@nguyenphp/antigravity-marketing 1.0.16 → 1.0.19

package/templates/.agent/skills/minimax-docx/references/design_principles.md

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+# Design Principles for Document Typography
+
+WHY certain typographic choices look good -- the perceptual and psychological
+reasons behind professional document design. Use this to make judgment calls
+when exact specs are not provided.
+
+## Table of Contents
+
+1. [White Space & Breathing Room](#1-white-space--breathing-room)
+2. [Contrast & Scale](#2-contrast--scale)
+3. [Proximity & Grouping](#3-proximity--grouping)
+4. [Alignment & Grid](#4-alignment--grid)
+5. [Repetition & Consistency](#5-repetition--consistency)
+6. [Visual Hierarchy & Flow](#6-visual-hierarchy--flow)
+
+---
+
+## 1. White Space & Breathing Room
+
+### Why It Works
+
+The human eye does not read continuously. It jumps in saccades, fixating on
+small clusters of words. White space provides landing zones for these fixations
+and gives the reader's peripheral vision a "frame" that makes each text block
+feel manageable. When a page is packed to the edges, every glance returns more
+text than working memory can buffer, triggering fatigue and avoidance.
+
+Research on content density consistently shows:
+
+- **60-70% content coverage** feels comfortable and professional.
+- **80%+** starts to feel dense and bureaucratic.
+- **90%+** feels oppressive -- the reader unconsciously rushes or skips.
+- **Below 50%** feels wasteful or pretentious (unless intentional, like poetry).
+
+Wider margins also carry cultural signals. Academic and luxury documents use
+generous margins (1.25-1.5 inches). Internal memos and drafts use narrower
+margins (0.75-1.0 inches). The margin width tells the reader how much care
+went into the document before they read a single word.
+
+Line spacing has a direct physiological basis: the eye must track back to the
+start of the next line after each line break. If lines are too close, the eye
+"slips" to the wrong line. If too far apart, the eye loses its sense of
+continuity. The sweet spot is 120-145% of the font size.
+
+**Rule of thumb: when in doubt, add more space, not less.**
+
+### Good Example
+
+```
+Margins: 1 inch (1440 twips) all sides for business documents.
+Line spacing: 1.15 (276 twips at 240 twips-per-line = 115%).
+Paragraph spacing after: 8pt (160 twips) between body paragraphs.
+```
+
+```xml
+<!-- Page margins: 1 inch = 1440 twips on all sides -->
+<w:pgMar w:top="1440" w:right="1440" w:bottom="1440" w:left="1440"
+         w:header="720" w:footer="720" w:gutter="0"/>
+
+<!-- Body paragraph: 1.15 line spacing, 8pt after -->
+<w:pPr>
+  <w:spacing w:after="160" w:line="276" w:lineRule="auto"/>
+</w:pPr>
+```
+
+This produces a page where content occupies roughly 65% of the area. The
+reader sees clear top/bottom breathing room, and paragraphs are distinct
+without feeling disconnected.
+
+```
+  Page layout (good):
+  +----------------------------------+
+  |           1" margin              |
+  |   +------------------------+    |
+  |   | Heading                |    |
+  |   |                        |    |
+  |   | Body text here with    |    |
+  |   | comfortable spacing    |    |
+  |   | between lines.         |    |
+  |   |                        |    |  <- visible gap between paragraphs
+  |   | Another paragraph of   |    |
+  |   | body text follows.     |    |
+  |   |                        |    |
+  |   +------------------------+    |
+  |           1" margin              |
+  +----------------------------------+
+```
+
+### Bad Example
+
+```xml
+<!-- Cramped margins: 0.5 inch = 720 twips -->
+<w:pgMar w:top="720" w:right="720" w:bottom="720" w:left="720"
+         w:header="360" w:footer="360" w:gutter="0"/>
+
+<!-- No paragraph spacing, single line spacing -->
+<w:pPr>
+  <w:spacing w:after="0" w:line="240" w:lineRule="auto"/>
+</w:pPr>
+```
+
+This fills ~85% of the page. Text runs edge-to-edge with no visual rest stops.
+The reader sees a wall of text.
