just fine.</p><p>- - - - - - - - - -</p><p>1. and though the soft apocalypse may yet overtake</p><p>2. unreliable narrator</p><p>3. entropy</p><p>4. palm beach</p><p>5. owl</p><p>6. boodle man</p><p>7. steady progress (deeper into the dark tangent)</p><p>8. in this spiraling darkness</p><p>9. heat death</p><p>10. armageddon rager</p><p>11. suburban gutter trash</p><p>12. flood sirens</p><p>13. requiem, tunnels between worlds</p><p>14. and then the crickets came</p><p>- - - - - - - - - - </p>",
1143
1269
  "credits": "<p>written & recorded by tyler etters from january 2015 through june 2015 at endless field studios. featuring adam j. moore on palm beach and suburban gutter trash.</p>",
1144
1270
  "project_slug": "tyler-etters-and-the-northern-information-movement",
1145
1271
  "release_slug": "and-though-the-soft-apocalypse-may-yet-overtake",
@@ -1182,8 +1308,7 @@ export var discography = [
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1308
  "id": "8c9ce93a6646e77e0e252cc27a7ed824"
1183
1309
  }
1184
1310
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1185
- "monospaceNotes": true,
1186
- "notes": "<pre>- - - - - - - - - -\nchapter v\n- - - - - - - - - -\n1. OS1\n2. OS2\n3. OS3\n4. OS4\n- - - - - - - - - -\n</pre>",
1311
+ "notes": "<p>- - - - - - - - - -</p><p>chapter v</p><p>- - - - - - - - - -</p><p>1. OS1</p><p>2. OS2</p><p>3. OS3</p><p>4. OS4</p><p>- - - - - - - - - -</p>",
1187
1312
  "credits": "<p>written & recorded by tyler etters and adam j. moore on march 28 2015 at endless field studios. album cover artwork by adam j. moore with additional treatment by tyler etters.</p>",
1188
1313
  "project_slug": "tyler-etters-and-the-northern-information-movement",
1189
1314
  "release_slug": "zulu",
@@ -1280,8 +1405,7 @@ export var discography = [
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1405
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1281
1406
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1282
1407
  ],
1283
- "monospaceNotes": true,
1284
- "notes": "<pre>- - - - - - - - - -\nchapter iv\n- - - - - - - - - -\nthese are the phantoms of our lost cause. this album is my shroud of ghosts, the remnants, the lingering possibilities from timelines tangential. but make no mistake, dear listener: this is no album of b-sides. writing 'the geometrie of our lost cause' was something of a creative renaissance for me. more wavs, samples, beats and guitar drones filled my drives than i knew what to do with (and certainly more than would be appropriate for 'immemorial'). much of that remaining phantasmal material is now presented here. but there are songs from other times, too. 'there is no death, only reorganization' dates back to the 'terraforms' age; 'the secret symmetries of oakwood hills' was almost released on 'blue, the most celestial color'; 'nausica\u00e4' holds the seeds of 'northern illinois'; the 'mainframe' movement in 'getageese' emerged from the 'serial index of unclaimed memories' sessions. once all of this music was sourced, exhumed, and resampled i loaded it up into my rig and rehearsed the album as though i were performing live. later, one of those hazey sessions would be promoted to the final mix in a largely unedited form. and thus begins the second trilogy...\n- - - - - - - - - -\n1. the secret symmetries of oakwood hills\n2. there is no death, only reorganization\n3. second chance\n4. ch((e)i)m(er)ical\n5. forest (R1-07348-0017.jpg)\n6. 2am, rte 53, northbound\n7. jacurutu\n8. radio haces arrib{a} tu cowboy espacio\n9. getageese\n i. we're going to getageese\n ii. mainframe (salvaged from failing ecicefis computer)\n iii. getageese is gone\n10. samsara (w/ adam)\n11. the sound of her wings\n12. infinite return of the same\n13. nausica\u00e4\n- - - - - - - - - - \n</pre>",
1408
