@torrent-tv/proxy 2.89.6 → 2.89.7

package/services/encode/output/Timeline.js

@@ -1,308 +1,308 @@
-/**
- * @file Where a file is cut, and what the player was told about it.
- *
- * This belongs to the FILE and its grid, not to a session and not to a viewer.
- * Every quality step of one film has to be cut at exactly the same times — that
- * is what lets a segment made by one encoder be appended where another's would
- * have gone — and every session serving that film has to publish the same
- * playlist, or two of them stamp the same moment differently and the picture
- * and the sound drift apart.
- *
- * Until now each session computed and kept its own copy, and agreement between
- * them was achieved by COPYING: a variant was handed `inheritedGrid` at
- * creation, and a soundtrack the same. That works while somebody remembers to
- * pass it, and it failed when the two tables drifted — measured 2026-08-17,
- * corrections of 0.6-2.9 s between two sessions of one file, and again
- * 2026-08-20, segments arriving a uniform 2.002 s before the times the playlist
- * named for them, four times what a player will bridge. One table, held once,
- * cannot drift from itself.
- *
- * **What it does NOT hold, and why.** The container's own keyframe table, how
- * exact that table is, which container answered, and how long the file runs:
- * every one of those is a fact of the FILE, and this object is held per file AND
- * grid — so a file cut two ways kept two copies of one immutable list. They live
- * on the source file now, which is one object per file whatever grids are cut
- * from it. What is left here is the two things that really are per grid: where
- * the cuts are, and what the player was told they are.
- *
- * **Nor how well produced pieces land**, which it did hold until 2026-09-15 and
- * had no business holding. One reading is taken off a produced piece and three
- * different facts are drawn from it — a copy shows where this FILE's keyframes
- * really are, a step shows whether IT obeyed its grid, a soundtrack shows how
- * far the picture's grid has moved under its run — and a tally per (file, grid)
- * mixed all three, because a picture and the soundtrack inside the same file
- * share one grid by construction. The file's half is on `KeyframeTable`, the
- * output's half on `Output`.
- *
- * **Two tables, and they are not the same thing.** `boundaries` is where the
- * file is cut NOW, corrections included, and it is what a run is told to cut
- * at. `published` is what the player was given, written once and never changed,
- * and it is what a segment must be stamped to. A player places a fragment by
- * the playlist it holds; the live table keeps moving as produced segments
- * reveal where the file's cuts really are.
- */
-
-export class Timeline {
-  /**
-   * @param {object} params
-   * @param {number[]} params.boundaries - Cut times in seconds, ascending, one
-   *   more than there are segments.
-   * @param {number[] | null} [params.published] - What the player was told, when
-   *   that differs from the boundaries because corrections have been made since.
-   * @param {"keyframe" | "uniform"} params.cutGrid - Whether those times are
-   *   the source's own keyframes, which a copied picture has no choice about,
-   *   or an even grid the encoder is told to place keyframes on.
-   * @param {number[] | null} [params.sourceTimes] - The same cuts on the FILE's
-   *   own clock — the keyframe a run must seek to for each boundary.
-   */
-  constructor({ boundaries, published = null, cutGrid, sourceTimes = null }) {
-    this.boundaries = Array.isArray(boundaries) ? boundaries : [];
-    // What the player holds. Taken from the boundaries as they stood when the
-    // playlist was written, and never touched again. Given outright only when a
-    // table is being restored with corrections already in it — a live one is
-    // always published from its own boundaries.
-    this.published = Array.isArray(published) ? published : [...this.boundaries];
-    this.cutGrid = cutGrid === "keyframe" ? "keyframe" : "uniform";
-    // Where each cut is on the FILE's clock, which is what a seek asks for.
-    // Frozen beside `published` and never corrected: a run must land where the
-    // player was told the segment begins, and the corrections belong to the
-    // live table. Empty when the grid was restored without it, and then the
-    // seek falls back to searching the file's keyframe list — which is the
-    // lossy path this exists to replace, kept only so a restored table still
-    // plays.