+
+```
+  Page layout (bad):
+  +----------------------------------+
+  | Heading                          |
+  | Body text crammed right up to    |
+  | the margins with no spacing      |
+  | between lines or paragraphs.     |
+  | Another paragraph starts here    |
+  | and the reader cannot tell where |
+  | one idea ends and another begins |
+  | because everything blurs into a  |
+  | single dense block of text.      |
+  +----------------------------------+
+```
+
+### Quick Test
+
+1. Zoom out to 50% in your document viewer. If you cannot see clear "channels"
+   of white between text blocks, the spacing is too tight.
+2. Print a test page. Hold it at arm's length. The text area should look like
+   a rectangle floating in white, not filling the page.
+3. Check: is the line spacing value at least 264 (`w:line` for 1.1x) for body
+   text? If it is 240 (single), it is too tight for anything over 10pt.
+
+---
+
+## 2. Contrast & Scale
+
+### Why It Works
+
+The brain processes visual hierarchy through relative difference, not absolute
+size. A 20pt heading above 11pt body text creates a clear "this is important"
+signal. But if every heading is 20pt and every sub-heading is 19pt, the brain
+cannot distinguish them -- they merge into the same level.
+
+The key insight is **modular scale**: font sizes that grow by a consistent
+ratio. This mirrors natural proportions and feels harmonious for the same
+reason musical intervals do.
+
+Common scales and their character:
+
+| Ratio | Name           | Character                       | Example progression (from 11pt) |
+|-------|----------------|---------------------------------|---------------------------------|
+| 1.200 | Minor third    | Subtle, refined                 | 11 → 13.2 → 15.8 → 19.0       |
+| 1.250 | Major third    | Balanced, professional          | 11 → 13.75 → 17.2 → 21.5      |
+| 1.333 | Perfect fourth | Strong, authoritative           | 11 → 14.7 → 19.5 → 26.0       |
+| 1.414 | Augmented 4th  | Dramatic, presentation-style    | 11 → 15.6 → 22.0 → 31.1       |
+
+For most business documents, 1.25 (major third) works best:
+
+```
+Body  = 11pt  (w:sz="22")
+H3    = 13pt  (w:sz="26")   -- 11 * 1.25 ≈ 13.75, round to 13
+H2    = 16pt  (w:sz="32")   -- 13 * 1.25 ≈ 16.25, round to 16
+H1    = 20pt  (w:sz="40")   -- 16 * 1.25 = 20
+```
+
+Beyond size, **weight contrast** creates hierarchy without consuming vertical
+space. Regular (400) vs Bold (700) is visible at any size. Semi-bold (600) vs
+Regular is subtle and best avoided unless you also vary size or color.
+
+**Color contrast** adds a third dimension. Dark blue headings (#1F3864) against
+softer dark gray body text (#333333) signals "heading" without needing a huge
+size jump. Pure black (#000000) body text is harsher than necessary on white
+backgrounds -- #333333 or #2D2D2D reduces glare without losing legibility.
+
+### Good Example
+
+```xml
+<!-- H1: 20pt, bold, dark navy -->
+<w:rPr>
+  <w:b/>
+  <w:sz w:val="40"/>
+  <w:color w:val="1F3864"/>
+</w:rPr>
+
+<!-- H2: 16pt, bold, dark navy -->
+<w:rPr>
+  <w:b/>
+  <w:sz w:val="32"/>
+  <w:color w:val="1F3864"/>
+</w:rPr>
+
+<!-- H3: 13pt, bold, dark navy -->
+<w:rPr>
+  <w:b/>
+  <w:sz w:val="26"/>
+  <w:color w:val="1F3864"/>
+</w:rPr>
+
+<!-- Body: 11pt, regular, dark gray -->
+<w:rPr>
+  <w:sz w:val="22"/>
+  <w:color w:val="333333"/>
+</w:rPr>
+```
+
+```
+  Visual hierarchy (good):
+
+  [████████████████████]        <- H1: 20pt bold navy (clearly dominant)
+                                   (generous space)
+  [██████████████]              <- H2: 16pt bold navy (distinct step down)
+                                   (moderate space)
+  [████████████]                <- H3: 13pt bold navy (smaller but still bold)
+  [░░░░░░░░░░░░░░░░░░░░░░]    <- Body: 11pt regular gray
+  [░░░░░░░░░░░░░░░░░░░░░░]
+  [░░░░░░░░░░░░░░░░░░░░░░]
+```
+
+Each level is visually distinct from its neighbors. You can identify the
+hierarchy even in peripheral vision.