+ "notes": "<p>- - - - - - - - - -</p><p>chapter iv</p><p>- - - - - - - - - -</p><p>these are the phantoms of our lost cause. this album is my shroud of ghosts, the remnants, the lingering possibilities from timelines tangential. but make no mistake, dear listener: this is no album of b-sides. writing 'the geometrie of our lost cause' was something of a creative renaissance for me. more wavs, samples, beats and guitar drones filled my drives than i knew what to do with (and certainly more than would be appropriate for 'immemorial'). much of that remaining phantasmal material is now presented here. but there are songs from other times, too. 'there is no death, only reorganization' dates back to the 'terraforms' age; 'the secret symmetries of oakwood hills' was almost released on 'blue, the most celestial color'; 'nausica\u00e4' holds the seeds of 'northern illinois'; the 'mainframe' movement in 'getageese' emerged from the 'serial index of unclaimed memories' sessions. once all of this music was sourced, exhumed, and resampled i loaded it up into my rig and rehearsed the album as though i were performing live. later, one of those hazey sessions would be promoted to the final mix in a largely unedited form. and thus begins the second trilogy...</p><p>- - - - - - - - - -</p><p>1. the secret symmetries of oakwood hills</p><p>2. there is no death, only reorganization</p><p>3. second chance</p><p>4. ch((e)i)m(er)ical</p><p>5. forest (R1-07348-0017.jpg)</p><p>6. 2am, rte 53, northbound</p><p>7. jacurutu</p><p>8. radio haces arrib{a} tu cowboy espacio</p><p>9. getageese</p><p> i. we're going to getageese</p><p> ii. mainframe (salvaged from failing ecicefis computer)</p><p> iii. getageese is gone</p><p>10. samsara (w/ adam)</p><p>11. the sound of her wings</p><p>12. infinite return of the same</p><p>13. nausica\u00e4</p><p>- - - - - - - - - - </p>",
1285
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  "credits": "<p>written & recorded by tyler etters from an indeterminate point in the past through december 2014 at endless field studios. featuring adam moore on samsara. album cover artwork by paul petrosyan with additional treatment by tyler etters.</p>",
1286
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  "project_slug": "tyler-etters-and-the-northern-information-movement",
1287
1411
  "release_slug": "the-phantoms-of-our-lost-cause",
@@ -1318,8 +1442,7 @@ export var discography = [
1318
1442
  "id": "1062f9765aaed497888b4036af0fc485"
1319
1443
  }
1320
1444
  ],
1321
- "monospaceNotes": true,
1322
- "notes": "<pre>- - - - - - - - - -\nchapter iii\n- - - - - - - - - -\nthere was a time before these experiences shaped us. do you remember? years before we scaled all those unforgiving mountain ranges, before the codes were counted, and before the firmament fell. melting. wavering. corporeal. now our minds are increasingly augmented by technology and time's passage becomes difficult for our hearts to feel. do you remember! before your phone vibrated in your pocket every fifteen minutes to remind you of minutia that is neither here nor there? do you remember! before we lived in fear of the police ticketing us for being at the park after sunset? do you remember!!! here i am again. alone late at night and drowning in drones. i have finished the last songs, bounced them to cassette to engineer some lo-fi glory, and i now present them to you, dear listener, in the utmost humility - for i walked away from too many projects and i have turned down too many friends to fold now.\n- - - - - - - - - -\n1. northern illinois\n i. wastes of the north\n ii. procession of the hauntologists\n iii. deed of the drones\n iv. tears of the space cowboy (w/ kevin, dorian & arthur)\n v. song of the cicada\n2. we failed\n3. january 1st, 1970 + zero gmt\n- - - - - - - - - - \n</pre>",
1445
+ "notes": "<p>- - - - - - - - - -</p><p>chapter iii</p><p>- - - - - - - - - -</p><p>there was a time before these experiences shaped us. do you remember? years before we scaled all those unforgiving mountain ranges, before the codes were counted, and before the firmament fell. melting. wavering. corporeal. now our minds are increasingly augmented by technology and time's passage becomes difficult for our hearts to feel. do you remember! before your phone vibrated in your pocket every fifteen minutes to remind you of minutia that is neither here nor there? do you remember! before we lived in fear of the police ticketing us for being at the park after sunset? do you remember!!! here i am again. alone late at night and drowning in drones. i have finished the last songs, bounced them to cassette to engineer some lo-fi glory, and i now present them to you, dear listener, in the utmost humility - for i walked away from too many projects and i have turned down too many friends to fold now.