-    this.sourceTimes = Array.isArray(sourceTimes) && sourceTimes.length === this.published.length
-      ? sourceTimes
-      : [];
-  }
-
-  /** @returns {number} How many segments this file is cut into. */
-  get segmentCount() {
-    return Math.max(0, this.boundaries.length - 1);
-  }
-
-  /**
-   * Where segment `index` begins, on the timeline the player was given.
-   *
-   * @param {number} index
-   * @returns {number}
-   */
-  publishedStartOf(index) {
-    if (!Number.isInteger(index) || index <= 0) {
-      return this.published[0] ?? 0;
-    }
-    const at = Math.min(index, this.published.length - 1);
-    return this.published[at] ?? 0;
-  }
-
-  /**
-   * Where segment `index` begins on the FILE's own clock: the keyframe a run
-   * starting there must seek to.
-   *
-   * Not `publishedStartOf(index) + startTime`. That round trip is lossy, and a
-   * residue of two parts in a quadrillion costs a whole keyframe interval when
-   * the result is looked up in the container's list by value — which is how a
-   * run came to be numbered from #36 while carrying film 17.4 s earlier
-   * (2026-09-05). The number the container stated is carried, not rebuilt.
-   *
-   * @param {number} index
-   * @returns {number | null} Null when this table was restored without the
-   *   source clock, and the caller must fall back to searching.
-   */
-  sourceStartOf(index) {
-    if (this.sourceTimes.length === 0) {
-      return null;
-    }
-    if (!Number.isInteger(index) || index <= 0) {
-      return this.sourceTimes[0] ?? null;
-    }
-    return this.sourceTimes[Math.min(index, this.sourceTimes.length - 1)] ?? null;
-  }
-
-  /**
-   * Where segment `index` begins on the live table — where a run cutting now
-   * will really put it.
-   *
-   * @param {number} index
-   * @returns {number}
-   */
-  liveStartOf(index) {
-    if (!Number.isInteger(index) || index <= 0) {
-      return this.boundaries[0] ?? 0;
-    }
-    const at = Math.min(index, this.boundaries.length - 1);
-    return this.boundaries[at] ?? 0;
-  }
-
-  /**
-   * A map stated in seconds of film, in THIS timeline's own numbering.
-   *
-   * The priority map is one per film, in seconds, because a viewer's position
-   * is a moment of film and nothing else. Two outputs of one film are cut
-   * independently — 454 pieces against 401 on the field file — so the same
-   * second is a different number in each, and the conversion belongs to
-   * whichever cut table is being read.
-   *
-   * It lived in the session manager, which is a place, not a layer. Here it is
-   * beside the table it converts against.
-   *
-   * @param {import("../../viewer/PriorityMap.js").PriorityMap} map - One number
-   *   per second of film.
-   * @param {number} segmentCount - How many pieces this output has.
-   * @returns {import("../../viewer/PriorityMap.js").DemandZone[]} Runs of pieces
-   *   that agree. Empty where nothing is stated, which says nobody is coming.
-   */
-  inSegments(map, segmentCount) {
-    if (!(segmentCount > 0) || !map || !(map.durationSeconds > 0)) {
-      return [];
-    }
-    /** @type {import("../../viewer/PriorityMap.js").DemandZone[]} */
-    const runs = [];
-    for (let index = 0; index < segmentCount; index += 1) {
-      // A PIECE TAKES THE STRONGEST SECOND IT HOLDS. It is made or not made
-      // whole, so it is wanted as soon as the soonest second inside it is
-      // wanted — and the piece a viewer is standing in the middle of is wanted
-      // exactly as much as the second under their feet.