+
+### Bad Example
+
+```xml
+<!-- H1: 14pt bold black -->
+<w:rPr>
+  <w:b/>
+  <w:sz w:val="28"/>
+  <w:color w:val="000000"/>
+</w:rPr>
+
+<!-- H2: 13pt bold black -->
+<w:rPr>
+  <w:b/>
+  <w:sz w:val="26"/>
+  <w:color w:val="000000"/>
+</w:rPr>
+
+<!-- H3: 12pt bold black -->
+<w:rPr>
+  <w:b/>
+  <w:sz w:val="24"/>
+  <w:color w:val="000000"/>
+</w:rPr>
+
+<!-- Body: 12pt regular black -->
+<w:rPr>
+  <w:sz w:val="24"/>
+  <w:color w:val="000000"/>
+</w:rPr>
+```
+
+Problems:
+- H3 (12pt bold) and body (12pt regular) differ only by weight -- too subtle.
+- H1 (14pt) to H2 (13pt) is a 1pt step -- invisible at reading distance.
+- Everything is pure black so color provides no differentiating signal.
+- The ratio between levels is ~1.07, far too flat.
+
+### Quick Test
+
+1. **The squint test**: blur your eyes or step back from the screen. Can you
+   count the number of heading levels? If two levels merge, their contrast
+   is insufficient.
+2. **Ratio check**: divide each heading size by the next smaller size. If any
+   ratio is below 1.15, the levels will look too similar.
+3. **Color check**: do headings look distinct from body text when you glance
+   at the page? If everything is the same color, you are relying solely on
+   size/weight, which limits your hierarchy to ~3 effective levels.
+
+---
+
+## 3. Proximity & Grouping
+
+### Why It Works
+
+The Gestalt principle of proximity: items that are close together are perceived
+as belonging to the same group. In document typography, this means a heading
+must be **closer to the content it introduces** than to the content above it.
+
+If a heading sits equidistant between two paragraphs, it looks orphaned -- the
+reader's eye does not know if it belongs to the text above or below. The fix
+is asymmetric spacing: **large space before the heading, small space after**.
+
+The recommended ratio is 2:1 or 3:1 (space-before : space-after).
+
+This same principle applies to:
+- **List items**: spacing between items should be less than spacing between
+  paragraphs. Items in a list are a group and should visually cluster.
+- **Captions**: a figure caption should be close to its figure, not floating
+  in the middle between the figure and the next paragraph.
+- **Table titles**: the title sits close above the table, with more space
+  separating the title from preceding text.
+
+### Good Example
+
+```xml
+<!-- H2: 18pt before, 6pt after (3:1 ratio) -->
+<w:pPr>
+  <w:pStyle w:val="Heading2"/>
+  <w:spacing w:before="360" w:after="120"/>
+</w:pPr>
+
+<!-- Body paragraph: 0pt before, 8pt after -->
+<w:pPr>
+  <w:spacing w:before="0" w:after="160"/>
+</w:pPr>
+
+<!-- List item: 0pt before, 2pt after (tight grouping) -->
+<w:pPr>
+  <w:pStyle w:val="ListParagraph"/>
+  <w:spacing w:before="0" w:after="40"/>
+</w:pPr>
+```
+
+```
+  Proximity (good):
+
+  ...end of previous section text.
+                                        <- 18pt gap (w:before="360")
+  ## Section Heading
+                                        <- 6pt gap (w:after="120")
+  First paragraph of new section
+  continues here with content.
+                                        <- 8pt gap (w:after="160")
+  Second paragraph follows.
+
+  The heading clearly "belongs to" the text below it.
+```
+
+```
+  List grouping (good):
+
+  Consider these factors:
+    - First item                        <- 2pt gap between items
+    - Second item                       <- items cluster as a group
+    - Third item
+                                        <- 8pt gap after list
+  The next paragraph starts here.
+```
+
+### Bad Example
+
+```xml
+<!-- H2: 12pt before, 12pt after (1:1 ratio -- orphaned heading) -->
+<w:pPr>
+  <w:pStyle w:val="Heading2"/>
+  <w:spacing w:before="240" w:after="240"/>
+</w:pPr>
+
+<!-- List item: same spacing as body (10pt after) -->
+<w:pPr>
+  <w:pStyle w:val="ListParagraph"/>
+  <w:spacing w:before="0" w:after="200"/>
+</w:pPr>
+```
+
+```
+  Proximity (bad):
+
+  ...end of previous section text.