</p><p>- - - - - - - - - -</p><p>1. northern illinois</p><p> i. wastes of the north</p><p> ii. procession of the hauntologists</p><p> iii. deed of the drones</p><p> iv. tears of the space cowboy (w/ kevin, dorian & arthur)</p><p> v. song of the cicada</p><p>2. we failed</p><p>3. january 1st, 1970 + zero gmt</p><p>- - - - - - - - - - </p>",
1323
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  "credits": "<p>written & recorded by tyler etters from june 2013 through september 2013 at endless field studios except for 'tears of the space cowboy' which was also written by kevin clark, dorian zdrinc and arthur zdrinc sometime back in 2011.</p>",
1324
1447
  "project_slug": "tyler-etters-and-the-northern-information-movement",
1325
1448
  "release_slug": "senescence",
@@ -1386,8 +1509,7 @@ export var discography = [
1386
1509
  "id": "242b05fcfc8f25e3ed56615e1be314a2"
1387
1510
  }
1388
1511
  ],
1389
- "monospaceNotes": true,
1390
- "notes": "<pre>- - - - - - - - - -\nchapter ii\n- - - - - - - - - -\nyou are in medias res - i know your time is brief so here is what you need to know: i have just released a new album entitled 'blue, the most celestial color'. you can listen and download it above.\n- - - - - - - - - -\n1. music for forests of childhood\n2. rainbow table\n i. textbook sql injection\n ii. don quixote\n iii. icebreaker / rave\n3. \u0391\u0399\u0393\u0391\u0399\u0399\u03a3\n4. zombie poison\n5. intermission\n6. the cicada must sing (sleepy brit)\n7. four mile crib\n8. ICD-10 Z73.0\n- - - - - - - - - -\n</pre>",
1512
+ "notes": "<p>- - - - - - - - - -</p><p>chapter ii</p><p>- - - - - - - - - -</p><p>you are in medias res - i know your time is brief so here is what you need to know: i have just released a new album entitled 'blue, the most celestial color'. you can listen and download it above.</p><p>- - - - - - - - - -</p><p>1. music for forests of childhood</p><p>2. rainbow table</p><p> i. textbook sql injection</p><p> ii. don quixote</p><p> iii. icebreaker / rave</p><p>3. \u0391\u0399\u0393\u0391\u0399\u0399\u03a3</p><p>4. zombie poison</p><p>5. intermission</p><p>6. the cicada must sing (sleepy brit)</p><p>7. four mile crib</p><p>8. ICD-10 Z73.0</p><p>- - - - - - - - - -</p>",
1391
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  "credits": "<p>written & recorded by tyler etters from december 2012 through june 2013 at endless field studios. featuring arthur zdrinc on rainbow table.</p>",
1392
1514
  "project_slug": "tyler-etters-and-the-northern-information-movement",
1393
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  "release_slug": "blue-the-most-celestial-color",
@@ -1418,8 +1540,7 @@ export var discography = [
1418
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  "id": "cc4bdc3448778ebd3a2bd2cd9fe1800d"
1419
1541
  }
1420
1542
  ],
1421
- "monospaceNotes": true,
1422
- "notes": "<pre>- - - - - - - - - -\nchapter i\n- - - - - - - - - -\n1. immemorial\n i. the forgotten distance\n ii. time slopes\n iii. by the train tracks (w/ arthur)\n iv. hazey power plant, 1001 drones (for paul)\n v. at another working gate\n2. generative\n- - - - - - - - - -\n</pre>",
1543
+ "notes": "<p>- - - - - - - - - -</p><p>chapter i</p><p>- - - - - - - - - -</p><p>1. immemorial</p><p> i. the forgotten distance</p><p> ii. time slopes</p><p> iii. by the train tracks (w/ arthur)</p><p> iv. hazey power plant, 1001 drones (for paul)</p><p> v. at another working gate</p><p>2. generative</p><p>- - - - - - - - - -</p>",
1423
1544
  "credits": "<p>written & recorded by tyler etters from october 2012 through december 2012 at endless field studios.</p>",
1424
1545
  "project_slug": "tyler-etters-and-the-northern-information-movement",
1425
1546
  "release_slug": "the-geometrie-of-our-lost-cause",