-      const from = Math.max(0, Math.floor(this.publishedStartOf(index)));
-      const until = index + 1 < segmentCount
-        ? Math.max(from + 1, Math.ceil(this.publishedStartOf(index + 1)))
-        : map.durationSeconds;
-      let priority = 0;
-      let withinSeconds = Number.POSITIVE_INFINITY;
-      let behind = true;
-      for (let second = from; second < until && second < map.durationSeconds; second += 1) {
-        if (map.priority[second] > priority) {
-          priority = map.priority[second];
-        }
-        if (map.secondsUntilPlayed[second] < withinSeconds) {
-          withinSeconds = map.secondsUntilPlayed[second];
-        }
-        if (map.behind[second] === 0) {
-          behind = false;
-        }
-      }
-      if (priority === 0) {
-        continue;
-      }
-      const previous = runs[runs.length - 1];
-      if (
-        previous
-        && previous.to === index - 1
-        && previous.priority === priority
-        && previous.behind === behind
-      ) {
-        // The time is not compared, only the rank. A run's time is that of its
-        // near edge — a stretch is met at its beginning — and whoever needs the
-        // time of a piece inside it walks forward from there.
-        previous.to = index;
-        continue;
-      }
-      runs.push({
-        from: index,
-        to: index,
-        priority,
-        withinSeconds,
-        // Which side of the viewers this is. Stated by the map and carried
-        // through: converting seconds into piece numbers cannot move a stretch
-        // from in front of somebody to behind them.
-        behind
-      });
-    }
-    return runs;
-  }
-
-  /**
-   * Which segment holds this moment.
-   *
-   * @param {number} seconds
-   * @returns {number}
-   */
-  indexForTime(seconds) {
-    const wanted = Number.isFinite(seconds) && seconds > 0 ? seconds : 0;
-    for (let index = 0; index < this.segmentCount; index += 1) {
-      if (wanted < this.boundaries[index + 1]) {
-        return index;
-      }
-    }
-    return Math.max(0, this.segmentCount - 1);
-  }
-
-}
-
-/**
- * The timelines this proxy holds, one per file and grid.
- *
- * Keyed by the two things that decide where the cuts are: which file, and
- * whether the cuts are its own keyframes or an even grid. A quality step of the
- * same film is a different OUTPUT and the same timeline, which is exactly the
- * agreement `inheritedGrid` used to arrange by copying.
- */
-export class Timelines {
-  /** @type {Map<string, Timeline>} */
-  #byKey = new Map();
-
-  /**
-   * @param {string} sourceKey
-   * @param {number} fileIndex
-   * @param {"keyframe" | "uniform"} cutGrid
-   * @returns {string}
-   */
-  static keyFor(sourceKey, fileIndex, cutGrid) {
-    return `${sourceKey}:${fileIndex}:${cutGrid === "keyframe" ? "kf" : "even"}`;
-  }
-
-  /**
-   * The one for this file and grid, made by `build` if it is not there yet.
-   *
-   * @param {string} key
-   * @param {() => Timeline} build
-   * @returns {Timeline}
-   */
-  get(key, build) {
-    let timeline = this.#byKey.get(key);
-    if (!timeline) {
-      timeline = build();
-      this.#byKey.set(key, timeline);
-    }
-    return timeline;
-  }
-
-  /**
-   * @param {string} key
-   * @returns {Timeline | null}
-   */
-  peek(key) {
-    return this.#byKey.get(key) ?? null;
-  }
-
-  /** @param {string} key */
-  forget(key) {
-    this.#byKey.delete(key);
-  }
-
-  /**
-   * Drop every timeline nobody is holding.
-   *
-   * A timeline is small — two arrays of a few thousand numbers — and it is kept
-   * for as long as somebody is reading the file it describes. Nothing else
-   * removes one, and a map that only ever grows is the shape of half the memory
-   * faults recorded in this project.
-   *
-   * @param {Set<Timeline>} inUse
-   * @returns {number} How many were dropped.
-   */
-  forgetUnused(inUse) {
-    let dropped = 0;
-    for (const [key, timeline] of [...this.#byKey]) {
-      if (!inUse.has(timeline)) {
-        this.#byKey.delete(key);
-        dropped += 1;
-      }
-    }
-    return dropped;
-  }
-
-  /** @returns {number} */
-  get size() {
-    return this.#byKey.size;
-  }
-}
+/**
+ * @file Where a file is cut, and what the player was told about it.