+                                        <- 12pt gap
+  ## Section Heading
+                                        <- 12pt gap (same!)
+  First paragraph of new section.
+
+  The heading floats between sections. It is unclear what it belongs to.
+```
+
+```
+  List grouping (bad):
+
+  Consider these factors:
+                                        <- 10pt gap
+    - First item
+                                        <- 10pt gap (same as paragraphs)
+    - Second item
+                                        <- 10pt gap
+    - Third item
+                                        <- 10pt gap
+  Next paragraph.
+
+  The list does not feel like a group. Each item looks like a
+  separate paragraph that happens to have a bullet.
+```
+
+### Quick Test
+
+1. **Cover test**: cover the heading text. Looking only at the whitespace,
+   can you tell which block of text the heading belongs to? If the gaps above
+   and below are equal, the answer is "no."
+2. **Number check**: `w:before` on headings should be at least 2x `w:after`.
+   Common good values: before=360 / after=120, or before=240 / after=80.
+3. **List check**: `w:after` on list items should be less than half of
+   `w:after` on body paragraphs. If body uses 160, list items should use
+   40-60.
+
+---
+
+## 4. Alignment & Grid
+
+### Why It Works
+
+Alignment creates invisible lines that the eye follows down the page. When
+elements share the same left edge, the reader perceives order and intention.
+When elements are slightly misaligned (off by a few twips), the page looks
+sloppy even if the reader cannot consciously identify why.
+
+**Left-align vs Justify:**
+
+- **Left-aligned** (ragged right) is best for English and other Latin-script
+  languages. The uneven right edge actually helps reading because each line
+  has a unique silhouette, making it easier for the eye to find the next line.
+  Justified text forces uneven word spacing that creates distracting "rivers"
+  of white running vertically through paragraphs.
+
+- **Justified** is best for CJK text. Chinese, Japanese, and Korean characters
+  are monospaced by design -- each occupies the same cell in an invisible grid.
+  Justification preserves this grid perfectly. Ragged right in CJK text breaks
+  the grid and looks untidy.
+
+**Indentation rule:** Use first-line indent OR paragraph spacing to separate
+paragraphs -- never both. They serve the same purpose (marking paragraph
+boundaries). Using both wastes space and creates visual stutter.
+
+- Western convention: paragraph spacing (no indent) is more modern.
+- CJK convention: first-line indent of 2 characters is standard.
+- Academic convention: first-line indent of 0.5 inch is traditional.
+
+### Good Example
+
+```xml
+<!-- English body: left-aligned, paragraph spacing, no indent -->
+<w:pPr>
+  <w:jc w:val="left"/>
+  <w:spacing w:after="160" w:line="276" w:lineRule="auto"/>
+  <!-- No w:ind firstLine -->
+</w:pPr>
+
+<!-- CJK body: justified, first-line indent 2 chars, no paragraph spacing -->
+<w:pPr>
+  <w:jc w:val="both"/>
+  <w:spacing w:after="0" w:line="360" w:lineRule="auto"/>
+  <w:ind w:firstLineChars="200"/>
+</w:pPr>
+
+<!-- Tab stops creating aligned columns -->
+<w:pPr>
+  <w:tabs>
+    <w:tab w:val="left" w:pos="2880"/>   <!-- 2 inches -->
+    <w:tab w:val="right" w:pos="9360"/>  <!-- 6.5 inches (right margin) -->
+  </w:tabs>
+</w:pPr>
+```
+
+```
+  English paragraph separation (good -- spacing, no indent):
+
+  This is the first paragraph with some text
+  that wraps to a second line naturally.
+
+  This is the second paragraph. The gap above
+  clearly marks the boundary.
+
+
+  CJK paragraph separation (good -- indent, no spacing):
+
+  　　第一段正文内容从这里开始，使用两个字符
+  的首行缩进来标记段落边界。
+  　　第二段紧跟其后，没有段间距，但首行缩进
+  清晰地标识了新段落的开始。
+```
+
+### Bad Example
+
+```xml
+<!-- English body: justified (creates word-spacing rivers) -->
+<w:pPr>
+  <w:jc w:val="both"/>
+  <w:spacing w:after="160" w:line="276" w:lineRule="auto"/>
+  <w:ind w:firstLine="720"/>  <!-- BOTH indent AND spacing: redundant -->
+</w:pPr>
+
+<!-- CJK body: left-aligned (breaks character grid) -->
+<w:pPr>
+  <w:jc w:val="left"/>
+  <w:spacing w:after="200" w:line="276" w:lineRule="auto"/>
+  <!-- No indent, using spacing instead -- unidiomatic for CJK -->
+</w:pPr>
+```
+
+Problems:
+- Justified English text with narrow columns creates uneven word gaps.