+ *
+ * This belongs to the FILE and its grid, not to a session and not to a viewer.
+ * Every quality step of one film has to be cut at exactly the same times — that
+ * is what lets a segment made by one encoder be appended where another's would
+ * have gone — and every session serving that film has to publish the same
+ * playlist, or two of them stamp the same moment differently and the picture
+ * and the sound drift apart.
+ *
+ * Until now each session computed and kept its own copy, and agreement between
+ * them was achieved by COPYING: a variant was handed `inheritedGrid` at
+ * creation, and a soundtrack the same. That works while somebody remembers to
+ * pass it, and it failed when the two tables drifted — measured 2026-08-17,
+ * corrections of 0.6-2.9 s between two sessions of one file, and again
+ * 2026-08-20, segments arriving a uniform 2.002 s before the times the playlist
+ * named for them, four times what a player will bridge. One table, held once,
+ * cannot drift from itself.
+ *
+ * **What it does NOT hold, and why.** The container's own keyframe table, how
+ * exact that table is, which container answered, and how long the file runs:
+ * every one of those is a fact of the FILE, and this object is held per file AND
+ * grid — so a file cut two ways kept two copies of one immutable list. They live
+ * on the source file now, which is one object per file whatever grids are cut
+ * from it. What is left here is the two things that really are per grid: where
+ * the cuts are, and what the player was told they are.
+ *
+ * **Nor how well produced pieces land**, which it did hold until 2026-09-15 and
+ * had no business holding. One reading is taken off a produced piece and three
+ * different facts are drawn from it — a copy shows where this FILE's keyframes
+ * really are, a step shows whether IT obeyed its grid, a soundtrack shows how
+ * far the picture's grid has moved under its run — and a tally per (file, grid)
+ * mixed all three, because a picture and the soundtrack inside the same file
+ * share one grid by construction. The file's half is on `KeyframeTable`, the
+ * output's half on `Output`.
+ *
+ * **Two tables, and they are not the same thing.** `boundaries` is where the
+ * file is cut NOW, corrections included, and it is what a run is told to cut
+ * at. `published` is what the player was given, written once and never changed,
+ * and it is what a segment must be stamped to. A player places a fragment by
+ * the playlist it holds; the live table keeps moving as produced segments
+ * reveal where the file's cuts really are.
+ */
+
+export class Timeline {
+  /**
+   * @param {object} params
+   * @param {number[]} params.boundaries - Cut times in seconds, ascending, one
+   *   more than there are segments.
+   * @param {number[] | null} [params.published] - What the player was told, when
+   *   that differs from the boundaries because corrections have been made since.
+   * @param {"keyframe" | "uniform"} params.cutGrid - Whether those times are
+   *   the source's own keyframes, which a copied picture has no choice about,
+   *   or an even grid the encoder is told to place keyframes on.
+   * @param {number[] | null} [params.sourceTimes] - The same cuts on the FILE's
+   *   own clock — the keyframe a run must seek to for each boundary.
+   */
+  constructor({ boundaries, published = null, cutGrid, sourceTimes = null }) {
+    this.boundaries = Array.isArray(boundaries) ? boundaries : [];
+    // What the player holds. Taken from the boundaries as they stood when the
+    // playlist was written, and never touched again. Given outright only when a
+    // table is being restored with corrections already in it — a live one is
+    // always published from its own boundaries.
+    this.published = Array.isArray(published) ? published : [...this.boundaries];
+    this.cutGrid = cutGrid === "keyframe" ? "keyframe" : "uniform";
+    // Where each cut is on the FILE's clock, which is what a seek asks for.
+    // Frozen beside `published` and never corrected: a run must land where the
+    // player was told the segment begins, and the corrections belong to the
+    // live table. Empty when the grid was restored without it, and then the
+    // seek falls back to searching the file's keyframe list — which is the
+    // lossy path this exists to replace, kept only so a restored table still
+    // plays.
+    this.sourceTimes = Array.isArray(sourceTimes) && sourceTimes.length === this.published.length
+      ? sourceTimes
+      : [];
+  }
+
+  /** @returns {number} How many segments this file is cut into. */
+  get segmentCount() {
+    return Math.max(0, this.boundaries.length - 1);
+  }
+
+  /**
+   * Where segment `index` begins, on the timeline the player was given.
+   *
+   * @param {number} index
+   * @returns {number}
+   */
+  publishedStartOf(index) {
+    if (!Number.isInteger(index) || index <= 0) {
+      return this.published[0] ?? 0;
+    }
+    const at = Math.min(index, this.published.length - 1);
+    return this.published[at] ?? 0;
+  }
+
+  /**
+   * Where segment `index` begins on the FILE's own clock: the keyframe a run
+   * starting there must seek to.
+   *
+   * Not `publishedStartOf(index) + startTime`. That round trip is lossy, and a
+   * residue of two parts in a quadrillion costs a whole keyframe interval when
+   * the result is looked up in the container's list by value — which is how a
+   * run came to be numbered from #36 while carrying film 17.4 s earlier
+   * (2026-09-05). The number the container stated is carried, not rebuilt.
+   *
+   * @param {number} index
+   * @returns {number | null} Null when this table was restored without the
+   *   source clock, and the caller must fall back to searching.
+   */
+  sourceStartOf(index) {
+    if (this.sourceTimes.length === 0) {
+      return null;
+    }
+    if (!Number.isInteger(index) || index <= 0) {
+      return this.sourceTimes[0] ?? null;
+    }
+    return this.sourceTimes[Math.min(index, this.sourceTimes.length - 1)] ?? null;
+  }
+
+  /**
+   * Where segment `index` begins on the live table — where a run cutting now
+   * will really put it.
+   *
+   * @param {number} index
+   * @returns {number}
+   */
+  liveStartOf(index) {
+    if (!Number.isInteger(index) || index <= 0) {
+      return this.boundaries[0] ?? 0;
+    }
+    const at = Math.min(index, this.boundaries.length - 1);
+    return this.boundaries[at] ?? 0;
+  }
+
+  /**
+   * A map stated in seconds of film, in THIS timeline's own numbering.
+   *
+   * The priority map is one per film, in seconds, because a viewer's position
+   * is a moment of film and nothing else. Two outputs of one film are cut
+   * independently — 454 pieces against 401 on the field file — so the same
+   * second is a different number in each, and the conversion belongs to
+   * whichever cut table is being read.
+   *
+   * It lived in the session manager, which is a place, not a layer. Here it is
+   * beside the table it converts against.
+   *
+   * @param {import("../../viewer/PriorityMap.js").PriorityMap} map - One number
+   *   per second of film.
+   * @param {number} segmentCount - How many pieces this output has.
+   * @returns {import("../../viewer/PriorityMap.js").DemandZone[]} Runs of pieces
+   *   that agree. Empty where nothing is stated, which says nobody is coming.
+   */
+  inSegments(map, segmentCount) {
+    if (!(segmentCount > 0) || !map || !(map.durationSeconds > 0)) {
+      return [];
+    }
+    /** @type {import("../../viewer/PriorityMap.js").DemandZone[]} */
+    const runs = [];
+    for (let index = 0; index < segmentCount; index += 1) {
+      // A PIECE TAKES THE STRONGEST SECOND IT HOLDS. It is made or not made
+      // whole, so it is wanted as soon as the soonest second inside it is
+      // wanted — and the piece a viewer is standing in the middle of is wanted
+      // exactly as much as the second under their feet.