+- Using both first-line indent AND paragraph spacing is redundant.
+- Left-aligned CJK breaks the character grid that CJK readers expect.
+- CJK with spacing-based separation looks like translated western layout.
+
+### Quick Test
+
+1. **River test**: in justified English text, squint and look for vertical
+   white streaks running through the paragraph. If you see them, switch to
+   left-align or increase the column width.
+2. **Double signal check**: does the document use BOTH first-line indent AND
+   paragraph spacing? If yes, remove one. Choose indent for CJK/academic,
+   spacing for modern western.
+3. **Tab alignment**: if you use tabs for columns, do all tab stops across
+   the document use the same positions? Inconsistent tab stops create jagged
+   invisible grid lines.
+
+---
+
+## 5. Repetition & Consistency
+
+### Why It Works
+
+Consistency is a trust signal. When a reader sees that every H2 looks the same,
+every table follows the same pattern, and every page number sits in the same
+spot, they unconsciously trust that the document was crafted with care. A single
+inconsistency -- one H2 that is 15pt instead of 14pt, one table with different
+borders -- breaks that trust and makes the reader question the content.
+
+Consistency also reduces cognitive load. Once the reader learns "bold dark blue
+= section heading," they stop spending mental effort on identifying structure
+and focus entirely on content. Every inconsistency forces them to re-evaluate:
+"Is this a different kind of heading, or did someone just forget to apply the
+style?"
+
+The implementation rule is simple: **use named styles, not direct formatting.**
+If you define Heading2 as a style and apply it everywhere, consistency is
+automatic. If you manually set font size, bold, and color on each heading
+individually, inconsistency is inevitable.
+
+### Good Example
+
+```xml
+<!-- Define styles once in styles.xml -->
+<w:style w:type="paragraph" w:styleId="Heading2">
+  <w:name w:val="heading 2"/>
+  <w:basedOn w:val="Normal"/>
+  <w:next w:val="Normal"/>
+  <w:pPr>
+    <w:keepNext/>
+    <w:keepLines/>
+    <w:spacing w:before="360" w:after="120"/>
+    <w:outlineLvl w:val="1"/>
+  </w:pPr>
+  <w:rPr>
+    <w:rFonts w:asciiTheme="majorHAnsi" w:hAnsiTheme="majorHAnsi"/>
+    <w:b/>
+    <w:sz w:val="32"/>
+    <w:color w:val="1F3864"/>
+  </w:rPr>
+</w:style>
+
+<!-- Apply consistently: every H2 references the style -->
+<w:p>
+  <w:pPr>
+    <w:pStyle w:val="Heading2"/>
+    <!-- No direct formatting overrides -->
+  </w:pPr>
+  <w:r><w:t>Market Analysis</w:t></w:r>
+</w:p>
+```
+
+When using a table style, define it once and reference it for every table:
+
+```xml
+<!-- All tables reference the same style -->
+<w:tblPr>
+  <w:tblStyle w:val="GridTable4Accent1"/>
+  <w:tblW w:w="0" w:type="auto"/>
+</w:tblPr>
+```
+
+### Bad Example
+
+```xml
+<!-- First H2: manually formatted -->
+<w:p>
+  <w:pPr>
+    <w:spacing w:before="360" w:after="120"/>
+  </w:pPr>
+  <w:r>
+    <w:rPr>
+      <w:b/>
+      <w:sz w:val="32"/>
+      <w:color w:val="1F3864"/>
+    </w:rPr>
+    <w:t>Market Analysis</w:t>
+  </w:r>
+</w:p>
+
+<!-- Second H2: slightly different (16pt instead of 16pt?  No, 15pt!) -->
+<w:p>
+  <w:pPr>
+    <w:spacing w:before="240" w:after="160"/>  <!-- different spacing! -->
+  </w:pPr>
+  <w:r>
+    <w:rPr>
+      <w:b/>
+      <w:sz w:val="30"/>   <!-- 15pt instead of 16pt! -->
+      <w:color w:val="2E74B5"/>  <!-- different shade of blue! -->
+    </w:rPr>
+    <w:t>Financial Overview</w:t>
+  </w:r>
+</w:p>
+```
+
+Problems:
+- No style references -- everything is direct formatting.
+- Second H2 has different size (30 vs 32), color, and spacing.
+- If there are 20 headings, each could drift slightly differently.
+- Changing the design later means editing every heading individually.
+
+### Quick Test
+
+1. **Style audit**: does every paragraph reference a `w:pStyle`? If you find
+   paragraphs with only direct formatting and no style, that is a consistency
+   risk.
+2. **Search for variance**: search the XML for all `w:sz` values used with
+   `w:b` (bold). If you find three different sizes for what should be the same
+   heading level, there is an inconsistency.
+3. **Table check**: do all tables in the document reference the same
+   `w:tblStyle`? If some tables have manual border definitions while others
+   use a style, the document will look patchy.
+4. **Page numbers**: check that header/footer content is defined in the
+   default section properties and inherited by all sections, not redefined
+   inconsistently in each section.
+
+---
+
+## 6. Visual Hierarchy & Flow
+
+### Why It Works
+
+A well-designed document guides the reader's eye in a predictable path:
+title at the top, subtitle below it, section headings as signposts, body text
+as the main content, footnotes and captions as supporting details. This flow
+mirrors reading priority -- the most important information is the most visually
+prominent.
+
+Each level in the hierarchy must be **distinguishable from its adjacent
+levels**. It is not enough for H1 to differ from body text; H1 must also
+clearly differ from H2, and H2 from H3. If any two adjacent levels are too
+similar, the hierarchy collapses at that point.
+
+Effective hierarchy uses **multiple simultaneous signals**:
+
+| Level    | Size  | Weight  | Color   | Spacing above |
+|----------|-------|---------|---------|---------------|
+| Title    | 26pt  | Bold    | #1F3864 | 0 (top)       |
+| Subtitle | 15pt  | Regular | #4472C4 | 4pt           |
+| H1       | 20pt  | Bold    | #1F3864 | 24pt          |
+| H2       | 16pt  | Bold    | #1F3864 | 18pt          |
+| H3       | 13pt  | Bold    | #1F3864 | 12pt          |
+| Body     | 11pt  | Regular | #333333 | 0pt           |
+| Caption  | 9pt   | Italic  | #666666 | 4pt           |
+| Footnote | 9pt   | Regular | #666666 | 0pt           |
+
+Notice how each level differs from its neighbors on at least two dimensions
+(size + weight, or size + color, or weight + style). Single-dimension
+differences are fragile and can be missed.
+
+**Section breaks** create rhythm in long documents. A page break before each
+major section (H1) gives the reader a mental reset. Within sections, consistent
+heading + body patterns create a predictable cadence that makes long documents
+less intimidating.
+
+### Good Example
+
+```xml
+<!-- Title: large, bold, navy, centered -->
+<w:style w:type="paragraph" w:styleId="Title">
+  <w:pPr>
+    <w:jc w:val="center"/>
+    <w:spacing w:after="80"/>
+  </w:pPr>
+  <w:rPr>
+    <w:b/>
+    <w:sz w:val="52"/>
+    <w:color w:val="1F3864"/>
+  </w:rPr>
+</w:style>
+
+<!-- Subtitle: medium, regular weight, lighter blue, centered -->
+<w:style w:type="paragraph" w:styleId="Subtitle">
+  <w:pPr>
+    <w:jc w:val="center"/>
+    <w:spacing w:after="320"/>
+  </w:pPr>
+  <w:rPr>
+    <w:sz w:val="30"/>
+    <w:color w:val="4472C4"/>
+  </w:rPr>
+</w:style>
+
+<!-- H1: page break before, large bold navy -->
+<w:style w:type="paragraph" w:styleId="Heading1">
+  <w:pPr>
+    <w:pageBreakBefore/>
+    <w:keepNext/>
+    <w:keepLines/>
+    <w:spacing w:before="480" w:after="160"/>
+    <w:outlineLvl w:val="0"/>
+  </w:pPr>
+  <w:rPr>
+    <w:b/>
+    <w:sz w:val="40"/>
+    <w:color w:val="1F3864"/>
+  </w:rPr>
+</w:style>
+
+<!-- Caption: small, italic, gray -->
+<w:style w:type="paragraph" w:styleId="Caption">
+  <w:pPr>
+    <w:spacing w:before="80" w:after="200"/>
+  </w:pPr>
+  <w:rPr>
+    <w:i/>
+    <w:sz w:val="18"/>
+    <w:color w:val="666666"/>
+  </w:rPr>
+</w:style>
+```
+
+```
+  Visual flow (good):
+
+  +----------------------------------+
+  |                                  |