+      const from = Math.max(0, Math.floor(this.publishedStartOf(index)));
+      const until = index + 1 < segmentCount
+        ? Math.max(from + 1, Math.ceil(this.publishedStartOf(index + 1)))
+        : map.durationSeconds;
+      let priority = 0;
+      let withinSeconds = Number.POSITIVE_INFINITY;
+      let behind = true;
+      for (let second = from; second < until && second < map.durationSeconds; second += 1) {
+        if (map.priority[second] > priority) {
+          priority = map.priority[second];
+        }
+        if (map.secondsUntilPlayed[second] < withinSeconds) {
+          withinSeconds = map.secondsUntilPlayed[second];
+        }
+        if (map.behind[second] === 0) {
+          behind = false;
+        }
+      }
+      if (priority === 0) {
+        continue;
+      }
+      const previous = runs[runs.length - 1];
+      if (
+        previous
+        && previous.to === index - 1
+        && previous.priority === priority
+        && previous.behind === behind
+      ) {
+        // The time is not compared, only the rank. A run's time is that of its
+        // near edge — a stretch is met at its beginning — and whoever needs the
+        // time of a piece inside it walks forward from there.
+        previous.to = index;
+        continue;
+      }
+      runs.push({
+        from: index,
+        to: index,
+        priority,
+        withinSeconds,
+        // Which side of the viewers this is. Stated by the map and carried
+        // through: converting seconds into piece numbers cannot move a stretch
+        // from in front of somebody to behind them.
+        behind
+      });
+    }
+    return runs;
+  }
+
+  /**
+   * Which segment holds this moment.
+   *
+   * @param {number} seconds
+   * @returns {number}
+   */
+  indexForTime(seconds) {
+    const wanted = Number.isFinite(seconds) && seconds > 0 ? seconds : 0;
+    for (let index = 0; index < this.segmentCount; index += 1) {
+      if (wanted < this.boundaries[index + 1]) {
+        return index;
+      }
+    }
+    return Math.max(0, this.segmentCount - 1);
+  }
+
+}
+
+/**
+ * The timelines this proxy holds, one per file and grid.
+ *
+ * Keyed by the two things that decide where the cuts are: which file, and
+ * whether the cuts are its own keyframes or an even grid. A quality step of the
+ * same film is a different OUTPUT and the same timeline, which is exactly the
+ * agreement `inheritedGrid` used to arrange by copying.
+ */
+export class Timelines {
+  /** @type {Map<string, Timeline>} */
+  #byKey = new Map();
+
+  /**
+   * @param {string} sourceKey
+   * @param {number} fileIndex
+   * @param {"keyframe" | "uniform"} cutGrid
+   * @returns {string}
+   */
+  static keyFor(sourceKey, fileIndex, cutGrid) {
+    return `${sourceKey}:${fileIndex}:${cutGrid === "keyframe" ? "kf" : "even"}`;
+  }
+
+  /**
+   * The one for this file and grid, made by `build` if it is not there yet.
+   *
+   * @param {string} key
+   * @param {() => Timeline} build
+   * @returns {Timeline}
+   */
+  get(key, build) {
+    let timeline = this.#byKey.get(key);
+    if (!timeline) {
+      timeline = build();
+      this.#byKey.set(key, timeline);
+    }
+    return timeline;
+  }
+
+  /**
+   * @param {string} key
+   * @returns {Timeline | null}
+   */
+  peek(key) {
+    return this.#byKey.get(key) ?? null;
+  }
+
+  /** @param {string} key */
+  forget(key) {
+    this.#byKey.delete(key);
+  }
+
+  /**
+   * Drop every timeline nobody is holding.
+   *
+   * A timeline is small — two arrays of a few thousand numbers — and it is kept
+   * for as long as somebody is reading the file it describes. Nothing else
+   * removes one, and a map that only ever grows is the shape of half the memory
+   * faults recorded in this project.
+   *
+   * @param {Set<Timeline>} inUse
+   * @returns {number} How many were dropped.
+   */
+  forgetUnused(inUse) {
+    let dropped = 0;
+    for (const [key, timeline] of [...this.#byKey]) {
+      if (!inUse.has(timeline)) {
+        this.#byKey.delete(key);
+        dropped += 1;
+      }
+    }
+    return dropped;
+  }
+
+  /** @returns {number} */
+  get size() {
+    return this.#byKey.size;
+  }
+}