+  |     ANNUAL REPORT 2025           |  <- Title: 26pt bold navy centered
+  |     Acme Corporation             |  <- Subtitle: 15pt regular blue
+  |                                  |
+  |                                  |
+  +----------------------------------+
+
+  +----------------------------------+
+  |                                  |
+  |  1. Executive Summary            |  <- H1: 20pt bold navy (page break)
+  |                                  |
+  |  Body text introducing the       |  <- Body: 11pt regular gray
+  |  main findings of the year.      |
+  |                                  |
+  |  1.1 Revenue Highlights          |  <- H2: 16pt bold navy
+  |                                  |
+  |  Revenue grew by 23% year        |  <- Body
+  |  over year, driven by...         |
+  |                                  |
+  |  Figure 1: Revenue Growth        |  <- Caption: 9pt italic gray
+  |                                  |
+  +----------------------------------+
+
+  Each level is immediately identifiable. The eye flows naturally
+  from title -> heading -> body -> caption.
+```
+
+### Bad Example
+
+```xml
+<!-- All headings same color as body, minimal size difference -->
+<w:style w:type="paragraph" w:styleId="Heading1">
+  <w:rPr>
+    <w:b/>
+    <w:sz w:val="28"/>       <!-- 14pt -- only 3pt above body -->
+    <w:color w:val="000000"/> <!-- same color as body -->
+  </w:rPr>
+</w:style>
+
+<!-- Caption same size as body, not italic -->
+<w:style w:type="paragraph" w:styleId="Caption">
+  <w:rPr>
+    <w:sz w:val="22"/>        <!-- same 11pt as body! -->
+    <w:color w:val="000000"/> <!-- same color as body -->
+  </w:rPr>
+</w:style>
+
+<!-- No page breaks between major sections -->
+<!-- H1 has no pageBreakBefore, keepNext, or keepLines -->
+```
+
+Problems:
+- H1 at 14pt is too close to body at 11pt (ratio 1.27 -- acceptable in
+  isolation but with black color matching body, the hierarchy is weak).
+- Caption is indistinguishable from body text.
+- No page breaks means major sections bleed into each other with no
+  visual rhythm.
+- Everything is black, so color provides zero hierarchy signal.
+
+### Quick Test
+
+1. **The squint test**: blur your eyes while looking at a full page. You
+   should see 3-4 distinct "weight levels" of gray. If the page looks like
+   one uniform shade, the hierarchy is too flat.
+2. **The scan test**: flip through pages quickly. Can you identify section
+   boundaries in under one second per page? If yes, the visual hierarchy is
+   working. If pages blur together, you need stronger differentiation at H1.
+3. **Adjacent level test**: for each heading level, check that it differs
+   from the next level on at least 2 of: size, weight, color, style (italic).
+   Single-dimension differences get lost.
+4. **Rhythm test**: in a document over 10 pages, do major sections (H1) start
+   on new pages? If not, long documents will feel like an undifferentiated
+   stream. Add `w:pageBreakBefore` to Heading1.
+
+---
+
+## Summary: Decision Checklist
+
+When you are unsure about a typographic choice, run through these checks:
+
+| Principle | Question | If No... |
+|-----------|----------|----------|
+| White Space | Does the page have at least 30% white space? | Increase margins or spacing |
+| Contrast | Can I count heading levels by squinting? | Increase size ratios (target 1.25x) |
+| Proximity | Does each heading clearly belong to text below it? | Make space-before > space-after (2:1) |
+| Alignment | Is English left-aligned and CJK justified? | Switch alignment mode |
+| Repetition | Do all same-level elements use the same style? | Replace direct formatting with styles |
+| Hierarchy | Can I see the document structure at arm's length? | Add more differentiation signals |
+
+**When two principles conflict, prioritize in this order:**
+
+1. **Readability** (white space, line spacing) -- always wins
+2. **Hierarchy** (contrast, scale) -- readers must find what they need
+3. **Consistency** (repetition) -- builds trust
+4. **Aesthetics** (alignment, grouping) -- the finishing touch